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We'd like to hear from you, so please do tweet us. | :00:28. | :00:31. | |
On tonight's show: Growing old disgracefully. | :00:32. | :00:39. | |
Lily Tomlin packs a punch in "Grandma." | :00:40. | :00:46. | |
Some people should not grow beards, your face looks like an armpit! | :00:47. | :00:54. | |
Brad and Angelina embrace happiness and heartbreak in "By The Sea." | :00:55. | :00:58. | |
And a long time ago - in a galaxy far, far away? We look | :00:59. | :01:08. | |
back to the birth of "Star Wars." Plus, keeping a sense of humour | :01:09. | :01:11. | |
British movie Hector, starring Peter Mullan and Gina | :01:12. | :01:14. | |
And joining us is the Independent's critic Ellen E Jones. | :01:15. | :01:20. | |
Hello. Hello. Hello. But, that went well. | :01:21. | :01:28. | |
Actress, stand-up comedienne and all-round super-star. | :01:29. | :01:30. | |
If she were British, she'd be a Dame by now. | :01:31. | :01:33. | |
Once a favourite of top-indie director Robert Altman, | :01:34. | :01:34. | |
now she's winning fresh acclaim in indie comedy Grandma, | :01:35. | :01:37. | |
When? When are you going to have to ask is? Now. You are asking? Yes, | :01:38. | :01:51. | |
you are disturbing the customers. I am a customer, do you know what a | :01:52. | :01:55. | |
customer is. A customer pays for your services so I am a customer. | :01:56. | :01:58. | |
What other customers are we disturbing? Them? Ozzie and Harriet? | :01:59. | :02:06. | |
Yes. Else is a lesbian feminist poet and her granddaughter shows up on | :02:07. | :02:12. | |
her doorstep and her granddaughter is in a tight place, she needs | :02:13. | :02:18. | |
money. I need $600, 603. For what? I am pregnant. And so Elle joins her | :02:19. | :02:25. | |
on a road trip to find the money for the abortion. | :02:26. | :02:31. | |
Do you think I am a shut? No, no. But I don't want you using that word | :02:32. | :02:34. | |
again. It is a comedy drama which makes one | :02:35. | :02:41. | |
cringe, the hardest film to do correct me, the success ratio is | :02:42. | :02:46. | |
low. But at the same time, some of my favourite films like the graduate | :02:47. | :02:49. | |
that. You have to take responsibility for that. Why did you | :02:50. | :02:54. | |
not use a condom or for the sake of humanity, get a vasectomy! Who is | :02:55. | :03:02. | |
this? She is my Grandma. In some ways, she is conventional. The grand | :03:03. | :03:05. | |
daughter is making a mistake she might have made. Get out of my | :03:06. | :03:10. | |
homecoming you crazy old... I liked your boyfriend, he is special. | :03:11. | :03:17. | |
Nobody is able to be as aggressive. And yet as charming and funny as | :03:18. | :03:21. | |
Lily. She is already pregnant. Grandma! Just saying! The character | :03:22. | :03:29. | |
is gay. The character is in her 70s. There is ageism and transgender | :03:30. | :03:36. | |
character played by Laverne Cox. Your Grandma helped me out a long | :03:37. | :03:40. | |
time ago. That is some sort of essence of what the movie is about. | :03:41. | :03:45. | |
Don't reduce people. I am assuming you went to her for money but she | :03:46. | :03:49. | |
doesn't have any money either so of course you came to me. I figure | :03:50. | :03:55. | |
Conservative America will not love the film! That has been borne out! | :03:56. | :04:01. | |
Most of them do not see the film. There has been stupid stuff on the | :04:02. | :04:04. | |
internet about it. A presidential election is coming up and the old | :04:05. | :04:09. | |
Raft of Republican candidates have made political hay out of this issue | :04:10. | :04:14. | |
and lies have been spread around. You need to be able to say, screw | :04:15. | :04:19. | |
