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Hello, I'm Robert Webb, and welcome to another Great Movie Mistakes. | 0:00:27 | 0:00:31 | |
In this show, we'll be reviewing the top movies released since the last Movie Mistakes | 0:00:31 | 0:00:36 | |
and pointing out the continuity disasters in each. | 0:00:36 | 0:00:38 | |
And by the way, to everyone who wrote in about The King's Speech, | 0:00:38 | 0:00:42 | |
he doesn't keep fluffing his lines. | 0:00:42 | 0:00:45 | |
Science fiction. So much more popular | 0:00:47 | 0:00:49 | |
than its boring older brother, science fact. | 0:00:49 | 0:00:52 | |
My favourite type of sci-fi used to be films set in dystopian futures, | 0:00:52 | 0:00:56 | |
which portrayed a world dominated by technology, totalitarian governments | 0:00:56 | 0:01:00 | |
and the collapse of society as we know it. But nowadays, | 0:01:00 | 0:01:03 | |
I can get exactly the same thing just by watching the news. | 0:01:03 | 0:01:06 | |
The baffling Inception now. | 0:01:08 | 0:01:10 | |
I think this film's about the new sport extreme sleeping, | 0:01:10 | 0:01:13 | |
where people have to sleep through anything. | 0:01:13 | 0:01:17 | |
Here, they listen to boring music to drift away. | 0:01:17 | 0:01:21 | |
Ah, yes, the falling off the bridge event - very tricky - | 0:01:22 | 0:01:26 | |
especially if your headphones have come off. | 0:01:26 | 0:01:29 | |
What's he going to do now? | 0:01:29 | 0:01:31 | |
Without Coldplay's greatest hits playing, he'll surely wake up. | 0:01:31 | 0:01:34 | |
Oh, phew, they're back on. And he's ready to be plunged into the river. | 0:01:34 | 0:01:40 | |
In this clip, we see Cillian Murphy get shot once in the chest. | 0:01:42 | 0:01:46 | |
But when they come to help him, there are two bullet wounds. | 0:01:49 | 0:01:54 | |
Well, as the saying goes, shoot me once, shame on you. | 0:01:54 | 0:01:58 | |
Shoot me twice, shame on the continuity guy. | 0:01:58 | 0:02:01 | |
Next up, Battle: Los Angeles, a film that focuses too much on the action | 0:02:03 | 0:02:08 | |
and not enough on the dialogue. | 0:02:08 | 0:02:10 | |
Here, the soldiers prefer to bark rather than talk. | 0:02:10 | 0:02:14 | |
-HE SLURS: Right, we're up. -What's that, Lassie? | 0:02:14 | 0:02:16 | |
In this scene, the aliens are on the run and Aaron Eckhart | 0:02:18 | 0:02:23 | |
is trying to choose which gun goes best with his outfit. | 0:02:23 | 0:02:25 | |
Pistol? Yeah, pistol. | 0:02:28 | 0:02:30 | |
Or machine gun? No, pistol, got to be pistol. | 0:02:32 | 0:02:36 | |
Taut, exciting thrills from Source Code now. | 0:02:40 | 0:02:44 | |
And this is Jake Can't-Pronounce-His-Last-Name | 0:02:44 | 0:02:47 | |
swiping a wallet to check out a driver's licence. | 0:02:47 | 0:02:50 | |
-You have the bomber's name? -Derek Frost. | 0:02:52 | 0:02:55 | |
Yes, that's the only thing he has, | 0:02:55 | 0:02:57 | |
because all the other details are completely different. | 0:02:57 | 0:03:01 | |
Look - address, date of birth, height. All of it! | 0:03:01 | 0:03:06 | |
Next up, the vile chiller Splice, and we see Adrian Brody doing... | 0:03:09 | 0:03:14 | |
-BELT RATTLES -Well, yeah, never mind that. | 0:03:14 | 0:03:17 | |
Watch Sarah Polley. Look, she's left the door open. | 0:03:17 | 0:03:21 | |
But then she opens the already-open door. | 0:03:22 | 0:03:26 | |
Nearly as strange as what Brody was up to. | 0:03:26 | 0:03:28 | |
