Episode 10 Great Movie Mistakes


Episode 10

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Welcome to Great Movie Mistakes III.

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That's right, we're a trilogy,

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which hopefully means we'll get our own over-priced box sets soon.

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Now, I know what you're thinking -

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the third part of a trilogy has a certain reputation.

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Godfather Part III, Back To The Future III,

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Honey, We Shrunk Ourselves...

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They all have a reputation for being my favourite part

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of the whole trilogy.

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So, how have we made this instalment bigger,

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better and more impressive than the other two?

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Well, how does this sound?

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CGI technology, car chases, romantic interests,

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a bit where the building folds in on itself, like in Inception?

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Well, according to our producers, it sounds too expensive.

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So instead, we'll just stick to our perfectly OK formula

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of reviewing all the movie mistakes we've spotted

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from the top movies released since we last saw you.

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Why does Hollywood love remakes so much?

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Well, sometimes a film is so close to being brilliant

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but there's just one tiny thing that stops it being perfect,

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like it's foreign, or it was made over ten years ago.

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Things that stop anyone in their right mind wanting to watch it.

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The other reason to remake a movie is if the original didn't quite get it right.

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Who didn't think that Get Carter was improved by the addition of Sylvester Stallone?

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Or that The Italian Job was crying out for a cameo by Marky Mark?

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I, for one, can't wait for next year's summer blockbuster,

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Citizen Kane...

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with Miley Cyrus.

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Mm.

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The needless, over-the-top A-Team movie,

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and maybe they should give up this soldiers-of-fortune malarkey

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and become baggage handlers. Watch the case by the side of BA.

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I want to kill you, man.

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You're not going to kill me! I'm going to kill YOU!

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It's now behind his head...

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I got two guns here.

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..then on the other side.

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It moves around more than Hannibal's wig did in the old series.

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Whoopsie!

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Loyal fans of The A-Team had problems with the remake,

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and this must have got their blood boiling.

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Look, they've misspelled Murdock's name!

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It's D-O-C-K, not D-O-C-H.

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I pity the fool who made that mistake.

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Saying that, I also pity the person

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who still cares so much about The A-Team.

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At the end of the instantly forgettable Mechanic remake,

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Ben Foster selects a jazz record to play on the posh turntable.

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Ah! I love a bit of free form experimental jazz.

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CLASSICAL MUSIC PLAYS

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Hang on! It's ruddy Shubert's Trio Number Two!

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But it definitely says "Jazz" on the cover.

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Right, back to HMV.

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Gulliver's Travels with Jack Black,

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perfect casting, as the book was all about a loveable,

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immature, rock-loving idiot.

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Cos he called it a "mandate", so...

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The kind of character that doesn't know his right hand from his left.

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-..bushy-tailed for the boys.

-The right...

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Now the left.

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Jonathan Swift can rest easy that his work is in safe,

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but confused hands.

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We just got here.

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In the final scene, Gulliver returns from his travels

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and gains this girlfriend.

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When I returned from my travels, all I gained was a case of the trots.

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But what has she got to hide?

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Her ID is the wrong way round...

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Danke schon.

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..then it flips...

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Mark. I'm just the new guy in the mailroom...

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..now it's hidden again. Hm...mysterious.

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Some films just don't know when to quit making mistakes.

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In the end credits for Gulliver's Travels,

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check out the date on this newspaper.

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June 20th to June 3rd?

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Someone obviously feels like time was moving backwards

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when they were watching this film. I didn't.

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Off to Jellystone Park for the charmless Yogi Bear movie.

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Booboo has handcuffed Yogi to a tree.

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But keep an eye on which paw the handcuff is on.

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First it's his right paw,

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then it's his left paw,

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then his right paw again.

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Either way, it's very PAW indeed.

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Next up, we're looking at teen movies, which, for a man only

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recently out of his teens - that's right - is exactly my thing.

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PHONE RINGS

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They're cool, wicked and totally radical. Oh, excuse me.

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Oh, hey, Dazza. Yeah. What's up, dude?

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Yeah, I would love to come down the rec and skateboard with you.

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-Hang on. Mum, I'm going down the rec with Dazza.

-No, you're not.

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-Not until you've finished hosting the show.

-But Mum!

-No buts.

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Can't come out. See you tomoz.

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-MUMBLING: Here are some classic goofs from teen films.

-Say it nicely.

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UP-BEAT: Here are some classic goofs from teen films.

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I saw that.

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Next, in the light-hearted Easy A, Olive shows this boy what's what

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by crushing an ice-cream cone in front of his face.

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But the cone instantly reappears. Here today, cone tomorrow.

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Now, watch Olive trying to take off her left boot

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Is that lavender? It's pretty.

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Which becomes her right boot, then she takes off her right boot again,

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but somehow she's removed both her boots!

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A clear example of two rights making a wrong.

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In energetic Step Up 3D, it's the dance battle.

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And as any B-boy knows, things get hot on the dance floor,

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which is why the guy who's with those men pretending to be dogs

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keeps taking his coat off.

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Now you see it...

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Now you don't.

