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This is Put Your Money Where Your Mouth Is, | 0:00:02 | 0:00:04 | |
the show that pitches TV's best-loved antiques experts | 0:00:04 | 0:00:08 | |
against each other in an all-out battle for profit. | 0:00:08 | 0:00:11 | |
I'm a double your money girl. | 0:00:11 | 0:00:13 | |
And gives you the insider's view of the trade. | 0:00:13 | 0:00:16 | |
You got to be in it to win it. | 0:00:16 | 0:00:19 | |
Each week, one pair of duelling dealers will face a different daily challenge. | 0:00:19 | 0:00:23 | |
We've got some work to do. | 0:00:25 | 0:00:26 | |
Putting their own money and their hard-earned reputations on the line | 0:00:26 | 0:00:31 | |
as they see who can make the most money from buying and selling. | 0:00:31 | 0:00:36 | |
Today, devilish deal-doer David Harper | 0:00:39 | 0:00:41 | |
takes on purchasing powerhouse James Lewis. | 0:00:41 | 0:00:44 | |
Coming up - David puts his faith in Lady Luck. | 0:00:48 | 0:00:51 | |
Shall we spin a coin, 20 or 25? | 0:00:51 | 0:00:54 | |
But he's mystified by a mysterious memento. | 0:00:54 | 0:00:58 | |
At one time it hung on the wall that way, but what it is, | 0:00:58 | 0:01:01 | |
I have absolutely no idea at all. | 0:01:01 | 0:01:03 | |
And James's pursuit of profit leads to the fulfilment of a boyhood dream. | 0:01:03 | 0:01:09 | |
Always wanted to do this. | 0:01:11 | 0:01:12 | |
This is Put Your Money Where Your Mouth Is. | 0:01:12 | 0:01:16 | |
Wakey wakey, rise and shine. | 0:01:27 | 0:01:29 | |
Today, two of the most daring dealers in the antiques game | 0:01:29 | 0:01:34 | |
are up at the crack of dawn ready to go head-to-head | 0:01:34 | 0:01:36 | |
in a thrilling race for profit. | 0:01:36 | 0:01:39 | |
It's 'Devilish' David Harper, our dashing driver from Durham, | 0:01:40 | 0:01:44 | |
a man who gives no quarter. | 0:01:44 | 0:01:45 | |
Come on, there's got to be something good here. | 0:01:47 | 0:01:49 | |
Versus James 'The Lionheart' Lewis, the Derbyshire daredevil | 0:01:49 | 0:01:53 | |
who always has the pedal to the metal in his quest for a bargain. | 0:01:53 | 0:01:57 | |
I always thought I had royal blood. | 0:01:58 | 0:02:01 | |
While many are still snoozing in their beds, our boys are all fired up | 0:02:01 | 0:02:04 | |
and ready to risk their own money in their bid to top the profit podium. | 0:02:04 | 0:02:09 | |
They are lining up for a heart-stopping race | 0:02:11 | 0:02:13 | |
at Melton Mowbray market car boot sale in Leicestershire. | 0:02:13 | 0:02:15 | |
Their goal is to swiftly swipe the trusty treasures | 0:02:15 | 0:02:19 | |
that they can sell on for top dollar. | 0:02:19 | 0:02:22 | |
For £10, there's definitely 100% profit. | 0:02:22 | 0:02:26 | |
I don't know what they're worth but I'll get whatever I can. | 0:02:26 | 0:02:29 | |
They've each got £250 of their own money to spend. | 0:02:29 | 0:02:33 | |
All the profit goes to their chosen charities. | 0:02:33 | 0:02:36 | |
David Harper, James Lewis - | 0:02:36 | 0:02:38 | |
it's time to Put Your Money Where Your Mouth Is. | 0:02:38 | 0:02:42 | |
It's cold and it's misty, can you believe it? | 0:02:42 | 0:02:45 | |
-It's not misty, it's foggy! -Is it foggy? | 0:02:45 | 0:02:48 | |
It's dark as well, it's just beginning to get light. | 0:02:48 | 0:02:50 | |
This is a time for me to be snuggled up in a duvet, | 0:02:50 | 0:02:53 | |
not out in a cold car park. | 0:02:53 | 0:02:56 | |
Me too. Not together obviously! | 0:02:56 | 0:02:58 | |
Tell me, how do you find car boot sales? | 0:02:59 | 0:03:01 | |
Not easy but I always love the challenge of pulling out antiques. | 0:03:01 | 0:03:06 | |
When you leave a car boot fair after spending not very much money | 0:03:06 | 0:03:09 | |
but with a boot full of proper antiques, | 0:03:09 | 0:03:11 | |
there's a certain thrill and that's what I love. | 0:03:11 | 0:03:15 | |
It's a great challenge. | 0:03:15 | 0:03:16 | |
I'm going to get under those tables, in those boxes, | 0:03:16 | 0:03:19 | |
have a really good rummage and hopefully find something. | 0:03:19 | 0:03:23 | |
-You've got me fired up, I want proper antiques. -Good luck. -You too. | 0:03:23 | 0:03:27 | |
Yes, don't let the mutual back-slapping fool you. | 0:03:28 | 0:03:31 | |
It's nothing but pre-race banter. | 0:03:31 | 0:03:33 | |
These boys are fierce rivals who will pull out all the stops | 0:03:33 | 0:03:37 | |
to be first across the finish line with the greatest profit. | 0:03:37 | 0:03:41 | |
Go away. Go away! | 0:03:41 | 0:03:43 | |
The race today can be won or lost by skill and strategy | 0:03:43 | 0:03:46 | |
so how are our turbo-charged challengers going to tackle today's car boot sale? | 0:03:46 | 0:03:50 | |
The pressure's really on today because car boots, | 0:03:52 | 0:03:55 | |
they start early but they finish early too. | 0:03:55 | 0:03:58 | |
Unlike the antiques fairs where I've got a whole day, | 0:03:58 | 0:04:00 | |
I've got probably two or three hours here to find the things that I need. | 0:04:00 | 0:04:03 | |
For me, always the aim will be to try and pull out real good antiques. | 0:04:03 | 0:04:10 | |
They're the things that drive me. | 0:04:10 | 0:04:12 | |
Our daring duo are off the grid and straight away, | 0:04:12 | 0:04:16 | |
they're jostling for position as they both home in | 0:04:16 | 0:04:20 | |
on the same stool and the very same item. | 0:04:20 | 0:04:23 | |
-Excuse me, I was just looking at that. The Boulle blotter. -Yes. | 0:04:23 | 0:04:28 | |
Our boys have both spotted a blotter | 0:04:28 | 0:04:31 | |
with a brass and tortoise-shell inlay cover | 0:04:31 | 0:04:33 | |
that's known as Boullework. | 0:04:33 | 0:04:35 | |
The blotter is the most difficult piece to sell out of the whole desk. | 0:04:35 | 0:04:39 | |
-It is, yeah. But that's good work, that. -It is. | 0:04:39 | 0:04:42 | |
Now, it was David who first spotted the piece | 0:04:42 | 0:04:44 | |
but it's James who's now got his hands on it | 0:04:44 | 0:04:46 | |
and he ain't about to let it go. | 0:04:46 | 0:04:49 | |
Are you going to try and buy it or am I going to try and buy it? | 0:04:49 | 0:04:52 | |
I'll have a go. | 0:04:52 | 0:04:54 | |
David's not happy. | 0:04:54 | 0:04:56 | |
He's been shunted off the tracks by juggernaut James | 0:04:56 | 0:04:59 | |
but to his credit, he forces his way straight back. | 0:04:59 | 0:05:03 | |
Can I have a look at that? | 0:05:03 | 0:05:04 | |
A vintage match case soon sparks his interest. | 0:05:04 | 0:05:08 | |
I like that. You put little matches in there... | 0:05:08 | 0:05:10 | |
-There's a little rasp on the side here. -Is that a whistle? | 0:05:10 | 0:05:14 | |
If you want it to be, it could be. It could be anything you want. | 0:05:16 | 0:05:19 | |
-It is. -That's very nice. -25. | 0:05:19 | 0:05:22 | |
-Honestly... -I'll leave you to it. | 0:05:22 | 0:05:25 | |
I'll tell you what I'll do, | 0:05:25 | 0:05:27 | |
I can do it for 35 and that's my best price. | 0:05:27 | 0:05:30 | |
That's my best price. | 0:05:30 | 0:05:32 | |
-It's got to be 35. -I'll have this, thank you very much. | 0:05:32 | 0:05:35 | |
-I think it's an unusual item. -It's an unusual item. | 0:05:35 | 0:05:38 | |
