Browse content similar to Episode 13. Check below for episodes and series from the same categories and more!
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There was once a noble quest undertaken by Tommo and Ben, | 0:00:02 | 0:00:04 | |
two hairy men from the Midlands, and Matthew, the painfully white. | 0:00:04 | 0:00:09 | |
Bravely, they sought out motion picture mishaps, | 0:00:09 | 0:00:13 | |
cinematic screw ups and filmic failures. | 0:00:13 | 0:00:17 | |
They travelled as far as Odeon, and through the many Caverns of Vue. | 0:00:17 | 0:00:22 | |
But they have returned with their prey, captured on shiny, | 0:00:22 | 0:00:25 | |
golden rings known as DVDs. | 0:00:25 | 0:00:28 | |
Fine, fine, I know they're not gold! | 0:00:28 | 0:00:32 | |
Join them now as they celebrate Great Movie Mistakes. | 0:00:32 | 0:00:37 | |
-Popcorn. -Check. -Nachos. -Check. -Beers. -Check. | 0:00:40 | 0:00:45 | |
-Dimmable lighting? -Checkmate. | 0:00:45 | 0:00:50 | |
-Wow, guys, this movie night is shaping up beautifully. -Movie night? | 0:00:50 | 0:00:53 | |
-No, these are our supplies for when the apocalypse happens. -Really? | 0:00:53 | 0:00:57 | |
With these provisions, your heart would last about a week! | 0:00:57 | 0:00:59 | |
I think you'll find it's sustained us for the last six years. | 0:00:59 | 0:01:02 | |
It's a medical miracle. Technically, we should have "tri-abetes". | 0:01:02 | 0:01:06 | |
-Oh, which reminds me, M&Ms. -Peanuts and chocolate. Checkity check check. | 0:01:06 | 0:01:13 | |
Well, it's lucky your apocalypse provisions dovetail | 0:01:13 | 0:01:15 | |
so nicely with my idea for a perfect movie night. | 0:01:15 | 0:01:18 | |
So, let's get cracking with our first batch of faulty movie moments. | 0:01:18 | 0:01:22 | |
Who are you talking to? | 0:01:22 | 0:01:23 | |
The burning segment of the frontal lobe... | 0:01:25 | 0:01:27 | |
-It's Pacific Rim! -Fantastic! | 0:01:27 | 0:01:31 | |
Guillermo del Toro's exciting and spectacular monster film is | 0:01:31 | 0:01:34 | |
surprisingly enjoyable, but it's not without a clanger or two. | 0:01:34 | 0:01:37 | |
Go on. | 0:01:37 | 0:01:38 | |
-Check out that headpiece that Newton's wearing. -I see it. | 0:01:39 | 0:01:43 | |
See it now? Fastened round his neck without him touching it. | 0:01:43 | 0:01:46 | |
Shockingly unrealistic. | 0:01:49 | 0:01:51 | |
Unlike that giant, floating kaiju brain, which is bang on. | 0:01:51 | 0:01:55 | |
One... | 0:01:56 | 0:01:58 | |
HE GASPS | 0:01:58 | 0:01:59 | |
What's to tell? | 0:02:03 | 0:02:05 | |
You know, them Mach Ones who scraped... | 0:02:08 | 0:02:10 | |
Mirror, mirror on the wall, what is the most glaring error of them all? | 0:02:10 | 0:02:14 | |
I'd say, probably this one. | 0:02:14 | 0:02:15 | |
Watch Idris Elba somehow manage to move from right next | 0:02:15 | 0:02:18 | |
to the mirror... | 0:02:18 | 0:02:20 | |
to all the way into the middle of the room! | 0:02:20 | 0:02:22 | |
Teleporting near a mirror is seven years' bad luck, right? | 0:02:22 | 0:02:25 | |
..medical radar for a while, but... | 0:02:25 | 0:02:28 | |
the last time I jockeyed was in Tokyo. | 0:02:28 | 0:02:30 | |
Great! It's Star Trek Into Darkness. | 0:02:34 | 0:02:37 | |
Star Trek Into Awesomeness, more like. | 0:02:37 | 0:02:39 | |
Kirk's drowning his sorrows, but check out his glass. | 0:02:39 | 0:02:43 | |
The futuristic orb of ice is drowned in whisky. But now? | 0:02:43 | 0:02:47 | |
