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Hellow and welcome to a new series of Film Twenty Twelve with me | 0:00:20 | 0:00:23 | |
Claudia Winkleman and Danny Leigh Hello. We're live. If you want to | 0:00:23 | 0:00:26 | |
get in touch, please tweet or email us the details are on the screen | 0:00:26 | 0:00:33 | |
now. Coming up on tonight's show: The con is on as Cameron Diaz and | 0:00:33 | 0:00:41 | |
Colin Firth team up for Gambit. Not just another love story. Michael | 0:00:41 | 0:00:46 | |
Haneke's Amour. I have a mad habit of under estimating you. One last | 0:00:46 | 0:00:49 | |
bite of the cherry as Breaking Dawn Part Two completes the Twilight | 0:00:49 | 0:00:58 | |
Saga. Plus, we give our verdict on Paul Thomas Anderson's, The Master. | 0:00:58 | 0:01:04 | |
We have our top five cult leaders. I hope one of them is me. First, | 0:01:04 | 0:01:07 | |
Twilight: Breaking Dawn Part Two, the final installment in the | 0:01:07 | 0:01:11 | |
Twilight Saga. Bella has started her new life as a vampire. She and | 0:01:11 | 0:01:16 | |
Edward are raising their young daughter, Renesmee, of course they | 0:01:16 | 0:01:24 | |
are. I have a mad habit of under estimating you. My time as a human | 0:01:24 | 0:01:30 | |
is over. I fever felt more alive. After 18 years of being utterly | 0:01:30 | 0:01:34 | |
ordinary, I found I can shine. begins as Bella opens her eyes for | 0:01:34 | 0:01:41 | |
the first time as a vampire. And, starts adapting to her new life. | 0:01:41 | 0:01:46 | |
was born to be a vampire. beautiful. We are the same | 0:01:46 | 0:01:51 | |
temperature now. She realises she is terrifyingly strong and fast and | 0:01:51 | 0:01:58 | |
has an unbelievable thirst for human blood as well, which is odd! | 0:01:58 | 0:02:04 | |
Then realises that she also has a child as well. She died and come | 0:02:04 | 0:02:09 | |
back and has Renesmee, her daughter. Kind of dealing with a child that | 0:02:09 | 0:02:15 | |
grows at a really, really aggressive rate and, kind of, the | 0:02:15 | 0:02:21 | |
fear and wonderment of that. I will never let anyone hurt you. Renesmee | 0:02:21 | 0:02:25 | |
is a special child. In the beginning of the story everybody is | 0:02:25 | 0:02:31 | |
worried about her because there has not... There is no-one like her. | 0:02:31 | 0:02:41 | |
0:02:41 | 0:02:41 | ||
She's a human/vampire mix. So, that confusion is very scary thing. They | 0:02:41 | 0:02:45 | |
are protective and don't want people knowing they are vampires. | 0:02:46 | 0:02:49 | |
Maintaining our secret has never been more imperative. It's silly. | 0:02:49 | 0:02:55 | |
They are secretive folk. They are pissed because they are worried | 0:02:55 | 0:03:00 | |
Renesmee will blow their cover. have to report the crime. The Coens | 0:03:00 | 0:03:05 | |
have done something terrible. think Renesmee is an immortal child. | 0:03:05 | 0:03:10 | |
She was born, not bittern, she grows every single day. What is it | 0:03:10 | 0:03:15 | |
They are coming for us. chieting thing is that it's | 0:03:15 | 0:03:19 | |
unbelievibly different. It's like making a completely new movie. The | 0:03:19 | 0:03:24 | |
same characters. A whole bunch of new ones. A huge amount of new | 0:03:24 | 0:03:29 | |
vampires. It feels like a pleatly different animal. When we were | 0:03:29 | 0:03:33 | |
filming the first movie we thought it was like a smaller budget movie, | 0:03:33 | 0:03:38 | |