you sometimes. I say that. You did not say that about little creep back | :04:20. | :04:23. | |
there. Screw you, Grandma! Not bad. The movie is a welcome | :04:24. | :04:28. | |
change of the issues and the way it is handled and the way people | :04:29. | :04:33. | |
relate. What about those can Dons I got you? We used them. You can get | :04:34. | :04:40. | |
more. -- condoms. I know, you do not have to yell at me! This is not | :04:41. | :04:46. | |
yelling, I will show you yelling. It is not pro-abortion, I cannot think | :04:47. | :04:50. | |
of anybody who is. They are pro-choice. This young woman is in a | :04:51. | :04:56. | |
dilemma and she clearly is not in a position to be a parent. Any aid it | :04:57. | :05:01. | |
can seat you need to be supervised, right? -- idiot. You saying I am any | :05:02. | :05:07. | |
idiot? What do you one? A kiss. I am going | :05:08. | :05:13. | |
to be there because this is my granddaughter. What do you think, | :05:14. | :05:24. | |
acquitted? This is a Paul Weitz movie and he made American Pie but | :05:25. | :05:29. | |
this is more of an American indie, low budget feel. This is about | :05:30. | :05:35. | |
abortion, two women going to get an abortion. We're watching it in the | :05:36. | :05:40. | |
UK and thankfully in this country abortion is not a fraught issue and | :05:41. | :05:43. | |
it takes on a different tone, it is more about the granddaughter and | :05:44. | :05:47. | |
grant parent relationship. -- grandparent. In many movies, she is | :05:48. | :05:53. | |
a caricature but she gets to be a character and that is interesting. I | :05:54. | :05:57. | |
could just watch her and you realise it is really tight, it is succinct | :05:58. | :06:02. | |
and she is so fantastic as a character that if they made a film | :06:03. | :06:05. | |
just about her going shopping let alone what they have to do, I would | :06:06. | :06:11. | |
watch that. Lily Tomlin is fantastic, I have been scared of her | :06:12. | :06:15. | |
since All of Me in 1984 and I was 12. New cow in the best way and that | :06:16. | :06:19. | |
is a condiment. She still has that, she is why a wall on legs. A 70 | :06:20. | :06:25. | |
something punk rocker. It works well as a buddy movie and you need two | :06:26. | :06:29. | |
people and Julia Garner who plays her granddaughter is great and they | :06:30. | :06:33. | |
have a great dynamic. It should not make sense as she is frail and | :06:34. | :06:37. | |
serial, hop on Marks blonde curls, but she is a top cookie and that is | :06:38. | :06:41. | |
one reason that the -- the film works. A lot of fantastic actors | :06:42. | :06:47. | |
appear. You think, that was a day and a half of work. That did not | :06:48. | :06:51. | |
cost a lot of money. Each interaction is meaningful. In this | :06:52. | :06:55. | |
kind of movie, people coming in and out. Several great scenes in this | :06:56. | :07:01. | |
movie, Sam Elliott is another great character to who plays an old flame | :07:02. | :07:07. | |
of the character of Lily Tomlin. And Marcia Gay Harden. She is fantastic. | :07:08. | :07:12. | |
It is perfect sense because Little Miss sunshine was a perfect movie | :07:13. | :07:17. | |
but had unfortunate consequences like American indie movies, you get | :07:18. | :07:22. | |
half a dozen random people and each has a quirk and they like a family | :07:23. | :07:26. | |
and it makes no sense but the family makes sense. They even look quite | :07:27. | :07:33. | |
alike. Lily Tomlin, it makes perfect sense and Marcia Gay Harden is a | :07:34. | :07:38. | |
driven woman and her daughter is Julia Garner who is a slightly | :07:39. | :07:43. | |
uncertain character. We needed a film about the relationship between | :07:44. | :07:47. | |