Amid all the jostling for pole position, David has driven away | 0:05:38 | 0:05:42 | |
with the first deal of the day and gets the match case for £35. | 0:05:42 | 0:05:46 | |
That, I've got to say, is a great start to the day. | 0:05:48 | 0:05:50 | |
However, that horrible James Lewis comes in, | 0:05:50 | 0:05:54 | |
I was looking at that gorgeous Boulle blotter. | 0:05:54 | 0:05:56 | |
Then he comes Boulling in and whips it from under my feet. | 0:05:56 | 0:06:00 | |
I think he's buying it now but anyway, | 0:06:00 | 0:06:02 | |
I don't care because I think I've got the better item. | 0:06:02 | 0:06:05 | |
Just take a look at this. | 0:06:05 | 0:06:07 | |
It's a novelty vesta case so it contained matches. | 0:06:07 | 0:06:10 | |
Your matches go inside the bottle. | 0:06:10 | 0:06:13 | |
This is a cracking proper antique for £35 bought from a car boot. | 0:06:13 | 0:06:19 | |
If that's the start of things to come, I'll be a very happy boy. | 0:06:19 | 0:06:23 | |
That's the spirit, David. | 0:06:23 | 0:06:24 | |
Now, having seen off the devilish one, | 0:06:24 | 0:06:27 | |
the Lionheart now needs to get the Boulle blotter for the right price. | 0:06:27 | 0:06:32 | |
-I'll do it for 60, that's my very best. -OK. | 0:06:32 | 0:06:36 | |
Not willing to do a deal at £60, James has a further rummage... | 0:06:36 | 0:06:40 | |
-Can I look at this as well? -Certainly. | 0:06:40 | 0:06:42 | |
..and spies a small French silver-bronze plaque. | 0:06:42 | 0:06:46 | |
How much is that? | 0:06:46 | 0:06:47 | |
-I've got 12 quid on that. -12 quid. I have no idea what it is. | 0:06:47 | 0:06:51 | |
If you throw that in, I'll give you 60 quid. | 0:06:51 | 0:06:55 | |
60. You got a deal, well done, thank you. | 0:06:55 | 0:06:58 | |
A cunning manoeuvre from the Lionheart. | 0:06:58 | 0:07:00 | |
He manages to get both the blotter and the plaque for £60. | 0:07:00 | 0:07:04 | |
Well, that's my first two purchases in the bag. The first one is this. | 0:07:07 | 0:07:11 | |
It's a classic antique. | 0:07:11 | 0:07:13 | |
It's English, it's about 1850 and it's known as Boulle. | 0:07:13 | 0:07:16 | |
It's named after the French cabinet maker, Andre-Charles Boulle, | 0:07:16 | 0:07:21 | |
who was cabinet maker for King Louis XIV working around 1680-1670. | 0:07:21 | 0:07:26 | |
This Boullework, as it's known, | 0:07:26 | 0:07:28 | |
is a combination of tortoise-shell and brass. | 0:07:28 | 0:07:32 | |
Sometimes you also get pewter and silver inlaid as well. | 0:07:32 | 0:07:35 | |
They lay the two layers thinly next to each other and they cut them out | 0:07:35 | 0:07:39 | |
in the form of a jigsaw so you have a positive and negative of each. | 0:07:39 | 0:07:43 | |
They lay the brass into the tortoise-shell | 0:07:43 | 0:07:46 | |
and the tortoise-shell into the brass. | 0:07:46 | 0:07:48 | |
As this one is brass and tortoise-shell, | 0:07:48 | 0:07:50 | |
there was another one somewhere else that is actually the tortoise-shell | 0:07:50 | 0:07:54 | |
laid into the brass so you get an equal and opposite of each. | 0:07:54 | 0:07:56 | |
The second piece is this and I have to say I know very little about it. | 0:07:56 | 0:08:02 | |
It looks like a Breton Lady but it's silver-bronze, | 0:08:02 | 0:08:06 | |
it's 1920s and it's certainly got some quality about it, | 0:08:06 | 0:08:09 | |
but at £10, well, there's got to be a profit in that, hasn't there? | 0:08:09 | 0:08:13 | |
James Lewis slips ahead of his rival. | 0:08:13 | 0:08:17 | |
Now David needs to keep purchasing. | 0:08:17 | 0:08:19 | |
He's spotted a piece that's calling out to him. | 0:08:19 | 0:08:22 | |
There's only one slight problem. | 0:08:22 | 0:08:25 | |
What on earth is that? It's fantastic. | 0:08:25 | 0:08:27 | |
Here we are at a car boot fair looking at something that is positively Victorian. | 0:08:27 | 0:08:32 | |
I can date it, I can tell you what it's made of. | 0:08:32 | 0:08:34 | |
It's English, it was made about 1860-1880, | 0:08:34 | 0:08:37 | |
it's brass and mahogany panelled. | 0:08:37 | 0:08:40 | |
At one time it hung on a wall that way | 0:08:40 | 0:08:42 | |
but what it is, I have absolutely no idea at all. | 0:08:42 | 0:08:47 | |
Neither have we, David. Perhaps the seller can help. | 0:08:47 | 0:08:51 | |
Coat on, keys. | 0:08:51 | 0:08:54 | |
-I could see you could put the keys here, couldn't you? -Put keys there. | 0:08:54 | 0:08:58 | |
-How could you put a coat on it? -Turn it the other way. | 0:08:58 | 0:09:00 | |
-Put a coat over it. -Oh, hang on a minute. | 0:09:03 | 0:09:05 | |
Do you think that's what it is, it's just simply a coat hanger? | 0:09:05 | 0:09:07 | |
Just a coat hanger. | 0:09:07 | 0:09:09 | |
Maybe my brain was just getting so confused but it doesn't look | 0:09:09 | 0:09:13 | |
-like a typical coat hanger but it could be a coat hanger. -It could be. | 0:09:13 | 0:09:16 | |
I think it's really odd, it's really quirky. | 0:09:16 | 0:09:18 | |
Can it be a tenner? | 0:09:20 | 0:09:22 | |
-It can be 12 quid. -I'll have it for 12 quid. | 0:09:24 | 0:09:26 | |
Yes, David got the coat hook for £12 but has he been hung out to dry? | 0:09:26 | 0:09:31 | |
Never give something a really good description | 0:09:32 | 0:09:35 | |
and bull it up before you ask the price | 0:09:35 | 0:09:38 | |
because he heard everything I said and I asked the price, | 0:09:38 | 0:09:41 | |
suddenly it was 15 quid. | 0:09:41 | 0:09:43 | |
If I'd picked it up and said, "How much is that?" | 0:09:43 | 0:09:45 | |
I think it would have been £2, so there you go. | 0:09:45 | 0:09:49 | |
I never learn, so please try and learn from me. | 0:09:49 | 0:09:53 | |
A heartfelt plea from Mr Harper. | 0:09:53 | 0:09:55 | |
Having lost out on the blotter to the Lionheart earlier, | 0:09:55 | 0:09:58 | |
David soon spots an opportunity to unleash his devilish side. | 0:09:58 | 0:10:02 | |
He's got loads of money, put the price up. | 0:10:03 | 0:10:06 | |
-I said £200, he bid me a tenner! -Make it 300. | 0:10:06 | 0:10:10 | |
Go away. | 0:10:10 | 0:10:12 | |
All too aware that David is never far behind him, | 0:10:12 | 0:10:15 | |
James is negotiating hard on a silver bookmark that he likes the look of. | 0:10:15 | 0:10:21 | |
-This is my top bid. -What's your top bid? No. | 0:10:21 | 0:10:23 | |
Thank you very much though. | 0:10:23 | 0:10:25 | |
What would it have to be? | 0:10:25 | 0:10:26 | |
-60 quid. -60 quid. | 0:10:28 | 0:10:31 | |
Unusually for the Lionheart, | 0:10:31 | 0:10:32 | |
he can't decide whether to buy the bookmark at £60. | 0:10:32 | 0:10:36 | |
You know what they say - if in doubt, ask. | 0:10:36 | 0:10:39 | |
Do you think I should buy it? | 0:10:39 | 0:10:41 | |
-No. -No. | 0:10:41 | 0:10:43 | |
-Yes or no? -Yes, then. -Yes, right. | 0:10:43 | 0:10:46 | |
That's a yes, thank you very much. There you go. | 0:10:46 | 0:10:49 | |
That's two yeses and one no so I'll buy it. Thank you very much. | 0:10:49 | 0:10:52 | |
That has to be the strangest way ever | 0:10:52 | 0:10:55 | |
of deciding whether to buy something or not but I have to say, | 0:10:55 | 0:10:58 | |
I have absolutely no idea if that's going to make a profit. | 0:10:58 | 0:11:02 | |
