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There was once a noble quest undertaken by Tommo and Ben, | 0:00:02 | 0:00:05 | |
two hairy men from the Midlands, and Matthew, the painfully white. | 0:00:05 | 0:00:09 | |
Bravely, they sought out motion picture mishaps, | 0:00:09 | 0:00:13 | |
cinematic screw-ups and filmic failures. | 0:00:13 | 0:00:16 | |
They travelled as far as Odeon and through the many caverns of Vue, | 0:00:18 | 0:00:22 | |
where they have returned with their prey, | 0:00:22 | 0:00:25 | |
captured on shiny golden rings known as DVDs. | 0:00:25 | 0:00:29 | |
Fine, fine, I know they're not gold. | 0:00:29 | 0:00:33 | |
Join them now as they celebrate Great Movie Mistakes. | 0:00:33 | 0:00:38 | |
Hello and welcome to Great Movie Mistakes. | 0:00:40 | 0:00:43 | |
-I'm Matthew. -I'm Tom. -And he's Matthew. -Thanks, Ben. | 0:00:43 | 0:00:46 | |
Tonight, in our flat, | 0:00:46 | 0:00:48 | |
we'll be taking you through some of cinema's biggest howlers. | 0:00:48 | 0:00:51 | |
Howlers? Like Jacob in Twilight? | 0:00:51 | 0:00:53 | |
HE HOWLS | 0:00:53 | 0:00:54 | |
Too literal, Ben. | 0:00:54 | 0:00:56 | |
We'll be looking through clip after clip of movie mistakes, | 0:00:56 | 0:00:58 | |
a catalogue of embarrassing errors. | 0:00:58 | 0:01:00 | |
Sounds like your love life. | 0:01:00 | 0:01:02 | |
We've identified the problem, no matter how laughably small. | 0:01:02 | 0:01:04 | |
Sounds exactly like your love life. | 0:01:04 | 0:01:06 | |
So, I've got heaps of DVDs... | 0:01:06 | 0:01:09 | |
I've got mounds of snacks... | 0:01:09 | 0:01:10 | |
I've got piles. | 0:01:10 | 0:01:12 | |
Let's get cracking! | 0:01:12 | 0:01:13 | |
Now, the science of movie mistakes is as real and serious as alchemy, | 0:01:17 | 0:01:22 | |
horoscopes and a third example. | 0:01:22 | 0:01:25 | |
But how do you measure a movie mistake? | 0:01:25 | 0:01:28 | |
We've had literally hundreds of e-mails and letters, | 0:01:28 | 0:01:32 | |
none of which relate to this subject. | 0:01:32 | 0:01:35 | |
So we thought we'd tackle that now. | 0:01:35 | 0:01:37 | |
Basically, a clanger is one below a blooper. | 0:01:37 | 0:01:40 | |
You get two gaffes to a clunker. | 0:01:40 | 0:01:42 | |
Although it should be noted than an American clunker is worth | 0:01:42 | 0:01:46 | |
only two-thirds of a British clunker. | 0:01:46 | 0:01:48 | |
In other words, roughly equivalent to a howler. | 0:01:48 | 0:01:51 | |
Five howlers add up to a boob. | 0:01:51 | 0:01:54 | |
Three boobs and you're watching Total Recall. | 0:01:54 | 0:01:57 | |
And if you spot a gaffe, howler and boob happening all at once, | 0:01:57 | 0:02:00 | |
you're probably watching a film by Michael Bay. | 0:02:00 | 0:02:03 | |
Oh, zing! Always going for those tricky targets, Crosby. | 0:02:03 | 0:02:06 | |
Yep. I think that's the last we'll be hearing from that guy. | 0:02:06 | 0:02:09 | |
Anyway, here are some impressive examples of premium goofs. | 0:02:09 | 0:02:12 | |
Goofs. I knew we missed one. | 0:02:12 | 0:02:14 | |
We must find shelter! | 0:02:16 | 0:02:18 | |
It's the grand but rather long first Hobbit movie. | 0:02:20 | 0:02:24 | |
And they could have picked a different day to film it - | 0:02:24 | 0:02:26 | |
-awful weather. -Yeah. | 0:02:26 | 0:02:28 | |
