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This is Put Your Money Where Your Mouth Is, | 0:00:02 | 0:00:03 | |
the show that pitches TV's best loved antiques experts against each other | 0:00:03 | 0:00:07 | |
in an all-out battle for profit and gives you the inside view on the secrets of the trade. | 0:00:07 | 0:00:14 | |
Coming up, our experts show you how tenacity wins through in the end. | 0:00:14 | 0:00:20 | |
65 quid and that's yours. | 0:00:20 | 0:00:22 | |
-I'll give you 60 quid. -Done. -Yeah! | 0:00:22 | 0:00:25 | |
They reveal the secrets to successful selling. | 0:00:25 | 0:00:28 | |
Number one, try and find someone directly related to the item you're buying. | 0:00:28 | 0:00:34 | |
And how one phone call can make all the difference. | 0:00:34 | 0:00:38 | |
It's just now to see whether I've made a profit on it. | 0:00:38 | 0:00:40 | |
MOBILE PHONE RINGS And here we go! | 0:00:40 | 0:00:42 | |
Today's epic clash of the dealers | 0:00:56 | 0:00:58 | |
sees 'The Man From Morecambe', Paul Hayes, | 0:00:58 | 0:01:01 | |
take on Charlie 'The Charmer' Ross to see who can make | 0:01:01 | 0:01:04 | |
the biggest profit from buying and selling antiques. | 0:01:04 | 0:01:07 | |
It's the beaming blue-eyed boy from the North... | 0:01:07 | 0:01:11 | |
I don't want to blow my own trumpet, though! | 0:01:11 | 0:01:14 | |
..versus that wily old smoothie from Oxfordshire. | 0:01:14 | 0:01:17 | |
Oh, yeah, you're always saying to the young ladies! | 0:01:17 | 0:01:20 | |
Both are risking their reputations and their hard earned cash | 0:01:20 | 0:01:23 | |
in a contest that will test their dealing know-how to the absolute limit. | 0:01:23 | 0:01:28 | |
Today's dealers have up to £750 of their own money to spend. | 0:01:30 | 0:01:34 | |
Their mission, over a week of challenges, to make the most profit, which will go to charity. | 0:01:34 | 0:01:39 | |
Their battleground is a massive antiques sale on a disused airfield in Lincolnshire. | 0:01:39 | 0:01:45 | |
Now, The Man From Morecambe has done business here before, | 0:01:45 | 0:01:47 | |
but seasoned auctioneer Charlie is a Swinderby first-timer. | 0:01:47 | 0:01:53 | |
But it's the one who bags the most profitable bargains who will come out on top. | 0:01:53 | 0:01:57 | |
Charlie Ross and Paul Hayes, it's time to Put Your Money Where Your Mouth Is. | 0:01:57 | 0:02:03 | |
-It's so beautifully quiet here, so rural. -The green, green grass of home, Charlie. | 0:02:05 | 0:02:09 | |
Lincolnshire. Lovely, isn't it? | 0:02:09 | 0:02:11 | |
-Well, do you know what Lincolnshire is famous for? -What? | 0:02:11 | 0:02:14 | |
Some of the biggest antiques fairs in the country. Look at this place! | 0:02:14 | 0:02:18 | |
-Good Lord! -I cannot wait to make a start here. | 0:02:18 | 0:02:20 | |
What's your strategy, mate? | 0:02:20 | 0:02:22 | |
Well, I can see furniture here. | 0:02:22 | 0:02:24 | |
I can see a lot of heavy brown stuff, yes. | 0:02:24 | 0:02:26 | |
-That's my strategy for today, buy furniture. -Knock yourself out, mate. | 0:02:26 | 0:02:29 | |
-I pretend to know something about furniture. -Well, do you know what? | 0:02:29 | 0:02:32 | |
I actually have stood this very antique fair myself. | 0:02:32 | 0:02:34 | |
-I slept in the van for a couple of days, I know exactly what these guys are going through. -Yeah? | 0:02:34 | 0:02:38 | |
So my strategy is to have a good old chat to them | 0:02:38 | 0:02:40 | |
and try and find some bargains that they're willing to knock out at a fraction of the original cost. | 0:02:40 | 0:02:45 | |
-How much money have you got? -£750. How much have you got? | 0:02:45 | 0:02:48 | |
-So have I. -All right. -See you later. -Good luck. | 0:02:48 | 0:02:50 | |
This old airfield is a veritable antiques treasure chest just waiting | 0:02:50 | 0:02:54 | |
for our duelling duo to pour over, ponder and plunder it for profit. | 0:02:54 | 0:03:01 | |
But with temptations at every turn, will they stick to their strategies? | 0:03:01 | 0:03:06 | |
Who will buy the best booty? | 0:03:06 | 0:03:08 | |
With £750, it means I can't buy that many items if they're | 0:03:08 | 0:03:14 | |
the sort of items I would like, but there's enough of it for me to get my teeth into today. | 0:03:14 | 0:03:18 | |
The only thing is, I'm not really used to these fairs. | 0:03:18 | 0:03:21 | |
Old Hayes, well, he's an old master at these fairs. | 0:03:21 | 0:03:27 | |
He is indeed, Charlie. The Man From Morecambe has camped out here before | 0:03:27 | 0:03:31 | |
in his lifelong quest for profit and today he's bursting with confidence. | 0:03:31 | 0:03:35 | |
So, here we are, back on home turf! | 0:03:35 | 0:03:39 | |
I love this antique fair. It's fantastic. What a great invention! | 0:03:39 | 0:03:42 | |
Somebody has got an empty runway here, filled it full of stallholders and it's a great, exciting day out. | 0:03:42 | 0:03:48 | |
And there is literally something here for everybody. | 0:03:48 | 0:03:51 | |
There's all this heavy brown stuff, but there's lots and lots of interesting items as well. | 0:03:51 | 0:03:55 | |
The Charmer is moving at speed, buying up potentially profitable furniture at a rate of knots. | 0:03:55 | 0:04:02 | |
Victorian stool... | 0:04:02 | 0:04:04 | |
in walnut. | 0:04:04 | 0:04:06 | |
Good, generous cabriole legs. | 0:04:06 | 0:04:09 | |
Always turn up a piece of furniture like this, have a look at the bottom, | 0:04:09 | 0:04:13 | |
see how much of it is original, see if anything's been replaced. | 0:04:13 | 0:04:16 | |
It's got the original brackets here and, really, this is about as original as a stool could be. | 0:04:16 | 0:04:23 | |
We'll see if the price is as good as a price we'll get. Oh, crumbs! | 0:04:23 | 0:04:29 | |
It's £400, which is £100 a leg. | 0:04:29 | 0:04:32 | |
I think for me to buy and try and make a profit out of, it's going to have to go back on the floor. | 0:04:32 | 0:04:38 | |
-Nice thing, though. -No time for boggling at the shock horror prices, Charlie. | 0:04:38 | 0:04:43 | |
You need to keep moving on. | 0:04:43 | 0:04:45 | |
Your rival is hot on the scent of his first bargain, and he's going for jewellery. | 0:04:45 | 0:04:50 | |
Now, I've spotted one little thing here. This is a shell cameo. | 0:04:50 | 0:04:54 | |
Now, it's been mounted horribly. | 0:04:54 | 0:04:56 | |
That is actually really good quality, so I'm going to ask the lady how much that is. | 0:04:56 | 0:05:00 | |
A tenner. That's her best? | 0:05:00 | 0:05:02 | |
-Yeah, she's told you her best on it, yeah. -OK. Well, do you know what? | 0:05:02 | 0:05:06 | |
I think I'm going to buy that, because I suspect | 0:05:06 | 0:05:09 | |
that this actually is... | 0:05:09 | 0:05:11 | |
..a genuine cameo. And the way the cameo would work, this is a shell | 0:05:13 | 0:05:17 | |
which has multicolours obviously running through it as the shell grows, and then the carver, | 0:05:17 | 0:05:22 | |
or the craftsman, would actually carve through this particular design | 0:05:22 | 0:05:26 | |
revealing this colour underneath. So what you get is this wonderful contrast in colour. | 0:05:26 | 0:05:30 | |