Well, James might be veering off down a blind alley | 0:11:02 | 0:11:05 | |
but devilish David is going full tilt. | 0:11:05 | 0:11:08 | |
He's got his hands on a classical statue that speaks to him | 0:11:08 | 0:11:12 | |
of heroism and epic times gone by | 0:11:12 | 0:11:15 | |
with its noble stance and bronzed body. | 0:11:15 | 0:11:18 | |
It must be worth an absolute fortune. | 0:11:20 | 0:11:23 | |
-£7 then, how's that? -Oh, for goodness sake! Go on then. | 0:11:23 | 0:11:27 | |
This is probably the worst quality item I've bought in a long time | 0:11:27 | 0:11:31 | |
and that's no offence to you, I promise. | 0:11:31 | 0:11:33 | |
From this sort of distance away, | 0:11:36 | 0:11:41 | |
looking fantastic. | 0:11:41 | 0:11:44 | |
As it gets closer, it kind of loses the plot | 0:11:44 | 0:11:48 | |
and he turns into something positively revolting | 0:11:48 | 0:11:51 | |
because he's got a look, he's got a style, but he's very poor quality. | 0:11:51 | 0:11:56 | |
He's mass produced for the very bottom end market. | 0:11:56 | 0:12:00 | |
He is what he is and I think he's quite funny and quite quirky | 0:12:00 | 0:12:04 | |
and in the right environment in a home, he would look | 0:12:04 | 0:12:08 | |
much more than £7. He would look like £70 worth. | 0:12:08 | 0:12:11 | |
On a table, a long way away, in front of a mirror, | 0:12:11 | 0:12:16 | |
in very subdued, dull lighting. | 0:12:16 | 0:12:19 | |
Even better, lights off. | 0:12:19 | 0:12:21 | |
Well, you've picked up a corker there then, Mr Harper. | 0:12:21 | 0:12:25 | |
David is now in pole position and feeling confident. | 0:12:25 | 0:12:27 | |
He's willing to gamble for a good deal on a pair of railway lamps. | 0:12:27 | 0:12:31 | |
-Spin a coin, 20 or 25. -Go on then. | 0:12:31 | 0:12:33 | |
-You call, ready? -Yes. | 0:12:33 | 0:12:36 | |
Tails. | 0:12:36 | 0:12:37 | |
-Are you ready? It's heads. -It's heads. | 0:12:37 | 0:12:41 | |
-20? -Go on then. -Good man. Shake my hand. | 0:12:41 | 0:12:44 | |
The Devilish One wins the lamps for £20, | 0:12:44 | 0:12:47 | |
but James Lewis isn't about to let him get away | 0:12:47 | 0:12:49 | |
and fights back by bagging a Georgian kettle stand. | 0:12:49 | 0:12:53 | |
£15. Wow... | 0:12:53 | 0:12:55 | |
It's a bit of fun, isn't it? | 0:12:56 | 0:12:58 | |
I need to find somebody who likes Georgian brass work. | 0:12:58 | 0:13:02 | |
And that is not easy. But at 15 quid, it's cheap. | 0:13:02 | 0:13:06 | |
It's been a thrilling ride around the first lap of this car boot course today, | 0:13:08 | 0:13:12 | |
with our determined dealers bumper-to-bumper. | 0:13:12 | 0:13:15 | |
David and James each started the day with £250 of their own money. | 0:13:15 | 0:13:21 | |
Devilish David Harper was first off the grid and has done four deals. | 0:13:21 | 0:13:25 | |
But, he's only spent £74, leaving him with £176 in the kitty. | 0:13:25 | 0:13:32 | |
James The Lionheart Lewis | 0:13:32 | 0:13:33 | |
has splashed the cash in his bid to get ahead of his rival. | 0:13:33 | 0:13:37 | |
He's done three deals but has spent £135, | 0:13:37 | 0:13:40 | |
leaving him with £115 still to spend. | 0:13:40 | 0:13:43 | |
Before our drivers head back onto the course, | 0:13:45 | 0:13:48 | |
they take a brief stop to check on their rival's progress. | 0:13:48 | 0:13:52 | |
How's it going? How's the rummaging going? | 0:13:52 | 0:13:54 | |
Oh, struggling a bit, I have to say. I bought a few things. | 0:13:54 | 0:13:57 | |
-I'm not impressed with any of them, really. -Really? | 0:13:57 | 0:14:00 | |
-But, how about you? -Are you just saying that to make me feel better? | 0:14:00 | 0:14:03 | |
No. Well, maybe. | 0:14:03 | 0:14:06 | |
-Well, I think so far I'm kind of on the right track... -Oh, confident. | 0:14:06 | 0:14:10 | |
-..I'm buying old antique things, real things. -That's the idea. | 0:14:10 | 0:14:14 | |
Within reason. Exactly. But there is a sea of stuff | 0:14:14 | 0:14:18 | |
and you've just got to wade through it, haven't you? | 0:14:18 | 0:14:20 | |
-Are you beating those dealers down? -Not really, not really, James. | 0:14:20 | 0:14:24 | |
-Harper's been there. -I'm just being my usual very nice self, | 0:14:24 | 0:14:27 | |
-paying all the money. -Top money. | 0:14:27 | 0:14:30 | |
Not asking for any discount whatsoever and I find that works. | 0:14:30 | 0:14:33 | |
So off you go, go and do that. | 0:14:33 | 0:14:35 | |
Ooh, he's a devilish one, that Harper. | 0:14:35 | 0:14:37 | |
There's no time to hang around. With both our boys buying well, | 0:14:37 | 0:14:41 | |
one of them needs to hit the throttle to try and gain the lead. | 0:14:41 | 0:14:45 | |
James' attention has been caught by some fireman's helmets | 0:14:45 | 0:14:49 | |
and a lamp, but does he need rescuing from a daft distraction | 0:14:49 | 0:14:52 | |
that could see his profits go up in smoke? | 0:14:52 | 0:14:55 | |
# Come on baby and rescue me | 0:14:55 | 0:14:59 | |
# Come on baby and rescue me... # | 0:14:59 | 0:15:03 | |
30 quid for the helmet and the lamp. | 0:15:03 | 0:15:06 | |
-Go on then. -Go on then. You've got a deal. | 0:15:08 | 0:15:12 | |
And I've got absolutely no idea | 0:15:12 | 0:15:15 | |
who on earth is going to buy three fireman's helmets and a railway lamp. | 0:15:15 | 0:15:20 | |
Could The Lionheart have just got his fingers burned? | 0:15:20 | 0:15:23 | |
Well, I'm now really getting desperate. | 0:15:25 | 0:15:28 | |
I bought two lots that I really have no idea where I'm going to sell them. | 0:15:28 | 0:15:32 | |
I hope, fingers crossed, I might have a bit of fun with these. | 0:15:32 | 0:15:35 | |
This, well, I think it's probably British Rail from the 1960s or '70s, | 0:15:35 | 0:15:41 | |
so there's no great age to it. | 0:15:41 | 0:15:42 | |
But if I can find some sort of old steam railway enthusiast, | 0:15:42 | 0:15:47 | |
or even a diesel engine enthusiast, | 0:15:47 | 0:15:50 | |
they might want this as a bit of a prop. | 0:15:50 | 0:15:53 | |
I don't know what they're worth, but I'll get whatever I can. | 0:15:53 | 0:15:56 | |
That's the spirit, James. | 0:15:56 | 0:15:57 | |
And our lion follows up with another unusual buy, a plumber's torch. | 0:15:57 | 0:16:02 | |
I'll give you three quid for it. No idea what I'll get for it, but there we are. | 0:16:02 | 0:16:06 | |
Does he have a strategy any more, | 0:16:06 | 0:16:07 | |
or is he just going round the U-bend? | 0:16:07 | 0:16:10 | |
I've never seen one of these before | 0:16:10 | 0:16:12 | |
and you know, I'll probably never see one again. | 0:16:12 | 0:16:15 | |
But, if I can find a plumber who might want it as a talking point, | 0:16:15 | 0:16:19 | |
I think I might be able to sell it. | 0:16:19 | 0:16:21 | |
The Lionheart is stealing the lead | 0:16:21 | 0:16:23 | |
and The Devilish One is now in danger of being left in the dust. | 0:16:23 | 0:16:28 | |
But David's not about to concede victory quite so easily, | 0:16:28 | 0:16:31 | |
and has honed in on a family-run stall selling all sorts, | 0:16:31 | 0:16:34 | |
including vintage jewellery. | 0:16:34 | 0:16:37 | |
So, it's a brooch, isn't it? Let's have a look. | 0:16:37 | 0:16:39 | |
