Browse content similar to Episode 5. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Bad luck, movie makers, it's us again. | 0:00:46 | 0:00:48 | |
This is the show that takes out its geeky monocle | 0:00:48 | 0:00:51 | |
and scrutinises your puny human efforts. | 0:00:51 | 0:00:53 | |
We'll pore over every frame to find your boobs... | 0:00:53 | 0:00:58 | |
Yeah. Can we have another go? | 0:00:58 | 0:01:00 | |
I'm not sure, "find your boobs," is quite right. Thanks. | 0:01:00 | 0:01:04 | |
-'Action!' -Where was I? | 0:01:04 | 0:01:06 | |
Ah, yes. | 0:01:06 | 0:01:07 | |
This may look, to you, like a renovated church, | 0:01:07 | 0:01:10 | |
but, in fact, it's a nerve hub. | 0:01:10 | 0:01:11 | |
It's a nucleus - an offshoot of the Matrix. | 0:01:11 | 0:01:14 | |
Well, all right, it is a renovated church | 0:01:14 | 0:01:16 | |
but just off camera, in the crypt, is a team of pale-faced, muttering, | 0:01:16 | 0:01:20 | |
gibbering, almost subhuman creatures that we call our researchers. | 0:01:20 | 0:01:25 | |
They've taken dedication to the point of actual mania. | 0:01:25 | 0:01:27 | |
They're now unable even to go for a cup of coffee | 0:01:27 | 0:01:30 | |
without going up to complete strangers and shouting, | 0:01:30 | 0:01:33 | |
"You were holding that cup in the other hand five minutes ago, you LOSER!" | 0:01:33 | 0:01:37 | |
Either that or they're just looking at Facebook | 0:01:37 | 0:01:39 | |
and cutting and pasting from IMDB but it's probably the first one. | 0:01:39 | 0:01:44 | |
So, on with the show. Now, if you're anything like me, | 0:01:44 | 0:01:47 | |
you've been transported inside the software world | 0:01:47 | 0:01:50 | |
of a mainframe computer where you have to offer up | 0:01:50 | 0:01:52 | |
astonishing movie blunders in an attempt to get back out. | 0:01:52 | 0:01:55 | |
But you're not like me at all - quite the opposite. | 0:01:55 | 0:01:57 | |
I'm on the television and you're poised over Twitter | 0:01:57 | 0:02:00 | |
ready to be all cross at me for doing another clip show - | 0:02:00 | 0:02:02 | |
to which I can only reply, "Welcome to Great Movie Mistakes IV!" | 0:02:02 | 0:02:06 | |
And by the way - only one of us gets to ride that incredible Laser Bike. | 0:02:06 | 0:02:11 | |
Hashtag it's me. | 0:02:11 | 0:02:12 | |
Let's look at our first batch of Hollywood howlers. | 0:02:14 | 0:02:16 | |
I want what you owe me... | 0:02:19 | 0:02:20 | |
Here's The Dark Knight Rises - | 0:02:20 | 0:02:22 | |
big scale thrills but a huge, preposterous let down. | 0:02:22 | 0:02:24 | |
-Nice outfit. Those heels make it tough to walk? -I don't know. | 0:02:24 | 0:02:29 | |
Good question, though, as only moments later we get the answer. | 0:02:30 | 0:02:34 | |
They're clearly retractable heels that disappear when running | 0:02:36 | 0:02:40 | |
and brawling's on the cards. | 0:02:40 | 0:02:41 | |
Could Bruce Wayne of stately Wayne Manor be a benefits cheat? | 0:02:45 | 0:02:49 | |
Consider this evidence. | 0:02:49 | 0:02:51 | |
Here he's having a chat with Mr Fox... | 0:02:51 | 0:02:53 | |
If you filed your entire RNB budget into a fusion project... | 0:02:53 | 0:02:57 | |
..but as soon as he realises the cameras are on him | 0:02:57 | 0:02:59 | |
a walking stick suddenly appears. | 0:02:59 | 0:03:02 | |
Next year expect to see him break dancing | 0:03:02 | 0:03:04 | |
on Britain's Got Talent. | 0:03:04 | 0:03:06 | |
I can't. I can't, Lucius. | 0:03:06 | 0:03:07 | |
Fighting and chaos reigns in Gotham City | 0:03:10 | 0:03:13 | |
and the smell of testosterone is high | 0:03:13 | 0:03:16 | |
but one man seems more lavender-scented... | 0:03:16 | 0:03:18 | |
Did you see him? Rewind! | 0:03:18 | 0:03:20 | |
This chap's fighting nobody at all! | 0:03:23 | 0:03:25 | |
Listen, matey, you're only supposed to punch the air | 0:03:25 | 0:03:28 | |
when you win a fight. | 0:03:28 | 0:03:30 | |
Glossy and entertaining as The Hunger Games was, | 0:03:32 | 0:03:35 | |
it left many fans disappointed - and is this why? | 0:03:35 | 0:03:39 | |