It looks almost like a sunset with the beige sort of background. | 0:05:30 | 0:05:34 | |
And that to me does looks like a genuine item. | 0:05:34 | 0:05:36 | |
I don't think that is a plastic one, and I think what's happened is that it's been remounted at some point. | 0:05:36 | 0:05:41 | |
So, I think for £10 I'm going to remove this mount and start again. | 0:05:41 | 0:05:44 | |
-Yeah, I'm going to have that, I think. -As it is an antique, Paul's shell brooch is not subject | 0:05:44 | 0:05:49 | |
to any legislation, so does not need certification, and, smooth as you like, Paul has lift off! | 0:05:49 | 0:05:55 | |
But behind him down the runway, The Charmer can only follow in his slipstream. | 0:05:55 | 0:06:00 | |
May I have a look at your letter opener? | 0:06:00 | 0:06:03 | |
-Thank you. -Well, that's not furniture, though, is it, Charlie? What is it again? | 0:06:03 | 0:06:07 | |
-A little letter opener. -Oh! | 0:06:07 | 0:06:09 | |
Thank you. | 0:06:09 | 0:06:12 | |
Isn't that sweet? | 0:06:12 | 0:06:14 | |
It's got a very ornate silver handle. | 0:06:14 | 0:06:19 | |
I can see the hallmark. | 0:06:19 | 0:06:20 | |
It's Birmingham. It doesn't have a Victoria head on it. | 0:06:20 | 0:06:27 | |
I suspect it may be just into the Edwardian period. | 0:06:27 | 0:06:31 | |
Having said that, it is very ornate and looks very Victorian. | 0:06:31 | 0:06:35 | |
And the other part of it I particularly love | 0:06:35 | 0:06:38 | |
is the mother of pearl blade, frankly, in perfect condition. | 0:06:38 | 0:06:42 | |
Would £40 by it for cash? | 0:06:42 | 0:06:44 | |
No. 50 would. | 0:06:44 | 0:06:46 | |
-50 would. Would 45 do it? -48. | 0:06:46 | 0:06:49 | |
-I love your speed of delivery! -It has to be done. | 0:06:49 | 0:06:52 | |
-45 no good? -Go on, then. | 0:06:52 | 0:06:55 | |
-You're robbing me. -Oh, no, no, no! | 0:06:55 | 0:06:57 | |
That is fabulous. I think it's, you know, it's enough money, but it's | 0:06:57 | 0:07:01 | |
as good a condition as I've ever seen anything like that in. | 0:07:01 | 0:07:05 | |
So now The Charmer is flying high, too, | 0:07:05 | 0:07:08 | |
even though his original gameplan has been jettisoned in the process. | 0:07:08 | 0:07:12 | |
I've slipped away from the strategy just a little bit, but I'm allowed. | 0:07:12 | 0:07:16 | |
If I see something that isn't furniture with a profit in it, frankly, I've got to buy it. | 0:07:16 | 0:07:21 | |
Yes, profit's the name of this game and, with one buy apiece, this dealer dogfight is in full swing. | 0:07:21 | 0:07:28 | |
The Man From Morecambe swoops on a piece of pre-war pottery. | 0:07:28 | 0:07:32 | |
Do you know what? This is exactly what I'm looking for here. | 0:07:32 | 0:07:35 | |
This is one of the most iconic designs of the 1930s. | 0:07:35 | 0:07:38 | |
It's a lady called Charlotte Rhead. And if have you have a look at the | 0:07:38 | 0:07:41 | |
back here, she worked for Crown Ducal, which is there, and that's her signature there, CH Rhead. | 0:07:41 | 0:07:46 | |
And she developed a method of tube lining, which sounds very posh, but it's almost like icing a cake. | 0:07:46 | 0:07:51 | |
And what would happen, she would actually draw the outline in very thick slip, in real pottery, | 0:07:51 | 0:07:56 | |
do the outline of the design and then paint the interior, | 0:07:56 | 0:07:59 | |
so what you end up with is almost a three dimensional effect. | 0:07:59 | 0:08:02 | |
Now this fantastic design, this sort of blues, | 0:08:02 | 0:08:04 | |
you get bright oranges, very Byzantine and Persian sort of designs. | 0:08:04 | 0:08:08 | |
Her inspiration actually were from Persian carpets and that sort of thing. | 0:08:08 | 0:08:12 | |
The only snag is, as the lady said, she brought it perfect, | 0:08:12 | 0:08:15 | |
but this has a little bit of a chip and I'm wondering... | 0:08:15 | 0:08:18 | |
She's asked me £30 for the plate, that isn't obviously the end deal yet, we'll come to that in a minute, | 0:08:18 | 0:08:23 | |
but if I can get this a little bit cheaper it might actually be worth paying £20 or £30, | 0:08:23 | 0:08:27 | |
or a little bit more, to have that restored and then we have a plate maybe at 100 or 120 quid. | 0:08:27 | 0:08:32 | |
So there's a margin for profit here, actually. | 0:08:32 | 0:08:35 | |
So the secret is to try and buy perfect, | 0:08:35 | 0:08:37 | |
but if you can't buy perfect, buy the best you can, and she really is one of the best designers. | 0:08:37 | 0:08:42 | |
Paul gets the chipped plate for £25, but only time will tell whether | 0:08:42 | 0:08:47 | |
restoring it will net him the profit he's hoping for. | 0:08:47 | 0:08:50 | |
Furniture is slipping ever further off The Charmer's radar. | 0:08:50 | 0:08:54 | |
I'm not certain, | 0:08:54 | 0:08:57 | |
but I think this is what's called a pantograph. | 0:08:57 | 0:08:59 | |
It's called a what? | 0:08:59 | 0:09:01 | |
Pantograph. | 0:09:01 | 0:09:03 | |
It's a... | 0:09:03 | 0:09:05 | |
drawing instrument, brass, | 0:09:05 | 0:09:08 | |
stamped with a London maker, in its, by the look of it, original box. | 0:09:08 | 0:09:13 | |
And I think it's for copying a plan on to another piece of parchment or paper. | 0:09:13 | 0:09:19 | |
And old architectural instruments are highly collectable, especially if they're good quality. | 0:09:19 | 0:09:24 | |
You want to look for a London maker and brass as opposed to any other alloy. | 0:09:24 | 0:09:30 | |
So you've got most of the ingredients there. | 0:09:30 | 0:09:33 | |
-It's a nice thing. Would £150 cash by it? -It wouldn't, I'm afraid, no. | 0:09:33 | 0:09:37 | |
Would it not? It would get pretty close, wouldn't it? | 0:09:37 | 0:09:40 | |
I think the best on it would be 225. | 0:09:40 | 0:09:43 | |
200 cash, sir. | 0:09:45 | 0:09:47 | |
Cash! Real crispy notes! | 0:09:47 | 0:09:51 | |
I've gone from 150. Well, that's actually meeting you halfway, isn't it, really? | 0:09:51 | 0:09:56 | |
-Go on. -200 cash, I'll have a deal with you. | 0:09:56 | 0:09:58 | |
I wonder if there's a profit in it. | 0:09:58 | 0:10:00 | |
Too late to find out! | 0:10:00 | 0:10:03 | |
£200 for a pantograph?! | 0:10:03 | 0:10:06 | |
Well, Charlie, you're the expert. | 0:10:06 | 0:10:08 | |
The Charmer is offloading some serious cash, | 0:10:08 | 0:10:11 | |
and now he's got another off-strategy buy in his sights. | 0:10:11 | 0:10:15 | |
Ah ha! There are a set of four very ornate dishes, which I love. | 0:10:15 | 0:10:21 | |
Let's see if I can do a little deal, so run away with the camera and I'll come back to you later. | 0:10:21 | 0:10:27 | |
The blue-eyed boy is blissfully unaware of Charlie's drastic change in strategy. | 0:10:27 | 0:10:33 | |
This is the sort of thing I'm sure Charlie will be looking at. | 0:10:33 | 0:10:36 | |
Isn't that beautiful? It's called a Wellington chest and it was named | 0:10:36 | 0:10:40 | |
after the Duke of Wellington who carried one on his campaign. | 0:10:40 | 0:10:43 | |
And the idea was that with these little side pieces here you can lock | 0:10:43 | 0:10:46 | |
the drawers so that you know exactly who has been in and out of them. | 0:10:46 | 0:10:49 | |