that hippie generation and their children. And not the usual Grandma. | :07:48. | :07:55. | |
And not just the one that has toffees and is sweet and knitting, | :07:56. | :08:00. | |
but also very grumpy, she isn't a mixture. She is a smart, she is a | :08:01. | :08:04. | |
rocker and she is soft and she changes. It has the American | :08:05. | :08:09. | |
trappings, chapter headings in lower case. You think, could it not be | :08:10. | :08:14. | |
capital letters? It does not push that too far, there is no ukelele | :08:15. | :08:17. | |
and I always breathe a sigh of relief. Grandma does not need a | :08:18. | :08:23. | |
ukelele. Not expensive, a contention for the wards? Lily Tomlin might be. | :08:24. | :08:30. | |
A lot of good feeling for her. , cost $600,000 and the funny thing | :08:31. | :08:34. | |
about awards and we are about to enter that corridor of hysteria, | :08:35. | :08:38. | |
awards season, and if you make films that are not blockbusters, that is | :08:39. | :08:41. | |
history were because you have to make nominations. I do not think | :08:42. | :08:46. | |
that is bad in the case of Grandma, it fits the movie. Tangerine was | :08:47. | :08:50. | |
another film benefiting from not having as much money. But you | :08:51. | :08:54. | |
realise you have to do that if you do not get the film industry | :08:55. | :09:00. | |
economy, if you do not get nominations, you make a film in a | :09:01. | :09:03. | |
cover shop with no extras for half $1 million. | :09:04. | :09:05. | |
Written and directed by Angelina Jolie, she stars | :09:06. | :09:08. | |
with her husband, Brad Pitt, as an unhappily married couple | :09:09. | :09:10. | |
trying to save their relationship in the South of France. | :09:11. | :10:06. | |
Can I just say, there was only one screening of this and I could not go | :10:07. | :10:25. | |
because I had to do other stuff. I have not seen it. People have been | :10:26. | :10:31. | |
vile about it. In my world, she can do no wrong. With that, Danny. | :10:32. | :10:37. | |
Delightful as that clip was, we need to put flesh on it. The film is | :10:38. | :10:43. | |
directed by Angelina Jolie and about a pair of ridiculously good-looking | :10:44. | :10:46. | |
married couple played by Angelina Jolie and Brad Pitt. She is a famous | :10:47. | :10:51. | |
dancer and he is of course a famous writer but despite their success and | :10:52. | :10:55. | |
good looks, they are not happy, the marriage is going bad. They fetch up | :10:56. | :10:59. | |
in the French Riviera in the South of France in a beautiful Andy Dilip | :11:00. | :11:05. | |
result. They get stuff unpacked and spend the rest of the film having | :11:06. | :11:08. | |
rows, drinking gin for breakfast and having mascara running down their | :11:09. | :11:13. | |
cheeks. It is very self-indulgent and in places shrivelling great goal | :11:14. | :11:19. | |
but I quite like it. It is also smite and self-aware and it has | :11:20. | :11:25. | |
slight whipped -- smart. It is a based around these beautiful perfect | :11:26. | :11:30. | |
people stricken with Ms Rhee, even luggage is perfect and even though | :11:31. | :11:35. | |
the room is perfect and Brad Pitt's slacks, they are perfect and | :11:36. | :11:40. | |
Angelina Jolie's lips, they are perfect on her big and bubbly head. | :11:41. | :11:46. | |
It is not big and bubbly, it is perfect. Continue as you are! That | :11:47. | :11:50. | |
is a condiment. They are consumed with self loathing. Why have people | :11:51. | :11:59. | |
been so mean? People are confusing a beautiful film made by a beautiful | :12:00. | :12:03. | |
woman with a vanity project. The character is quite vain but it is | :12:04. | :12:07. | |
not a vanity project because there is more than her showcasing her | :12:08. | :12:11. | |
