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Hello, I'm Robert Webb and welcome to another Great Movie Mistakes. | 0:00:27 | 0:00:31 | |
In this show, we'll be reviewing the top movies released since | 0:00:31 | 0:00:34 | |
the last Movie Mistakes and pointing out the continuity disasters. | 0:00:34 | 0:00:39 | |
And, by the way, to everyone that wrote in about The King's Speech, | 0:00:39 | 0:00:42 | |
he doesn't keep fluffing his lines. | 0:00:42 | 0:00:45 | |
I always thought that box office number ones | 0:00:48 | 0:00:50 | |
were what the staff at the multiplex did when they had too many fizzy drinks. | 0:00:50 | 0:00:54 | |
It turns out I was just wrong about that. | 0:00:54 | 0:00:58 | |
Anyway, the mistakes you're about to see are all from movies which raked in the most money | 0:00:58 | 0:01:02 | |
and were top of the pops in the week of their release. | 0:01:02 | 0:01:05 | |
Rumours that Fast Five only got there through charging £250 a ticket are unsubstantiated. | 0:01:05 | 0:01:11 | |
It's the mawkish Due Date, and Robert Downey Jr's looking cool. | 0:01:14 | 0:01:19 | |
Peter... OK, listen. | 0:01:19 | 0:01:23 | |
He's even got those light-sensitive sunglasses. | 0:01:23 | 0:01:25 | |
Though this scene must have been filmed on a very changeable day, | 0:01:25 | 0:01:28 | |
as his glasses go from very dark to... | 0:01:28 | 0:01:31 | |
-I just didn't want to go... -..completely gone. | 0:01:32 | 0:01:34 | |
Proof that the director also needed specs. | 0:01:34 | 0:01:37 | |
We say a deathly hallow to Harry Potter and chums | 0:01:39 | 0:01:43 | |
in this lively scene where they're transported from a fiery tent... | 0:01:43 | 0:01:48 | |
to the safety of... | 0:01:48 | 0:01:49 | |
oncoming traffic. | 0:01:49 | 0:01:51 | |
But look again. | 0:01:51 | 0:01:52 | |
Harry's is on Hermione's left and Ron on her right. | 0:01:52 | 0:01:57 | |
But when they reappear, it's the other way round. | 0:01:59 | 0:02:02 | |
In this gory scene from the disappointing Little Fockers, | 0:02:04 | 0:02:08 | |
Ben Stiller slices straight through his finger, | 0:02:08 | 0:02:12 | |
making Bobby De Niro Bloody De Niro. | 0:02:12 | 0:02:15 | |
THEY ALL SCREAM | 0:02:15 | 0:02:16 | |
But there's blood on the right side of his face when earlier it was all over his left. | 0:02:17 | 0:02:22 | |
That's not just blood on your face, Bobby. There's egg on it too. | 0:02:24 | 0:02:28 | |
The Expendables, and Sly Stallone's got a gun ready to use | 0:02:32 | 0:02:35 | |
in an exciting escape from some bad men. | 0:02:35 | 0:02:39 | |
BRAKES SCREECH | 0:02:39 | 0:02:40 | |
I worry that these days Sly's mind is not what it used to be. | 0:02:43 | 0:02:48 | |
Look, he's forgotten that he should be holding the gun, | 0:02:48 | 0:02:51 | |
not having it in his belt. | 0:02:51 | 0:02:53 | |
But once Statham shouts the magic words, the gun's back... | 0:02:53 | 0:02:57 | |
for Sly to throw away. | 0:02:57 | 0:02:59 | |
A clever scene from Transformers | 0:03:02 | 0:03:04 | |
with real footage of President Nixon on the TV. | 0:03:04 | 0:03:07 | |
And they've carefully recreated the set to match it. | 0:03:07 | 0:03:10 | |
However, was it too much of a push to get a lamp? | 0:03:10 | 0:03:14 | |
It's here but not here. | 0:03:14 | 0:03:17 | |
