Browse content similar to Episode 11. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Hello and welcome to the last in the present series of Film 2012. | :00:26. | :00:31. | |
We're. If you want to get in touch the details are on the screen now. | :00:31. | :00:38. | |
Coming up: Jennifer Lawrence stars in the futuristic drama the Hunger | :00:38. | :00:43. | |
Games. We want a good show. That is all they want. There is 24, only | :00:43. | :00:48. | |
one come out. Aardman take to the high seas inth Pirates in an | :00:48. | :00:53. | |
adventure with scientists. We take a look at some of the biggest and | :00:53. | :00:56. | |
Best Films heading your way this summer. This is the greatest night | :00:56. | :01:05. | |
of my life. Plus, Terry Jones talks us to about the making of The Life | :01:05. | :01:11. | |
Of Brian. First Hunger Games, science fiction adventure starring | :01:11. | :01:17. | |
Jennifer Lawrence. Welcome, welcome. The time has come to select one | :01:17. | :01:22. | |
young man or woman for the honour of representing District 12 in the | :01:22. | :01:32. | |
:01:32. | :01:49. | ||
Primrose Everdeen. Prim! I volunteer. I volunteer as Tribute. | :01:49. | :01:52. | |
Hunger Games are games that the Government of this new formed | :01:52. | :01:56. | |
country called Panem forces random boy and girl from these districts | :01:56. | :02:00. | |
they have split the country into. They go into the Hunger Games to | :02:00. | :02:03. | |
fight until there is one survivor remaining to show the people they | :02:03. | :02:09. | |
have the ultimate power over them. They want a good show. There are 24 | :02:09. | :02:13. | |
of us, only one comes out. I heard about it from my kids. They were | :02:13. | :02:17. | |
the first ones who discovered the book. I had stop them from telling | :02:17. | :02:22. | |
me the whole book. Their enthusiasm was infectious. I went upstairs. I | :02:22. | :02:27. | |
started reading about 10.00pm I finished 1.30 am and put the book | :02:27. | :02:32. | |
down and said, "I have to make this movie, I have to". I went through | :02:32. | :02:38. | |
all of this in a matter of days. I thought they were incredible. It's | :02:38. | :02:43. | |
hard to say true about something in the future. When you look at what | :02:43. | :02:46. | |
is on reality television and history repeating itself it's | :02:46. | :02:50. | |
relevant. I thought it was a very important story to be told. This is | :02:50. | :02:56. | |
the time to show them everything. Make sure they remember you. I keep | :02:57. | :03:01. | |
wishing I could think of a way to show them that they don't own me if | :03:01. | :03:06. | |
I'm going to die I want to still be me. I can't afford to think like | :03:06. | :03:11. | |
that. It has a lot of followers. A lot of fans of the books. If a lot | :03:11. | :03:15. | |
of fans of the books come out to see the movie, I think we will do | :03:15. | :03:25. | |
:03:25. | :03:27. | ||
all right. 5-4-3-2-1. I want to see it again tomorrow. What did you | :03:27. | :03:32. | |
think? Hollywood would love this film to be a huge success. The | :03:32. | :03:38. | |
Twilight series is coming to an end. They could do with a teen-friendly | :03:38. | :03:43. | |
film. I think the Hunger Games will be popular and successful. It | :03:43. | :03:47. | |
deserves to be. I will stop mentioning Twilight the comparison | :03:47. | :03:52. | |
doesn't hold. It is a different money. It's a blockbuster. It has | :03:52. | :03:58. | |
roots from the Rollerball to Running Man. There is a flash of | :03:58. | :04:03. | |
Lord of the Flies. It's often very thrilling. Always very, very smart. | :04:04. | :04:07. | |