But in here you'd have your private papers. | 0:10:49 | 0:10:51 | |
But I do love the fact that it has this drop front. I'm going to ask him the price. | 0:10:51 | 0:10:54 | |
-Hello, sir. -Hello. -How much is this fella? | 0:10:54 | 0:10:56 | |
The Wellington with the secretaries, 1,500. | 0:10:56 | 0:10:59 | |
£1,500. There we are. | 0:10:59 | 0:11:00 | |
Well, at these prices it's no wonder The Charmer's not buying furniture, | 0:11:00 | 0:11:05 | |
but he has netted his dishes. | 0:11:05 | 0:11:06 | |
-How much, Charlie? -£220 for a set of four solid silver bon-bon dishes. | 0:11:06 | 0:11:13 | |
Originally cased, but only half cased now. | 0:11:13 | 0:11:17 | |
But they're good and I like them. | 0:11:17 | 0:11:20 | |
Wow! Charlie's blown over half his budget on his last two buys alone, | 0:11:20 | 0:11:23 | |
whilst Paul's push for profit has taken a patriotic turn. | 0:11:23 | 0:11:27 | |
Now then, this is exactly the sort of thing I'm looking for. | 0:11:27 | 0:11:30 | |
This is commemorative ware. These are very, very collectable items. | 0:11:30 | 0:11:34 | |
This is to do with the Royal family and this one is the Duchess of York, so that's Fergie and Andy, | 0:11:34 | 0:11:39 | |
that's their wedding in 1986 and it's a limited edition of 510. | 0:11:39 | 0:11:43 | |
I quite like that, actually. Good, good quality. | 0:11:43 | 0:11:46 | |
It's made by Wedgwood. Hello, sir. | 0:11:46 | 0:11:48 | |
How much is your mug? | 0:11:48 | 0:11:51 | |
-35. -£35. Can I make you an offer? I do like it. | 0:11:51 | 0:11:54 | |
There is actually another one somewhere. | 0:11:54 | 0:11:56 | |
Well, they're not that rare, then, you've got another one here! | 0:11:56 | 0:11:59 | |
Oh, it's there. So how much is the pair? | 0:11:59 | 0:12:02 | |
What's that one? That's 541. | 0:12:02 | 0:12:04 | |
-541 of 1,000. -1,000, yeah. | 0:12:04 | 0:12:05 | |
There's only 2,000 in the world. | 0:12:05 | 0:12:07 | |
Can you see anywhere near £20, or is that being too cheeky? | 0:12:07 | 0:12:10 | |
No. 25 each I could do, that's all. | 0:12:12 | 0:12:15 | |
25 each. That's 50 quid for the pair, actually. | 0:12:15 | 0:12:18 | |
-Can you see 40 the pair? I'll take them off you. -Yeah, go on, then. | 0:12:18 | 0:12:21 | |
Is that all right with you? All right, OK. | 0:12:21 | 0:12:24 | |
Good work, Paul. All you need to do now is find a right raving royalist | 0:12:24 | 0:12:28 | |
and you're limited edition mugs could turn a nice little profit. | 0:12:28 | 0:12:32 | |
The Charmer is homing in on a limited edition piece of a very different kind, | 0:12:32 | 0:12:37 | |
a commemorative rudder priced up at £120. | 0:12:37 | 0:12:41 | |
I'm fascinated by rowing history, Oxford, Cambridge. | 0:12:41 | 0:12:44 | |
This is something to do with Cambridge. | 0:12:44 | 0:12:47 | |
Not Cambridge University, I'll warrant. | 0:12:47 | 0:12:49 | |
Old Cantabrigians 1st School Boat. | 0:12:49 | 0:12:53 | |
What I would really like to do is buy this lot if I can, | 0:12:53 | 0:12:58 | |
and see if we could find old Barker or Shadbolt or Hawkes and see if one of them would like to buy it. | 0:12:58 | 0:13:04 | |
-Hello. -Hi. Charlie is the name. | 0:13:04 | 0:13:05 | |
-Hiya. How do you do? -I'm intrigued by this. | 0:13:05 | 0:13:07 | |
-Do you know anything about it at all? -No. No, I've just bought it. | 0:13:07 | 0:13:10 | |
Can you take 50 quid for it? | 0:13:10 | 0:13:11 | |
-No. -You can't? | 0:13:11 | 0:13:14 | |
No, the very best price on that would be £100. | 0:13:14 | 0:13:17 | |
Really? | 0:13:17 | 0:13:19 | |
-Could you do it for 80 for me? -No, honestly, I can't. | 0:13:19 | 0:13:22 | |
-You can't. -It's got to be £100. -It's got to be £100. | 0:13:22 | 0:13:26 | |
Yeah. If you can't sell it I'll buy it back off you. | 0:13:26 | 0:13:28 | |
What about that! Did you hear that? | 0:13:28 | 0:13:31 | |
-How can I possibly not buy it with a money back guarantee? You're a gentleman, sir. -OK. | 0:13:31 | 0:13:35 | |
It's Charlie's fourth buy of the day and the great hope of the South | 0:13:35 | 0:13:39 | |
is feeling confident as he bumps into the champion of the North. | 0:13:39 | 0:13:44 | |
So, have you stuck to your strategy, stuck to your guns? | 0:13:44 | 0:13:46 | |
-What do you think? -I don't know, actually. | 0:13:46 | 0:13:48 | |
I can't see you lifting any big lumps of furniture. | 0:13:48 | 0:13:50 | |
The fact is, I have spent some money. Have I bought any furniture? | 0:13:50 | 0:13:53 | |
Not a bit. | 0:13:53 | 0:13:54 | |
And you were so keen, as well! Come on. | 0:13:54 | 0:13:56 | |
-Oh, dear. -Let's keep looking, eh? There's lots of heavy stuff here. | 0:13:56 | 0:13:59 | |
There are plenty of things round the corner, there. I like it here. | 0:13:59 | 0:14:03 | |
So, in the great battle of Swinderby who is flying high and who is flying by the seat of his pants? | 0:14:03 | 0:14:09 | |
Charlie and Paul started with a budget of up to £750 of their own money. | 0:14:11 | 0:14:16 | |
Charlie's four buys have cost him an extravagant £565, | 0:14:16 | 0:14:21 | |
leaving him £185 in his kitty. | 0:14:21 | 0:14:24 | |
Paul has made three buys so far, spending just £75, | 0:14:24 | 0:14:29 | |
and he's got a healthy £675 | 0:14:29 | 0:14:32 | |
still to spend. | 0:14:32 | 0:14:33 | |
But there's plenty of profit hunting | 0:14:33 | 0:14:35 | |
left in our boys yet. | 0:14:35 | 0:14:37 | |
Time is ticking on and The Charmer still craves the profit potential of a great big hunk of furniture, | 0:14:39 | 0:14:46 | |
but everything he's seen is beyond his budget and now he's spent most of his cash on other items. | 0:14:46 | 0:14:52 | |
I'm determined to buy one piece of furniture, | 0:14:52 | 0:14:57 | |
but I've only got £185 left. | 0:14:57 | 0:15:00 | |
That is a bit of a problem. | 0:15:00 | 0:15:03 | |
What sort of furniture am I going to find that I like for less than £185? | 0:15:03 | 0:15:10 | |
I'll be very lucky. | 0:15:10 | 0:15:12 | |
Opponent Paul is now under pressure. | 0:15:12 | 0:15:15 | |
He's spent only a tenth of his £750 budget and he's weighing up the profit in everything he sees. | 0:15:15 | 0:15:21 | |
Next on his radar is a stained glass window. | 0:15:21 | 0:15:25 | |
Now, this is a genuine item from the 19th century and the way you can tell | 0:15:25 | 0:15:29 | |
is that they will make the whole design from one piece of coloured glass, so it's all done by machine, | 0:15:29 | 0:15:34 | |
and then they would actually add the lead afterwards to give it that three-dimensional effect. | 0:15:34 | 0:15:39 | |
The real McCoy uses individual pieces of glass to build up the entire picture. | 0:15:39 | 0:15:43 | |
What you've got to watch is to make sure that nothing's been cracked or damaged. I really like it. | 0:15:43 | 0:15:48 | |
It's not, like, damaged in any way is it, or anything? | 0:15:48 | 0:15:50 | |
Oh, a little bit here, look. | 0:15:50 | 0:15:52 | |
Have you translated it? | 0:15:52 | 0:15:54 | |
Do you know anything about who it is? | 0:15:54 | 0:15:55 | |
-Nothing at all. You just bought it blind. -I can't speak Welsh. | 0:15:55 | 0:15:59 | |
-Is it Welsh? -Yeah. | 0:15:59 | 0:16:00 | |
