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This is Put Your Money Where Your Mouth Is, | 0:00:02 | 0:00:04 | |
which pitches TV's best-loved antiques experts against each other | 0:00:04 | 0:00:08 | |
in an all-out battle for profit... | 0:00:08 | 0:00:11 | |
I'm a double-your-money girl. | 0:00:11 | 0:00:13 | |
..and gives you the insider's view of the trade. | 0:00:13 | 0:00:16 | |
You've got to be in it to win it. | 0:00:16 | 0:00:19 | |
Each week, pairs of duelling dealers face a different daily challenge... | 0:00:19 | 0:00:23 | |
Lovely! We've got some work to do, let's go. | 0:00:23 | 0:00:26 | |
..putting their own money, and their hard-earned reputations, | 0:00:26 | 0:00:30 | |
on the line, as they see who can make the most money | 0:00:30 | 0:00:33 | |
from buying and selling. | 0:00:33 | 0:00:36 | |
Get in there! | 0:00:36 | 0:00:39 | |
Today, irrepressible master of the martyr, David Harper, | 0:00:39 | 0:00:43 | |
takes on the unstoppable auctioneering giant, James Lewis. | 0:00:43 | 0:00:47 | |
Coming up, David's top tips for auction success. | 0:00:47 | 0:00:51 | |
You've got to be mercenary and ruthless, it's all by the seat of your pants. | 0:00:51 | 0:00:56 | |
James reaches for the skies in the search for a bargain buy. | 0:00:56 | 0:00:59 | |
That really is the look, absolute perfection. | 0:00:59 | 0:01:03 | |
And both our brave boys meet their match | 0:01:03 | 0:01:06 | |
when they push for maximum profits. | 0:01:06 | 0:01:08 | |
We can't be happy at that. | 0:01:08 | 0:01:10 | |
That is the hardest deal I've had in a long time. | 0:01:10 | 0:01:13 | |
This is Put Your Money Where Your Mouth Is. | 0:01:13 | 0:01:16 | |
Yes! Get in there. | 0:01:16 | 0:01:18 | |
Welcome to an epic tale of dealing derring-do | 0:01:30 | 0:01:34 | |
set in a magical world where the noble knights of the antiques trade | 0:01:34 | 0:01:38 | |
travel the land in a never-ending duel for the crown | 0:01:38 | 0:01:42 | |
of king of the collectables. | 0:01:42 | 0:01:44 | |
Behold, "Devilish" David Harper, brave knight of the North. | 0:01:45 | 0:01:49 | |
He's dogged, he's determined and he'll stop at nothing to crush his rival. | 0:01:49 | 0:01:55 | |
Get the hammer down! | 0:01:55 | 0:01:57 | |
Mark, it's James "The Lionheart" Lewis, Lord of Derbyshire, | 0:01:57 | 0:02:02 | |
a powerhouse of a warrior with a staggering knowledge of antiques | 0:02:02 | 0:02:05 | |
and a lust for victory. | 0:02:05 | 0:02:07 | |
Well, I'm celebrating, I've actually bought something. That is a miracle. | 0:02:07 | 0:02:11 | |
These two antiques' aristocrats will be risking their own money | 0:02:11 | 0:02:16 | |
as they joust for the greatest profit. | 0:02:16 | 0:02:18 | |
Just stick your hand up and have a go at it. | 0:02:18 | 0:02:20 | |
Today's field of battle is an auction house in Leicestershire | 0:02:20 | 0:02:24 | |
where our knights' quest is to hunt down the trusty treasures that | 0:02:24 | 0:02:28 | |
they can sell on for the most money. | 0:02:28 | 0:02:31 | |
There's got to be a profit in that. | 0:02:31 | 0:02:32 | |
They've each got £1,000 to spend | 0:02:32 | 0:02:36 | |
and all the profits go to their chosen charities. | 0:02:36 | 0:02:39 | |
David Harper and James Lewis, | 0:02:39 | 0:02:42 | |
it's time to Put Your Money Where Your Mouth is. | 0:02:42 | 0:02:44 | |
James. David, how are you? | 0:02:44 | 0:02:46 | |
Very good, great to see you. | 0:02:46 | 0:02:48 | |
Are you raring to go? No, this is going to be the hardest day for me. | 0:02:48 | 0:02:51 | |
Oh, come on! We've got £1,000, we're going into an auction room | 0:02:51 | 0:02:54 | |
full of jollies and bargains and wonderful items. | 0:02:54 | 0:02:58 | |
Yeah, but my problem is, as soon as I end up in an auction room, | 0:02:58 | 0:03:01 | |
I want to be selling it, not buying it. Of course you do. | 0:03:01 | 0:03:03 | |
I find that very difficult. | 0:03:03 | 0:03:05 | |
What about tactics, what are you going to do with your money? For me, this sale is online. | 0:03:05 | 0:03:09 | |
I think a lot of the smaller things will actually go on the Internet. | 0:03:09 | 0:03:12 | |
I'm going to concentrate on a bit of furniture. | 0:03:12 | 0:03:14 | |
Fingers crossed, they won't want to be going | 0:03:14 | 0:03:16 | |
and picking that up from Australia or New Zealand. A very good tactic. | 0:03:16 | 0:03:19 | |
My tactic was going to be for smaller items that I can put in my pocket, | 0:03:19 | 0:03:23 | |
high-value and go, but in actual fact, I like your tactic | 0:03:23 | 0:03:25 | |
and I'm going to adopt it. Come on! | 0:03:25 | 0:03:27 | |
Typical! | 0:03:27 | 0:03:29 | |
These savvy soldiers of the showroom may have cracking chemistry, but as the race begins | 0:03:29 | 0:03:33 | |
to rifle through the lots, the competitive spirit takes over. | 0:03:33 | 0:03:38 | |
Follow me. That's what you've been doing. James, it's what I've been doing all my life. | 0:03:38 | 0:03:43 | |
Auctioneer, James, might think he's the king of this castle, | 0:03:43 | 0:03:47 | |
but our David has a plan to dethrone him. | 0:03:47 | 0:03:51 | |
Right, so tactic for buying in an auction. | 0:03:51 | 0:03:53 | |
In honesty, there is no tactic because how on earth can you | 0:03:53 | 0:03:57 | |
lay out a tactical plan in a place where you have absolutely no control? | 0:03:57 | 0:04:02 | |
The best tip is, buy only on price, | 0:04:02 | 0:04:05 | |
because you've got to be mercenary and ruthless and it's all | 0:04:05 | 0:04:08 | |
by the seat of your pants and doesn't that make life exciting? | 0:04:08 | 0:04:11 | |
THUNDER CLAP | 0:04:11 | 0:04:13 | |
Mmm... The Devilish One is in his element when it comes to a good tussle | 0:04:13 | 0:04:17 | |
and James is already realising that this isn't going to be as easy as he thought. | 0:04:17 | 0:04:21 | |
Well, my plan was to try and buy as much furniture as possible. | 0:04:23 | 0:04:27 | |
My problem is that all the furniture is at the end of the sale, | 0:04:27 | 0:04:31 | |
so, if I don't get the furniture, I've burned my bridges. | 0:04:31 | 0:04:34 | |
I'm going to have to look at some of these other things. | 0:04:34 | 0:04:37 | |
It's nearly time for our duelling duo to cross swords, | 0:04:37 | 0:04:41 | |
but first, they need to assess the field of battle | 0:04:41 | 0:04:44 | |
and pick their bidding targets. | 0:04:44 | 0:04:45 | |
A bit of contemporary art there. | 0:04:46 | 0:04:48 | |
I think there might be a bit of profit in this. | 0:04:48 | 0:04:50 | |
Good old coffer. | 0:04:50 | 0:04:53 | |
Ah, now, good pieces of contemporary art. | 0:04:53 | 0:04:57 | |
I'm getting really into contemporary art these days | 0:04:57 | 0:04:59 | |
