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For a shoot to be successful, | 0:00:26 | 0:00:28 | |
including those behind the camera, have to be at the top of their game. | 0:00:28 | 0:00:32 | |
and must never lose concentration. | 0:00:32 | 0:00:36 | |
if the focus puller loses focus | 0:00:36 | 0:00:38 | |
then there will be a loss of focus because the focus puller lost focus. | 0:00:38 | 0:00:42 | |
That's not a great example, | 0:00:42 | 0:00:45 | |
Everyone has an important job to do, | 0:00:45 | 0:00:49 | |
Argh! What the hell?! I asked for a soy latte with an extra shot! | 0:00:52 | 0:00:57 | |
Here are some absolute clangers that happened purely because | 0:01:02 | 0:01:05 | |
Standing there crying isn't going to bring me the right coffee, is it? | 0:01:07 | 0:01:11 | |
Relentless action in The Tourist, | 0:01:17 | 0:01:18 | |
imaginatively orders a croissant. | 0:01:18 | 0:01:22 | |
But, zut alors! She's actually | 0:01:29 | 0:01:33 | |
She's set fire to her menu! | 0:01:35 | 0:01:38 | |
and a handcuffed Johnny Depp is determined to earn his title | 0:01:42 | 0:01:45 | |
Look, he's going water skiing. | 0:01:49 | 0:01:51 | |
as if he's not handcuffed at all. | 0:02:01 | 0:02:06 | |
Agent Denise, Clifton Ward. | 0:02:46 | 0:02:49 | |
But sadly, as this is The Dilemma, | 0:02:57 | 0:02:59 | |
we have to watch Vince Vaughan | 0:02:59 | 0:03:03 | |
But look closely and you see that the Chicago Blackhawks | 0:03:11 | 0:03:14 | |
are in different kit to the live game they were just playing. | 0:03:14 | 0:03:17 | |
have arranged an intervention. | 0:03:28 | 0:03:31 | |
They think he has a drink problem. | 0:03:35 | 0:03:38 | |
Your family and friends are here because they love you, Ronald, | 0:03:38 | 0:03:41 | |
and they can't stand to see you | 0:03:41 | 0:03:44 | |
Look! Next time we see his hands, | 0:03:44 | 0:03:48 | |
I wanted to say really quick that... | 0:03:53 | 0:03:55 | |
Sure-fire comedy hit Bridesmaids, | 0:03:55 | 0:03:57 | |
and Annie's tipsy and making a toast. That's never good. | 0:03:57 | 0:04:00 | |
and speak into the champagne flute | 0:04:00 | 0:04:03 | |
Oh, it seems Annie was having the same thought. They've swapped over. | 0:04:08 | 0:04:12 | |
All right, let's see what's next. | 0:04:14 | 0:04:18 | |
Take a look at Megan's right hand. | 0:04:20 | 0:04:26 | |
She should never have to work again. | 0:04:26 | 0:04:28 | |
In the exhausting action-packed | 0:04:47 | 0:04:50 | |
archaeologist Dr Indiana Jones is approached by army intelligence. | 0:04:52 | 0:04:57 | |
They tell him that Hitler's obsession with the occult has led him to seek the Ark of the Covenant, | 0:04:57 | 0:05:02 | |
containing the wrath of God. | 0:05:02 | 0:05:05 | |
In our version, Indy says, "Listen, | 0:05:05 | 0:05:10 | |
"I've been chased by a massive ball. | 0:05:10 | 0:05:14 | |
the garden's been neglected | 0:05:14 | 0:05:16 | |
"and this hat needs dry-cleaning. I might give this one a miss." | 0:05:16 | 0:05:19 | |
"But the Ark of the Covenant, | 0:05:19 | 0:05:22 | |
"It won't make much difference | 0:05:23 | 0:05:26 | |
So while Indy stays at home | 0:05:26 | 0:05:29 | |
the Nazis get the Ark undisturbed, | 0:05:29 | 0:05:31 | |
all the way back to Berlin, | 0:05:31 | 0:05:34 | |
where a triumphant Fuhrer pops the lid in front of his evil acolytes. | 0:05:34 | 0:05:38 | |
"Oh, goody!" And it melts his stupid | 0:05:38 | 0:05:44 | |
is historically out of place. | 0:05:50 | 0:05:53 | |
Like a computer in Robin Hood | 0:05:53 | 0:05:55 | |
in The Importance Of Being Earnest, | 0:05:55 | 0:05:57 | |
or those trainers on a cameraman who lives in the year 2011! | 0:05:57 | 0:06:02 | |
Don't look like that, Paul. | 0:06:02 | 0:06:04 | |
Come on! Don't be like that. | 0:06:04 | 0:06:07 | |
Think of the good times we've had. | 0:06:07 | 0:06:09 | |
Look at this block of flats in the powerful true-life flick | 0:06:11 | 0:06:15 | |
so far ahead of their time, | 0:06:17 | 0:06:21 | |
and can watch reruns of programmes that haven't yet been made. | 0:06:23 | 0:06:27 | |
Here's a Ronnie Barker lookalike, denying that his factory workers | 0:06:30 | 0:06:33 | |
are members of a troublesome | 0:06:33 | 0:06:36 | |
'Do you know what we're dealing with? | 0:06:36 | 0:06:38 | |
Workers Revolutionary Party, | 0:06:38 | 0:06:42 | |
'Revolutionary Communist BLEEP Party. | 0:06:42 | 0:06:44 | |
'Who's she with?' We don't actually think she's with anyone, sir. | 0:06:44 | 0:06:48 | |
We actually don't even think | 0:06:48 | 0:06:54 | |
A shame that this film's set in 1969. Not so hip, Daddy-o. | 0:07:13 | 0:07:18 | |
for some squabbling ladies. | 0:07:26 | 0:07:28 | |
But ignore them and look at the 2011 vehicle inspection sticker | 0:07:28 | 0:07:32 | |
in his buddy's car windscreen. | 0:07:32 | 0:07:35 | |
young Andy plays a drum kit | 0:07:44 | 0:07:48 | |
Well, no, it certainly wasn't. | 0:07:55 | 0:07:57 | |
rummaging about in a lady's drawers. | 0:08:04 | 0:08:08 | |
What are you doing with it? | 0:08:08 | 0:08:12 | |
Apparently looking for a gun permit. | 0:08:13 | 0:08:16 | |
Something that's not needed | 0:08:16 | 0:08:19 | |
Hmm, a likely story. I think he just wants to fondle her pants. | 0:08:22 | 0:08:26 | |
Now Casey's giving us his life | 0:08:33 | 0:08:38 | |
But look, here's a modern USPS truck | 0:08:40 | 0:08:45 |