Where's the whisky gone?! | 0:02:47 | 0:02:49 | |
-KIRK: -It's been transferred. | 0:02:49 | 0:02:50 | |
-Teleported somewhere? -No wonder he's upset. | 0:02:50 | 0:02:54 | |
I will remain behind and divert all power to life support. | 0:02:57 | 0:03:00 | |
Sulu's a renegade. The enterprise is falling apart and he's driving | 0:03:00 | 0:03:03 | |
without a seat belt! | 0:03:03 | 0:03:05 | |
All due respect, commander, but we're not going anywhere. | 0:03:05 | 0:03:09 | |
Oh, wait. There it is. | 0:03:10 | 0:03:11 | |
Wait! If we look later on, he's taken it off again! | 0:03:13 | 0:03:17 | |
And Spock's obviously had a go at him, as it's back on. | 0:03:17 | 0:03:20 | |
There's no excuse not to use protection. | 0:03:20 | 0:03:22 | |
SCREAMING | 0:03:25 | 0:03:27 | |
Oh, I love the way they teleport in this movie. | 0:03:27 | 0:03:30 | |
I love the way Uhura is both fierce and sexy, a true independent woman. | 0:03:34 | 0:03:39 | |
Er... OK. But speaking of Uhura, where is she in this shot? | 0:03:39 | 0:03:44 | |
Teleported into my dreams? | 0:03:44 | 0:03:46 | |
-And...back again. That was quick. -I don't need long. | 0:03:46 | 0:03:50 | |
It's time for some slightly above average | 0:03:54 | 0:03:57 | |
-super-heroics in Man Of Steel. -Oh, and here's a good blooper. | 0:03:57 | 0:04:00 | |
A message is being broadcast worldwide. | 0:04:00 | 0:04:03 | |
But it's somehow night-time in all these places around the world! | 0:04:03 | 0:04:07 | |
-Ridiculous! -I don't know. | 0:04:07 | 0:04:09 | |
My girlfriend's travelling at the moment, and whenever I call | 0:04:09 | 0:04:11 | |
her she doesn't pick up because it's the middle of the night. | 0:04:11 | 0:04:14 | |
I just think it's always night-time in a lot of places. | 0:04:14 | 0:04:18 | |
Ben, she's in Cornwall. Let it go, buddy. | 0:04:18 | 0:04:22 | |
-WOMAN: -It's coming in on the RSS feeds. | 0:04:22 | 0:04:24 | |
MALE VOICE: You are not alone. | 0:04:24 | 0:04:26 | |
Time to shed some light on another Man Of Steel clunker. | 0:04:30 | 0:04:33 | |
Those soldiers are clearly casting a shadow to the side, | 0:04:33 | 0:04:36 | |
despite the sun being very, definitely behind Superman. | 0:04:36 | 0:04:39 | |
Massively inconsistent. | 0:04:39 | 0:04:41 | |
What makes you think she's here? | 0:04:41 | 0:04:44 | |
Surely the real inconsistency is why a man with almost unlimited | 0:04:44 | 0:04:48 | |
power and the ability to singlehandedly solve all the world's | 0:04:48 | 0:04:51 | |
problems chooses to spend 40 hours a week working | 0:04:51 | 0:04:55 | |
as a newspaper reporter, | 0:04:55 | 0:04:56 | |
essentially neglecting the cries from help from people worldwide, | 0:04:56 | 0:05:00 | |
all of whom he can definitely hear. | 0:05:00 | 0:05:03 | |
That's actually an amazingly good point. | 0:05:03 | 0:05:06 | |
Take one of the greatest works of literature ever, | 0:05:06 | 0:05:09 | |
get Baz Luhrmann to make an awesome film of it starring | 0:05:09 | 0:05:12 | |
Leonardo DiCaprio, and what do you get? | 0:05:12 | 0:05:15 | |
-Romeo And Juliet. -Absolutely. | 0:05:15 | 0:05:17 | |
Sadly, the Great Gatsby wasn't half as good, | 0:05:17 | 0:05:20 | |
but hats off for their hard efforts. | 0:05:20 | 0:05:22 | |
Hats off indeed. But wait. | 0:05:22 | 0:05:25 | |
Hats on here. | 0:05:25 | 0:05:28 | |
Oh, and the car they're overtaking vanishes. | 0:05:28 | 0:05:30 | |
Hat's all, folks! | 0:05:32 | 0:05:33 | |