They're getting absolutely soaked, apart from the dwarves, | 0:02:28 | 0:02:32 | |
it would seem. | 0:02:32 | 0:02:33 | |
His hair doesn't look wet at all, and neither does his. | 0:02:33 | 0:02:37 | |
And as soon as they enter the cave, the dwarves are completely bone dry. | 0:02:37 | 0:02:42 | |
This is easily explained. | 0:02:42 | 0:02:44 | |
Dwarves are shorter, so the rain hits them later. | 0:02:44 | 0:02:47 | |
Yeah. It doesn't quite work like that, Ben. | 0:02:47 | 0:02:50 | |
More wet spells here in The Hobbit. | 0:02:53 | 0:02:56 | |
The precious ring falls onto some dry slate. | 0:02:56 | 0:02:59 | |
Hmm. Bit dark, but with the old lightsaber, | 0:03:04 | 0:03:07 | |
you can see the slate is definitely wet. | 0:03:07 | 0:03:10 | |
You can solve pretty much any problem | 0:03:10 | 0:03:12 | |
-by waving your lightsaber about. -Good grief. Put it away, boy. | 0:03:12 | 0:03:16 | |
Joseph Kosinsky's visually striking, | 0:03:21 | 0:03:23 | |
but a trifle dull Oblivion is up next. | 0:03:23 | 0:03:25 | |
He's clearly a fan of movie mistakes. | 0:03:27 | 0:03:29 | |
He's even plonked one into a slow-mo scene | 0:03:29 | 0:03:31 | |
to make it easier for us to see. | 0:03:31 | 0:03:33 | |
Check out the gun with its strap flailing about. | 0:03:34 | 0:03:37 | |
But when it falls to the ground, strapless! | 0:03:43 | 0:03:46 | |
In the future, IKEA will be releasing Modprip, | 0:03:54 | 0:03:57 | |
a half bed/half table combo, which is great | 0:03:57 | 0:03:59 | |
because if anyone falls on it | 0:03:59 | 0:04:02 | |
it will simply bend a bit until they're off. | 0:04:02 | 0:04:04 | |
Until then, a padded fake table will have to do. | 0:04:04 | 0:04:07 | |
Time for a clunker from the glittery | 0:04:12 | 0:04:14 | |
but uninvolving mystery thriller that was Now You See Me. | 0:04:14 | 0:04:18 | |
Magicians and elaborate revenge plots galore, | 0:04:19 | 0:04:21 | |
but the real mystery is - | 0:04:21 | 0:04:22 | |
where have the extras vanished to as Interpol agent Alma Dray sits down? | 0:04:22 | 0:04:27 | |
Now you see them... | 0:04:27 | 0:04:28 | |
Now you don't. | 0:04:31 | 0:04:33 | |
Time for some turbo-powered excitement with Premium Rush. | 0:04:42 | 0:04:46 | |
I'm sorry, but no matter how much synthy music you use, | 0:04:46 | 0:04:49 | |
this scene will never be cool. | 0:04:49 | 0:04:50 | |
Check out the taxi door. | 0:04:51 | 0:04:53 | |
They've clearly taken out the window and halved the door frame, | 0:04:53 | 0:04:55 | |
so the stuntman can fall over it. | 0:04:55 | 0:04:57 | |
And once Joseph Gordon-Levitt | 0:05:00 | 0:05:01 | |
finishes using his weird in-built sat nav... | 0:05:01 | 0:05:04 | |
Handy for a courier. | 0:05:04 | 0:05:05 | |
..we see it's all back on. | 0:05:08 | 0:05:10 | |
-Check out those great bullhorn handlebars. -Classy. -Indeed. | 0:05:13 | 0:05:17 | |
But in the very same chase scene, | 0:05:17 | 0:05:18 | |
those handlebars suddenly change to risers. | 0:05:18 | 0:05:20 | |
Horns to risers doesn't sound like much of a change to me. | 0:05:20 | 0:05:24 | |
Put it away. | 0:05:24 | 0:05:25 | |
Here Comes The Boom is great. | 0:05:32 | 0:05:34 | |
By great, don't you mean mediocre, Ben? | 0:05:34 | 0:05:36 | |
-Stop calling me Mediocre Ben. -Sorry. | 0:05:36 | 0:05:38 | |