Which is very unusual for a movie of this scale. I highly recommend | :04:07. | :04:13. | |
it. Do you? Yes, I do. I adored. It I love Jennifer Lawrence. If it was | :04:13. | :04:17. | |
OK, I would like to make a small model of her so we could embrace it. | :04:17. | :04:23. | |
That might be slightly odd. OK. little bit. It is the last show. I | :04:23. | :04:28. | |
have play do. Why wouldn't I? with it. She is brilliant, | :04:28. | :04:35. | |
compassionate, she is hard, but she's cool. What was weird, I like | :04:35. | :04:39. | |
to read the book and see the film, I did it the other way round. She | :04:39. | :04:44. | |
is older than is played in the book. She does it fantastically. It's | :04:44. | :04:48. | |
very, very dark subject matter. This is about children killing each | :04:48. | :04:54. | |
other. So, you go... All of the kids seem older other than Pru, | :04:54. | :05:00. | |
this young girl. Jennifer Lawrence is fianceeal. The film is brilliant. | :05:00. | :05:05. | |
You will be sitting at the edge of your seat. She will be talked about | :05:05. | :05:13. | |
and talked about. I will mention Stanley Tucci. He is an oily TV | :05:13. | :05:18. | |
host you can't help thinking of other actors, maybe Robert De Niro | :05:18. | :05:22. | |
coming in and Lilleteing you know every second they are above this | :05:22. | :05:26. | |
and slumming it. Stanley Tucci plays it straight and as a result | :05:26. | :05:29. | |
the performance is chilling and brilliant. That is the hallmark of | :05:29. | :05:34. | |
the film. What makes it good is that it never insults anyone's | :05:34. | :05:40. | |
intelligence least of all its teen audience. Utterly brilliant. | :05:40. | :05:50. | |
Someone on Twitter hates when I say brilliant. Suck it up. Next The | :05:50. | :05:52. | |
Pirates! In an Adventure with Scientists!. It features the voice | :05:52. | :05:58. | |
of the dreamy Hugh Grant, the latest animation from the Aardman | :05:58. | :06:08. | |
:06:08. | :06:11. | ||
Studios. A set of cheerful, but utterly incompetent pirates. Blast, | :06:11. | :06:16. | |
I'm the Pirate Captain. I'm here for your gold. This is a ghost ship. | :06:16. | :06:21. | |
And, they will be fine except the captain decides on no evidence at | :06:21. | :06:31. | |
:06:31. | :06:35. | ||
all that this year he is going to win the ultimate prize in pirate si. | :06:35. | :06:43. | |
-- pirates. He fails but bumps into Charles Darwin. It's the scientific | :06:43. | :06:48. | |
discovery of our age. Here is the plan. We go to London. We get a | :06:48. | :06:55. | |
huge pile of booty. I enter Pirate of the Year. I win. Impossible odds. | :06:55. | :07:00. | |
It's only impossible if you think about it. The captain encounters | :07:00. | :07:10. | |
:07:10. | :07:11. | ||
his evil Nemesis. In this case Queen Victoria. Steady on. And, you | :07:11. | :07:20. | |
know, surprising, absurdest adventure follows. It is ambitious | :07:20. | :07:26. | |
in scale. People always assume that we work like in a shed down in | :07:26. | :07:32. | |
Bristol. Everything is quite large. The boot was like 15 foot long and | :07:32. | :07:35. | |
20 foot high. There was a positivism about the whole | :07:35. | :07:45. | |
:07:45. | :07:46. | ||
production. How wonderful to be on that set? A lot of plasticine. | :07:46. | :07:51. | |
big boat much I could go there and make a small Jennifer Lawrence to | :07:52. | :07:56. | |
worship. Let's move on. As you would exact it's Aardman, it's | :07:56. | :08:01. | |
absolutely knockout. It is funny, all I'm saying is Ham Night. Watch | :08:01. | :08:09. | |
it, it will all come together. The voices are fabulous. Amelda | :08:09. | :08:17. | |
Staunton is the biggest baddie on a tiny pony. Hugh Grant is brilliant. | :08:17. | :08:22. | |