Cliched and clunky, | 0:05:36 | 0:05:38 | |
White House Down shows there inevitably comes a time | 0:05:38 | 0:05:40 | |
when any president is required to fire a missile launcher | 0:05:40 | 0:05:43 | |
out of the side of his limousine. | 0:05:43 | 0:05:45 | |
If this whole concept wasn't mistake enough, | 0:05:45 | 0:05:48 | |
check out Channing Tatum's arm. | 0:05:48 | 0:05:50 | |
As Jamie Foxx strikes him on the head, | 0:05:50 | 0:05:52 | |
we see either some marks for editing | 0:05:52 | 0:05:55 | |
or a really terrible tattoo. | 0:05:55 | 0:05:57 | |
Hit me on the head with a rocket while I'm trying to drive! | 0:05:57 | 0:06:00 | |
Get me to the fence, Cale. | 0:06:00 | 0:06:02 | |
And he's opening the back window. | 0:06:02 | 0:06:04 | |
For security reasons you can only open the front window | 0:06:04 | 0:06:06 | |
in presidential cars. | 0:06:06 | 0:06:08 | |
As I remember from my affair with Clinton in '95. | 0:06:08 | 0:06:11 | |
He has a rocket launcher! | 0:06:11 | 0:06:12 | |
There's something you don't see every day. | 0:06:12 | 0:06:14 | |
World War Z now, but you won't be catching any Z's | 0:06:17 | 0:06:20 | |
if you watch this hard-edged neo-zombie action thriller. | 0:06:20 | 0:06:23 | |
It's great. | 0:06:23 | 0:06:24 | |
But listen to Dr Fassbach making a basic medical error. | 0:06:24 | 0:06:28 | |
-The analogy I keep coming back to is Spanish flu. -Spanish flu? | 0:06:28 | 0:06:33 | |
It didn't exist in 1918, but by 1920 it killed 3% of the world. | 0:06:33 | 0:06:37 | |
Didn't exist in 1918? I think you'll find it broke out in 1918, mate. Ha! | 0:06:37 | 0:06:43 | |
The plane's going down! | 0:06:47 | 0:06:49 | |
Let's put on our oxygen masks while we try to stabilise the engines! | 0:06:49 | 0:06:53 | |
It doesn't look promising. There's a massive hole in the plane. | 0:06:55 | 0:06:58 | |
But with certain death looming, the pilots have opted to | 0:07:00 | 0:07:03 | |
-take off their oxygen masks and wear normal headsets. -But why? | 0:07:03 | 0:07:07 | |
It's simple. So they can kiss. | 0:07:07 | 0:07:10 | |
With the zombie disease causing havoc worldwide, | 0:07:14 | 0:07:16 | |
the population's rapidly decreasing. | 0:07:16 | 0:07:18 | |
Soon the only person left will be a teleporting bearded man. | 0:07:18 | 0:07:22 | |
-Sorry, what? -Check him out! | 0:07:22 | 0:07:24 | |
White beardy-hair man. He's everywhere. Behind Brad... | 0:07:24 | 0:07:28 | |
And now sorting through papers. | 0:07:31 | 0:07:33 | |
Only he can move fast enough to outrun the zombie hordes. | 0:07:33 | 0:07:37 | |
Sir, there is nowhere to evacuate you to. | 0:07:37 | 0:07:40 | |
Hello, my name's Ben. | 0:07:44 | 0:07:45 | |
I'm auditioning for the part of Wolverine. | 0:07:47 | 0:07:50 | |
I'll be reading for the part of Wolverine. | 0:07:52 | 0:07:55 | |
I'll be reading for the part of Rogue. | 0:07:55 | 0:07:58 | |
No, only kidding! | 0:07:58 | 0:08:00 | |
I'm reading for Wolverine. Or as I like to call him, Wolf-erine. | 0:08:00 | 0:08:05 | |
Damn, this healing factor of mine is just so powerful! | 0:08:05 | 0:08:09 | |
I'm healing all the time. | 0:08:09 | 0:08:10 | |
Even now. | 0:08:11 | 0:08:13 | |
Will I walk you home? | 0:08:13 | 0:08:15 | |
Of claws I'll walk you home! | 0:08:15 | 0:08:19 | |
# Prince Charming | 0:08:19 | 0:08:21 | |
# Prince Charming. # | 0:08:21 | 0:08:23 | |
That's right. My bones are laced with Adam Ant-ium. | 0:08:23 | 0:08:27 | |