hopefully for a few of those fan that is liked the books, but had no | 0:03:38 | 0:03:44 | |
idea it would be anywhere close to this. My first American movie. It's | 0:03:44 | 0:03:50 | |
just been crazy ride. I mean, it was lucky there were pretty good | 0:03:50 | 0:03:55 | |
people involved in it otherwise there would have been a lot of | 0:03:55 | 0:04:00 | |
rehab. How do you define a phenomenon? If you could define it, | 0:04:00 | 0:04:04 | |
if there was an equation we would do it every day. It was go time for | 0:04:04 | 0:04:09 | |
five years. It's insane. Now that it's over, it's a relief because | 0:04:09 | 0:04:13 | |
you are not worried about the story points any more. It's easy to walk | 0:04:13 | 0:04:22 | |
away from a character Wen when you have left them in a conclusive way. | 0:04:22 | 0:04:32 | |
0:04:32 | 0:04:32 | ||
-- when you have left them in a conclusive way. I'm not a Twilight | 0:04:32 | 0:04:38 | |
fan. What is nice with this last movie, the film is only one hour | 0:04:38 | 0:04:45 | |
and 55 minutes long, it does feel much, much, much longer. Much, much | 0:04:45 | 0:04:52 | |
longer. From a value-for-money perspective, the Twilight fans are | 0:04:52 | 0:04:59 | |
quids in here. Twilight is was and forever will be creepy, soapy | 0:04:59 | 0:05:04 | |
claptrap. Well, I love creepy soapy claptrap. That is why I said it. | 0:05:04 | 0:05:09 | |
That is my dream Dallas with blood. I liked the first one. I didn't | 0:05:09 | 0:05:13 | |
like the other two. I thought was pretty good. I think I'm a bit Live | 0:05:13 | 0:05:19 | |
and Let Live. I like everything. Which might be wrong. I like the | 0:05:19 | 0:05:22 | |
opening sequence. I'm mad for iceles. There is a lot less, sort | 0:05:22 | 0:05:27 | |
of, lip biting. They are parents, they are grown up. There is a good | 0:05:27 | 0:05:32 | |
battle scene. Hear me out. The end title phenomenonal They last for | 0:05:32 | 0:05:38 | |
four years. That is not long enough. Will you go. Anybody who has been | 0:05:38 | 0:05:44 | |
part of the series gets about a bow, I like. That They will sign 10x8 | 0:05:44 | 0:05:49 | |
photographs at fan conventions. I will take a bow while I could. I | 0:05:50 | 0:05:56 | |
have been at the end credits since 2006. No. There are things wrong | 0:05:56 | 0:06:04 | |
with it. Alice, who can see in the future and he she says "they are | 0:06:04 | 0:06:11 | |
coming." they take an hour-and-a- half. They move fast. Not these. | 0:06:11 | 0:06:18 | |
The family live in a beautiful, I think, stylised modernesq | 0:06:18 | 0:06:22 | |
glasshouse. They create this house for Bella and Edward which is truly | 0:06:22 | 0:06:31 | |
weird and small and is like a tiny cottage full of niknacs. In the | 0:06:31 | 0:06:36 | |
screening I was at people laughed. I really liked it. I did. I want to | 0:06:36 | 0:06:38 | |
say a quick word about Kristen Stewart. People give her a hard | 0:06:38 | 0:06:43 | |
time. It would be nice for Twilight to have a better legacy than just | 0:06:43 | 0:06:49 | |
inspiring 50 Shades of Grey. It may be she has a proper career as an | 0:06:49 | 0:06:55 | |
actress. She does have talent. Here she would rather be doing the night | 0:06:55 | 0:07:00 | |
shift at a 24-hour garage. She is profpgsal and committed. You will | 0:07:00 | 0:07:03 | |
not get -- professional and committed. Will you not get | 0:07:03 | 0:07:06 | |