beauty and talent. Good ideas as well. And she is quite smart to | :12:12. | :12:15. | |
focus on the beauty because if you cast Brad Pitt and Angelina Jolie, | :12:16. | :12:20. | |
they cannot just stand in a garage forecourt, they have to be in a | :12:21. | :12:24. | |
beautiful location, it makes sense. It is tradition for the director to | :12:25. | :12:27. | |
fall in love with the leading lady even if the director is the leading | :12:28. | :12:32. | |
lady! What is weird is me listening to you two, I think of course I will | :12:33. | :12:37. | |
see it but having read the reviews, you'd two come at it from a | :12:38. | :12:42. | |
different angle. It is far too long. Seven days long? It is getting | :12:43. | :12:48. | |
there! Neither of us wants this on our epitaph, I liked By The Sea. It | :12:49. | :12:54. | |
is too late! There is a lot to stick up for. So many interesting ideas. | :12:55. | :12:59. | |
For Angelina Jolie, she is self-aware and she knows she is one | :13:00. | :13:04. | |
of the world's most sought-after actresses and she makes herself a | :13:05. | :13:08. | |
peeping Tom. There is a hole in the hotel room wall and she is the one | :13:09. | :13:11. | |
looking at the couple next door, that is interesting. What are my | :13:12. | :13:16. | |
favourite scenes is short, it is her and him ready to go out together and | :13:17. | :13:20. | |
they look in the mirror and she puts lipstick on with a cigarette hanging | :13:21. | :13:25. | |
out and it is fabulous. You said vanity project but everything is a | :13:26. | :13:28. | |
vanity project. We do not normally notice because it is normally a | :13:29. | :13:33. | |
director's project and we do not recognise their name. Actors | :13:34. | :13:37. | |
constantly, even when they do not direct, like she has, they | :13:38. | :13:42. | |
constantly make vanity projects because everybody is dependent on | :13:43. | :13:45. | |
that to get the finance. Writers and direct has turned into skeletons | :13:46. | :13:50. | |
waiting for Ryan Gosling to say yes to their movie. Every film is a | :13:51. | :13:57. | |
vanity project. Let of Angelina! -- lay-off. | :13:58. | :14:00. | |
It won seven Oscars, ranks as one of the world's top | :14:01. | :14:03. | |
grossing films and is, quite simply, the stuff of movie legend. | :14:04. | :14:06. | |
Nothing was the same again after Star Wars. | :14:07. | :14:08. | |
But we've waited more than 30 years to find out what happened | :14:09. | :14:10. | |
to Luke Skywalker, Princess Leia, and Hans Solo. | :14:11. | :14:12. | |
On the eve of the new Star Wars release, we go back to 1977 | :14:13. | :14:16. | |
and Star Wars fever, first time around. | :14:17. | :14:17. | |
Star Wars THEME. Make sure your seats are securely fastened. For the | :14:18. | :14:33. | |
most part, like any fairy tale, it is timeless. Just making a movie | :14:34. | :14:39. | |
that I thought would be enjoyable, that I wanted to make, telling a | :14:40. | :14:41. | |
story I wanted to tell. Now, Star Wars is a world-famous | :14:42. | :14:58. | |
brand but in 1977 it was an unknown quantity. The sci-fi B-movie | :14:59. | :15:04. | |
directed by a relative newcomer starring a cast of unknowns. | :15:05. | :15:11. | |
Expectations were low. My agent said there was an American making a cheap | :15:12. | :15:15. | |
little budget science-fiction movie where the money was going on the | :15:16. | :15:19. | |
sets and costumes and special effects. He wanted to see me for the | :15:20. | :15:27. | |
part of... And she paused, a robot! Don't take that look with me! I said | :15:28. | :15:33. | |
no! We thought it was a bit of a turkey. It blew everybody's mind, | :15:34. | :15:39. | |