Look at the flowers being thrown at the parading chariots. | 0:03:39 | 0:03:42 | |
We will not be overlooked. Now, I LOVE that! | 0:03:42 | 0:03:44 | |
Now look at the roadway - completely clear. | 0:03:47 | 0:03:50 | |
No wonder everyone's so hungry if all their vegetation self-destructs. | 0:03:50 | 0:03:53 | |
Politically thrilling political thriller The Ides Of March | 0:03:57 | 0:04:00 | |
has Philip Seymour Hoffman visiting a pretend barber | 0:04:00 | 0:04:03 | |
who pretends to cut his hair. | 0:04:03 | 0:04:05 | |
I mean, it looks like a nice close cut but where are all the clippings? | 0:04:05 | 0:04:09 | |
Nothing's actually been cut off. | 0:04:09 | 0:04:11 | |
Ah, ready to face the world with a fresh new non-haircut. | 0:04:13 | 0:04:16 | |
It's a well-known fact that nobody speaks German, | 0:04:19 | 0:04:22 | |
which is why the team building this middling reboot of Sherlock Holmes | 0:04:22 | 0:04:26 | |
could get away with this little prank. | 0:04:26 | 0:04:28 | |
The subtitle says "Time to introduce Little Hansel." | 0:04:31 | 0:04:34 | |
What he actually said translates as... | 0:04:36 | 0:04:39 | |
Lacklustre and rushed - it's the not-so-Amazing Spider-Man | 0:04:46 | 0:04:49 | |
where Peter and The Lizard are having a dust-up. | 0:04:49 | 0:04:53 | |
And boy, does Peter get dusted up! | 0:04:53 | 0:04:55 | |
Though, realising that he'll upset Aunt May, | 0:04:57 | 0:04:59 | |
he quickly cleans himself up again - a bit. | 0:04:59 | 0:05:02 | |
Gwen, I worry if Peter's the right guy for you. | 0:05:07 | 0:05:10 | |
When you chat, although you may think you've got his attention | 0:05:10 | 0:05:13 | |
with his earphones out... | 0:05:13 | 0:05:15 | |
-Oh, it's Thursday. -It's Thursday? -What happened to your eye? | 0:05:15 | 0:05:18 | |
..he's only half-listening as his right earphone springs back in. | 0:05:18 | 0:05:22 | |
No, love, the right ear! | 0:05:22 | 0:05:24 | |
-Hey. -What do we have here? A concealed weapon? | 0:05:27 | 0:05:30 | |
Hey, it's his grandmother's suit! | 0:05:30 | 0:05:31 | |
Now this a blatant mistake from the fairly good, | 0:05:31 | 0:05:34 | |
reasonably fun Men In Black III. | 0:05:34 | 0:05:36 | |
..before you press that... | 0:05:36 | 0:05:37 | |
I'll leave it to you to work out what the error is. | 0:05:37 | 0:05:39 | |
If you can't get it, | 0:05:39 | 0:05:41 | |
you probably need some suddenly appearing glasses. | 0:05:41 | 0:05:44 | |
Ah, that's a giveaway. | 0:05:44 | 0:05:45 | |
..is a standard issue Neuralyzer. | 0:05:45 | 0:05:48 | |
In this scene from the surprisingly tense, watch-through-your-fingers, | 0:05:50 | 0:05:54 | |
Woman in Black, Harry Potter's brought a magic dog with him, | 0:05:54 | 0:05:57 | |
from Hogwarts. | 0:05:57 | 0:05:58 | |
There he is overtaking the dog... | 0:05:58 | 0:06:00 | |
and now suddenly the dog's in front of him again. | 0:06:00 | 0:06:03 | |
It's probably some sort of spell. | 0:06:05 | 0:06:07 | |
"Teleportio!", or something. | 0:06:07 | 0:06:09 | |
I don't know if you've noticed this but some films like | 0:06:11 | 0:06:13 | |
The Bourne Identity and Annie just have normal heroes in them. | 0:06:13 | 0:06:17 | |
Whereas all the best films have superheroes in them, | 0:06:17 | 0:06:19 | |
who are like normal heroes but superer. | 0:06:19 | 0:06:21 | |
One of my favourite superhero films this year was Avengers Assembly, | 0:06:21 | 0:06:25 | |
where all the Avengers and their teachers | 0:06:25 | 0:06:27 | |
got together in the main hall, and sang hymns. | 0:06:27 | 0:06:29 | |
I'm really looking forward to the sequels - Avengers Harvest Festival, | 0:06:29 | 0:06:33 | |
Avengers Nativity and Avengers Wet Break. | 0:06:33 | 0:06:35 | |
Right, shut up everyone, it's Avengers Assemble, | 0:06:35 | 0:06:38 | |
which is MASSIVELY exciting. | 0:06:38 | 0:06:40 | |
Here Captain America takes a shot, | 0:06:40 | 0:06:42 | |
causing terrible damage to his costume and body... | 0:06:42 | 0:06:45 | |