No, that would've been a giant leap too far. | 0:03:17 | 0:03:20 | |
Fast paced sci-fi thrills in Limitless, | 0:03:22 | 0:03:25 | |
and for a man with no limits, | 0:03:25 | 0:03:27 | |
Bradley Cooper really struggles with the little things. | 0:03:27 | 0:03:31 | |
Like sitting down on a chair properly. | 0:03:31 | 0:03:33 | |
Oh, come on, don't cry. Look, the chair's back up again! | 0:03:36 | 0:03:39 | |
You can have another go! | 0:03:39 | 0:03:42 | |
My mother always used to say, | 0:03:45 | 0:03:48 | |
"Never fly-kick a man with a massive hammer in the face." | 0:03:48 | 0:03:51 | |
Sadly, Milla's mum didn't, which is bad news, | 0:03:51 | 0:03:54 | |
because this man is going to hit Milla with the massive hammer. | 0:03:54 | 0:03:59 | |
However, it's not all bad, because at least he hit her into a nice, soft bouncy wall. | 0:03:59 | 0:04:05 | |
See? Every hammer has a silver lining. | 0:04:06 | 0:04:08 | |
Now this girl's in pursuit. | 0:04:12 | 0:04:15 | |
She slides underneath, shooting him as she goes. | 0:04:15 | 0:04:18 | |
But wait. | 0:04:18 | 0:04:20 | |
Look, that hammer's going to land on her! | 0:04:20 | 0:04:23 | |
Phew. Saved by a continuity error. | 0:04:23 | 0:04:27 | |
MC Hammer snuffs it and she's not even there. | 0:04:27 | 0:04:30 | |
Adrenalin-pumping Fast Five now, and when robbing a bank, | 0:04:35 | 0:04:39 | |
attention to detail really counts. | 0:04:39 | 0:04:42 | |
Here the safe's unlocked with a right-hand print. | 0:04:42 | 0:04:45 | |
Young Mia then goes to extreme measures, | 0:04:51 | 0:04:53 | |
grabbing his print on her bikini. | 0:04:53 | 0:04:55 | |
But it's the left hand. | 0:04:57 | 0:05:00 | |
That shouldn't work, then. Caught you red-handed AND red-faced! | 0:05:00 | 0:05:04 | |
So did he just slap that BLEEP or did he grab and hold onto it? | 0:05:04 | 0:05:09 | |
The only thing that keeps me on the edge of my seat more than | 0:05:11 | 0:05:14 | |
watching a good thriller is a really, really small seat. | 0:05:14 | 0:05:18 | |
I love a good thriller - it's my favourite genre of film. | 0:05:18 | 0:05:20 | |
It's also a Michael Jackson album title. | 0:05:20 | 0:05:23 | |
I also like films that are bad, dangerous or simply off the wall! | 0:05:23 | 0:05:28 | |
HE LAUGHS | 0:05:28 | 0:05:30 | |
Now the fraught and claustrophobic Buried. | 0:05:33 | 0:05:37 | |
Here, Ryan Reynolds unties his hands and removes the gag around his neck. | 0:05:37 | 0:05:42 | |
But then out of nowhere... | 0:05:42 | 0:05:45 | |
..the gag's back around his neck! | 0:05:48 | 0:05:51 | |
For a film full of gags, it's just not funny. | 0:05:51 | 0:05:54 | |
Now Ryan grabs a pen and writes with his left hand. | 0:05:58 | 0:06:01 | |
But when the shot changes, it's suddenly his right. | 0:06:03 | 0:06:06 | |
So as well as being a big Hollywood star, he's also ambidextrous! | 0:06:06 | 0:06:10 | |
Talk about buried talent! | 0:06:11 | 0:06:13 | |
It's the gripping and gritty film The Town. | 0:06:17 | 0:06:20 | |
The thing about towns nowadays is that businesses can change | 0:06:20 | 0:06:24 | |
so quickly, can't they? | 0:06:24 | 0:06:27 | |
Look at the bar across the road from this flower shop. | 0:06:27 | 0:06:30 | |
-It's called Fitzgerald's, right? -I'm in. | 0:06:32 | 0:06:35 | |
I have this. | 0:06:35 | 0:06:36 | |
