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'This is the show that pitches TV's antiques experts against each other | 0:00:04 | 0:00:08 | |
'in an all-out battle for profit.' | 0:00:08 | 0:00:11 | |
I'm a double-your-money girl. | 0:00:11 | 0:00:13 | |
'And gives you an insider's view of the trade.' | 0:00:13 | 0:00:16 | |
You've got to be in it to win it. | 0:00:16 | 0:00:19 | |
'Each week, one pair of dealers will face a different daily challenge...' | 0:00:19 | 0:00:25 | |
We've got some work to do! | 0:00:25 | 0:00:27 | |
'..putting their own money and reputations on the line, | 0:00:27 | 0:00:31 | |
'as they see who can make the most money from buying and selling.' | 0:00:31 | 0:00:36 | |
Get in there! | 0:00:36 | 0:00:38 | |
'Today's challenge is a double whopper, | 0:00:38 | 0:00:41 | |
'the most daring contest our glorious gladiators have faced yet.' | 0:00:41 | 0:00:46 | |
The pressure's on to find something before everyone goes home. | 0:00:46 | 0:00:50 | |
'It's the Put Your Money Where Your Mouth Is Showdown! | 0:00:50 | 0:00:54 | |
'It's safety harnesses at the ready! | 0:00:54 | 0:00:57 | |
'The demon deals will come thick and fast | 0:00:57 | 0:01:00 | |
'as our collectable cowboys are pushed to the edge of endurance.' | 0:01:00 | 0:01:05 | |
2,700 euros. I think we'll move on. | 0:01:05 | 0:01:08 | |
'They're locking horns at FOUR different antiques events | 0:01:08 | 0:01:12 | |
'to find awesome pieces to sell on for maximum profit.' | 0:01:12 | 0:01:16 | |
Swine! I could have got it for 120. | 0:01:16 | 0:01:19 | |
'Coming up, Phil is forced to take desperate measures.' | 0:01:19 | 0:01:23 | |
This is a first! Make money out of Phil Serrell. | 0:01:23 | 0:01:27 | |
PHIL LAUGHS | 0:01:27 | 0:01:29 | |
'The Showdown induces serious indecision.' | 0:01:29 | 0:01:33 | |
Yeah, why not? | 0:01:33 | 0:01:35 | |
My gut feeling's telling me no. | 0:01:35 | 0:01:37 | |
We'll have it. | 0:01:37 | 0:01:39 | |
'And our boys face an emotional roller coaster at the auction.' | 0:01:39 | 0:01:44 | |
As time's gone by, every shred of confidence has been ripped from me. | 0:01:44 | 0:01:49 | |
'Have no doubt, this is a proper show-stopper, | 0:01:49 | 0:01:53 | |
'as our experts go head-to-head for the title every dealer desires - | 0:01:53 | 0:01:58 | |
'to become the Put Your Money Where Your Mouth Is champion!' | 0:01:58 | 0:02:02 | |
'This is the mighty Showdown, where our two prize fighters compete | 0:02:16 | 0:02:21 | |
'for every expert's dream come true - | 0:02:21 | 0:02:24 | |
'complete victory and total superiority | 0:02:24 | 0:02:27 | |
'over their opponent. | 0:02:27 | 0:02:30 | |
'Our sparring Spartans are two renowned and revered dealers. | 0:02:30 | 0:02:34 | |
'It's the hard-hitting gavel-master from Worcester...' | 0:02:34 | 0:02:38 | |
I'll give you 50 quid for it. | 0:02:38 | 0:02:41 | |
LAUGHS | 0:02:41 | 0:02:43 | |
'..versus Lancashire's luckiest and liveliest lad.' | 0:02:43 | 0:02:46 | |
This'll put me brain power back on. | 0:02:49 | 0:02:52 | |
'Make no mistake, this is a challenge like no other, | 0:02:52 | 0:02:56 | |
'one to test knowledge, stamina and contact books to the max. | 0:02:56 | 0:03:01 | |
'Time for our boys to find out exactly what's in store.' | 0:03:01 | 0:03:06 | |
"Paul and Phil, welcome to your biggest challenge yet, the Showdown. | 0:03:06 | 0:03:11 | |
"You must each buy eight items during your regular challenges. | 0:03:11 | 0:03:15 | |
"You have to buy two at each event. | 0:03:15 | 0:03:17 | |
"You can spend up to £1,000 of your own money." | 0:03:17 | 0:03:21 | |
OK! Just give it to the missus! | 0:03:21 | 0:03:23 | |
"You can each sell up to four items wherever you want." | 0:03:23 | 0:03:27 | |
"The remaining items will go into an auction. | 0:03:27 | 0:03:30 | |
"Your auction will be in Leicestershire in ten weeks from now, | 0:03:30 | 0:03:34 | |
"in direct competition with your opponent." | 0:03:34 | 0:03:37 | |
May the best man win! | 0:03:37 | 0:03:39 | |
"Choose your items wisely, | 0:03:39 | 0:03:41 | |
"because the winner will be the one who makes the most profit." | 0:03:41 | 0:03:46 | |
That rules us both out! | 0:03:46 | 0:03:48 | |
Good luck, matey. Let's get at it. | 0:03:48 | 0:03:50 | |
'Well, let's not hang about! | 0:03:52 | 0:03:54 | |
'Both our antiques giants have £1,000 of their own money to spend. | 0:03:54 | 0:03:59 | |
'That includes any restoration, repairs and buying fees. | 0:03:59 | 0:04:03 | |
'Our collectors will make their purchases in the usual hunting grounds - | 0:04:03 | 0:04:08 | |
'a car boot sale, a foreign antiques market, | 0:04:08 | 0:04:11 | |
'a UK antiques fair and an auction.' | 0:04:11 | 0:04:15 | |
He-he! | 0:04:15 | 0:04:16 | |
'Each location brings its own challenges, but the aim remains the same - | 0:04:16 | 0:04:22 | |
'to pick out the pieces that can pack the most powerful profit, | 0:04:22 | 0:04:26 | |
'with the added twist of the Showdown auction. | 0:04:26 | 0:04:29 | |
'Strategy is needed every step of the way and, frankly, anything could happen! | 0:04:29 | 0:04:37 | |
'Our dealing duellists hit the ground running | 0:04:37 | 0:04:40 | |
'at the Ford Airfield in West Sussex. | 0:04:40 | 0:04:44 | |
'Both our boys have to dig out two items, | 0:04:44 | 0:04:47 | |
'but they'll need to duck and dive all the way.' | 0:04:47 | 0:04:51 | |
I've really got to buy things I think will do well in the auction. | 0:04:51 | 0:04:55 | |
What's that at the moment? | 0:04:55 | 0:04:57 | |
Well, Chinese things are hot to trot. | 0:04:57 | 0:05:00 | |
If I find that, that would be fantastic. | 0:05:00 | 0:05:04 | |
'The first item Phil pinpoints is, indeed, Chinese. | 0:05:04 | 0:05:08 | |
'He's either very good or he's one lucky Fox.' | 0:05:08 | 0:05:11 | |
-How much is that vase, please? -That one? Er... 140. | 0:05:11 | 0:05:16 | |
It's Kang Xsi. Circa 1880. | 0:05:18 | 0:05:21 | |
