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This is Put Your Money Where Your Mouth Is, | 0:00:02 | 0:00:04 | |
the show that pitches TV's best-loved antiques experts | 0:00:04 | 0:00:07 | |
against each other | 0:00:07 | 0:00:08 | |
in an all-out battle for profit... | 0:00:08 | 0:00:11 | |
I'm a double your money girl. | 0:00:11 | 0:00:13 | |
..and gives you the insider's view of the trade. | 0:00:13 | 0:00:16 | |
You've got to be in it to win it. | 0:00:16 | 0:00:19 | |
Each week, one pair of duelling dealers will face | 0:00:19 | 0:00:22 | |
a different daily challenge... | 0:00:22 | 0:00:24 | |
Lovely! We've got some work to do. Let's go. | 0:00:24 | 0:00:26 | |
..putting their own money and their hard-earned reputations on the line | 0:00:26 | 0:00:31 | |
as they see who can make the most money from buying and selling. | 0:00:31 | 0:00:35 | |
Get in there! | 0:00:36 | 0:00:38 | |
Today, deal-doing Derbyshire dynamo James Lewis | 0:00:38 | 0:00:42 | |
takes on the devilish duellist from Durham, David Harper. | 0:00:42 | 0:00:47 | |
Coming up, James makes a play for the oldest potential purchase | 0:00:47 | 0:00:52 | |
in Put Your Money history. | 0:00:52 | 0:00:54 | |
3 million BC, and it's a fossilised skull. | 0:00:54 | 0:00:57 | |
-David's profit plans are in peril. -It's not what I was expecting. | 0:00:57 | 0:01:03 | |
-And the Lionheart goes all out to destroy his rival. -Fire! | 0:01:03 | 0:01:07 | |
It's Put Your Money Where Your Mouth Is. | 0:01:07 | 0:01:10 | |
Today, two crack collectables commandos break out | 0:01:23 | 0:01:27 | |
into an unsuspecting antiques market. | 0:01:27 | 0:01:30 | |
If there's a profit to be made, if the bargains are out there, | 0:01:30 | 0:01:35 | |
and if no one else can find them, | 0:01:35 | 0:01:37 | |
it's time to call in the Profit Paratroopers. | 0:01:37 | 0:01:41 | |
In one corner, it's "Devilish" David Harper, | 0:01:44 | 0:01:47 | |
a lean, mean buying machine on a mission to destroy the enemy. | 0:01:47 | 0:01:51 | |
What kind of money? Where's the owner? | 0:01:51 | 0:01:53 | |
In the other, it's profit-seeking missile James "The Lionheart" Lewis. | 0:01:53 | 0:01:59 | |
Once he locks on target, no antique escapes. | 0:01:59 | 0:02:03 | |
There's me, there's me, there's me, there's me again. | 0:02:03 | 0:02:06 | |
These soldiers of fortune are battling it out | 0:02:06 | 0:02:09 | |
today at Newark Antiques Fair in Nottinghamshire. | 0:02:09 | 0:02:12 | |
Their mission, to bag and tag the trusty treasures that they can then sell on for the most profit. | 0:02:12 | 0:02:18 | |
If you see something, you like it, you can afford it, bag it. | 0:02:20 | 0:02:23 | |
They've each got £750 of their own money to spend | 0:02:23 | 0:02:27 | |
and all the profit goes to their chosen charities. | 0:02:27 | 0:02:32 | |
David Harper and James Lewis, | 0:02:32 | 0:02:35 | |
it's time to put your money where your mouth is. | 0:02:35 | 0:02:38 | |
-David, how are you. -James, marvellous. And what a gorgeous day. | 0:02:38 | 0:02:44 | |
-Lovely, isn't it? -My gosh, it's beautiful. | 0:02:44 | 0:02:46 | |
-Well, you're on my stamping ground today. -I know I am. Absolutely magnificent. | 0:02:46 | 0:02:50 | |
Buying the goods is not a problem. | 0:02:50 | 0:02:52 | |
Not having enough money will be the problem. | 0:02:52 | 0:02:55 | |
But there you go, it's a good, fun day. Any plans? | 0:02:55 | 0:02:58 | |
At a fair like this you don't have to put all your eggs in one basket. | 0:02:58 | 0:03:01 | |
There is such an expanse of choice. | 0:03:01 | 0:03:04 | |
I'm going to buy a bit of this, a bit of that and mix it up a bit. | 0:03:04 | 0:03:07 | |
-How about you? -I've got a list of clients from the shop, | 0:03:07 | 0:03:10 | |
so I'm going to try and buy with people in mind. | 0:03:10 | 0:03:12 | |
-Good luck. -You too. -Have fun. | 0:03:12 | 0:03:14 | |
Now, these two can banter with the best | 0:03:14 | 0:03:17 | |
but this ain't no boys' own buddy movie. | 0:03:17 | 0:03:19 | |
Oh, no, this is war. | 0:03:19 | 0:03:22 | |
Battle plans in place, | 0:03:23 | 0:03:26 | |
our deadly duo launch themselves into the combat zone. | 0:03:26 | 0:03:28 | |
Our veterans start their mission by scouting out their targets. | 0:03:34 | 0:03:39 | |
Being at the biggest fair in Europe has its advantages | 0:03:40 | 0:03:43 | |
but also significant disadvantages. | 0:03:43 | 0:03:46 | |
The selection is vast, and it just makes it very difficult | 0:03:46 | 0:03:50 | |
to decide what to buy and what not to buy. | 0:03:50 | 0:03:53 | |
My normal approach is pretty much scattergun. | 0:03:54 | 0:03:57 | |
I go out and I buy what I see is right at the time | 0:03:57 | 0:04:00 | |
and you go by your gut instinct. | 0:04:00 | 0:04:02 | |
But I do have from memory a number of clients | 0:04:02 | 0:04:05 | |
looking for specific things, so I need foodie stuff | 0:04:05 | 0:04:07 | |
for restaurants, for a cheese shop, and I need interior design things. | 0:04:07 | 0:04:12 | |
Both our brave boys are desperate to fire the first salvo | 0:04:12 | 0:04:16 | |
that will blow a hole in their opponent's chances of victory. | 0:04:16 | 0:04:20 | |
And it's the Devilish One who's first to spot a potential target. | 0:04:23 | 0:04:27 | |
This is an example of how quirky the antiques business is. | 0:04:27 | 0:04:31 | |
I think it's a snuffbox. I picked it up and this gentleman said to me, | 0:04:31 | 0:04:35 | |
"We can't get inside the base", inside here I'm lost. | 0:04:35 | 0:04:40 | |
If I buy it, I've got to be able to show how it works time and time again, otherwise I'll never sell it. | 0:04:40 | 0:04:46 | |
-Can it be horrifyingly cheap? Can it be 20 quid? -No. -Can it be 25? | 0:04:46 | 0:04:51 | |
-It can be 30 and that's it. -Really? Let me have a look at it. | 0:04:51 | 0:04:54 | |
It is a proper antique. | 0:04:54 | 0:04:56 | |
OK, so it's mahogany, hand-made, | 0:04:56 | 0:05:00 | |
brass inlay, nice starburst there. | 0:05:00 | 0:05:03 | |
-I'll have it. Thank you very much. -Thank you very much. | 0:05:03 | 0:05:07 | |
First strike to Devilish David. | 0:05:07 | 0:05:09 | |
And he's determined to press the advantage. | 0:05:09 | 0:05:11 | |
Can I just have a look at that? | 0:05:11 | 0:05:14 | |
These things are often described as pillboxes, aren't they? | 0:05:14 | 0:05:19 | |
It's the kind of thing that a lady would carry in her handbag | 0:05:19 | 0:05:22 | |
to contain pills, but the way to tell whether this is indeed a pillbox is to open it up | 0:05:22 | 0:05:27 | |
and have a look at the inside top of the lid. | 0:05:27 | 0:05:30 | |
If there's a mirror there, it's not a pillbox, it's a patch box. | 0:05:30 | 0:05:33 | |
