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This is Put Your Money Where Your Mouth Is, the show that pitches | 0:00:02 | 0:00:04 | |
TV's best-loved antiques experts | 0:00:04 | 0:00:06 | |
against each other in an all-out battle for profit. | 0:00:06 | 0:00:11 | |
I am a double-your-money girl. | 0:00:11 | 0:00:13 | |
And gives you the insider's view of the trade. | 0:00:13 | 0:00:16 | |
You've got to be in it to win it. | 0:00:16 | 0:00:19 | |
Each week, one pair of duelling dealers | 0:00:19 | 0:00:21 | |
will face a different daily challenge... | 0:00:21 | 0:00:23 | |
Lovely! | 0:00:23 | 0:00:25 | |
We've got work to do. | 0:00:25 | 0:00:26 | |
..putting their own money and their hard-earned reputations on the line | 0:00:26 | 0:00:31 | |
as they see who can make the most money from buying and selling. | 0:00:31 | 0:00:35 | |
Get in there! | 0:00:36 | 0:00:37 | |
Today, that tower of trading tactics, David Harper, | 0:00:37 | 0:00:42 | |
takes on the purchasing powerhouse, James Lewis. | 0:00:42 | 0:00:45 | |
Coming up, David is desperate for a deal... | 0:00:45 | 0:00:48 | |
170. Please take my money! | 0:00:48 | 0:00:50 | |
..James takes a trip back in time... | 0:00:50 | 0:00:53 | |
You will rarely find a table with more history on it than here. | 0:00:53 | 0:00:56 | |
-..and when it comes to profit, the Devilish One risks all. -Yes! | 0:00:56 | 0:01:01 | |
It's Put Your Money Where Your Mouth Is. | 0:01:01 | 0:01:04 | |
Grab yourself an ancient map and hope that X marks the spot, | 0:01:16 | 0:01:21 | |
because today, the treasure hunters of the antiques world | 0:01:21 | 0:01:24 | |
are on an epic quest for age-old artefacts in a foreign land. | 0:01:24 | 0:01:29 | |
It's Durham's dealing dynamo, looking dapper in his hat. | 0:01:29 | 0:01:33 | |
He'll haggle harder than any man alive | 0:01:33 | 0:01:35 | |
to make sure he gets what he wants. | 0:01:35 | 0:01:37 | |
Is it cheap? Is it devastatingly cheap? | 0:01:37 | 0:01:39 | |
It's "Devilish" David Harper versus Derbyshire's awesome auctioneer. | 0:01:39 | 0:01:45 | |
He's mighty, he's masterful | 0:01:45 | 0:01:47 | |
and he'll swiftly swoop on any ancient find if the price is right. | 0:01:47 | 0:01:52 | |
165, and you have a deal. | 0:01:52 | 0:01:54 | |
It's James "The Lionheart" Lewis. | 0:01:55 | 0:01:57 | |
Our antiques adventurers are on a voyage of discovery, | 0:01:58 | 0:02:02 | |
travelling from good old Blighty | 0:02:02 | 0:02:04 | |
to the Saint Ouen flea market in Paris. | 0:02:04 | 0:02:06 | |
Their quest is to plunder the top purchases that they can | 0:02:06 | 0:02:10 | |
and then sell them on for the most money. | 0:02:10 | 0:02:12 | |
They've each got £750 worth of their own euros to spend | 0:02:12 | 0:02:16 | |
and all the profit goes to their chosen charities, so David Harper | 0:02:16 | 0:02:21 | |
and James Lewis, it's time to put your money where your mouth is. | 0:02:21 | 0:02:25 | |
Mr Harper, nothing is going to stop me taking over the antiques world! | 0:02:25 | 0:02:31 | |
LAUGHS DIABOLICALLY | 0:02:31 | 0:02:32 | |
-Ah, bonjour, James, bonjour. -Good to see you. -Good to see you too. | 0:02:35 | 0:02:38 | |
I see your French isn't letting you down. | 0:02:38 | 0:02:41 | |
-Oh, dingle dongle, dingle dongle, James. -Ca va? -Yeah, dingle, oui, oui. | 0:02:41 | 0:02:45 | |
Like many things in life, James, my French gets better with age. | 0:02:45 | 0:02:50 | |
Of course it does! I believe you. | 0:02:50 | 0:02:53 | |
So you must have a plan of attack for your £750. | 0:02:53 | 0:02:55 | |
I've got a great plan of attack. | 0:02:55 | 0:02:57 | |
I'm going to morph myself amongst the people. | 0:02:57 | 0:03:01 | |
-I'm going to become Parisian. -Are you really? -Yes. | 0:03:01 | 0:03:04 | |
-I'm going to attempt to do that. -Well, good luck. | 0:03:04 | 0:03:08 | |
For me, I'm going to delve into those boxes of bits and bobs | 0:03:09 | 0:03:12 | |
and try and find something really exciting just for a couple of euros. | 0:03:12 | 0:03:16 | |
Very good luck to you! | 0:03:16 | 0:03:18 | |
That's the theory, but I've also got a couple of very good clients | 0:03:18 | 0:03:22 | |
who like the French look, the ormolu. | 0:03:22 | 0:03:23 | |
So I might spend a little bit more if I find something for them. | 0:03:23 | 0:03:26 | |
It sounds like a plan that will probably all go wrong. | 0:03:26 | 0:03:30 | |
Good luck. Have fun. | 0:03:30 | 0:03:31 | |
Our intrepid antiques explorers know anything can happen | 0:03:32 | 0:03:35 | |
in this competitive foreign foray. | 0:03:35 | 0:03:38 | |
So they need to get the lie of the land as quickly as possible | 0:03:38 | 0:03:41 | |
to maximise their chances of grabbing the greatest gems. | 0:03:41 | 0:03:44 | |
My goodness me, these rows and alleyways just open up | 0:03:44 | 0:03:49 | |
and suddenly you've just got this new vista in front of you. | 0:03:49 | 0:03:52 | |
You really genuinely feel like an explorer. | 0:03:52 | 0:03:55 | |
I always say that this business, I was drawn to this business | 0:03:55 | 0:03:58 | |
because of the treasure hunting feel, | 0:03:58 | 0:04:01 | |
and no better place is there on the planet than here, | 0:04:01 | 0:04:05 | |
right in the middle of Paris, to feel just like a treasure hunter. | 0:04:05 | 0:04:12 | |
Yes, Devilish David is all fired up at the thought of capturing | 0:04:12 | 0:04:15 | |
all that luscious loot. | 0:04:15 | 0:04:17 | |
While The Lionheart is moving like a big antiques Exocet. | 0:04:17 | 0:04:21 | |
One thing that I've really discovered about this market | 0:04:21 | 0:04:24 | |
is it's split into about three areas. | 0:04:24 | 0:04:28 | |
This one I can only describe as Rip-offs-ville. | 0:04:28 | 0:04:33 | |
You look at something, you think, "Well, that's worth £150." | 0:04:33 | 0:04:38 | |
You ask the price, and it's £1,500. | 0:04:38 | 0:04:42 | |
So, for me, that is a no-go area for buying. | 0:04:42 | 0:04:46 | |
But there are other little areas on the outskirts that are cheaper, | 0:04:46 | 0:04:51 | |
so I'm hoping to find one of those. | 0:04:51 | 0:04:53 | |
And The Lionheart better not stray too far as Devilish David Harper | 0:04:55 | 0:04:58 | |
is already targeting treasures. | 0:04:58 | 0:05:00 | |
He's spotted a pair of 19th-century chairs | 0:05:00 | 0:05:03 | |
which Eric, an old trade acquaintance, | 0:05:03 | 0:05:05 | |
has up for sale at 200 euros. | 0:05:05 | 0:05:08 | |
If it was just one single chair, I wouldn't be overexcited, | 0:05:08 | 0:05:11 | |
but because it's a pair, you can always sell a good pair of chairs. | 0:05:11 | 0:05:15 | |
So, date-wise, we're thinking, what, late 19th century? | 0:05:15 | 0:05:20 | |
-Yeah, late 19th century. -Yes. So you've got coiled springs in there. | 0:05:20 | 0:05:24 | |
Let's have a look at the base. Can I turn one over? | 0:05:24 | 0:05:27 | |