It looks more Latin, doesn't it? It says here Henry David Tudor. | 0:16:00 | 0:16:04 | |
Oh, yeah, Henry David Tudor, there we are, MBE. | 0:16:04 | 0:16:07 | |
Well, I like it. Can you see 150 in it? | 0:16:07 | 0:16:11 | |
-That's realistic how I see it. -No. I can't do it. | 0:16:11 | 0:16:13 | |
-You really can't. -No, 230. | 0:16:13 | 0:16:15 | |
230. Isn't that an appointment with a dentist, tooth hurty? | 0:16:15 | 0:16:20 | |
Oh, Paul! | 0:16:20 | 0:16:23 | |
-180 and I'll take it away before it gets broken. -No. There's the profit. | 0:16:23 | 0:16:26 | |
200 quid, that's the death. | 0:16:26 | 0:16:28 | |
Is that the absolute death? | 0:16:28 | 0:16:32 | |
200 quid. | 0:16:32 | 0:16:34 | |
-£200. -It's a good looker for 200 quid. | 0:16:34 | 0:16:37 | |
Do you know what? I think I'm going to shake your hand on that, all right? | 0:16:37 | 0:16:41 | |
Paul splashes out a mighty spend at last. | 0:16:41 | 0:16:45 | |
He gets a whopping 15% off the original asking price | 0:16:45 | 0:16:49 | |
and adds a stained glass Welshman to his treasure chest. | 0:16:49 | 0:16:53 | |
There's furniture galore at this place. | 0:16:53 | 0:16:56 | |
Hefty sideboards, wall cabinets, grandfather clocks, more wooden chests than a pirate ship, | 0:16:56 | 0:17:01 | |
so guess what stops The Charmer in his tracks? | 0:17:01 | 0:17:04 | |
A Victorian cast iron pub table, but it's been coated with so much | 0:17:06 | 0:17:10 | |
black paint we've lost a lot of the definition here. | 0:17:10 | 0:17:15 | |
These rosettes are much crisper than they would appear behind the black paint. | 0:17:15 | 0:17:20 | |
Britannia is much crisper and you can probably just about see | 0:17:20 | 0:17:24 | |
the Union Jack here. | 0:17:24 | 0:17:25 | |
If you really wanted to be ultra pedantic about this, | 0:17:25 | 0:17:28 | |
you could take all the paint off, repaint the Union Jack with the colours. | 0:17:28 | 0:17:32 | |
I think that would be a little flash. | 0:17:32 | 0:17:34 | |
I can't see any reason why you couldn't get 120, 150, | 0:17:40 | 0:17:44 | |
in which case it needs to be bought for...80. | 0:17:44 | 0:17:48 | |
-The death on it is 95. -The death on it is 95. | 0:17:48 | 0:17:51 | |
If I crept up to 90 could we do that? | 0:17:51 | 0:17:54 | |
-Would you do that for me? -Yes, that will do. -You're an angel. | 0:17:54 | 0:17:57 | |
Send out the Red Arrows, The Charmer has at last brought something with legs on! | 0:17:57 | 0:18:03 | |
I've done it. I have bought a piece of furniture. | 0:18:03 | 0:18:07 | |
Well, garden furniture. Conservatory furniture. | 0:18:07 | 0:18:11 | |
But furniture nevertheless! | 0:18:11 | 0:18:13 | |
It hasn't got much wood in it. | 0:18:13 | 0:18:15 | |
I said I'd be buying wood, wood, and I've bought a lump of iron! | 0:18:15 | 0:18:20 | |
Now, Paul has got some serious catching up to do. | 0:18:22 | 0:18:25 | |
He still has just under £500 burning a hole in his pocket | 0:18:25 | 0:18:29 | |
and our North Country boy is calling in all his local knowledge | 0:18:29 | 0:18:32 | |
to root out last minute bargains before the traders pack up. | 0:18:32 | 0:18:36 | |
Good to see you. How are you doing, mate? Are you all right? | 0:18:38 | 0:18:41 | |
Hello, mate. How are you doing? How do, mate, all right? | 0:18:41 | 0:18:45 | |
-I'm all right. -Good lad. That's what you find. | 0:18:45 | 0:18:47 | |
You see a lot of old friends that you haven't seen for a long time. Hello, are you all right? | 0:18:47 | 0:18:51 | |
-Well, you've been in my house enough times. -Nice to see you, mate. | 0:18:51 | 0:18:54 | |
-Anything antique on here, that's what I'm looking for. -Me! | 0:18:54 | 0:18:57 | |
-And what an exotic bargain our boy lays his hands on. -Do you know what? | 0:19:02 | 0:19:06 | |
I took a complete gamble there. | 0:19:06 | 0:19:08 | |
Sometimes you have to trust your instincts. I've never seen one on the market before. | 0:19:08 | 0:19:12 | |
It's obviously an Indian sitar, very popular in the 1960s. | 0:19:12 | 0:19:15 | |
You know, George Harrison, that sort of thing. What's it worth? I don't know. | 0:19:15 | 0:19:19 | |
It's a bit damaged, but as a decorative piece, for 25 quid, it must be worth that! | 0:19:19 | 0:19:23 | |
I bet you haven't bought one of these today, Charlie? | 0:19:23 | 0:19:25 | |
Now, wouldn't it be extraordinary if... No, no, he hasn't. | 0:19:25 | 0:19:29 | |
But, late in the day, The Charmer might have just had a real stroke of luck. He's bumped into an old chum. | 0:19:29 | 0:19:36 | |
Mickey Smith! Cor blimey. | 0:19:36 | 0:19:38 | |
-Well, trawl my memory! -Yeah. | 0:19:38 | 0:19:40 | |
-Are you just packing up? -Yeah. | 0:19:40 | 0:19:42 | |
In one fell swoop, Charlie grabs an Edwardian tray for £60 | 0:19:42 | 0:19:47 | |
and trumps his rival's local connections whilst he's at it. | 0:19:47 | 0:19:51 | |
So, Mr Hayes, you are not the only person here that knows everybody. | 0:19:51 | 0:19:57 | |
I know one or two people and... | 0:19:57 | 0:20:00 | |
they've done me a bargain. | 0:20:00 | 0:20:03 | |
A real snip for 60 quid. | 0:20:03 | 0:20:06 | |
I think there's a substantial profit in it. | 0:20:06 | 0:20:09 | |
And now the final dash in this dealing ding dong is underway. | 0:20:11 | 0:20:15 | |
At this stage, anything that smells a profit is fair game for whoever gets there first. | 0:20:15 | 0:20:22 | |
Art lover Paul lightens his wallet and broadens his portfolio and his he's very excited indeed | 0:20:22 | 0:20:27 | |
by this striking painting of a mother and child ice skating. | 0:20:27 | 0:20:31 | |
It starts off at £200. | 0:20:31 | 0:20:33 | |
I managed to get it for 170, which I think is a really good price. | 0:20:33 | 0:20:37 | |
What's it worth at the end? I don't know, but | 0:20:37 | 0:20:39 | |
it's perfect to put into an auction, or someone that deals in Russian paintings. | 0:20:39 | 0:20:43 | |
But it's a bit like skating on thin ice. Hopefully, I'll come out on top. | 0:20:43 | 0:20:46 | |
Time will tell if Paul's instinct will prove profitable. | 0:20:46 | 0:20:50 | |
The Charmer risks a modest £15 on his last buy of the day. | 0:20:50 | 0:20:54 | |
A copper tray. You can just about still see the Johnnie, | 0:20:54 | 0:20:57 | |
you can just about still see the Walker. | 0:20:57 | 0:21:00 | |
And The Man From Morecambe makes next one last ditch pitch for profit | 0:21:00 | 0:21:05 | |
when he pays £110 for this solid copper shield from, wait for it, the Plymouth Rock Chicken Club. | 0:21:05 | 0:21:11 | |
It's a challenge trophy, and I think I've set myself a challenge now. | 0:21:11 | 0:21:16 | |
I've got to find a chicken fancier with a penchant for Art Nouveau copper. Do you know anybody? No? | 0:21:16 | 0:21:22 | |
Either do I! | 0:21:22 | 0:21:24 | |
And with that, the great booty buying battle of Lincolnshire is over. | 0:21:24 | 0:21:28 | |
So, how much have each of our antiques aces spent? | 0:21:28 | 0:21:32 | |
Well, they started the day with £750 in their pockets. | 0:21:32 | 0:21:37 | |
Charlie shelled out an impressive £730 on his seven buys. | 0:21:37 | 0:21:42 | |