anything further out of me. Kristen Stewart talented girl. I wish she | 0:07:06 | 0:07:10 | |
made her breakthrough in a series that provided a better role model | 0:07:10 | 0:07:20 | |
for teenage girls than Bella Swan like Carrie. Next, Michael | 0:07:20 | 0:07:24 | |
Haneke's new film Amour the story of George and Anne, a loving couple | 0:07:24 | 0:07:28 | |
in their 80s, who have to come to terms with the effects of ageing | 0:07:28 | 0:07:38 | |
0:07:38 | 0:07:38 | ||
Apology for the loss of subtitles for 71 seconds | 0:07:38 | 0:08:49 | |
MUSIC STOPS. It's what it say it is, a story about love. A love story. A | 0:08:49 | 0:08:54 | |
love story that happens to be directed by Michael Haneke, this | 0:08:54 | 0:08:59 | |
giant among directors he means films with are fierce and | 0:08:59 | 0:09:04 | |
unflinching. It's tender and a tiny drop of what I think is approaching | 0:09:04 | 0:09:08 | |
sentimentality which is not a criticism. For Tim Henman that a | 0:09:08 | 0:09:13 | |
brave thing to do. A fine film. What did you think? Without being | 0:09:13 | 0:09:16 | |
over dramatic, my favourite film I have seen in the last five years. | 0:09:16 | 0:09:21 | |
That is not over dramatic in the slightest. You know how I get? I | 0:09:21 | 0:09:25 | |
should apologise to Charlie Line, I sat next to him. He said he had | 0:09:25 | 0:09:31 | |
seen it a couple of times before. He said "I'll see you on the other | 0:09:31 | 0:09:35 | |
side" where I had to be helped. We asked you to tweet, then I never | 0:09:35 | 0:09:41 | |
read them out. Nothing says tweet like Michael Haneke. He will be | 0:09:41 | 0:09:47 | |
pleased "it's a tender portrait of life, love and loss. It's a | 0:09:47 | 0:09:50 | |
masterclass." I think it's faultless. The act something | 0:09:50 | 0:09:55 | |
extraordinary. The details. And people will focus on the end of the | 0:09:55 | 0:09:59 | |
film, I even loved the beginning. I loved everything. The couple go to | 0:09:59 | 0:10:02 | |
a performance. You are seeing it from the stage. I could watch that | 0:10:02 | 0:10:06 | |
again and again much I thought it was beautiful. The thing about | 0:10:06 | 0:10:12 | |
Michael Haneke it's easy to get fixated with him. Amour wouldn't be | 0:10:12 | 0:10:16 | |
half the movie it is without the couple, you have Jean-Louis | 0:10:16 | 0:10:21 | |
Trintignant and Emmanuelle Riva, what is great about them is Michael | 0:10:21 | 0:10:24 | |
Haneke poses this uncomfortable question in the middle of this film | 0:10:24 | 0:10:28 | |
which is - what happens to love when the person you love starts to | 0:10:28 | 0:10:34 | |
vanish. The actors have to answer that that on secret. I'm pleased | 0:10:34 | 0:10:40 | |
that this wonderful pair of French actors who have had amazing careers | 0:10:40 | 0:10:43 | |
are getting love now. Extraordinary moments. When he comes home and | 0:10:44 | 0:10:46 | |
tells her about the funeral of the friend they went to. Do you | 0:10:46 | 0:10:50 | |
remember he is talking about The Beatles and Yesterday, that is | 0:10:50 | 0:10:56 | |
brilliant. I love the whole cast. I love their daughter and her husband, | 0:10:56 | 0:11:01 | |
he is in the film for that. I feel they are well rounded. I know who | 0:11:01 | 0:11:06 | |
he is and who she is. I think the casting of Isbelle Huppert is very | 0:11:06 | 0:11:11 | |
good. The role of the daughter, she seems shallow and horrible in a way | 0:11:11 | 0:11:15 | |