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Reminds me of my Nan's 80th. That was a lively affair.

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Another one from Step Up, and take a look at Moose's bag,

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because it's only on in the shots from behind.

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Yeah, I mean I...

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I'm a double major...

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Now, I know it's a backpack,

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but you'd still see the strap on the front, right?

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Yes?

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What do you mean, you can't believe it?

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It's Submarine, a reflective film about a son

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trying to smooth out the creases in his parents' relationship.

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And by the looks of things,

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he's also smoothing out the creases in this drawing.

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See? The fold's gone.

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No need to set it on fire, though!

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Oh! Kids!

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Finally, a flashback scene in the worthless Twilight sequel, Eclipse.

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Now, clothes in those days were made to last.

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Look at that!

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She stabs right through her dress and it doesn't even rip.

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You don't get that kind of quality at Primark, do you?

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When a film is described as "cultural,"

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that probably means it hasn't got a good enough story to be popular,

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so it's being passed off as art.

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"Mm, yes, it's supposed to be boring! That's the point!"

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You can explain away all kinds of things using the art house excuse.

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Shaky cameras - it's art.

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Gaping plot holes - it's art.

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Pretentious acting - that's just Natalie Portman,

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there's nothing we can do about that now.

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Some films are pure entertainment.

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Others go a little deeper and ask questions like, "Why are we here,

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"in the cinema watching another M Night Shyamalan film?"

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Natalie Portman's in need of a champagne top-up, I think,

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in creepy ballet melodrama Black Swan.

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..appreciated presence on our stage.

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But being so freaked out by Winona Ryder giving her evils, none of us notice that,

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by the end of the scene, the flute is full to the brim again.

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To beauty.

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Next up, here's It's Kind Of A Funny Story,

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a One Flew Over The Cuckoo's Nest for Justin Bieber fans.

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And suicidal Craig has to give up all potentially harmful items.

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Your belt and shoelaces.

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-So his belt and shoelaces are gone.

-We can't take chances.

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But later on, Craig and another patient Bobby are shooting hoops

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with draw-stringed trackie bottoms

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and very laced-up shoes. That basketball's probably

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-a cyanide gobstopper.

-Don't play dumb with me.

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Now, slow-moving alien thriller Monsters and our couple's being

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fleeced by a man who'd get Anne Robinson frothing at the mouth.

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Um, how much?

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That will be 5,000 colones.

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-5,000?

-Yeah, 5,000.

-So that's 5,000 Costa Rican colones.

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That will be 5,000 colones.

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-5,000?

-Yeah, yeah, 5,000.

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-5,000 is a lot of money.

-Yes, I know, but...

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Oh, it's now 5,000? Big mistake.

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At the current exchange rate, 5,000 is...

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No wonder this film had no cash for the special effects.

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Monsters again and this completely deserted town

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isn't quite as deserted as it seems.

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Now, before you cower behind the sofa, take another look.

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It seems the ali-ons prefer pick-up trucks to spaceships

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when they pop to the shop for a pint of milk and a family-sized Galaxy.

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Here's feisty teen Ree in gritty drama Winter's Bone.

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This confrontation looks like

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it'll get pretty tense as the gloves are well and truly off.

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No, hang on, they're back on again.

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Phew, looks like all will be fine after all.

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No, wait, they're off again! Oh, make your mind up, love.

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So often with films, the stars get the awards,

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but what about those people behind the scenes? How do they get noticed?

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They could become the best in their field or work their way up to become a famous director.

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Or they could just stand in the back of shot.

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Well, that's exactly what we're awarding now -

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those people who went that extra distance

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from out-of-shot to into shot.

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What?

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It's the Great Movie Mistakes Award for Best Supporting Actor,

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and here are the nominations.

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Lightweight action from Knight And Day and some great scene stealing.

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Look at the security guards behind Cameron Diaz.

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They suddenly change into normal civilians

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and then back into security guards at the top of the escalator.

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Maybe they were just working undercover for a bit.

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If you've got a problem, maybe you can hire The A-Team,

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to clean your windows, because...

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Let's go back.

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Mr T has got that window so clean,

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you can see the cameraman's own reflection in it.

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A blatant and unwelcome cameo. A bit like the movie.

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In seen-it-all-before thriller The Resident,

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Jack returns to his flat and senses all is not right.

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If it the presence of a ghostly character?

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Or just the reflection of the clumsy cameraman in his kitchen window?

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Time to move out, if you ask me, Jack.

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Who are you texting?

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It's crazy horror comedy Vampires Suck

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and Alice gets a mobile phone right in the face.

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Now, either Edward is a very good shot or someone just off camera

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is throwing a mobile phone right in her face.

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There, thrown from point-blank range.

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That's a bit "phoney"!

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But the winner is Man In Shorts.

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It's the climax of the testosterone-dripping Expendables

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and all hell is breaking loose.

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Everyone's running for their lives,

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but hold on, who's this fellow in Bermuda shorts with the camcorder?

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A very unfortunate tourist?

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Next year, I'd stick to Rhyl. There's fewer explosions.

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OK, time for bed. Goodnight!

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