..and over here everyone's second favourite Sherlock Holmes | 0:06:47 | 0:06:50 | |
but first favourite Iron Man, Robert Downey Jr, | 0:06:50 | 0:06:53 | |
has a great big cut to his right eyebrow... | 0:06:53 | 0:06:55 | |
..but here's proof of the power of positive thinking - | 0:06:56 | 0:06:59 | |
all evidence of damage has gone from the Captain's cozzie | 0:06:59 | 0:07:02 | |
and the Iron's cut has miraculously healed. | 0:07:02 | 0:07:05 | |
Now Thor and Iron Man are having a scrap. | 0:07:08 | 0:07:11 | |
Thor sends Iron Man flying off into the woods. | 0:07:11 | 0:07:14 | |
You want me to put the hammer down?! | 0:07:14 | 0:07:16 | |
Then when Thor turns on Captain America, he's all like, | 0:07:16 | 0:07:19 | |
"My American shield will protect me," | 0:07:19 | 0:07:22 | |
and Thor then flies off into the woods... | 0:07:22 | 0:07:24 | |
..but when they all get up, they're about a metre apart. | 0:07:35 | 0:07:38 | |
Those Avengers Assembled a little too quickly, if you ask me! | 0:07:38 | 0:07:42 | |
Are we done here? | 0:07:42 | 0:07:43 | |
Part of the skill of being a special effects wizard is making sure | 0:07:46 | 0:07:49 | |
that none of your tricks of the trade are exposed. | 0:07:49 | 0:07:51 | |
Unfortunately in this clip we have the FX version of an upskirt. | 0:07:51 | 0:07:55 | |
As the ratchet cable used to spin the car is clearly visible. | 0:08:00 | 0:08:04 | |
There are some superheroes you really invest in | 0:08:08 | 0:08:11 | |
and others nobody gives a toss about. | 0:08:11 | 0:08:13 | |
Captain America, now, and you'll see here | 0:08:15 | 0:08:17 | |
how Steve goes into the getting-buffmatron | 0:08:17 | 0:08:19 | |
in perfect-fitting trousers... | 0:08:19 | 0:08:21 | |
Mr Stark! | 0:08:25 | 0:08:26 | |
..which still fit perfectly after he's gone all big. | 0:08:29 | 0:08:32 | |
Still, it's by that logic that we all avoided seeing | 0:08:32 | 0:08:35 | |
Lou Ferrigno's naughty bits, so, you know, every cloud. | 0:08:35 | 0:08:38 | |
After some impressive underwater rough and tumble, | 0:08:50 | 0:08:53 | |
Steve throws Heinz out of the water and onto the dock | 0:08:53 | 0:08:56 | |
but, miraculously, both of them are dry. | 0:08:56 | 0:08:59 | |
This is a shame, I'd have loved to see them both have a rub down | 0:09:01 | 0:09:04 | |
with some fluffy towels before he takes that deadly pill. | 0:09:04 | 0:09:07 | |
Tomorrow shall take its place. | 0:09:09 | 0:09:11 | |
One of Captain America's unsung superpowers | 0:09:16 | 0:09:18 | |
is the ability to deteriorate buildings. | 0:09:18 | 0:09:21 | |
Here he is making an evil Nazi railing break by sheer | 0:09:21 | 0:09:25 | |
power of charisma and pectorals. | 0:09:25 | 0:09:27 | |
Intact here... | 0:09:27 | 0:09:28 | |
-Got to be a rope or something! -Just go! Get out of here! | 0:09:35 | 0:09:38 | |
Not going without you! | 0:09:38 | 0:09:40 | |
..and broken here. | 0:09:40 | 0:09:42 | |
In the sequel he takes down Stalin with some well-placed dry rot. | 0:09:42 | 0:09:45 | |
A shocking, sad and pivotal scene from The Amazing Spider-Man, here, | 0:09:49 | 0:09:53 | |
as Uncle Ben's shot down. | 0:09:53 | 0:09:55 | |
But here's proof Charlie Sheen's dad's just doing his actor day job. | 0:09:57 | 0:10:01 | |
See how he falls to the ground with glasses on? | 0:10:01 | 0:10:03 | |
Well, he must be taking a nap, | 0:10:05 | 0:10:07 | |
as when Peter rushes to help him here, the glasses are off. | 0:10:07 | 0:10:10 | |
Someone call an ambulance! | 0:10:10 | 0:10:12 | |
Keep your eyes on this numberplate. | 0:10:15 | 0:10:17 | |
Hmm, is this Eastern Europe? | 0:10:17 | 0:10:20 | |
Thought so. | 0:10:20 | 0:10:21 | |
This is the contrived, forgotten Ghost Rider sequel. | 0:10:21 | 0:10:24 | |
Look at the numberplate now - | 0:10:27 | 0:10:29 | |
it's reversed. | 0:10:29 | 0:10:31 | |
That's the problem with ghost riders - | 0:10:34 | 0:10:36 | |
the numberplasms on their motorspookles | 0:10:36 | 0:10:38 | |
are very unreli-I-I-I-able! | 0:10:38 | 0:10:40 | |