Martin Freeman wonderful. I think adults and kids will love it. | :08:22. | :08:30. | |
is old school Aardman Animations. He has spent many hours wrestling | :08:30. | :08:38. | |
with plasticine. The sheer volume of jokes is dizzying. We live in an | :08:38. | :08:41. | |
era were modern animated comedies there are the jokes for the adults | :08:41. | :08:47. | |
and the kids. The jokes here work with everyone at the same time. | :08:47. | :08:55. | |
There is a monkey butler. Everyone finds a monkey butler funny, I have | :08:55. | :09:01. | |
no hope for you. You might as well go to Switzerland to one of those | :09:01. | :09:06. | |
clinics and finish the whole thing. It's how I feel. There is a | :09:07. | :09:10. | |
lairyness. It's unusual. Aardman got in trouble before the film came | :09:10. | :09:17. | |
out. They made a joke about leprosy. It upset a few people. The nudests | :09:17. | :09:23. | |
Hans haven't got off lightly. The Elephant Man and Charles Darwin who | :09:23. | :09:32. | |
is portrayed as a creepy fetishness. I think Darwin would have a good | :09:32. | :09:42. | |
:09:42. | :09:43. | ||
case to Sue from beyond the dead. Hugh Grant having an obscene amount | :09:43. | :09:51. | |
of fun. Instead of our usual Top 5, Chris, Catherine and Antiona pick | :09:51. | :09:55. | |
their Top Blockbuster moments. Summer is when studios release | :09:56. | :10:00. | |
their most expensive movies. Some critics say they dump down the | :10:00. | :10:07. | |
movies there are some examples of pure cinema. To which Jurassic Park | :10:07. | :10:16. | |
T-recognises attack sequence. you feel that? He ramps up the | :10:16. | :10:21. | |
tension like this cup of water that heralds the T-Rex's terrible | :10:21. | :10:29. | |
approach. Then it appears. Trying to get to the screaming snacks | :10:29. | :10:35. | |
inside the Jeep, Spielberg doesn't let up for one second. A lot of the | :10:35. | :10:41. | |
success of this sequence is down to the sound. Not one note of John | :10:41. | :10:50. | |
William's score is heard. Next up the Joker Unveiled in The Dark | :10:50. | :10:58. | |
Knight. Chris if fer Nolan's fopup to Batman's Begins grossed more | :10:58. | :11:08. | |
:11:08. | :11:21. | ||
that its predecessor. That can be Pretty soon he is taken out by the | :11:21. | :11:27. | |
surviving clown who approaches him for a very iconic unveiling. Look | :11:27. | :11:33. | |
at you. What do you believe in? believe whatever doesn't kill you | :11:33. | :11:41. | |
simply makes you stranger. Great choices. You can't talk about | :11:41. | :11:44. | |
blockbusters without talking about James Cameron. My top choice is | :11:44. | :11:50. | |
Terminator 2 Judgment Day. You can't beat the sweaty end of the | :11:50. | :12:00. | |
:12:00. | :12:01. | ||
line scrappyness of Zaire Connor's attack on the T1,000 Terminator. | :12:01. | :12:11. | |
:12:11. | :12:11. | ||
Only for him to recover. With think it's all over. Then Arnie saves the | :12:11. | :12:21. | |
:12:21. | :12:22. | ||
day. Of course, blockbusters aren't just about shooting up the bad guys. | :12:22. | :12:27. | |
They can also be about movie magic. For that sheer ability to create a | :12:27. | :12:37. | |
:12:37. | :12:44. | ||
sense of awe and spectacle, Steven It doesn't get much bet r than | :12:44. | :12:52. | |
Elliot and ET traversing the Full moon. It's the best of American | :12:52. | :12:57. | |
mainstream movie making distilled into a single image. In the grand | :12:57. | :13:03. | |
tradition of corporate Hollywood it went on to become Steven Spielberg | :13:03. | :13:12. | |
as's production company logo. Adrenaline, awe, escapism. Try this | :13:12. | :13:17. | |