You can't really see it, but the way it's done, it's a traditional way. | 0:05:27 | 0:05:32 | |
Yes. Can you see these marks, these string marks? | 0:05:32 | 0:05:35 | |
They are literally bits of string, | 0:05:35 | 0:05:36 | |
so what you have in there are maybe 12 individual coiled springs | 0:05:36 | 0:05:42 | |
tied in and stitched in by hand, horsehair filling on the top | 0:05:42 | 0:05:47 | |
and then webbing on the bottom to keep the springs in place. | 0:05:47 | 0:05:51 | |
You are right, it's completely traditional. | 0:05:51 | 0:05:53 | |
Now, then, price-wise. Eric, I need all the help in the world. | 0:05:53 | 0:06:00 | |
We can't do any better than 200. | 0:06:01 | 0:06:04 | |
-That's the best price we can do. -Really? | 0:06:04 | 0:06:06 | |
Edith. | 0:06:06 | 0:06:08 | |
To be pleasant, 180. | 0:06:08 | 0:06:10 | |
Can we compromise a bit, just to help me out a bit more? | 0:06:10 | 0:06:13 | |
-170. -170, are we done at that? -All right. | 0:06:13 | 0:06:17 | |
OK, thank you very much. | 0:06:17 | 0:06:18 | |
Edith, you're much nicer to do business with than Eric here. | 0:06:18 | 0:06:21 | |
He's far too tight! | 0:06:21 | 0:06:22 | |
Dynamic dealing from the Devilish One | 0:06:22 | 0:06:24 | |
as he bags the chairs for the equivalent of £154.55. | 0:06:24 | 0:06:29 | |
Our lifelong treasure hunter has swiped his first find of the day, | 0:06:32 | 0:06:37 | |
but The Lionheart isn't about to let David run away | 0:06:37 | 0:06:39 | |
with an early lead. He's also done his first deal. | 0:06:39 | 0:06:42 | |
Well, the first thing is that, which is a little desk weight | 0:06:42 | 0:06:47 | |
cast in steel, probably 1950s or maybe slightly later. | 0:06:47 | 0:06:52 | |
Certainly post-war. | 0:06:52 | 0:06:53 | |
Mind you, having said that, it might be pre-war, it could be 1930s, | 0:06:53 | 0:06:58 | |
and it's a simple desk weight cast as a dice. | 0:06:58 | 0:07:01 | |
Now, who's going to buy that? It's got to be a gambler, hasn't it? | 0:07:01 | 0:07:04 | |
Somebody that is either a professional gambler, | 0:07:04 | 0:07:07 | |
or maybe somebody who runs a casino. It cost me 10 euros, | 0:07:07 | 0:07:11 | |
but that has got to be worth £30 of somebody's money, surely? | 0:07:11 | 0:07:14 | |
James has taken a chance with the dice paperweight for £9.09. | 0:07:14 | 0:07:19 | |
The Lionheart is determined to start strong, | 0:07:19 | 0:07:21 | |
and he's soon eyeing up a selection of ancient artefacts. | 0:07:21 | 0:07:25 | |
160. | 0:07:25 | 0:07:27 | |
-Oh, no, no, no. -No? | 0:07:27 | 0:07:29 | |
No, I'm sorry. | 0:07:29 | 0:07:30 | |
OK. | 0:07:30 | 0:07:32 | |
170. | 0:07:32 | 0:07:34 | |
165, and you have a deal. | 0:07:36 | 0:07:38 | |
-OK. -All right, 165. | 0:07:39 | 0:07:41 | |
And Indiana James makes off with the antiquities for £150. | 0:07:41 | 0:07:47 | |
For me, antique hunting is all about history, | 0:07:47 | 0:07:50 | |
and you'll rarely find a table with more history on it than here. | 0:07:50 | 0:07:54 | |
Let's start with the earliest, the African. | 0:07:54 | 0:07:58 | |
Here, Egyptian ushabti. | 0:07:58 | 0:08:00 | |
The two with the turquoise glaze are certainly period. | 0:08:00 | 0:08:03 | |
My feeling is this one with the broken base that's had | 0:08:03 | 0:08:07 | |
a turned plinth added to it is also period. | 0:08:07 | 0:08:10 | |
They could well be 2000 BC. | 0:08:10 | 0:08:13 | |
But then let's move on to the Americas. | 0:08:13 | 0:08:15 | |
Pre-Columbian art here. | 0:08:15 | 0:08:18 | |
These are probably from Central America. | 0:08:18 | 0:08:20 | |
Then we end up in Europe. Here, these two pieces, they're Roman. | 0:08:20 | 0:08:25 | |
This little figure, a female with a headdress, some sort of god, | 0:08:25 | 0:08:29 | |
I'm not sure who, but my favourite is this chap, Bacchus, | 0:08:29 | 0:08:33 | |
the god of wine and frivolity. | 0:08:33 | 0:08:35 | |
His hair is filled with fruiting vine. | 0:08:35 | 0:08:38 | |
This little chap is about 2,000 years old | 0:08:38 | 0:08:42 | |
and a wonderful example of Roman art. | 0:08:42 | 0:08:45 | |
So, for me, this little table not only shows great history, | 0:08:45 | 0:08:50 | |
but also a great potential profit. | 0:08:50 | 0:08:52 | |
Only time will tell, James. | 0:08:52 | 0:08:55 | |
Devilish David Harper needs to plunder another purchase pronto | 0:08:55 | 0:08:58 | |
to keep up with his rival, and he's perusing a vintage parking sign. | 0:08:58 | 0:09:01 | |
So not exactly antique, I know, | 0:09:01 | 0:09:04 | |
but we've got two good connections. We've got the alcohol connection, | 0:09:04 | 0:09:07 | |
the Cinzano, but I like the old vintage car. | 0:09:07 | 0:09:10 | |
Very, quite obviously continental. It's got no great age do it. | 0:09:10 | 0:09:15 | |
-It's made of some kind of plastic. -The best, 150. | 0:09:15 | 0:09:18 | |
-150! -Exceptional. | 0:09:18 | 0:09:21 | |
Because it's you. | 0:09:21 | 0:09:23 | |
Oh, you know what to say, don't you? You do. | 0:09:23 | 0:09:27 | |
-Gosh, it seems a lot of money for a vintage sign. -No! | 0:09:28 | 0:09:31 | |
-It's not a lot of money. -How about if I said to you, | 0:09:31 | 0:09:35 | |
if I said...90 euro? | 0:09:35 | 0:09:40 | |
-That is not possible. -My last attempt. | 0:09:40 | 0:09:43 | |
-Yes. -My last attempt, and it's cash, | 0:09:43 | 0:09:46 | |
no credit cards, no cheques, it's euros. | 0:09:46 | 0:09:50 | |
-It's crisp and it's in my pocket. -Hmm-hmm. | 0:09:50 | 0:09:54 | |
110. | 0:09:54 | 0:09:57 | |
Please take my money. | 0:09:57 | 0:09:58 | |
-Take my money. -OK, give me 110. -Oh! | 0:09:58 | 0:10:02 | |
Now I do what all good French men do, they go "oh-ho-ho!" | 0:10:02 | 0:10:04 | |
Persistent pleading pays off | 0:10:06 | 0:10:08 | |
and parks the price of the parking sign at £100. | 0:10:08 | 0:10:12 | |
Our fearless fortune hunters have done two deals apiece | 0:10:13 | 0:10:16 | |
so far today, but who will be the next to add to their haul | 0:10:16 | 0:10:20 | |
and move into the lead? | 0:10:20 | 0:10:22 | |
Now, any smart antiquarian expert knows that the secret | 0:10:22 | 0:10:25 | |
to getting a great deal in a foreign land is good communication. | 0:10:25 | 0:10:29 | |
As we see here. | 0:10:29 | 0:10:31 | |
Qu'est-ce que vous voulez? | 0:10:31 | 0:10:33 | |
Yes. No. Yes, I worked that one out. | 0:10:33 | 0:10:36 | |
I don't speak the best French. | 0:10:36 | 0:10:38 | |
No. Well, at least he's spotted something he likes the look of. | 0:10:38 | 0:10:42 | |
Oh, he's nice and heavy. Nice and heavy. | 0:10:42 | 0:10:45 | |
Now, that is a cold-painted bronze | 0:10:45 | 0:10:48 | |
of an Arab gentleman with a wibbly-wobbly head, | 0:10:48 | 0:10:51 | |
and it's the wibbly-wobbly head that is really very appealing. | 0:10:51 | 0:10:55 | |
And when you describe something as being cold-painted, it means that | 0:10:55 | 0:11:00 | |