that the elderly couple aren't. It feels like Michael Haneke is | 0:11:15 | 0:11:20 | |
letting everyone over the age of 70 off the hook. Normally everyone is | 0:11:20 | 0:11:25 | |
subject to his cruel gaze it's like here once you have your bus pass | 0:11:25 | 0:11:31 | |
you are OK. I'm not as sold on this as his other films. What I loved | 0:11:31 | 0:11:37 | |
about her. She had been ignored by them. Her -- their love was so | 0:11:37 | 0:11:41 | |
strong she felt isolated. You are making excuses for him. Can you | 0:11:41 | 0:11:45 | |
look at my face and, please, go and see this film. If you don't like it, | 0:11:46 | 0:11:51 | |
we will do something. I will send Danny around. No-one wants that. | 0:11:51 | 0:11:58 | |
Can log on to our website to find out where Amour will be showing. | 0:11:58 | 0:12:05 | |
Next, Colin Firth kd and Alan Rickman in the cones brothers crime | 0:12:05 | 0:12:15 | |
0:12:15 | 0:12:17 | ||
caper Gambit. -- Cameron Diaz. awe look at these. Now, he will | 0:12:17 | 0:12:27 | |
0:12:27 | 0:12:27 | ||
have his revenge. How would you you like to make �500,000? Yep. | 0:12:27 | 0:12:32 | |
boring, she is fun. We are both trapped in the world which is | 0:12:32 | 0:12:42 | |
0:12:42 | 0:12:43 | ||
oppressing. I have to wear a suit and curat -- curator to an art | 0:12:43 | 0:12:47 | |
election. I grow newspaper a small town in Texas. She is, basically, | 0:12:47 | 0:12:53 | |
you know, sort of wrangled in and then, sort of, offers offered an | 0:12:53 | 0:12:58 | |
opportunity she can't is a no to. These nice poom people want to take | 0:12:58 | 0:13:05 | |
a picture in the house. -- people want to take a picture in the house. | 0:13:05 | 0:13:12 | |
He has been seeking it with a passion. Haystacks. I have been a | 0:13:12 | 0:13:22 | |
huge fan of Blake Edwards. I guess I began to think back to the | 0:13:22 | 0:13:26 | |
original Pink Panther movies and work with Peter Sellers there was | 0:13:26 | 0:13:31 | |
something in the tone of those movies that I thought made sense | 0:13:31 | 0:13:36 | |
for this. That's marvellous. Tell me, PJ, what makes you think this | 0:13:36 | 0:13:43 | |
paint something worth �12 million? Well, Lionel, first of, it's oil. | 0:13:43 | 0:13:53 | |
0:13:53 | 0:13:55 | ||
Ain't it, Harry? The medium is oil. There is a step in this I really | 0:13:55 | 0:14:05 | |
0:14:05 | 0:14:06 | ||
feel like we found that balance. -- stuff. Michael has a great sense of | 0:14:06 | 0:14:14 | |
humour. He understood this material. And you don't have to say, "for an | 0:14:14 | 0:14:24 | |
0:14:24 | 0:14:27 | ||
American". I personally find comedy makes me more anxious than drama. | 0:14:27 | 0:14:37 | |
0:14:37 | 0:14:37 | ||
It's just what we find hard to manage. No problems then, sir? | 0:14:37 | 0:14:44 | |
Security is a little tighter. getting anything else are we? | 0:14:44 | 0:14:51 | |
It's a caper movie which is notoriously difficult to get right. | 0:14:51 | 0:14:54 | |
It has to be pointless. You have to just enjoy wasting your time with | 0:14:55 | 0:15:01 | |
them and in the case of Gambit, skippered by the Coen Brothers, | 0:15:01 | 0:15:06 | |
presumably by gunpoint because they forgot to do the jokes in. Half the | 0:15:06 | 0:15:13 | |
movie is Colin Firth losing his trousers. With the odd reference to | 0:15:13 | 0:15:19 | |
Alan Rickman's bollocks. It is that enough for you? Yes. I was a little | 0:15:19 | 0:15:25 | |