We call it "Kang gee", I suppose. | 0:05:21 | 0:05:24 | |
I'd like to buy it, but I'd like to give you a lot less than that. | 0:05:24 | 0:05:28 | |
It's got a couple of hair cracks. | 0:05:28 | 0:05:30 | |
-Hasn't it? -Very... Not that they're going to worry about | 0:05:30 | 0:05:35 | |
on that rim there. | 0:05:35 | 0:05:37 | |
90 quid, I might be interested. I'm going to have a think about it. | 0:05:37 | 0:05:42 | |
'Foxy knows this is going nowhere. | 0:05:42 | 0:05:46 | |
'So he turns to tactics - buy two items to get a better deal. | 0:05:46 | 0:05:50 | |
'And he goes for a miniature ivory cricket bat.' | 0:05:50 | 0:05:54 | |
-100 quid the two. -95, go on. -You'll double up on the vase. | 0:05:54 | 0:05:58 | |
-You get that as an extra. -95. Come on... You're a gentleman. | 0:05:58 | 0:06:02 | |
'There you go! The Fox is off and running!' | 0:06:02 | 0:06:07 | |
That's a negotiating tactic. | 0:06:07 | 0:06:09 | |
If you hang your hand out, sooner or later, someone's gonna want to shake it. You're a gentleman. | 0:06:09 | 0:06:15 | |
So we said 95... | 0:06:15 | 0:06:17 | |
'That's the way to do it. In one fell swoop, | 0:06:17 | 0:06:20 | |
'Phil buys both his car boot items. | 0:06:20 | 0:06:23 | |
'The cricket bat was made before 1947, | 0:06:23 | 0:06:26 | |
'so it's legal to buy under the legislation governing ivory. | 0:06:26 | 0:06:30 | |
'Mr Serrell is sorted, but Mr Hayes is on his tail. | 0:06:32 | 0:06:35 | |
'He buys a set of commemorative copperware for £170 | 0:06:35 | 0:06:40 | |
'and he's delighted! | 0:06:40 | 0:06:42 | |
'The collection has strong links to Britain's naval history.' | 0:06:42 | 0:06:47 | |
These came from the Foudroyant, which was Nelson's flagship. | 0:06:47 | 0:06:51 | |
It was wrecked in Blackpool in 1897. | 0:06:51 | 0:06:55 | |
It was copper-bottomed, that's where the term comes from. | 0:06:55 | 0:06:59 | |
They excavated it and made these tourism items. | 0:06:59 | 0:07:02 | |
Nelson's flagship. Wonderful! | 0:07:02 | 0:07:04 | |
Wrecked in Blackpool. We've all been there! | 0:07:04 | 0:07:07 | |
'Speak for yourself! | 0:07:07 | 0:07:10 | |
'The Blackpool link could prove handy when it comes to selling. | 0:07:10 | 0:07:14 | |
'First and foremost, there's another item to find. | 0:07:14 | 0:07:18 | |
'The price tag on a 1920s Indian table is £250. | 0:07:18 | 0:07:23 | |
'But when he spots evidence of restoration, Paul goes in low.' | 0:07:23 | 0:07:28 | |
How about 100 quid? | 0:07:28 | 0:07:30 | |
-120, it's yours. -Do I want it for 120? | 0:07:30 | 0:07:33 | |
Stained up, your eyes squint. 110, we have a deal. | 0:07:33 | 0:07:37 | |
-Is that all right, mate? -That's fine. | 0:07:37 | 0:07:40 | |
'That's incredible! A discount of 55%. | 0:07:40 | 0:07:43 | |
'Mr Morecambe walks away a very happy man. Rightly so.' | 0:07:43 | 0:07:48 | |
I think Morecambe's that way. | 0:07:48 | 0:07:51 | |
'Well, with one round down, | 0:07:53 | 0:07:55 | |
'how are our battle-hardened boys getting on? | 0:07:55 | 0:07:59 | |
'Their budget is to be spent across the four Showdown locations. | 0:08:00 | 0:08:05 | |
'Phil, the Fox, Serrell has been modest with his money... | 0:08:05 | 0:08:09 | |
'..Paul, Mr Morecambe, Hayes is away and spending... | 0:08:16 | 0:08:20 | |
'That cash must be converted into euros for: | 0:08:26 | 0:08:31 | |
'Our skirmish takes place in Caen, in northern France. | 0:08:31 | 0:08:35 | |
'Never mind the language barrier, forget the unfamiliar currency, | 0:08:35 | 0:08:39 | |
'our warriors are focused on finding two items | 0:08:39 | 0:08:42 | |
'for their Showdown stockpile. | 0:08:42 | 0:08:44 | |
'Once again, the Fox makes an early show of cunning. | 0:08:44 | 0:08:49 | |
'He is first to strike - on a metamorphic table.' | 0:08:49 | 0:08:54 | |
"Metamorphic" because it converts from one thing to another. | 0:08:54 | 0:08:58 | |
This is a centre table that turns into a buffet. | 0:08:58 | 0:09:02 | |
How old is it? | 0:09:02 | 0:09:04 | |
It's about 1860, 1870... | 0:09:04 | 0:09:07 | |
'That's a bit of luck, to find a British stallholder. | 0:09:07 | 0:09:11 | |
'No fumbling with the French. | 0:09:11 | 0:09:13 | |
'One short metamorphosis later, | 0:09:13 | 0:09:17 | |
'and the buffet becomes a table.' | 0:09:17 | 0:09:20 | |
You've got a slight problem where the veneer's flaking off, | 0:09:22 | 0:09:26 | |
which is a sort of a problem. | 0:09:26 | 0:09:29 | |
-What's the price of this in euros? -It's 375 euros. | 0:09:29 | 0:09:34 | |
See, I'd like to try and buy that for about 200 euros. | 0:09:36 | 0:09:40 | |
No. I can't do 200. | 0:09:41 | 0:09:43 | |
My best and final deal, right, is 240 euros. | 0:09:43 | 0:09:47 | |
Right. | 0:09:47 | 0:09:49 | |
-OK. It's a deal. 240. -You're an angel, my love. | 0:09:49 | 0:09:52 | |
'Worked out in sterling, the table cost: | 0:09:52 | 0:09:58 | |
'Across the room, Mr Morecambe is umming and ah-ing | 0:10:02 | 0:10:05 | |
'about a Chinese cloisonne vase. | 0:10:05 | 0:10:07 | |
'It's marked up at 30 euros.' | 0:10:07 | 0:10:10 | |
Why not? It must be a 50 quid lump in the sale. Shall we have it? | 0:10:10 | 0:10:15 | |
I used to be indecisive. Now, I'm not so sure. | 0:10:15 | 0:10:19 | |
My gut feeling's telling me no. I'm going to waste your time here. | 0:10:20 | 0:10:25 | |
Let's have a think for a minute. Follow your instincts. | 0:10:25 | 0:10:30 | |
'Paul has a little think, but just a moment later...' | 0:10:30 | 0:10:34 | |
Go on! We'll have it! | 0:10:34 | 0:10:36 | |
Let's have a go! Put your money where your mouth is! | 0:10:36 | 0:10:40 | |
'This lad's exhausting to watch. | 0:10:42 | 0:10:44 | |
'When the trader drops the price to 25 euros, that seals the deal. | 0:10:44 | 0:10:48 | |
'It works out at:' | 0:10:48 | 0:10:52 | |
Everything I'm looking at here is 1,000 euros, 500 euros. | 0:10:53 | 0:10:58 | |
All of a sudden, this is 25 euros. | 0:10:58 | 0:11:00 | |