the bronze was cast and then the item was painted when the bronze was cold | 0:11:00 | 0:11:04 | |
and then not refinished, effectively varnished, to protect the paint. | 0:11:04 | 0:11:08 | |
He is very lovely, | 0:11:08 | 0:11:11 | |
and there was one particular factory that made cold-painted bronzes | 0:11:11 | 0:11:15 | |
in the 19th century called Bergmann, from Austria, | 0:11:15 | 0:11:19 | |
and sometimes they are marked with a B. | 0:11:19 | 0:11:22 | |
In actual fact, I have a feeling this is not bronze, actually, | 0:11:22 | 0:11:25 | |
because when you turn him over and you see the base of his feet, | 0:11:25 | 0:11:31 | |
does that look a bit silvery to you? | 0:11:31 | 0:11:33 | |
A bit kind of steel looking? | 0:11:33 | 0:11:35 | |
Which would tell me that is in actual fact a spelter piece. | 0:11:35 | 0:11:38 | |
-But he's really absolutely lovely. Madame... -Monsieur. | 0:11:38 | 0:11:43 | |
Um, combien? For me? | 0:11:43 | 0:11:46 | |
Trade, dealer. English. | 0:11:46 | 0:11:48 | |
No money. Very best price. | 0:11:48 | 0:11:51 | |
Horrifically cheap. | 0:11:52 | 0:11:54 | |
250. | 0:11:54 | 0:11:56 | |
Hmm. | 0:11:56 | 0:11:58 | |
Et bas, ca! | 0:11:58 | 0:11:59 | |
-150. -Non. | 0:11:59 | 0:12:01 | |
-170. Please take my money! -250, this is the best, best price. | 0:12:01 | 0:12:07 | |
Madame, I'm going to have it. Thank you very much. | 0:12:07 | 0:12:10 | |
Thank you very much, I've got to have him. | 0:12:10 | 0:12:12 | |
In spite of the communication confusion, | 0:12:12 | 0:12:15 | |
the Devilish One takes the deal on the figurine at £227.27. | 0:12:15 | 0:12:19 | |
Our dealing daredevils have plundered purchases at every turn | 0:12:21 | 0:12:25 | |
this morning, and now it's time to see who's on a roll with the relics | 0:12:25 | 0:12:29 | |
and who could end up as a shrunken head on a stick. | 0:12:29 | 0:12:32 | |
Each of our treasure seekers started the day | 0:12:33 | 0:12:35 | |
with £750 worth of their own euros to spend. | 0:12:35 | 0:12:39 | |
Devilish David Harper is busting his budget on big buys. | 0:12:40 | 0:12:44 | |
He's done three deals, spending £481.82, | 0:12:44 | 0:12:47 | |
leaving him with £268.18 in his kitty. | 0:12:47 | 0:12:51 | |
James "The Lionheart" Lewis has ferreted out two finds so far, | 0:12:53 | 0:12:57 | |
spending £159.09. | 0:12:57 | 0:12:59 | |
That leaves him £590.91 to spend. | 0:12:59 | 0:13:04 | |
-Is it cold enough for you? -Oh! -Oh, my goodness me! | 0:13:06 | 0:13:09 | |
I've changed my coat, I have to say. | 0:13:09 | 0:13:11 | |
I've got a big thick sheepskin flying jacket on. | 0:13:11 | 0:13:14 | |
My lips are going numb. It is nithering. How you getting on? | 0:13:14 | 0:13:18 | |
Well, I bought a few bits, but nothing of any great quality. | 0:13:18 | 0:13:22 | |
I've bought a couple of things, quite good quality, | 0:13:22 | 0:13:25 | |
but by gosh, James, have I spent the money. Eh? | 0:13:25 | 0:13:27 | |
Well, this is just it. | 0:13:27 | 0:13:29 | |
Everything I pick up, I look, I turn over, | 0:13:29 | 0:13:32 | |
I think, "That's worth £300 or £400," | 0:13:32 | 0:13:35 | |
and I look at it, "It says 350. Oh, no, 1,350." | 0:13:35 | 0:13:38 | |
-Yes. -It's incredible! -I know. | 0:13:38 | 0:13:41 | |
The most bizarre things are huge money. | 0:13:41 | 0:13:44 | |
All you need to do is take your entire shop stock, | 0:13:44 | 0:13:46 | |
bring it over here and sell it to them. | 0:13:46 | 0:13:48 | |
Well, there you go. Do that once a month. | 0:13:48 | 0:13:50 | |
Actually, what a very good idea! I might just do that. | 0:13:50 | 0:13:53 | |
-I should be a dealer and not an auctioneer. -Shall we continue? | 0:13:53 | 0:13:57 | |
We're losing the light. | 0:13:57 | 0:13:59 | |
Despite the difficulties, | 0:13:59 | 0:14:01 | |
our fearless fortune hunters need to push on with the purchasing. | 0:14:01 | 0:14:05 | |
With only a few hours of daylight left and euros still to spend, | 0:14:05 | 0:14:09 | |
getting the right deal has never mattered more. | 0:14:09 | 0:14:12 | |
And The Lionheart's moved quicker than a crack from a bullwhip | 0:14:12 | 0:14:16 | |
as he's bagged a pair of mantel urns for £109.09. | 0:14:16 | 0:14:20 | |
This little pair of French mantel vases or mantel urns | 0:14:22 | 0:14:26 | |
were made around 1875, 1895, somewhere around there. | 0:14:26 | 0:14:31 | |
They're white Carrara marble and they're applied with brass beadwork | 0:14:31 | 0:14:36 | |
and topped with a pair of bronze urns, saucer-shaped urns. | 0:14:36 | 0:14:41 | |
But if we look at the casting, they're foliate, | 0:14:41 | 0:14:44 | |
they're leafy and they are Art Nouveau in influence. | 0:14:44 | 0:14:49 | |
Now, they're both damaged, so I need to get that | 0:14:49 | 0:14:52 | |
attached back onto there. | 0:14:52 | 0:14:54 | |
Traditional way of doing it is to put plaster of Paris in there | 0:14:54 | 0:14:57 | |
and set it in there. | 0:14:57 | 0:14:59 | |
But I'm not going to do that. | 0:14:59 | 0:15:00 | |
I'm going to cut them away slightly and literally just give them | 0:15:00 | 0:15:03 | |
a good solid glue. | 0:15:03 | 0:15:05 | |
And if I can get that done easily, | 0:15:05 | 0:15:07 | |
they should show me a bit of a profit. | 0:15:07 | 0:15:09 | |
The Lionheart's a man with a plan for his latest French finds, | 0:15:09 | 0:15:13 | |
but Devilish David isn't so focused. | 0:15:13 | 0:15:16 | |
Oh, my gosh, look at this. | 0:15:16 | 0:15:17 | |
I must say, I'm feeling the pressure big time. | 0:15:17 | 0:15:19 | |
My glasses are getting wet, it's getting colder | 0:15:19 | 0:15:22 | |
and as soon as it gets wet and it's getting cold | 0:15:22 | 0:15:25 | |
and it's getting a bit dark, this lot are going to go home. | 0:15:25 | 0:15:28 | |
They're going to pack up, | 0:15:28 | 0:15:30 | |
take all these potential treasures away with them, | 0:15:30 | 0:15:32 | |
leaving me nothing to buy. | 0:15:32 | 0:15:34 | |
It's time to up the ante a bit here. | 0:15:34 | 0:15:37 | |
So the Devilish One changes tack in his bid for victory | 0:15:37 | 0:15:41 | |
and moves into the side streets on the lookout for something unusual. | 0:15:41 | 0:15:45 | |
You know, in this business, | 0:15:45 | 0:15:47 | |
you've got to think a little bit outside of the box. | 0:15:47 | 0:15:50 | |
And this I find very interesting. | 0:15:50 | 0:15:52 | |
It's obviously a soda siphon, a big brass thing, | 0:15:52 | 0:15:56 | |
very good quality, very heavy. | 0:15:56 | 0:15:59 | |
Unlikely it's going to be used as a soda siphon today, | 0:15:59 | 0:16:02 | |
and I think you could convert that to a table lamp | 0:16:02 | 0:16:05 | |
and then use it in the living room, but also to a restaurateur. | 0:16:05 | 0:16:08 | |
Is this yours, sir? | 0:16:08 | 0:16:10 | |
-Yes, it's mine. -Aha! | 0:16:10 | 0:16:12 | |
Now, YOU are a man of style, sophistication and taste. | 0:16:12 | 0:16:16 | |