So what is a patch box? | 0:05:33 | 0:05:35 | |
Well, in the 18th century, circa 1770 when this was made, | 0:05:35 | 0:05:39 | |
it was very fashionable for a lady | 0:05:39 | 0:05:41 | |
-to put... -Spots. -..little black spots on her face. | 0:05:41 | 0:05:43 | |
A patch on the face. It's a bonny thing. It's a proper antique | 0:05:43 | 0:05:48 | |
and these things are exactly why I'm in this business. | 0:05:48 | 0:05:51 | |
Now I've talked about it, I've probably talked the price up. How much is it? | 0:05:51 | 0:05:55 | |
Don't say it's too expensive. Make it horrifyingly cheap. | 0:05:55 | 0:05:57 | |
-It's £85 and that's the best I can do. -£70. | 0:05:57 | 0:06:01 | |
-£70 is my best price. -OK. Go on then. -Thank you. | 0:06:01 | 0:06:06 | |
Yes, that's a mighty double blow from David | 0:06:06 | 0:06:09 | |
but it seems his strategy has gone for a Burton. | 0:06:09 | 0:06:13 | |
I said I was going to be buying with people in mind. | 0:06:13 | 0:06:15 | |
I don't have anybody I know of looking for a snuff, | 0:06:15 | 0:06:18 | |
and I don't have any ladies looking for a patch box. | 0:06:18 | 0:06:22 | |
And also, I cannot for the life of me work out how this works. | 0:06:22 | 0:06:28 | |
David might have abandoned his battle plan | 0:06:28 | 0:06:30 | |
but he's off to an explosive start. | 0:06:30 | 0:06:33 | |
Two items up on his rival for a combined price of £100. But the Lionheart has been busy. | 0:06:33 | 0:06:39 | |
And he's unearthed something quite extraordinary. | 0:06:39 | 0:06:44 | |
What's that? | 0:06:44 | 0:06:45 | |
This is 3 million BC and it's the fossilised skull of an animal | 0:06:45 | 0:06:51 | |
that was in between, about the size of a deer, sheep. | 0:06:51 | 0:06:55 | |
Canine teeth. | 0:06:55 | 0:06:57 | |
-What a strange thing! -It's nice to get a fossil in that condition. | 0:06:58 | 0:07:04 | |
-And how much is that? -That's £200. | 0:07:04 | 0:07:08 | |
James isn't ready yet to take a gamble on the fossilised skull | 0:07:09 | 0:07:14 | |
but he's spotted another interesting antiquity at the stall, | 0:07:14 | 0:07:17 | |
a Roman amphora marked up at £250. | 0:07:17 | 0:07:20 | |
-Let's have a look. -With that stand, there's just not enough in it. | 0:07:22 | 0:07:26 | |
It's a Roman amphora, 100 AD. | 0:07:29 | 0:07:35 | |
It would have contained either oil or wine. | 0:07:35 | 0:07:37 | |
And it's been brought into this country, found 10 years ago. | 0:07:37 | 0:07:40 | |
Hmm, the Lionheart's interest is piqued | 0:07:40 | 0:07:43 | |
and his interests are seldom wrong. | 0:07:43 | 0:07:46 | |
-The best on the fossil? -The best on the fossil, £160. | 0:07:46 | 0:07:52 | |
I'll give you 350 quid for the two. | 0:07:52 | 0:07:55 | |
-Yeah, you've got a deal. -Deal. Brilliant. Two wonderful objects. | 0:08:00 | 0:08:03 | |
Thank you so much, you've made my day. Right, great. | 0:08:03 | 0:08:07 | |
Extraordinary. In one daring swoop, the Lionheart snatches the initiative | 0:08:12 | 0:08:15 | |
from David's devilish crutches, | 0:08:15 | 0:08:18 | |
but he's taken a massive risk, spending nearly half his budget. | 0:08:18 | 0:08:24 | |
£350, early in the day. | 0:08:24 | 0:08:26 | |
Only time will tell if such an audacious move will pay off. | 0:08:26 | 0:08:31 | |
The Devilish One is preparing to return fire | 0:08:33 | 0:08:37 | |
and he's got a 19th century chair in his sights. | 0:08:37 | 0:08:40 | |
Take a look at that. That is a real antique chair. | 0:08:41 | 0:08:46 | |
Dating to about 1860, and absolutely exquisitely made. | 0:08:46 | 0:08:51 | |
But where was it made? Where would you think? | 0:08:51 | 0:08:53 | |
I'm sure you're shouting "China, Japan". Yes, absolutely wrong. | 0:08:53 | 0:08:57 | |
Completely and utterly wrong. | 0:08:57 | 0:08:59 | |
That's an English chair but inspired by the Orient. | 0:08:59 | 0:09:03 | |
It is probably a beech chair. It's been lacquered, you've got that black finish, | 0:09:03 | 0:09:08 | |
and then it's been hand-painted in golden gild, | 0:09:08 | 0:09:11 | |
which has rubbed off beautifully over the last 150, 170 years, | 0:09:11 | 0:09:15 | |
and then it's inlaid with that gorgeous, | 0:09:15 | 0:09:18 | |
iridescent mother of pearl. | 0:09:18 | 0:09:21 | |
It's in a gorgeous condition apart from the seat. That is the downside. | 0:09:21 | 0:09:25 | |
Are you ready? That. | 0:09:25 | 0:09:28 | |
That wouldn't be much fun, would it? | 0:09:31 | 0:09:33 | |
If you go and sit down, you fall through the chair. | 0:09:33 | 0:09:35 | |
There's the problem. I can do that, by the way, because I've bought the chair. | 0:09:35 | 0:09:38 | |
I need to take it to someone I know and put a new cane seat in that. | 0:09:38 | 0:09:43 | |
So it cost me £80 for a gorgeous, almost 150 year-old chair, | 0:09:43 | 0:09:48 | |
an absolute bargain. | 0:09:48 | 0:09:51 | |
Our furniture fancier is shooting down his opponent's | 0:09:51 | 0:09:55 | |
hopes of victory and he's absolutely in his element. | 0:09:55 | 0:09:59 | |
If this was some kind of natural history programme, the voice-over | 0:09:59 | 0:10:03 | |
now would be saying, "This is David Harper in his natural habitat." | 0:10:03 | 0:10:07 | |
-AS DAVID ATTENBOROUGH: -This is David Harper in his natural habitat. | 0:10:08 | 0:10:12 | |
This hairless mammal is usually found foraging at antiques fairs | 0:10:12 | 0:10:17 | |
for anything that will make a profit. | 0:10:17 | 0:10:20 | |
You don't mind me having a look and a handle? | 0:10:20 | 0:10:23 | |
The distinctive headgear is a symbol of virility | 0:10:23 | 0:10:26 | |
and the fleece covering helps keep him warm in these cold outdoor climates. | 0:10:26 | 0:10:32 | |
Large eye lenses aid the long range identification of prey. | 0:10:32 | 0:10:36 | |
Oh... | 0:10:36 | 0:10:38 | |
Fiercely protective of the cash he keeps in his pouch, | 0:10:38 | 0:10:42 | |
he'll often display aggressive tactics to insure his stash is preserved. | 0:10:42 | 0:10:48 | |
175 is the money. It's just a bit too much for me to turn over | 0:10:48 | 0:10:52 | |
and make any profit so I'll leave that for now. | 0:10:52 | 0:10:54 | |
His rival in the wild is the big beast, Lionus Heartus. | 0:10:54 | 0:11:00 | |
These two are often found fighting in the same territory | 0:11:00 | 0:11:02 | |
over prospective prey. | 0:11:02 | 0:11:05 | |
Oh, and what's this? | 0:11:05 | 0:11:07 | |
It looks like we can catch the Harper fresh from the kill. | 0:11:07 | 0:11:11 | |
And what a magnificent sight he is. | 0:11:11 | 0:11:13 | |
Well, here's another example of me | 0:11:15 | 0:11:17 | |
absolutely taking no notice of any plan of attack, | 0:11:17 | 0:11:21 | |