Well, not any more, because we see the bar is now called The Junction. | 0:06:36 | 0:06:41 | |
Sounds like a naff gastropub to me. | 0:06:41 | 0:06:44 | |
Matthew McConaughey in the solidly crafted Lincoln Lawyer. | 0:06:46 | 0:06:51 | |
-Get the hell out of my house. -Take that, M Dog! | 0:06:51 | 0:06:53 | |
I told you my son didn't kill... | 0:06:53 | 0:06:55 | |
Lucky it was his left arm so he can shoot right back at her. | 0:06:55 | 0:06:57 | |
Oh, hang on, that's his right arm in the sling. | 0:07:05 | 0:07:09 | |
Sue the doctors for malpractice, Matthew, | 0:07:09 | 0:07:12 | |
and then get a better lawyer than yourself to represent you. | 0:07:12 | 0:07:15 | |
I thought I told you to be careful. | 0:07:15 | 0:07:17 | |
Onto the intriguing Adjustment Bureau | 0:07:21 | 0:07:24 | |
and Matt Damon has a phone in his coffee. | 0:07:24 | 0:07:27 | |
Personally I prefer milk and sugar. | 0:07:27 | 0:07:28 | |
-'You won't believe who I just ran into?' -Who? -'The girl from...' | 0:07:28 | 0:07:31 | |
But what's this? Moments later, he's talking on a different phone. | 0:07:31 | 0:07:35 | |
The one you kissed? | 0:07:35 | 0:07:37 | |
-However, keep watching as during the same conversation... -Whatever, dude. | 0:07:37 | 0:07:39 | |
-It won't work again. -..he's back on the BlackBerry. | 0:07:39 | 0:07:44 | |
And you didn't write it? | 0:07:44 | 0:07:45 | |
Now Matt's looking at an article so good they've printed it twice. | 0:07:48 | 0:07:53 | |
See, it's the same chunk of text here and here. | 0:07:53 | 0:07:58 | |
How lazy to just repeat the same thing over again. | 0:07:58 | 0:08:01 | |
How lazy to just repeat the same thing over again. | 0:08:01 | 0:08:04 | |
It's torturous suspense flick The Resident. | 0:08:06 | 0:08:10 | |
And weirdo Max has snuck into Juliet's bedroom to get some | 0:08:10 | 0:08:13 | |
kind of creepy thrill from not quite touching her. | 0:08:13 | 0:08:15 | |
However, the really odd bit is Juliet lying on her side... | 0:08:17 | 0:08:22 | |
then instantly she's on her back. | 0:08:22 | 0:08:24 | |
You've been out-weirded, Max! | 0:08:24 | 0:08:26 | |
Go back home and count your toenail clippings collection. | 0:08:26 | 0:08:29 | |
ALARM BEEPS | 0:08:31 | 0:08:32 | |
Oh, no! It's 8:27am and Juliet's overslept. | 0:08:32 | 0:08:37 | |
Hurry up, Juliet, get your trousers on. It's awful when you oversleep. | 0:08:38 | 0:08:43 | |
You just can't get your brain into gear. | 0:08:43 | 0:08:45 | |
And Juliet's not got her brain into gear as she's making a call | 0:08:48 | 0:08:51 | |
when her phone is clearly still locked. | 0:08:51 | 0:08:53 | |
I seriously overslept. | 0:08:54 | 0:08:56 | |
Now, an abysmal film, | 0:09:00 | 0:09:03 | |
The Roommate, where the roommates in question take a photo of themselves. | 0:09:03 | 0:09:07 | |
That shot will look great on the shared house wall. | 0:09:07 | 0:09:09 | |
Shame they get a different picture from the wrong angle then. | 0:09:09 | 0:09:13 | |
And if they can't agree on that, it'll be murder | 0:09:13 | 0:09:16 | |
when they do the cleaning rota. | 0:09:16 | 0:09:18 | |
It's the contrived mystery movie Unknown. | 0:09:22 | 0:09:25 | |
And here's a quick science lesson - what happens when you use something | 0:09:25 | 0:09:29 | |
that gives out an electric shock on something that's soaking wet? | 0:09:29 | 0:09:32 | |