but good pieces, and I emphasise the word, "good". | 0:04:59 | 0:05:03 | |
Take this mermaid... Wow, she's heavy. | 0:05:03 | 0:05:05 | |
She's so well done, you can see where the chisel marks are, | 0:05:07 | 0:05:10 | |
no machinery here. This is an absolute one-piece carving, | 0:05:10 | 0:05:14 | |
probably made in the last ten years, but it doesn't matter. | 0:05:14 | 0:05:17 | |
Quality is quality, skill is skill and it's so nice to see. | 0:05:17 | 0:05:21 | |
These contemporary pieces look so good. | 0:05:21 | 0:05:24 | |
Look at that, 633, she could be coming home with me. | 0:05:24 | 0:05:29 | |
It rhymes! | 0:05:29 | 0:05:31 | |
Now, David's archrival has landed on a vintage leather flying helmet. | 0:05:31 | 0:05:36 | |
Tally-ho, Wing Commander! | 0:05:36 | 0:05:38 | |
You never know what you're going to find in an auction room | 0:05:38 | 0:05:41 | |
and just look at that. | 0:05:41 | 0:05:43 | |
What a great lot. Well, I'm not proud. | 0:05:43 | 0:05:47 | |
If you're going to go into battle with someone like David Harper, | 0:05:47 | 0:05:51 | |
you really have to be dressed for the occasion. | 0:05:51 | 0:05:54 | |
For me, I don't know anyone who flies a plane. | 0:05:54 | 0:05:58 | |
I don't know anyone who would want this hat. Apart from me! | 0:05:58 | 0:06:01 | |
And, look, if you're going out in Derby on a Saturday night | 0:06:01 | 0:06:04 | |
that really is the look. Absolute perfection. | 0:06:04 | 0:06:07 | |
Yes, well, if you say so, Mr Lewis! As an expectant hush descends upon the room, | 0:06:07 | 0:06:13 | |
the auctioneer takes to the podium | 0:06:13 | 0:06:15 | |
and our lords of the lots take to their posts, ready for close combat. | 0:06:15 | 0:06:19 | |
I've got a position right at the back of the saleroom. | 0:06:19 | 0:06:23 | |
The best part about that is | 0:06:23 | 0:06:25 | |
that I can see exactly what David Harper's bidding on | 0:06:25 | 0:06:28 | |
but he can't see, at all, what I'm bidding on. | 0:06:28 | 0:06:31 | |
Selling to the room at £180. | 0:06:31 | 0:06:34 | |
Tactical positioning from the Lionheart | 0:06:34 | 0:06:37 | |
but will this crafty move go unnoticed by the opposition? | 0:06:37 | 0:06:41 | |
I think I've chosen the wrong location right in front of the room, | 0:06:41 | 0:06:44 | |
in front of everybody. | 0:06:44 | 0:06:46 | |
I can see the auctioneer well, but look where James Lewis is, | 0:06:46 | 0:06:49 | |
right in the corner. He can see exactly what I'm doing, | 0:06:49 | 0:06:52 | |
what I'm bidding on, but I can't see what he's doing. | 0:06:52 | 0:06:57 | |
He's naughty, he's cheeky and he's playing tactically, | 0:06:57 | 0:07:00 | |
because I'm worried I'm going to bid on something | 0:07:00 | 0:07:03 | |
and cheeky, old James Lewis is going to start bumping the price up. | 0:07:03 | 0:07:07 | |
But I can't do it to him! Fundamental mistake there. | 0:07:07 | 0:07:11 | |
Oh, David, how did you let that happen? | 0:07:11 | 0:07:15 | |
With the auctioneer racing away, the items are selling thick and fast. | 0:07:15 | 0:07:18 | |
It's 55 in the room. 55. | 0:07:18 | 0:07:22 | |
Our boys must scan their catalogues to pick out | 0:07:22 | 0:07:24 | |
the potential profit makers they haven't had time to view, | 0:07:24 | 0:07:27 | |
desperate to strike that first, early blow. | 0:07:27 | 0:07:31 | |
He's getting me worried that Lewis, he really is. | 0:07:31 | 0:07:33 | |
David's devilish eye is caught by three Japanese cloisonne vases. | 0:07:33 | 0:07:39 | |
Japanese are the best in the world at making cloisonne. | 0:07:39 | 0:07:43 | |
These pieces are lovely quality. | 0:07:43 | 0:07:46 | |
I'll just keep an eye, at the right money, I'll have a go. | 0:07:46 | 0:07:49 | |
61, a pair of Japanese cloisonne vases and another pair similar. | 0:07:49 | 0:07:53 | |
But, unbeknown to David, James starts bidding. | 0:07:55 | 0:07:59 | |
Straight away, the Lionheart's perfect positioning is giving him the advantage. | 0:07:59 | 0:08:04 | |
Come on, stop bidding I'll have a go at this. | 0:08:06 | 0:08:08 | |
..40, 42... | 0:08:08 | 0:08:11 | |
The bids are too high for our boys, | 0:08:13 | 0:08:16 | |
so neither comes out on top in their first clash. | 0:08:16 | 0:08:19 | |
Devilish David is deeply unnerved, | 0:08:21 | 0:08:23 | |
knowing the laughing Lionheart's watching his every move. | 0:08:23 | 0:08:26 | |
He's got his eye right on me. | 0:08:26 | 0:08:29 | |
He fancies his chances on a pair | 0:08:29 | 0:08:32 | |
of early 20th-century Japanese Satsuma vases, | 0:08:32 | 0:08:34 | |
but he knows he has to hide his interest from James. | 0:08:34 | 0:08:38 | |
Completely rigid, not bidding, not bidding. | 0:08:38 | 0:08:43 | |
And 72, a pair of Satsuma double-gourd-shaped vases. | 0:08:43 | 0:08:46 | |
I'm not bidding. ..22, 25, 28, 30, £32... | 0:08:46 | 0:08:50 | |
I'm bidding. ..32, 35, 38, 40? | 0:08:50 | 0:08:54 | |
He doesn't know. Standing at £40, anyone else? 42, 45. | 0:08:54 | 0:08:59 | |
Oh, there it is, blink and you'd miss it. James clearly has! | 0:09:05 | 0:09:08 | |
I'm rigid, I don't want to smile. | 0:09:08 | 0:09:12 | |
..I'm bid at 60 and selling at £60. | 0:09:12 | 0:09:15 | |
Got it and Lewis doesn't know. | 0:09:15 | 0:09:17 | |
I don't think. | 0:09:17 | 0:09:19 | |
He doesn't know! Get in there. | 0:09:19 | 0:09:23 | |
Oh, strike one to David and his arch enemy hasn't a clue. | 0:09:23 | 0:09:27 | |
With fees, the pair of Satsuma vases cost him £70.80 | 0:09:27 | 0:09:32 | |
Satsuma sounds all very rich and very flamboyant and very expensive, | 0:09:33 | 0:09:38 | |
but, you know what, it just means | 0:09:38 | 0:09:41 | |
that this particular kind of decoration, that ivory background, | 0:09:41 | 0:09:44 | |
that raised, painted decoration on the top comes from | 0:09:44 | 0:09:47 | |
the region of Satsuma in Japan. And don't you think that they would make | 0:09:47 | 0:09:53 | |
just the most delectable pair of lamps? | 0:09:53 | 0:09:56 | |
What's wrong with recycling these things and getting them | 0:09:56 | 0:09:59 | |
into more modern, contemporary, younger homes? | 0:09:59 | 0:10:02 | |
So David's the first to bag a buy | 0:10:02 | 0:10:05 | |
but James isn't about to let him run away with an early lead. | 0:10:05 | 0:10:08 | |
75? | 0:10:08 | 0:10:10 | |
He buys a selection of enamelled signs for a total of £106.20 | 0:10:12 | 0:10:17 | |
including fees. | 0:10:17 | 0:10:19 | |
A solid first purchase rather than a stellar one. | 0:10:19 | 0:10:22 | |
What a funny lot of signs. | 0:10:22 | 0:10:25 | |
I mean, really... | 0:10:25 | 0:10:28 | |
Goodness knows who's going to want these. | 0:10:28 | 0:10:30 | |
When it comes to age, they really do span the entire 20th century. | 0:10:30 | 0:10:36 | |