-I can tell immediately. Hello! We're like brothers! -Yes, I can tell! | 0:16:16 | 0:16:20 | |
I quite like it. It's heavy. Is it cheap? Is it devastatingly cheap? | 0:16:22 | 0:16:27 | |
-It's 40 euro. -40 euro. | 0:16:27 | 0:16:30 | |
Can I make a profit on 40 euro... Can it be 30 euro? | 0:16:30 | 0:16:33 | |
I don't think so. It can be... | 0:16:35 | 0:16:37 | |
-My best price would be 35 euro. -35 euro. | 0:16:37 | 0:16:40 | |
Well, at that kind of money, it's a pleasure to do business, | 0:16:40 | 0:16:44 | |
because everything is so expensive here. | 0:16:44 | 0:16:46 | |
For 35 euros, I feel absolutely over the moon! | 0:16:46 | 0:16:49 | |
David splashes out £31.82 on the soda siphon and soon spots | 0:16:49 | 0:16:54 | |
a stall nearby where everything on offer is for 20 euros apiece. | 0:16:54 | 0:16:58 | |
Now, what would you have for 20 euros? | 0:16:58 | 0:17:00 | |
There's one item that I'm going to have for 20 euros. | 0:17:00 | 0:17:03 | |
I don't want to negotiate, I just want it. | 0:17:03 | 0:17:05 | |
What would you have for 20 euros? | 0:17:05 | 0:17:07 | |
Ladies and gentlemen, boys and girls, it's time | 0:17:09 | 0:17:12 | |
to take a punt on David's Treasure Trove Challenge. | 0:17:12 | 0:17:15 | |
What will he go for at 20 euros? | 0:17:16 | 0:17:18 | |
Some Chinese cloisonne? | 0:17:18 | 0:17:21 | |
Islamic-style powder flasks? | 0:17:21 | 0:17:23 | |
A blue glass vase? | 0:17:23 | 0:17:25 | |
A roulette wheel? | 0:17:25 | 0:17:28 | |
An unusual candle stand? | 0:17:28 | 0:17:29 | |
A modern Chinese pot? | 0:17:29 | 0:17:32 | |
Or will he take our cute cuddly toy? | 0:17:32 | 0:17:34 | |
OK, there's no cuddly toy. | 0:17:34 | 0:17:37 | |
Right, have you made your choices? | 0:17:37 | 0:17:39 | |
I tell you what, there are a few things on there that I would buy, | 0:17:39 | 0:17:43 | |
but the thing I just have to have, because I've never bought one before | 0:17:43 | 0:17:47 | |
and I can tell without even handling it, it's got some vintage age to it, | 0:17:47 | 0:17:51 | |
so we're going back to that vintage feel, is the roulette. | 0:17:51 | 0:17:54 | |
Come on. | 0:17:54 | 0:17:56 | |
Is that not fantastic or what? | 0:17:56 | 0:18:00 | |
You've got your ball bearing in there. | 0:18:00 | 0:18:02 | |
Ebony or ebonised wood. | 0:18:02 | 0:18:04 | |
On little bun feet, nicely turned, | 0:18:04 | 0:18:07 | |
good quality, probably 1950s, 1960s. | 0:18:07 | 0:18:10 | |
For 20 euros, there's so much fun and games there, | 0:18:10 | 0:18:13 | |
there's got to be a double profit. That is mine. | 0:18:13 | 0:18:16 | |
So, the Devilish One takes a gamble on the roulette wheel for £18.18. | 0:18:18 | 0:18:23 | |
The Lionheart is also trying his luck by buying a damaged chandelier. | 0:18:23 | 0:18:28 | |
-150 is my last. -OK, then, 150. -OK. | 0:18:28 | 0:18:32 | |
It's cost him £136.36, so has he just bagged himself a bargain? | 0:18:33 | 0:18:40 | |
Now, obviously, it's a ceiling chandelier. | 0:18:40 | 0:18:42 | |
It would have had four flame-shaped shades coming down from here. | 0:18:42 | 0:18:48 | |
They cost £25, £30. Now, this is falling apart. | 0:18:48 | 0:18:53 | |
I don't think it was that much of a bargain! | 0:18:53 | 0:18:57 | |
Oh, dear, James. | 0:18:57 | 0:18:59 | |
Maybe buying damaged goods wasn't such a good idea after all. | 0:18:59 | 0:19:02 | |
Now, you might have noticed something familiar | 0:19:02 | 0:19:04 | |
about some of the sellers today. | 0:19:04 | 0:19:06 | |
Yes, it seems they've been influenced | 0:19:06 | 0:19:08 | |
by the sartorial savoir-faire of the Devilish One. | 0:19:08 | 0:19:12 | |
And here he is. David Harper, style icon. | 0:19:12 | 0:19:17 | |
His fleece-lined flying jacket is all the rage this season, | 0:19:17 | 0:19:20 | |
accentuated by classic white jeans | 0:19:20 | 0:19:22 | |
and topped off by that audacious fluffy little hat. | 0:19:22 | 0:19:26 | |
Well, I think I'm just about there. | 0:19:29 | 0:19:33 | |
I've got a bit more money to spend, | 0:19:33 | 0:19:35 | |
but it's getting dark, it's getting colder and colder. | 0:19:35 | 0:19:39 | |
I'm losing the will. | 0:19:40 | 0:19:42 | |
I just feel like going and finding a hot cup of tea somewhere. | 0:19:42 | 0:19:46 | |
I wonder how that Harper's getting on? | 0:19:46 | 0:19:48 | |
Don't ask, James. Our fashionista is accessorising. | 0:19:49 | 0:19:54 | |
But will his hankering for headgear give his rival an opportunity? | 0:19:54 | 0:19:58 | |
On his quest for a cuppa, James has bought one last item. | 0:20:00 | 0:20:04 | |
Well, I have just blown a massive portion of my budget on this. | 0:20:04 | 0:20:08 | |
But you know, I love it! | 0:20:08 | 0:20:10 | |
It's a late-19th-century mantel clock, cast as a jockey. | 0:20:10 | 0:20:15 | |
The great thing about it also is, on the back, it is signed Geschultz, | 0:20:15 | 0:20:20 | |
which is the trademark for Franz Bergmann, | 0:20:20 | 0:20:23 | |
one of the leading bronze casters in Austria from the 19th century. | 0:20:23 | 0:20:27 | |
The movement is a purely paper dial, with Roman numerals. | 0:20:27 | 0:20:33 | |
We go to the back, it's got a bell, | 0:20:33 | 0:20:35 | |
which basically means it's a clock, not a timepiece. | 0:20:35 | 0:20:38 | |
It might be the biggest earner. It might be the biggest loser. | 0:20:38 | 0:20:42 | |
James is taking a massive risk with the horse-and-jockey clock | 0:20:43 | 0:20:48 | |
at a mighty £318.18. | 0:20:48 | 0:20:51 | |
Will it gallop away with a profit when he comes to sell it? | 0:20:51 | 0:20:54 | |
Well, with daylight departing fast and the vendors shutting up shop, | 0:20:54 | 0:20:58 | |
time's up on our antiques explorers' mission for memorabilia. | 0:20:58 | 0:21:02 | |
David and James each started the day with £750 worth of their own euros. | 0:21:04 | 0:21:09 | |
Devilish David ends the day having done five deals, | 0:21:09 | 0:21:12 | |
on which he spent a total of £531.82. | 0:21:12 | 0:21:16 | |
James The Lionheart finishes the day having also done five deals, | 0:21:16 | 0:21:20 | |
but he's spent £722.72. | 0:21:20 | 0:21:24 | |
Night is closing in, and it's time for our intrepid explorers | 0:21:25 | 0:21:29 | |
to wend their way home, | 0:21:29 | 0:21:30 | |
but not before they've done a bit of showing off. | 0:21:30 | 0:21:33 | |
I've got my favourite object of the day. | 0:21:33 | 0:21:35 | |
-He is not leaving my side. Isn't he gorgeous? -He's fun, isn't it? | 0:21:35 | 0:21:39 | |
-Is he spelter or bronze? -I think he's spelter. | 0:21:39 | 0:21:41 | |
The lady thought he was cold-painted bronze. | 0:21:41 | 0:21:44 | |
He's positively cold-painted, but I haven't scratched him. | 0:21:44 | 0:21:47 | |
-He's got some weight to him. -Yeah, that's not bad at all. | 0:21:47 | 0:21:51 | |
-Bergmann type. -That's exactly what I was looking for. -Talking of which. | 0:21:51 | 0:21:56 | |