following my own advice, and looking and buying specific items for specific people. | 0:11:21 | 0:11:25 | |
I don't have anybody currently looking for a trunk, | 0:11:25 | 0:11:30 | |
but please, just clap your eyes on one of the bonniest, | 0:11:30 | 0:11:34 | |
prettiest little trunks you're ever likely to see, that will soon, | 0:11:34 | 0:11:39 | |
with just a tiny little bit of work and waxing, | 0:11:39 | 0:11:42 | |
be converted into the most wonderful, | 0:11:42 | 0:11:45 | |
contemporary and funky side table. | 0:11:45 | 0:11:47 | |
Yes, the Devilish One paid £80 for the trunk | 0:11:47 | 0:11:50 | |
and has another item in his arsenal. | 0:11:50 | 0:11:54 | |
With fierce fighting so far today, | 0:11:54 | 0:11:56 | |
it's time to see who's got victory in their sights and who's the walking wounded. | 0:11:56 | 0:12:01 | |
Each of our brave boys started the day with £750 of their own money. | 0:12:01 | 0:12:06 | |
"Devilish" David Harper has captured four items to date | 0:12:06 | 0:12:09 | |
and spent £260, leaving him with £490 in his war chest. | 0:12:09 | 0:12:16 | |
James "The Lionheart" Lewis has seized two items so far today, | 0:12:16 | 0:12:20 | |
spending £350 and leaving him with £400 with which to attack his rival. | 0:12:20 | 0:12:26 | |
-So how are you finding it? -James, happy, happy, happy. | 0:12:28 | 0:12:31 | |
This is my natural environment. | 0:12:31 | 0:12:33 | |
Well, I have to say, I'm having a good day too. | 0:12:33 | 0:12:36 | |
-I've picked up two really interesting things. -Really, what is it? | 0:12:36 | 0:12:40 | |
-How much have you spent? -I've spent a lot of money but I won't say how much. | 0:12:40 | 0:12:43 | |
You've got to give a bit of information, James! | 0:12:43 | 0:12:47 | |
-Between £3 and £750. How about you? -About the same! But I'm loving it. | 0:12:47 | 0:12:52 | |
The thing is, it's winter. The sun is coming down. | 0:12:52 | 0:12:56 | |
And when the sun comes down, these guys start packing up, | 0:12:56 | 0:12:59 | |
so you, my friend, and I, have to continue spending. | 0:12:59 | 0:13:03 | |
-Good luck. -What a job. | 0:13:03 | 0:13:04 | |
Yes, ignore the bonhomie, | 0:13:06 | 0:13:07 | |
because this competition is about to ratchet up a gear. | 0:13:07 | 0:13:10 | |
There's only a few hours of daylight left, | 0:13:10 | 0:13:12 | |
and with this battle hanging in the balance, | 0:13:12 | 0:13:15 | |
our Profit Paratroopers are about to bring out the big guns. | 0:13:15 | 0:13:19 | |
And once again, it's Devilish David who's first off the blocks. | 0:13:20 | 0:13:25 | |
What's this, then? | 0:13:25 | 0:13:27 | |
You think it's a horn, you think it's a hunting horn, | 0:13:29 | 0:13:32 | |
and I'd prefer it to be a hunting horn, but it isn't. | 0:13:32 | 0:13:34 | |
It's a powder flask. Think about muskets, | 0:13:34 | 0:13:38 | |
rifles, powder, shot, all of that. | 0:13:38 | 0:13:41 | |
You'd need to carry this to hold your powder, keep it dry, | 0:13:41 | 0:13:45 | |
for your hunting or fighting. | 0:13:45 | 0:13:48 | |
Date-wise, it's 19th century. | 0:13:48 | 0:13:51 | |
It looks a bit earlier but I'm quite sure it's 19th century. | 0:13:51 | 0:13:54 | |
Brass mounted on to horn, so bovine horn. Where was it made? | 0:13:54 | 0:13:59 | |
Positively not in Europe. You've got to be looking east. | 0:13:59 | 0:14:03 | |
Look at the decoration, the chasing, the fanciness of it. | 0:14:03 | 0:14:06 | |
We're going towards India, Persia, maybe North Africa, | 0:14:06 | 0:14:10 | |
but certainly that part of the world. | 0:14:10 | 0:14:13 | |
Bonny thing, just nice to hold. Just wait there. | 0:14:13 | 0:14:16 | |
Let me see how much it is. | 0:14:16 | 0:14:18 | |
Well, it seems great minds think alike | 0:14:19 | 0:14:21 | |
because the Lionheart has also seized upon a powder flask | 0:14:21 | 0:14:24 | |
and he's determined to get it for the right price. | 0:14:24 | 0:14:29 | |
-28? -28 quid. -Or 35. | 0:14:29 | 0:14:33 | |
It'll only be sitting here. 28 quid. | 0:14:33 | 0:14:36 | |
There you go. £30. In the bag. | 0:14:39 | 0:14:42 | |
It's David who's first to score, but James is hot on his heels. | 0:14:42 | 0:14:48 | |
-Go on, take 28 quid. -Oh... | 0:14:48 | 0:14:51 | |
-I'll take 30. And that's it. -Deal. | 0:14:51 | 0:14:56 | |
And he's done it. Now James, that powder flask looks rather unusual. | 0:14:56 | 0:15:01 | |
Not made from normal leather. | 0:15:01 | 0:15:03 | |
Somebody's lost this and the little chap that's lost it is a camel. | 0:15:03 | 0:15:08 | |
Running around North Africa somewhere with only one testicle, | 0:15:08 | 0:15:12 | |
because the other one has been made into a powder flask. | 0:15:12 | 0:15:16 | |
Dear me, poor camel. | 0:15:16 | 0:15:17 | |
That item may be controversial but it was created a long time ago | 0:15:17 | 0:15:21 | |
and is a bona-fide antique which is perfectly legal to buy and sell. | 0:15:21 | 0:15:27 | |
These were made throughout North Africa from Syria, | 0:15:27 | 0:15:31 | |
Jordan, Morocco, into Egypt. | 0:15:31 | 0:15:34 | |
They were made for about 100 years from about 1780 through to 1900. | 0:15:34 | 0:15:39 | |
So they're quite difficult to date. | 0:15:39 | 0:15:41 | |
You very rarely see a variation in design and, of course, | 0:15:41 | 0:15:45 | |
due to the nature of a camel, you didn't see a variation in shape either. | 0:15:45 | 0:15:49 | |
The Lionheart is fighting back, | 0:15:49 | 0:15:51 | |
albeit with a slightly unusual choice of weapon. | 0:15:51 | 0:15:54 | |
And he already has another target in his sights. | 0:15:54 | 0:15:57 | |
I'll give you 20 quid for it, but... | 0:15:57 | 0:16:00 | |
20 quid, there you go. | 0:16:00 | 0:16:03 | |
And that quick-fire deal brings James up to four items. | 0:16:03 | 0:16:07 | |
Anyone who has an old shop that does repairs for old boots, | 0:16:07 | 0:16:12 | |
old leather, old luggage, anybody like that, | 0:16:12 | 0:16:15 | |
what a wonderful sign to have in their window. | 0:16:15 | 0:16:18 | |
I'm pleased with that. | 0:16:18 | 0:16:20 | |
It's a sustained counter-attack from James, | 0:16:20 | 0:16:24 | |
now just one item behind his opponent. | 0:16:24 | 0:16:27 | |
And he's really got the bit between his teeth. | 0:16:27 | 0:16:29 | |
What's that? | 0:16:29 | 0:16:31 | |
-It's a tank helmet. -A tank helmet! What an awesome thing! | 0:16:32 | 0:16:37 | |
That was too enthusiastic. Oh, a tank helmet. Ha-ha! | 0:16:38 | 0:16:41 | |
-It's a very small size. -Is it? What a shame. No, nowhere near. | 0:16:44 | 0:16:48 | |
-Is it English? -I think it's... -French, is it? -French, probably. | 0:16:49 | 0:16:54 | |
-What could it be? -50 quid. | 0:16:54 | 0:16:58 | |
I could give you 40 quid for it. But no more. | 0:16:58 | 0:17:01 | |