what I was doing. Not very reassuring! George's style of | :15:40. | :15:45. | |
film-making was difficult, he never said anything, he never asked me to | :15:46. | :15:49. | |
do a scene in a particular way, he would just say action and cut. | :15:50. | :15:55. | |
Sometimes he would say terrific. Often he said nothing. I have a very | :15:56. | :16:02. | |
bad feeling about this. We were several weeks behind schedule and | :16:03. | :16:06. | |
the studio cut us off. We ended up with the 80% shot movie. It looked | :16:07. | :16:20. | |
like the ship had sunk. Hello there. Is it true that you didn't know what | :16:21. | :16:23. | |
character you were playing in Star Wars? I don't know quite what he was | :16:24. | :16:31. | |
meant to be come I must admit that. Darth Vader, now that's a known I | :16:32. | :16:35. | |
have not heard in a long time. -- Obi Wan. I thought oh, grams. Star | :16:36. | :16:45. | |
Wars, science-fiction, not for me! We will have no more of this Obi Wan | :16:46. | :16:50. | |
Kenobi gibberish. I feel something terrible has happened. The dialogue | :16:51. | :16:55. | |
was pretty childish. That's the real trick, isn't it? I said to George, | :16:56. | :17:00. | |
you can type this shit but not say it. And it's still true. There is a | :17:01. | :17:10. | |
bit of a trick to say" it will take a few moments for it to get the | :17:11. | :17:17. | |
coordinates". At the rate they are gaining? It isn't like dusting | :17:18. | :17:25. | |
crops, boy! I thought, who talks like this? Do you know what he's | :17:26. | :17:33. | |
talking about? Star Wars was pretty difficult to read as a script | :17:34. | :17:37. | |
because a lot of the description was of special effects and it looked | :17:38. | :17:40. | |
like a description of something that was impossible to create. I don't | :17:41. | :17:45. | |
think George thought of them as a special effects, he wanted to make | :17:46. | :17:49. | |
his movie. It took 6-8 months to get that stuff functioning. It was very | :17:50. | :17:54. | |
difficult to make the schedule. It hadn't been done before. George is | :17:55. | :18:01. | |
like a great builder. When he has it in his mind that going to make these | :18:02. | :18:07. | |
Star Wars, you know, I'm told billions of dollars, nothing is | :18:08. | :18:12. | |
going to stop him. George created his own world, his own industry in a | :18:13. | :18:17. | |
way. You wonder what it's going to be in the future in terms of an | :18:18. | :18:23. | |
injury, going to visit George at the ranch. A piece of junk! I hate great | :18:24. | :18:30. | |
confidence that we would make it -- had great confidence. Even by the | :18:31. | :18:36. | |
standards of Hollywood, a place where nothing succeeds like success, | :18:37. | :18:41. | |
Star Wars is phenomenal. It is already the biggest box office hit | :18:42. | :18:45. | |
in cinema history. One reason for this is that it somehow combines | :18:46. | :18:49. | |
elements of the best loved themes of romantic adventure, from Arabian | :18:50. | :18:52. | |
nights to the Western, science-fiction and fantasy. We did | :18:53. | :18:59. | |
it! We did it! Fantastic imagination. I didn't like it when | :19:00. | :19:04. | |
the man chopped off that persons arm. Why not? Because there was | :19:05. | :19:11. | |
blood! I think a lot of people feel that George and Star Wars | :19:12. | :19:15. | |
transformed the industry. It transformed the exhibition, allowing | :19:16. | :19:18. | |
a film to be released into Morse in the Mars than anybody had put a | :19:19. | :19:23. | |
movie before. People love the movie, not only for the content but what it | :19:24. | :19:30. | |
represents, in their minds, ushering a new era merchandising driven | :19:31. | :19:37. | |