It seems a bit of a bargain, really. | 0:11:00 | 0:11:03 | |
'That's one item each, but Foxy's picked up the scent of a potential second purchase. | 0:11:05 | 0:11:10 | |
'It's a pair of boots!' | 0:11:10 | 0:11:12 | |
-Monsieur. Do you speak any English, sir? -Non. | 0:11:14 | 0:11:19 | |
'No luck with the language. | 0:11:19 | 0:11:21 | |
'Will the Fox be stung by the French?' | 0:11:21 | 0:11:24 | |
-What is his best price? -Best price. | 0:11:24 | 0:11:27 | |
-Vous voulez les acheter? -Oui. Le meilleur prix? | 0:11:27 | 0:11:31 | |
Cinquante. | 0:11:31 | 0:11:33 | |
-60 euros? -Cinquante. > | 0:11:33 | 0:11:36 | |
-40... 40? -50! -> | 0:11:36 | 0:11:39 | |
-45 euros? -Cinquante. Super boots. | 0:11:39 | 0:11:42 | |
Super boots! Hark at this! | 0:11:42 | 0:11:45 | |
There's 40. | 0:11:45 | 0:11:47 | |
-Non? 50? -Oui. 50. C'est bon. | 0:11:49 | 0:11:52 | |
-Cor blimey! -Cor blimey? Whose side are you on? | 0:11:52 | 0:11:56 | |
-LAUGHING: -Cor blimey! | 0:11:56 | 0:11:59 | |
-I'm going to have those for cheek! -Even cheekier, I'm English. | 0:11:59 | 0:12:03 | |
'Excusez-moi? What did he say?' | 0:12:03 | 0:12:06 | |
Even cheekier, I'm English. Thank you very much indeed, sir. | 0:12:06 | 0:12:10 | |
-You're a rat! -DEALER LAUGHS | 0:12:10 | 0:12:14 | |
I wish my French was as good as your English. | 0:12:14 | 0:12:18 | |
'Oh, Foxy! Hoodwinked! | 0:12:18 | 0:12:20 | |
'The boots cost our wounded soldier: | 0:12:20 | 0:12:24 | |
'Paul has dug up a pair of 19th century bronze candelabra. | 0:12:26 | 0:12:30 | |
'The price, 350 euros. | 0:12:30 | 0:12:33 | |
'He pulls out the paper and plunges in with a Hayes haggle.' | 0:12:33 | 0:12:36 | |
The gentleman's offering them for 280 euros. | 0:12:36 | 0:12:40 | |
Which is about £260. | 0:12:40 | 0:12:43 | |
The bronze, the ormolu, the Rococo - they're fantastic! | 0:12:43 | 0:12:48 | |
Can I say 260? | 0:12:48 | 0:12:51 | |
Two hundred...soixante? | 0:12:51 | 0:12:53 | |
Merci beaucoup, monsieur. | 0:12:53 | 0:12:56 | |
'This Showdown is a bartering bonanza. | 0:12:56 | 0:13:00 | |
'Paul gets the candelabra for: | 0:13:00 | 0:13:02 | |
'Top marks for both our boys in their French homework. | 0:13:06 | 0:13:12 | |
'The foreign market was an expensive round... | 0:13:13 | 0:13:16 | |
'..Back in Blighty, our cheeky chancers' next epic encounter | 0:13:39 | 0:13:44 | |
'is at the Lincolnshire Showground. | 0:13:44 | 0:13:48 | |
'With 3,000 stalls, our boys need to move fast to find their items. | 0:13:48 | 0:13:52 | |
'But with the wind howling through the market, conditions are rough. | 0:13:52 | 0:13:57 | |
'This time, it's Paul who's first out of the traps. | 0:13:57 | 0:14:01 | |
'Like a prize-winning whippet, he buys a pair of 19th-century watercolours for £55.' | 0:14:01 | 0:14:07 | |
These are unusual. It looks like the artist has gone into the field | 0:14:07 | 0:14:11 | |
and captured the scene in pen. | 0:14:11 | 0:14:14 | |
When he's gone home, he's made this wonderful watercolour effect. | 0:14:14 | 0:14:19 | |
What I need to do is try and find out who Stanley Herdman was. | 0:14:19 | 0:14:23 | |
If he turns out to be a recognised artist, we've cracked it. | 0:14:23 | 0:14:28 | |
'Ooh, looks promising, Mr Morecambe. | 0:14:29 | 0:14:31 | |
'Foxy is wasting no time, either. | 0:14:31 | 0:14:34 | |
'He's found a periscope used in the First World War.' | 0:14:34 | 0:14:38 | |
They were in their trench and wanted to see what was going on. | 0:14:38 | 0:14:41 | |
Instead of poking your head up you'd push this up above the trenches | 0:14:41 | 0:14:47 | |
and you could see what was going on. | 0:14:47 | 0:14:49 | |
You think of all that enormous life that was lost in that war. | 0:14:49 | 0:14:55 | |
You just wonder who would have held this | 0:14:55 | 0:14:58 | |
and whether he made it home or not. | 0:14:58 | 0:15:01 | |
'Inside the marquee, Phil tries his old trick - | 0:15:01 | 0:15:05 | |
'offer on two items for a discount. | 0:15:05 | 0:15:07 | |
'He pairs it up with a Chinese style display cabinet. | 0:15:07 | 0:15:10 | |
'They're each marked up at £80.' | 0:15:10 | 0:15:14 | |
-£110, the two. -120 and I'll do a deal. | 0:15:14 | 0:15:17 | |
You're a gentleman. You always look after me. | 0:15:17 | 0:15:21 | |
Thank you very much indeed. £120 the two. That's £60 each. | 0:15:21 | 0:15:26 | |
-This is a first! -What's "this"? -Make money out of Phil Serrell. | 0:15:26 | 0:15:30 | |
-BOTH LAUGH -That's really harsh, that is! | 0:15:30 | 0:15:34 | |
'Some call him "skinflint", others "master haggler". | 0:15:34 | 0:15:38 | |
'The deal comes in the nick of time. The winds are picking up. | 0:15:38 | 0:15:44 | |
'Paul could have left things too late.' | 0:15:44 | 0:15:47 | |
A lot of stallholders have gone home. I can't blame them. | 0:15:47 | 0:15:51 | |
I've seen one whole stall almost disappear into the abyss. | 0:15:51 | 0:15:55 | |
'With the wind in his sails, our boy comes alongside | 0:15:55 | 0:15:59 | |
'a model of the famous tea clipper, the Cutty Sark.' | 0:15:59 | 0:16:03 | |
-The workmanship in that! -Someone with plenty of time on their hands. | 0:16:03 | 0:16:08 | |
'The man wants £150.' | 0:16:08 | 0:16:11 | |
-Couldn't be a oner? -It can be 120. | 0:16:12 | 0:16:15 | |
-You saw that coming! -I knew it was coming! | 0:16:15 | 0:16:18 | |
I know that it's a really bad day, | 0:16:18 | 0:16:22 | |
but I'm trying to buy things as cheap as possible. | 0:16:22 | 0:16:25 | |
110 for it? | 0:16:25 | 0:16:27 | |
-You're a gentleman. -You're a gentleman, too. | 0:16:27 | 0:16:30 | |
'So, all deals done! | 0:16:30 | 0:16:33 | |
'Even though the Cutty Sark is weighing Paul down, | 0:16:33 | 0:16:37 | |
'our boys have bagged the booty. | 0:16:37 | 0:16:39 | |
'But how are they doing with their finances? | 0:16:39 | 0:16:44 | |
'They both started out with £1,000 of their own money. | 0:16:45 | 0:16:49 | |