one on for size. The opening moments of the 1977 Star Wars. You | :13:17. | :13:27. | |
:13:27. | :13:33. | ||
are six years old and sitting in Suddenly, there is words scrolling | :13:34. | :13:40. | |
everywhere telling you about rebel spies and armoured space stations. | :13:40. | :13:46. | |
Your father drops his mini tub of ice-cream in the confusion. The | :13:46. | :13:51. | |
audience is totally lost and completely gripped. This is the | :13:51. | :14:01. | |
:14:01. | :14:04. | ||
most confident opening to a film of all-time. When audiences first saw | :14:04. | :14:10. | |
Kong crushing through the jungle to sweep Faye Ray into his fists they | :14:11. | :14:16. | |
couldn't believe their eyes or ears. This was during the lowest point of | :14:16. | :14:22. | |
the American Depression. Audiences caeved the escapism of the lonely | :14:22. | :14:27. | |
anticipate man longing for his platinum blonde companion. The | :14:27. | :14:31. | |
block busting moment when Kong falls to his death from the Empire | :14:31. | :14:40. | |
State Building is easily one of the best cinema has ever offered us. | :14:40. | :14:46. | |
They got him. Oh, no. It wasn't the aeroplanes, it was beauty who | :14:46. | :14:56. | |
:14:56. | :15:02. | ||
A brilliant choices. I've had a lot of tricks. Will Smith punching the | :15:02. | :15:06. | |
alien in Independence Day, a star is born. Back to the future. And | :15:06. | :15:16. | |
:15:16. | :15:18. | ||
die hard. Inception. Jaws of. Next, Wild Bill, the directoial | :15:18. | :15:21. | |
debut of actor Dexter Fletcher. It stars Charlie Creed Miles as a man | :15:21. | :15:24. | |
who is relesed from prision after eight years and returns home to | :15:24. | :15:34. | |
:15:34. | :15:37. | ||
find his sons have been abandoned I'm never going back. It nearly | :15:37. | :15:43. | |
killed me. It's a man who got a to prison for violent crimes. It seems | :15:43. | :15:53. | |
:15:53. | :15:53. | ||
like yesterday you got sent down. Usual? 10 pints and a punch-up? No | :15:53. | :16:01. | |
trouble. We hear snippets of his past. By all accounts, he was a bit | :16:01. | :16:07. | |
of a lunatic back in the day. He comes out of prison. There's | :16:07. | :16:13. | |
something different about him. is that? Your old man. He goes to | :16:13. | :16:21. | |
find his two young sons. Where am I? Funny, I said the same thing for | :16:21. | :16:25. | |
the last eight years. He finds out that their mother has gone to Spain | :16:26. | :16:33. | |
with her new fellow. She just left you? And you didn't? I didn't have | :16:33. | :16:42. | |
a choice. That's not what she said. That's my mum you're talking about. | :16:42. | :16:47. | |
He has to go to social services. It's the story of the man who | :16:47. | :16:54. | |
learns to be a father. There's not enough room for both of you. What | :16:54. | :17:00. | |
makes you think I would listen to you, anyway? You are a joke. | :17:00. | :17:07. | |
are you going to sort this out? It's easy with the name and the | :17:07. | :17:10. | |
setting and the nature of the characters for it to be another | :17:10. | :17:18. | |
gangster flick. But it's really just a slice of life, a real story. | :17:18. | :17:24. | |
His criminal past his second to what the film is really about, | :17:24. | :17:29. | |
father trying to regain a relationship with his son. Do you | :17:29. | :17:38. | |
know Bill? Who's asking? One of the film's he has been most | :17:38. | :17:40. | |
associated with his with Guy Ritchie. The problem with Guy | :17:40. | :17:46. | |
Ritchie is that, deep down, if he encountered one of his characters | :17:46. | :17:50. | |
in real life, he would have one of his foot men come down and shoot | :17:50. | :17:54. | |