Because that would be, my head was saying 30 | 0:17:01 | 0:17:04 | |
and I thought that was too cheeky. | 0:17:04 | 0:17:06 | |
-But there's no movement for me. -Could you just stretch another five? | 0:17:06 | 0:17:10 | |
I couldn't. Because I don't know who I'm going to sell it to. | 0:17:10 | 0:17:13 | |
-Go on, then, let's have a deal. -I think it's just going to be good fun. Thank you very much. | 0:17:13 | 0:17:17 | |
£40. | 0:17:17 | 0:17:20 | |
The Lionheart is relentless and he's now evened the score with David, | 0:17:20 | 0:17:24 | |
though selling his latest conquest might prove a bit of a challenge. | 0:17:24 | 0:17:29 | |
We need a French tank owning millionaire. That will be perfect. | 0:17:29 | 0:17:35 | |
Shouldn't be a problem for a man of your calibre, James. | 0:17:35 | 0:17:38 | |
This battle now hangs in the balance but at five items a piece, | 0:17:38 | 0:17:42 | |
it's now time for the final push. | 0:17:42 | 0:17:44 | |
Come on, lads. Over the top. Or in James' case, inside with you. | 0:17:44 | 0:17:50 | |
The Lionheart takes a fancy to a bronze budgie | 0:17:50 | 0:17:54 | |
and flies away with it for £60. | 0:17:54 | 0:17:56 | |
-Deal. Thank you very much. -And he's not stopping there. | 0:17:56 | 0:18:00 | |
A silver torpedo cigar case is now on his radar. | 0:18:00 | 0:18:04 | |
-90 quid and I'll buy it. -Go on then. -90 quid. | 0:18:04 | 0:18:08 | |
It's hallmarked with the anchor for Birmingham | 0:18:08 | 0:18:11 | |
and its engraved "RC Bacon, January 3rd, 1901." | 0:18:11 | 0:18:15 | |
If I can, I'd like to find a Bacon who'll use it. | 0:18:15 | 0:18:18 | |
James has now bazooka-ed David's lead | 0:18:20 | 0:18:24 | |
but the Devilish One seems to have been diverted by a giant chair. | 0:18:24 | 0:18:28 | |
-Shall I have a go? -Go on. -OK, here we go. | 0:18:28 | 0:18:31 | |
A bit of acrobatics on an antiques show. You've never seen this before. | 0:18:31 | 0:18:35 | |
Up! Oh, I'm going to fall over, I know I am. | 0:18:35 | 0:18:38 | |
There we are. How's that then? | 0:18:38 | 0:18:41 | |
James-Lewis-sized, George III design, mahogany chair. | 0:18:41 | 0:18:46 | |
How very elegant. | 0:18:46 | 0:18:48 | |
The Lionheart is also going for the super-sized. | 0:18:48 | 0:18:52 | |
He's sniffed out a display scent bottle. | 0:18:52 | 0:18:55 | |
-45. -Is that not a loss? -Well, just about break-even. | 0:18:55 | 0:19:01 | |
-It's better than a loss. All right. I don't want you to have a loss. -Thank you. -All right, 45. | 0:19:01 | 0:19:06 | |
It would originally have had a fluid inside. | 0:19:06 | 0:19:10 | |
Not scent, but something to replicate the scent. | 0:19:10 | 0:19:15 | |
But although I can't smell any perfume, | 0:19:15 | 0:19:18 | |
I can certainly smell a profit. | 0:19:18 | 0:19:20 | |
The Lionheart has now captured eight items to David's five, | 0:19:20 | 0:19:25 | |
but he's still not done. | 0:19:25 | 0:19:27 | |
Because he has a set of military photographs in his sights. | 0:19:27 | 0:19:31 | |
Well, my final purchase of the day, this wonderful set of military photographs. | 0:19:31 | 0:19:36 | |
Fingers crossed I'll find somebody to buy them somewhere. | 0:19:36 | 0:19:40 | |
James marches off with the military photographs for £50. | 0:19:40 | 0:19:45 | |
And as the stall holders pack away, | 0:19:45 | 0:19:48 | |
and the dust settles over the field of battle, | 0:19:48 | 0:19:51 | |
it's time to see who is the last man standing. | 0:19:51 | 0:19:55 | |
David and James each started the day with £750 of their own money. | 0:19:57 | 0:20:01 | |
"Devilish" David Harper ends the day having bought five items | 0:20:01 | 0:20:06 | |
for a total of just £290. | 0:20:06 | 0:20:08 | |
James "The Lionheart" Lewis was initially overwhelmed | 0:20:10 | 0:20:14 | |
but in a stunning turnaround, he finishes with nine items, | 0:20:14 | 0:20:17 | |
having spent £685. | 0:20:17 | 0:20:20 | |
Outside, darkness has fallen, | 0:20:20 | 0:20:24 | |
so our boys move inside to assess their spoils of war. | 0:20:24 | 0:20:28 | |
I can't believe the amount of stuff you've bought, James Lewis. | 0:20:28 | 0:20:32 | |
Look at that, compared to my little mound over here. | 0:20:32 | 0:20:35 | |
And you've got ancient items. You've beat me on numbers | 0:20:35 | 0:20:39 | |
-and you've beat me on age. -I have to say, I might have the oldest. 3 million years old. -Exactly! | 0:20:39 | 0:20:44 | |
But I've also got probably the most modern as well. | 0:20:44 | 0:20:47 | |
And the amphora in between, which is, what, 2,000 years old? | 0:20:47 | 0:20:51 | |
-2,000 years old. -Is that your favourite item? -Love it. | 0:20:51 | 0:20:54 | |
I don't even want to sell it, really. | 0:20:54 | 0:20:56 | |
So how about you, what's your favourite thing? | 0:20:56 | 0:20:59 | |
My favourite thing, has got to be the chair. At heart, I'm in love with furniture. | 0:20:59 | 0:21:03 | |
I always have been and that, I think, is just a gorgeous example | 0:21:03 | 0:21:07 | |
of an 1860 Victorian chair but great quality. | 0:21:07 | 0:21:10 | |
It's a beautiful thing. | 0:21:10 | 0:21:12 | |
-My favourite thing of yours, though, is the little enamel patch box. -Yes. | 0:21:12 | 0:21:16 | |
-Super. -You like these things. -I do. -It's a bonny thing. | 0:21:16 | 0:21:20 | |
And a gorgeous inscription. Can you read it? | 0:21:20 | 0:21:22 | |
-"Let this impart to you my heart." -Aww! -James...it's for you. | 0:21:22 | 0:21:26 | |
Oh, David, David. | 0:21:26 | 0:21:29 | |
-Aw, matey. -Yeah, I don't think so. Ha-ha! | 0:21:29 | 0:21:34 | |
-Your plan, do you have one? -Not really. | 0:21:34 | 0:21:36 | |
As you know, my plans always just come crumbling down | 0:21:36 | 0:21:39 | |
-and I just somehow muddle through it. -I know what your plan is. | 0:21:39 | 0:21:43 | |
-What is it? -To beat me. -Not at all, James, not at all. | 0:21:43 | 0:21:46 | |
Just to have fun. it's not about the winning, you know that. | 0:21:46 | 0:21:49 | |
I don't trust you, Harper! | 0:21:49 | 0:21:52 | |
Yes, the ceasefire between our soldiers of fortune | 0:21:55 | 0:21:59 | |
is only temporary and they must now gear up for conflict once again. | 0:21:59 | 0:22:03 | |
Targeting the treasures was just the beginning of the skirmish. | 0:22:03 | 0:22:08 | |
They must now use them as weapons of war to inflict maximum damage on their opponent. | 0:22:08 | 0:22:13 | |
They need to sell each piece for as much money as they possibly can | 0:22:13 | 0:22:17 | |
and whoever makes the most profit will take today's crown. | 0:22:17 | 0:22:20 | |
In his devilish nerve centre, | 0:22:20 | 0:22:22 | |
David is plotting over his prized purchases. | 0:22:22 | 0:22:25 | |