bit live and let live. I thought, in five weeks' time, I can't find a | 0:15:25 | 0:15:30 | |
Christmas tree, I will be livid. It's all right. It's got Colin | 0:15:30 | 0:15:34 | |
Firth and Cameron Diaz. There are bits that are funny. I laughed out | 0:15:34 | 0:15:39 | |
loud when I reminded myself of that moment. Maybe I'm not well. There | 0:15:39 | 0:15:45 | |
is a moment when he can't lift up the chairs. Look at my face. It was | 0:15:45 | 0:15:53 | |
funny. You're not well. If you have got a spare 10 a, it's a Wednesday | 0:15:53 | 0:16:00 | |
night, go and see it. There's no chemistry. Gambit is a remake of a | 0:16:00 | 0:16:05 | |
film up from 1966 with Michael Caine and Shirley Maclean and they | 0:16:05 | 0:16:15 | |
0:16:15 | 0:16:16 | ||
crackle. Colin Firth looks terrified of Cameron Diaz. There's | 0:16:16 | 0:16:25 | |
a pair of concierge at at the Savoy who still a whole movie. Every time | 0:16:25 | 0:16:29 | |
that the move the leaves them, you think, these guys are funny but no, | 0:16:29 | 0:16:35 | |
we have to look for Colin Firth's trousers again. I'm not sold. | 0:16:35 | 0:16:42 | |
are brilliant films out. Twilight. Quite. It's now time for the top | 0:16:42 | 0:16:52 | |
0:16:52 | 0:17:04 | ||
This is thrilling because Chris, you're in the studio. This was my | 0:17:04 | 0:17:13 | |
idea. Yes, physically, because now we can discuss with you and it | 0:17:13 | 0:17:22 | |
showed at two about, linked to The Master, you have top-five cult | 0:17:22 | 0:17:32 | |
0:17:32 | 0:17:34 | ||
leaders. Was this easy for you? was fairly difficult at first. We | 0:17:34 | 0:17:40 | |
don't agree on the order. I think a cult leader should have giant | 0:17:41 | 0:17:50 | |
0:17:51 | 0:17:52 | ||
snakes. Britney Spears. Sadly, she did not make the grade. He was | 0:17:52 | 0:17:57 | |
number five? A cult leader from Indiana Jones And the Temple of | 0:17:57 | 0:18:02 | |
Doom. He scared the living daylights out of me. Now I'm a | 0:18:02 | 0:18:12 | |
0:18:12 | 0:18:44 | ||
grown-up, he still does. Let's have I do remember that. He pulls his | 0:18:44 | 0:18:51 | |
heart out. Yes, and he's alive. believe Harrison Ford has | 0:18:51 | 0:18:56 | |
established a cult in the brass get based on that. You were seven when | 0:18:56 | 0:19:03 | |
you watch that. That was scary. you see your parents? I'm tempted | 0:19:03 | 0:19:08 | |
but I still find him it's scary. When you see him, do you want to | 0:19:08 | 0:19:18 | |
0:19:18 | 0:19:19 | ||
sleep and suck a blanket? Yes. Number four? It is Brad Pitt from | 0:19:19 | 0:19:22 | |
of fight Club. You have everything you want, he's charismatic, looks | 0:19:22 | 0:19:28 | |
fantastic, and he likes to punch people which is good. But, more | 0:19:28 | 0:19:34 | |
importantly, he has rules. You need rules and sometimes he was double | 0:19:34 | 0:19:40 | |
denim. Never forget that. Very good for a cult leader. Here is a clip. | 0:19:40 | 0:19:46 | |
Every week, Tiler reveals the rules that we decided. Gentlemen, welcome | 0:19:47 | 0:19:53 | |
to fight Club. The first rule of fight Club is you do not talk about | 0:19:53 | 0:19:57 | |
fight Club. The second rule of fight Club is, you do not talk | 0:19:57 | 0:20:07 | |
0:20:07 | 0:20:16 | ||
Which one is the Chanel advert? Along time after that. A good | 0:20:16 | 0:20:23 | |
choice. Twitter is very lopsided. People have gone for an obvious | 0:20:23 | 0:20:31 | |