'It was a fairly cheap round for Phil, the Fox... | 0:16:49 | 0:16:53 | |
'..But Paul, Mr Morecambe, Hayes is charging ahead... | 0:17:00 | 0:17:04 | |
'..We come to the last of our four rounds, | 0:17:14 | 0:17:17 | |
'the awe-inspiring auction. | 0:17:17 | 0:17:20 | |
'The deep delving happens at the Jubilee Auction Rooms at Pewsey in Wiltshire. | 0:17:20 | 0:17:26 | |
'Phil is an auctioneer by trade, so he's very familiar with the psychology of the saleroom. | 0:17:26 | 0:17:32 | |
'Our bargain-busters start by viewing. | 0:17:32 | 0:17:35 | |
'The Fox finds Winston Churchill's take on World War II. | 0:17:35 | 0:17:39 | |
'The six volumes are in a large lot made up of dozens of books.' | 0:17:39 | 0:17:44 | |
I can buy a big job lot like this at one auction, | 0:17:44 | 0:17:48 | |
and hopefully, I can break it down into one lot, two lots, three lots, | 0:17:48 | 0:17:53 | |
and put that into another auction, then you've got a bit of gain. | 0:17:53 | 0:17:57 | |
So that could well help me. | 0:17:57 | 0:18:00 | |
'As Mr Morecambe continues searching for those final hidden gems, | 0:18:00 | 0:18:05 | |
'the auction gets under way, and the Fox is ready to pounce.' | 0:18:05 | 0:18:10 | |
There's a mirror coming up. It's very much shabby chic. | 0:18:10 | 0:18:14 | |
It's a 19th-century gilt Victorian painted frame. | 0:18:14 | 0:18:19 | |
Someone's put a new mirror in it. | 0:18:19 | 0:18:21 | |
It's quite a nice frame, actually. £30 for it? 20? | 0:18:21 | 0:18:26 | |
Reflect on it, chaps! Ten? | 0:18:26 | 0:18:29 | |
Oh. | 0:18:31 | 0:18:32 | |
'The stealthy Fox bides his time. With no other interest, he seizes the moment.' | 0:18:32 | 0:18:38 | |
-I'll bid you a fiver, sir. -No, sir. It doesn't work like that. | 0:18:38 | 0:18:42 | |
-You can have a sticky bun and £10. -Go on, then. | 0:18:42 | 0:18:45 | |
At £10. At £10. I'll take 12 now... | 0:18:45 | 0:18:47 | |
-At £10, then. I'm selling at ten... -BANGS GAVEL | 0:18:47 | 0:18:51 | |
236. | 0:18:51 | 0:18:53 | |
'The Fox revels in that cheeky auction room banter. | 0:18:53 | 0:18:57 | |
'Including the commission, the mirror cost him:' | 0:18:57 | 0:19:01 | |
-We'll sort out sticky buns later, Philip. -I'll hold you to that, mate. | 0:19:03 | 0:19:07 | |
'Next, it's the eclectic mix of books. | 0:19:07 | 0:19:09 | |
'Phil's standing by, ready to pounce.' | 0:19:09 | 0:19:12 | |
At £115, bid's on my left at 115... | 0:19:12 | 0:19:16 | |
'That's Phil's final Showdown item done, | 0:19:17 | 0:19:21 | |
'and probably in need of dusting. | 0:19:21 | 0:19:23 | |
'Auction fees mean that the 60 books cost him:' | 0:19:23 | 0:19:28 | |
That's what I really bought it for - Look and Learn Spanish! | 0:19:28 | 0:19:33 | |
'Across the saleroom, Mr Morecambe has everything to play for. | 0:19:33 | 0:19:37 | |
'As the auctioneers swap over, he's planning a punt | 0:19:37 | 0:19:41 | |
'on an oil painting by an unlisted artist.' | 0:19:41 | 0:19:44 | |
It's quite competently done. Late 19th century, nicely presented. | 0:19:44 | 0:19:48 | |
If it's £40 or £50, why not? It's a bargain. | 0:19:48 | 0:19:51 | |
50 to start me. | 0:19:51 | 0:19:53 | |
40, I have. | 0:19:53 | 0:19:55 | |
40, I have. 40, I have. 40, I have. | 0:19:55 | 0:19:57 | |
45. 50. | 0:19:57 | 0:19:59 | |
55. 58. 60. 60, I'm out. | 0:19:59 | 0:20:04 | |
£60. Sounds like that's the last bid he's got. I think I've got this. | 0:20:04 | 0:20:09 | |
I'm selling, then, at £60... | 0:20:09 | 0:20:11 | |
£60 plus a bit of commission. I bought myself a seascape. | 0:20:11 | 0:20:15 | |
'The commission takes the cost of the canvas up to: | 0:20:15 | 0:20:20 | |
'Even though Paul can't immediately find out about the artist | 0:20:20 | 0:20:24 | |
'he's impressed.' | 0:20:24 | 0:20:26 | |
The sign of a good painting is if the artist can capture light. | 0:20:26 | 0:20:31 | |
The light coming through the clouds here, | 0:20:31 | 0:20:34 | |
that's really difficult to produce. | 0:20:34 | 0:20:37 | |
'And it's a case of painting by numbers for Mr Morecambe. | 0:20:37 | 0:20:41 | |
'His second and final lot is two Chinese pictures for:' | 0:20:41 | 0:20:47 | |
I love these Chinese paintings that are done on rice paper. | 0:20:49 | 0:20:53 | |
They date from the 19th century. These show tea merchants. | 0:20:53 | 0:20:58 | |
Tea was extremely popular and a very valuable commodity to China. | 0:20:58 | 0:21:04 | |
They could do quite well. | 0:21:04 | 0:21:06 | |
'So our boys have run the gauntlet of buying | 0:21:06 | 0:21:10 | |
'and are armed with eight items. | 0:21:10 | 0:21:12 | |
'Which warrior has the winning way? | 0:21:12 | 0:21:15 | |
'Our duelling duo both started out with £1,000 of their own money. | 0:21:16 | 0:21:22 | |
'Phil, the Fox, played steady with his readies... | 0:21:22 | 0:21:26 | |
'..Paul, Mr Morecambe, Hayes forked out a lot more... | 0:21:29 | 0:21:34 | |
'..Will that result in greater profit for Paul? | 0:21:37 | 0:21:40 | |
'Or has Philip bought more wisely? Only time will tell.' | 0:21:40 | 0:21:44 | |
What's been your favourite items? | 0:21:44 | 0:21:46 | |
I love my buffet. It's English and I bought it in France. | 0:21:46 | 0:21:50 | |
The Chinese vase, I'm going to whack into auction. | 0:21:50 | 0:21:54 | |
-It might be speculative. -I do love the periscope. | 0:21:54 | 0:21:58 | |
-What's YOUR best bit? -The best bit has to be those candlesticks. | 0:21:58 | 0:22:02 | |
They remind me of a French chateau, the whole Louis XV style. | 0:22:02 | 0:22:07 | |
-Is there anything that bothers you? -Probably the cloisonne vase. | 0:22:07 | 0:22:11 | |
I'm not sure how old it is. It could be early 20th century, actually. | 0:22:11 | 0:22:15 | |
-May the best man win. -And you, Philip. | 0:22:15 | 0:22:18 | |
-Can I buy you a cup of tea? -You certainly can. | 0:22:18 | 0:22:21 | |
'So, the big question - which of our brutal Bravehearts IS the best man? | 0:22:23 | 0:22:29 | |