Finding out they've developed superpowers | 0:10:44 | 0:10:46 | |
makes the kids in effective low-budgeter Chronicle | 0:10:46 | 0:10:48 | |
really excited, | 0:10:48 | 0:10:49 | |
and, like most teenage boys, they celebrate | 0:10:49 | 0:10:52 | |
by trying to hurt each other. | 0:10:52 | 0:10:53 | |
Steve gets Matt slap-bang under the right eye... | 0:10:53 | 0:10:57 | |
THEY LAUGH | 0:10:57 | 0:10:59 | |
What the shit, Steve! Dude, get off! Get off! What are you doing? | 0:11:00 | 0:11:05 | |
-Underhand. -I tried, man. I tried. | 0:11:05 | 0:11:07 | |
But soon they're laughing on the other side of their faces. | 0:11:07 | 0:11:10 | |
Sorry, bruising on the other side of their faces. | 0:11:10 | 0:11:13 | |
Now we come to the mistakes, which are so asinine, so dumb, | 0:11:15 | 0:11:18 | |
so daft, so idiotic, so brainless, so thick, so inept | 0:11:18 | 0:11:22 | |
and just so plain stupid they get a whole category to themselves. | 0:11:22 | 0:11:26 | |
'Cut!' | 0:11:27 | 0:11:29 | |
What? That was perfect. I'm not doing it again. That was fine. | 0:11:29 | 0:11:33 | |
How to completely sell-out a joke - | 0:11:33 | 0:11:35 | |
basically, what you do, is have a funny idea, | 0:11:35 | 0:11:37 | |
like these commune people in the utterly standard Wanderlust, | 0:11:37 | 0:11:41 | |
making a feature of never clapping but finger-rubbing. | 0:11:41 | 0:11:44 | |
This is much less aggressive than clapping. | 0:11:44 | 0:11:46 | |
Try it. Try it. Seriously, it's better. | 0:11:46 | 0:11:49 | |
Two, three... | 0:11:49 | 0:11:51 | |
Then, later on, have the exact same people clap like us normal folk. | 0:11:51 | 0:11:54 | |
That's one joke that won't be bothering anyone again! | 0:11:54 | 0:11:57 | |
Marginally diverting Man On A Ledge next, | 0:12:02 | 0:12:05 | |
and in this clip Man not-yet-on-a-ledge | 0:12:05 | 0:12:07 | |
is being very careful to remove his fingerprints | 0:12:07 | 0:12:10 | |
from everything he touches. | 0:12:10 | 0:12:11 | |
Oh, except the window he's going to open with his bare fingerprinty, | 0:12:11 | 0:12:14 | |
made-of-clue hands. | 0:12:14 | 0:12:16 | |
Rookie mistake. | 0:12:16 | 0:12:17 | |
Like using a Dyson Airblade then touching the toilet door. | 0:12:17 | 0:12:21 | |
So where's the first place the forensics dust for prints? | 0:12:24 | 0:12:27 | |
Easy! But let's spell it out to you. | 0:12:27 | 0:12:29 | |
Oh. | 0:12:33 | 0:12:34 | |
I'm a bit nervous of using the word "headcount" | 0:12:36 | 0:12:39 | |
when one of the icky Final Destination films is concerned, | 0:12:39 | 0:12:42 | |
but listen to this... | 0:12:42 | 0:12:44 | |
Among the survivors were eight employees of Presage Paper, | 0:12:44 | 0:12:48 | |
on their way to a business retreat, | 0:12:48 | 0:12:50 | |
the other 17 employees were killed in the collapse... | 0:12:50 | 0:12:53 | |
Eight survivors and 17 dead. | 0:12:53 | 0:12:55 | |
That's 25 people. | 0:12:55 | 0:12:57 | |
So why have they only bothered here with 18 passengers plus the driver? | 0:12:58 | 0:13:02 | |
Not the sort of cuts I was expecting in this film. | 0:13:03 | 0:13:06 | |
You know in the Sound Of Music | 0:13:08 | 0:13:09 | |
where Julie Andrews is bellowing her head off on a bus | 0:13:09 | 0:13:11 | |
and none of the other passengers bats an eyelid? | 0:13:11 | 0:13:14 | |
Well, this is exactly like that, only with werewolves. | 0:13:14 | 0:13:17 | |
Anyway, there are evil hell creatures tearing cars apart... | 0:13:19 | 0:13:23 | |
but the people on the pavement stroll on taking as little notice | 0:13:23 | 0:13:26 | |
as the cinema going public does of the Underworld films. | 0:13:26 | 0:13:29 | |
It's the better-than-expected Fright Night remake. | 0:13:32 | 0:13:35 | |
Now look at how Charlie's mum | 0:13:35 | 0:13:37 | |
protests at mowing down poor Jerry here. | 0:13:37 | 0:13:39 | |
-Mom, just hit it! -Charlie, no! | 0:13:39 | 0:13:42 | |
-Just -BLEEP -hit it! | 0:13:42 | 0:13:44 | |
But even though Charlie grabs the wheel, | 0:13:46 | 0:13:48 | |