choice. Somebody said your pagan dancing but are not sure if that is | 0:20:31 | 0:20:39 | |
a request? That's the wrap party. What is number three? This is | 0:20:39 | 0:20:47 | |
everybody's number one. It's not my number one. It is the wicker man. | 0:20:47 | 0:20:57 | |
0:20:57 | 0:21:13 | ||
Very good. He is a cult leader. is, and that's why I chose it. | 0:21:13 | 0:21:18 | |
idea there other cults ahead of this, I don't believe it. It's | 0:21:18 | 0:21:28 | |
0:21:28 | 0:21:28 | ||
terribly exciting. Yes, he's got a kilt, he's not afraid to burn up | 0:21:28 | 0:21:33 | |
non-believers. Christopher Lee at his finest. You're a dead to me. | 0:21:33 | 0:21:41 | |
2, there's going to be a hoo-ha about this. Yoga from Episode One | 0:21:41 | 0:21:51 | |
0:21:51 | 0:21:51 | ||
of the Phantom menace. They are a cult. I think there is a leader in | 0:21:51 | 0:21:56 | |
Star Wars but I don't think it's him. Let's remind ourselves of the | 0:21:56 | 0:22:05 | |
weirdness. Your thoughts dwell on your mother? I miss her. Afraid to | 0:22:05 | 0:22:12 | |
lose her, I think. What has that got to do with anything? Everything. | 0:22:12 | 0:22:19 | |
Fear is the path to the dockside. That leads to anger, hate, | 0:22:19 | 0:22:24 | |
suffering -- dark side. What I love it during that, Chris, you just | 0:22:24 | 0:22:30 | |
went, yeah? He talks absolute nonsense. People think it's | 0:22:30 | 0:22:40 | |
0:22:40 | 0:22:41 | ||
profoundly. I think there is a cult leader in Star Wars. We would all | 0:22:41 | 0:22:50 | |
followed R2D2. He is a quiet leader. If I wasn't contractually obliged | 0:22:50 | 0:22:57 | |
to stay here, I would walk out. is a quiet leader. He is a quiet | 0:22:57 | 0:23:05 | |
leader. We have now reached the point. We have no Satanists. I | 0:23:05 | 0:23:10 | |
didn't want it angry members of the satanist community tweeting in but | 0:23:11 | 0:23:17 | |
no Rosemary's Baby? It's a fine tradition, Chris. Let's talk about | 0:23:17 | 0:23:25 | |
number one. Brian Cowen from the Life of Brian. Can I just say, this | 0:23:25 | 0:23:29 | |
has got bad language in it, so if you are small, cover your ears. | 0:23:29 | 0:23:39 | |
0:23:39 | 0:23:40 | ||
Hale, Messiah! I am not the Messiah. I should know, I have followed a | 0:23:40 | 0:23:46 | |
few. I say you are. I am not the Messiah. I am not the Messiah. | 0:23:46 | 0:23:52 | |
Don't you understand? Honestly! Only the true Messiah denies his | 0:23:52 | 0:23:59 | |
divinity. What sort of chance does that give me? All right, I am of | 0:23:59 | 0:24:09 | |
0:24:09 | 0:24:17 | ||
the Messiah. He is the Messiah! thank off! -- lock off? It's a | 0:24:17 | 0:24:25 | |
mighty top five, isn't it? Have you enjoyed this? Yes. I will come back | 0:24:25 | 0:24:33 | |
in a few weeks' time. Very nice. Next, The Master, starring Joaquin | 0:24:33 | 0:24:36 | |
Phoenix as a damamged World War II vetern who falls under the | 0:24:36 | 0:24:46 | |
0:24:46 | 0:24:47 | ||
charismatic spell of cult leader Manner is not an animal. -- man. We | 0:24:47 | 0:24:52 | |
are not a part of the animal kingdom. We are far above that | 0:24:52 | 0:25:02 | |
0:25:02 | 0:25:03 | ||
crowd. We are spirits, not beasts. I have unlocked and discovered a | 0:25:03 | 0:25:09 | |
secret to living in these bodies that the owner. Good sides allies | 0:25:09 | 0:25:14 | |
for more than one opinion which is the basis of a cult. The only way | 0:25:14 | 0:25:21 | |