'This is no ordinary bargain battle. | 0:22:29 | 0:22:33 | |
'It's antiques armageddon! | 0:22:33 | 0:22:35 | |
'Not only do our demon dealers have to find buys for their items, | 0:22:35 | 0:22:40 | |
'the Showdown sell-off has a tricky little twist - the auction. | 0:22:40 | 0:22:44 | |
'They put half their items under the hammer and stand back and watch, | 0:22:44 | 0:22:49 | |
'as they rake in the readies or lose everything they've worked for. | 0:22:49 | 0:22:54 | |
'The only way to avoid total and unrelenting humiliation | 0:22:54 | 0:22:58 | |
'is to plan the ultimate strategy to ensure the cash comes rolling in. | 0:22:58 | 0:23:03 | |
'In Lancashire, Mr Morecambe has picked which items he fancies selling himself.' | 0:23:03 | 0:23:08 | |
At the antiques fair, I got this model of the Cutty Sark. | 0:23:08 | 0:23:13 | |
At the car boot sale, I think one of my favourite buys, actually, | 0:23:13 | 0:23:17 | |
this fantastic Indian table. | 0:23:17 | 0:23:19 | |
This was in poor condition. I've restored it. | 0:23:19 | 0:23:22 | |
I have a piece of glass on order, which I'm picking up any minute. It will finish off that table great. | 0:23:22 | 0:23:27 | |
The copperware, which came from HMS Foudroyant, | 0:23:27 | 0:23:32 | |
I'm definitely going to be able to sell those somewhere. | 0:23:32 | 0:23:35 | |
These Chinese tea-drinking scenes, which, again, are very unusual. | 0:23:35 | 0:23:41 | |
'So his auction armoury now contains the cloisonne vase, | 0:23:41 | 0:23:46 | |
'the pair of candelabra, the oil seascape | 0:23:46 | 0:23:49 | |
'and his watercolours. | 0:23:49 | 0:23:51 | |
'The Fox is, himself, an auctioneer, so he has an instant advantage. | 0:23:51 | 0:23:56 | |
'Which of his purchases are heading to the saleroom?' | 0:23:56 | 0:24:00 | |
I'm really pleased with my Showdown items. | 0:24:00 | 0:24:03 | |
These shelves and the periscope, I bought in England. | 0:24:03 | 0:24:07 | |
The shelves, I'm going to try and sell privately. | 0:24:07 | 0:24:10 | |
The periscope I'll put into auction. | 0:24:10 | 0:24:13 | |
At the foreign market, I bought this buffet, which folds into a table | 0:24:13 | 0:24:17 | |
and the boots, and those are going into auction. | 0:24:17 | 0:24:20 | |
I bought the cricket bat, which I'm going to sell privately. | 0:24:20 | 0:24:24 | |
And the Chinese vase - that's a real auction lot. Fingers crossed. | 0:24:24 | 0:24:29 | |
'Phil must also find buyers for the mirror and all those books. | 0:24:29 | 0:24:33 | |
'The plans are in place. | 0:24:33 | 0:24:36 | |
'Let's get selling - and be warned, | 0:24:36 | 0:24:38 | |
'this is NOT for the faint-hearted. | 0:24:38 | 0:24:41 | |
'Mr Morecambe is first off the blocks. | 0:24:43 | 0:24:46 | |
'He's been working on his Indian table, re-staining it, | 0:24:46 | 0:24:50 | |
'tightening the legs and paying for a new glass top from his kitty. | 0:24:50 | 0:24:54 | |
'It hasn't come cheap. | 0:24:54 | 0:24:56 | |
'The table now stands at almost £188. | 0:24:56 | 0:24:59 | |
'He's brought it to an Indian restaurant in Lancaster to meet owner Naim.' | 0:24:59 | 0:25:04 | |
-Three, two, one... -Go for it. -Do you like that? | 0:25:04 | 0:25:08 | |
That is beautiful! | 0:25:08 | 0:25:10 | |
-Isn't that amazing? -It does go with the decor. -It absolutely does. | 0:25:10 | 0:25:15 | |
I know you have some screens and these pillars. | 0:25:15 | 0:25:18 | |
There's a lovely space. | 0:25:18 | 0:25:20 | |
We could use it as a wall hanging, but you've put a lot of hours in. | 0:25:20 | 0:25:24 | |
Should I chop the legs off, take the glass off? We can minus the price. | 0:25:24 | 0:25:29 | |
All that hard work? | 0:25:29 | 0:25:31 | |
Or we could keep it like this and make it as a... Yeah, yeah. | 0:25:31 | 0:25:34 | |
-Let's see what we can do. -If I was to ask you £250... | 0:25:34 | 0:25:39 | |
-180? -That's what it's cost me. -I have to give you a bit more. | 0:25:39 | 0:25:44 | |
Why don't I say 230? | 0:25:44 | 0:25:46 | |
Mm... 225? | 0:25:46 | 0:25:48 | |
225. | 0:25:48 | 0:25:50 | |
I'm delighted for you to have it. Let's do the deal on that. | 0:25:50 | 0:25:54 | |
'He's off to a sprint. | 0:25:54 | 0:25:56 | |
'The table brings him a solid starting profit of: | 0:25:56 | 0:26:01 | |
'But Phil's just stepped up to the crease | 0:26:01 | 0:26:04 | |
'with the ivory cricket bat he bought for £15. | 0:26:04 | 0:26:07 | |
'He's in Worcester at the County Cricket Club, | 0:26:07 | 0:26:10 | |
'to meet Damian and Brett, the son and grandson of the late great | 0:26:10 | 0:26:15 | |
'Worcestershire and England all-rounder Basil D'Oliveira. | 0:26:15 | 0:26:18 | |
'They both followed in his footsteps at county level. | 0:26:18 | 0:26:22 | |
'This family knows a thing or two about cricket.' | 0:26:22 | 0:26:26 | |
-What would a bat cost you today? -You would not get a lot of change out of 250 quid. | 0:26:26 | 0:26:32 | |
-You might today! -"You might today?" | 0:26:32 | 0:26:34 | |
If we're lucky! | 0:26:34 | 0:26:36 | |
I've heard that two bat companies | 0:26:36 | 0:26:39 | |
-are bringing out the first £1,000 bat. -A £1,000 bat? | 0:26:39 | 0:26:44 | |
Let me say to you, I can do this for less than £1,000. | 0:26:44 | 0:26:50 | |
I'd like to get 50 quid for that. What do you reckon? | 0:26:50 | 0:26:53 | |
I'd give you 25, Phil. | 0:26:53 | 0:26:56 | |
-Do you know...? -ALL LAUGH | 0:26:56 | 0:26:59 | |
-I love that clinical cold... -BLOWS RASPBERRY | 0:26:59 | 0:27:03 | |
You've got to do better than that. Try a bit harder. | 0:27:03 | 0:27:07 | |
-30. -Is that your best? -Final offer. | 0:27:07 | 0:27:10 | |
-Go on, then. -Thanks. | 0:27:10 | 0:27:12 | |
-We'll declare and have tea, now. -ALL LAUGH | 0:27:12 | 0:27:15 | |
'Yes, Brett takes the wicket but Phil takes his first profit of: | 0:27:15 | 0:27:21 | |
'Whilst he's in Worcester, | 0:27:21 | 0:27:23 | |
'the Fox takes his Chinese style cabinet to an antiques dealer | 0:27:23 | 0:27:27 | |