The "private" sign, I think, is probably the earliest. | 0:10:36 | 0:10:39 | |
Maybe Edwardian or 1920s, along with some of the brass ones. | 0:10:39 | 0:10:44 | |
But they'll still have a market. | 0:10:44 | 0:10:47 | |
Devilish David may have spotted a golden opportunity | 0:10:47 | 0:10:50 | |
to get one over on James. | 0:10:50 | 0:10:52 | |
He's clocked a vintage watch he likes the look of, but he's worried that he won't be alone. | 0:10:52 | 0:10:57 | |
They'll be bids on this one, for sure. At £150... | 0:10:57 | 0:11:01 | |
I'm going to go straight in. ..160, 170... | 0:11:01 | 0:11:04 | |
180, 190, 200, 220, 240, 260. | 0:11:04 | 0:11:08 | |
280, 300, 320, 340, 360. | 0:11:08 | 0:11:12 | |
I'm going to say 400? The price is rocketing! | 0:11:12 | 0:11:15 | |
And our David's now risking a huge chunk of his budget. | 0:11:15 | 0:11:19 | |
450. | 0:11:19 | 0:11:20 | |
..460 bid now. 460... It's getting tight. | 0:11:20 | 0:11:23 | |
460 bid, at 460. Fair warning... Come on, get that hammer down. | 0:11:23 | 0:11:27 | |
GAVEL BANGS | 0:11:27 | 0:11:29 | |
He's got it, but what a gamble! | 0:11:29 | 0:11:32 | |
The Devilish One spent over half his cash on the watch. | 0:11:32 | 0:11:36 | |
£542.80, including costs. | 0:11:36 | 0:11:39 | |
Is it a golden ticket to glory, or a ticking time bomb to defeat? | 0:11:39 | 0:11:44 | |
Gee, over £500 for the Rolex. | 0:11:44 | 0:11:48 | |
There's no way it's worth anything like nine or 1,000. | 0:11:48 | 0:11:51 | |
Golly. | 0:11:51 | 0:11:53 | |
Well, his rival may not approve, | 0:11:54 | 0:11:56 | |
but this flash find has delighted our baron of bling. | 0:11:56 | 0:11:59 | |
It's good. | 0:11:59 | 0:12:01 | |
Oh, yeah, who's the antiques daddy? | 0:12:03 | 0:12:07 | |
So here's the big money spend - £460 plus commission | 0:12:09 | 0:12:15 | |
but it is a solid gold nine carat Rolex gentleman's watch | 0:12:15 | 0:12:20 | |
and those words send shivers up the back of my spine. | 0:12:20 | 0:12:24 | |
Let's just get to grips with it. | 0:12:24 | 0:12:26 | |
Ivory face, Swiss made with the Rolex crown at the top there. | 0:12:26 | 0:12:30 | |
If that was a matching gold strap, it would more than double the £460 | 0:12:30 | 0:12:35 | |
because an original Rolex strap, together with the watch, is just fantastic. | 0:12:35 | 0:12:40 | |
Let's just give it a bit of a test run. | 0:12:40 | 0:12:43 | |
Oh, look at that. | 0:12:43 | 0:12:45 | |
It's beautiful. What a gorgeous, gorgeous watch. | 0:12:45 | 0:12:51 | |
The Devilish One's heart may be aflutter, | 0:12:51 | 0:12:53 | |
but he's comfortably ahead of James. | 0:12:53 | 0:12:55 | |
The Lionheart really needs to get cracking | 0:12:55 | 0:12:57 | |
and he's got some Masonic glassware in his sights. | 0:12:57 | 0:13:00 | |
Going at £75. | 0:13:00 | 0:13:03 | |
Which he wins for £88.50 with fees. | 0:13:05 | 0:13:09 | |
I bought them out of desperation, rather than a great need or want. | 0:13:09 | 0:13:13 | |
I've got no idea who I'm going to sell them to, | 0:13:13 | 0:13:16 | |
but there are collectors for Masonic glass. | 0:13:16 | 0:13:19 | |
I'm just hoping somebody might like them. | 0:13:19 | 0:13:21 | |
With the bit between his teeth, | 0:13:21 | 0:13:23 | |
the Lionheart lets rip with a torrent of purchases. | 0:13:23 | 0:13:26 | |
He wins six gilt metal buttons, | 0:13:28 | 0:13:30 | |
with a fox head design for £59, including costs. | 0:13:30 | 0:13:34 | |
Probably around 1910, 1920, not gold, they're gilt metal. | 0:13:34 | 0:13:39 | |
But still, for me, they're worth £100 of anybody's money. | 0:13:39 | 0:13:44 | |
Then he sweeps away with that vintage leather flying helmet... | 0:13:44 | 0:13:48 | |
That's mad. | 0:13:48 | 0:13:49 | |
..for £106.20 with fees. | 0:13:49 | 0:13:52 | |
And cements his new-found lead with an assortment of wooden bowls, | 0:13:52 | 0:13:57 | |
also for £106.20, including costs. | 0:13:57 | 0:14:01 | |
Yes! | 0:14:01 | 0:14:03 | |
I have to say, when I bid £90 for this lot, I thought, | 0:14:04 | 0:14:07 | |
"I've paid too much". They looked rough, they looked nothing special at all. | 0:14:07 | 0:14:13 | |
But now, having looked at them again, I know a great shape. | 0:14:13 | 0:14:18 | |
That's a great colour. | 0:14:18 | 0:14:20 | |
They're by a chap called Albert Pountney, | 0:14:20 | 0:14:22 | |
who was head of art and sculpture at the Leicester College of Art. | 0:14:22 | 0:14:29 | |
For £90 for the lot, really, | 0:14:29 | 0:14:32 | |
that's got to be worth £80 to £100, that one bowl. | 0:14:32 | 0:14:36 | |
I think, of everything that I've bought in this sale today, | 0:14:36 | 0:14:40 | |
this has got to be the best bargain. | 0:14:40 | 0:14:43 | |
Well, what a turnaround in that hard-fought first round. | 0:14:43 | 0:14:48 | |
With our nifty knights locked in combat, | 0:14:48 | 0:14:51 | |
let's see who's got the upper hand in this fight to the death. | 0:14:51 | 0:14:55 | |
David and James each started the day with £1,000 of their own money. | 0:14:55 | 0:15:00 | |
Devilish David Harper launched the first attacks, | 0:15:00 | 0:15:03 | |
spending £613.60 on two items. | 0:15:03 | 0:15:06 | |
This leaves him with £386.40 still to spend. | 0:15:06 | 0:15:11 | |
James "The Lionheart" Lewis has fought back hard | 0:15:11 | 0:15:14 | |
spending £466.10 on five items, | 0:15:14 | 0:15:18 | |
leaving him with £533.90 to play with. | 0:15:18 | 0:15:22 | |
It's time for our noble knights to redouble their efforts | 0:15:24 | 0:15:27 | |
in their bid for victory. Who's going to laugh in the face of danger | 0:15:27 | 0:15:31 | |
and who's going to be sent into antiques exile? | 0:15:31 | 0:15:35 | |
Only time will tell. | 0:15:35 | 0:15:37 | |
We find the Lionheart is in a state of agitation. | 0:15:37 | 0:15:40 | |
His battle plan has gone out of the window | 0:15:40 | 0:15:43 | |
and he can't make up his mind whether to bid on a large | 0:15:43 | 0:15:45 | |
19th-century oil painting. | 0:15:45 | 0:15:48 | |
Hmm...no. | 0:15:50 | 0:15:51 | |
Oh, he's bidding. £130, I'm bid. At 130. | 0:15:53 | 0:15:56 | |
£130, I'm bid. At 130. 40, will you quickly? Away at £130. | 0:15:56 | 0:16:01 | |
712, thank you. | 0:16:02 | 0:16:04 | |
The Lionheart wins the oil painting for £153.40, including costs. | 0:16:04 | 0:16:09 | |
But has he bagged himself a masterpiece? | 0:16:09 | 0:16:12 | |
Well, that is an absolutely shocking oil painting. | 0:16:12 | 0:16:16 | |
I think my cat could paint better than that. | 0:16:16 | 0:16:20 | |
But it's a big wall filler. | 0:16:20 | 0:16:22 | |
And at 120 quid, it's cheaper than wallpaper. | 0:16:22 | 0:16:25 | |
So, if you got a big hole in the wall, | 0:16:25 | 0:16:27 | |