A nasty electric shock for everyone concerned. | 0:09:36 | 0:09:38 | |
However, concern is not something these ambulance men seem to have. | 0:09:38 | 0:09:43 | |
In Unknown, Diane Kruger gets knocked unconscious with chloroform. | 0:09:46 | 0:09:52 | |
But when one of her eyes is opened to check she's out, the other one opens as well. | 0:09:52 | 0:09:56 | |
Blink and you'd miss it. | 0:09:56 | 0:09:59 | |
Wink and you'd be better for the part than Diane. | 0:09:59 | 0:10:01 | |
Comedy now. People have a lot of theories about comedy. | 0:10:04 | 0:10:09 | |
They say tragedy plus time equals comedy. | 0:10:09 | 0:10:11 | |
But Bambi came out years ago and every time I watch it, | 0:10:11 | 0:10:14 | |
I bawl my eyes out. But then my mother was a "dear". | 0:10:14 | 0:10:18 | |
They also say it takes more muscles to frown than it does to smile. | 0:10:18 | 0:10:22 | |
No wonder I felt so exhausted watching Cheaper By The Dozen 2. | 0:10:22 | 0:10:26 | |
But most importantly, they say the secret of comedy is timing. | 0:10:26 | 0:10:30 | |
Knowing the exact moment to say something hilarious. | 0:10:33 | 0:10:36 | |
Actually, thinking about it, timing isn't quite as important as having something funny to say. | 0:10:38 | 0:10:43 | |
Sorry. | 0:10:43 | 0:10:45 | |
Junior Suite... | 0:10:47 | 0:10:49 | |
It's quirky and unusual Cedar Rapids where Tim is staying in 112. | 0:10:49 | 0:10:54 | |
It's strange then that when Dean arrives, he says... | 0:10:54 | 0:10:57 | |
Double stock my minibar, please, 1019. Thank you. | 0:10:57 | 0:11:01 | |
Because, look, he's also staying in 112 with Tim and also Ronald. | 0:11:01 | 0:11:06 | |
Someone in 1019 is going to get a nice surprise. | 0:11:06 | 0:11:09 | |
Now notice all the climbers on the wall with Tim are securely | 0:11:13 | 0:11:17 | |
tied on with ropes and harnesses to avoid falling off. | 0:11:17 | 0:11:22 | |
Or suddenly inexplicably vanishing. | 0:11:22 | 0:11:24 | |
Low brow and proud of it, it's Hall Pass | 0:11:28 | 0:11:31 | |
and I do wish that that guy would stop flashing his chest about. | 0:11:31 | 0:11:35 | |
His shirt agrees and has taken it upon itself to button up. | 0:11:35 | 0:11:38 | |
It's one of those self-fastening shirts. | 0:11:40 | 0:11:42 | |
The trouble with those is that they've got a habit of... | 0:11:42 | 0:11:46 | |
-Yeah, it's unbuttoned again. -I gotta get going. | 0:11:46 | 0:11:49 | |
We have a team meeting in 20 minutes. | 0:11:49 | 0:11:51 | |
Best do it up yourself, yeah, fella. | 0:11:51 | 0:11:54 | |
Sam Jackson and The Rock are wearing no ordinary medals | 0:11:56 | 0:12:01 | |
in this frantic comedy, The Other Guys, they're mood medals. | 0:12:01 | 0:12:04 | |
And we'd do it again and again. | 0:12:04 | 0:12:07 | |
They disappear when they get angry. | 0:12:07 | 0:12:09 | |
If we want to hear you talk, I will shove my arm up your BLEEP | 0:12:09 | 0:12:12 | |
and work your mouth like a puppet! You hear me?! You hear me? | 0:12:12 | 0:12:15 | |
And reappear when they're happy again. See? | 0:12:15 | 0:12:18 | |
Either that or someone's been "medalling" - thanks - with the props. | 0:12:18 | 0:12:22 | |
A police officer must always know where his gun is. | 0:12:25 | 0:12:30 | |
However, Will Ferrell has forgotten this golden rule - | 0:12:30 | 0:12:33 | |