-Right. -Signed Geschultz on the back. -Austrian. -Austrian bronze. | 0:21:56 | 0:22:01 | |
I thought it might be Bergmann, but look at that for an Austrian clock. | 0:22:01 | 0:22:05 | |
-That's fantastic. -Good subject, isn't it? -Alarm clock, obviously. | 0:22:05 | 0:22:08 | |
Oh, an alarm? I hadn't even thought about it being an alarm! | 0:22:08 | 0:22:13 | |
I just thought it was a clock. It's an alarm clock, isn't it? | 0:22:13 | 0:22:16 | |
Well, isn't that a mad coincidence? Two Bergmann-esque items. | 0:22:16 | 0:22:19 | |
It's been a fantastically difficult but fun day. | 0:22:19 | 0:22:23 | |
-It really has been hard, but I've enjoyed it. -I've loved it. | 0:22:23 | 0:22:28 | |
-It's been good fun. Now to the sales. -Back to Blighty. -Good luck. | 0:22:28 | 0:22:32 | |
Yeah, you too. | 0:22:32 | 0:22:33 | |
This epic antiques adventure is only just beginning. | 0:22:37 | 0:22:41 | |
Now our dealing journalists need to sell of each of their items | 0:22:41 | 0:22:44 | |
for as much money as they possibly can. | 0:22:44 | 0:22:46 | |
And whoever makes the most profit will take today's title. | 0:22:46 | 0:22:49 | |
In his devilish Durham HQ, David is delighted with his foreign finds. | 0:22:49 | 0:22:55 | |
Clap your eyes on these gorgeous things. | 0:22:55 | 0:22:59 | |
There's a real entertainment theme going here. | 0:22:59 | 0:23:02 | |
We've got the Cinzano parking sign. | 0:23:02 | 0:23:04 | |
I've got one place in mind for that, some sort of plan is developing here. | 0:23:04 | 0:23:09 | |
We've got the soda siphon. Got a plan for that. | 0:23:09 | 0:23:12 | |
I might just be a bit wacky and make that into a lamp | 0:23:12 | 0:23:15 | |
and take that to a restaurateur. | 0:23:15 | 0:23:16 | |
We've got a bit of fun and games here with the roulette wheel. | 0:23:16 | 0:23:20 | |
I'll find someone for that. | 0:23:20 | 0:23:21 | |
I've got to say, my favourite item of all is this little fellow, | 0:23:21 | 0:23:26 | |
the cold-painted North African musician. | 0:23:26 | 0:23:28 | |
And we've got this pair of gorgeous | 0:23:28 | 0:23:30 | |
late-19th-century French | 0:23:30 | 0:23:32 | |
and remarkably comfortable salon chairs to sit back, | 0:23:32 | 0:23:36 | |
relax and take in all of that entertainment. | 0:23:36 | 0:23:40 | |
However, it's not here to stay. | 0:23:40 | 0:23:43 | |
These things have got to find a new home, | 0:23:43 | 0:23:45 | |
so now it's off to sell, sell, sell. | 0:23:45 | 0:23:48 | |
Yes, the Devilish One is raring to go, but there is one dealer | 0:23:50 | 0:23:53 | |
who's ready to do all he can to stop him in his tracks - | 0:23:53 | 0:23:56 | |
The Lionheart, who's in his lair and plotting over his prize purchases. | 0:23:56 | 0:24:01 | |
Quite pleased with some of the things that I've bought. | 0:24:01 | 0:24:04 | |
The horse-and-jockey alarm clock is a really interesting thing. | 0:24:04 | 0:24:07 | |
There are plenty of people that might go for that. | 0:24:07 | 0:24:10 | |
The chandelier, well, it's broken in transit. | 0:24:10 | 0:24:14 | |
That little lug off the side, | 0:24:14 | 0:24:15 | |
I need to work out what to do with that. | 0:24:15 | 0:24:17 | |
The little steel dice on a plinth. | 0:24:17 | 0:24:19 | |
You can imagine that in one of these glitzy gamblers' homes. | 0:24:19 | 0:24:23 | |
The mantel urns - very young, very fashionable. Really like them. | 0:24:23 | 0:24:28 | |
My favourite thing of all | 0:24:28 | 0:24:29 | |
is this lovely little collection of antiquities. | 0:24:29 | 0:24:32 | |
The pre-Columbian pots, the Roman head, bit of Egyptian as well. | 0:24:32 | 0:24:36 | |
I've got a few people in mind for them. | 0:24:36 | 0:24:38 | |
Generally, I'm pleased, optimistic | 0:24:38 | 0:24:41 | |
and I think Harper might have his work cut out here. | 0:24:41 | 0:24:44 | |
And so our selling race begins. | 0:24:44 | 0:24:47 | |
The clock is set, and James and David need to get calling round | 0:24:47 | 0:24:51 | |
their contacts, knowing that no deal is done until they get | 0:24:51 | 0:24:54 | |
that all-important handshake and the money's in their hands. | 0:24:54 | 0:24:58 | |
It's our devilish driver who's first off the grid. | 0:24:58 | 0:25:01 | |
He's come to a classic car showroom in his hometown | 0:25:01 | 0:25:04 | |
of Barnard Castle with plans to sell his vintage parking sign. | 0:25:04 | 0:25:08 | |
David paid £100 for it in Paris, | 0:25:08 | 0:25:11 | |
but will it be just the ticket for car restorer Dick? | 0:25:11 | 0:25:14 | |
-Are you ready? -I am. -OK, here we go. | 0:25:14 | 0:25:16 | |
Ta-da! | 0:25:16 | 0:25:18 | |
-Aha! It's probably '30s or '40s, late '40s sign. -Yeah. | 0:25:18 | 0:25:23 | |
-I was even thinking it might be a bit later. -It may well be. | 0:25:23 | 0:25:25 | |
You are a vintage car expert. | 0:25:25 | 0:25:27 | |
Well, it's something like a caricature of... | 0:25:27 | 0:25:31 | |
-What does it say on there? Fiat. -A Fiat. -A 1904 Fiat. | 0:25:31 | 0:25:36 | |
Yes, a caricature of a Fiat four-cylinder. | 0:25:36 | 0:25:38 | |
-It all ties in nicely. -Absolutely. That's great. | 0:25:38 | 0:25:41 | |
That would look well in here. It's really nice. | 0:25:41 | 0:25:43 | |
-I know you only want to spend a certain amount of money. -Yeah. | 0:25:43 | 0:25:47 | |
I want to get the maximum of your budget... | 0:25:47 | 0:25:49 | |
Under £200. | 0:25:49 | 0:25:51 | |
How does 160 sound? | 0:25:56 | 0:25:58 | |
180. | 0:26:00 | 0:26:02 | |
Go on. Yeah. I'll do you a deal on that. | 0:26:03 | 0:26:06 | |
Nice manoeuvring from David, and he drives away with an £80 profit. | 0:26:06 | 0:26:10 | |
It's a stupendous start from the Devilish One, | 0:26:12 | 0:26:14 | |
but the Lionheart isn't going to let him | 0:26:14 | 0:26:16 | |
gallop away with an early lead in this race for the greatest profit. | 0:26:16 | 0:26:20 | |
And he's come to Berkshire hoping for a sale | 0:26:20 | 0:26:23 | |
of his horse-and-jockey clock. | 0:26:23 | 0:26:25 | |
Of all the things I found in France, | 0:26:25 | 0:26:27 | |
this was not only the most expensive, | 0:26:27 | 0:26:29 | |
but it's also attracted the most interest. | 0:26:29 | 0:26:32 | |
I've had dealers after it, I've had collectors after it, | 0:26:32 | 0:26:35 | |
but instead I've decided to come here to Royal Windsor Racecourse | 0:26:35 | 0:26:39 | |
to try and sell it to the managing director. | 0:26:39 | 0:26:41 | |
James paid a whopping £318.84 for the clock in Paris, | 0:26:41 | 0:26:46 | |
so can he overcome this hurdle and get a sale | 0:26:46 | 0:26:49 | |
from manager director, Daniel? | 0:26:49 | 0:26:51 | |
Daniel, I have to say, when I first saw this little clock in France, | 0:26:51 | 0:26:55 | |
I fell in love with it. | 0:26:55 | 0:26:56 | |
-Tell me a bit about it. -Yeah, it's cast in bronze. | 0:26:56 | 0:27:00 | |
It was probably made in Austria around 1870. | 0:27:00 | 0:27:04 | |
