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More films are made about cars than any other mode of transport. | 0:00:26 | 0:00:30 | |
I used to love cars so much that I'd ever only watch | 0:00:30 | 0:00:32 | |
the final third of Planes, Trains And Automobiles. | 0:00:32 | 0:00:35 | |
But these days, I'm much more environmentally minded | 0:00:35 | 0:00:38 | |
and I think Hollywood should follow suit. | 0:00:38 | 0:00:40 | |
In The Italian Job, instead of Mini Coopers, | 0:00:40 | 0:00:42 | |
they should have foldaway bikes. | 0:00:42 | 0:00:44 | |
And I want to see The Fast And The Furious on Segways. | 0:00:44 | 0:00:47 | |
That said, would Ryan Gosling have looked as cool if, | 0:00:47 | 0:00:50 | |
instead of Drive, the film had been called Walk? | 0:00:50 | 0:00:53 | |
Insightful teen fun in Easy A, and Todd is driving Olive home. | 0:00:57 | 0:01:02 | |
But when we catch a glimpse of the speedometer, | 0:01:02 | 0:01:05 | |
we see that they're travelling at 0mph. | 0:01:05 | 0:01:09 | |
Something must be wrong with your car, mate. | 0:01:09 | 0:01:11 | |
Easy A? Better call the Easy AA, hmm?! Huh?! | 0:01:11 | 0:01:15 | |
In the straightforward Just Go With It, Jennifer Aniston | 0:01:17 | 0:01:21 | |
perfectly parks, silencing any chauvinists. | 0:01:21 | 0:01:24 | |
D'oh. Wait a minute. | 0:01:24 | 0:01:26 | |
What is that? | 0:01:26 | 0:01:27 | |
Turns out she's gone all over the lines. Birds, eh? | 0:01:27 | 0:01:30 | |
What? | 0:01:30 | 0:01:32 | |
The slow but thoughtful Rabbit Hole now, | 0:01:34 | 0:01:36 | |
and Nicole's not wearing a seat belt. | 0:01:36 | 0:01:39 | |
-I don't want to move. -I don't want another baby. | 0:01:39 | 0:01:41 | |
CAR HORN BLARES | 0:01:41 | 0:01:44 | |
Luckily, a seat belt appeared just in the nick of time. | 0:01:44 | 0:01:48 | |
A clunk-click clunker. | 0:01:48 | 0:01:50 | |
-What're you doing? -I just had to check the cake. | 0:01:50 | 0:01:53 | |
Matthew McConaughey's such a successful lawyer | 0:01:56 | 0:01:59 | |
in the thrilling drama The Lincoln Lawyer, | 0:01:59 | 0:02:01 | |
that he's got a number plate that says NT GUILTY on it. Classy! | 0:02:01 | 0:02:07 | |
But in California, a licence plate can only have seven letters on it. | 0:02:07 | 0:02:11 | |
And NT GUILTY has eight. | 0:02:11 | 0:02:13 | |
Which makes it an illegal number plate, and very guilty indeed. | 0:02:13 | 0:02:18 | |
Oh, the irony! | 0:02:18 | 0:02:19 | |
He also has a chauffeur, which seems a bit poncey. | 0:02:21 | 0:02:25 | |
Surely he could drive himself? | 0:02:25 | 0:02:28 | |
Actually, the car can drive itself. | 0:02:28 | 0:02:30 | |
Yep, it was moving before he'd even started it. | 0:02:33 | 0:02:36 | |
Maybe his car is a distant cousin of Herbie. | 0:02:40 | 0:02:43 | |
When I heard that the downbeat drama Winter's Bone was a bit backward, | 0:02:45 | 0:02:51 | |
I thought that meant it was full of uneducated hillbilly types. | 0:02:51 | 0:02:54 | |
But no, it actually means it's backward, | 0:02:54 | 0:02:57 | |
as the reverse shot of this pick-up proves. | 0:02:57 | 0:03:00 | |
Warning - this vehicle is literally reversing. | 0:03:00 | 0:03:03 | |
Make sure your daddy knows the gravity of this deal. | 0:03:03 | 0:03:06 | |
In the unflinching crime movie The Town, | 0:03:09 | 0:03:12 | |
the bank robbers are forced to drive around the block | 0:03:12 | 0:03:15 | |