he's rolling around on top of it. | 0:12:33 | 0:12:35 | |
Only for it to return to his holster moments later. | 0:12:36 | 0:12:40 | |
Here, Will Ferrell is in a violent rage with Alan Partridge. | 0:12:45 | 0:12:50 | |
They say you can't reproduce truly great art, | 0:12:50 | 0:12:52 | |
but when Will takes this mediocre squiggle off the wall, | 0:12:52 | 0:12:55 | |
an exact reproduction immediately takes its place. | 0:12:55 | 0:12:59 | |
The very raw comedy Horrible Bosses. | 0:13:02 | 0:13:05 | |
Jamie Foxx is given a suitcase full of money. | 0:13:06 | 0:13:10 | |
Well, a bit of money. | 0:13:10 | 0:13:11 | |
Anyway, he'd best latch the suitcase all the same. Good man. | 0:13:11 | 0:13:15 | |
But spool forward a bit... | 0:13:17 | 0:13:19 | |
and the latches are undone again. | 0:13:19 | 0:13:21 | |
With all that cash, you'd think he'd be able to buy a better suitcase. | 0:13:21 | 0:13:25 | |
One of my favourites, Big Momma 3, with an angry woman | 0:13:27 | 0:13:31 | |
covered in white foam making a mess of the door. | 0:13:31 | 0:13:35 | |
-Never mind. Here's Big Momma's peerless acting skills. -Me?! | 0:13:36 | 0:13:40 | |
-Well, thank you, sure. -But who's cleaned up that door? | 0:13:40 | 0:13:44 | |
What a shame. This silly blunder ruins an otherwise perfect film(!) | 0:13:44 | 0:13:49 | |
Films about true life next. | 0:13:51 | 0:13:54 | |
Films like 127 Hours, a true story of a man stuck in a canyon for days. | 0:13:54 | 0:13:59 | |
I got stuck on the M25 for what felt like 127 hours once. | 0:13:59 | 0:14:03 | |
I didn't chop off my own arm, did I? No, I did not! | 0:14:03 | 0:14:06 | |
I did, however, wee in a Coke bottle, | 0:14:06 | 0:14:09 | |
eat a family bag of Wotsits and openly cry, | 0:14:09 | 0:14:12 | |
but apparently, that story's not Hollywood material! | 0:14:12 | 0:14:15 | |
Tch! | 0:14:15 | 0:14:17 | |
It's super nerd Mark Zuckerberg, although he can't be that nerdy. | 0:14:19 | 0:14:24 | |
He's mates with Justin Timberlake. | 0:14:24 | 0:14:26 | |
Oh, good catch, Justin. | 0:14:26 | 0:14:28 | |
Sharon? | 0:14:29 | 0:14:30 | |
SMASH! | 0:14:30 | 0:14:31 | |
-Oh, no! -I'm so sorry! -Mark! | 0:14:31 | 0:14:34 | |
-Girls can't catch! -Here you go. -No, wait! | 0:14:34 | 0:14:37 | |
Luckily, it was one of those completely empty beer bottles | 0:14:38 | 0:14:41 | |
kept for situations like this. | 0:14:41 | 0:14:44 | |
-I'm so sorry. -Look, no stain on the wall. | 0:14:45 | 0:14:48 | |
Or maybe Zuckerberg's so rich, | 0:14:48 | 0:14:50 | |
he can afford beer that tidies up after itself. | 0:14:50 | 0:14:53 | |
Here's sweaty Christian Bale in the honest and hard-edged The Fighter. | 0:14:56 | 0:15:00 | |
Look at his T-shirt. Drenched! | 0:15:02 | 0:15:04 | |
But after a long walk in the sun, the sweat seems to have disappeared. | 0:15:07 | 0:15:11 | |
What's his antiperspirant? | 0:15:13 | 0:15:15 | |
Not one with 24-hour protection, as he's drenched again. | 0:15:18 | 0:15:21 | |
Look at Mark Wahlberg's fit bod as Micky Ward in The Fighter. | 0:15:24 | 0:15:28 | |
Not a tattoo in sight. | 0:15:28 | 0:15:30 | |
But cut to him in bed and what's this? | 0:15:30 | 0:15:34 | |
It's Mark's tat of Bob Marley, which Micky never had in real life. | 0:15:34 | 0:15:39 | |
Eddy Grant on the inner thigh, though? That's a possibility. | 0:15:39 | 0:15:43 | |