to defend his to attack. Please don't hurt him. He is dangerous. | 0:25:21 | 0:25:29 | |
is making this up as he goes along. I don't ever want to see you again. | 0:25:29 | 0:25:39 | |
0:25:39 | 0:25:40 | ||
The film business lives on hype. For all the hype, The Master is the | 0:25:40 | 0:25:44 | |
real deal. Paul Thomas Anderson has made films about extraordinary | 0:25:44 | 0:25:50 | |
characters. After a while, you feel like you met everybody you want to | 0:25:50 | 0:25:59 | |
meet but after WITH Paul Thomas Anderson's films. I think Joaquin | 0:25:59 | 0:26:01 | |
Phoenix's character is this extraordinary yet. You never quite | 0:26:02 | 0:26:05 | |
know what's coming next and I don't think that's ever been truer than | 0:26:06 | 0:26:12 | |
in the The Master for I thought it was absolutely phenomenal. Rarely | 0:26:12 | 0:26:16 | |
have I watched a film of that long and watch the credit and | 0:26:16 | 0:26:20 | |
immediately thought, is there any way we could watch this straight | 0:26:20 | 0:26:25 | |
away again. It is extraordinary. It is a weird week. Amour and The | 0:26:26 | 0:26:29 | |
Master are my favourite films for as long as I can remember. Joaquin | 0:26:30 | 0:26:34 | |
Phoenix is extraordinary in this. It's beautiful. The cinematographer. | 0:26:34 | 0:26:40 | |
Even if you are just watching him choose between pasta sauces, I mean, | 0:26:40 | 0:26:47 | |
he is amazing in it, isn't he? Joaquin Phoenix is stunning but so | 0:26:47 | 0:26:52 | |
is Amy Adams. She is surrounded by these gigantic performances and has | 0:26:52 | 0:26:57 | |
never dwarfed. The role she has, its pivotal, and she plays it | 0:26:57 | 0:27:03 | |
brilliantly. It reminds me of raging Bull, another gorgeous | 0:27:03 | 0:27:08 | |
looking film about a troubled character who can't control himself. | 0:27:08 | 0:27:13 | |
Take the fighting scenes out and it is episodic and sprawling. You | 0:27:13 | 0:27:16 | |
don't know what you're supposed to think at the end of it. 30 years | 0:27:16 | 0:27:21 | |
ago, everybody wondered whether Martin Scorsese had made a | 0:27:21 | 0:27:26 | |
masterpiece. Now there is no doubt. I don't know, I will put my money | 0:27:26 | 0:27:30 | |
on the The Master at this point also it is hypnotic and deserves | 0:27:30 | 0:27:36 | |
all the hype it's getting. Whatever you do, see it. I think it is Paul | 0:27:36 | 0:27:42 | |
Thomas Anderson's best film he has made so far. I am so aghast, I | 0:27:42 | 0:27:49 | |
can't speak. What is your film of the week? I would love it if you | 0:27:49 | 0:27:57 | |
said, Twilight. No, it is The Master. For me, you have to see | 0:27:57 | 0:28:02 | |
Amour and The Master. That's all for tonight. In next week's show | 0:28:02 | 0:28:05 | |
we'll be reviewing End of Watch, Nativity 2, The House I Live In, | 0:28:05 | 0:28:08 | |
and Silver Linings Playbook. Playing us out tonight is Gangster | 0:28:08 | 0:28:11 | |
Squad, starring Ryan Gosling, Sean Penn and Emma Stone. It's in | 0:28:11 | 0:28:21 | |
0:28:21 | 0:28:26 | ||
cinemas next January. Thank you and I need you to save her. I'm going | 0:28:26 | 0:28:32 | |
after Mickey Cohen. Why should he have so much when others have so | 0:28:32 | 0:28:39 | |
little? Take what you can when you can. In a month, we will have the | 0:28:39 | 0:28:44 | |
whole west coast are tied up in a nice ribbon. We are going to war. | 0:28:44 | 0:28:54 | |
0:28:54 | 0:28:55 |