them but that's not the truth whip Dexter Fletcher. He knows this | :17:54. | :18:02. | |
world. His vantage point is better than just being driven through by | :18:02. | :18:09. | |
your dad show for. Also, Charlie Creed Miles, of casting, because | :18:09. | :18:15. | |
he's a big bruiser, a character. A fearsome reputation. Charlie Creed | :18:15. | :18:20. | |
Miles is more wiry, and do you accept him straight away as someone | :18:20. | :18:25. | |
with a terrifying reputation and the man trying to be a father. It's | :18:26. | :18:30. | |
fantastic having Charlie Creed Miles back. He starred in Nil By | :18:30. | :18:34. | |
Mouth, one of the best films ever made. Since then, he has | :18:34. | :18:38. | |
disappeared for long periods of time. It's good news to have him | :18:38. | :18:43. | |
back. If he was here, I was going to say I would hug him but that | :18:43. | :18:51. | |
sounds weird so we would have a firm handshake. It is thrilling, | :18:51. | :18:57. | |
thrilling. Absolutely brilliant. I think he's fantastic. I think the | :18:57. | :19:05. | |
boys, they are fantastic. Brilliant directing from Dexter to bring out | :19:05. | :19:10. | |
the best of them. The choice of music is fantastic. The best ending | :19:11. | :19:14. | |
of a film I have seen this year and you're watching a man transformed | :19:14. | :19:19. | |
in front of your eyes, but it feels incredibly real. The performances | :19:19. | :19:25. | |
are great. You expect that from Dexter Fletcher, an actor. There's | :19:25. | :19:29. | |
good performances across the board but it trickier to get the tone | :19:29. | :19:36. | |
right with this kind of film. It is lovely but not mushy. The Olympic | :19:36. | :19:43. | |
Park is in there which could have been horribly gimmicky for the time. | :19:43. | :19:52. | |
I have seen lots of crime movies in my time off. Next, The Kid With A | :19:52. | :19:56. | |
Bike, a Belgian film about a 12 year old boy living in care and the | :19:56. | :20:06. | |
:20:06. | :20:06. | ||
Apology for the loss of subtitles for 117 seconds | :20:06. | :22:04. | |
relationship he strikes up with a I was about to start off by saying | :22:04. | :22:08. | |
it's not depressing but of course, that moment is incredibly hard | :22:08. | :22:12. | |
braking and it is a beautiful, beautiful film. The hairdresser is | :22:13. | :22:17. | |
a fabulous in it, and so is the young boy but you might think this | :22:18. | :22:21. | |
is going to be dark. There is something strangely uplifting about | :22:21. | :22:28. | |
it. Of course, he's a damaged, abandoned boy. But it's fabulous. | :22:28. | :22:34. | |
They had this mighty reputation, the directors, but it's not an art- | :22:34. | :22:39. | |
house film. It classically simple and a simple story of a boy trying | :22:39. | :22:44. | |
to pursue his father and perform a relationship with him. And trying | :22:44. | :22:49. | |
to make his way in the adult world. Hollywood would have filled this up | :22:49. | :22:52. | |
with rousing moment and big emotional speeches but the film | :22:52. | :22:58. | |
doesn't need that. A classically simple story and one I think, even | :22:58. | :23:04. | |
if people think they hate art house cinema, I defy anybody not to watch | :23:04. | :23:09. | |
this movie with bated breath, as much as any of the blockbusters. | :23:10. | :23:16. | |
And he is brilliant. The scene where he is angry, I don't want to | :23:16. | :23:26. | |
:23:26. | :23:30. | ||
give too much away, but he's fabulous. Yes, the kid is called | :23:30. | :23:39. | |
Thomas Doret. And he has not been to stage school. He has such an | :23:39. | :23:41. | |
incredible character. There's something almost cartoonish about | :23:41. | :23:48. | |