-CANADIAN ACCENT: -I'm just a stubborn Canadian | 0:08:27 | 0:08:29 | |
here to show you what justice is all aboot! | 0:08:29 | 0:08:31 | |
About! Er, aboot. Justice. | 0:08:31 | 0:08:35 | |
I'm more of an XXX-man. | 0:08:35 | 0:08:39 | |
Hurgh! | 0:08:41 | 0:08:42 | |
Yeah, just checking you'll CGI the body in afterwards, right? | 0:08:42 | 0:08:45 | |
That's how Jackman did it, right? | 0:08:45 | 0:08:47 | |
It's time to look at some careless action movie mistakes. | 0:08:47 | 0:08:51 | |
As a fellow mutant, I can only admire the solid | 0:08:51 | 0:08:54 | |
and surprisingly mature action romp - the wolverine. | 0:08:54 | 0:08:58 | |
The ability to burp the national anthem of any commonwealth country | 0:08:58 | 0:09:01 | |
is not a mutant power. | 0:09:01 | 0:09:03 | |
It's not unimpressive, though. | 0:09:03 | 0:09:05 | |
Regardless, check out Hugh Jackman's hitherto unknown mutant power | 0:09:05 | 0:09:08 | |
shifting from lying on his side... | 0:09:08 | 0:09:11 | |
to lying on his back without apparently moving at all. | 0:09:11 | 0:09:14 | |
Here's Jackman tearing up some fools at a funeral, | 0:09:22 | 0:09:24 | |
whilst Viper films it all on her phone. | 0:09:24 | 0:09:27 | |
But wait! Look as she lowers it. | 0:09:38 | 0:09:40 | |
The footage on the phone clearly isn't happening live. | 0:09:40 | 0:09:43 | |
Maybe she's simply using her phone | 0:09:43 | 0:09:45 | |
to watch the stunning action film The Wolverine. | 0:09:45 | 0:09:48 | |
It's an extraordinary meta piece of filmmaking. | 0:09:48 | 0:09:51 | |
-Now, train your eyes if you will on those passers-by. -What? | 0:09:54 | 0:09:59 | |
Those passers-by are looking directly at the camera. | 0:09:59 | 0:10:01 | |
-Yeah. -They should probably train their eyes elsewhere. | 0:10:01 | 0:10:05 | |
Ben, you're aware I made that exact same joke literally seconds before? | 0:10:06 | 0:10:11 | |
Boys, let's get back on track. | 0:10:11 | 0:10:12 | |
ALL: Ay-oh! | 0:10:12 | 0:10:14 | |
Nothing says not particularly good action film like the words | 0:10:18 | 0:10:21 | |
-GI Joe: Retaliation. -But it did bring us this error. | 0:10:21 | 0:10:26 | |
-Look at Channing Tatum's ears, everyone. -A bit harsh. | 0:10:26 | 0:10:29 | |
I don't think they can be classed as a mistake. | 0:10:29 | 0:10:31 | |
No, his headphones. Firstly they're on... | 0:10:31 | 0:10:34 | |
Then they're off... | 0:10:38 | 0:10:39 | |
Then they're on again. | 0:10:42 | 0:10:43 | |
-Just like Ross and Rachel. -Wow, where did that come from? | 0:10:43 | 0:10:46 | |
-I've only just got to the end of Friends. -Oh. | 0:10:46 | 0:10:49 | |
It's the awesome Iron Man 3. Tons better than the second one. | 0:10:52 | 0:10:56 | |
Now, throughout the film he's got blood on his left eye and cheek. | 0:10:56 | 0:11:00 | |
But somehow for this show it's on his right side. | 0:11:03 | 0:11:05 | |
And now it's back. | 0:11:07 | 0:11:09 | |
Eye know. | 0:11:09 | 0:11:12 | |
Is that a joke? | 0:11:12 | 0:11:13 | |
Eye. | 0:11:13 | 0:11:15 | |
A rare sight of implausibility in the usually highly-realistic | 0:11:17 | 0:11:21 | |
Bond franchise. | 0:11:21 | 0:11:23 | |
# It's Skyfall! # | 0:11:23 | 0:11:27 | |
Here's Craig with the old drive head-first into the side | 0:11:27 | 0:11:30 | |
of a bridge then land on a train trick. | 0:11:30 | 0:11:33 | |
But what about the motorbike? It's back on its wheels... | 0:11:33 | 0:11:35 | |
But where is it here? | 0:11:37 | 0:11:39 | |