Interesting thing, So, it's obviously Scottish. | 0:16:39 | 0:16:43 | |
Um, is it a pheasant or a grouse or something? | 0:16:43 | 0:16:46 | |
-It's grouse. -It's grouse foot. | 0:16:46 | 0:16:48 | |
What kind of money is it as it is? | 0:16:48 | 0:16:51 | |
-£15. -£15. -15. | 0:16:51 | 0:16:54 | |
-With the box? -Yes. | 0:16:54 | 0:16:56 | |
-Do you think ten might get it? -Yes. | 0:16:58 | 0:17:01 | |
-Sold. -Hang on, would five get it? -No. | 0:17:01 | 0:17:05 | |
HE LAUGHS | 0:17:05 | 0:17:07 | |
You almost said yes to that as well. | 0:17:07 | 0:17:09 | |
Well, someone's on your side, David. | 0:17:09 | 0:17:12 | |
The Devilish One walks away with a grouse foot brooch for just £10 | 0:17:12 | 0:17:16 | |
and he thinks he's on to a winner. | 0:17:16 | 0:17:18 | |
Well, it's obviously a grouse's foot and that is not to everybody's taste, | 0:17:18 | 0:17:22 | |
but it is what it is, it's a brooch and it's positively Scottish. | 0:17:22 | 0:17:27 | |
Now, we know it's Scottish because of the style, the design, | 0:17:27 | 0:17:30 | |
the fact you've got a stag's head looking right at you, | 0:17:30 | 0:17:33 | |
so Scottish it's unbelievable. | 0:17:33 | 0:17:35 | |
And the stone on the top is pretending to be an amethyst. | 0:17:35 | 0:17:38 | |
Now, if that was indeed an amethyst, I would be doing leapfrogs. | 0:17:38 | 0:17:42 | |
At a tenner, fantastic, it isn't, it's probably a piece of glass. | 0:17:42 | 0:17:45 | |
And it is only silver-plated and it dates to about 1920, 1930. | 0:17:45 | 0:17:49 | |
But it's a nice thing and for £10, there's definitely a 100% profit | 0:17:49 | 0:17:54 | |
and that for me today is the final item. | 0:17:54 | 0:17:58 | |
Spoken with decisiveness. | 0:17:58 | 0:17:59 | |
Now, The Devilish One feels his arsenal is complete, but The Lionheart's not done yet. | 0:17:59 | 0:18:05 | |
He's weathered the storm of this competition well | 0:18:05 | 0:18:09 | |
and he's hoping for sunny spells with a barometer, | 0:18:09 | 0:18:12 | |
which he bags for £35. | 0:18:12 | 0:18:14 | |
Well, this really does just show how cheap antiques are. | 0:18:14 | 0:18:17 | |
This barometer was made around 1840, 1850. | 0:18:17 | 0:18:21 | |
It was made in rosewood and, it's just a very practical thing. | 0:18:21 | 0:18:26 | |
It's something that almost every middle or upper class house | 0:18:26 | 0:18:29 | |
would've had in the 19th century. | 0:18:29 | 0:18:31 | |
There's no radio, there's no TV, | 0:18:31 | 0:18:34 | |
so the only way of predicting the weather was using one of these. | 0:18:34 | 0:18:38 | |
But that, with its painted decoration, 150 years old, at £35, | 0:18:38 | 0:18:44 | |
it's worth hanging on the wall as a decorative object for that, isn't it? | 0:18:44 | 0:18:48 | |
# Everywhere you go you always take the weather with you | 0:18:48 | 0:18:54 | |
# Everywhere you go you always take the weather. # | 0:18:54 | 0:18:59 | |
This car boot sale is winding down | 0:18:59 | 0:19:01 | |
and the chequered flag is in sight for our daring duo, | 0:19:01 | 0:19:04 | |
but James Lewis is taking no passengers in this contest | 0:19:04 | 0:19:08 | |
and spies a final opportunity to extend his lead. | 0:19:08 | 0:19:12 | |
What would be the best you would do on the sign? | 0:19:12 | 0:19:15 | |
-I'd let you have that for 40. -40, OK. | 0:19:15 | 0:19:18 | |
Will you sell that for 30? | 0:19:18 | 0:19:20 | |
-I tell you what I'll do, I'll go halfway with you. -35. -35. | 0:19:20 | 0:19:25 | |
I think that's a fair offer. | 0:19:25 | 0:19:26 | |
Will you throw the brass lamp in with it? | 0:19:26 | 0:19:28 | |
HE LAUGHS | 0:19:28 | 0:19:30 | |
40 with the brass lamp. | 0:19:30 | 0:19:32 | |
Well, £40 the two, you've got a deal. | 0:19:32 | 0:19:35 | |
-All right. -Thank you very much. Thank you. | 0:19:35 | 0:19:39 | |
Well, I just couldn't resist that last-minute purchase. | 0:19:39 | 0:19:44 | |
They were the last stand here. But, you know, I really don't mind these. | 0:19:44 | 0:19:49 | |
The old coach lamp, it's nothing special, it's beaten, it's battered. | 0:19:49 | 0:19:54 | |
It looks as if something's run over it at some point. | 0:19:54 | 0:19:57 | |
And the enamel sign, again, it's been outside for most of its life. | 0:19:57 | 0:20:03 | |
It's got a bit of rust on it. | 0:20:03 | 0:20:04 | |
But hey, it's original. | 0:20:04 | 0:20:06 | |
And that reduced rail lamp that I bought before, | 0:20:06 | 0:20:09 | |
together with this makes a really nice package for a rail enthusiast. | 0:20:09 | 0:20:13 | |
All I need to do now is find one. | 0:20:13 | 0:20:16 | |
And so the flag falls, and at the finishing line, | 0:20:17 | 0:20:19 | |
let's see how our dashing drivers have fared. | 0:20:19 | 0:20:23 | |
Our brave boys each started the day with £250 of their own money to spend. | 0:20:23 | 0:20:28 | |
Devilish David Harper started strongly, | 0:20:28 | 0:20:31 | |
but slowed in the latter stages of the race. | 0:20:31 | 0:20:33 | |
He finishes with five purchases, having spent just £84. | 0:20:33 | 0:20:37 | |
James The Lionheart Lewis had his foot on the gas from start to finish. | 0:20:37 | 0:20:42 | |
He's done seven deals, spending a total of £243. | 0:20:42 | 0:20:47 | |
But, it's all about whom will make the most profit. | 0:20:47 | 0:20:51 | |
Our duelling dealers have done all they can in their bid to take the top spot today | 0:20:52 | 0:20:56 | |
and now get the chance to size up their rival's best buys. | 0:20:56 | 0:21:00 | |
Well, David, I have to say, I'm relieved to see what you've bought. | 0:21:00 | 0:21:05 | |
Well, thank you very much indeed. | 0:21:05 | 0:21:07 | |
I can just see that I'm not the only one that struggled. | 0:21:07 | 0:21:10 | |
I wasn't struggling, that is me at full performance, | 0:21:10 | 0:21:14 | |
firing on all six cylinders. That's the best I could do! James, | 0:21:14 | 0:21:18 | |
if you want to see a piece of art deco, | 0:21:18 | 0:21:21 | |
quality, museum standard, | 0:21:21 | 0:21:25 | |
-absolute top end quality... -Don't look at that. -Don't look at that. | 0:21:25 | 0:21:29 | |
Because that is dire. | 0:21:29 | 0:21:32 | |
It's so dire, it's marvellous. | 0:21:32 | 0:21:35 | |
-I reckon there's somebody in Greece that's won that at bingo. -Probably. | 0:21:35 | 0:21:40 | |
What about you? Where's your biggest profit earner coming from? | 0:21:40 | 0:21:43 | |
-Surely the boulle? -The boulle should be the biggest profit, shouldn't it? | 0:21:43 | 0:21:48 | |
In the old days of antique dealing, | 0:21:48 | 0:21:51 | |
that would be the biggest profit earner, but I think the markets have changed | 0:21:51 | 0:21:57 | |
and you've really got to think outside the box. | 0:21:57 | 0:21:59 | |
Talking about thinking outside the box, I can forgive you for many things, James, | 0:21:59 | 0:22:03 | |
but I cannot forgive you for buying a fireman's helmet. | 0:22:03 | 0:22:08 | |
Do you have a secret fantasy or something of being a fireman? | 0:22:08 | 0:22:12 | |
-What is it? -I don't really know why I bought them. | 0:22:12 | 0:22:15 | |
It was a bit of desperation, I think. | 0:22:15 | 0:22:17 | |