him. There is something of Tintin about him. A Rundle -- a bundle of | :23:48. | :23:56. | |
energy. An endearing performance, and a weird mixture of total | :23:56. | :24:01. | |
naivety and cynicism at the same time. It's a lovely movie. The Kid | :24:01. | :24:04. | |
With A Bike is on limited nationwide release from Friday 23rd | :24:04. | :24:07. | |
March. Log on to our website to find out where it will be showing. | :24:07. | :24:14. | |
This is an impossible question. What is your film of the week? | :24:14. | :24:19. | |
Listen, The Kid With A Bike is a great movie. I would recommend all | :24:19. | :24:27. | |
of them, Wild Bill. Hunger Games is a special Blockbuster. Yes, but | :24:27. | :24:32. | |
Wild Bill is brilliant and so is the pirates. Next, Catherine, Chris | :24:32. | :24:35. | |
and Antonia tell us what movies to look out for while we're off air. | :24:35. | :24:39. | |
But first here's a round up of some of the films heading your way over | :24:39. | :24:49. | |
:24:49. | :24:59. | ||
You are sweating like a human. Next, it will be tears. What are you | :24:59. | :25:09. | |
:25:09. | :25:30. | ||
waiting for? Mirror, mirror, on the Do the deal and come back with the | :25:30. | :25:40. | |
:25:40. | :25:47. | ||
money. Time's up. What kind of bird You have my permission to die. | :25:48. | :25:53. | |
club is totally out of control! This is the greatest night of my | :25:53. | :26:03. | |
:26:03. | :26:04. | ||
We all have secrets. The ones we keep and the ones that are kept | :26:04. | :26:14. | |
:26:14. | :26:37. | ||
from us. What is your name? Albert. These pages are all stuck together | :26:37. | :26:47. | |
:26:47. | :26:48. | ||
again? I hate my kids right now. They are all dead. We were set | :26:48. | :26:58. | |
:26:58. | :27:12. | ||
You have no right to rule the way you do. You don't say? You think | :27:12. | :27:18. | |
I'm going to kill myself there to make you look bad? Welcome to the | :27:18. | :27:28. | |
:27:28. | :27:30. | ||
programme. Who the hell is he? is an agent. You speak American? | :27:30. | :27:40. | |
:27:40. | :27:41. | ||
What are you prepared to do? bringing the party to you! | :27:41. | :27:45. | |
joining us, Catherine, Chris and Antonia here. Hello. There is a lot | :27:45. | :27:53. | |
on. Who is the most excited about street dance to? You are. I can't | :27:53. | :27:59. | |
help it. And I'm an old lady. What should we be looking forward to and | :27:59. | :28:04. | |
the big hits? What are you most excited about? I have already seen | :28:04. | :28:10. | |
this. I'm excited about a comedy horror called Cabin In The Woods. | :28:10. | :28:17. | |
It is about a cabin in the woods. It's fantastic. Bunny, scary. | :28:17. | :28:22. | |
the trailer and they jumped a lot. It has the balance right which a | :28:22. | :28:28. | |
lot of comedy horror is don't get right. This gets it absolutely | :28:28. | :28:32. | |
right, as you would expect from some of the creative team behind | :28:32. | :28:42. | |
:28:42. | :28:46. | ||
Buffy The Vampire Slayer. OK, quite. I seriously believe something weird | :28:46. | :28:56. | |
:28:56. | :29:04. | ||
What is bad thing? This isn't right. Good idea. Really? We have got to | :29:04. | :29:14. | |
:29:14. | :29:25. | ||
Some body cent of those things to That is genuinely terrifying. I | :29:25. | :29:30. | |
will have to sleep tonight with the lights on. Have a nice hot milk and | :29:30. | :29:35. | |
you will be fine. It is scary and brilliant and it deconstructs the | :29:35. | :29:44. | |
horror genre. OK. I totally trust you. Antonia, I can only imagine | :29:44. | :29:49. | |
you pick something made in the 1930s, by a man wearing a beret, | :29:49. | :29:55. | |