Probably transformed into a Cuban cigar | 0:11:39 | 0:11:41 | |
-and landed in Craig's inside pocket. -Sounds about par for the course. | 0:11:41 | 0:11:45 | |
Well, get after them, for God's sake! | 0:11:45 | 0:11:47 | |
Your successor is yet to be appointed, so we'll be asking you... | 0:11:49 | 0:11:52 | |
I'm not an idiot. | 0:11:52 | 0:11:54 | |
Dame Judi Dench is being tactfully fired by Ralph Fiennes | 0:11:54 | 0:11:57 | |
-for losing government secrets. -Keep an eye out for her handbag. | 0:11:57 | 0:12:01 | |
M, you've had a great run. | 0:12:01 | 0:12:04 | |
You should leave with dignity. | 0:12:04 | 0:12:05 | |
Go to hell with dignity. I'll leave when the job's done. | 0:12:05 | 0:12:08 | |
Yeah, she should also leave with her handbag. | 0:12:08 | 0:12:11 | |
Ironically, the handbag contained more government secrets, | 0:12:11 | 0:12:14 | |
which is why Ralph has had it vaporised. | 0:12:14 | 0:12:16 | |
As anybody who's chased Javier Bardem | 0:12:21 | 0:12:23 | |
dressed as a policeman through a London underground station knows | 0:12:23 | 0:12:25 | |
it's impossible to slide down the middle of an escalator. | 0:12:25 | 0:12:28 | |
Yeah, you won't so much slide as bounce off the emergency stop | 0:12:29 | 0:12:32 | |
buttons and raise barriers. | 0:12:32 | 0:12:34 | |
Not to mention the dog-eared copies of free newspapers. | 0:12:34 | 0:12:37 | |
The Oscars always leads to heated debate. | 0:12:44 | 0:12:46 | |
-I'm telling you, this is going to win best picture. -This will win! | 0:12:46 | 0:12:49 | |
-This needs to win! -Guys, what's going on? | 0:12:49 | 0:12:52 | |
We're just arguing over who's going to win best picture. | 0:12:52 | 0:12:55 | |
Judging by that, neither of you, | 0:12:55 | 0:12:57 | |
although you're both frontrunners for worst joke. | 0:12:57 | 0:12:59 | |
BOTH: Yes! | 0:12:59 | 0:13:00 | |
Speaking of best picture, let's have a look at some shocking | 0:13:02 | 0:13:05 | |
continuity gaffes from this year's Oscar-nominated films. | 0:13:05 | 0:13:08 | |
The jaw-dropping almost accurate Argo now, with two mistakes in one. | 0:13:13 | 0:13:18 | |
-Like when I got the word legend tattooed on my... -OK, OK! | 0:13:18 | 0:13:21 | |
First things first. Check this out. Bear in mind Argo is set in 1979. | 0:13:21 | 0:13:26 | |
There's a script called Passions Requiem dated 2009. | 0:13:26 | 0:13:30 | |
Ha! I knew Ben Affleck received my autobiographical screenplay. | 0:13:30 | 0:13:35 | |
Secondly, you see the Argo script's fancy black vinyl cover? | 0:13:36 | 0:13:41 | |
I like it! | 0:13:41 | 0:13:43 | |
-Well, where the hell has it gone? -Affleck's eaten it, has he? | 0:13:43 | 0:13:46 | |
It's very possible, Ben. | 0:13:46 | 0:13:48 | |
-Here's Affleck writing a postcard. -Show-off. -But now look. | 0:13:53 | 0:13:56 | |
The word "so" has jumped down a line. | 0:13:56 | 0:14:00 | |
In fact, it's an entirely different lot of writing on the card. | 0:14:00 | 0:14:04 | |
So he has magic handwriting and he's Batman. | 0:14:04 | 0:14:08 | |
What chance do the rest of us have? | 0:14:08 | 0:14:10 | |
-This is a good blunder. Brace yourselves. -OK. | 0:14:15 | 0:14:19 | |
Here's Christoph Waltz putting on his braces in the brutal gutsy | 0:14:19 | 0:14:23 | |
and fantastic Django Unchained. | 0:14:23 | 0:14:25 | |
That's fair enough. | 0:14:25 | 0:14:27 | |
Find my wife. | 0:14:27 | 0:14:28 | |
Buy her freedom. | 0:14:29 | 0:14:31 | |