'who's new in town. | 0:27:27 | 0:27:29 | |
'Rene buys the shelves for £80... | 0:27:29 | 0:27:32 | |
'..Our boys are pretty much level pegging, but in a game as fast as this, that won't last. | 0:27:35 | 0:27:41 | |
'Mr Morecambe shows his mettle | 0:27:41 | 0:27:43 | |
'with with the copperware from Nelson's HMS Foudroyant. | 0:27:43 | 0:27:47 | |
'He's selling the four pieces separately. | 0:27:47 | 0:27:50 | |
'His first stop is Blackpool, where the ship was broken up. | 0:27:50 | 0:27:54 | |
'He meets John at the football club, | 0:27:54 | 0:27:56 | |
'which is home to part of the ship already.' | 0:27:56 | 0:28:00 | |
This is from our old boardroom. | 0:28:00 | 0:28:03 | |
-This came from the ship itself. -Fantastic! | 0:28:03 | 0:28:06 | |
Just think, this dates from the early part of the 18th century. | 0:28:06 | 0:28:11 | |
Nelson could have been sat at his desk with this panel behind him. | 0:28:11 | 0:28:15 | |
Apparently, the Foudroyant is where he met Lady Hamilton. | 0:28:15 | 0:28:19 | |
I thought wouldn't it be wonderful to have some of the copperware? | 0:28:19 | 0:28:24 | |
It's all engraved. | 0:28:24 | 0:28:26 | |
It says, "Nelson's flagship, the Foudroyant". | 0:28:26 | 0:28:30 | |
Then it says quite clearly | 0:28:30 | 0:28:32 | |
it was launched in Plymouth in 1798, | 0:28:32 | 0:28:35 | |
but then got wrecked in Blackpool in 1897. | 0:28:35 | 0:28:39 | |
If I asked £80 for that, does that fit in with your budget? | 0:28:39 | 0:28:43 | |
It's a bit extreme for us! | 0:28:43 | 0:28:46 | |
I think I'll offer you 60. | 0:28:46 | 0:28:49 | |
60 quid? You couldn't make it £70? | 0:28:49 | 0:28:51 | |
-I'd love you to have it. -Go on, then. Go with 70. | 0:28:51 | 0:28:56 | |
'Paul also finds new homes for the copper jardiniere, the tankard | 0:28:56 | 0:29:00 | |
'and the candle holder. | 0:29:00 | 0:29:02 | |
'He sells all four pieces for a combined total of £252.50. | 0:29:02 | 0:29:07 | |
'Sinking a handsome profit of: | 0:29:07 | 0:29:11 | |
'That puts Paul out in front, but Phil shows no sign of shrinking away. | 0:29:12 | 0:29:17 | |
'He's brought the books, which he bought at auction for £132, | 0:29:17 | 0:29:22 | |
'to lawyer David, in the hope that the subject matter appeals to him.' | 0:29:22 | 0:29:27 | |
They cover a number of my special interests. | 0:29:27 | 0:29:30 | |
The desert, the travel, | 0:29:30 | 0:29:32 | |
and a couple of interesting books about Asia and South Pacific. | 0:29:32 | 0:29:36 | |
So, struck a few chords here, my friend. | 0:29:36 | 0:29:40 | |
I was going to try and get as close to, sort of, | 0:29:40 | 0:29:44 | |
£230, £240 as I could. | 0:29:44 | 0:29:47 | |
I can understand that. You've got a collection of 60 books, | 0:29:47 | 0:29:50 | |
covering around a series of topics, many of them very interesting. | 0:29:50 | 0:29:55 | |
How about 200 as a nice round figure? | 0:29:55 | 0:29:58 | |
-Can we do business on that? -We can. You're a gentleman. | 0:29:58 | 0:30:02 | |
'Phil storms back into the game. | 0:30:03 | 0:30:05 | |
'The books make a profit of: | 0:30:05 | 0:30:09 | |
'And Phil also makes quick work of his other auction purchase, | 0:30:09 | 0:30:13 | |
'the gilt-framed mirror. | 0:30:13 | 0:30:15 | |
'He sells it for £22, making a tidy profit of: | 0:30:15 | 0:30:20 | |
'But Mr Morecambe keeps on pushing for the big prize. | 0:30:20 | 0:30:24 | |
'He takes his Cutty Sark to a model shop in Lancaster. | 0:30:24 | 0:30:28 | |
'He sells it to Andy for £130, | 0:30:28 | 0:30:31 | |
'and sails off with a profit of: | 0:30:31 | 0:30:34 | |
'Whilst he's in Lancaster, Paul heads to a tea merchant | 0:30:34 | 0:30:38 | |
'to try and sell his Chinese tea paintings. | 0:30:38 | 0:30:42 | |
'The shop has been trading in the city for 175 years | 0:30:42 | 0:30:45 | |
'and already has a collection of tea-related memorabilia. | 0:30:45 | 0:30:50 | |
'Paul meets current owner, Ian.' | 0:30:50 | 0:30:54 | |
These are Chinese silk paintings from the 19th century. | 0:30:54 | 0:30:57 | |
They depict tea merchants, very similar to yourself. | 0:30:57 | 0:31:01 | |
From the style of clothing and of the picture themselves, | 0:31:01 | 0:31:06 | |
I'd put these in the Ming dynasty so you're looking at the 17th century. | 0:31:06 | 0:31:11 | |
If I was to ask you £70 for them, | 0:31:11 | 0:31:13 | |
are we in the right region? | 0:31:13 | 0:31:16 | |
-Would they be something you'd like? -Yeah. | 0:31:16 | 0:31:19 | |
I'd like to have them for the story-telling value. | 0:31:19 | 0:31:23 | |
-Shall we shake on that? -Shall we haggle first? -It's up to you. | 0:31:23 | 0:31:27 | |
-No, that's fine. -Is that all right? -Thank you for thinking of me. | 0:31:27 | 0:31:31 | |
'A little "tease" there from Ian, but the pictures are just his cuppa, | 0:31:31 | 0:31:37 | |
'and Paul makes a profit of: | 0:31:37 | 0:31:39 | |
'At the halfway stage of this tricky trading tournament, | 0:31:40 | 0:31:44 | |
'how are our warring warriors getting on? | 0:31:44 | 0:31:47 | |
'Phil, the Fox, has sold four of his items and made a profit of: | 0:31:47 | 0:31:54 | |
'Paul, Mr Morecambe, Hayes has also got rid of four purchases, | 0:31:54 | 0:31:58 | |
'but he's ahead in the profit stakes. | 0:31:58 | 0:32:03 | |
'But this is where the wheeler-dealing ends. | 0:32:06 | 0:32:09 | |
'Everything else must be sold at the Showdown auction, | 0:32:09 | 0:32:12 | |
'where our boys have absolutely no control over what happens. | 0:32:12 | 0:32:18 | |
'To increase the tension, there's no reserve prices. | 0:32:18 | 0:32:22 | |
'They're at the saleroom in Market Harborough in Leicestershire. | 0:32:22 | 0:32:26 | |
'Our collectables kings check out each other's lots.' | 0:32:26 | 0:32:30 | |
That marine that Paul's bought | 0:32:30 | 0:32:32 | |
is quite interesting, but he has taken a risk. | 0:32:32 | 0:32:35 | |