not a bad way? There's not a single lousy subtitled movie to choose | :29:55. | :30:01. | |
from this summer for for so, in response, I'm not leaving the house | :30:01. | :30:09. | |
for anything less than Anna Karenina, out on 7th September. The | :30:09. | :30:15. | |
director did pride and prejudice. And Keira Knightley is in the lead | :30:15. | :30:20. | |
and I think she's shaping up to be the best actress in the country. | :30:20. | :30:25. | |
There was a film called last night which came out last year. Didn't | :30:25. | :30:33. | |
you like it? Fight! She just turns in the most sophisticated, elegant | :30:33. | :30:37. | |
melancholy performance. It's incredible. Then I thought she | :30:37. | :30:42. | |
wiped the floor with Michael Fassbender. One of the finest | :30:42. | :30:51. | |
actors in the world. Or so I love Joe Wright in pride and prejudice. | :30:51. | :30:55. | |
The only other actress who has done this before was Greta Garbo, so she | :30:55. | :31:01. | |
has a standard to reach but it's interesting that the 1935 film was | :31:01. | :31:05. | |
a small film and I have heard this is an enormous production with | :31:05. | :31:15. | |
:31:15. | :31:16. | ||
millions of pounds. It may have all It takes place inside a theatre. | :31:16. | :31:24. | |
You have trains going through the theatre. Maybe he had to re- | :31:25. | :31:29. | |
calibrate quickly. I have all the inside tracks. As always. If I was | :31:29. | :31:33. | |
allowed I would be sitting in your lap. What film should we be excited | :31:33. | :31:39. | |
about? I have been banging on about The Raid. I will not go for that | :31:39. | :31:45. | |
one. You think I might go for The Dark Night knight Rises. But I'm | :31:45. | :31:54. | |
going tor Prometheus. This could well be his hat-trick. People are | :31:54. | :32:04. | |
:32:04. | :32:32. | ||
Yeah, how can you not be excited about that. Is there a plot? Do you | :32:32. | :32:38. | |
know of one? There is. It's about expedition of scientists who | :32:38. | :32:42. | |
discover clues on earth that make them believe mankind was birthed. | :32:42. | :32:46. | |
They go out to this planet and discover things that they shouldn't | :32:46. | :32:50. | |
tamper with. It could possibly lead ultimately to alien. This is very | :32:50. | :32:58. | |
much its own basis. It has the same haunted house movie in space that | :32:58. | :33:04. | |
Alien had. It had this epic scale like 2001 where we tackle themes | :33:04. | :33:12. | |
like the dawn of mankind and, why are we here! It feels like I've | :33:12. | :33:20. | |
seen it. I will give you titles. A French movie, Tales Of The Night. | :33:20. | :33:26. | |
And We Are Poets. And The Raid, best action movie in ten years. | :33:26. | :33:36. | |
:33:36. | :33:38. | ||
People have to see it. The juicy carrot is The Master. He has made | :33:38. | :33:44. | |
four films in his career. The idea that he will be back behind the | :33:44. | :33:53. | |
camera again. My breath is baited already. It's my Movie of the Year. | :33:53. | :33:59. | |
Dark Knight Rises my choice. I clapped the trailer. It's time for | :33:59. | :34:03. | |
director's cut. Terry Jones talk to us about The Life Of Brian. There | :34:03. | :34:13. | |
:34:13. | :34:15. | ||
is, obviously, some strong language. I wasn't there when the idea of | :34:15. | :34:24. | |
Jesus Christ lust for glory came about. We are three wise men. | :34:24. | :34:30. | |
We are three wise men. What are you doing creeping around a cow shed at | :34:30. | :34:34. | |
2.00 am in the morning. That doesn't sound wie wise to me. | :34:34. | :34:38. | |
started reading the Bible. It wasn't Christ. Everything he says | :34:38. | :34:46. | |