it's quite obvious it's his mum with the foot on the accelerator, | 0:13:48 | 0:13:51 | |
carrying out the very thing she doesn't want to do. | 0:13:51 | 0:13:54 | |
I'm not doing a joke about women drivers. I'm just not. | 0:13:54 | 0:13:57 | |
Hey, Mom. | 0:13:59 | 0:14:01 | |
Watch this for an absolute ruddy mess-up and a half, | 0:14:02 | 0:14:06 | |
in the seen-it-all-before time-travel movie, In Time. | 0:14:06 | 0:14:09 | |
Happy 50th! | 0:14:09 | 0:14:11 | |
50? That's right. | 0:14:11 | 0:14:13 | |
25 for the 25th time. | 0:14:14 | 0:14:16 | |
Did you spot it? | 0:14:18 | 0:14:19 | |
Course, 25 for the 25th time would actually be her 49th birthday. | 0:14:19 | 0:14:23 | |
..for a girlfriend... | 0:14:23 | 0:14:25 | |
Tsk. I bet the guys responsible | 0:14:25 | 0:14:27 | |
celebrated the millennium in 2000 as well, like idiots. | 0:14:27 | 0:14:30 | |
Now, where's my real ale? | 0:14:30 | 0:14:32 | |
Men, eh? Won't ever listen to directions. | 0:14:36 | 0:14:38 | |
In this clip from a big waste of time called Abduction, | 0:14:38 | 0:14:41 | |
Nathan is clearly told to... | 0:14:41 | 0:14:43 | |
Got that, Nathan? | 0:14:49 | 0:14:51 | |
Clarendon Avenue. This is the street. | 0:14:51 | 0:14:54 | |
Avenue? It's Boulevard, for goodness' sake! | 0:14:54 | 0:14:57 | |
You get asked to do one simple thing... AND that's Apartment 202. | 0:14:57 | 0:15:02 | |
Well, this is a disas... Oh... | 0:15:02 | 0:15:04 | |
..it's the right house despite all that. | 0:15:05 | 0:15:07 | |
Lucky! | 0:15:07 | 0:15:08 | |
Whether the Earl of Oxford was actually Shakespeare is still | 0:15:12 | 0:15:14 | |
open to debate. | 0:15:14 | 0:15:16 | |
No, it isn't. He wasn't! | 0:15:16 | 0:15:17 | |
But we can all agree he was one hell of a horticulturist. | 0:15:18 | 0:15:22 | |
Here in the abominable Anonymous, | 0:15:22 | 0:15:24 | |
he presents Ben Jonson with a red and white Tudor Rose. | 0:15:24 | 0:15:28 | |
My Lord. | 0:15:28 | 0:15:29 | |
The Tudor Rose. | 0:15:29 | 0:15:30 | |
The most beautiful of flowers, do you not think? | 0:15:32 | 0:15:36 | |
Problem is, the Tudor Rose is not so much your actual flower, | 0:15:36 | 0:15:39 | |
more your totally invented heraldic symbol. | 0:15:39 | 0:15:42 | |
Hard to come by. | 0:15:42 | 0:15:43 | |
For any science fiction fans who may be watching, | 0:15:43 | 0:15:45 | |
I have prepared the following statement. | 0:15:45 | 0:15:47 | |
"Doctor Spock said 'Beam Me Up, Scotty' and walked onto the Bridge | 0:15:47 | 0:15:51 | |
"of The Firefly where he bumped into the character Doctor Who who | 0:15:51 | 0:15:54 | |
"was chatting to Hans Solos about the time he was frozen in Kryptonite." | 0:15:54 | 0:15:58 | |
The sci-fi fans have probably gone away now, | 0:15:58 | 0:16:01 | |
moaning about our inaccuracies on their special internet forums, | 0:16:01 | 0:16:04 | |
so we can enjoy some mistakes in sci-fi films | 0:16:04 | 0:16:07 | |
without destroying their world. | 0:16:07 | 0:16:10 | |
The biggest problem in the old west, after cholera, | 0:16:10 | 0:16:12 | |
was how to accessorise. | 0:16:12 | 0:16:14 | |
Here's Daniel Craig in the humourless Cowboys And Aliens | 0:16:14 | 0:16:17 | |
deciding that his special alien bracelet is too heavy to ride in. | 0:16:17 | 0:16:21 | |
Now he's changed his mind and it's on again. | 0:16:25 | 0:16:29 | |
Honestly, no wonder cowboys take so long to get ready. | 0:16:29 | 0:16:32 | |
Or is that women? I always get them mixed up. | 0:16:32 | 0:16:35 | |
That's why I found Brokeback Mountain so confusing. | 0:16:35 | 0:16:38 | |
In this bar scene, James Bond's drinks are not so much | 0:16:41 | 0:16:44 | |
"shaken not stirred" as "poured not drunk". | 0:16:44 | 0:16:47 | |
Where did you get your bracelet? | 0:16:49 | 0:16:51 | |
There's something you don't know about me, lady. | 0:16:54 | 0:16:56 | |
You don't remember anything, do you? | 0:16:58 | 0:17:00 | |
What do you want? | 0:17:04 | 0:17:06 | |
He's so busy sloshing out the whisky | 0:17:06 | 0:17:08 | |