This one is mainly interesting | 0:27:04 | 0:27:07 | |
because it's got that wonderful word, novelty. | 0:27:07 | 0:27:11 | |
Certainly, we do offer a trophy after every race anyway, | 0:27:11 | 0:27:14 | |
so this is something that would suit. Does it work? | 0:27:14 | 0:27:18 | |
I was hoping you weren't going to ask that question. It doesn't. | 0:27:18 | 0:27:22 | |
There is a fault in the mechanism, | 0:27:22 | 0:27:25 | |
but the main clock should be easy to get sorted. | 0:27:25 | 0:27:28 | |
-Whether the alarm would work or not, I'm not sure. -Right. -Keen? | 0:27:28 | 0:27:32 | |
-Not keen? Half keen? -I would say, at this juncture, half keen. -OK. | 0:27:32 | 0:27:37 | |
There's a fair bit of work that needs to get done | 0:27:37 | 0:27:39 | |
to be able to present that as a trophy, to make it a working clock. | 0:27:39 | 0:27:42 | |
We would probably look somewhere in the region of about £400 for that. | 0:27:42 | 0:27:46 | |
Ooh, OK. | 0:27:46 | 0:27:47 | |
I was hoping for a lot more, I was hoping for about double that. | 0:27:47 | 0:27:51 | |
-Really? -Yeah. -I think if we can agree on 500, | 0:27:51 | 0:27:53 | |
we'll get the clock working. If... | 0:27:53 | 0:27:56 | |
-OK. -If you're doing it, then it's probably going to be | 0:27:56 | 0:27:59 | |
out of our price range in terms of a trophy. | 0:27:59 | 0:28:01 | |
How about six, then? | 0:28:03 | 0:28:04 | |
Really got to go for 500 to get it working. | 0:28:06 | 0:28:08 | |
-550, and you have got a deal. -550 and you get the clock working. | 0:28:08 | 0:28:14 | |
-520, and YOU get it working. -520 and YOU get it working. | 0:28:14 | 0:28:19 | |
You've already said 500! Oh, go on. You've got your 500. | 0:28:19 | 0:28:23 | |
-You get it working at the £500. -Thank you, sir. | 0:28:23 | 0:28:26 | |
Gosh, you are a good haggler! You have out-haggled me. | 0:28:26 | 0:28:29 | |
What a tough negotiation, but finally, | 0:28:29 | 0:28:32 | |
The Lionheart trots off with a profit of £181.82. | 0:28:32 | 0:28:37 | |
Director of a racecourse? He should be directing boxing! | 0:28:37 | 0:28:41 | |
I feel totally beaten up after that deal. My goodness, he was hard! | 0:28:41 | 0:28:46 | |
Well, no-one said it was going to be easy, James. | 0:28:46 | 0:28:49 | |
And to add to The Lionheart's woes, | 0:28:49 | 0:28:51 | |
Devilish David already has his next potential sale lined up. | 0:28:51 | 0:28:56 | |
He's brought his pair of 19th-century chairs to the office | 0:28:56 | 0:28:59 | |
of IT consultant Jacqueline, who spotted them in his shop. | 0:28:59 | 0:29:03 | |
-They're really remarkably comfortable. -They are indeed. Yes. | 0:29:03 | 0:29:08 | |
Yes, that's what I thought when I first saw them. | 0:29:08 | 0:29:10 | |
OK, well, let's have a look at them, then. | 0:29:10 | 0:29:13 | |
It's a nice old crushed linen, | 0:29:13 | 0:29:15 | |
so it's a good quality material, and it suits the chairs. | 0:29:15 | 0:29:18 | |
What year, do you think? | 0:29:18 | 0:29:19 | |
Right, the style, Louis XVI, 18th-century French, | 0:29:19 | 0:29:23 | |
they are screaming French. | 0:29:23 | 0:29:26 | |
-But these are 19th-century versions of an 18th-century chair. -I see. | 0:29:26 | 0:29:30 | |
And if you just push the back, in places you'll hear a crunch. | 0:29:30 | 0:29:35 | |
And that's horsehair. | 0:29:35 | 0:29:36 | |
-Oh, right. -So, that's interesting, isn't it? -Yes. | 0:29:36 | 0:29:42 | |
And if you then press the seat, you can just feel the springs. | 0:29:42 | 0:29:47 | |
-Can you feel them? -Yes, I can. | 0:29:47 | 0:29:49 | |
Like an old mattress like Granny used to have. | 0:29:49 | 0:29:51 | |
-That's why they're so comfortable. -Exactly. | 0:29:51 | 0:29:53 | |
-They are superb things. -Yes, well, I agree with you. | 0:29:53 | 0:29:57 | |
I do really like them. | 0:29:57 | 0:30:00 | |
It's nice to see a smile on your face. That's good, that's good. | 0:30:00 | 0:30:05 | |
So now we get to the business bit. | 0:30:05 | 0:30:09 | |
-Yes, yes. OK, so money. -Yes. | 0:30:09 | 0:30:11 | |
-How much are you thinking about? -OK. £300 for the pair. | 0:30:11 | 0:30:15 | |
How does that sound? | 0:30:15 | 0:30:17 | |
£280? | 0:30:19 | 0:30:21 | |
Meet in the middle - 290? Go on then. | 0:30:21 | 0:30:24 | |
A straightforward sale | 0:30:24 | 0:30:26 | |
and a comfortable profit for David. | 0:30:26 | 0:30:30 | |
Lovely chairs, lovely lady, | 0:30:30 | 0:30:33 | |
lovely sale. It's a lovely day. | 0:30:33 | 0:30:36 | |
# Lovely day, lovely day, lovely day | 0:30:36 | 0:30:40 | |
# Lovely day | 0:30:40 | 0:30:41 | |
# Lovely day, lovely day, lovely day. # | 0:30:41 | 0:30:44 | |
David's next goal is to sell the figurine with the nodding head | 0:30:44 | 0:30:49 | |
that he paid just over £227 for. | 0:30:49 | 0:30:51 | |
He's invited collector Terry round to Devilish HQ, | 0:30:51 | 0:30:55 | |
but will he be willing to pay the kind of money David's after? | 0:30:55 | 0:30:58 | |
I've been offered £350. | 0:30:58 | 0:31:01 | |
-Have you really? -From a dealer. | 0:31:01 | 0:31:04 | |
Much as I think he's brilliant... | 0:31:04 | 0:31:06 | |
I really, really am taken with him. | 0:31:06 | 0:31:10 | |
I can't see me going much above 250, 260. | 0:31:10 | 0:31:13 | |
But he's not going to go home with you, Terry? | 0:31:13 | 0:31:17 | |
-I'm afraid no. -All right. | 0:31:17 | 0:31:19 | |
Oh, that's a disappointment for David, | 0:31:19 | 0:31:21 | |
but he always has a back-up plan. | 0:31:21 | 0:31:24 | |
I really would have liked Terry to have that. | 0:31:24 | 0:31:26 | |
You could see the happiness that little figure brought to him. | 0:31:26 | 0:31:29 | |
But I can understand that he has a budget | 0:31:29 | 0:31:31 | |
and he needs to stick to a tight rein. | 0:31:31 | 0:31:34 | |
However, he's gone. | 0:31:34 | 0:31:36 | |
£350, that's a lovely sale. | 0:31:36 | 0:31:39 | |
A very healthy profit. | 0:31:39 | 0:31:42 | |
But you know what? I'm going to miss that little nodding fellow. | 0:31:42 | 0:31:46 | |
The Devilish One sells the figurine to his friend | 0:31:46 | 0:31:49 | |
and dealer Anthony and turns in a profit of... | 0:31:49 | 0:31:52 | |
James now desperately needs to even the score. | 0:31:54 | 0:31:58 | |
He's come to Wirksworth in Derbyshire, hoping to sell | 0:31:58 | 0:32:00 | |
the chandelier to an antiques dealer that he knows. | 0:32:00 | 0:32:03 | |
The chandelier cost James £136.36 | 0:32:03 | 0:32:06 | |
in Paris, but it's slightly damaged. | 0:32:06 | 0:32:10 | |
So will dealer George show any interest? | 0:32:10 | 0:32:13 | |
George, have a look at that. | 0:32:13 | 0:32:15 | |
Never mind the quality, feel the weight. | 0:32:15 | 0:32:18 | |
That is... I mean, that has got a serious, heavy... | 0:32:18 | 0:32:22 | |
-Wonderful quality, isn't it? -It really is. It's quite nice. | 0:32:22 | 0:32:25 | |
-Bit rubbed, but then again... -Needs a clean. | 0:32:25 | 0:32:28 | |