and you don't want to spend a lot of money getting the builders in, | 0:16:27 | 0:16:30 | |
just cover it up with a big picture like that. | 0:16:30 | 0:16:33 | |
Yes, not entirely convincing, James. | 0:16:33 | 0:16:36 | |
David has also set his sights on an oil painting, | 0:16:36 | 0:16:39 | |
and he is a lot more excited about his. | 0:16:39 | 0:16:41 | |
That's Venus, the goddess of love. | 0:16:41 | 0:16:44 | |
And pictured there lying recumbent on a bed with her son Cupid | 0:16:44 | 0:16:48 | |
who's holding a mirror so Venus can look at herself in the mirror. | 0:16:48 | 0:16:51 | |
But at the same time, you can see her face, so she can see you. | 0:16:51 | 0:16:55 | |
It's just a bit cheeky. A lovely picture. | 0:16:55 | 0:16:58 | |
The original is in the National Gallery. | 0:16:58 | 0:17:00 | |
Originally painted in, I think, 1651, | 0:17:00 | 0:17:02 | |
certainly the mid-17th century by Velazquez. | 0:17:02 | 0:17:05 | |
Now, the real reason why I adore that painting is because it's also known as the Rokeby Venus. | 0:17:05 | 0:17:11 | |
Rokeby Hall is about four miles away from me | 0:17:11 | 0:17:15 | |
and that painting, the original, was once owned | 0:17:15 | 0:17:18 | |
by the Morritt family, who live at Rokeby Hall. Isn't she great? | 0:17:18 | 0:17:23 | |
Ah, now David is smitten. | 0:17:23 | 0:17:25 | |
Well, here we go for the Rokeby Venus. | 0:17:25 | 0:17:28 | |
911. Come on. | 0:17:28 | 0:17:29 | |
I want her. I want her. | 0:17:29 | 0:17:33 | |
Good-looking girl from behind, £35? £30 bid. | 0:17:33 | 0:17:37 | |
£30, I'm bid. £30, at 30. | 0:17:37 | 0:17:40 | |
At 32, 32, 35, 35. At 38 in the room. | 0:17:40 | 0:17:43 | |
Commission the loss. | 0:17:43 | 0:17:45 | |
At £38, I'm bid, are you all done, finished and sold at £38? | 0:17:45 | 0:17:49 | |
£40, 42, 42 in the room. | 0:17:49 | 0:17:52 | |
I've got to have her, I just have to have her. | 0:17:52 | 0:17:55 | |
Put it down to me, £40. | 0:17:55 | 0:17:57 | |
GAVEL BANGS Yes! 42 in the room - 805. 42? | 0:17:57 | 0:17:59 | |
£42. How magnificent is that? | 0:17:59 | 0:18:02 | |
She is coming home with me. | 0:18:02 | 0:18:05 | |
# She's got it | 0:18:05 | 0:18:07 | |
# Yeah, baby, she's got it | 0:18:07 | 0:18:10 | |
# I'm your Venus, I'm your fire At your desire... # | 0:18:12 | 0:18:18 | |
Easy, tiger! David strides off into the sunset with his lady love | 0:18:18 | 0:18:23 | |
for £49.56 including fees. | 0:18:23 | 0:18:25 | |
But the Lionheart is preparing to retaliate on a massive scale, | 0:18:27 | 0:18:31 | |
because the furniture he talked about at the start of the day | 0:18:31 | 0:18:34 | |
is about to go under the hammer. | 0:18:34 | 0:18:36 | |
This is the part of the auction where James is hoping to knock his opponent for six. | 0:18:36 | 0:18:41 | |
First up, the Lionheart snatches a Victorian piano stool for £25.96, including fees. | 0:18:41 | 0:18:48 | |
Then he buys a Georgian mahogany drop-leaf dining table | 0:18:48 | 0:18:53 | |
for £37.76, including costs. And he can't believe his luck. | 0:18:53 | 0:18:59 | |
I think the world must have gone mad, | 0:18:59 | 0:19:02 | |
because it's solid wood, it's wonderful quality | 0:19:02 | 0:19:05 | |
and if anyone's got a small house and not a separate dining room, | 0:19:05 | 0:19:08 | |
this is perfect. Super thing. I'm really happy. | 0:19:08 | 0:19:11 | |
There's got to be a profit in that. | 0:19:11 | 0:19:13 | |
The Lionheart is on the rise, and now he's got his eye on | 0:19:13 | 0:19:16 | |
an oak side table with turned legs. | 0:19:16 | 0:19:19 | |
£10. | 0:19:19 | 0:19:21 | |
712, thank you. | 0:19:21 | 0:19:23 | |
It's a hefty purchase at £247.80, including costs | 0:19:23 | 0:19:28 | |
but James is hoping the table's great age will make it a winner. | 0:19:28 | 0:19:32 | |
That has survived 300 or 400 years of history. | 0:19:32 | 0:19:36 | |
That's worth £500 of anybody's money. | 0:19:36 | 0:19:39 | |
It's got a wonderful curved top, that over-sailing top is typical of the period. | 0:19:39 | 0:19:44 | |
Nicely turned legs. Great. Very pleased with that. | 0:19:44 | 0:19:47 | |
With the auction now reaching its final stages, | 0:19:47 | 0:19:50 | |
our two knights of the barter have thrown everything they can at each other. | 0:19:50 | 0:19:54 | |
But here's a turn-up, David's still enough of a gentleman | 0:19:54 | 0:19:58 | |
to point out a furniture piece that James has missed. | 0:19:58 | 0:20:01 | |
Look at that, it's a 19th-century gate-leg table. | 0:20:01 | 0:20:05 | |
22 in the room. How much? 22, 22. | 0:20:05 | 0:20:08 | |
Oh! 25? | 0:20:08 | 0:20:11 | |
25, 28? | 0:20:11 | 0:20:12 | |
30. 32, 35. | 0:20:12 | 0:20:16 | |
Standing forward at £35... He's doing eyebrow bidding. | 0:20:16 | 0:20:19 | |
That was eyebrow bidding, well done, James. | 0:20:19 | 0:20:22 | |
I didn't want you to know that I was bidding. | 0:20:22 | 0:20:24 | |
The Lionheart wins the gate-leg table for £41.30, | 0:20:24 | 0:20:27 | |
including costs and is all spent up. | 0:20:27 | 0:20:31 | |
Wasn't he lucky to have good old David there to make sure he didn't miss out? | 0:20:31 | 0:20:37 | |
If there was a prime example of why you should view before you buy, that's it. | 0:20:37 | 0:20:42 | |
Well, yes, it's an oak gate-leg, but it's not 19th century, | 0:20:42 | 0:20:45 | |
its 20th century and it is marked, it is scuffed. | 0:20:45 | 0:20:50 | |
It's awful. Oh, disaster! | 0:20:50 | 0:20:53 | |
Royally hoodwinked by the Devilish One. | 0:20:53 | 0:20:56 | |
With James spent up and out of the fight, | 0:20:56 | 0:20:59 | |
David got his eye on those carved wooden sculptures that he fell for earlier in the day. | 0:20:59 | 0:21:05 | |
I just going to have to wipe me out. | 0:21:05 | 0:21:07 | |
Carvings... | 0:21:07 | 0:21:09 | |
65, 75, 85, 95, 100? | 0:21:09 | 0:21:13 | |
10. He's going for it! 130, 140... Go on, David! | 0:21:13 | 0:21:18 | |
You can do it, keep going. ..70, 80, 90... | 0:21:18 | 0:21:22 | |
..200, 210... | 0:21:24 | 0:21:26 | |
At 10? 210? | 0:21:26 | 0:21:28 | |
It's close. £210, all finished. | 0:21:28 | 0:21:32 | |
805, thank you. | 0:21:32 | 0:21:35 | |
Oh, the strain's all too much, but he's done it. | 0:21:35 | 0:21:39 | |
No chance. I just paid a fortune for those in desperation. God! | 0:21:39 | 0:21:44 | |
The sculptures end up costing David £247.80, including fees. | 0:21:44 | 0:21:50 | |
What a late charge by David Harper. | 0:21:50 | 0:21:52 | |
And there's one last item he WHEELLY WHEELLY wants. | 0:21:52 | 0:21:56 | |
It's this vintage wheel. | 0:21:56 | 0:21:58 | |
This is described as a wagon wheel, but it's not a wagon wheel. | 0:21:58 | 0:22:02 | |