Well, here I am, back in my other natural environment, the shop. | 0:22:25 | 0:22:29 | |
Nice and warm and cosy and admiring my purchases | 0:22:29 | 0:22:32 | |
from the antiques fair, and real antiques they are, too. | 0:22:32 | 0:22:36 | |
What have we got? An early 19th century something for the gentleman, | 0:22:36 | 0:22:40 | |
the snuffbox. All I need to do is work out how to work it properly. | 0:22:40 | 0:22:45 | |
Something for the lady - 18th century patch box, | 0:22:45 | 0:22:47 | |
I've got a few plans for that. | 0:22:47 | 0:22:49 | |
And something probably for a hotel or a bar. | 0:22:49 | 0:22:52 | |
It doesn't need any work at all | 0:22:52 | 0:22:53 | |
because polishing will kill its intrinsic value there. | 0:22:53 | 0:22:57 | |
But talking of work, the cane chair. | 0:22:57 | 0:22:59 | |
Gosh, that's going to need some work but it is certainly worthwhile. | 0:22:59 | 0:23:03 | |
And this trunk needs a good old-fashioned scrubbing, | 0:23:03 | 0:23:07 | |
cleaning and then waxing. | 0:23:07 | 0:23:09 | |
So the fun bit is now over, that's the buying, | 0:23:09 | 0:23:13 | |
and all the hard graft is just about to begin. | 0:23:13 | 0:23:15 | |
The Devilish One enters the fray with grim determination. | 0:23:15 | 0:23:19 | |
This is a man who loves a challenge. | 0:23:19 | 0:23:23 | |
In his Derbyshire war room, | 0:23:23 | 0:23:25 | |
the Lionheart has his antiques arsenal laid out before him. | 0:23:25 | 0:23:28 | |
It's certainly an eclectic mix. | 0:23:28 | 0:23:30 | |
But for me, the star lot | 0:23:30 | 0:23:32 | |
and something that I would have | 0:23:32 | 0:23:34 | |
loved to have kept if I could, | 0:23:34 | 0:23:36 | |
was this Roman amphora. 2,000 years old and fantastic. | 0:23:36 | 0:23:42 | |
Only one thing I saw at the entire affair that was older, | 0:23:42 | 0:23:44 | |
and I bought that too, that's this, | 0:23:44 | 0:23:46 | |
the 3 million year-old skull. | 0:23:46 | 0:23:49 | |
But then, for some reason, I bought a modern scent bottle, | 0:23:49 | 0:23:52 | |
a 20th century tank driver's helmet, probably French, | 0:23:52 | 0:23:57 | |
a cigar case. I know why I bought the bronze budgie. | 0:23:57 | 0:24:01 | |
A "Repairs" glass sign, and a load of military photographs. | 0:24:01 | 0:24:06 | |
And, of course, the most valuable thing of all is the crown jewels. | 0:24:06 | 0:24:10 | |
In this case, the crown jewels once belonged to a camel | 0:24:10 | 0:24:14 | |
but now it's a powder flask. All in all, some mad, mad things here, | 0:24:14 | 0:24:19 | |
but great fun. | 0:24:19 | 0:24:20 | |
And, hopefully, profitable. | 0:24:20 | 0:24:22 | |
And so our brave boys hit the road in their hunt for buyers, | 0:24:22 | 0:24:27 | |
knowing that no deal is truly sealed until they shake on it | 0:24:27 | 0:24:30 | |
and the money is in their hands. | 0:24:30 | 0:24:33 | |
It's the Devilish One who's first to make a strike. | 0:24:33 | 0:24:37 | |
He's come to Cumbria to try and sell the 19th century chair | 0:24:37 | 0:24:40 | |
that cost him £80, | 0:24:40 | 0:24:42 | |
and he's targeting Louise, who restores cane furniture. | 0:24:42 | 0:24:46 | |
If I can't sell it to her, | 0:24:46 | 0:24:48 | |
I'll have to go to the expense of restoration myself. | 0:24:48 | 0:24:51 | |
Selling it is my first ambition. | 0:24:51 | 0:24:54 | |
This is David's chance to take the first sale | 0:24:54 | 0:24:56 | |
and get one up on the Lionheart. | 0:24:56 | 0:24:59 | |
This is very nice compared to this one. | 0:24:59 | 0:25:03 | |
I don't like to say, but it is an exceptional quality thing. | 0:25:03 | 0:25:08 | |
It's lovely. The mother of pearl's very pretty. | 0:25:08 | 0:25:11 | |
And it's gilded by hand in the gold | 0:25:11 | 0:25:14 | |
and then inlaid with mother of pearl, but the shape of the back, | 0:25:14 | 0:25:18 | |
-look at that shape. -That's really pretty, isn't it? | 0:25:18 | 0:25:20 | |
-And it's not a papier mache one? -No, it's lacquer. | 0:25:20 | 0:25:23 | |
It's the height of fashion from 1860, you know, the black, | 0:25:23 | 0:25:27 | |
the "Japanned" look, the chinoiserie, | 0:25:27 | 0:25:29 | |
the celebration of anything that's Oriental. | 0:25:29 | 0:25:31 | |
-Shall I give you some sort of really tempting price? -Go on. -£140. | 0:25:31 | 0:25:35 | |
Is that really tempting? | 0:25:35 | 0:25:38 | |
-That's a bit too high for me, David. -Is it? -I could go £100. -Really? | 0:25:38 | 0:25:44 | |
-Louise! Meet in the middle? -At? -£120? -At £120, you've got a deal. | 0:25:44 | 0:25:51 | |
Good girl. I'd much rather sell it as it is than actually go and restore it. | 0:25:51 | 0:25:56 | |
-Thank you very much. -Our David's sitting pretty. | 0:25:56 | 0:25:59 | |
The chair has just made him a comfortable £40 profit. | 0:25:59 | 0:26:02 | |
Well, there you go. A quick 50% margin, | 0:26:02 | 0:26:05 | |
£40 profit and it saves going through the whole process | 0:26:05 | 0:26:09 | |
of restoration, then finding another buyer. | 0:26:09 | 0:26:13 | |
The biggest tip I can give you in this business is fast turnover. | 0:26:13 | 0:26:17 | |
Quick profit and move on. And that's what I've just done. | 0:26:17 | 0:26:21 | |
Nice work, David. Now we join James prowling in the Derbyshire moors | 0:26:21 | 0:26:26 | |
under the cover of darkness. | 0:26:26 | 0:26:29 | |
The lion is on the prowl and he's hungry for a sale. | 0:26:29 | 0:26:32 | |
He's hoping to sell his favourite item, the Roman amphora, | 0:26:32 | 0:26:37 | |
to a local restaurateur. It cost him a pricey £220, | 0:26:37 | 0:26:41 | |
but will Steve bite his hand off for it? | 0:26:41 | 0:26:43 | |
Steve, I have to say, I've brought this to you for so many reasons. | 0:26:43 | 0:26:47 | |
One of them is because I've always hated that black one that you've got out in the front, | 0:26:47 | 0:26:52 | |
but the second one, this is probably a cheeky one. | 0:26:52 | 0:26:56 | |
I really love it and I'd like to see it regularly. | 0:26:56 | 0:26:59 | |
It's a genuine bit of Roman pottery dug up in Cambridge | 0:26:59 | 0:27:02 | |
about 20 years ago. | 0:27:02 | 0:27:04 | |
And it was made getting on for 2,000 years ago. | 0:27:04 | 0:27:06 | |
It could be made to look a lot better than it is. | 0:27:06 | 0:27:09 | |
Some of these cracks are nicely filled, others are just gaping chasms | 0:27:09 | 0:27:12 | |
and haven't had anything done to them at all. But I love it. | 0:27:12 | 0:27:17 | |
-It's a nice talking piece. -Yeah. Sitting it by the fire there, | 0:27:17 | 0:27:20 | |
between a pair of reproduction ones. | 0:27:20 | 0:27:22 | |
That's right. What do you think you're going to take for it off me? | 0:27:22 | 0:27:25 | |