Take a look at the Splice girl's dress. | 0:03:32 | 0:03:35 | |
Because, hanging upside down, you would imagine | 0:03:37 | 0:03:40 | |
it would fall down around her shoulders. | 0:03:40 | 0:03:43 | |
Sporty AND Scary Splice! | 0:03:46 | 0:03:49 | |
Historical movies are a personal favourite of mine. | 0:03:54 | 0:03:57 | |
I often picture myself cast in a lavish version of a classic Jane Austen movie - | 0:03:57 | 0:04:02 | |
Mr Darcy in a drenched shirt, open to the waist, | 0:04:02 | 0:04:04 | |
climbing out of the water, whilst watching, in anticipation, | 0:04:04 | 0:04:07 | |
dressed in a gorgeous bodice, holding a parasol, there I am. | 0:04:07 | 0:04:11 | |
"Oh, Mr Darcy!" That's how I'd do it. | 0:04:11 | 0:04:15 | |
Oscar fodder with the classy remake of True Grit. | 0:04:18 | 0:04:23 | |
And times sure were tough in 19th-century Texas. | 0:04:23 | 0:04:26 | |
Unless, that is, you're the heroine Mattie Ross | 0:04:26 | 0:04:29 | |
and you have the amazing ability to go from soaking wet... | 0:04:29 | 0:04:32 | |
..to bone dry in ten seconds flat. | 0:04:40 | 0:04:42 | |
Consumer issues now, and here, | 0:04:46 | 0:04:48 | |
Jeff Bridges shows his disgust with the corn bread | 0:04:48 | 0:04:50 | |
in his bargain bucket | 0:04:50 | 0:04:52 | |
by spilling them out of the bag and shooting them. | 0:04:52 | 0:04:55 | |
Luckily, it's Colonel Sanders' disappearing corn - | 0:04:55 | 0:04:58 | |
it's nowhere to be seen. | 0:04:58 | 0:04:59 | |
Well, he won't have to waste any more precious bullets. | 0:05:03 | 0:05:05 | |
A ropey gaff now. See that chap hanging around in the branches? | 0:05:09 | 0:05:13 | |
One minute he's top of the tree, next he's swinging a lot lower. | 0:05:13 | 0:05:18 | |
How Jeff Bridges doesn't twig I'll never know. | 0:05:18 | 0:05:21 | |
Frivolous grave robbing japery with Burke and Hare, | 0:05:25 | 0:05:28 | |
and here's Simon Pegg chatting up her off of Home & Away. | 0:05:28 | 0:05:31 | |
-When will I be able to see you again, Jenny? -At the Lyceum Theatre. | 0:05:31 | 0:05:36 | |
-Really? When? -When we put... | 0:05:36 | 0:05:38 | |
Maybe in 55 years' time, when the Lyceum Theatre is actually built. | 0:05:38 | 0:05:42 | |
-Goodnight, William. -That's certainly one way to ditch a guy. | 0:05:42 | 0:05:45 | |
Burke and Hare are chopping down a tree to stop a coach. | 0:05:51 | 0:05:54 | |
And who's inside? Urgh! | 0:05:56 | 0:05:59 | |
If I saw a coach with Michael Winner inside, I wouldn't want to stop it. | 0:05:59 | 0:06:03 | |
But they've only made a tiny dent at chest height. | 0:06:03 | 0:06:06 | |
Come on, put your back into it! | 0:06:06 | 0:06:08 | |
However, this being the crazy world of true life drama, the entire tree comes tumbling down. | 0:06:08 | 0:06:14 | |
Uh-oh. The winner takes a fall. | 0:06:14 | 0:06:17 | |
-Hmm, that table looks a little bare. -Lovely. | 0:06:26 | 0:06:29 | |
I know what's missing - she forgot the flowers. | 0:06:30 | 0:06:34 | |
Oh, there they are. | 0:06:34 | 0:06:35 | |
Thank you. | 0:06:35 | 0:06:36 | |
Bit of an odd side dish, though. | 0:06:36 | 0:06:38 | |
Here's BAFTA-winning actor Tom Wilkinson | 0:06:43 | 0:06:45 | |
unveiling my nominees for the best actor in the movie Burke and Hare. | 0:06:45 | 0:06:49 | |
But which corpse wins? None of them! | 0:06:51 | 0:06:54 | |
The award goes to the incredible moving blanket. | 0:06:54 | 0:06:58 | |
First the corpses are uncovered - | 0:06:58 | 0:07:01 | |