Haven't really seen it, but I'll have a go. | 0:22:02 | 0:22:04 | |
Five in the room? | 0:22:04 | 0:22:06 | |
Get the hammer down! Get the hammer down. | 0:22:06 | 0:22:09 | |
Get the hammer down. £55. | 0:22:09 | 0:22:11 | |
GAVEL BANGS Yes! | 0:22:11 | 0:22:13 | |
He rolls away with the wheel for £64.90, including fees | 0:22:13 | 0:22:18 | |
and, with that final purchase, it's all over. | 0:22:18 | 0:22:21 | |
Our gallant challengers each started the day | 0:22:24 | 0:22:26 | |
with £1,000 of their own money. | 0:22:26 | 0:22:29 | |
"Devilish" David Harper is hoping quality wins over quantity. | 0:22:29 | 0:22:32 | |
He finished with just five items after spending £975.86. | 0:22:32 | 0:22:39 | |
James "The Lionheart" Lewis is playing the numbers game | 0:22:39 | 0:22:42 | |
and ends the day with ten items, costing him £972.32. | 0:22:42 | 0:22:48 | |
But now, it's all about who will make the most profit. | 0:22:48 | 0:22:51 | |
Action over in the auction room, | 0:22:51 | 0:22:53 | |
our chaps can now size up their opponent's wares. | 0:22:53 | 0:22:56 | |
Wow! A long, long day, but exciting. | 0:22:56 | 0:22:59 | |
Very long day, but I have to say, | 0:22:59 | 0:23:01 | |
I think, quite clearly, I win through quantity. | 0:23:01 | 0:23:04 | |
No doubt about it! But where's that Rolex watch? | 0:23:04 | 0:23:07 | |
Oh! My favourite buy! It is an absolute stonker. | 0:23:07 | 0:23:11 | |
I'll take the back off, I'll enjoy researching it, | 0:23:11 | 0:23:14 | |
looking at the numbers. I'll be able to date it within a year | 0:23:14 | 0:23:17 | |
but I think it's 1950s, 1960s. | 0:23:17 | 0:23:20 | |
I'll change the strap, but it's so super stylish. | 0:23:20 | 0:23:23 | |
That's my favourite object. What's your favourite? | 0:23:23 | 0:23:25 | |
I have to say, the thing I'm most pleased with are all these bowls! | 0:23:25 | 0:23:29 | |
They good! I looked at them from a distance and I thought they looked terrible | 0:23:29 | 0:23:32 | |
but you start to spread them out, they've got real quality. They have, all handmade. | 0:23:32 | 0:23:36 | |
They're very ethnic looking, although they're obviously English. | 0:23:36 | 0:23:39 | |
They're English, by the same person that carved your figures. No way! Are they really? They are. | 0:23:39 | 0:23:44 | |
Finally, that thing. I mean, what is it? I've no idea. | 0:23:44 | 0:23:48 | |
Part of some kind of contraption, maybe to do with wool or cotton... | 0:23:48 | 0:23:53 | |
Yeah. It's a good architectural thing. Yes... Just call it a thing. I do quite like it actually. | 0:23:53 | 0:23:58 | |
It's a thing, James, and you'll never see another thing like that. No, you won't. | 0:23:58 | 0:24:02 | |
The first skirmish between the Lionheart and the Devilish One is now over. | 0:24:05 | 0:24:10 | |
But there's an almighty war gathering beyond the horizon. | 0:24:10 | 0:24:14 | |
Bidding for the buys was as nothing | 0:24:14 | 0:24:17 | |
compared to the Herculean efforts required in getting them sold. | 0:24:17 | 0:24:21 | |
This is what sorts the selling superstars from the dealing deadbeats. | 0:24:21 | 0:24:26 | |
And at Devilish HQ, David is taking stock. | 0:24:26 | 0:24:30 | |
Buying in auction is not the easiest place in the world. | 0:24:30 | 0:24:33 | |
Um, hello, what on earth is that? | 0:24:33 | 0:24:36 | |
The pair of Satsumas, good staple antique dealing stock. | 0:24:36 | 0:24:41 | |
The watch, vastly improved with a new strap. | 0:24:41 | 0:24:44 | |
Looks so much better, makes it much more contemporary. | 0:24:44 | 0:24:48 | |
And my favourite item, the Rokeby Venus, | 0:24:48 | 0:24:50 | |
lovely to see her where she belongs, back here at home in Barnard Castle. | 0:24:50 | 0:24:54 | |
Now, onto the Pountneys. I love those things. | 0:24:54 | 0:24:57 | |
Contemporary, fantastic quality, | 0:24:57 | 0:24:59 | |
struggling to get any interest in those. | 0:24:59 | 0:25:01 | |
But there's the challenge. | 0:25:01 | 0:25:04 | |
I love to sell. | 0:25:04 | 0:25:06 | |
Yes, David has a real fire in his belly as he hits the phones... | 0:25:06 | 0:25:10 | |
Really? ..which is just as well as his opponent has exactly | 0:25:10 | 0:25:15 | |
double the number of purchases to offload. | 0:25:15 | 0:25:18 | |
Well, what did I buy? A bit of a mixed bag, really, | 0:25:18 | 0:25:22 | |
but there are these wonderful gold-plated fox-head buttons. | 0:25:22 | 0:25:24 | |
Ideally, suited to master of the hunt, | 0:25:24 | 0:25:28 | |
but, you never know, Leicester City Football Club might like them. | 0:25:28 | 0:25:31 | |
Also, these two 19th-century | 0:25:31 | 0:25:33 | |
Masonic glasses. | 0:25:33 | 0:25:35 | |
There's a Victorian walnut piano stool. | 0:25:35 | 0:25:38 | |
There was the massive bowls, all different shapes and sizes. | 0:25:38 | 0:25:41 | |
The enamel signs. Again, some brass, some enamel. | 0:25:41 | 0:25:45 | |
The George III mahogany table | 0:25:45 | 0:25:47 | |
would seat two for a nice little breakfast on the terrace somewhere. | 0:25:47 | 0:25:50 | |
There was the 18th-century oak sidetable. | 0:25:50 | 0:25:53 | |
What else was there? | 0:25:53 | 0:25:55 | |
There was... Oh. The painting. | 0:25:55 | 0:25:57 | |
Why did I buy that painting? | 0:25:57 | 0:26:00 | |
It's so huge and not well done. But, hey, fingers crossed. | 0:26:00 | 0:26:04 | |
Ooh, and the worst thing? | 0:26:04 | 0:26:07 | |
The worst thing of the lot was that reproduction gateleg. | 0:26:07 | 0:26:10 | |
Wish I hadn't bought that. | 0:26:10 | 0:26:12 | |
What else? Ah! | 0:26:12 | 0:26:14 | |
The flying helmet. The best of all. | 0:26:14 | 0:26:17 | |
Well, if I don't sell it, at least I can wear it. | 0:26:17 | 0:26:20 | |
Well, if you say so, James. | 0:26:20 | 0:26:22 | |
Either way, it's time to put aside the sartorial suggestions | 0:26:22 | 0:26:25 | |
and turn all that talk into cold, hard sales | 0:26:25 | 0:26:30 | |
because no deal is truly sealed until the money is in your hand. | 0:26:30 | 0:26:32 | |
James is first off the starting blocks gunning for a sale | 0:26:32 | 0:26:35 | |
of the oak sidetable he bought for £247.80. | 0:26:35 | 0:26:40 | |
He takes it along to his friend, Robert, who's building a house | 0:26:40 | 0:26:43 | |
and is on the look out for antique furniture. | 0:26:43 | 0:26:46 | |
I guess this might be your first bit of furniture, then, Robert? | 0:26:46 | 0:26:49 | |
Yes, the first bit we've got other than bathroom suites and kitchen. | 0:26:49 | 0:26:53 | |
You said you wanted oak furniture. I do. You wanted period oak. Yep. | 0:26:53 | 0:26:57 | |
This one is about 1700, around the reign of Queen Anne, George I. Yep. | 0:26:57 | 0:27:01 | |
And a classic sort of bit of oak furniture | 0:27:01 | 0:27:04 | |