movies. With the success of the film, the country goes Star Wars | :19:38. | :19:42. | |
crazy. Star Wars pretty much created merchandising in movies. Did I | :19:43. | :19:50. | |
enjoyed that? Yes. There was a shampoo where you could twist my | :19:51. | :19:56. | |
head and pour liquid out of it. Yes, the Force can be with you at | :19:57. | :20:03. | |
breakfast! The problem is, you make a film, people take it, especially | :20:04. | :20:06. | |
if you are successful, and they use it however they need to. Many people | :20:07. | :20:11. | |
used it emotionally and intellectually and some people used | :20:12. | :20:12. | |
it, surely. But that was a long time ago, and | :20:13. | :20:26. | |
far, far away. Now a new generation of fans will get to feel the Force | :20:27. | :20:33. | |
once more. Camera, action! When Star Wars the Force Awakens hits in a | :20:34. | :20:40. | |
Mars next week. -- hits cinemas. These characters come and they know | :20:41. | :20:44. | |
it is in a galaxy far away, a journey that people can relate to. I | :20:45. | :20:49. | |
have been a Star Wars fan as an adult and a child. Oh, my gosh. | :20:50. | :20:55. | |
That's something that George Lucas started and we are definitely | :20:56. | :20:59. | |
carrying it on. He has signed his action figure! Ciabatta! We are | :21:00. | :21:10. | |
home. -- Chewbacca. It is the characters that people love, a world | :21:11. | :21:14. | |
we want to go back to immediately. We are going back to the stories | :21:15. | :21:16. | |
that people feel intensely about. And we'll be reviewing "Star Wars: | :21:17. | :21:23. | |
The Force Awakens" next week. Next, Hector, starring Peter Mullan | :21:24. | :21:26. | |
as a homeless man in search Early Christmas present coming up. | :21:27. | :21:44. | |
Lovely Hazel, looking after my bank. What else have I got? For you, for | :21:45. | :21:54. | |
being such a lovely dog. And I almost forgot, Lord Douglas, for | :21:55. | :22:01. | |
being a clever old bastard. You are a locking MAC Gold mind reader. | :22:02. | :22:08. | |
He has been homeless for 15-20 years and he has embarked on an annual | :22:09. | :22:15. | |
pilgrimage to a homeless shelter in London. It is a kind of Odyssey, you | :22:16. | :22:23. | |
know. Who he meets on his journey and what he encounters on the | :22:24. | :22:28. | |
journey. Just passing through? Have you got a girlfriend? A few years | :22:29. | :22:37. | |
ago I did some volunteering work for Christmas and I met some | :22:38. | :22:41. | |
extraordinary people with amazing stories, including a particular man | :22:42. | :22:48. | |
who travelled and came to stay in the shelter. I came to realise that | :22:49. | :22:56. | |
it was a story. Hey, you! Nearly gave me a heart attack! We were on | :22:57. | :23:01. | |
location in the middle of the Scottish winter, it was never going | :23:02. | :23:06. | |
to be easy. It was cold but you know, you are an actor. You wear | :23:07. | :23:15. | |
jumpers. It's not working down a mine. It isn't sleeping rough on the | :23:16. | :23:20. | |
streets certainly. Private contractor for the council. Driving | :23:21. | :23:24. | |
one of those trucks for the recycling. RU a bin man? Lock off! | :23:25. | :23:36. | |
Recycling, doing my bit for the planet. Some people, Hector being | :23:37. | :23:47. | |
one of them, you could argue that he has chosen this particular way to | :23:48. | :23:52. | |
live. When somebody has a mental breakdown and cannot face the | :23:53. | :23:56. | |
responsibility of keeping a job, I for one cannot condemn that person | :23:57. | :24:03. | |
for making the choice. Nobody willingly wants to sleep on the | :24:04. | :24:12. | |
street. Slow down, OK? I can't, the brakes have gone. It is sometimes a | :24:13. | :24:19. | |