that he forgets to do the drinking it part. | 0:17:08 | 0:17:10 | |
And all without a coaster, too. | 0:17:10 | 0:17:12 | |
You do not want to see the rings on that bar. | 0:17:12 | 0:17:14 | |
Some she-actors find getting off horses un-ladylike, | 0:17:19 | 0:17:23 | |
so in this clip Olivia Wilde bypasses the problem | 0:17:23 | 0:17:25 | |
by simply refusing to do the middle bit. | 0:17:25 | 0:17:27 | |
"Look, I'll just stand next to it, OK?" | 0:17:29 | 0:17:31 | |
"Yes, I know I was sitting on it in the last shot. Nobody'll notice". | 0:17:33 | 0:17:37 | |
Putting the "bored" into "board game", | 0:17:39 | 0:17:41 | |
here's the horribly unsubtle Battleship. | 0:17:41 | 0:17:44 | |
Here, not only does Alex show off his pathetic robbery skills, | 0:17:44 | 0:17:47 | |
if you look at the clock on the CCTV feed, | 0:17:47 | 0:17:50 | |
he also manages to leap backwards and forward in time | 0:17:50 | 0:17:53 | |
like a rubbish Doctor Who. | 0:17:53 | 0:17:54 | |
It would seem that Commander Stone Hopper's mum | 0:17:58 | 0:18:01 | |
must've popped his gloves on idiot strings | 0:18:01 | 0:18:03 | |
as he manages to slip them on and off throughout this scene | 0:18:03 | 0:18:05 | |
with ease. | 0:18:05 | 0:18:06 | |
FOGHORN BLOWS | 0:18:06 | 0:18:09 | |
They're off now. | 0:18:13 | 0:18:14 | |
But they're back here. | 0:18:19 | 0:18:21 | |
But see how the ultrasonic attack shatters all the glass? | 0:18:23 | 0:18:26 | |
Well, maybe Mum knitted a binoculars case... | 0:18:26 | 0:18:29 | |
..as these lenses are fine. Thanks, Mum! | 0:18:30 | 0:18:33 | |
What the hell is this? | 0:18:33 | 0:18:34 | |
When you're under attack from a ruddy great big robot ship | 0:18:37 | 0:18:40 | |
from outer space, it's important that you have a change of pants | 0:18:40 | 0:18:43 | |
and plenty of ammunition. | 0:18:43 | 0:18:45 | |
Especially when your cannons get destroyed. | 0:18:45 | 0:18:47 | |
-You all right? -They ain't going to sink this battleship, no way. | 0:18:54 | 0:18:57 | |
But, hey, why not just grow them back instantaneously | 0:18:57 | 0:18:59 | |
like these guys do in the following shot? | 0:18:59 | 0:19:02 | |
Fresh water. | 0:19:04 | 0:19:06 | |
Contagion now, which is different from Outbreak because... | 0:19:06 | 0:19:09 | |
well, because it's... Look, it just is, all right? | 0:19:09 | 0:19:12 | |
To illustrate the power of the disease, | 0:19:12 | 0:19:14 | |
here's a miserable montage of deserted cities. | 0:19:14 | 0:19:18 | |
As we know, only three things could survive a global virus. | 0:19:18 | 0:19:21 | |
Sea creatures, cockroaches, and the ruddy rush-hour traffic. | 0:19:21 | 0:19:25 | |
Charming '80s-based alien fun with Super 8 now, | 0:19:31 | 0:19:34 | |
and evidence that Hollywood really is another world. | 0:19:34 | 0:19:38 | |
When they need to move a bus, they do it with a massive chain... | 0:19:38 | 0:19:41 | |
..as you can see here, | 0:19:44 | 0:19:46 | |
whereas the rest of the earthlings look on and say, | 0:19:46 | 0:19:48 | |
"Why not just drive the bus?" | 0:19:48 | 0:19:50 | |
The real reason why kids shouldn't play with fireworks now. | 0:19:53 | 0:19:56 | |
It's a little-known fact that when anyone under the age of 18 | 0:19:56 | 0:19:59 | |
so much as holds a sparkler, like young Joe here... | 0:19:59 | 0:20:02 | |
..it will spontaneously light itself. | 0:20:05 | 0:20:07 | |
'I'll never forget that year. | 0:20:09 | 0:20:11 | |
'I was young, I was full of hope, | 0:20:11 | 0:20:13 | |
'I was shooting Great Movie Mistakes IV. | 0:20:13 | 0:20:15 | |
'Of course I didn't know then what a fool I was, | 0:20:15 | 0:20:18 | |
'none of us saw what was just round the corner. | 0:20:18 | 0:20:20 | |
'Then, one day, while I was introducing a section | 0:20:20 | 0:20:23 | |
'on biographical films, it all became clear to me.' | 0:20:23 | 0:20:27 | |
But you're not going to find out what became clear to me, | 0:20:27 | 0:20:29 | |
because like all biographical films, we're going to jump | 0:20:29 | 0:20:32 | |