Well, that's it. I think we've done, actually, remarkably well. | 0:22:17 | 0:22:22 | |
-I don't think we've done badly. -But who makes the most? We will find out. | 0:22:22 | 0:22:25 | |
-Yes. -Best of luck. | 0:22:25 | 0:22:27 | |
You now shake my hand. | 0:22:27 | 0:22:29 | |
HE LAUGHS | 0:22:31 | 0:22:32 | |
Our racing rivals must now screech to a halt and swap speed for strategy, | 0:22:35 | 0:22:39 | |
as this is where the going gets really tough. | 0:22:39 | 0:22:43 | |
Buying their items was just the start of today's contest | 0:22:43 | 0:22:47 | |
and now everything shifts up a gear, as our duo race to get them sold. | 0:22:47 | 0:22:52 | |
This is what sorts the superlative salesman from the deadbeat dealers. | 0:22:52 | 0:22:57 | |
At Devilish HQ, a delighted David is taking stock. | 0:22:57 | 0:23:01 | |
So, what have we got? Well, | 0:23:01 | 0:23:03 | |
a pair of great railway lanterns, a little bit of work, got some ideas there. | 0:23:03 | 0:23:07 | |
This very poor quality art deco figure, | 0:23:07 | 0:23:10 | |
but I've got some good ideas for him. | 0:23:10 | 0:23:13 | |
This thing, the coat hook, so-called, | 0:23:13 | 0:23:15 | |
I'm still not convinced it's a coat hook, so that's a fascinating thing. | 0:23:15 | 0:23:19 | |
This little baby, probably my favourite item in fact, | 0:23:19 | 0:23:22 | |
will hopefully be taking me on a journey to a lovely local brewery, | 0:23:22 | 0:23:26 | |
an added bonus. | 0:23:26 | 0:23:28 | |
And then finally, come on, what a selection, a claw, | 0:23:28 | 0:23:31 | |
perfect for the shooting fraternity, got an idea for him, | 0:23:31 | 0:23:34 | |
so good stock, good potential profit | 0:23:34 | 0:23:37 | |
and I think this should beat James Lewis. | 0:23:37 | 0:23:40 | |
Yes, The Devilish One is brimming with confidence | 0:23:40 | 0:23:44 | |
and wastes no time hitting the phone on the hunt for sales. | 0:23:44 | 0:23:47 | |
Over in The Lionheart's den, | 0:23:47 | 0:23:50 | |
James is boosted by his booty of finds. | 0:23:50 | 0:23:53 | |
The best thing for me without question | 0:23:53 | 0:23:55 | |
is this wonderful 19th century desk boulle desk blotter | 0:23:55 | 0:23:59 | |
with a family crest in the centre. | 0:23:59 | 0:24:01 | |
Under it, we have a George III brass and steel trivet. | 0:24:01 | 0:24:05 | |
We have this old battered brass lantern. | 0:24:05 | 0:24:08 | |
This little thing, it's not much, I know, | 0:24:08 | 0:24:10 | |
but a little plumber's torch, only cost £3 pounds, | 0:24:10 | 0:24:14 | |
so there's got to be a profit in that. | 0:24:14 | 0:24:16 | |
A silver arts and craft bookmark, | 0:24:16 | 0:24:18 | |
the little art nouveau silver-plated tablet, | 0:24:18 | 0:24:21 | |
but there were other things too, there was the barometer, the three fireman's helmets, | 0:24:21 | 0:24:25 | |
which I grant you, they're not antiques, | 0:24:25 | 0:24:27 | |
but there's got to be some fun to be had with those. | 0:24:27 | 0:24:29 | |
And also the railway lantern and the No Through Way sign. | 0:24:29 | 0:24:33 | |
As an overall package, I think there's some fun to be had with this, | 0:24:33 | 0:24:37 | |
but more importantly, a great profit. | 0:24:37 | 0:24:39 | |
With more items to sell than his rival, | 0:24:39 | 0:24:41 | |
James Lewis may have a greater opportunity for making a profit, | 0:24:41 | 0:24:45 | |
but it also means he's got his work cut out to find more buyers. | 0:24:45 | 0:24:49 | |
Our chaps get ready to launch themselves out into the unknown. | 0:24:49 | 0:24:52 | |
They know that until they get that final handshake, | 0:24:52 | 0:24:55 | |
and the money is in their hands, no deal is truly sealed. | 0:24:55 | 0:24:58 | |
It's The Devilish One who's first to find a potential target. | 0:25:00 | 0:25:03 | |
He's landed in North Yorkshire. | 0:25:03 | 0:25:05 | |
Right, well, I'm here to see a chap who called in my shop the other week | 0:25:07 | 0:25:11 | |
and he's interested in my lovely railway line, | 0:25:11 | 0:25:14 | |
so here I am to try them in situ, | 0:25:14 | 0:25:15 | |
armed with the pair of railway lamps and a pair of candles. | 0:25:15 | 0:25:21 | |
The railway lamps cost David £20 | 0:25:21 | 0:25:24 | |
and he's come to meet Greville, an art collector at his home in a converted church. | 0:25:24 | 0:25:28 | |
Well, there you go, Greville. | 0:25:28 | 0:25:30 | |
I'm positioned right in front of a very similar lamp, | 0:25:30 | 0:25:34 | |
so we've got a miner's lamp, and we've got railway lamps, | 0:25:34 | 0:25:37 | |
have we got a theme going on here? | 0:25:37 | 0:25:39 | |
I just really like the glow of a real flame and I've always loved that miner's lamp. | 0:25:39 | 0:25:44 | |
It's bizarre to think that these things 50 years ago were proper, | 0:25:44 | 0:25:47 | |
working bits of kit. In the depths of a winter evening, | 0:25:47 | 0:25:52 | |
they were trundling down railway lines, checking the lines | 0:25:52 | 0:25:55 | |
and now, here they are potentially being used as interior design pieces. | 0:25:55 | 0:25:59 | |
They've had a lot of use and have a story to tell and I'll probably be using them. | 0:25:59 | 0:26:03 | |
Do you reckon they'll still work, or are they more appropriate to put a candle in? | 0:26:03 | 0:26:08 | |
-Er, hello? -My goodness. | 0:26:08 | 0:26:10 | |
-Yes, there is the candle. -You've been prepared. -Always, Greville. | 0:26:10 | 0:26:14 | |
-That is the key to success, go out prepared. -Indeed. -Do you agree? -I agree. | 0:26:14 | 0:26:19 | |
They wouldn't look out of place on a dining room table, would they? | 0:26:19 | 0:26:23 | |
Not at all. Very, very different, very contemporary, | 0:26:23 | 0:26:27 | |
-and talking pieces too. -I'm convinced, I want them. | 0:26:27 | 0:26:29 | |
-How does about, 70 quid sound? -Make it 80 and you've got a done deal. | 0:26:29 | 0:26:34 | |
-I should've started and 60... -Well, I could've started at 100! | 0:26:34 | 0:26:37 | |
-OK, 80 quid. -80? Marvellous. | 0:26:37 | 0:26:39 | |
-Marvellous. Thank you, Greville. -Pleasure, they'll have a happy home. -Marvellous. | 0:26:39 | 0:26:44 | |
# Come and shine a light together... # | 0:26:44 | 0:26:48 | |
Yes, what a start. David's preparation pays off | 0:26:48 | 0:26:51 | |
and he's away with a very respectable £60 profit. | 0:26:51 | 0:26:55 | |
But The Lionheart's here to snuff out David's light of hope. | 0:26:55 | 0:27:00 | |
He's heading out to try for a sale of the boulle blotter, | 0:27:00 | 0:27:03 | |
which he snatched from his rival's clutches the a car boot sale. | 0:27:03 | 0:27:06 | |
So, will David's loss be James's ticket to glory? | 0:27:06 | 0:27:10 | |
Well, believe it or not, | 0:27:10 | 0:27:12 | |
I'm still right bang in the centre of the city of Derby. It doesn't look it, does it? | 0:27:12 | 0:27:16 | |
But I've come to see John Friar, who's been a client of mine for many years | 0:27:16 | 0:27:20 | |
and he's got a great eye for quality. | 0:27:20 | 0:27:22 | |
And fingers crossed, he'll love my blotter. | 0:27:22 | 0:27:26 | |
John saw the blotter when it was in James's saleroom, | 0:27:26 | 0:27:29 | |