is great, you know, so we weren't... The idea of making fun of Christ | :34:46. | :34:53. | |
was quickly put aside. The idea was of parallel massiah came up. They | :34:53. | :34:58. | |
started following me yesterday. Well, they can stop following you | :34:58. | :35:03. | |
right now. Now, stop following my son. You ought to be ashamed of | :35:03. | :35:13. | |
yourselves. Massiah, massiah. who? The massiah. There is no | :35:13. | :35:18. | |
massiah in here. There is a mess all right, but no massiah. Now, go | :35:18. | :35:27. | |
away. John was very keen to play Brian. We all that thought that was | :35:27. | :35:37. | |
:35:37. | :35:40. | ||
a terrible idea. Lock off. What? Judean People Front. We are the | :35:40. | :35:50. | |
:35:50. | :35:50. | ||
People Front of Judea. We persuaded him he was necessary for all the | :35:50. | :35:56. | |
other parts. He does it again in Brian, brilliantly. If you want to | :35:56. | :36:05. | |
join a PFJ you would have to have really hate the rch omans. I do. | :36:05. | :36:13. | |
How much? A lot. Right, you're in. I could tell you some things that | :36:13. | :36:21. | |
you may not have seen in the film What about you. Look for Mike with | :36:21. | :36:27. | |
Chris Lagham, he is pulling a very funny face. When I say the name | :36:27. | :36:34. | |
because... In themanger scene with the three wise men there is a large | :36:34. | :36:40. | |
cable with a plug on it, right in the foreground. It's so obvious. | :36:40. | :36:47. | |
You never see it. # Always look on the bright side of | :36:47. | :36:52. | |
life... # In Always Look on the Bright Side | :36:52. | :36:56. | |
Seymour Hoffman quens will is a man wondering about at the bottom of | :36:56. | :37:06. | |
:37:06. | :37:10. | ||
the crosses. -- sequence" there is a man wondering about at the bottom | :37:10. | :37:19. | |
of the crosses. I have to like it now -- I have got to like it now. | :37:19. | :37:26. | |
Christ is playing by an actor Ken Colly. He is treated respectfully. | :37:26. | :37:33. | |
The camera pans away to someone who shouts, "speak up" they can't hear | :37:33. | :37:39. | |
him. That utterly undermines his faith in Christ. I started off by | :37:40. | :37:45. | |
saying this is such a tenth rate film that I don't believe it would | :37:45. | :37:50. | |
disturb anybody's faith. started out with an open mind. | :37:50. | :37:59. | |
have never seen Michael so angry really. What Mike said was that | :37:59. | :38:09. | |
:38:09. | :38:09. | ||
they missed the beginning of the film. The Bishop of Southwark and | :38:09. | :38:14. | |
Mugridg hadn't seen the first 15 minutes. How could they have missed | :38:14. | :38:19. | |
it. It's a gad piece of work, I think. That's how I feel. Quite | :38:19. | :38:28. | |
self-satisfied about it. It's the end of the film. Incidentally, this | :38:28. | :38:32. | |
record is available. Brilliant. More from Terry Jones on our | :38:32. | :38:41. | |
website. Danny would like to say something. I'm away Paul Thomas | :38:41. | :38:44. | |
Anderson has made five films. will be back in October. Playing us | :38:45. | :38:48. | |
out it can only be The Muppets. Thank you for watching. Have a | :38:48. | :38:58. | |
:38:58. | :38:59. | ||
MUSIC: Tapping Feet, I've Got Everything That I Need | :38:59. | :39:02. | |
# I've got everything I need right in front of me | :39:02. | :39:07. | |
# Nothing is stopping me # Nothing I can't deal with with | :39:07. | :39:09. | |
you right next to me # Life it a piece of cake | :39:09. | :39:15. | |
# Life is a piece of pie # Life's an easy road | :39:15. | :39:18. | |
# With someone beside to you share the road | :39:18. | :39:21. | |
# Life is a high # Life is a leg of lamb | :39:21. | :39:27. |