Paul also bought seven items and spent just £580, but it's | 0:21:42 | 0:21:48 | |
the profit that our duelling duo make that decides the victor. | 0:21:48 | 0:21:52 | |
Before they go their separate ways to sell, | 0:21:52 | 0:21:55 | |
Paul and Charlie take the chance to nose through each other's wares. | 0:21:55 | 0:21:58 | |
-Have you had a good day? -I really enjoyed myself. | 0:21:59 | 0:22:02 | |
-I've seen lots of old friends and it's been a great day, yes. -You bought a sitar! What did it cost? | 0:22:02 | 0:22:07 | |
That's for me to know, you to find out, Charlie, I think. | 0:22:07 | 0:22:10 | |
-You creep! You absolute creep! -What's been your favourite? | 0:22:10 | 0:22:12 | |
You did buy a dreadful painting, didn't you? | 0:22:12 | 0:22:15 | |
If that was more than a fiver they saw you coming. | 0:22:15 | 0:22:18 | |
-It was. -Was it really? -Yes, they saw me coming. | 0:22:18 | 0:22:20 | |
-The frame's worth four quid. -Thank you(!) That's nice of you. | 0:22:20 | 0:22:23 | |
-I was going to be very nice. -Yeah? | 0:22:23 | 0:22:25 | |
-You've bought a lump of old brass in a box there. -Yes, it's a pantograph. -A what? | 0:22:25 | 0:22:29 | |
A pantograph. I said, "How much is this pantograph?" He said, "What?" | 0:22:29 | 0:22:34 | |
It's a 19th century, London-made, brass drawing instrument, but I paid a huge amount of money for it, so... | 0:22:34 | 0:22:40 | |
-Well... -Well, all we've got to do is sell it. | 0:22:40 | 0:22:42 | |
That's right, mate, and good luck to you. | 0:22:42 | 0:22:44 | |
Now, Charlie and Paul must make as much profit as they possibly can | 0:22:44 | 0:22:48 | |
on the items they bought at today's antiques fair. | 0:22:48 | 0:22:52 | |
As well as his pantograph, Charlie must also sell... | 0:22:52 | 0:22:56 | |
a Victorian letter opener, four silver dishes, | 0:22:56 | 0:23:00 | |
an Edwardian kidney-shaped tray, this commemorative rudder, | 0:23:00 | 0:23:05 | |
a Victorian table and the brass advertising tray. | 0:23:05 | 0:23:09 | |
In addition to his sitar and painting, Paul must sell this cameo brooch, | 0:23:09 | 0:23:16 | |
a Charlotte Rhead plate, two limited edition royal wedding mugs, | 0:23:16 | 0:23:19 | |
a stained glass window and a copper plaque. | 0:23:19 | 0:23:24 | |
For our expert dealers Charlie and Paul, buying their items at | 0:23:28 | 0:23:32 | |
the antiques fair was just the start of today's epic challenge. | 0:23:32 | 0:23:36 | |
Now they must sell them for the best possible price | 0:23:36 | 0:23:40 | |
All the profit they make will be going to their chosen charities. | 0:23:40 | 0:23:43 | |
The Man From Morecambe is a second generation dealer and believes that | 0:23:43 | 0:23:48 | |
when it comes to selling you have to think long term. | 0:23:48 | 0:23:52 | |
So many people out there want to take the fastest profit without worrying | 0:23:52 | 0:23:57 | |
about the consequences, where I'm always in for the long game. | 0:23:57 | 0:24:00 | |
I will always try and look after my clients or someone who's buying something off me. | 0:24:00 | 0:24:04 | |
I want to feel I can go back there again some time in the future. | 0:24:04 | 0:24:07 | |
Yes, he's a man of honour, our Paul, but will his upfront and honest | 0:24:07 | 0:24:11 | |
reputation help him seal the deals he needs to win today's battle? | 0:24:11 | 0:24:16 | |
In Oxfordshire, the sweet scents of a summer morning fill the air. | 0:24:16 | 0:24:21 | |
Now, our boys will be putting together deals on the phone and by internet, but they both know | 0:24:21 | 0:24:25 | |
that until cash changes hands no deal is truly sealed. | 0:24:25 | 0:24:31 | |
Try and find someone directly related to the item you're buying, | 0:24:31 | 0:24:37 | |
so I'm thinking that Messrs Shadbolt, Hewett, Hawkes, etc, | 0:24:37 | 0:24:41 | |
are members of the old Cantabrigians Society, if there is such a thing. | 0:24:41 | 0:24:45 | |
So I'm simply going to go on to the internet here, type in | 0:24:45 | 0:24:49 | |
Old Cantabrigians and if nothing comes up, end of story, frankly! | 0:24:49 | 0:24:54 | |
Sounds like a corking plan, Charlie, and straightaway our man gets a lead. | 0:24:54 | 0:24:58 | |
Ah! There's a telephone number. | 0:24:58 | 0:25:02 | |
But the trail goes cold when no-one answers. | 0:25:03 | 0:25:07 | |
No, it's rung for so long it's rung off. | 0:25:09 | 0:25:11 | |
-But then, just as it seems all hope is lost... -Oh, not Shadbolt. | 0:25:15 | 0:25:20 | |
Does the name ring a bell? | 0:25:20 | 0:25:24 | |
LAUGHS: So you know them all! Thank you so much. All the best. Thank you, goodbye. | 0:25:24 | 0:25:28 | |
How amazing was that? He actually knows most of the people on there. | 0:25:31 | 0:25:36 | |
I think Impey and Shadbolt have probably rowed their last race, but the others... | 0:25:36 | 0:25:43 | |
And I said which one would be most approachable. | 0:25:43 | 0:25:45 | |
"I think they would all be most approachable and I think they'd be fascinated | 0:25:45 | 0:25:49 | |
"to be contacted and I can't believe that one of them wouldn't love to have it on their wall". | 0:25:49 | 0:25:54 | |
Charlie's detective work gets him off to a very promising start, | 0:25:54 | 0:25:59 | |
but if the rudder is The Charmer's prime purchase, | 0:25:59 | 0:26:02 | |
then for The Man From Morecambe it's got to be his oil painting. | 0:26:02 | 0:26:06 | |
Because if this signature is legitimate, Paul's chances | 0:26:06 | 0:26:10 | |
of winning today's competition are looking very rosy indeed. | 0:26:10 | 0:26:14 | |
Why? Well, let's just say that so far the top price paid for an Alexei Jawlensky painting | 0:26:14 | 0:26:19 | |
stands at just over 18 million and even that mighty handsome rudder | 0:26:19 | 0:26:25 | |
of Charlie's won't match up to that! | 0:26:25 | 0:26:28 | |
Paul has hotfooted it down to London | 0:26:28 | 0:26:30 | |
where he's hoping a renowned art specialist can give him some answers. | 0:26:30 | 0:26:36 | |
Having had a quick chance to look at it, I wouldn't mind doing a bit | 0:26:36 | 0:26:40 | |
of closer analysis of it, partly the back always tells me something. | 0:26:40 | 0:26:44 | |
You're looking for signs that the painting hasn't been tampered with, | 0:26:44 | 0:26:47 | |
but this looks like it's been in here for quite a long time. | 0:26:47 | 0:26:50 | |
Back to the front of the painting, I'd like to have a look at this under ultraviolet light, | 0:26:50 | 0:26:55 | |
because that way I can see disturbances on the surface of the paint, where there's any over | 0:26:55 | 0:27:01 | |
painting, particularly in this area here, which, my hunch is that something has happened here. | 0:27:01 | 0:27:05 | |
-Right. -We should have a closer look. | 0:27:05 | 0:27:07 | |
Do we need like a lab suits and...? | 0:27:07 | 0:27:08 | |
No, it's not as advanced as that! But, if you could close the doors, | 0:27:08 | 0:27:12 | |
I'll switch off the big lights and we can have a look at it under ultraviolet. | 0:27:12 | 0:27:15 | |
Great. Sounds fantastic. | 0:27:15 | 0:27:17 | |
The truth is out there about our blue-eyed boy's painting. | 0:27:17 | 0:27:22 | |