but, will he be willing to offer The Lionheart more than the item's cost price of £50? | 0:27:29 | 0:27:36 | |
-There we go. -Right. -So what date do you reckon this is? | 0:27:36 | 0:27:39 | |
It's going to be, er, 18, | 0:27:39 | 0:27:43 | |
1840, 1860, something like that. | 0:27:43 | 0:27:48 | |
It's totally untouched at this stage. | 0:27:48 | 0:27:51 | |
What I would say is the most important part is that. | 0:27:51 | 0:27:53 | |
-And that at the moment is in good order. -Now we get to the nub of it. | 0:27:53 | 0:27:59 | |
-Oh, straight in for the kill! -HE LAUGHS | 0:27:59 | 0:28:02 | |
-OK, righty-ho. -Well, say we start at 100 and go down. | 0:28:02 | 0:28:07 | |
Oh, blimey! Um... | 0:28:07 | 0:28:10 | |
-I was hoping for nearer the two. -Oh no, no, no. | 0:28:10 | 0:28:12 | |
No, not in that condition. | 0:28:12 | 0:28:15 | |
-OK. -120? -Ooh, I'll say 180. | 0:28:15 | 0:28:19 | |
Well, settle on 150. | 0:28:21 | 0:28:23 | |
-You've got a deal. -OK. -You've got a deal. -Thanks, James. | 0:28:25 | 0:28:28 | |
He thought about pushing it, | 0:28:28 | 0:28:29 | |
but James decides to mop up with a profit of £100 on the blotter. | 0:28:29 | 0:28:33 | |
David's loss is quite clearly James's gain. | 0:28:33 | 0:28:37 | |
It's one sale all | 0:28:38 | 0:28:40 | |
and The Devilish One's preparing his next selling salvo, | 0:28:40 | 0:28:43 | |
the novelty match case in the shape of a beer bottle. | 0:28:43 | 0:28:46 | |
He's come to see Alan, a brewer with over 30 years in the business | 0:28:46 | 0:28:50 | |
at the brewery he runs in North Yorkshire. | 0:28:50 | 0:28:54 | |
-You're a master brewer. -Oh yes. | 0:28:54 | 0:28:56 | |
-OK, I'm going to test your skills as a master brewer. -OK. | 0:28:56 | 0:29:00 | |
You're going to be on the spot here, so close your eyes. Tight. | 0:29:00 | 0:29:04 | |
When you open them, I'm going to ask you to tell me | 0:29:04 | 0:29:07 | |
which is your bottle and which is my bottle. | 0:29:07 | 0:29:09 | |
Now you've been doing this for well over 30 years, | 0:29:09 | 0:29:11 | |
so you stand a chance of getting it correct. | 0:29:11 | 0:29:14 | |
Well, it's not much of a test now, is it David? | 0:29:14 | 0:29:17 | |
But it is a good way to introduce your item. | 0:29:17 | 0:29:19 | |
Ready? Three, two, one, open. | 0:29:19 | 0:29:21 | |
Ah-ha! Ooh. | 0:29:21 | 0:29:23 | |
Obviously that's your bottle. | 0:29:24 | 0:29:26 | |
HE LAUGHS But look at that. | 0:29:26 | 0:29:29 | |
For a man that makes beer, do you not absolutely adore that shape? | 0:29:29 | 0:29:35 | |
-That's exquisite. -Have a look at it. -Can I have a look please? Yes. | 0:29:35 | 0:29:38 | |
-So, it's vesta case. -Yes. -Yes? | 0:29:38 | 0:29:40 | |
So, vested cases in the 19th and early 20th century were very popular items | 0:29:40 | 0:29:45 | |
to hold your matches, keep them safe, keep them dry. Try it, go on. | 0:29:45 | 0:29:51 | |
-There you go. -There you go, strike a match. -It works just as well today. | 0:29:51 | 0:29:54 | |
-It's just a lovely item. -It would be very nice to have this. | 0:29:54 | 0:29:59 | |
It's quite a delectable little article, but, you know, | 0:29:59 | 0:30:03 | |
let's talk money and see if we can get a deal done. | 0:30:03 | 0:30:05 | |
£85. | 0:30:05 | 0:30:08 | |
Ooh, right. | 0:30:08 | 0:30:09 | |
You know, maybe 70? | 0:30:09 | 0:30:12 | |
75? | 0:30:13 | 0:30:15 | |
Make it a nice 80. | 0:30:15 | 0:30:17 | |
80 is a very lucky number in some parts of the world. | 0:30:17 | 0:30:20 | |
-80 quid and you'll buy me a pint. -I'm on for that. | 0:30:20 | 0:30:24 | |
Thank you very much. | 0:30:24 | 0:30:26 | |
# Relight my fire... # | 0:30:26 | 0:30:28 | |
Yes, hot stuff. | 0:30:30 | 0:30:31 | |
The Devilish One's struck an impressive profit of £42 on the match case | 0:30:31 | 0:30:35 | |
and that's after buying Alan that beer. | 0:30:35 | 0:30:39 | |
It's really lovely to meet someone | 0:30:39 | 0:30:41 | |
who enjoys their job as much as I enjoy mine. | 0:30:41 | 0:30:45 | |
But it's even better selling them something. | 0:30:45 | 0:30:48 | |
He may be pleased as punch, but The Lionheart's going all out | 0:30:48 | 0:30:51 | |
to wipe that smile off his face. | 0:30:51 | 0:30:53 | |
He sold the barometer for a fair to moderate £25 profit | 0:30:53 | 0:30:57 | |
and the Georgian kettle stand for a £35 profit. | 0:30:59 | 0:31:02 | |
He is on the boil. | 0:31:02 | 0:31:05 | |
James also visited a local museum | 0:31:05 | 0:31:07 | |
and sold them the plumber's torch for a £12 profit, | 0:31:07 | 0:31:10 | |
a good mark-up on the £3 he paid for it, | 0:31:10 | 0:31:12 | |
and the car lamp for a shiny £15 profit. | 0:31:12 | 0:31:17 | |
-Deal. -Thank you very much. -Brilliant. | 0:31:17 | 0:31:20 | |
With this spurt of selling, let's see how our duelling duo | 0:31:20 | 0:31:23 | |
are doing in the race to rack up the most money. | 0:31:23 | 0:31:27 | |
Devilish David Harper has so far sold two items, | 0:31:27 | 0:31:31 | |
turning a profit of £102. | 0:31:31 | 0:31:33 | |
But James The Lionheart Lewis is already out in front, | 0:31:33 | 0:31:37 | |
having sold five items and making a profit of £187. | 0:31:37 | 0:31:43 | |
The Devilish One is trailing and needs to up his game | 0:31:43 | 0:31:46 | |
if he's to catch up with The Lionheart. | 0:31:46 | 0:31:48 | |
But he has a plan to maximise his profit on the classical statue | 0:31:48 | 0:31:53 | |
that cost him just £7. | 0:31:53 | 0:31:56 | |
When it comes to selling objects either to clients or in auction, | 0:31:56 | 0:32:00 | |
prior preparation really does pay dividends. | 0:32:00 | 0:32:05 | |
So the inside of this helmet and the plumage here is very rough, | 0:32:05 | 0:32:08 | |
it's where the casting has been broken away | 0:32:08 | 0:32:11 | |
and it just has not been finished, a sign of poor quality. | 0:32:11 | 0:32:14 | |
I think by using the materials I have at hand, | 0:32:14 | 0:32:17 | |
like my little warrior's spear, | 0:32:17 | 0:32:20 | |
and you try and tidy up this area here, | 0:32:20 | 0:32:24 | |
this casting, which is absolutely diabolical, | 0:32:24 | 0:32:26 | |
that should've been done 80 years ago. | 0:32:26 | 0:32:29 | |
So, here we go. This is going to be dangerous. | 0:32:29 | 0:32:32 | |
It seems our David has been schooled in the ancient art of spear restoration. | 0:32:32 | 0:32:38 | |
-Please, do not try this at home. -Ooh, hello. | 0:32:38 | 0:32:42 | |
Blimey. Move down a bit. | 0:32:42 | 0:32:44 | |
Look at that. Nobody will ever know | 0:32:44 | 0:32:47 | |
that the casting in this thing was so rotten, | 0:32:47 | 0:32:51 | |
it was sticking out like a sore thumb. | 0:32:51 | 0:32:54 | |
Now, a couple of minutes of fiddle-faddling with the weapon | 0:32:54 | 0:32:58 | |
and we have a much-improved little Greek warrior. | 0:32:58 | 0:33:05 | |
David's buffed up the figurine to pristine condition, | 0:33:05 | 0:33:08 | |
all part of his plan to sell the piece for maximum profit | 0:33:08 | 0:33:11 | |
and he's decided his best chance lies at auction. | 0:33:11 | 0:33:15 | |
Doesn't he look absolutely fantastic from 50 feet away? Go on. | 0:33:15 | 0:33:21 | |
-£20 bid. -Yes! £20. Come on. | 0:33:21 | 0:33:24 | |