Here's Mr Voss. He's late for school, | 0:05:42 | 0:05:43 | |
-hence he's climbing through a window. -That's all fair enough. | 0:05:43 | 0:05:47 | |
But he clearly had time to change his shoes from boots to trainers. | 0:05:50 | 0:05:54 | |
This is evidence that wayward teacher Mr Voss | 0:06:05 | 0:06:08 | |
may be mentally unhinged. | 0:06:08 | 0:06:09 | |
Here he is, getting crisps out of a jammed vending machine, | 0:06:09 | 0:06:12 | |
and two bags fall out. | 0:06:12 | 0:06:14 | |
Oh! Lucky fella. | 0:06:14 | 0:06:16 | |
Ho-ho-ho! Bonus! | 0:06:16 | 0:06:19 | |
Immediately, he gives one to a pupil, but makes him deny it ever happened. | 0:06:22 | 0:06:27 | |
This never happened. We clear? | 0:06:28 | 0:06:30 | |
Power games. Very dark. | 0:06:32 | 0:06:34 | |
But wait, he's got two packets of crisps again. | 0:06:37 | 0:06:40 | |
This man is insane! | 0:06:40 | 0:06:42 | |
And now, after having three crisps, he just throws his one packet away. | 0:06:42 | 0:06:48 | |
What happened to the second packet?! | 0:06:48 | 0:06:51 | |
This never happened. We clear? | 0:06:51 | 0:06:52 | |
It's the powerfully emotional Flight, | 0:06:54 | 0:06:57 | |
featuring Denzel Washington who is, for once, playing someone heroic. | 0:06:57 | 0:07:01 | |
Stretch yourself, Denzel. | 0:07:01 | 0:07:03 | |
SCREAMING | 0:07:03 | 0:07:06 | |
What this film does stretch is reality. | 0:07:06 | 0:07:08 | |
There goes the plane, about 12 feet from ground level. | 0:07:08 | 0:07:10 | |
And there is our view from inside the plane, miles up in the air. | 0:07:13 | 0:07:18 | |
Get it together, Washington. People are counting on you. | 0:07:18 | 0:07:21 | |
-Are you ready for some mobile phone madness? -Always. | 0:07:24 | 0:07:28 | |
First, he unlocks his phone and the time is 1:17 on October 20th. | 0:07:28 | 0:07:31 | |
Then, blam! He unlocks the phone and it's 8:52 on October 8th. | 0:07:34 | 0:07:39 | |
And then, just for good measure, | 0:07:39 | 0:07:40 | |
he somehow zooms right in on his iPhone like an absolute maverick! | 0:07:40 | 0:07:45 | |
Denzel plays by no-one's rules but his own. | 0:07:45 | 0:07:48 | |
Don't you just hate answerphone greetings? | 0:07:52 | 0:07:55 | |
Yeah, they're so samey. | 0:07:55 | 0:07:56 | |
Not in Flight, they're not. Listen to this one. | 0:07:56 | 0:07:59 | |
Right... | 0:08:07 | 0:08:08 | |
But the second time we hear it, it's shorter. | 0:08:09 | 0:08:13 | |
Stands to reason. He's had time to practise, | 0:08:13 | 0:08:15 | |
so it will be slicker the second time. | 0:08:15 | 0:08:17 | |
PHONE RINGS | 0:08:17 | 0:08:19 | |
He's angered Denzel there, though. Nasty business. | 0:08:19 | 0:08:22 | |
That's absolutely not how it works. | 0:08:27 | 0:08:30 | |
Stale, uninspired, | 0:08:33 | 0:08:36 | |
cheap, tacky, and a little bit sickly. | 0:08:36 | 0:08:39 | |
No stars. | 0:08:39 | 0:08:40 | |
Wow, Tom, you're really getting into this film criticism thing. | 0:08:40 | 0:08:43 | |
No, I'm reviewing a Chinese takeaway I had on Just Eat. | 0:08:43 | 0:08:47 | |
Fantastic chemistry, four stars. | 0:08:47 | 0:08:49 | |
Are you reviewing a film, Ben? | 0:08:49 | 0:08:52 | |
No! I'm reviewing my old chemistry teacher. | 0:08:52 | 0:08:55 | |