that you would have found in a Derbyshire cottage. | 0:27:04 | 0:27:07 | |
It's ready to go, as you say. I like it. I like it. Yup. | 0:27:07 | 0:27:11 | |
It's fabulous for what we want and, yep. We need to sort the price out. | 0:27:11 | 0:27:16 | |
Is it sort of £300, maybe £400? | 0:27:16 | 0:27:19 | |
I would say that table is worth... | 0:27:19 | 0:27:21 | |
..around £450, something like that. Shall we say 420? | 0:27:23 | 0:27:26 | |
Is that all right? Yes, fantastic. You've got a deal. Brilliant. | 0:27:26 | 0:27:31 | |
Shall we see where it'll look good? Yes, fantastic. | 0:27:31 | 0:27:33 | |
Go on, you grab that end. We'll just wander off around. | 0:27:33 | 0:27:37 | |
The Lionheart roars away with a beast of a profit, £172.20. | 0:27:37 | 0:27:42 | |
The Lionheart is off to an almighty start, but what of the Devilish One? | 0:27:42 | 0:27:47 | |
He's opening his campaign by trying to sell | 0:27:47 | 0:27:50 | |
the oil painting that cost him £49.56. | 0:27:50 | 0:27:53 | |
Now, I did say I was going to try and keep the wonderful Rokeby Venus | 0:27:54 | 0:27:58 | |
in her hometown of Barnard Castle. | 0:27:58 | 0:28:01 | |
Now, where better to bring her than my local pub | 0:28:01 | 0:28:03 | |
and meet my local landlord, Peter. But I must warn you - | 0:28:03 | 0:28:07 | |
Peter does like his theme nights, | 0:28:07 | 0:28:10 | |
so we've no idea quite who we're going to meet. Come on. | 0:28:10 | 0:28:15 | |
Luckily, a man of David's calibre is prepared for any eventuality. | 0:28:15 | 0:28:19 | |
Ah, Peter. Good to see you. David. | 0:28:21 | 0:28:24 | |
Looking absolutely fan-tastic. Thank you. | 0:28:24 | 0:28:28 | |
Thank you very much. Really, really good. Love that outfit. | 0:28:28 | 0:28:32 | |
That is cool. Now, listen, the reason I'm here, you know. | 0:28:32 | 0:28:35 | |
You haven't seen this yet. I've described her to you. | 0:28:35 | 0:28:38 | |
This is a copy of the original Rokeby Venus. | 0:28:38 | 0:28:43 | |
This original was in Rokeby Hall one mile away from here for generations. | 0:28:43 | 0:28:48 | |
This is the nearest thing we're going to get to having | 0:28:48 | 0:28:51 | |
the Rokeby Venus back in town. | 0:28:51 | 0:28:54 | |
Will it cost me a king's ransom? | 0:28:54 | 0:28:56 | |
No. It'll cost you a prince's ransom, Peter. | 0:28:56 | 0:29:00 | |
How about 140 quid? | 0:29:00 | 0:29:02 | |
What about 120? | 0:29:02 | 0:29:05 | |
Make it 130. I'll go to 130... OK. | 0:29:05 | 0:29:09 | |
What about you singing a song with me? And I'll give you 130, | 0:29:09 | 0:29:14 | |
if you do a duet. It... That... | 0:29:14 | 0:29:17 | |
Peter, this is where it all could possibly go wrong | 0:29:17 | 0:29:20 | |
because I am... You know, I don't mind being in the spotlight, | 0:29:20 | 0:29:24 | |
but singing is not my forte. | 0:29:24 | 0:29:26 | |
So, will David give us a taste of Elvis if it seals the deal at £130? | 0:29:26 | 0:29:32 | |
# But that's all right now... # | 0:29:32 | 0:29:35 | |
Sadly, he will. | 0:29:35 | 0:29:36 | |
That's a £80.44 profit. Thank you very much. | 0:29:36 | 0:29:40 | |
# It's all right now, mama | 0:29:40 | 0:29:43 | |
# Any way you do. # | 0:29:43 | 0:29:47 | |
Thank you very much. | 0:29:48 | 0:29:50 | |
And now, we join Wing Commander Lewis | 0:29:54 | 0:29:57 | |
on a mission of the utmost importance. | 0:29:57 | 0:29:58 | |
He is hoping to sell the vintage flying helmet for more than | 0:29:58 | 0:30:01 | |
the £106.20 that he paid for it. | 0:30:01 | 0:30:04 | |
He's headed east | 0:30:04 | 0:30:06 | |
to the Lincolnshire Aviation Heritage Centre | 0:30:06 | 0:30:09 | |
where he's rendezvousing with owner Fred. Chocks away! | 0:30:09 | 0:30:14 | |
Fred, what an amazing place you've got here. It is, yes. | 0:30:14 | 0:30:18 | |
How many of these bombers are still around? There's 15 in the world. | 0:30:18 | 0:30:22 | |
There's one flying in Canada. | 0:30:22 | 0:30:23 | |
Yup. Then there's the Battle of Britain flying. | 0:30:23 | 0:30:26 | |
There's this one, Just Jane, with a full engine running, | 0:30:26 | 0:30:29 | |
so those are the only three Lancasters with engines running. | 0:30:29 | 0:30:32 | |
It's obviously a passion for you cos you've got cabinets and cabinets. | 0:30:32 | 0:30:36 | |
Oh, yeah, there is. A lot of stuff. | 0:30:36 | 0:30:38 | |
Well, this is what I've... I've brought to show you. Yes. | 0:30:38 | 0:30:42 | |
Second World War type period, or maybe earlier or slightly later. | 0:30:42 | 0:30:47 | |
You're the expert. Oh, no, it's the real McCoy. It's a bomber one. | 0:30:47 | 0:30:52 | |
It is a bomber one? Yes. Brilliant! It's an early one. | 0:30:52 | 0:30:56 | |
So it's likely that would have been worn | 0:30:56 | 0:30:58 | |
by somebody in the Second World War? It would, yeah, it would. | 0:30:58 | 0:31:01 | |
Is it the sort of thing you'd be interested in? It is. Brilliant. | 0:31:01 | 0:31:05 | |
What would you be asking for this, then? | 0:31:05 | 0:31:08 | |
Around £200, how would that sound? 150? | 0:31:08 | 0:31:11 | |
They're very rare. Oh, they are? | 0:31:11 | 0:31:13 | |
Well, how about 250? I've got to be... | 0:31:13 | 0:31:17 | |
I've got to be truthful with you. 180? Yeah, | 0:31:17 | 0:31:20 | |
I'll go to 180. You sure? Yes, oh, yes. I will. | 0:31:20 | 0:31:23 | |
You've got a deal, then. Fantastic. Thank you. That is super. | 0:31:23 | 0:31:27 | |
James soars away with a £73.80 profit. Mission accomplished! | 0:31:27 | 0:31:34 | |
But the Lionheart's victory may be short lived as the Devilish One | 0:31:34 | 0:31:38 | |
is about to bring out the big guns in the shape of his vintage watch. | 0:31:38 | 0:31:41 | |
It cost David a whopping £542.80 at auction | 0:31:41 | 0:31:45 | |
so the stakes couldn't be higher. A good deal here | 0:31:45 | 0:31:49 | |
could annihilate his rival. A bad deal and it's game over. | 0:31:49 | 0:31:53 | |
He's taken his premium ticker to a friend and fellow dealer, Anthony. | 0:31:53 | 0:31:57 | |
Anthony has already seen the watch, but David's now replaced the strap | 0:31:57 | 0:32:00 | |
with a spare one that he had at home. | 0:32:00 | 0:32:02 | |
Now, feast your eyes on that piece of sophisticated kit. | 0:32:02 | 0:32:07 | |
Oh, that's much better. | 0:32:07 | 0:32:09 | |
That is very, very nice, David. | 0:32:09 | 0:32:12 | |
Isn't that a good-looking watch? Yes. | 0:32:12 | 0:32:14 | |
Now, can you tell me about it? | 0:32:14 | 0:32:16 | |
Let me just show you something. You know it is a vintage watch. | 0:32:16 | 0:32:19 | |
Ooh. | 0:32:19 | 0:32:21 | |
OK, first of all, is it solid gold? Is it? | 0:32:22 | 0:32:25 | |
Oh, very good, David. | 0:32:26 | 0:32:30 | |