-25, 28... -Yes. Hello. -32, 35, | 0:33:24 | 0:33:27 | |
-38, 40... -Come on. -42, 45, | 0:33:27 | 0:33:30 | |
-48, 50... -(Oh my God.) -Five, 60. | 0:33:30 | 0:33:33 | |
-That's 60 quid. -Unbelievable. -You're out, you're in. | 0:33:33 | 0:33:35 | |
-£60 then. All done at 60? -Are they actually haggling? | 0:33:35 | 0:33:38 | |
-£60, 694. -Yes! What a result. | 0:33:38 | 0:33:41 | |
And what a reaction. It's like a gift from the gods. | 0:33:41 | 0:33:44 | |
The Devilish One's strategy has worked a treat | 0:33:44 | 0:33:47 | |
and even after auction fees, | 0:33:47 | 0:33:49 | |
the figurine's made a handsome profit of £41.12. | 0:33:49 | 0:33:52 | |
While David's using strategy, | 0:33:54 | 0:33:56 | |
the Lionheart's carefully targeting potential purchasers. | 0:33:56 | 0:33:59 | |
He's come to the Peak Rail Steam Museum, | 0:33:59 | 0:34:02 | |
armed with the railway sign which cost him £30 | 0:34:02 | 0:34:05 | |
and the train lantern which cost him £20. | 0:34:05 | 0:34:08 | |
He's meeting joint managing director Roger. | 0:34:08 | 0:34:11 | |
This appears to be kind of 1950s, | 0:34:11 | 0:34:15 | |
would probably have been somewhere around the station or a goods yard. | 0:34:15 | 0:34:21 | |
The lamp appears to be British Railways, | 0:34:21 | 0:34:23 | |
-it has the British Railways logo on the front. -Yep. | 0:34:23 | 0:34:26 | |
So that's probably 1960s, | 0:34:26 | 0:34:29 | |
maybe 1970s. | 0:34:29 | 0:34:30 | |
This is certainly the period we would be interested in. | 0:34:30 | 0:34:33 | |
This is the kind of lamp that would have gone on, | 0:34:33 | 0:34:36 | |
the red lamp on the back of a train, to show it's the end of the train. | 0:34:36 | 0:34:39 | |
-Now, price. -OK... -Um... | 0:34:39 | 0:34:42 | |
Would 130 be any good for the two? | 0:34:42 | 0:34:44 | |
I would probably be going somewhere around about... | 0:34:44 | 0:34:49 | |
70, 75. | 0:34:49 | 0:34:50 | |
How about 110? | 0:34:50 | 0:34:52 | |
Looking at under 100. 95? | 0:34:52 | 0:34:54 | |
All right, a flat hundred. How about that? | 0:34:54 | 0:34:58 | |
-OK, then. We'll go with that. -You've got a deal. | 0:34:58 | 0:35:00 | |
-Thank you, James. -Thank you. | 0:35:00 | 0:35:02 | |
James is stoked at a £30 profit on the vintage No Thoroughfare sign | 0:35:02 | 0:35:06 | |
and a £20 profit on the British Railways lantern. | 0:35:06 | 0:35:10 | |
But money's not all he's hoping for today. | 0:35:10 | 0:35:13 | |
-Do you know what I've always wanted to do? -What have you wanted? Go on. | 0:35:13 | 0:35:17 | |
I couldn't have a go on the locomotive, could I? | 0:35:17 | 0:35:19 | |
I even brought my border suit. | 0:35:19 | 0:35:21 | |
-That's fair enough, yeah. -Yeah? -We can arrange that. | 0:35:21 | 0:35:23 | |
-Fantastic! Can't wait. Brilliant. -Thank you very much. -Cheers. | 0:35:23 | 0:35:27 | |
All aboard the Lionheart Express! | 0:35:27 | 0:35:30 | |
First stop, Profit Central. | 0:35:30 | 0:35:33 | |
-Oh, this is amazing! -I know! -I always wanted to do this! | 0:35:33 | 0:35:37 | |
Well, I'd like to say head on for the next sale | 0:35:43 | 0:35:46 | |
but I've changed my mind. | 0:35:46 | 0:35:48 | |
I've found a new career and it's much more fun. | 0:35:48 | 0:35:50 | |
STEAM WHISTLE BLOWS | 0:35:50 | 0:35:52 | |
You can't give up your day job just yet, James. | 0:35:52 | 0:35:55 | |
Your battle with the Devilish One | 0:35:55 | 0:35:57 | |
is entering its glorious denouement | 0:35:57 | 0:35:59 | |
and every pound of profit matters. | 0:35:59 | 0:36:02 | |
In his hometown of Barnard Castle, | 0:36:03 | 0:36:06 | |
David's not having such an easy time of it. | 0:36:06 | 0:36:08 | |
In fact, he's got a problem on his hands. | 0:36:08 | 0:36:12 | |
Do you remember this thing? | 0:36:12 | 0:36:13 | |
It only cost me £10 at the car boot, | 0:36:13 | 0:36:16 | |
the pheasant claw brooch. | 0:36:16 | 0:36:18 | |
But the thing is, it's causing me such a headache. | 0:36:18 | 0:36:21 | |
For a tenner, it's hardly been worth it. | 0:36:21 | 0:36:24 | |
I've shown it to so many people, I've called lots of people, | 0:36:24 | 0:36:27 | |
I cannot sell it. | 0:36:27 | 0:36:28 | |
So I've decided this is it - | 0:36:28 | 0:36:31 | |
the claw from Hell. | 0:36:31 | 0:36:33 | |
MUSIC: "O Fortuna" by Carl Orff | 0:36:33 | 0:36:35 | |
Oh, no! It's the curse of the Claw from Hell! | 0:36:35 | 0:36:38 | |
No-one wants to buy the fearsome foot. | 0:36:41 | 0:36:44 | |
But time is running out for our daredevil | 0:36:44 | 0:36:46 | |
and he's now got to do all he can | 0:36:46 | 0:36:49 | |
just to make any money whatsoever. | 0:36:49 | 0:36:51 | |
Obviously, I look fabulous with it | 0:36:51 | 0:36:53 | |
but I just wonder, Astley... | 0:36:53 | 0:36:55 | |
David's decided to show it to his friend, electrician Astley. | 0:36:55 | 0:36:59 | |
-Have a feel of that. -It's awful. | 0:36:59 | 0:37:02 | |
It's not awful, Astley! It's sophisticated. | 0:37:02 | 0:37:04 | |
I do still think it just suits you perfectly. I really do, seriously. | 0:37:04 | 0:37:08 | |
It's 30 quid, Astley. | 0:37:08 | 0:37:10 | |
Give it to your gorgeous wife. | 0:37:10 | 0:37:12 | |
£20, Astley. Look at it. | 0:37:12 | 0:37:15 | |
£12. | 0:37:15 | 0:37:16 | |
-15. -£15! | 0:37:16 | 0:37:18 | |
Give me your hand, give me your hand. | 0:37:18 | 0:37:20 | |
Yes! Yes! The claw! | 0:37:20 | 0:37:22 | |
The claw from Hell, it's gone! | 0:37:22 | 0:37:24 | |
It's gone! Sorry, Astley, I didn't mean that. | 0:37:24 | 0:37:27 | |
-I didn't mean to say, "the claw from Hell." -Marvellous. | 0:37:27 | 0:37:30 | |
Thank you very much. Always lovely to do business with you. | 0:37:30 | 0:37:33 | |
Is it still there? | 0:37:33 | 0:37:34 | |
God only knows, I don't care. | 0:37:34 | 0:37:36 | |
The Devilish One's perseverance pays off | 0:37:38 | 0:37:41 | |
and the claw from hell - sorry, the delightful grouse foot brooch - | 0:37:41 | 0:37:45 | |
makes him a modest profit of £5. | 0:37:45 | 0:37:47 | |
The Lionheart wants to finish this competition in a blaze of glory. | 0:37:51 | 0:37:55 | |
He's aiming to sell the fireman's helmets which cost him £10 | 0:37:55 | 0:37:58 | |
and he's come to Sheffield Fire and Police Museum to meet director Matt. | 0:37:58 | 0:38:03 | |
-So, what do you think of them? -Erm, they're fantastic. | 0:38:03 | 0:38:06 | |
I'd you say these two here are probably, like, 1980s, 1990s. | 0:38:06 | 0:38:10 | |
This is a little bit older, so I like the helmet you've got there. | 0:38:10 | 0:38:14 | |
These have got added steps in them. | 0:38:14 | 0:38:15 | |
-Added steps? -So these are the older cork helmets | 0:38:15 | 0:38:19 | |
-than these ones. -So what period's that one? | 0:38:19 | 0:38:21 | |
Probably 1960s to '70s. | 0:38:21 | 0:38:23 | |
And are these the sort of things that you've got a use for here? | 0:38:23 | 0:38:27 | |
We're trying to make the museum more national, | 0:38:27 | 0:38:29 | |
so different Fire Brigades, different uniforms they wore, | 0:38:29 | 0:38:32 | |
they're perfect for somewhere like us. | 0:38:32 | 0:38:34 | |
Well, there are three of them. | 0:38:34 | 0:38:36 | |
I've got to try and make a profit. | 0:38:36 | 0:38:39 | |