Yeah, it does. | 0:32:28 | 0:32:29 | |
I'm just going to put that down because it's quite a weight. | 0:32:29 | 0:32:33 | |
I'll just put it down there and have a look. | 0:32:33 | 0:32:36 | |
-Just stand back. -I found it in Paris. -I'm sure. | 0:32:36 | 0:32:39 | |
Yeah, it's very Parisian, isn't it? | 0:32:39 | 0:32:41 | |
Imagine if you have a big entrance porch | 0:32:41 | 0:32:44 | |
in one of those Victorian Gothic houses. | 0:32:44 | 0:32:47 | |
Wouldn't that look fantastic in the entrance porch? | 0:32:47 | 0:32:51 | |
You could imagine just a candelabra beside it. | 0:32:51 | 0:32:53 | |
-Great fun. -Beautiful. -I'm going to chance my arm. | 0:32:53 | 0:32:57 | |
-I was going to try and get 700 quid for it. -Don't chance your arm. | 0:32:57 | 0:33:00 | |
-No, I'm not going to. -How much are we talking about? | 0:33:00 | 0:33:03 | |
390. | 0:33:03 | 0:33:05 | |
I'm thinking about 180. | 0:33:05 | 0:33:07 | |
HE GULPS | 0:33:07 | 0:33:09 | |
Right, 330. | 0:33:09 | 0:33:12 | |
No, no. | 0:33:12 | 0:33:14 | |
-I knew you were going to say no. -I'll tell you what I'll do. | 0:33:14 | 0:33:17 | |
I'll stick my hand out and I'm going to put on... | 0:33:17 | 0:33:21 | |
..an extra 70 quid. 250 quid. | 0:33:23 | 0:33:25 | |
-I can't move on that. -True. -We got a deal? -You got a deal. | 0:33:26 | 0:33:30 | |
What a result. Despite the piece needing restoration, | 0:33:30 | 0:33:34 | |
James makes a profit of... | 0:33:34 | 0:33:36 | |
Well, by the time George has finished with that chandelier, | 0:33:39 | 0:33:42 | |
it will look fantastic. | 0:33:42 | 0:33:44 | |
Just wish I was there to see it. | 0:33:44 | 0:33:46 | |
It's now two sales in the bag for The Lionheart, and he goes | 0:33:46 | 0:33:49 | |
on to sell his dice paperweight to another dealer for a profit of... | 0:33:49 | 0:33:54 | |
With both our boys sealing the deals, | 0:33:57 | 0:33:59 | |
we're halfway on the long road to victory. | 0:33:59 | 0:34:03 | |
Time to see whose profits have stalled | 0:34:03 | 0:34:05 | |
and who's driving away with loads of loot. | 0:34:05 | 0:34:08 | |
So far, Devilish David has done three deals, | 0:34:08 | 0:34:11 | |
racking up a profit of... | 0:34:11 | 0:34:13 | |
James The Lionheart has also sold three items, | 0:34:16 | 0:34:19 | |
and he's right behind with a profit of... | 0:34:19 | 0:34:22 | |
But today's epic quest isn't over yet. | 0:34:25 | 0:34:28 | |
Our fortune hunters now need to go all out to maximise | 0:34:28 | 0:34:30 | |
the profits from selling their treasures. | 0:34:30 | 0:34:34 | |
Devilish David is in the lead by a nose, and he has plans | 0:34:34 | 0:34:38 | |
to increase his odds of walking away with today's title. He wants to sell | 0:34:38 | 0:34:42 | |
the roulette wheel that cost him £18.18 and he's invited dealer Steve | 0:34:42 | 0:34:45 | |
to his HQ to give it a whirl. | 0:34:45 | 0:34:48 | |
# You spin me right round, baby | 0:34:48 | 0:34:54 | |
# Right round, like a record, baby | 0:34:54 | 0:34:56 | |
# Right round, round, round. # | 0:34:56 | 0:34:58 | |
-Are you a gambling man, Steve? -Not particularly, actually. -No? | 0:34:58 | 0:35:03 | |
-I'm afraid not. -But you like my roulette wheel, though. | 0:35:03 | 0:35:05 | |
I do like that roulette wheel, yeah. | 0:35:05 | 0:35:07 | |
-So well made. Look, it's still going. -I can see that. It's nice. | 0:35:07 | 0:35:11 | |
What, probably 19... | 0:35:11 | 0:35:13 | |
It could be 30s, but let's say it's between 1930s and 1950s. | 0:35:13 | 0:35:18 | |
Just so well-constructed. It's a great thing, a funky idea. | 0:35:18 | 0:35:22 | |
-It'll look good in your shop. -It will. | 0:35:22 | 0:35:24 | |
-Can I tempt you? -Depends how much it is, really. | 0:35:24 | 0:35:27 | |
60, 70, 80, 90 or 100. | 0:35:27 | 0:35:29 | |
Oh, no, no. No way. | 0:35:29 | 0:35:32 | |
I might be able to sell it on for your first price. | 0:35:32 | 0:35:36 | |
No! Surely you'd get more. | 0:35:36 | 0:35:38 | |
-No! No, Steve! -Yeah. -I'll tell you what I'll do. | 0:35:38 | 0:35:42 | |
50 if it's red, 55 if it's black. | 0:35:42 | 0:35:46 | |
-No. -35, 45. -35 black. -35 black, 45 red. | 0:35:46 | 0:35:50 | |
So David's hoping it'll be red, which will give him | 0:35:50 | 0:35:54 | |
a sale price of £45. Black and it'll be £35. | 0:35:54 | 0:35:57 | |
-Red, yes! It's red. -I've lost. | 0:35:59 | 0:36:04 | |
-You've won, really. -Yeah, thanks. | 0:36:04 | 0:36:06 | |
-We've both won. -Hard luck. -Thanks, Steve. | 0:36:06 | 0:36:08 | |
What a good sport Steve is! | 0:36:08 | 0:36:10 | |
The gamble pays off and Devilish David walks away with a profit of... | 0:36:10 | 0:36:14 | |
David comes up trumps, but the chips are down for The Lionheart | 0:36:16 | 0:36:20 | |
because he's trailing in the profit stakes. | 0:36:20 | 0:36:24 | |
James now needs to do all he can to catch up with The Devilish One. | 0:36:24 | 0:36:28 | |
He's brought his mantel urns to collector Kevin, | 0:36:28 | 0:36:31 | |
hoping he'll want to add them to his assortment of antiques. | 0:36:31 | 0:36:34 | |
Kevin, whenever I see bronze, I think of you. | 0:36:35 | 0:36:39 | |
So there we go, one of two. I found them in Paris. | 0:36:39 | 0:36:42 | |
I just thought you might like them. | 0:36:42 | 0:36:44 | |
Yeah, they're very pretty actually. | 0:36:44 | 0:36:46 | |
Very Art Nouveau. About 1890. | 0:36:46 | 0:36:48 | |
Bang on, yeah. | 0:36:48 | 0:36:51 | |
-Little bit of damage I noted. -Yeah, there's a hole there. | 0:36:51 | 0:36:53 | |
-But nothing untoward. -I thought they were nice being a pair. | 0:36:53 | 0:36:56 | |
I thought they would go well on a mantelpiece. | 0:36:56 | 0:36:59 | |
-So tell me, do you like them? -I do. | 0:36:59 | 0:37:01 | |
-It just depends where you want to be price-wise, James? -How about 250? | 0:37:01 | 0:37:05 | |
-170. -Ooh. | 0:37:05 | 0:37:07 | |
How about 230? | 0:37:10 | 0:37:11 | |
190. | 0:37:13 | 0:37:14 | |
-220? -200 and finish. | 0:37:14 | 0:37:18 | |
-Deal. -OK, James. That's lovely. | 0:37:18 | 0:37:20 | |
I'll go get you a cloth and some detergent, let you get on with it. | 0:37:20 | 0:37:23 | |
I never said I'd clean them! | 0:37:23 | 0:37:25 | |
The things I do for a profit! | 0:37:30 | 0:37:33 | |
Well, he might have had to work for it, | 0:37:35 | 0:37:37 | |
but James cleans up with a profit of... | 0:37:37 | 0:37:39 | |
Time is running out on today's antiques adventure | 0:37:44 | 0:37:48 | |
and our brave boys have just a short while left | 0:37:48 | 0:37:50 | |
to sell their final items. | 0:37:50 | 0:37:52 | |
Ever the tactician, | 0:37:52 | 0:37:55 | |
David is aiming to increase the value of his soda siphon. | 0:37:55 | 0:37:58 | |
He's had lights fitted inside it and is hoping to sell it | 0:37:58 | 0:38:02 | |
as a novelty talking piece to restaurant owner, Ken. | 0:38:02 | 0:38:05 | |
Surely he can't fail to be impressed by David's hard work. | 0:38:05 | 0:38:09 | |