Just look at that. Wonderful hallmarks. The case is marked Rolex. | 0:32:30 | 0:32:36 | |
They've got a date stamp there of 1952. | 0:32:36 | 0:32:39 | |
They've also got the Rolex reference number down here, | 0:32:39 | 0:32:42 | |
which I've checked against the Rolex register. Very good. | 0:32:42 | 0:32:44 | |
And that equates also to 1952. So this is a very special watch. | 0:32:44 | 0:32:50 | |
David may have done his research, but can he do a deal? | 0:32:50 | 0:32:53 | |
I think we need to get the watch around about £350. | 0:32:53 | 0:32:57 | |
You are a killer, aren't you? Let's be reckless. £550. | 0:33:01 | 0:33:08 | |
Look at that. Honestly. He's so good. I can't do it. | 0:33:08 | 0:33:12 | |
£650 and let's be happy. | 0:33:12 | 0:33:16 | |
We can't be happy at that. All right, listen, I'll tell you what. | 0:33:16 | 0:33:20 | |
£700 and we've got a deal going. We can't do it. What? | 0:33:20 | 0:33:26 | |
Honestly, we can't do it. £775. | 0:33:26 | 0:33:31 | |
Give me your hand, take the Rolex. | 0:33:31 | 0:33:34 | |
I'll take your hand at 750 and not a pound more. That's it. We're done. | 0:33:34 | 0:33:40 | |
Come on. | 0:33:40 | 0:33:42 | |
Go on. Well done. Good, thank you very much. | 0:33:44 | 0:33:47 | |
He stuck to his guns and he's done it. | 0:33:47 | 0:33:50 | |
The Devilish One clocked a profit of £207.20. | 0:33:50 | 0:33:56 | |
It's two sales each now and our dealers really need to ramp things up a gear. | 0:33:58 | 0:34:03 | |
James is taking a trip to Leicester City Football Club | 0:34:03 | 0:34:06 | |
with the gilt buttons with the fox-head design. | 0:34:06 | 0:34:09 | |
He's noticed they bear a remarkable resemblance to the team's emblem. | 0:34:09 | 0:34:14 | |
The Foxes may have lost on the pitch, | 0:34:14 | 0:34:16 | |
but the Lionheart wins big when he sells the gilt buttons to a fan... | 0:34:16 | 0:34:21 | |
They're yours. | 0:34:21 | 0:34:23 | |
LAUGHTER | 0:34:23 | 0:34:25 | |
..making a profit of £111. Goal! | 0:34:25 | 0:34:29 | |
And, once again, the Lionheart has hit his stride. | 0:34:29 | 0:34:33 | |
He sells the Georgian mahogany dining table for a profit of £7.24. | 0:34:33 | 0:34:38 | |
The oil painting of a river scene for a profit of £46.60 | 0:34:38 | 0:34:44 | |
And the piano stool for a profit of £44.04. | 0:34:44 | 0:34:47 | |
What a hat-trick! | 0:34:47 | 0:34:50 | |
It's now half-time in this selling game, | 0:34:50 | 0:34:52 | |
so let's find out how our plucky players are faring. | 0:34:52 | 0:34:57 | |
Devilish David Harper | 0:34:58 | 0:34:59 | |
has so far sold two items making a profit of £287.64. | 0:34:59 | 0:35:05 | |
But James "The Lionheart" Lewis has racked up six deals | 0:35:05 | 0:35:08 | |
and turned a corking profit of £454.88. | 0:35:08 | 0:35:14 | |
The Lionheart now has a comfortable lead on his opponent | 0:35:14 | 0:35:19 | |
and he's determined to keep it that way. | 0:35:19 | 0:35:22 | |
Without question, the best lot that I bought from the auction | 0:35:22 | 0:35:26 | |
is that massive lot of treen bowls, | 0:35:26 | 0:35:29 | |
balls, acorns, stands, a wonderful lot. | 0:35:29 | 0:35:33 | |
Everybody I've shown them to loves them, | 0:35:33 | 0:35:35 | |
so instead of hawking them down to London | 0:35:35 | 0:35:38 | |
and showing them to lots of dealers, | 0:35:38 | 0:35:39 | |
I've simply put a pile of them on my table in the garden | 0:35:39 | 0:35:42 | |
and invited lots of friends and local people round to have a look. | 0:35:42 | 0:35:45 | |
Some of them have already seen some and loved them. | 0:35:45 | 0:35:48 | |
Others, I'm just hoping to twist their arm. Fingers crossed. | 0:35:48 | 0:35:52 | |
Yes, it's an unusual tactic from James - and not without risk. | 0:35:52 | 0:35:56 | |
The wooden Bowls cost him £106.20 | 0:35:56 | 0:35:58 | |
and he's got a limited pool from which to drum up interest. | 0:35:58 | 0:36:02 | |
OK, guys, come on, then, who's first? | 0:36:03 | 0:36:06 | |
Buy a few and we can have a deal. | 0:36:06 | 0:36:09 | |
I'll give you £40 for it. You've got a deal. First one's gone. | 0:36:09 | 0:36:12 | |
There we go. OK, who's next? | 0:36:12 | 0:36:15 | |
50 for the two. Oh, go on, then. | 0:36:15 | 0:36:18 | |
Yep, deal, brilliant, there you go. OK, who's next? | 0:36:18 | 0:36:20 | |
Yours, thank you very much. | 0:36:20 | 0:36:22 | |
Deal. There you go, that's yours. | 0:36:22 | 0:36:24 | |
I'm sad to see it go, but there we go. | 0:36:24 | 0:36:27 | |
35. Deal. | 0:36:27 | 0:36:29 | |
OK, anybody want an acorn? £15. Go on, then. | 0:36:29 | 0:36:33 | |
Thank you very much. There you go. Done? I think we're done. | 0:36:33 | 0:36:37 | |
Thank you very much, everybody, thank you. | 0:36:37 | 0:36:40 | |
James also sold some of the bowls to a couple of dealers | 0:36:40 | 0:36:43 | |
and, in total, he tots up a very tasty profit of £718.80. | 0:36:43 | 0:36:49 | |
The Devilish One is falling further behind in the profit stakes | 0:36:49 | 0:36:52 | |
and decides to switch strategy in his bid to beat the Lionheart. | 0:36:52 | 0:36:57 | |
My first thought, my first instinct, was to get them to my mate | 0:36:57 | 0:37:01 | |
and turn them into a pair of funky modern lamps. | 0:37:01 | 0:37:05 | |
However, a change of heart. So what have I done? | 0:37:05 | 0:37:07 | |
Well, I've brought them back to another auction, | 0:37:07 | 0:37:11 | |
my local auction, and giving them a chance to a big, wide audience. | 0:37:11 | 0:37:15 | |
So it's all exciting. Here we go. | 0:37:15 | 0:37:17 | |
Hmm, a risky move from the Devilish One. | 0:37:17 | 0:37:19 | |
He'll have to pay the standard auction fees on the vases, | 0:37:19 | 0:37:22 | |
which will eat into any profit he makes. | 0:37:22 | 0:37:24 | |
AUCTIONEER: A pair of Japanese Satsuma pottery vases, | 0:37:24 | 0:37:27 | |
about 1900 in date, of a double gourd form. Very good. | 0:37:27 | 0:37:30 | |
Some interest, book starts at £50. £50, I'm in the book to see five. | 0:37:30 | 0:37:35 | |
£50, five on the net. 60. Come on. £60, 65 the net. 70. | 0:37:35 | 0:37:40 | |
70, come on. 75, the net. | 0:37:40 | 0:37:43 | |
80. £80. 85, the net. That's about my money back. Can I see 90? Come on. | 0:37:43 | 0:37:48 | |
90 bid. £90 in the room... A couple of pounds' profit. 95 on the net. | 0:37:48 | 0:37:53 | |
A bit more profit. On the internet, then, at £95. | 0:37:53 | 0:37:56 | |
No, no, no, no, no, no. | 0:37:56 | 0:37:58 | |
GAVEL BANGS | 0:37:58 | 0:37:59 | |
Oh, my gosh. | 0:37:59 | 0:38:00 | |
At least it's not a loss, but it's a tiny...tiny profit. | 0:38:00 | 0:38:06 | |
After costs, | 0:38:06 | 0:38:07 | |
David squeezed a modest profit of £5.38 from the Satsuma vases. | 0:38:07 | 0:38:12 | |
And then, bad news. | 0:38:12 | 0:38:15 | |