I thought that was probably worth 35, maybe a bit more. | 0:38:39 | 0:38:42 | |
And I thought they were worth 25 each. | 0:38:42 | 0:38:45 | |
I'd probably go up to 20, maybe. | 0:38:45 | 0:38:47 | |
Not any higher on them. | 0:38:47 | 0:38:49 | |
With regards to this one, | 0:38:49 | 0:38:51 | |
probably not much higher. | 0:38:51 | 0:38:53 | |
If they're 20 each, 20 each for those | 0:38:53 | 0:38:56 | |
and 35 for that one, 75 for the three. | 0:38:56 | 0:39:00 | |
Take this one down to 30 and we've probably got a deal there. | 0:39:00 | 0:39:03 | |
You've got a deal. You've got a deal. Brilliant. Thank you. | 0:39:03 | 0:39:06 | |
It's a scorching £60 profit on the fireman's helmets. | 0:39:06 | 0:39:10 | |
And the Lionheart sets his profit pot ablaze with more sales. | 0:39:11 | 0:39:16 | |
He sells the plaque and the bookmark | 0:39:16 | 0:39:18 | |
to an art nouveau dealer, making £35 profit on the plaque | 0:39:18 | 0:39:22 | |
and a £50 profit on the bookmark. | 0:39:22 | 0:39:24 | |
He's all sold up, but the Devilish One still has one lot left to sell | 0:39:25 | 0:39:29 | |
and that's the piece of mounted metalwork. | 0:39:29 | 0:39:32 | |
David's come to see if his neighbour Caroline | 0:39:32 | 0:39:35 | |
can help him work out once and for all | 0:39:35 | 0:39:37 | |
what it actually is. | 0:39:37 | 0:39:39 | |
Now, Caroline, I'm relying on you | 0:39:39 | 0:39:42 | |
to really help me out here. | 0:39:42 | 0:39:45 | |
-That's worrying. -It is a bit worrying. | 0:39:45 | 0:39:47 | |
I've no idea about this. When I bought it, I had no idea what it was | 0:39:47 | 0:39:51 | |
and the guy said it was a coat hook. I thought, "Gosh, it's a coat hook." | 0:39:51 | 0:39:54 | |
And in actual fact, I don't think it is a coat hook. | 0:39:54 | 0:39:57 | |
You're very clever | 0:39:57 | 0:39:58 | |
and you're an archaeologist, so help me out. | 0:39:58 | 0:40:02 | |
-Well... -What is it? | 0:40:02 | 0:40:04 | |
It's clearly not a coat hook, is it? | 0:40:04 | 0:40:06 | |
It seems to me, it looks like a very important twiddly thing. | 0:40:06 | 0:40:10 | |
HE LAUGHS | 0:40:10 | 0:40:11 | |
You're good! You're very good. | 0:40:11 | 0:40:13 | |
It can't be a coat hook. If you hung it on here, | 0:40:13 | 0:40:15 | |
you'd never get the wretched thing off if you were in a hurry. | 0:40:15 | 0:40:18 | |
-It would catch on the hooks. -That's what I thought. | 0:40:18 | 0:40:21 | |
What a very odd thing. What on earth did you buy it for? | 0:40:21 | 0:40:23 | |
I have no idea. I'm hoping you're going to buy it from me. | 0:40:23 | 0:40:26 | |
-I hope you're as mad as I am. -Oh, that's even more worrying. | 0:40:26 | 0:40:29 | |
It's just what I needed, a twiddly thing in the house! | 0:40:29 | 0:40:32 | |
How curious! | 0:40:32 | 0:40:34 | |
But it is quite pretty | 0:40:34 | 0:40:36 | |
and it does manifest a certain amount of skill | 0:40:36 | 0:40:38 | |
in terms of turning the metalwork. | 0:40:38 | 0:40:40 | |
-Very good. -So maybe this is something an apprentice has made | 0:40:40 | 0:40:44 | |
to show that they have got the necessary skills now | 0:40:44 | 0:40:48 | |
to actually work with metalwork. | 0:40:48 | 0:40:50 | |
If you like, maybe this is an exam piece | 0:40:50 | 0:40:52 | |
for an apprentice working in metalwork. | 0:40:52 | 0:40:54 | |
The skills are there. You are right, and it's good quality, isn't it? | 0:40:54 | 0:40:57 | |
It is, it is a lovely piece of metal work. | 0:40:57 | 0:40:59 | |
David might be a bit closer to knowing what the twiddly thing is | 0:40:59 | 0:41:03 | |
but can he sell it to Caroline? | 0:41:03 | 0:41:05 | |
All will be revealed. | 0:41:05 | 0:41:07 | |
At the car boot, | 0:41:08 | 0:41:10 | |
devilish David Harper made five purchases | 0:41:10 | 0:41:12 | |
and spent £84. | 0:41:12 | 0:41:14 | |
James "The Lionheart" Lewis did seven deals, | 0:41:15 | 0:41:18 | |
spending a total of £243. | 0:41:18 | 0:41:21 | |
But the only thing that matters now is, | 0:41:21 | 0:41:24 | |
who has made the most profit? | 0:41:24 | 0:41:26 | |
All the money David and James have made | 0:41:26 | 0:41:28 | |
will go to the charities of their choice | 0:41:28 | 0:41:31 | |
so now let's find out who is | 0:41:31 | 0:41:33 | |
today's Put Your Money Where Your Mouth Is champion. | 0:41:33 | 0:41:36 | |
-Harper! -Lewis! -How are you? -Very good. Good to see you. | 0:41:36 | 0:41:40 | |
-How did you find it? -Good fun, cold but great. | 0:41:40 | 0:41:42 | |
I'll tell you the real surprise. | 0:41:42 | 0:41:44 | |
-You know with the Greek warrior, the sculpture with the spear? -Yes. | 0:41:44 | 0:41:48 | |
Professionally restored. | 0:41:48 | 0:41:50 | |
-Was it worth it? -By me, yeah. | 0:41:50 | 0:41:52 | |
-Using his very own spear. -Oh, no. | 0:41:52 | 0:41:54 | |
Took 30 seconds. Magnificent. | 0:41:54 | 0:41:56 | |
Put him into auction, and he did really well! | 0:41:56 | 0:41:59 | |
-What about you? -Well, for me, the highlight has to be | 0:41:59 | 0:42:01 | |
my trip on Peak Rail. | 0:42:01 | 0:42:03 | |
Not in a carriage, but actually in the cab of a steam locomotive. | 0:42:03 | 0:42:08 | |
-A choo-choo train? -I've always wanted to do it | 0:42:08 | 0:42:10 | |
so made a bit of a profit and had a good day as well. | 0:42:10 | 0:42:13 | |
-Are you ready? Shall we reveal? -OK. | 0:42:13 | 0:42:15 | |
Three, two... | 0:42:15 | 0:42:16 | |
-One... -Go. | 0:42:16 | 0:42:18 | |
Oh, my goodness me! | 0:42:18 | 0:42:20 | |
How did you do that? | 0:42:20 | 0:42:22 | |
Well...skill. | 0:42:22 | 0:42:25 | |
Amazing. From a car boot sale. | 0:42:25 | 0:42:27 | |
Well, the Lionheart won today, and won it well, | 0:42:27 | 0:42:30 | |
though David did sell the mysterious twiddly thing to Caroline. | 0:42:30 | 0:42:34 | |
So, what are you after for this delightful twiddly thing? | 0:42:34 | 0:42:38 | |
I think anyone would pay 30 quid for a good twiddler. | 0:42:38 | 0:42:41 | |
25? | 0:42:41 | 0:42:42 | |
Go on, then. It's yours. 25. Give us a kiss. | 0:42:42 | 0:42:45 | |
Always a pleasure. Thank you very much. | 0:42:45 | 0:42:47 | |
Twiddly thing's gone! | 0:42:47 | 0:42:49 | |
The £13 he made on the sale | 0:42:49 | 0:42:52 | |
just wasn't enough to beat the Lionheart this time around. | 0:42:52 | 0:42:56 | |
I was really pleased with the car boot sale. | 0:42:56 | 0:42:59 | |
Great objects, great profits. | 0:42:59 | 0:43:01 | |
That was until James Lewis opened his briefcase | 0:43:01 | 0:43:04 | |
and then my world came crashing down. | 0:43:04 | 0:43:06 | |
However, well done, James. | 0:43:06 | 0:43:08 | |
I was really surprised at that. | 0:43:08 | 0:43:10 | |
It was a great result, but I thought David would make a bit more. | 0:43:10 | 0:43:13 | |
But having said that, he didn't spend as much as me | 0:43:13 | 0:43:16 | |
and you don't make a profit by leaving your money in your pocket. | 0:43:16 | 0:43:19 | |
Tomorrow, David gets a chance to wreak revenge on his rival | 0:43:19 | 0:43:23 | |
as our fearless foes battle it out | 0:43:23 | 0:43:25 | |
at a foreign antiques market in Paris. | 0:43:25 | 0:43:27 | |
Subtitles by Red Bee Media Ltd | 0:43:50 | 0:43:53 |