quick round of applause - | 0:07:01 | 0:07:04 | |
then one of them is covered up again. | 0:07:04 | 0:07:06 | |
A bravura performance! | 0:07:07 | 0:07:10 | |
Solving a crime, sir. | 0:07:16 | 0:07:17 | |
The cream of British talent drops some home-grown blunders here. | 0:07:17 | 0:07:21 | |
-What on earth are you talking about? -I'm talking about murder, sir. | 0:07:21 | 0:07:24 | |
There's Ronnie Corbett - not a mistake, he actually is that small. | 0:07:24 | 0:07:27 | |
I don't know what this absurd little man is trying to prove. | 0:07:27 | 0:07:31 | |
-Stephen Merchant plays goldfish bowl holder 4. -I want him removed. | 0:07:31 | 0:07:35 | |
-It is you, sir! -And now Tim Curry, co-starring with his teeth. | 0:07:35 | 0:07:39 | |
And if there is one... | 0:07:39 | 0:07:41 | |
But ignore them and watch his background. He steps forward. | 0:07:41 | 0:07:45 | |
But look, the background remains the same, | 0:07:47 | 0:07:51 | |
suggesting he didn't step forward at all. | 0:07:51 | 0:07:54 | |
We shall all have to pay the price. | 0:07:54 | 0:07:56 | |
And now Merchant's bowl has disappeared. | 0:07:56 | 0:08:00 | |
And to think he was chief bowl holder at the RSC. What an insult! | 0:08:00 | 0:08:06 | |
Rip-roaring Roman caper The Eagle now and this looks like | 0:08:09 | 0:08:13 | |
such an arduous journey it would give anyone a shock. | 0:08:13 | 0:08:15 | |
It certainly did to Jamie Bell's horse | 0:08:17 | 0:08:21 | |
who overnight changes colour from brown to white with no explanation. | 0:08:21 | 0:08:25 | |
The dark and brutal Killer Inside Me | 0:08:27 | 0:08:29 | |
starring Casey Affleck as a deputy sheriff-cum-homicidal maniac. | 0:08:29 | 0:08:34 | |
Ho-hum, you might think. | 0:08:34 | 0:08:36 | |
But I feel anguish and I'm sorry. | 0:08:36 | 0:08:39 | |
But look - all of a sudden, he's clutching a thick wooden plank! | 0:08:39 | 0:08:43 | |
Superb uncredited cameo from his brother Ben. | 0:08:43 | 0:08:47 | |
These days, the world of animation can produce miraculous characters | 0:08:49 | 0:08:52 | |
that are out of this world. But don't just believe me. | 0:08:52 | 0:08:55 | |
Why don't we ask my animated sidekick? It's Squigaloo Squirrel. | 0:08:55 | 0:08:59 | |
Hello there, Squigaloo! | 0:09:00 | 0:09:02 | |
Oh, Squigaloo, you do say the silliest things. | 0:09:03 | 0:09:07 | |
HE LAUGHS | 0:09:07 | 0:09:09 | |
No, you are, Squigaloo. | 0:09:09 | 0:09:11 | |
Now, introduce the next set of clips for the ladies and gentlemen, | 0:09:11 | 0:09:15 | |
featuring bloopers in animated movies. | 0:09:15 | 0:09:18 | |
Great. So we're going to put the squirrel on after, yeah? | 0:09:21 | 0:09:24 | |
Otherwise, that's just me talking to a brick. | 0:09:24 | 0:09:27 | |
I might look a ninny. | 0:09:27 | 0:09:28 | |
OK. | 0:09:29 | 0:09:31 | |
Well, I'll trust you this time. | 0:09:31 | 0:09:33 | |
Wild West fun now. | 0:09:39 | 0:09:41 | |
When Rango drops his bullets, we see him reloading them | 0:09:42 | 0:09:45 | |
on the right side of his gun. | 0:09:45 | 0:09:49 | |
-However, the chamber is hanging on the left side. -Just a second. | 0:09:49 | 0:09:54 | |
Later on in the same scene, chameleons may be good at changing, | 0:09:57 | 0:10:01 | |
but some things shouldn't change. | 0:10:01 | 0:10:03 | |
Like here... | 0:10:03 | 0:10:05 | |
where the hawk is completely flattened to the ground... | 0:10:05 | 0:10:09 | |