I'm hoping it's going to be somewhere close to the £400 mark. | 0:27:25 | 0:27:29 | |
-Where were you thinking? -More like £300. | 0:27:29 | 0:27:32 | |
How about £380? | 0:27:32 | 0:27:34 | |
£380? £330. | 0:27:34 | 0:27:37 | |
I'll meet you in the middle. £350 and you've got a deal. | 0:27:40 | 0:27:44 | |
-OK, 350. -You've got a deal. Brilliant. Thank you. | 0:27:44 | 0:27:47 | |
It's a straightforward sale | 0:27:47 | 0:27:50 | |
and a healthy £130 profit, but what's this? | 0:27:50 | 0:27:53 | |
The Lionheart's down in the dumps. | 0:27:53 | 0:27:56 | |
I didn't want to sell it. I didn't want to sell it. | 0:27:56 | 0:28:00 | |
James, we sympathise but it's the name of the game. | 0:28:00 | 0:28:04 | |
The Lionheart may be devastated but the Devilish One is raring to go. | 0:28:04 | 0:28:08 | |
He's come to the Bowes Museum in his home town of Barnard Castle | 0:28:08 | 0:28:12 | |
on a mission to research some background on his patch pot. | 0:28:12 | 0:28:17 | |
He's arranged to meet the museum's principal keeper, Jane. | 0:28:17 | 0:28:21 | |
So, Jane, I can't imagine a more appropriate environment | 0:28:21 | 0:28:25 | |
to talk to you about an 18th century ladies' enamel patch pot. | 0:28:25 | 0:28:31 | |
It's a love token with a gorgeous sentiment on there | 0:28:31 | 0:28:33 | |
but I'd like to know more about the social history. | 0:28:33 | 0:28:38 | |
Why, what, where, all of that, | 0:28:38 | 0:28:39 | |
and that's really your department, so help me out. | 0:28:39 | 0:28:43 | |
Well, your box was a lovely gift for a gentleman to give to his lady | 0:28:43 | 0:28:46 | |
because patches represented a sophisticated world of secret messages, really, | 0:28:46 | 0:28:52 | |
which the lady, depending on the positioning on the face, | 0:28:52 | 0:28:56 | |
was giving off various messages to the gentlemen around her. | 0:28:56 | 0:29:00 | |
So tell me about the signals then that these patches could send off. | 0:29:00 | 0:29:04 | |
Perhaps we can best do that by introducing Rosie. | 0:29:04 | 0:29:07 | |
-So we've got the white make-up there, we've got the wig. -And the rouge, of course. | 0:29:09 | 0:29:13 | |
And then you would add your beauty spot. | 0:29:13 | 0:29:15 | |
-Go for it. -I've got two here, and we're going to apply them. | 0:29:15 | 0:29:18 | |
I'm going to apply the crescent shape to Rosie's cheekbone, | 0:29:18 | 0:29:22 | |
which is just against her eye. | 0:29:22 | 0:29:24 | |
And what she's saying is, to her lover, "I'm a passionate person." | 0:29:24 | 0:29:29 | |
And I've got another patch here which is a circle, | 0:29:29 | 0:29:32 | |
which I'm going to put against her lip, | 0:29:32 | 0:29:36 | |
which indicates that her lips are kissable and she feels flirtatious. | 0:29:36 | 0:29:41 | |
And you would also put them on your bosom, too, | 0:29:41 | 0:29:44 | |
which indicated you were generous in nature. | 0:29:44 | 0:29:46 | |
-Very generous indeed, I would say. -Yes. | 0:29:46 | 0:29:49 | |
Now, just to paint the picture perfect, Rosie, | 0:29:49 | 0:29:51 | |
-let me hand you the 18th century ladies' patch pot. -Thank you. | 0:29:51 | 0:29:55 | |
-Can you see what used to be a mirror? -Yes. | 0:29:55 | 0:29:59 | |
It's still a mirror, but it's so pitted it's no longer usable. | 0:29:59 | 0:30:01 | |
But that's exactly what you would do throughout the evening to make sure your patches were in place. | 0:30:01 | 0:30:07 | |
Exactly that. Doesn't she look absolutely stunning? | 0:30:07 | 0:30:10 | |
Having thoroughly mugged up on the history and usage of patch pots, | 0:30:10 | 0:30:14 | |
the Devilish One goes on to sell his prime specimen | 0:30:14 | 0:30:17 | |
to fellow dealer, Colin, for £120, giving him a profit of £50. | 0:30:17 | 0:30:22 | |
And with the bit between his teeth, | 0:30:24 | 0:30:27 | |
David goes on to sell his snuffbox to dealer, Steve, | 0:30:27 | 0:30:30 | |
for a profit of £35. | 0:30:30 | 0:30:31 | |
The Devilish One's going all-out to make top dollar on his deals today | 0:30:33 | 0:30:38 | |
but his Lionhearted rival is no slouch either. | 0:30:38 | 0:30:41 | |
He's come to Lincolnshire, | 0:30:41 | 0:30:42 | |
hoping that the bronze budgerigar will add to his nest-egg. | 0:30:42 | 0:30:47 | |
When I saw this little budgie at the antiques fair, | 0:30:47 | 0:30:50 | |
I had one man in mind for it and it's the ex-World's Strongest Man, | 0:30:50 | 0:30:54 | |
shot putter, Olympian and World Champion budgie breeder, Geoff Capes. | 0:30:54 | 0:30:59 | |
So I'm hoping he might just fall in love with my little bird as well. | 0:30:59 | 0:31:03 | |
Yes, two-times winner of the World's Strongest Man, | 0:31:07 | 0:31:09 | |
former British and Commonwealth shot putt champion | 0:31:09 | 0:31:12 | |
and general all-round good chap, | 0:31:12 | 0:31:15 | |
Geoff Capes might well be a renowned breeder of budgies, | 0:31:15 | 0:31:19 | |
but how does he rate the bronze bird James paid £60 for? | 0:31:19 | 0:31:22 | |
As I was wandering round the Antiques Fair, I saw it | 0:31:24 | 0:31:28 | |
and I said instantly, there is one guy that I know that might just love this. | 0:31:28 | 0:31:34 | |
-It's not porcelain, it's bronze. -It's not the biggest, is it?! | 0:31:34 | 0:31:37 | |
No, but size isn't everything! | 0:31:37 | 0:31:39 | |
I think it's got a little poetic licence with this long parrot tail. | 0:31:39 | 0:31:43 | |
-It is long, isn't it? -It is quite long, | 0:31:43 | 0:31:46 | |
when you actually compare it to the length of the bird. | 0:31:46 | 0:31:49 | |
-But it's certainly got a budgerigar face. -Yeah. -And it's very unusual. | 0:31:49 | 0:31:53 | |
I paid a bit of money for it. | 0:31:53 | 0:31:56 | |
-I was hoping for around £180, something like that. -£180? | 0:31:56 | 0:32:00 | |
I don't know about that. I might go about £150. | 0:32:00 | 0:32:05 | |
-£150's fine. -Are you sure? -You've got a deal. -There you go, well done. | 0:32:07 | 0:32:12 | |
Deal done, and Geoff's given the Lionheart a chirpy £90 profit. | 0:32:12 | 0:32:16 | |
Who's a pretty boy, then? | 0:32:16 | 0:32:18 | |
Great, what a relief he wanted it. | 0:32:18 | 0:32:21 | |
But that is the perfect thing for the perfect home. | 0:32:21 | 0:32:25 | |
But lots more selling to do. | 0:32:25 | 0:32:27 | |
The Lionheart's profits are soaring now. | 0:32:27 | 0:32:30 | |
He makes £60 by selling the cigar holder to a Mr RC Bacon, | 0:32:30 | 0:32:33 | |
and an £80 profit selling the repair sign. | 0:32:33 | 0:32:39 | |
It's halfway through this epic campaign for profit glory, | 0:32:39 | 0:32:44 | |
so let's see who's marching to victory and who's got lost on the way. | 0:32:44 | 0:32:47 | |
So far, the Devilish One has sold three items making a profit of £125. | 0:32:49 | 0:32:54 | |