OK, Paul, one of the things I can see here, you can probably see it | 0:27:22 | 0:27:26 | |
as well, is just around the figure and the head you can see... | 0:27:26 | 0:27:30 | |
with the ultraviolet, there's been some extra work done | 0:27:30 | 0:27:33 | |
to cut in and redefine the positioning of the figure. | 0:27:33 | 0:27:36 | |
Not that that necessarily makes one suspicious, | 0:27:36 | 0:27:39 | |
but it shows there's been some additional work on the canvas and particularly around the hand. | 0:27:39 | 0:27:44 | |
The artist has not been happy with it and has just shaded in more | 0:27:44 | 0:27:47 | |
to try and get the right definitions and the shape. | 0:27:47 | 0:27:50 | |
But that could have been done originally? | 0:27:50 | 0:27:52 | |
It could well have been. | 0:27:52 | 0:27:54 | |
The crucial thing is the authenticity of that signature. | 0:27:54 | 0:27:57 | |
Going further down, my hunch is that there's been a previous signature | 0:27:57 | 0:28:02 | |
underneath the signature that's on it just now, | 0:28:02 | 0:28:05 | |
which would suggest that this may have been painted by another artist other than Jawlensky. | 0:28:05 | 0:28:10 | |
So, let's have a quick look at that area in daylight, as well. | 0:28:10 | 0:28:14 | |
OK, just to the left of the signature there seems to be the | 0:28:14 | 0:28:16 | |
shapes of other letters tucked in on top of the white paint there, which | 0:28:16 | 0:28:22 | |
suggests to me at least that this signature may have been tampered with. It's still a good thing. | 0:28:22 | 0:28:27 | |
-Great! -But it's not in the multiples of tens of thousands of pounds. | 0:28:27 | 0:28:32 | |
Are there any issues with having the signature Jawlensky on it? | 0:28:32 | 0:28:36 | |
Can you legally sell that? How does it work? | 0:28:36 | 0:28:38 | |
Normally, when it's being catalogued | 0:28:38 | 0:28:40 | |
-I would describe it as "bearing the signature". -OK. | 0:28:40 | 0:28:44 | |
That is the sort of caveat which says it may or may not be. | 0:28:44 | 0:28:47 | |
-It's pretty much saying it's not. -Yes. | 0:28:47 | 0:28:49 | |
That being said, are you happy to handle it through the auction here? | 0:28:49 | 0:28:53 | |
Yes. It can be properly catalogued, so it won't fool anybody as to what it really is. | 0:28:53 | 0:28:59 | |
They will appraise it and, hopefully, bid for it accordingly. | 0:28:59 | 0:29:02 | |
Oh, poor old Paul! Unearthing a lost masterpiece would be an absolute dream come true for any dealer, | 0:29:02 | 0:29:08 | |
but the silver lining is that the auction house have agreed to put the painting into their next sale. | 0:29:08 | 0:29:13 | |
There's no time for tears, though, because one of Charlie's items | 0:29:13 | 0:29:17 | |
has attracted the interest of one of his best buyers. | 0:29:17 | 0:29:20 | |
-Charlie! -Ah, ha ha! -Hi, Charlie! -How are you? | 0:29:20 | 0:29:23 | |
-'And, true to form, The Charmer is one popular fellow around these parts.' -Come on through. | 0:29:23 | 0:29:29 | |
-Hello. -This is my favourite bit. Hi. | 0:29:29 | 0:29:33 | |
Hello. This is wonderful! | 0:29:33 | 0:29:38 | |
Hello, Tilly! | 0:29:38 | 0:29:39 | |
Have you met Tilly before? | 0:29:39 | 0:29:41 | |
-How do you do? -'With the whole room thoroughly charmed, Charlie has a bit of a confession to make.' | 0:29:41 | 0:29:48 | |
-You know I said it was a letter opener. -Yes, exactly. | 0:29:48 | 0:29:50 | |
-I think it's a page turner. -A page turner? -Yeah. | 0:29:50 | 0:29:53 | |
It's rather better than I thought it was. | 0:29:53 | 0:29:55 | |
Isn't it the most wonderful quality? | 0:29:55 | 0:29:57 | |
I thought, "Well, I know a man that likes quality". | 0:29:57 | 0:30:00 | |
-Well, absolutely. -Are you interested in buying it? -No, I am, very. -Yeah? | 0:30:00 | 0:30:04 | |
I really would be interested in buying that. How much do you think? | 0:30:04 | 0:30:08 | |
I'd like £85 for it. | 0:30:08 | 0:30:10 | |
-No, that's too little. -Too little?! -I think it's worth more than that. | 0:30:10 | 0:30:14 | |
Well, I won't ask any more. | 0:30:14 | 0:30:17 | |
Hold the horses! Isn't the buyer supposed to haggle the dealer down, not up? | 0:30:17 | 0:30:22 | |
Either way, Charlie records today's first sale and, having virtually | 0:30:22 | 0:30:26 | |
doubled his money on the page turner, he's off to a flying start. | 0:30:26 | 0:30:30 | |
And he quickly follows up | 0:30:30 | 0:30:32 | |
by selling his advertising tray to a local pub for £20. | 0:30:32 | 0:30:36 | |
Both our experts are desperate to maximise | 0:30:36 | 0:30:39 | |
the profit potential of every item they bought at the antiques fair. | 0:30:39 | 0:30:43 | |
Paul has sent his damaged sitar to a specialist dealer in Southall. | 0:30:43 | 0:30:48 | |
Step one is to get an expert's view on its value. | 0:30:48 | 0:30:51 | |
I know virtually nothing about sitars, I admit. | 0:30:51 | 0:30:54 | |
What exactly have I brought? Have I bought a Stradivarius? | 0:30:54 | 0:30:57 | |
Is it a long lost masterpiece like a violin? | 0:30:57 | 0:31:00 | |
It's just for learning purposes, or children could use. | 0:31:00 | 0:31:02 | |
-Right, like a beginner's violin. -Yeah. | 0:31:02 | 0:31:05 | |
-A beginner's sitar. -What's the condition like? | 0:31:05 | 0:31:07 | |
When I had a look at the sitar first, it's the pumpkin has been repaired before. | 0:31:07 | 0:31:12 | |
-So this is actually a pumpkin? -This is a pumpkin. | 0:31:12 | 0:31:15 | |
It's been repaired before. You can see here someone's | 0:31:15 | 0:31:17 | |
tried repairing it themselves and not done really a good job. | 0:31:17 | 0:31:21 | |
So, can you give me sort of a ballpark figure? I mean, what would a beginner's sitar... | 0:31:21 | 0:31:26 | |
This one, when it was new, probably about £200, £250. | 0:31:26 | 0:31:29 | |
OK. | 0:31:29 | 0:31:31 | |
So, there you are. A nice guy, but some bad news there. | 0:31:33 | 0:31:36 | |
It's going to cost me £50 for that restoration. That bumps up my cost price to quite a lot. | 0:31:36 | 0:31:41 | |
I was hoping to get around the 200 mark for it, but I found out it maybe cost about that new. | 0:31:41 | 0:31:47 | |
So, there we are, a bit of thinking to do, I think. | 0:31:47 | 0:31:50 | |
Oh, the poor lad looks crestfallen, but that's not Paul's only problem. | 0:31:50 | 0:31:55 | |
In keeping with his honest approach to selling, he's told his potential | 0:31:55 | 0:31:59 | |
buyer, a local restaurateur, that the sitar cost him £25, | 0:31:59 | 0:32:03 | |
but it seems Mr Hayes has had a memory bypass because he forgot to mention that he was planning | 0:32:03 | 0:32:09 | |
to have it restored, so it's no wonder he's a little shocked by Paul's opening asking price. | 0:32:09 | 0:32:16 | |
If I was to ask you £150 for this? | 0:32:16 | 0:32:19 | |
Oh! £150? | 0:32:19 | 0:32:20 | |
I think that's way, way beyond my expectations of the budget. | 0:32:20 | 0:32:24 | |
-I thought more than half of that price. -Would you give me a bit of profit? | 0:32:24 | 0:32:28 | |
-Because I have enjoyed it and I really want you to have it. Could we say £90? -90 quid, yeah. | 0:32:28 | 0:32:32 | |
OK? So, shall we shake on that, then? | 0:32:32 | 0:32:34 | |