A young John Lennon with his nasal singing voice | 0:15:45 | 0:15:48 | |
in the unsentimental Nose-where Boy. | 0:15:48 | 0:15:51 | |
-Sorry, Nowhere Boy. -# You're my little girl! # | 0:15:51 | 0:15:55 | |
But when he stops singing, we see the tape is at the start of the reel | 0:15:55 | 0:15:58 | |
and the song couldn't have been recorded. | 0:15:58 | 0:16:01 | |
Which is lucky, as it sounded horrific. | 0:16:02 | 0:16:05 | |
We had great success... | 0:16:07 | 0:16:09 | |
A scene from the so-called documentary I'm Still Here | 0:16:09 | 0:16:13 | |
and look at the glasses hanging off the shirt of Joaquin Phoenix | 0:16:13 | 0:16:17 | |
or whatever he's called. | 0:16:17 | 0:16:19 | |
-Look, they've vanished. -I have a little studio, d'you know? | 0:16:19 | 0:16:23 | |
Puffy Combs, or whatever he's called, doesn't notice. | 0:16:23 | 0:16:26 | |
I'm excited to hear this stuff. I want to hear if you... | 0:16:26 | 0:16:29 | |
And now they're back. Mo sunglasses, mo problems. | 0:16:29 | 0:16:34 | |
More than seven square miles... | 0:16:36 | 0:16:38 | |
Harsh realities from Made In Dagenham now, | 0:16:38 | 0:16:41 | |
a British film harping back to the glorious era | 0:16:41 | 0:16:44 | |
where 55,000 men worked in a car factory with only 187 women. | 0:16:44 | 0:16:49 | |
That's because the men knew they were talking about back then. | 0:16:49 | 0:16:52 | |
-Are you threatening me? -Let's listen. | 0:16:52 | 0:16:55 | |
I'm trying to stop 40,000 people from losing their jobs, Mrs Castle. | 0:16:55 | 0:16:58 | |
That's how many people work as Ford employees in this country, not to mention... | 0:16:58 | 0:17:02 | |
I thought it was 55,000, you berk? Let the women take over, I say. | 0:17:02 | 0:17:07 | |
It's raining in Dagenham. | 0:17:10 | 0:17:12 | |
Look at that poor old guy outside with his brolly. | 0:17:12 | 0:17:15 | |
He can't wait to get inside in the dry. | 0:17:15 | 0:17:17 | |
I'm lucky you weren't getting the lads to hold out for a full house. | 0:17:17 | 0:17:20 | |
Get yourself home, man! | 0:17:20 | 0:17:22 | |
All over the country... | 0:17:22 | 0:17:24 | |
Later on and now he must be somewhere nice and warm. | 0:17:24 | 0:17:27 | |
Oh, no, no. There he is again. Maybe he likes the rain. | 0:17:27 | 0:17:31 | |
You'll always be fighting over the scraps on the top table... | 0:17:31 | 0:17:34 | |
And again. | 0:17:34 | 0:17:36 | |
Get equal pay, yeah. | 0:17:36 | 0:17:37 | |
And again. | 0:17:39 | 0:17:41 | |
He just can't get enough of it. Get inside, man, you'll catch your death! | 0:17:41 | 0:17:44 | |
What I don't get is why it's so important to you. | 0:17:44 | 0:17:48 | |
Compelling drama from Conviction and Kenny's been freed from jail, | 0:17:51 | 0:17:55 | |
but maybe he should be banged straight up again for crimes against continuity. | 0:17:55 | 0:17:59 | |
-His offences are many. No hat, your honour. -Will you thank your sister? | 0:17:59 | 0:18:03 | |
And now, a hat. | 0:18:03 | 0:18:05 | |
-Holding his scarf, your honour. -Is this for us? -Yes, it's for you. | 0:18:07 | 0:18:11 | |
And now suddenly wearing it again. The prosecution rests. | 0:18:11 | 0:18:16 | |
That's all for tonight. See you next time. | 0:18:18 | 0:18:21 | |
Subtitles by Red Bee Media | 0:18:35 | 0:18:38 | |
E-mail [email protected] | 0:18:38 | 0:18:40 |