straight into flashback the moment it looks like getting interesting. | 0:20:32 | 0:20:36 | |
Robert! Time for your tea! It's Spangles and Angel Delight! | 0:20:36 | 0:20:39 | |
Sigmund Freud is the subject of the revealing but somewhat mediocre | 0:20:39 | 0:20:43 | |
A Dangerous Method. | 0:20:43 | 0:20:45 | |
Here, Freud is packing up his books, and is probably so busy | 0:20:45 | 0:20:48 | |
thinking about rude thoughts and mucky stuff | 0:20:48 | 0:20:51 | |
that he doesn't even notice that when he picks his book up, | 0:20:51 | 0:20:53 | |
it stays where it is. | 0:20:53 | 0:20:55 | |
..excise his father's name from the cartouches. | 0:20:55 | 0:20:57 | |
Then, suddenly, it's on his papers. | 0:20:57 | 0:20:59 | |
This was something traditionally done by all new kings who didn't | 0:20:59 | 0:21:03 | |
wish their father's name to continue to be public currency. | 0:21:03 | 0:21:07 | |
And then he puts it back on his papers to leave. | 0:21:07 | 0:21:10 | |
Now for a bit of J Edgar, the flat and dreary biopic | 0:21:14 | 0:21:17 | |
of the ex-Director of the FBI and inventor of the Dyson. | 0:21:17 | 0:21:20 | |
Look at this cereal box that Tolson puts down. | 0:21:21 | 0:21:24 | |
There's a short conversation... | 0:21:26 | 0:21:28 | |
..and as Tolson leaves, he picks up the box, | 0:21:30 | 0:21:32 | |
which now faces the other way. | 0:21:32 | 0:21:34 | |
As continuity goes, that's not g-rrrrrrrrreat. | 0:21:34 | 0:21:38 | |
Guns and God now, in the very earnest and worthy | 0:21:43 | 0:21:46 | |
and all those sorts of words Machine Gun Preacher. | 0:21:46 | 0:21:49 | |
Jan Leeming looks on proudly as Gerald or Gerard Butler is baptised | 0:21:49 | 0:21:54 | |
and does all kinds of face-acting. | 0:21:54 | 0:21:56 | |
Hallelujah! | 0:22:02 | 0:22:04 | |
In the name of our Lord, Jesus Christ... | 0:22:04 | 0:22:06 | |
Problem is, all his clothes are already wet. | 0:22:06 | 0:22:09 | |
He's getting born again again. | 0:22:09 | 0:22:10 | |
The Iron Lady is in danger of rusting in this unrealistic clip. | 0:22:15 | 0:22:19 | |
Here's Margaret driving alongside the Houses of Parliament | 0:22:19 | 0:22:22 | |
on the other side of the river. | 0:22:22 | 0:22:25 | |
Except there isn't actually a road on the opposite bank, | 0:22:25 | 0:22:28 | |
so we can only conclude that her car is driving through the Thames. | 0:22:28 | 0:22:31 | |
Yes, look, definitely floating. | 0:22:31 | 0:22:33 | |
The biggest movie mistake of all, of course, is Madonna's film career. | 0:22:37 | 0:22:41 | |
In her self-directed monstrosity W.E. | 0:22:42 | 0:22:44 | |
her research into the royal family is impeccable. | 0:22:44 | 0:22:47 | |
'King George III has died, and the nation mourns.' | 0:22:49 | 0:22:52 | |
Well, George III died in 1820. She meant George V. | 0:22:52 | 0:22:57 | |
Either that or she turned over two pages | 0:22:57 | 0:22:59 | |
in the Ladybird book of Kings and Queens. | 0:22:59 | 0:23:01 | |
Nothing really matters, | 0:23:05 | 0:23:06 | |
sang pop pensioner Madonna as a line in a song once. | 0:23:06 | 0:23:10 | |
And historical accuracy is one of them. | 0:23:10 | 0:23:12 | |
Wallis and Edward are papped to within an inch of their lives, | 0:23:12 | 0:23:16 | |
provoking absolute outrage in the British press. | 0:23:16 | 0:23:19 | |
In actual fact, | 0:23:19 | 0:23:20 | |
UK newspapers carefully covered up the scandal, and the story | 0:23:20 | 0:23:23 | |
wasn't reported until after Edward's abdication the following December. | 0:23:23 | 0:23:28 | |
Madge would be hung up for that howler! | 0:23:28 | 0:23:30 | |
Some of the best comedy films of all time have one thing in common. | 0:23:31 | 0:23:35 | |
Trading Places, Every Which Way But Loose, Dunston Checks In, | 0:23:35 | 0:23:38 | |
Outbreak, King Kong, Gorillas In The Mist, | 0:23:38 | 0:23:41 | |
Planet Of The Apes, Greystoke, Mighty Joe Young, Congo. | 0:23:41 | 0:23:45 | |
Sorry, no, the thing these films have in common is, like, monkeys. | 0:23:45 | 0:23:49 | |
It's monkeys. | 0:23:49 | 0:23:52 | |