But James "The Lionheart" Lewis has done five deals | 0:32:54 | 0:32:58 | |
and is out in front with a profit of £360. | 0:32:58 | 0:33:02 | |
The tussle for today's title is now in full swing | 0:33:03 | 0:33:07 | |
and our boys need to go all out in their mission to max the profits from their memorabilia. | 0:33:07 | 0:33:13 | |
James Lewis is so far winning this war with the Devilish One, | 0:33:13 | 0:33:17 | |
and he now has plans to increase his profit pot still further. | 0:33:17 | 0:33:21 | |
He's come to a farm in Derbyshire that provides all sorts | 0:33:21 | 0:33:25 | |
of animals for film and television appearances, including camels. | 0:33:25 | 0:33:29 | |
James is hoping trainer, Nathan, will buy the camel testicle | 0:33:29 | 0:33:33 | |
powder flask that cost him £30. You chaps might want to look away now. | 0:33:33 | 0:33:38 | |
-There you go. -Thank you very much. | 0:33:39 | 0:33:41 | |
-It's really interesting. -It's a good thing. | 0:33:41 | 0:33:43 | |
It's probably 19th century, made around 1870, 1890. | 0:33:43 | 0:33:48 | |
At the end there, this is known as wrigglework, | 0:33:48 | 0:33:52 | |
which is done by hand with a tool called a burin. | 0:33:52 | 0:33:54 | |
And all the way down here, we've got roundels | 0:33:54 | 0:33:58 | |
and geometrical design which is typical of North African leathercraft. | 0:33:58 | 0:34:01 | |
-You know what you want for it, so... -If I was going to put it in auction, I'd expect it to make £120, | 0:34:01 | 0:34:06 | |
£130, something like that. | 0:34:06 | 0:34:08 | |
-I was thinking probably about half of that. -Could you move a bit? | 0:34:08 | 0:34:12 | |
-I'll pay £50 for it. -OK. | 0:34:12 | 0:34:16 | |
-It's not going to happen then. -OK. -It needs to be more than that. | 0:34:17 | 0:34:20 | |
-Why don't we say £80? -£90 and you've got a deal. -85. | 0:34:20 | 0:34:25 | |
A hard negotiation, but a £55 profit is not to be spat at. | 0:34:25 | 0:34:30 | |
David Harper might be behind in the profit stakes | 0:34:30 | 0:34:34 | |
but he hasn't got the hump. Oh, no. | 0:34:34 | 0:34:36 | |
He's in Darlington, hoping for a sale of the trunk that cost him £80. | 0:34:36 | 0:34:40 | |
-But what will shop owner, Bill, make of it? -Hello, Bill. -Come in. | 0:34:40 | 0:34:44 | |
What is that? I was expecting like a Louis Vuitton, wonderful, sublime, | 0:34:44 | 0:34:50 | |
exclusive trunk and this looks like, you know, something Houdini had. | 0:34:50 | 0:34:54 | |
-Remember, this is the real McCoy. -Well... -Early 20th century. | 0:34:54 | 0:35:00 | |
It's not what I was expecting. What's this, "Guil Pick & Fils"? | 0:35:00 | 0:35:05 | |
-Oh, it's Czech. -Yeah, Prague. -Yeah. -It so well-constructed, though. | 0:35:05 | 0:35:09 | |
It might have been in the Second World War or something. | 0:35:09 | 0:35:11 | |
It predates the Second World War. This is more First World War. | 0:35:11 | 0:35:15 | |
-This is pre-1914. -Come on, give me a price. | 0:35:15 | 0:35:18 | |
-It's got to be for a song, it's got to be for nothing. -Really? | 0:35:18 | 0:35:21 | |
-Seriously? -Yes, really. I can see it has a use. | 0:35:21 | 0:35:24 | |
The price I would love would be kind of £150. That's the price I'd like. | 0:35:24 | 0:35:30 | |
-Well, 100 quid, take it or leave it. -I can't take it. | 0:35:30 | 0:35:34 | |
-Make it a bit more, Bill. £125. -Another 10. £110. | 0:35:34 | 0:35:38 | |
-Meet me halfway, £120. -We'll go for £120. -Good man. | 0:35:38 | 0:35:41 | |
-Shake your hand quickly before he changes his mind! -OK. | 0:35:41 | 0:35:45 | |
The Devilish One walks away with a profit of £40 on the trunk | 0:35:45 | 0:35:49 | |
but he sure had to work for it. | 0:35:49 | 0:35:51 | |
Oh, my gosh, that was the hardest £40 I've earned in years. | 0:35:51 | 0:35:57 | |
I had a horrible sinking feeling that that was going terribly wrong | 0:35:57 | 0:36:01 | |
and the trunk was going in the back of my car, | 0:36:01 | 0:36:04 | |
and that would have been a nightmare but as it is, | 0:36:04 | 0:36:07 | |
a cheque is going in the back of my car. | 0:36:07 | 0:36:09 | |
Devilish David's pleased as punch but he better watch out | 0:36:09 | 0:36:12 | |
as General James is taking his battle to the next level. | 0:36:12 | 0:36:17 | |
He's hoping for a sale of the tank helmet which cost him £40 | 0:36:17 | 0:36:20 | |
and he's come to an outdoor centre in Leicestershire to meet tank engineer, Nick. | 0:36:20 | 0:36:26 | |
What on earth made you start this? | 0:36:26 | 0:36:28 | |
We started off buying a couple of tanks several years ago. | 0:36:28 | 0:36:31 | |
-You just happened to buy a couple of tanks? -As you do(!) | 0:36:31 | 0:36:33 | |
We thought, well, why don't we put big paintball guns on them | 0:36:33 | 0:36:36 | |
and let guys and girls take these out | 0:36:36 | 0:36:38 | |
and fire live rounds at each other through the 40mm cannons? | 0:36:38 | 0:36:43 | |
-Well, there you go, that's what I brought to show you. -Right, OK. | 0:36:43 | 0:36:46 | |
And I found it at an antiques fair. | 0:36:46 | 0:36:47 | |
I think it's French, and I think it's a tank driver's helmet, | 0:36:47 | 0:36:51 | |
and that's just about all I know about it. | 0:36:51 | 0:36:53 | |
That is a 1950s helmet. It's very definitely a tank driver's helmet. | 0:36:53 | 0:36:57 | |
-It's certainly French. It's very small. -Yes. | 0:36:57 | 0:37:02 | |
It's very, very small, in fact. | 0:37:02 | 0:37:04 | |
It's the smallest tank helmet I've ever seen. | 0:37:04 | 0:37:07 | |
My thought was, with all the visitors you have here, | 0:37:07 | 0:37:10 | |
-you must have a lot of kids. -We do get hundreds of kids coming up. | 0:37:10 | 0:37:13 | |
See, that'll pay for itself three times over in one year | 0:37:13 | 0:37:16 | |
-if I only charge you 200 quid. -You're not going to get much more than £30 for it. | 0:37:16 | 0:37:21 | |
-How about 80 quid? -No. Absolutely no way. | 0:37:21 | 0:37:24 | |
-I mean, £40 is doing you a favour on a helmet like that. -OK. | 0:37:24 | 0:37:29 | |
If I sign it, for the kids to have their photograph taken in it, £60. | 0:37:30 | 0:37:35 | |
-Go on, then, for the kids. You've got a deal. -Fantastic. | 0:37:37 | 0:37:41 | |
-Let's get a pen. Can I have a go in a tank? -Go on, then. | 0:37:41 | 0:37:47 | |
He may have sold his tank helmet | 0:37:47 | 0:37:48 | |
but a £20 profit won't annihilate his rival. | 0:37:48 | 0:37:51 | |
However, General James has other ways of targeting the Devilish One. | 0:37:51 | 0:37:55 | |
Fire! | 0:38:00 | 0:38:01 | |
Fire! | 0:38:03 | 0:38:05 | |
The Lionheart also fires off a £105 profit | 0:38:08 | 0:38:10 | |