Cos he's bought that and that pair of watercolours. | 0:32:35 | 0:32:39 | |
If there's anything that's been hit in the art market, | 0:32:39 | 0:32:42 | |
it's that type of work from the 19th century. | 0:32:42 | 0:32:45 | |
I must admit, I think Phil did really well spotting this table. | 0:32:45 | 0:32:50 | |
I didn't realise it was metamorphic. It's been well presented here. | 0:32:50 | 0:32:55 | |
For £200, I think that's a bargain. | 0:32:55 | 0:32:57 | |
Paul's Chinese pot, he didn't pay much for it. I don't see how he can lose. | 0:32:59 | 0:33:04 | |
But I'm probably older than that! | 0:33:04 | 0:33:07 | |
Remember these wonderful candelabra? | 0:33:07 | 0:33:09 | |
I had a chat to the auctioneer. He's had three people interested. | 0:33:09 | 0:33:14 | |
Might just give me the edge over Mr Philip Serrell. I think these are the star lot of the entire auction. | 0:33:14 | 0:33:21 | |
I really love that trench periscope. | 0:33:23 | 0:33:25 | |
It's not what it is, it's what it stands for. It's so poignant. | 0:33:25 | 0:33:30 | |
I don't know what it'll make, but I hope it'll pop up above the trenches and see a few bidders. | 0:33:30 | 0:33:36 | |
This is the item that could surprise us. | 0:33:38 | 0:33:41 | |
This Chinese market at the moment has gone mad. | 0:33:41 | 0:33:45 | |
Is it 19th century? Is it 18th century? Is it Ming, Qing? | 0:33:45 | 0:33:49 | |
Is it ker-ching? Who knows? | 0:33:49 | 0:33:51 | |
'Well, let's find out. | 0:33:51 | 0:33:53 | |
'The vase is the first of Phil's lots to go under the hammer. | 0:33:53 | 0:33:57 | |
'But our own resident auctioneer is starting to feel the nerves.' | 0:33:57 | 0:34:02 | |
I'm getting really quite nervous. I'm getting that dry mouth feel. | 0:34:02 | 0:34:06 | |
I know, but it's a buzz, isn't it? | 0:34:06 | 0:34:09 | |
'Phil spent £80 on the vase.' | 0:34:09 | 0:34:13 | |
-£30 opening bid. -Ouch! -£30. | 0:34:13 | 0:34:16 | |
-I'm bid at 30. 35. 40. -There we go. | 0:34:16 | 0:34:19 | |
£40 bid now. £40. Five in the room. At 45. | 0:34:19 | 0:34:23 | |
50, new bidder. | 0:34:23 | 0:34:25 | |
Your turn this time, at £50. | 0:34:25 | 0:34:28 | |
-Five... -It's creeping up. | 0:34:28 | 0:34:30 | |
It's got to creep a bit more! | 0:34:30 | 0:34:33 | |
-No, it's all right, mate. -..£60. | 0:34:33 | 0:34:36 | |
You're both out in the room? Selling at £60... | 0:34:36 | 0:34:40 | |
-That's a loss of roughly 30 quid, isn't it? -No. It's more, isn't it? | 0:34:40 | 0:34:45 | |
'Sadly, Paul's right. | 0:34:45 | 0:34:47 | |
'With all the costs included, Phil's loss hits:' | 0:34:47 | 0:34:52 | |
I don't claim to be an expert in Chinese ceramics and I just proved that to all watching! | 0:34:52 | 0:34:58 | |
'Let's hope Mr Morecambe doesn't go the same way with his first item, | 0:34:58 | 0:35:02 | |
'the cloisonne vase he paid nearly £23 for.' | 0:35:02 | 0:35:07 | |
-What's it going to make? -I reckon it'll make £45. -That'll do. | 0:35:07 | 0:35:11 | |
-£50, I'm opening at. -There you are! 50 quid! | 0:35:11 | 0:35:14 | |
-No, he hasn't got it yet. -£50. I'm five. 60. | 0:35:14 | 0:35:18 | |
-Oh, here we go! -£60, I'm bid. | 0:35:18 | 0:35:20 | |
-65. 70. -You're flying away! | 0:35:20 | 0:35:22 | |
-Five. 80. -Well done, you! | 0:35:22 | 0:35:26 | |
-85. -That's fantastic. | 0:35:26 | 0:35:28 | |
-Away, then, at £85... -Well done, you! | 0:35:28 | 0:35:32 | |
'The cloisonne does the business! After the fees, that's a profit of:' | 0:35:33 | 0:35:39 | |
-I'm delighted with that. -That's a top result. -Yeah. | 0:35:41 | 0:35:44 | |
'So far, nothing has panned out the way our experts predicted. | 0:35:44 | 0:35:48 | |
'It's an unsettling feeling.' | 0:35:48 | 0:35:51 | |
Very dry feeling in the back of my mouth. | 0:35:51 | 0:35:55 | |
CLEARS THROAT | 0:35:55 | 0:35:58 | |
'Lovely(!) Foxy does make some money with his next lot, but only just.' | 0:35:58 | 0:36:04 | |
I'm selling at 80... | 0:36:04 | 0:36:06 | |
'The First World War periscope makes a teeny tiny profit of:' | 0:36:06 | 0:36:11 | |
-It's my boots next. -I've never handled anything like this before... | 0:36:15 | 0:36:19 | |
Pleased to hear it. | 0:36:19 | 0:36:21 | |
'Phil bought his booties in France for a little over £45.' | 0:36:21 | 0:36:26 | |
-A lot of interest in these. -Oh, a lot of interest. -20. Five. 30. | 0:36:26 | 0:36:31 | |
-£30, I'm bid now. £30. -I think I'm going to get £55. | 0:36:31 | 0:36:35 | |
Five. 50. Five. 60. | 0:36:35 | 0:36:38 | |
-That's a little bit of profit. -70, I'm bid. Internet. | 0:36:38 | 0:36:42 | |
Internet's coming in. 75. | 0:36:42 | 0:36:44 | |
To the internet at £75... | 0:36:44 | 0:36:47 | |
'The boots give Phil a much-needed leg-up. They make a profit of:' | 0:36:47 | 0:36:54 | |
-A massive relief, let me tell you! -Is it? | 0:36:54 | 0:36:57 | |
'Yes, the Fox shouldn't worry yet. He may only have one item left, | 0:36:57 | 0:37:02 | |
'but it's a goodie - the metamorphic table. | 0:37:02 | 0:37:06 | |
'First, it's Paul's star lot, | 0:37:06 | 0:37:08 | |
'the ormolu candelabra he bought for £236.' | 0:37:08 | 0:37:11 | |
If these are right and the interest is there, they could do 400, 500. | 0:37:11 | 0:37:17 | |
If it isn't, they could do four or five quid! | 0:37:17 | 0:37:19 | |
-Good-looking pair of candelabra! -Good-looking pair - me and you. | 0:37:19 | 0:37:24 | |
30, 40, 50, 60, 70, 80, 90, | 0:37:24 | 0:37:28 | |
-£100. -Come on! | 0:37:28 | 0:37:30 | |
'The bidding stalls, but then the auctioneer looks at his screen to see the internet bids.' | 0:37:30 | 0:37:37 | |
110, 120, 130. 140, 150. | 0:37:37 | 0:37:41 | |
Come on! It's well out, yet. | 0:37:41 | 0:37:43 | |
-160, 170. -Come on! | 0:37:43 | 0:37:46 | |
-180. 190. -Come on. | 0:37:46 | 0:37:48 | |
-200, new bidder. -Telephone bidder! | 0:37:50 | 0:37:53 | |
240, 260. | 0:37:54 | 0:37:57 | |
-280, 300. -That's what's helped! | 0:37:57 | 0:38:00 | |