-All right. With one proviso. -Go on, then. | 0:32:34 | 0:32:37 | |
-Can I have a ride in your bus? -Yeah, come on, of course you can. | 0:32:37 | 0:32:40 | |
Look at this, it's amazing, isn't it? | 0:32:40 | 0:32:42 | |
Ouch! £90 less costs means Paul only makes seven pounds on the sitar. | 0:32:42 | 0:32:48 | |
Still, our blue-eyed boy has | 0:32:48 | 0:32:50 | |
a knack of getting over disappointment very quickly. | 0:32:50 | 0:32:53 | |
I bet you've never had a ride on a bus like this, Charlie! | 0:32:53 | 0:32:57 | |
You may well be right, Paul, but Charlie is certainly in the | 0:32:57 | 0:33:00 | |
driving seat in today's competition and he swells his coffers even further when he sells his set of | 0:33:00 | 0:33:05 | |
four silver bonbon dishes to another local contact. | 0:33:05 | 0:33:09 | |
Now, would you believe it, Paul has had some more bad luck with his bronze shield? | 0:33:11 | 0:33:15 | |
It turns out that the Plymouth Rock Chicken Club still consider | 0:33:15 | 0:33:19 | |
the shield to be their property and, being the man of honour | 0:33:19 | 0:33:23 | |
and all round good egg that he is, Paul took the time out to return it personally to the club secretary. | 0:33:23 | 0:33:28 | |
All right, nice to meet you. | 0:33:28 | 0:33:30 | |
Dear me, spitting feathers! | 0:33:30 | 0:33:33 | |
Paul's mood improved though when the Put Your Money games masters decided | 0:33:33 | 0:33:38 | |
to reimburse him the £110 he paid for the shield in recognition | 0:33:38 | 0:33:42 | |
of his good deed, but he's now one potential profit maker down. | 0:33:42 | 0:33:45 | |
What he needs now is a bit of good old-fashioned luck, | 0:33:45 | 0:33:49 | |
and that's exactly what he gets when he sells one of his Andrew and Fergie mugs to collector Stephen. | 0:33:49 | 0:33:55 | |
Have you got this exact one? | 0:33:55 | 0:33:58 | |
-No, not this very one, no. -So, would you be interested in one of them, do you think? | 0:33:58 | 0:34:03 | |
Yes, I'll have one off you. | 0:34:03 | 0:34:05 | |
£15 profit is a result. | 0:34:05 | 0:34:07 | |
Now all Paul has to do is find a buyer for his other mug. | 0:34:07 | 0:34:11 | |
So far Charlie has sold three items and generated £100 worth of profit. | 0:34:11 | 0:34:18 | |
Paul has sold two items and has made just £22. | 0:34:18 | 0:34:22 | |
Charlie has a commanding lead, but with Paul's painting still | 0:34:22 | 0:34:26 | |
to go under the hammer and Charlie's rudder yet to find a buyer, | 0:34:26 | 0:34:30 | |
today's epic battle is far from over. | 0:34:30 | 0:34:32 | |
Charlie is taking a trip down Memory Lane with his next potential sale. | 0:34:36 | 0:34:39 | |
He's hoping to sell his pantograph to the dealer and collector | 0:34:39 | 0:34:44 | |
who gave him his very first job way back in - ahem - 1968. | 0:34:44 | 0:34:50 | |
Good to see there's nothing wrong with The Charmer's memory. | 0:34:50 | 0:34:54 | |
I remember there... I'm sure there was a pantograph in the old office. | 0:34:54 | 0:34:58 | |
Yes, I did have... I've had two. | 0:34:58 | 0:35:00 | |
-Have you? -I had a little one. -Yeah. | 0:35:00 | 0:35:02 | |
-And one that sort of size. -Yeah. I'm going to reveal all here. | 0:35:02 | 0:35:06 | |
The ones I've seen, the wheels are damaged. | 0:35:06 | 0:35:09 | |
To have a wheel made for one of these, you'd know better than me, | 0:35:09 | 0:35:12 | |
but you wouldn't see any change out of 100 quid, I shouldn't think. | 0:35:12 | 0:35:15 | |
-I wouldn't think so, no. -No. Having seen it, can I interest you in it? | 0:35:15 | 0:35:19 | |
Well, yes, at a price. | 0:35:19 | 0:35:21 | |
HE LAUGHS | 0:35:21 | 0:35:23 | |
I would like £300 for it. | 0:35:23 | 0:35:25 | |
Well, I was thinking of two. | 0:35:25 | 0:35:28 | |
-Were you? -Yes. | 0:35:28 | 0:35:30 | |
What about meeting you halfway? | 0:35:30 | 0:35:32 | |
Well, I think a bit less than that. 225? | 0:35:32 | 0:35:35 | |
225. What a cunning offer. | 0:35:35 | 0:35:39 | |
I'm really... | 0:35:39 | 0:35:41 | |
If you could make it 235, David, I'll do a deal with you. | 0:35:41 | 0:35:45 | |
230. | 0:35:45 | 0:35:47 | |
-It sounds like a time of day rather than a price! -Yes. | 0:35:47 | 0:35:50 | |
Having spent such a large slice of his buying budget on the | 0:35:50 | 0:35:54 | |
pantograph, Charlie might be a little disappointed with a profit | 0:35:54 | 0:35:58 | |
of just £35, but he's not about to push his old patron too hard. | 0:35:58 | 0:36:02 | |
Up in Morecambe, our family man, Paul, is also looking to the past for a bit of selling inspiration. | 0:36:02 | 0:36:09 | |
I grew up in an antique dealer's house. | 0:36:09 | 0:36:11 | |
My father was an antique dealer and the big snag was some days you could be sat at a table, | 0:36:11 | 0:36:16 | |
the next day it's gone, he had sold it! That's literally what happened! | 0:36:16 | 0:36:20 | |
I heard a story, that he sold my mum's bed once. | 0:36:20 | 0:36:23 | |
It was a big brass bed and she came home, she had no bed! | 0:36:23 | 0:36:26 | |
So, we've made it a rule not to have too many things around the house | 0:36:26 | 0:36:29 | |
because, A - you want to keep them and, B - I can't sell them from under Katherine's foot, or feet. | 0:36:29 | 0:36:35 | |
And Paul is hoping that his dealing pedigree will stand him | 0:36:35 | 0:36:38 | |
in good stead for his next sale because he's hoping to sell his stained glass to an old mate | 0:36:38 | 0:36:43 | |
of his dad's and one of the area's biggest antiques exporters. | 0:36:43 | 0:36:49 | |
-To be honest, Paul... -Go on. | 0:36:49 | 0:36:51 | |
-It's not a bad looking window, that. -Fantastic! | 0:36:51 | 0:36:53 | |
-I'm not keen on this. -No. -That... | 0:36:53 | 0:36:56 | |
What we could do with that, Paul, is what you call put a strap on it. | 0:36:56 | 0:36:59 | |
You would solder a piece of lead on there. It would make it look part of the pattern, you see? | 0:36:59 | 0:37:04 | |
So you disguise that. | 0:37:04 | 0:37:06 | |
-So rather than replace the panel, you'd repair that with lead? -Yeah. | 0:37:06 | 0:37:11 | |
-Put a piece of lead down there. -That's clever. -And there. | 0:37:11 | 0:37:13 | |
That's easier than getting the glass out. | 0:37:13 | 0:37:16 | |
Oh, yeah, yeah. I wouldn't mind having a go, if the money's right. | 0:37:16 | 0:37:19 | |
Well, of course, yeah. Why don't I ask you £500 and see your reaction? | 0:37:19 | 0:37:23 | |
-Don't put your fist through it, will you? -Why don't I bid you 220 quid? | 0:37:23 | 0:37:27 | |
Well, we've got a start, haven't we? | 0:37:27 | 0:37:29 | |
Where do you seriously see it? | 0:37:29 | 0:37:31 | |
One price and one price only, 300 quid. | 0:37:31 | 0:37:35 | |
You can't squeeze it a little more? | 0:37:35 | 0:37:37 | |
I do realise that's probably your limit, but you couldn't go for, 350. | 0:37:37 | 0:37:41 | |
I know it's being a bit cheeky, but you have known me a long time! | 0:37:41 | 0:37:44 | |
Yeah, well, I remember your dad, Pete's I Buy Anything. | 0:37:44 | 0:37:47 | |
-Pete's, Morecambe Street. -That's right. -Yeah. | 0:37:47 | 0:37:49 | |