hard watch. Introducing a bit of humour, it is true to life but it | :24:20. | :24:23. | |
makes the difficult things easier to watch. Trying to change the subject? | :24:24. | :24:35. | |
Yeah. Let's go. You are my family now, that's the way it is. Want my | :24:36. | :24:44. | |
cracker? Danny? One of the things I liked about Hector, it reminds us | :24:45. | :24:47. | |
that Peter Mullan is more than a monster. He was great previously but | :24:48. | :24:55. | |
he was also a bully, he was very good in it. He keeps being cast in | :24:56. | :24:59. | |
those roles but this is a reminder that it wasn't always like that, it | :25:00. | :25:04. | |
doesn't have to be that Peter Mullan arrives and almost the Jaws music | :25:05. | :25:10. | |
arrives. In 1842 when he made my name is Joe with Ken Loach, it was a | :25:11. | :25:15. | |
different Peter Mullan. There was the gentleness and these and see, so | :25:16. | :25:18. | |
it's nice to be reacquainted with that. Yes, he has the twinkle in his | :25:19. | :25:24. | |
eye. I like the fact that it shows as a different side to the British | :25:25. | :25:27. | |
motorway that we don't normally see. A lot of films about American roads, | :25:28. | :25:33. | |
very romantic but you don't often see a nice roundabout, nicely shot! | :25:34. | :25:38. | |
I found it incredibly... It may be the perfect Christmas movie because | :25:39. | :25:45. | |
it feels like it's about kindness and I thought I would like to take | :25:46. | :25:49. | |
my 12-year-old to that. That's a better way to judge it rather than a | :25:50. | :25:54. | |
Peter Mullan movie rather than a social realist movie. It isn't | :25:55. | :25:58. | |
really about homelessness, it is about a homeless guy and lots of | :25:59. | :26:02. | |
nice things happen to him so it is a bit schmaltzy if you are wanting | :26:03. | :26:07. | |
gritty social reality. Difficult to make films about goodness and so on. | :26:08. | :26:14. | |
A previous firm has done the same thing, making drama out of goodness | :26:15. | :26:20. | |
and decency, really tricky stuff. We mentioned in Granma, we talked about | :26:21. | :26:24. | |
how lovely it was, brilliant people popped up and the same thing happens | :26:25. | :26:29. | |
here, Keith Allen, and so on, they may have only worked for two days | :26:30. | :26:33. | |
but they are strong. Yeah, if you watch a lot of telly, there are many | :26:34. | :26:41. | |
good TV actors, you have the hostel worker who everybody is the spirit | :26:42. | :26:46. | |
of Christmas. We are running out of time. Film of the week? I'm going | :26:47. | :26:52. | |
with By The Sea. Are you? The only person! I'm going with by the CX is | :26:53. | :27:00. | |
Mac but I'm also talking about Reflecting Skin which has come out | :27:01. | :27:05. | |
on DVD and Blu-ray, people should see it. | :27:06. | :27:06. | |
Playing us out tonight is the late, great Nora Ephron's rom-com classic | :27:07. | :27:11. | |
When Harry Met Sally, which is re-released | :27:12. | :27:12. | |
Most women at one time or another have faked it. Well they haven't | :27:13. | :27:24. | |
with me. How do you know? Because I do. Right. I forgot. You are a man. | :27:25. | :27:37. | |
What does that mean? Nothing, all men are sure that it does not happen | :27:38. | :27:41. | |
to them and most women have done it. You don't think I can tell the | :27:42. | :27:42. | |
difference? No. Get out of here. MOANS SOFTLY. Are you OK? Oh, God. | :27:43. | :28:23. | |
Oh, God! Ooh! Oh, God! Oh, yeah, right there! MOANS WILDLY. Oh, God, | :28:24. | :28:33. | |
yes, yes! Yes, yes! Sir! Oh, yes! Yes, yes! Yes, yes, yes, | :28:34. | :28:57. | |
yes! Oh, oh! Oh, God. Ooh... | :28:58. | :29:02. |