Yeah, not bad. | 0:38:13 | 0:38:16 | |
-It's quaint, it's quirky. I can imagine it... -It's a talking piece. | 0:38:16 | 0:38:20 | |
When you've got your customers coming in, | 0:38:20 | 0:38:22 | |
it's the kind of thing they'd ask questions about, | 0:38:22 | 0:38:25 | |
wonder what it is. It's perfect. | 0:38:25 | 0:38:27 | |
David has spent a total of £56.82 on the siphon, | 0:38:27 | 0:38:31 | |
including having the work done. | 0:38:31 | 0:38:33 | |
But can he light up a money-making deal? | 0:38:33 | 0:38:36 | |
I do quite like it. | 0:38:36 | 0:38:39 | |
All depends on what kind of price you're looking for. | 0:38:39 | 0:38:43 | |
-Oh, don't be crass! You're not going to talk about money! -I'm afraid so. | 0:38:43 | 0:38:47 | |
-Always boils down to money. -Oh, that's terrible. | 0:38:47 | 0:38:50 | |
£500. | 0:38:50 | 0:38:52 | |
-CAR BRAKES SCREECHING -How much?! | 0:38:52 | 0:38:54 | |
£500. | 0:38:54 | 0:38:55 | |
I'd say a more realistic price would be 60. | 0:38:55 | 0:38:59 | |
What about 90? | 0:38:59 | 0:39:00 | |
75, 80. | 0:39:00 | 0:39:04 | |
A bit more, just a bit more. | 0:39:04 | 0:39:07 | |
Meet me halfway at 85 and we've done a deal. | 0:39:07 | 0:39:10 | |
£85 then. If you're happy with that, I'm happy. | 0:39:10 | 0:39:12 | |
I'm not happy at all, but thank you. | 0:39:12 | 0:39:14 | |
Well a hard haggle, but David squeezes a profit of... | 0:39:14 | 0:39:18 | |
And with that, he's all sold up. | 0:39:20 | 0:39:23 | |
That just leaves James | 0:39:23 | 0:39:24 | |
with his last items to sell. | 0:39:24 | 0:39:28 | |
He's come to Birmingham's Jewellery Quarter | 0:39:28 | 0:39:31 | |
with plans for his assortment of ancient pots and figures. | 0:39:31 | 0:39:35 | |
The artefacts cost £150, | 0:39:35 | 0:39:37 | |
so does jeweller Terri think they'll fit in with the shop's stock? | 0:39:37 | 0:39:40 | |
Terri, I know you like to buy interesting things for the shop. | 0:39:40 | 0:39:44 | |
Now, the four ushabti, | 0:39:44 | 0:39:47 | |
or figures of sarcophaguses, | 0:39:47 | 0:39:49 | |
are all genuine Egyptian, but of varying ages. | 0:39:49 | 0:39:54 | |
Then we have two pieces here, two Roman heads. | 0:39:54 | 0:39:56 | |
That is Bacchus, god of wine and frivolity, | 0:39:56 | 0:40:01 | |
so I always like Bacchus. | 0:40:01 | 0:40:04 | |
These pieces here, from the head, the three bowls | 0:40:04 | 0:40:06 | |
and the two open vessels, | 0:40:06 | 0:40:08 | |
they're all South American, pre-Columbian, | 0:40:08 | 0:40:11 | |
from about 600 AD up to about 1500 AD. | 0:40:11 | 0:40:16 | |
A little frog amulet there, which is absolutely lovely. | 0:40:16 | 0:40:18 | |
A little tree frog. Finally this one, | 0:40:18 | 0:40:22 | |
so difficult to age something like that. | 0:40:22 | 0:40:24 | |
It's a metate or grinding stone, | 0:40:24 | 0:40:26 | |
which would have been used for grinding grain. | 0:40:26 | 0:40:28 | |
-African, is it? -African, yeah. | 0:40:28 | 0:40:31 | |
There's a really interesting mix there. | 0:40:31 | 0:40:33 | |
We cover three continents and two or three thousand years. | 0:40:33 | 0:40:35 | |
-So there we are. -It is interesting | 0:40:35 | 0:40:37 | |
-and I would be willing to make an offer for it. -OK. | 0:40:37 | 0:40:40 | |
Terri's keen, but can The Lionheart | 0:40:40 | 0:40:43 | |
do a money-making deal? | 0:40:43 | 0:40:46 | |
Will it be enough to beat The Devilish One? | 0:40:46 | 0:40:48 | |
All will soon be revealed. | 0:40:48 | 0:40:50 | |
Devilish David Harper did five deals in France | 0:40:53 | 0:40:55 | |
and spent a further £25 doing up his soda siphon, a total spend of... | 0:40:55 | 0:41:00 | |
James "The Lionheart" Lewis also did five deals, | 0:41:03 | 0:41:07 | |
but he spent more money than his rival... | 0:41:07 | 0:41:09 | |
But the only thing that matters now is who's made the most profit. | 0:41:12 | 0:41:16 | |
All money David and James have made from today's challenge | 0:41:16 | 0:41:20 | |
will go to a charity of their choice. | 0:41:20 | 0:41:22 | |
So it's time to find out who is today's | 0:41:22 | 0:41:24 | |
Put Your Money Where Your Mouth Is Champion. | 0:41:24 | 0:41:27 | |
-Bonjour, monsieur. -Bonjour. Ca va? -Ah, ca va, bongo dingo dongo! Yes! | 0:41:27 | 0:41:32 | |
James, I get by very well with my French. | 0:41:32 | 0:41:36 | |
How did you get on? | 0:41:36 | 0:41:38 | |
Do you know, it wasn't as bad as I thought it was going to be. | 0:41:38 | 0:41:41 | |
I was really hoping you would fail miserably, | 0:41:41 | 0:41:43 | |
but I had an awful sinking feeling the Lewis machine kicked in. | 0:41:43 | 0:41:47 | |
-I have to say, I was disappointed in the clock. -Good. I mean, sorry! | 0:41:47 | 0:41:51 | |
That could have made at least another couple of hundred pounds. | 0:41:51 | 0:41:54 | |
Couple of thousand where you're involved! | 0:41:54 | 0:41:57 | |
I took the soda siphon and converted it into a very stylish lamp. | 0:41:57 | 0:42:02 | |
-It looked the business! -Did it? -Yeah. | 0:42:02 | 0:42:03 | |
It was a thoroughly enjoyable trip, | 0:42:03 | 0:42:06 | |
but I'm afraid it's all about the money. | 0:42:06 | 0:42:08 | |
-It is. -Are you ready? | 0:42:08 | 0:42:09 | |
-Three. -Two. -One. | 0:42:09 | 0:42:11 | |
-Oh. -Ooh! -No, no, no! | 0:42:11 | 0:42:15 | |
-How do you do it? -It was the antiquities. | 0:42:15 | 0:42:18 | |
I loved them, but when you worked out how much they were each... | 0:42:18 | 0:42:21 | |
-Oh, get on with it. -They were cheap! David, David! | 0:42:21 | 0:42:25 | |
The Lionheart's right. | 0:42:25 | 0:42:27 | |
It was the sale of the antiquities that won it for him in the end. | 0:42:27 | 0:42:30 | |
500? | 0:42:30 | 0:42:31 | |
400? | 0:42:31 | 0:42:32 | |
How about 450? | 0:42:32 | 0:42:34 | |
-425 and you've got a deal. -Go on. That shows me a great profit. | 0:42:34 | 0:42:39 | |
That sale gave James an incredible... | 0:42:39 | 0:42:42 | |
Decisive victory today! | 0:42:44 | 0:42:47 | |
You know, I really thought I was in with a good chance | 0:42:47 | 0:42:49 | |
on that foreign market. | 0:42:49 | 0:42:50 | |
I made some good profits and I was really pleased. | 0:42:50 | 0:42:54 | |
But James Lewis just made more. | 0:42:54 | 0:42:57 | |
Paris is never an easy place to buy antiques. | 0:42:57 | 0:43:00 | |
But having said that, those little antiquities | 0:43:00 | 0:43:03 | |
found on a blanket in the street were a great result. | 0:43:03 | 0:43:06 | |
Overall - profits, profits, profits. And a victory. | 0:43:06 | 0:43:10 | |
Devilish David may have lost today, but there's all to play for tomorrow | 0:43:10 | 0:43:15 | |
as our duelling dealers fight it out one last time | 0:43:15 | 0:43:19 | |
in the Put Your Money Where Your Mouth Is showdown. | 0:43:19 | 0:43:21 | |
-Fabulous. -Yes! | 0:43:21 | 0:43:23 | |
Subtitles by Red Bee Media Ltd | 0:43:39 | 0:43:42 |