-And he did buy anything. -He bought anything, yes. | 0:37:49 | 0:37:51 | |
But nothing heavy. He was never into furniture. | 0:37:51 | 0:37:53 | |
No, he liked something he could put in his pocket. | 0:37:53 | 0:37:56 | |
-That's exactly what he says, "If it doesn't go in your pocket, don't buy it". -Yeah. | 0:37:56 | 0:37:59 | |
I'll tell you what I'll do, mate. | 0:37:59 | 0:38:01 | |
I'll be generous, I'll give you three and a quarter... | 0:38:01 | 0:38:06 | |
and that's it. | 0:38:06 | 0:38:08 | |
325 quid. | 0:38:08 | 0:38:09 | |
That gives you a bit of a profit, I can get a few quid and, | 0:38:09 | 0:38:16 | |
hopefully, that will please you. | 0:38:16 | 0:38:18 | |
That will please me, and I think you've been very generous. Shall we shake on that, then? | 0:38:18 | 0:38:22 | |
Yeah, all right, mate. | 0:38:22 | 0:38:23 | |
Watch out, people, Paul is back with a bang! | 0:38:23 | 0:38:26 | |
And at £125 lands the biggest profit of the day. | 0:38:26 | 0:38:31 | |
This is shaping up to be a no holds barred race to the finishing line in today's competition. | 0:38:31 | 0:38:37 | |
The Charmer has received a letter from the North of England and it's all about his rudder. | 0:38:37 | 0:38:43 | |
Listen to this. | 0:38:43 | 0:38:46 | |
"Dear Mr Ross, I wish I could remember more of what happened in our rowing. | 0:38:46 | 0:38:51 | |
"You are very welcome to use the scraps I told you. | 0:38:51 | 0:38:54 | |
"I'm sorry that Collins may have gone ahead", another wonderful expression! | 0:38:54 | 0:38:59 | |
"I would like to have his rudder. | 0:38:59 | 0:39:01 | |
"Would £200 be enough to give you a bit of a profit? | 0:39:01 | 0:39:04 | |
"If it would, then perhaps you might let me know". | 0:39:04 | 0:39:07 | |
Well, are we going to let him know! Isn't that amazing! | 0:39:07 | 0:39:11 | |
That's a cracking sale for Charlie. | 0:39:11 | 0:39:13 | |
The item he picked out as his best buy doubles its money. | 0:39:13 | 0:39:17 | |
The only bad news is Charlie's cast iron table takes a | 0:39:17 | 0:39:20 | |
a bite out of his overall profit when it makes a loss of £25. | 0:39:20 | 0:39:26 | |
Paul's quest for victory receives a mighty boost when his restored | 0:39:26 | 0:39:30 | |
Charlotte Rhead plate delivers him a profit of £55, but it suffers | 0:39:30 | 0:39:33 | |
a setback when he fails to sell his second mug and his cameo brooch. | 0:39:33 | 0:39:39 | |
But it's not over yet for The Man From Morecambe. | 0:39:39 | 0:39:44 | |
Earlier, Paul put his painting into auction and now he's waiting with bated breath to hear the results. | 0:39:44 | 0:39:50 | |
Do you remember that Russian painting I bought? | 0:39:50 | 0:39:52 | |
It's gone into auction and will be sold any second now. | 0:39:52 | 0:39:56 | |
I'm waiting for a telephone call from the auctioneer to give me the result, good or bad. | 0:39:56 | 0:40:00 | |
It's just now to see whether I've made a profit on it. And here we go! | 0:40:00 | 0:40:04 | |
OK, here we are, wish me luck! | 0:40:04 | 0:40:06 | |
Chiswick calling Morecambe. Morecambe, come in, please. Can you hear me, Morecambe? | 0:40:08 | 0:40:12 | |
Will this phone call deliver the news that Paul wants to hear? | 0:40:12 | 0:40:14 | |
We'll find out shortly. | 0:40:14 | 0:40:16 | |
Either way, today's contest has been a real battle. | 0:40:16 | 0:40:21 | |
Charlie spent £730 at the antiques fair and a further | 0:40:21 | 0:40:25 | |
£10 on restoration, and he's sold all of his items. | 0:40:25 | 0:40:29 | |
Paul spent £580 and a further | 0:40:29 | 0:40:31 | |
£98 on restoration, but still has his painting left to sell. | 0:40:31 | 0:40:36 | |
All the money Charlie and Paul have made from today's challenge | 0:40:36 | 0:40:40 | |
will go to the charities of their choice, so, without further ado, | 0:40:40 | 0:40:43 | |
it's time to find out which of them has made the most cash and | 0:40:43 | 0:40:47 | |
who is today's Put Your Money Where Your Mouth Is champion. | 0:40:47 | 0:40:50 | |
-Charlie. -Mr Morecambe! -How are you? | 0:40:50 | 0:40:54 | |
-Here we are. -I'm very well. | 0:40:54 | 0:40:55 | |
-This is so heavy, do you know why? -Why, go on? -All my profit in it! | 0:40:55 | 0:40:58 | |
-It's full of money, is it? -How did you get on? | 0:40:58 | 0:41:00 | |
Mine's only full of notes, so it's quite light! | 0:41:00 | 0:41:02 | |
You can't have got anything for that Russian painting. | 0:41:02 | 0:41:05 | |
There was a cold wind blowing here this morning, yes, that Russian painting. | 0:41:05 | 0:41:10 | |
-How did you get on with your letter opener? -Oh, seriously well. | 0:41:10 | 0:41:12 | |
But you know it wasn't a letter opener, as I discovered? | 0:41:12 | 0:41:15 | |
-It was a page turner. -OK. | 0:41:15 | 0:41:17 | |
-It made it even rarer. -Is that right? -Even more money. | 0:41:17 | 0:41:20 | |
-I want to see how much you made. -Shall we find out? -Yeah. | 0:41:20 | 0:41:22 | |
I want to win this one because the antique fair, should be my forte. | 0:41:22 | 0:41:26 | |
It should be. Oh, come on! Stop beating about the bush. | 0:41:26 | 0:41:28 | |
One, two, three. Go! | 0:41:28 | 0:41:31 | |
-Whay! -Ohhh! | 0:41:32 | 0:41:35 | |
You can't have made that amount! | 0:41:35 | 0:41:37 | |
-Well done, mate. -But we both did very well there. | 0:41:37 | 0:41:40 | |
-You did well. Come on. -It was good fun though! | 0:41:40 | 0:41:42 | |
So, it's victory for The Man From Morecambe. Why? | 0:41:42 | 0:41:45 | |
Because original or not, a buyer loved his painting as much as Paul did. | 0:41:45 | 0:41:51 | |
-It made 380, hammer. -Ohh, hoo-hoo! Fantastic! | 0:41:51 | 0:41:55 | |
-Is that all right? -That's amazing, yeah. | 0:41:55 | 0:41:57 | |
It's cost me 170, so that gives me a good bit of profit. | 0:41:57 | 0:42:00 | |
And that £380, less fees, made Paul a whopping great profit | 0:42:00 | 0:42:06 | |
of just under £180. | 0:42:06 | 0:42:08 | |
It's been a rollercoaster ride for both our experts, but it's hats off | 0:42:08 | 0:42:12 | |
to today's Put Your Money champion, Paul Hayes. | 0:42:12 | 0:42:17 | |
So, there we are. I'm delighted to win the Swinderby challenge and to stuff that Charlie Ross. | 0:42:17 | 0:42:22 | |
It was all down to that Russian painting. So, there we are. | 0:42:22 | 0:42:25 | |
My ingenuity and my gamble paid off and I made some good money for my charity, as well. | 0:42:25 | 0:42:29 | |
Annihilated by Morecambe. | 0:42:29 | 0:42:32 | |
A fate worse than death! | 0:42:32 | 0:42:34 | |
But, I've made a few bob for my charity, | 0:42:34 | 0:42:37 | |
and I live to fight another day. | 0:42:37 | 0:42:39 | |
Well said, Charlie. | 0:42:39 | 0:42:41 | |
It's been an epic week of wheeling and dealing. With two wins apiece, | 0:42:41 | 0:42:45 | |
this week's Put Your Money Where Your Mouth Is champion | 0:42:45 | 0:42:48 | |
won't be decided until tomorrow in the ultimate 48-hour dealing showdown. | 0:42:48 | 0:42:53 | |
We're here in record time. | 0:42:54 | 0:42:57 | |
I think that's Morecambe done. Off to Lancaster we go! | 0:42:57 | 0:42:59 | |
Subtitles by Red Bee Media Ltd | 0:43:20 | 0:43:23 | |
E-mail [email protected] | 0:43:23 | 0:43:26 |