Well done, matey. Well done. | 0:38:00 | 0:38:03 | |
-Come on! -He's breaking my arm here! | 0:38:03 | 0:38:07 | |
My bids are out. At 360, we're with the telephone. You're out. | 0:38:07 | 0:38:11 | |
No-one else in the room, then, and selling at £360... | 0:38:11 | 0:38:16 | |
I'm really pleased for you, but just one thing. You've broken my arm. | 0:38:17 | 0:38:21 | |
BOTH LAUGH Let me prise me fingers off you! | 0:38:21 | 0:38:25 | |
Is there a bit of flesh left? | 0:38:25 | 0:38:27 | |
'Paul's judgment was right. | 0:38:27 | 0:38:29 | |
'Once the costs are counted, the candelabra lights up his life | 0:38:29 | 0:38:33 | |
'with a profit of:' | 0:38:33 | 0:38:35 | |
-The telephone bidder would have carried on. -That's exciting. | 0:38:36 | 0:38:40 | |
-I've never been so excited to earn 50 quid. -My arm knows! | 0:38:40 | 0:38:44 | |
'Paul is onto a winner with his next item.' | 0:38:44 | 0:38:47 | |
To the internet at 140... | 0:38:47 | 0:38:49 | |
'The marine oil painting makes £140, | 0:38:50 | 0:38:53 | |
'earning Mr Morecambe a profit of: | 0:38:53 | 0:38:56 | |
'There's more of Paul's pictures to come. | 0:38:57 | 0:39:00 | |
'The two watercolours are his next lot. They cost him £55.' | 0:39:00 | 0:39:05 | |
£40, I'm bid for the pair. 45. 50. | 0:39:05 | 0:39:08 | |
-Yes! -Five, 60. Five, 70. | 0:39:08 | 0:39:10 | |
-70. Five. 80. -I'm so relieved to get 80 quid. | 0:39:10 | 0:39:16 | |
-90. Five. -You've done really well. | 0:39:16 | 0:39:19 | |
100. | 0:39:19 | 0:39:21 | |
-BANGS GAVEL -I'm going to shake you by the hand. | 0:39:21 | 0:39:25 | |
'And the watercolours paint another beautiful picture for Mr Morecambe. | 0:39:25 | 0:39:29 | |
'A profit of:' | 0:39:29 | 0:39:32 | |
I'm so pleased to be on the Paul Hayes Show. | 0:39:32 | 0:39:35 | |
-Thank you so much(!) -Keep trying, mate. | 0:39:35 | 0:39:38 | |
-You've only been at it 30 years! -I'll start the car. | 0:39:38 | 0:39:41 | |
'No, come back, Foxy. There's still your metamorphic table. | 0:39:41 | 0:39:45 | |
'It could change the entire course of events. | 0:39:45 | 0:39:48 | |
'Phil paid just over £218. | 0:39:48 | 0:39:51 | |
'With selling fees, the table needs to make £275 just to break even.' | 0:39:51 | 0:39:56 | |
I don't want to do this! | 0:39:56 | 0:39:59 | |
-When I bought this, I was convinced it was £300 to £500. -I agree. | 0:39:59 | 0:40:04 | |
As time's gone by, every shred of confidence has been ripped from me! | 0:40:04 | 0:40:09 | |
-£200, do I see? 150, I'm bid. -Oh, Lord! -150, we're in. | 0:40:09 | 0:40:15 | |
160. 170. 180. | 0:40:15 | 0:40:18 | |
-180. £180, I'm bid. -That really is for nothing. | 0:40:20 | 0:40:24 | |
-£180 away... -No! | 0:40:24 | 0:40:27 | |
-That's unbelievable! -That is for nothing, isn't it? -Absolutely for nothing. | 0:40:27 | 0:40:32 | |
'A world of frustration for Mr Fox! | 0:40:32 | 0:40:35 | |
'The table makes an enormous loss.' | 0:40:35 | 0:40:39 | |
On a different day, you'd have got your money. | 0:40:42 | 0:40:46 | |
I'm just going to let his tyres down. | 0:40:46 | 0:40:49 | |
Nothing like a sore loser, is there? | 0:40:49 | 0:40:52 | |
'The sun has set on a stonking Showdown, | 0:40:56 | 0:40:59 | |
'and what a rip-roaring romp through the rarities it's been! | 0:40:59 | 0:41:02 | |
'Both our bad boys started with... | 0:41:02 | 0:41:05 | |
'..Including the costs of renovating his Indian table... | 0:41:07 | 0:41:11 | |
'..All the money that Paul and Phil have made will be going to charity. | 0:41:21 | 0:41:27 | |
'Without further ado, it's time to find out who is today's | 0:41:27 | 0:41:30 | |
'Put Your Money Where Your Mouth Is champion!' | 0:41:30 | 0:41:33 | |
-Good morning, Philip. -How are you? -Welcome to my country estate. | 0:41:33 | 0:41:37 | |
-Fantastic! -What a great place. -So, how'd it go for you? | 0:41:37 | 0:41:41 | |
Talking of fantastic! That auction for me was a real winner! | 0:41:41 | 0:41:45 | |
I made a profit on every item I put into the sale. | 0:41:45 | 0:41:49 | |
-Well, I didn't! -I noticed that! | 0:41:49 | 0:41:52 | |
My metamorphic table metamorphed into a thundering great loss! | 0:41:52 | 0:41:56 | |
My concern is how many numbers I've got either side of the decimal place. | 0:41:56 | 0:42:01 | |
-Now you know how it feels! -One, two, three...! | 0:42:01 | 0:42:04 | |
Look at that! ..DON'T look at that! | 0:42:04 | 0:42:07 | |
That, in the trade, is what they call a thundering great victory. | 0:42:07 | 0:42:11 | |
'Mm, the Fox well and truly trounced by the blue-eyed golden boy. | 0:42:11 | 0:42:17 | |
'But our experts have been building their profit stash all week. | 0:42:17 | 0:42:22 | |
'So, let's find out how much they've made in total.' | 0:42:22 | 0:42:26 | |
-Shall we see how we panned out? -Three, two, one... Go! | 0:42:26 | 0:42:31 | |
-Look at that! -We know who the real winner is! | 0:42:31 | 0:42:36 | |
I tell you one thing, having seen you perform at the auction, | 0:42:36 | 0:42:40 | |
I'm having you as my art consultant. Come and look at this painting... | 0:42:40 | 0:42:45 | |
'An overall win for the Fox, and that money will go to Phil and Paul's chosen charities.' | 0:42:45 | 0:42:52 | |
The Worcestershire Acute Hospital's NHS Trust charitable fund is my chosen charity. | 0:42:52 | 0:42:58 | |
I've chosen it in memory of Jo Lamb, a school friend of my daughter's | 0:42:58 | 0:43:02 | |
who recently lost her fight against cancer. | 0:43:02 | 0:43:05 | |
My chosen charity is close to my heart. | 0:43:05 | 0:43:08 | |
It's the Galloway's Society for the Blind. | 0:43:08 | 0:43:11 | |
'It's been a week of no-holds barred combat. | 0:43:11 | 0:43:14 | |
'Our experts really put their money where their mouths are | 0:43:14 | 0:43:18 | |
'and showed they can make a profit buying and selling antiques | 0:43:18 | 0:43:22 | |
'when their own money is on the line.' | 0:43:22 | 0:43:25 | |
Subtitles by Red Bee Media Ltd | 0:43:45 | 0:43:49 |