He doesn't manage to sell the wheel, leaving him with a loss of £64.90. | 0:38:15 | 0:38:20 | |
In these final straits, James is also struggling. | 0:38:20 | 0:38:24 | |
He sells the reproduction gate leg table for £20, | 0:38:24 | 0:38:27 | |
but it's less than he paid for it, leaving him with a loss of £21.30. | 0:38:27 | 0:38:32 | |
With losses on lots, items not selling and time ticking away, | 0:38:32 | 0:38:36 | |
our boys have got to pull off some spectacular last-minute deals. | 0:38:36 | 0:38:40 | |
James is first to strike. He sells his vintage enamel signs to a tram museum | 0:38:40 | 0:38:45 | |
for a profit of £93.80. | 0:38:45 | 0:38:49 | |
Great, that's fantastic. Thank you very much. Brilliant. | 0:38:49 | 0:38:53 | |
This leaves the Lionheart with one more lot left to sell - | 0:38:53 | 0:38:57 | |
the Masonic glasses, which he paid £88.50 for. | 0:38:57 | 0:39:00 | |
James has done his research and uncovered that they originally came | 0:39:00 | 0:39:04 | |
from the St John's Masonic Lodge in Tamworth, | 0:39:04 | 0:39:07 | |
and he's brought them along to show the Deputy Grand Master, Gary. | 0:39:07 | 0:39:11 | |
I would say that that was made somewhere between 1850 and 1900. | 0:39:11 | 0:39:17 | |
Well, our consecration of this lodge was in 1865. | 0:39:17 | 0:39:21 | |
Perhaps they could have been presented to all those | 0:39:21 | 0:39:24 | |
that were there at that consecration. | 0:39:24 | 0:39:26 | |
So there would have been 80 or 90 around at that time. | 0:39:26 | 0:39:29 | |
I can't think of another time that this would've been... | 0:39:29 | 0:39:32 | |
that glasses would've been presented. | 0:39:32 | 0:39:35 | |
I was hoping for around £200, for the two together. | 0:39:35 | 0:39:37 | |
We wouldn't go to £200, no, no. How about 170 for the two? | 0:39:37 | 0:39:42 | |
100? Oooh. No? | 0:39:42 | 0:39:47 | |
How about 150? I haven't got a lot of room to move. | 0:39:47 | 0:39:51 | |
OK, we'll take the two for 150. You've got a deal. | 0:39:51 | 0:39:54 | |
My goodness, you're a hard man! | 0:39:54 | 0:39:57 | |
That is the hardest deal I've had in a long time. All I can say is, sold. | 0:39:57 | 0:40:01 | |
Well done. | 0:40:01 | 0:40:03 | |
It's no secret, James has made a clear profit of £61.50. | 0:40:03 | 0:40:07 | |
The Lionheart is all sold up, but the Devilish One | 0:40:07 | 0:40:11 | |
has got the two sculptures which cost him £247.80 left to sell. | 0:40:11 | 0:40:16 | |
He takes one of them, the mermaid, to his old friend Bill, | 0:40:16 | 0:40:19 | |
who runs a restaurant in Durham. | 0:40:19 | 0:40:23 | |
It is remarkable. It's quite different from what I thought | 0:40:23 | 0:40:27 | |
when I saw it on the web. I saw some pictures on the web of it. | 0:40:27 | 0:40:31 | |
A twin-tailed mermaid, do you know the significance? | 0:40:31 | 0:40:33 | |
That I don't understand. | 0:40:33 | 0:40:35 | |
OK, the twin-tailed mermaid represents earth and water, | 0:40:35 | 0:40:39 | |
the balance between the two, and body and soul. | 0:40:39 | 0:40:43 | |
She's a lovely thing. | 0:40:43 | 0:40:45 | |
Yes, do you know, it's better than I expected, I must admit. | 0:40:45 | 0:40:48 | |
What are you looking for? | 0:40:48 | 0:40:50 | |
I would like to see 250 apiece. So 250 for her, 250 for my other. | 0:40:50 | 0:40:56 | |
That's what I would like to see. | 0:40:56 | 0:40:58 | |
Hmm, will David swim away with the deal on the mermaid sculpture? | 0:40:58 | 0:41:03 | |
Can he rival the phenomenal performance of the Lionheart | 0:41:03 | 0:41:06 | |
in the dying moments of this contest? | 0:41:06 | 0:41:08 | |
All will be revealed. | 0:41:08 | 0:41:10 | |
Our duelling duo each started with £1,000 of their own money. | 0:41:12 | 0:41:16 | |
Devilish David Harper bagged five items and spent £975.86. | 0:41:16 | 0:41:21 | |
James "The Lionheart" Lewis bought ten items, spending £972.32. | 0:41:24 | 0:41:29 | |
Now the only thing that matters is who has made the most profit. | 0:41:31 | 0:41:36 | |
All the money that David and James have made | 0:41:36 | 0:41:39 | |
will go to the charities of their choice, so now let's find out | 0:41:39 | 0:41:41 | |
who is today's Put Your Money Where Your Mouth Is champion. | 0:41:41 | 0:41:45 | |
David. Good to see you. Good to see you. | 0:41:45 | 0:41:48 | |
How did the auction selling go? Yeah, really well. | 0:41:48 | 0:41:51 | |
In particular for one lot. Which one? My bowls. The Pountney bowls. | 0:41:51 | 0:41:55 | |
The Pountney bowls. Purely because I got a lot more than I was expecting. | 0:41:55 | 0:42:00 | |
I had the Pountney figures, I sold them well. I got a good market price. | 0:42:00 | 0:42:03 | |
Did you get loads of money on some of your...? | 0:42:03 | 0:42:05 | |
Well, it was just there were so many of them. | 0:42:05 | 0:42:07 | |
I didn't sell any of them at huge money, but it was very good. | 0:42:07 | 0:42:10 | |
How about the Rolex? Loved the Rolex. | 0:42:10 | 0:42:12 | |
Of all the items, I would've taken that home. | 0:42:12 | 0:42:14 | |
It was gold, hallmarked, 1952. What a lovely thing. | 0:42:14 | 0:42:17 | |
It was hard to see it go, but I did well. Well, you had to see it go. | 0:42:17 | 0:42:21 | |
Are you ready? One, two, three. | 0:42:21 | 0:42:23 | |
Oh, no! Well, the thing is, it was the bowls, really. | 0:42:23 | 0:42:29 | |
Oh! You see, they... | 0:42:29 | 0:42:30 | |
Yeah, get on with it, that's absolutely... | 0:42:30 | 0:42:34 | |
So James stands triumphant today and why? | 0:42:34 | 0:42:37 | |
Because although David sold the mermaid sculpture for £190... | 0:42:37 | 0:42:42 | |
Make it 190 and you've got a deal. Go on, do it. Thank you very much. | 0:42:42 | 0:42:45 | |
..and sold the other sculpture for the same price to a dealer, | 0:42:45 | 0:42:49 | |
the combined profit of £132.20 still wasn't enough to beat the big man. | 0:42:49 | 0:42:56 | |
Great, fun experience, that. | 0:42:56 | 0:42:59 | |
The Pountney pieces were marvellous, but what about James Lewis? | 0:42:59 | 0:43:02 | |
That is truly unbelievable and well done to him. Completely thrashed. | 0:43:02 | 0:43:09 | |
Well, I don't know whether to be embarrassed or just chuffed, | 0:43:09 | 0:43:13 | |
because that was a great result. | 0:43:13 | 0:43:15 | |
And at the end of the day, it does prove | 0:43:15 | 0:43:17 | |
that my bowls are far more commercial than his figures. | 0:43:17 | 0:43:20 | |
Tomorrow, David has a chance of redeeming himself... | 0:43:20 | 0:43:24 | |
There's got to be something good here. | 0:43:24 | 0:43:25 | |
..as our duelling dealers go head-to-head at a car-boot sale. | 0:43:25 | 0:43:29 | |
Subtitles by Red Bee Media Ltd | 0:43:42 | 0:43:45 |