-But he does it twice! Do you see? -Sort of. | 0:14:31 | 0:14:35 | |
-He's putting them on when he already did. -Yeah, I guess so. | 0:14:35 | 0:14:39 | |
-Brace yourselves! -Because he was putting... -Yeah, yeah, we get it. | 0:14:39 | 0:14:44 | |
Extras are like buses. At first there are six of them. | 0:14:46 | 0:14:50 | |
And then there are only three. | 0:14:50 | 0:14:53 | |
And then back to six. See? | 0:14:53 | 0:14:56 | |
How is that like buses? | 0:14:57 | 0:15:00 | |
Well, you pay £2.40 to enter them. | 0:15:00 | 0:15:03 | |
Buses that is, not extras. That simile is lacking, if I'm honest. | 0:15:03 | 0:15:07 | |
"Lincoln is a thrilling deeply enjoyable film" | 0:15:12 | 0:15:15 | |
is a sentence that tells me I have nothing in common with my date. | 0:15:15 | 0:15:19 | |
Come on, I can't think of a better way to spend seven hours. | 0:15:21 | 0:15:24 | |
Check out this clonker. See the president's glasses? | 0:15:24 | 0:15:27 | |
-Well, look again cos they've gone. -Wait, clonker? | 0:15:29 | 0:15:34 | |
Yeah, it's my new word that I've made up for blooper. Thoughts? | 0:15:34 | 0:15:38 | |
Hmm, not strong. | 0:15:38 | 0:15:40 | |
Our man proving why he's fit to lead a nation. | 0:15:43 | 0:15:46 | |
His crotch actually generates paperwork. | 0:15:46 | 0:15:48 | |
Actually, this is a blooper. Here he is putting papers into a folder... | 0:15:50 | 0:15:54 | |
Next shot they're back in his hand. So much for the magic crotch theory. | 0:15:57 | 0:16:00 | |
It's the gripping intense Zero Dark 30. | 0:16:05 | 0:16:08 | |
-And this is for the geography buffs amongst you. -Say no more. | 0:16:08 | 0:16:11 | |
-Oh, I didn't know you were into geography. -I'm not. | 0:16:11 | 0:16:14 | |
So please say no more. | 0:16:14 | 0:16:16 | |
Those street signs are quite clearly not Kuwaiti. | 0:16:16 | 0:16:19 | |
They're Indian, eh? Madness. | 0:16:19 | 0:16:23 | |
Matthew, really, say no more. | 0:16:23 | 0:16:25 | |
Time for the emotional-walloping Beasts Of The Southern Wild. | 0:16:32 | 0:16:35 | |
And here they are deep in a storm. | 0:16:35 | 0:16:37 | |
So, the trees closest to us are moving. | 0:16:37 | 0:16:41 | |
but what about those perfectly still ones in the background? | 0:16:41 | 0:16:45 | |
The all-encompassing storm hasn't reached them yet? | 0:16:45 | 0:16:47 | |
I'm chalking this one up as a stormy clanger. | 0:16:47 | 0:16:50 | |
Here's the delightful Hushpuppy popping a Michael Jordan jersey | 0:16:57 | 0:16:59 | |
on her sleeping father. | 0:16:59 | 0:17:01 | |
And that's either a knock-off replica or a reverse shot | 0:17:03 | 0:17:07 | |
because that number 23 is backwards. | 0:17:07 | 0:17:10 | |
Good spot, Ben! How did you see that? | 0:17:10 | 0:17:13 | |
Well, my teachers always said I was a bit backwards. It's a gift. | 0:17:13 | 0:17:16 | |
Look at these two cups. | 0:17:21 | 0:17:24 | |
Apart from appalling parenting, there's a massive mistake here. | 0:17:24 | 0:17:27 | |
Hushpuppy grabs the cup with the handle... | 0:17:31 | 0:17:34 | |
but now the dad has it. | 0:17:34 | 0:17:37 | |
Now she's got it again. | 0:17:37 | 0:17:38 | |
Nope, it's the dad's again. | 0:17:41 | 0:17:43 | |
Oh, God. | 0:17:43 | 0:17:45 | |
-Drinking really does affect your vision. -Yeah, you're right there. | 0:17:45 | 0:17:48 | |
Which Matthew just said that? | 0:17:48 | 0:17:50 | |
And that's your lot. | 0:17:50 | 0:17:52 | |
See you soon for some more Great Movie Mistakes! | 0:17:52 | 0:17:56 |