as they wait for their plan to fall into place. | 0:03:15 | 0:03:17 | |
But the second time they drive up the same road, | 0:03:21 | 0:03:24 | |
all of the parked cars are different. | 0:03:24 | 0:03:27 | |
How long did it take them to drive around the block? | 0:03:27 | 0:03:29 | |
Mind you, you know how bad traffic can get in Town. | 0:03:29 | 0:03:32 | |
And now another film's storyline flaws are reviewed and exposed | 0:03:34 | 0:03:38 | |
in Great Plot Hole Mistakes. | 0:03:38 | 0:03:40 | |
M Night Shyamalamadingdong's outlandish and far-fetched | 0:03:40 | 0:03:44 | |
2002 film Signs stars Mel Gibson | 0:03:44 | 0:03:46 | |
as a man who finds crop circles in his field which, it turns out, | 0:03:46 | 0:03:51 | |
is the work of ali-ons. | 0:03:51 | 0:03:52 | |
They've chosen to invade Earth for reasons that are mainly explained in crop circles, | 0:03:52 | 0:03:56 | |
which we can't understand. | 0:03:56 | 0:03:58 | |
Fortunately, the one substance able to destroy the ali-ons is water, | 0:03:58 | 0:04:02 | |
so they're fairly easily defeated. The End. | 0:04:02 | 0:04:05 | |
So what made the water-fearing ali-ons choose planet Earth, you might wonder? | 0:04:05 | 0:04:09 | |
-Just a minute, Lionel, did you say planet Earth? -That's right. | 0:04:09 | 0:04:13 | |
But 71% of the earth's surface is water, which is lethal to us ali-ons. | 0:04:13 | 0:04:18 | |
Yes. | 0:04:18 | 0:04:19 | |
What about Mars? That's nice and dry. | 0:04:19 | 0:04:22 | |
There hasn't been water on Mars for ages. | 0:04:22 | 0:04:25 | |
Yes, but where's the challenge in that? Come on. | 0:04:25 | 0:04:28 | |
Are you an ali-on or a mouse? | 0:04:28 | 0:04:31 | |
OK, OK. | 0:04:31 | 0:04:32 | |
So, we go to one of the dry bits of Earth, like the Atacama desert? | 0:04:32 | 0:04:35 | |
No, we go to nice verdant farming country | 0:04:35 | 0:04:38 | |
and choose specifically the house of a family of water-filled humans | 0:04:38 | 0:04:42 | |
whose daughter has a strange obsession with water. | 0:04:42 | 0:04:45 | |
But we'll be wearing protective waterproof clothing, yes? | 0:04:45 | 0:04:48 | |
No, I thought we'd go naked. | 0:04:48 | 0:04:50 | |
Naked?! What if they spit at us? | 0:04:50 | 0:04:52 | |
I don't know about you, but when I'm crowing over puny humans, | 0:04:52 | 0:04:56 | |
I like to have my guys out, swinging in the breeze. | 0:04:56 | 0:05:00 | |
I'm worried this might be the worst idea you've ever had, Lionel. | 0:05:00 | 0:05:03 | |
No, that was instant mashed potato. | 0:05:03 | 0:05:06 | |
THEY LAUGH | 0:05:06 | 0:05:09 | |
Out of all last year's films, | 0:05:11 | 0:05:13 | |
we think this next film had the moist mistakes. | 0:05:13 | 0:05:15 | |
Did I say moist? | 0:05:15 | 0:05:17 | |
Out of all of last year's films, | 0:05:17 | 0:05:18 | |
we think this next mistake had the most mistakes... | 0:05:18 | 0:05:22 | |
Out of all of last year's films, we think this nest film... | 0:05:22 | 0:05:26 | |
Nest? | 0:05:26 | 0:05:27 | |
Out of all the films, | 0:05:27 | 0:05:29 | |
we think this next one had the most mistakes, of last year. | 0:05:29 | 0:05:34 | |
Out of all of last year's mistakes, this was the most. | 0:05:34 | 0:05:37 | |
Out of all of last year's films, | 0:05:37 | 0:05:40 | |
we think this next film had the most mistakes YES! | 0:05:40 | 0:05:43 | |
Sorry, without the yes. | 0:05:43 | 0:05:44 | |