He's opened a Chinese restaurant on Just Eat. | 0:08:55 | 0:08:58 | |
Thanks for that, both. | 0:08:58 | 0:09:00 | |
Some films are so terrible that continuity errors even improve them. | 0:09:00 | 0:09:03 | |
Slightly. | 0:09:03 | 0:09:05 | |
Let's have a look at the best of the worst. | 0:09:05 | 0:09:07 | |
A proper clunker here from un-special, | 0:09:07 | 0:09:10 | |
poorly scripted Total Recall. | 0:09:10 | 0:09:13 | |
Yeah, Colin Farrell's stunt double is clearly a woman. | 0:09:13 | 0:09:16 | |
Not quite, Benedict. | 0:09:16 | 0:09:18 | |
That's Lori and look at her hair! | 0:09:18 | 0:09:20 | |
Midway through the fight, her hairband mysteriously disappears... | 0:09:20 | 0:09:24 | |
..a fact that's totally ruined Total Recall for me. | 0:09:26 | 0:09:29 | |
Colin Farrell is strapped into the futuristic | 0:09:32 | 0:09:35 | |
equivalent of the Central Line, and... aha! | 0:09:35 | 0:09:39 | |
That is not how you spell forecast. It's not! It just isn't! | 0:09:39 | 0:09:44 | |
How's your relationship forecast, Matthew? | 0:09:44 | 0:09:46 | |
Patchy and cold. | 0:09:46 | 0:09:47 | |
OK, look at what new guy Marek's doing here, | 0:09:51 | 0:09:55 | |
and listen to Colin's advice... | 0:09:55 | 0:09:57 | |
Whoa, whoa! Don't hold it like that. | 0:09:57 | 0:10:00 | |
Hold it here. | 0:10:00 | 0:10:02 | |
If you hold it there and it shorts, | 0:10:02 | 0:10:04 | |
one of those bulbs will shoot straight through your hand. | 0:10:04 | 0:10:07 | |
But he flat out doesn't listen to him. | 0:10:07 | 0:10:09 | |
He's carried on doing exactly what he was doing! | 0:10:09 | 0:10:11 | |
God's sake, Marek. | 0:10:11 | 0:10:13 | |
Yeah, get it together, Marek. | 0:10:13 | 0:10:14 | |
I despair of Marek sometimes. I really do. | 0:10:14 | 0:10:18 | |
What's truly scary about the Scary Movie franchise is that | 0:10:23 | 0:10:26 | |
they've made it to five. | 0:10:26 | 0:10:28 | |
Enough is enough. | 0:10:28 | 0:10:30 | |
OK, now, look. Snoop is on Mac Miller's right | 0:10:30 | 0:10:33 | |
throughout the conversation. | 0:10:33 | 0:10:35 | |
Crazy got to have been there BLEEP. | 0:10:35 | 0:10:37 | |
Except now he's on his left! | 0:10:37 | 0:10:39 | |
I'm surprised they managed to get Snoop to say the sentences in order. | 0:10:39 | 0:10:43 | |
I don't think he was supposed to be in the film, he just turned up. | 0:10:43 | 0:10:46 | |
-SNOOP: -I don't understand why the shampoo company can't fix that, man. | 0:10:46 | 0:10:49 | |
It's Joe Wright's lacklustre | 0:10:53 | 0:10:54 | |
recent adaptation of Anna Karenina. | 0:10:54 | 0:10:56 | |
Morphine, anyone? | 0:10:56 | 0:10:58 | |
I know this is awful, but that is not the solution. | 0:10:58 | 0:11:01 | |
No, what I meant was, look at the label | 0:11:01 | 0:11:03 | |
on the morphine bottle. | 0:11:03 | 0:11:04 | |
See how it changes? | 0:11:04 | 0:11:05 | |
Here it's "la morphine", and later it's just "morphine"! | 0:11:05 | 0:11:08 | |
Why didn't you tell me, for God's sake? | 0:11:15 | 0:11:17 | |
It's the almost laughably bad, must-avoid Taken 2. | 0:11:17 | 0:11:21 | |
Time for a glass of wine! | 0:11:21 | 0:11:23 | |
Here's a bottle and two empty glasses. | 0:11:23 | 0:11:25 | |
-But she's OK, right? -WOMAN: -Yeah, she's OK. | 0:11:25 | 0:11:28 | |