Most of these films aren't even comedies. | 0:23:52 | 0:23:55 | |
I mean - I've seen Dunston Checks In. | 0:23:55 | 0:23:57 | |
I'll do it myself. No, I'll just busk it. | 0:23:57 | 0:24:00 | |
You're still rolling? | 0:24:00 | 0:24:01 | |
Good. | 0:24:01 | 0:24:03 | |
Some of the best comedy films of all time have one thing in common. | 0:24:03 | 0:24:06 | |
Confetti, Magicians, The Wedding Video. | 0:24:06 | 0:24:09 | |
What? That is totally justified. | 0:24:11 | 0:24:14 | |
All right, not Confetti but, I mean, the other two are quite good. | 0:24:15 | 0:24:20 | |
Here's Jennifer Aniston in the inert comedy Wanderlust | 0:24:20 | 0:24:24 | |
defiantly shutting her laptop, the IT equivalent of slamming a door. | 0:24:24 | 0:24:27 | |
We could throw in some vampires in there to have sex with the penguins, | 0:24:27 | 0:24:31 | |
then you could have brooding, sexy, little vampire penguins. | 0:24:31 | 0:24:33 | |
I'm calling actor error on this one. | 0:24:33 | 0:24:35 | |
You'd think that having done something so dramatic, | 0:24:35 | 0:24:37 | |
she'd have noticed that it was open again a few shots later | 0:24:37 | 0:24:41 | |
as she packed up to leave. | 0:24:41 | 0:24:42 | |
I think you're joking? | 0:24:42 | 0:24:43 | |
My favourite mistakes on this show are always the ones where it would | 0:24:44 | 0:24:48 | |
have been easier to get it right. | 0:24:48 | 0:24:50 | |
How did this end up happening, for example? | 0:24:50 | 0:24:53 | |
This margarita's poured out on the rocks. | 0:24:53 | 0:24:56 | |
..5 o'clock, when you could have 4.30. | 0:24:56 | 0:24:58 | |
Can someone have frozen, slushy margarita | 0:24:58 | 0:25:01 | |
ready for when we cut back? | 0:25:01 | 0:25:02 | |
Thanks! | 0:25:02 | 0:25:04 | |
Baffling. | 0:25:04 | 0:25:05 | |
-Keep going, keep going. -OK. | 0:25:05 | 0:25:07 | |
This gentleman is exposing his midriff in the way | 0:25:09 | 0:25:12 | |
we all did in the '80s. | 0:25:12 | 0:25:14 | |
He does it in the witty and frantic Two Days In New York. | 0:25:15 | 0:25:18 | |
But you know how revivals go, | 0:25:18 | 0:25:21 | |
there one minute, gone the next. | 0:25:21 | 0:25:23 | |
And then it's back in fashion again. | 0:25:25 | 0:25:27 | |
In the savagely satirical The Dictator, Sacha Baron Cohen | 0:25:30 | 0:25:34 | |
plays the hardest game of Guess Who ever. | 0:25:34 | 0:25:36 | |
Believe it or not, these are the pictures left after | 0:25:38 | 0:25:41 | |
he's flicked down all the ones with glasses. | 0:25:41 | 0:25:43 | |
And it's going to be a pretty tough game, | 0:25:44 | 0:25:46 | |
because most are duplicates or flips of each other. | 0:25:46 | 0:25:49 | |
I bet it's Bernard, though. It's always Bernard. | 0:25:49 | 0:25:52 | |
Supreme leader is on the talking painting. | 0:25:56 | 0:25:59 | |
These mug shots of Nadal and Aladeen show the pseudonyms | 0:25:59 | 0:26:02 | |
Nadal and Allison Burger. | 0:26:02 | 0:26:04 | |
'..was cut short by what police | 0:26:04 | 0:26:06 | |
'are now calling a terrorism misunderstanding.' | 0:26:06 | 0:26:08 | |
But she says his name is Emir Gency Exit Only. | 0:26:08 | 0:26:11 | |
If she'd only taken the time to study those mug shots, none of us | 0:26:13 | 0:26:16 | |
would have wasted a precious 30 seconds of our lives on that joke. | 0:26:16 | 0:26:20 | |
So, there you have it. | 0:26:20 | 0:26:22 | |
Once again, movie makers have spent the year cramming their films | 0:26:22 | 0:26:25 | |
with moments as wrong and yet as entertaining as a chocolate bus. | 0:26:25 | 0:26:29 | |
I hope you enjoyed watching them as much as we've enjoyed finding them. | 0:26:29 | 0:26:33 | |
Actually, wait, I hope you've enjoyed it | 0:26:33 | 0:26:35 | |
a lot more than that, because it's actually quite time-consuming. | 0:26:35 | 0:26:38 | |
Anyway, thanks for watching, | 0:26:38 | 0:26:40 | |
this has been Grand Movie Mishaps V, and I've been Keith Lemon. | 0:26:40 | 0:26:44 | |
Hello. | 0:26:44 | 0:26:45 | |
Subtitles by Red Bee Media Ltd | 0:27:02 | 0:27:05 |