by selling the display scent bottle to a collector. | 0:38:10 | 0:38:14 | |
Take that, David Harper! | 0:38:14 | 0:38:16 | |
The Devilish One may be facing an almighty onslaught from the big man | 0:38:18 | 0:38:21 | |
but he's hoping to fight back with an explosive deal on his final item. | 0:38:21 | 0:38:26 | |
He's come to a country house hotel in County Durham | 0:38:26 | 0:38:29 | |
hoping to sell his horn powder flask. | 0:38:29 | 0:38:33 | |
But will hotelier, Thomas, be willing to part with more than the £30 that David paid for it? | 0:38:33 | 0:38:37 | |
You were telling me you're looking for something for the bar, | 0:38:39 | 0:38:42 | |
something with kind of a hunting sort of theme to it, maybe. | 0:38:42 | 0:38:45 | |
-Country theme, to fit in with the country house. -I think this might just do the job. | 0:38:45 | 0:38:51 | |
-It's a gunpowder holder? -Bang on. | 0:38:51 | 0:38:56 | |
It's a flask, yeah, but look at the style of it. | 0:38:56 | 0:38:59 | |
I mean, I'm sure you know it's not an English one. | 0:38:59 | 0:39:02 | |
-Of course I knew that, yes(!) -No, it's Indian. Probably. | 0:39:02 | 0:39:09 | |
It's certainly going east, but it's got an exotic feel to it. | 0:39:09 | 0:39:12 | |
It's positively 19th century. | 0:39:12 | 0:39:14 | |
It's got a lovely colour, that horn has just been polished and cleaned | 0:39:14 | 0:39:19 | |
for generation after generation and it's got that lovely patination. | 0:39:19 | 0:39:22 | |
I would be very happy, if I was to put that into auction, | 0:39:22 | 0:39:25 | |
to estimate it at £80-120. | 0:39:25 | 0:39:27 | |
Yeah, I think £80 is a fair price. 60 would be fairer. | 0:39:27 | 0:39:32 | |
If we meet in the middle at £70, would that be a fair deal? | 0:39:32 | 0:39:35 | |
Yeah, I think 70's a fair price cos it's a nice piece. | 0:39:35 | 0:39:38 | |
-Thomas, always a pleasure. -Thank you very much. | 0:39:38 | 0:39:41 | |
Devilish David fires out a £40 profit on the powder flask | 0:39:41 | 0:39:45 | |
and with that, he's all sold up. | 0:39:45 | 0:39:47 | |
The Lionheart hits his first hitch when a potential buyer he lines up | 0:39:47 | 0:39:51 | |
for his military photographs falls through, | 0:39:51 | 0:39:54 | |
forcing him to make a last-minute sale | 0:39:54 | 0:39:57 | |
for a £20 loss on the price he paid. | 0:39:57 | 0:39:59 | |
Undaunted, he heads to Birmingham hoping to do | 0:39:59 | 0:40:03 | |
a deal on his ancient fossilised skull. | 0:40:03 | 0:40:06 | |
It cost James £130 at the antiques fair, | 0:40:06 | 0:40:09 | |
so if he wants to avoid extinction he'll need to get a good offer from jeweller, Terry. | 0:40:09 | 0:40:14 | |
-So, what do you think? -Very interested, actually. | 0:40:14 | 0:40:16 | |
-I didn't realise it would look quite like that. -What were you expecting? | 0:40:16 | 0:40:21 | |
I expected it to be rather bigger, but I just didn't know. | 0:40:21 | 0:40:26 | |
-What actual animal is it? -It's known as an oreodont. | 0:40:26 | 0:40:29 | |
-And how old is it, actually? -About 3 million years old. | 0:40:29 | 0:40:33 | |
These, you find oreodont skulls over a period of about 20 million years | 0:40:33 | 0:40:37 | |
-and the majority of them are found in the USA. -Right. | 0:40:37 | 0:40:42 | |
They were a sort of small, pig-type creature | 0:40:42 | 0:40:46 | |
that would go half on the grasslands, half in the water. | 0:40:46 | 0:40:50 | |
It's in really nice condition. | 0:40:50 | 0:40:54 | |
-Yes. It's certainly a talking point. -Definitely. I mean, it would be absolutely brilliant in the window. | 0:40:54 | 0:40:59 | |
You love it. Good, good, good. | 0:40:59 | 0:41:01 | |
So can the Lionheart seal the deal on the sale of the fossilised skull? | 0:41:01 | 0:41:06 | |
Will it be enough to beat the Devilish One? All will soon be revealed. | 0:41:06 | 0:41:10 | |
Today, "Devilish" David Harper bought five items | 0:41:10 | 0:41:14 | |
for a total of £290. | 0:41:14 | 0:41:17 | |
James "The Lionheart" Lewis finished with nine items, | 0:41:17 | 0:41:20 | |
having spent £685, | 0:41:20 | 0:41:23 | |
but all that matters now is who's made the most profit. | 0:41:23 | 0:41:26 | |
All of the money that David and James have made | 0:41:26 | 0:41:29 | |
from today's challenge will be going to charities of their choice, | 0:41:29 | 0:41:33 | |
so without further ado, it's time to find out who is today's | 0:41:33 | 0:41:36 | |
Put Your Money Where Your Mouth Is champion. | 0:41:36 | 0:41:39 | |
-Good to see you. How are you? -Love it. Love it. I love antiques fairs. | 0:41:39 | 0:41:43 | |
So do I. I bought some amazing things, things I really loved. You? | 0:41:43 | 0:41:46 | |
Good. I bought decent things, did my normal, everyday job, | 0:41:46 | 0:41:50 | |
turn them over, small profit, move on. | 0:41:50 | 0:41:53 | |
-The trunk, that was the hardest sale I've had in a long time. -Really? | 0:41:53 | 0:42:00 | |
-But it was good fun. What about you? -For me, the bronze budgie stands out, | 0:42:00 | 0:42:03 | |
-simply because I sold it to Geoff Capes. -Wow. | 0:42:03 | 0:42:06 | |
You know, the ex-World's Strongest Man, so that was great fun. | 0:42:06 | 0:42:11 | |
And, of course, the camel part, the powder flask did very well. | 0:42:11 | 0:42:15 | |
-Did it really? -Yes. -Oh, dear. OK, here we go. Slightly worrying. | 0:42:15 | 0:42:19 | |
-Are you ready? -Three, two, one, go. -Oh, my goodness me! | 0:42:19 | 0:42:24 | |
-James Lewis, do you know what you are? -What's that? | 0:42:24 | 0:42:27 | |
You're a rock star. | 0:42:27 | 0:42:29 | |
You are a rock star of the antiques business, that's what you are. | 0:42:29 | 0:42:33 | |
So James is today's winner. And why? | 0:42:33 | 0:42:37 | |
-Well, he did do a deal with Terry on the fossil skull. -£450? | 0:42:37 | 0:42:41 | |
-I would only go up to £385. -I'm not going to argue hard. -Thank you. -You've got a deal. | 0:42:41 | 0:42:46 | |
The sale gave James an incredible £255 profit | 0:42:46 | 0:42:50 | |
and led to a decisive victory today for the Lionheart. | 0:42:50 | 0:42:53 | |
For me, the best thing about the antiques fair were the purchases. | 0:42:55 | 0:42:58 | |
I would have been happy to own any one of those objects, | 0:42:58 | 0:43:01 | |
but you know, at least I made a great profit. | 0:43:01 | 0:43:04 | |
I was thrashed by an amphora and an old fossil. Can you believe it? | 0:43:04 | 0:43:10 | |
The Lionheart may have chewed up the Devilish One today, | 0:43:10 | 0:43:13 | |
but tomorrow, David has a chance to fight back... | 0:43:13 | 0:43:16 | |
Get the hammer down! | 0:43:16 | 0:43:17 | |
..as our boys square off at an auction in Leicestershire. | 0:43:17 | 0:43:20 | |
Subtitles by Red Bee Media Ltd | 0:43:30 | 0:43:33 |