And without anyone touching them, | 0:11:28 | 0:11:31 | |
they're now drinking from them. | 0:11:31 | 0:11:34 | |
Scientific proof that Neeson is a boss. | 0:11:34 | 0:11:36 | |
Are you OK? | 0:11:36 | 0:11:38 | |
Domestic issues in the Mills household. | 0:11:41 | 0:11:43 | |
They can't even decide on what time of year it is. | 0:11:43 | 0:11:47 | |
Here, Bryan talks of the upcoming fall break. | 0:11:47 | 0:11:49 | |
You're leaving on fall break next week. | 0:11:49 | 0:11:51 | |
This is the only time I can get to do this before I go to Istanbul. | 0:11:51 | 0:11:55 | |
But, a few days later, | 0:11:55 | 0:11:57 | |
Lenore's imminent spring break plans are cancelled. | 0:11:57 | 0:11:59 | |
We had this trip planned to China | 0:11:59 | 0:12:02 | |
for Kim's spring break as a family, | 0:12:02 | 0:12:04 | |
you know, to try and work things out. | 0:12:04 | 0:12:06 | |
I've been banned from attending either break. | 0:12:06 | 0:12:09 | |
In the whole of America? | 0:12:09 | 0:12:11 | |
Very much so. | 0:12:11 | 0:12:13 | |
Come on. | 0:12:15 | 0:12:17 | |
In this car chase, Neeson's got his car all dirty with food. | 0:12:17 | 0:12:20 | |
See the windscreen? | 0:12:20 | 0:12:22 | |
But look! Here - bang! | 0:12:24 | 0:12:26 | |
The dirt's gone. | 0:12:26 | 0:12:28 | |
Go a bit further, | 0:12:28 | 0:12:29 | |
and it's grubby again. | 0:12:29 | 0:12:31 | |
But also, rewind. | 0:12:31 | 0:12:34 | |
If there's one thing that can ruin a high-octane car chase, | 0:12:35 | 0:12:38 | |
it's a middle-aged woman ambling along at the same speed as the car. | 0:12:38 | 0:12:41 | |
This is great. | 0:12:44 | 0:12:46 | |
Here's Neeson, summoning the US Embassy on his sat-nav. | 0:12:46 | 0:12:49 | |
It's a remarkable feat, | 0:12:49 | 0:12:51 | |
given that he arbitrarily hammers away on entirely the wrong keys. | 0:12:51 | 0:12:54 | |
And look, it isn't even a British alphabet! | 0:12:54 | 0:12:58 | |
Never doubt the Neeson. | 0:12:58 | 0:13:00 | |
He does have a very specific set of skills. | 0:13:00 | 0:13:03 | |
You understand me? | 0:13:03 | 0:13:04 | |
Strap yourselves in, folks. | 0:13:07 | 0:13:09 | |
Another classic car chase. | 0:13:09 | 0:13:11 | |
But the taxi they're driving appears to be invincible. | 0:13:11 | 0:13:14 | |
The police car forces it to drive into some corrugated iron. | 0:13:16 | 0:13:19 | |
And we see, later on, some definite damage to the left side. | 0:13:21 | 0:13:25 | |
Move on a few moments, the damage has completely gone! | 0:13:28 | 0:13:31 | |
But wait! | 0:13:31 | 0:13:33 | |
Here's the rear window getting shot out. | 0:13:34 | 0:13:37 | |
-WOMAN: -Dad! | 0:13:38 | 0:13:39 | |
It's back in the very next shot! | 0:13:39 | 0:13:42 | |
Yep, the car possesses a healing factor, | 0:13:45 | 0:13:47 | |
making some believe it's the love child | 0:13:47 | 0:13:49 | |
of Liam Neeson and Wolverine. | 0:13:49 | 0:13:51 | |
The great thing about films is that they can teach us so much. | 0:13:57 | 0:14:00 | |
Yeah. For example, Forrest Gump taught me | 0:14:00 | 0:14:02 | |
that it's wise to invest early in shrimp restaurants. | 0:14:02 | 0:14:05 | |
And Schindler's List taught me | 0:14:05 | 0:14:08 | |
that a splash of red can really make an outfit stand out in a crowd. | 0:14:08 | 0:14:11 | |