And the film we found the most mistakes in this year | 0:05:46 | 0:05:49 | |
was the very underwhelming and disappointing | 0:05:49 | 0:05:52 | |
The Green Hornet remake. | 0:05:52 | 0:05:53 | |
Let's count them up! | 0:05:53 | 0:05:55 | |
Good morning. | 0:05:55 | 0:05:56 | |
Keep staring at the attractive lady lying in the bed, | 0:05:56 | 0:05:59 | |
as one minute she's all covered up, | 0:05:59 | 0:06:02 | |
then the duvet comes down and we see her bra! | 0:06:02 | 0:06:05 | |
Then it goes up... | 0:06:05 | 0:06:07 | |
and down | 0:06:07 | 0:06:08 | |
and up and down for the rest of the scene. | 0:06:08 | 0:06:13 | |
Of course, I watched this clip several times | 0:06:13 | 0:06:15 | |
just to be sure of the mistake. | 0:06:15 | 0:06:17 | |
Two mistakes for the price of one in this car chase. | 0:06:20 | 0:06:24 | |
The offside headlight gets knocked out by The Hornet's car... | 0:06:24 | 0:06:28 | |
Oh, no. | 0:06:30 | 0:06:32 | |
..but as the car flips over, it's all fixed again! | 0:06:32 | 0:06:35 | |
Then the car careers forwards, | 0:06:37 | 0:06:40 | |
but slams through the window backwards. | 0:06:40 | 0:06:42 | |
Proof indeed that two wrongs don't make a right... | 0:06:42 | 0:06:46 | |
They make a right clanger. | 0:06:46 | 0:06:48 | |
This is the greatest moment of my life. | 0:06:48 | 0:06:50 | |
She's completely un-nailable. | 0:06:52 | 0:06:53 | |
It's a terrible fact. I don't know what to do. | 0:06:53 | 0:06:55 | |
In this clip, Kato drives very straight | 0:06:55 | 0:06:58 | |
down a very straight road, but look how erratically he steers! | 0:06:58 | 0:07:02 | |
This film's proving to have more gaffs than a dodgy council estate... | 0:07:02 | 0:07:06 | |
And here's three more whoppers. | 0:07:09 | 0:07:12 | |
Watch this weapon as it disappears quicker than director | 0:07:12 | 0:07:15 | |
Michel Gondry's credibility. | 0:07:15 | 0:07:17 | |
Ta-da! | 0:07:18 | 0:07:20 | |
But now just watch Mr Beach Ball sat proudly on his chair. | 0:07:26 | 0:07:30 | |
Ooh, now he's off... | 0:07:30 | 0:07:33 | |
Maybe he's trying to escape from this movie, I wouldn't blame him. | 0:07:33 | 0:07:37 | |
I mean, he may have a better offer. | 0:07:37 | 0:07:39 | |
There's probably a volleyball tournament he could be starring in. | 0:07:39 | 0:07:42 | |
That would be nice. | 0:07:42 | 0:07:45 | |
Oh, no, he's back. | 0:07:45 | 0:07:47 | |
Mr Beach Ball, I'd have a word with your agent. | 0:07:47 | 0:07:50 | |
You're better than this. | 0:07:50 | 0:07:52 | |
Get off my property! | 0:07:52 | 0:07:53 | |
In this scene, look at the tree in the background. | 0:07:57 | 0:08:00 | |
What are you doing up here? All the guys are waiting. | 0:08:00 | 0:08:03 | |
Popeye walks far past it... and now he's right next to it. | 0:08:03 | 0:08:08 | |
Maybe Mr Tree's after more screen time? | 0:08:08 | 0:08:10 | |
We'll never know. | 0:08:10 | 0:08:12 | |
Last one. | 0:08:14 | 0:08:15 | |
The gas mask is clearly on Chudnofsky's forehead | 0:08:15 | 0:08:19 | |
as he fights Kato. | 0:08:19 | 0:08:21 | |
..or be it your blood, red will be the last colour... | 0:08:21 | 0:08:23 | |
Then, suddenly, it's entirely on his face... | 0:08:29 | 0:08:32 | |
I'd keep it on if I were you. | 0:08:33 | 0:08:36 | |
With nine solid goofs, this film's a bit of a stinker. | 0:08:36 | 0:08:39 | |
Subtitles by Red Bee Media Ltd | 0:08:41 | 0:08:43 |