..and now his feet poke up when they shouldn't be there. | 0:10:12 | 0:10:15 | |
More Rango, and this car crash has a traumatic effect | 0:10:17 | 0:10:21 | |
on the doll he shares a tank with. | 0:10:21 | 0:10:24 | |
Here she has a right arm. | 0:10:24 | 0:10:25 | |
But after this crash, it's now a left arm. | 0:10:32 | 0:10:34 | |
At the end of the day, I suppose it's just an "armless" bit of fun. | 0:10:36 | 0:10:40 | |
Some pig ignorance from the animators of Shrek. | 0:10:44 | 0:10:48 | |
Yes, he's back and he seems to be over the moon to be scaring everyone again. | 0:10:48 | 0:10:52 | |
Look how he scares those pigs. | 0:10:53 | 0:10:56 | |
He must have really scared them because as we zoom out, | 0:10:56 | 0:10:59 | |
they're nowhere to be seen. | 0:10:59 | 0:11:01 | |
Another Shrek mistake. | 0:11:06 | 0:11:08 | |
Yes, indeed, keep your eye on the letter F on the hanky | 0:11:08 | 0:11:12 | |
that Shrek picks up. | 0:11:12 | 0:11:14 | |
One minute it's there... | 0:11:18 | 0:11:20 | |
..then it's over there on completely the other side. | 0:11:22 | 0:11:26 | |
Get it right, for F's sake. | 0:11:26 | 0:11:29 | |
Disney's back on form now, even if the film-makers | 0:11:31 | 0:11:33 | |
get just as tangled as their characters in Tangled. | 0:11:33 | 0:11:37 | |
Flynn Ryder struggles onto his side as he's tied to the chair. | 0:11:37 | 0:11:40 | |
No can do. | 0:11:40 | 0:11:41 | |
However, next time he's pulled into shot, he's on his back again. | 0:11:44 | 0:11:48 | |
-Hairy stuff, I think you'll agree. -A horse? | 0:11:48 | 0:11:51 | |
Zoology now, and here's the colourful Rio, | 0:11:53 | 0:11:56 | |
a film all about a macaw called Blu. | 0:11:56 | 0:11:59 | |
The perfect marshmallow-to-cocoa ratio. | 0:12:00 | 0:12:03 | |
But to macaws, cocoa is toxic. | 0:12:03 | 0:12:06 | |
Lucky this is an animation | 0:12:06 | 0:12:08 | |
or we really would've seen death by chocolate. | 0:12:08 | 0:12:11 | |
-Did it, boys. -We did it! | 0:12:14 | 0:12:16 | |
It takes one animator an entire week to do just four seconds of footage. | 0:12:16 | 0:12:20 | |
But when they animate the flaps on this plane going down, | 0:12:20 | 0:12:24 | |
rather than up, which would've sent the plane careering to the ground, | 0:12:24 | 0:12:28 | |
you wonder whether that particular week was well spent. | 0:12:28 | 0:12:31 | |
Classy sequel Toy Story 3, where Barbie removes two screws | 0:12:35 | 0:12:40 | |
that hold Buzz Lightyear's back compartment. | 0:12:40 | 0:12:42 | |
..show you no mercy. | 0:12:42 | 0:12:43 | |
Why's it not working? | 0:12:45 | 0:12:46 | |
However, at no point do they re-screw the compartment closed. | 0:12:46 | 0:12:50 | |
It just stays shut for the rest of the movie. | 0:12:50 | 0:12:52 | |
IN SPANISH: | 0:12:52 | 0:12:53 | |
No wonder he's acting like he's got a screw loose. | 0:12:53 | 0:12:56 | |
Toy Story 3 begins with Mr Potato Head having only one eye | 0:13:04 | 0:13:07 | |
so that Andy can pretend he's wearing an eye patch. | 0:13:07 | 0:13:11 | |
But keep your eyes peeled on Mr Potato's eyes, | 0:13:13 | 0:13:16 | |
because when Andy's "mom" films him, he's suddenly regained it. | 0:13:16 | 0:13:21 | |
Peeled, you get it? Like peeling a potato? | 0:13:21 | 0:13:24 | |
Right, please yourselves. | 0:13:24 | 0:13:26 | |
That's all for tonight. | 0:13:29 | 0:13:30 | |
See you next time. | 0:13:30 | 0:13:33 | |
Subtitles by Red Bee Media | 0:13:46 | 0:13:50 |