What I meant was, | 0:14:11 | 0:14:12 | |
even movie mistakes can afford us a life lesson or two. | 0:14:12 | 0:14:15 | |
Shall we take a look? | 0:14:15 | 0:14:16 | |
Yeah. I didn't blow my shrimp fortune on a massive telly | 0:14:16 | 0:14:20 | |
to not watch it. | 0:14:20 | 0:14:21 | |
Another error from the gripping Argo. | 0:14:25 | 0:14:28 | |
Have a read of the important stuff here. | 0:14:28 | 0:14:31 | |
I'm presuming you mean the factual epilogue to this quite serious film. | 0:14:31 | 0:14:34 | |
Not at all, Matthew. | 0:14:34 | 0:14:36 | |
That child has wrongly labelled his Star Wars figures. | 0:14:36 | 0:14:40 | |
The Jawa and Sand People figurines | 0:14:40 | 0:14:42 | |
are under each other's labels on this display stand. | 0:14:42 | 0:14:45 | |
What a moron! | 0:14:45 | 0:14:46 | |
Ah, Skyfall, properly exciting but littered with mistakes. | 0:14:56 | 0:14:59 | |
Take a look at this MP in the grey floral dress. | 0:15:00 | 0:15:03 | |
There she goes, scrambling for cover. But wait! | 0:15:03 | 0:15:07 | |
She's sat back down again. | 0:15:07 | 0:15:08 | |
Eh? | 0:15:09 | 0:15:11 | |
Is that what you want? | 0:15:19 | 0:15:21 | |
Another Iron Man 3 misfire, with Downey Jr and some specs. | 0:15:21 | 0:15:25 | |
Definitely not wearing any here, and now they're back on. | 0:15:27 | 0:15:31 | |
Stark obeys no rules. | 0:15:31 | 0:15:33 | |
Oh, and not exactly a mistake, | 0:15:33 | 0:15:34 | |
but that reporter should hold his phone horizontally. | 0:15:34 | 0:15:37 | |
That footage is going to be useless. | 0:15:37 | 0:15:39 | |
I'm going to come get the body. | 0:15:39 | 0:15:41 | |
There's no politics here, it's just good old-fashioned revenge. | 0:15:41 | 0:15:44 | |
Here's something it's perfectly normal to have | 0:15:50 | 0:15:52 | |
noticed in the gut-wrenchingly emotional Flight. | 0:15:52 | 0:15:55 | |
-Check out Whip's eye. -I see it. Bloodshot, as you might expect. | 0:15:55 | 0:15:59 | |
-But what now, Tom? -Crikey, it's normal! | 0:16:02 | 0:16:06 | |
That's American healthcare for you. | 0:16:06 | 0:16:07 | |
And all for the mere cost of his family home. | 0:16:07 | 0:16:10 | |
I assure you, Geoffrey, my murders are always models of taste | 0:16:17 | 0:16:21 | |
and discretion. | 0:16:21 | 0:16:23 | |
The decent character piece Hitchcock again | 0:16:23 | 0:16:24 | |
-and this stenographer's padding the keys like nobody's business. -Ha! | 0:16:24 | 0:16:29 | |
That's not how stenographising looks. | 0:16:29 | 0:16:32 | |
She should be moving her fingers individually. | 0:16:32 | 0:16:34 | |
Yeah, Ben, that's how you type. | 0:16:34 | 0:16:36 | |
Guys, don't you hate photo booths? | 0:16:44 | 0:16:46 | |
They always seem to charge you at least £1.50 more than they say. | 0:16:46 | 0:16:50 | |
What's worse is when they print a different photo | 0:16:50 | 0:16:52 | |
to what's happening in reality. In the totally average On The Road, | 0:16:52 | 0:16:56 | |
the boys are in a different position in the photo that gets printed. | 0:16:56 | 0:16:59 | |
See this expression? | 0:16:59 | 0:17:00 | |
No wonder they chopped it up. | 0:17:00 | 0:17:02 | |
Django Unchained, unmistakably Tarantino. | 0:17:10 | 0:17:13 | |
Here, Django earns his freedom via a game of hat-tossing. | 0:17:13 | 0:17:16 | |
-You've not seen this film, have you? -No, I've not, my mum won't let me. | 0:17:16 | 0:17:20 | |
See how the hat is resting at approximately 43 degrees? | 0:17:20 | 0:17:26 | |
43, 44, yeah. | 0:17:26 | 0:17:28 | |
-Well, now, it's back totally level. -Amazing! | 0:17:28 | 0:17:32 | |
Django, claim your freedom! | 0:17:32 | 0:17:34 | |
That's a fancy word for servant. | 0:17:34 | 0:17:37 | |
We shouldn't be too hard on the editors | 0:17:44 | 0:17:46 | |
responsible for these movie mistakes. | 0:17:46 | 0:17:49 | |
They're just having a bad day at work. | 0:17:49 | 0:17:51 | |
Yeah, like when I worked as a greeter at Hamleys | 0:17:51 | 0:17:53 | |
and attempted to fashion a noose out of modelling balloons. | 0:17:53 | 0:17:56 | |
Or when I worked in a pub | 0:17:56 | 0:17:58 | |
-and accidentally poured £600 worth of beer in my mouth. -Yeah. | 0:17:58 | 0:18:05 | |
Or when I tripped over mid-shift and spilt hot soup over everyone. | 0:18:05 | 0:18:09 | |
Didn't know you worked as a waiter, Tom. | 0:18:09 | 0:18:11 | |
No, sadly, I was a midwife. | 0:18:11 | 0:18:14 | |
Good Lord. | 0:18:14 | 0:18:15 | |
Let's have a look at some more poorly-made movie bloopers. | 0:18:15 | 0:18:19 | |
The biggest mystery in the now overstretched | 0:18:19 | 0:18:22 | |
and underwhelming Bourne series | 0:18:22 | 0:18:24 | |
is not who Jason Bourne is, | 0:18:24 | 0:18:26 | |
or why he turns into Jeremy Renner, | 0:18:26 | 0:18:28 | |
but how anyone missed this woman's glasses | 0:18:28 | 0:18:31 | |
appearing out of nowhere. | 0:18:31 | 0:18:34 | |
Specs-less. | 0:18:34 | 0:18:36 | |
Specs-ful. Brilliant. | 0:18:36 | 0:18:38 | |
She's not pulling this off on her own. Who the hell is helping her? | 0:18:38 | 0:18:41 | |
Now, Mama - the gloomy but visually stunning horror. | 0:18:44 | 0:18:47 | |
There's little I wouldn't do to | 0:18:47 | 0:18:49 | |
that bloke from Game of Thrones. | 0:18:49 | 0:18:51 | |
He's got a jawline carved from marble | 0:18:51 | 0:18:54 | |
and he'd make me feel safe. | 0:18:54 | 0:18:56 | |
Wow. Anyway, watch this. | 0:18:56 | 0:18:57 | |
See? It's a carpet tile! | 0:18:58 | 0:19:00 | |
The snow isn't real snow! | 0:19:00 | 0:19:03 | |
Carpet diem, eh, folks? | 0:19:03 | 0:19:05 | |
-Back to sleep, Ben. -Can do. | 0:19:05 | 0:19:07 | |
Now look at the shadows coming towards us | 0:19:12 | 0:19:14 | |
from the sun, as Burnsie discovers the cabin. | 0:19:14 | 0:19:17 | |
But what's this? Ha! A shadow on the door! | 0:19:17 | 0:19:21 | |
Which could only have come from something reflecting light. | 0:19:21 | 0:19:24 | |
-Like a tree? -A tree that reflects light? | 0:19:24 | 0:19:28 | |
-Could be metal. -There's no such thing as metal trees. | 0:19:28 | 0:19:31 | |
Hello...? | 0:19:31 | 0:19:32 | |
A silver birch? | 0:19:32 | 0:19:34 | |
MATTHEW SIGHS | 0:19:34 | 0:19:36 | |
Cracking film here - The Master, with Joaquin Phoenix | 0:19:39 | 0:19:43 | |
and Philip Seymour Hoffman doing some impressive heavyweight acting. | 0:19:43 | 0:19:47 | |
Props to the actors. | 0:19:48 | 0:19:50 | |
But not to the props department, sadly. Look at this. | 0:19:50 | 0:19:53 | |
Phoenix, having a diva-like strop, kicks a toilet to pieces, | 0:19:53 | 0:19:57 | |
but no water comes out. | 0:19:57 | 0:20:00 | |
Hoffman does not look impressed. | 0:20:00 | 0:20:02 | |
Here's a terrible gaffe with a darkroom kiss. | 0:20:08 | 0:20:11 | |
The weird smoochy sounds carry on after they finish kissing! | 0:20:11 | 0:20:15 | |
I sometimes pretend I'm still doing it, even though I've finished. | 0:20:26 | 0:20:29 | |
-Kissing? -Er...Yeah. | 0:20:29 | 0:20:33 | |
Freddie, stand in the middle of the room, please. | 0:20:36 | 0:20:40 | |
Now, look at the handkerchief in the right hand switching to the left. | 0:20:40 | 0:20:44 | |
You're about to see a continuity masterclass | 0:20:44 | 0:20:47 | |
from the brilliant Philip Seymour Hoffman. | 0:20:47 | 0:20:50 | |
He's thrown us off the scent with that hand change... | 0:20:50 | 0:20:53 | |
But then, bang! | 0:20:56 | 0:20:57 | |
It's in his right hand again! | 0:20:57 | 0:21:00 | |
Academy Award-winning clanger work there. | 0:21:00 | 0:21:03 | |
He's certainly the handker-chief of mistakes! | 0:21:03 | 0:21:06 | |
-Matthew, that was awful. -I'm so sorry. | 0:21:06 | 0:21:08 | |
-MAN: Just feels like glass. -That's cos it IS glass. | 0:21:08 | 0:21:12 | |
A cheeky clunker | 0:21:16 | 0:21:17 | |
from the pleasantly surprising fantasy thriller Byzantium. | 0:21:17 | 0:21:20 | |
Here's a customer visiting lady-of-the-night, Clara. | 0:21:20 | 0:21:23 | |
But before anything happens, he breaks down crying. | 0:21:23 | 0:21:26 | |
That happens to me a lot. | 0:21:26 | 0:21:29 | |
And somehow, without anyone having pulled them down, | 0:21:29 | 0:21:32 | |
his trousers are suddenly around his knees! | 0:21:32 | 0:21:35 | |
That happens to ME a lot. | 0:21:35 | 0:21:37 | |
Mike, I understand, but the bottom line is... | 0:21:39 | 0:21:41 | |
It's Snitch, everyone! Another nondescript and forgettable film | 0:21:41 | 0:21:46 | |
starring the brilliantly charismatic Dwayne "The Rock" Johnson. | 0:21:46 | 0:21:50 | |
The Rock's a multitasker - actor, wrestler, | 0:21:50 | 0:21:54 | |
telephone answerer | 0:21:54 | 0:21:56 | |
and golf-putterer. | 0:21:56 | 0:21:58 | |
But check out the putting green - suddenly it's gone missing! | 0:21:58 | 0:22:01 | |
Sloppy work. They should have just putting green-screened it back in. | 0:22:01 | 0:22:06 | |
So we've come to the end of our movie mistakes marathon. | 0:22:09 | 0:22:12 | |
It's been less physically challenging than a real marathon | 0:22:12 | 0:22:14 | |
but in many ways a lot more gruelling. | 0:22:14 | 0:22:17 | |
If you've made it to the end, we salute you. | 0:22:17 | 0:22:19 | |
And if you've just tuned in, | 0:22:19 | 0:22:20 | |
don't worry, this gets repeated all the time. | 0:22:20 | 0:22:22 | |
Yeah, seriously! All the time. | 0:22:22 | 0:22:25 | |
It's basically this and Family Guy. | 0:22:25 | 0:22:27 | |
But the movie industry waits for no man. Even as we speak | 0:22:27 | 0:22:30 | |
more films are being made, with more calamitous clunkers. | 0:22:30 | 0:22:32 | |
-Does that mean...? -Yes, Ben. | 0:22:32 | 0:22:34 | |
It's time to start researching next year's Movie Mistakes. | 0:22:34 | 0:22:38 | |
ALL: To the cinema! | 0:22:38 | 0:22:40 | |
MUSIC: "Don't You Forget About Me" by Simple Minds | 0:22:40 | 0:22:42 | |
# Hey, hey, hey, hey | 0:22:42 | 0:22:46 | |
# Ooh ooh-ooh-ooh-ooh... # | 0:22:46 | 0:22:50 |