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Innova Irish Dance Company was founded in March 2013. | 0:00:09 | 0:00:13 | |
What we do is promote festival dancing with a modern twist. | 0:00:15 | 0:00:18 | |
That's very much what Innova's about. | 0:00:18 | 0:00:20 | |
Innovation, about doing something that nobody else is. | 0:00:20 | 0:00:24 | |
A year later, their Britain's Got Talent audition | 0:00:26 | 0:00:29 | |
made headlines across the UK and Ireland, | 0:00:29 | 0:00:31 | |
when they danced their way through to the semifinals of the show. | 0:00:31 | 0:00:35 | |
Britain's Got Talent was an absolutely amazing experience. | 0:00:37 | 0:00:40 | |
It is definitely one I would love to relive over and over again. | 0:00:40 | 0:00:43 | |
Their unique brand of tradition with a twist has seen them | 0:00:45 | 0:00:48 | |
excel on the competition stage as well as on-screen. | 0:00:48 | 0:00:51 | |
It has been 20 years since Riverdance, and to even get | 0:00:54 | 0:00:57 | |
close to their success would be incredible for Innova. | 0:00:57 | 0:01:01 | |
This is a year in the life of Innova Irish Dance Company. | 0:01:01 | 0:01:05 | |
Innova is based in the coastal town of Portstewart, | 0:01:17 | 0:01:20 | |
on Northern Ireland's north coast. | 0:01:20 | 0:01:22 | |
It's a collaboration between Catherine Lamont, | 0:01:24 | 0:01:27 | |
Kyra Archibald and Emma McKeary - | 0:01:27 | 0:01:30 | |
local festival dancers who have been performing since the age of three. | 0:01:30 | 0:01:34 | |
As lovers of both traditional and modern dance and music, | 0:01:37 | 0:01:41 | |
and with a burning desire to fuse the two, | 0:01:41 | 0:01:44 | |
they have raised the profile of festival dancing around the world. | 0:01:44 | 0:01:48 | |
Festival dancing is confined to Northern Ireland, | 0:01:50 | 0:01:53 | |
and has a more conservative approach to music and presentation | 0:01:53 | 0:01:56 | |
than it's bigger, brighter cousin, feis dancing. | 0:01:56 | 0:02:00 | |
Festival dancing, I feel, has been sort of the one | 0:02:02 | 0:02:04 | |
that people don't know about as much. | 0:02:04 | 0:02:07 | |
Feis, through Riverdance and those big shows, | 0:02:07 | 0:02:10 | |
it's probably what people associate Irish dancing with. | 0:02:10 | 0:02:13 | |
It's maybe a bit more along the ballet line, | 0:02:13 | 0:02:16 | |
a bit more about expression of the music. | 0:02:16 | 0:02:18 | |
So we want to kind of show the wider world all the beauty in it, | 0:02:18 | 0:02:22 | |
that maybe isn't seen as much. | 0:02:22 | 0:02:24 | |
It is the sort of thing that you really need to be | 0:02:24 | 0:02:27 | |
starting at a young age if you're going to master it completely. | 0:02:27 | 0:02:31 | |
'Tonight is a performance rehearsal for the junior group.' | 0:02:33 | 0:02:36 | |
Stamp up, two, three. Stamp up, hands. Stamp up, two, three. | 0:02:36 | 0:02:39 | |
Stamp up and go. | 0:02:39 | 0:02:40 | |
Dey, dey, dey, dey, dey. | 0:02:40 | 0:02:42 | |
Dey, dey, dey, dey. | 0:02:42 | 0:02:44 | |
They are eight, nine, ten, eleven, | 0:02:44 | 0:02:46 | |
so you can't really be too hard on them, | 0:02:46 | 0:02:48 | |
but it is stuff that we have done before, | 0:02:48 | 0:02:50 | |
so I'm just kind of hoping that as we go through it more, | 0:02:50 | 0:02:53 | |
and as we put the music on, | 0:02:53 | 0:02:54 | |
then it will suddenly come flooding back to them | 0:02:54 | 0:02:56 | |
and it will be, "Oh, yes, I remember that now." | 0:02:56 | 0:02:58 | |
We just love working with children, we love teaching children, | 0:02:58 | 0:03:01 | |
and it is just great to see them progress through the years | 0:03:01 | 0:03:04 | |
as an Irish dancer. | 0:03:04 | 0:03:05 | |
One, two, three, four, five, six... | 0:03:05 | 0:03:08 | |
It is very much the same ethos of, yes, we do tradition, | 0:03:13 | 0:03:16 | |
but we do tradition with a twist as well, | 0:03:16 | 0:03:18 | |
and that goes right down into the juniors. | 0:03:18 | 0:03:20 | |
So they don't just get landed with the traditional stuff | 0:03:20 | 0:03:24 | |
without anything that is a bit fun or a bit more exciting. | 0:03:24 | 0:03:27 | |
The modern music that we use and the modern moves as well, | 0:03:27 | 0:03:31 | |
I think that's something that is quite distinct just to us, | 0:03:31 | 0:03:34 | |
and we definitely like it to be our wee thing. | 0:03:34 | 0:03:36 | |
It makes us different. | 0:03:36 | 0:03:38 | |
With their upcoming performance | 0:03:54 | 0:03:55 | |
on the Britain's Got Talent semifinals just days away, | 0:03:55 | 0:03:58 | |
the Innova seniors 15-strong dance troupe | 0:03:58 | 0:04:01 | |
can usually be found practising late into the night... | 0:04:01 | 0:04:04 | |
in Catherine's garage. | 0:04:04 | 0:04:06 | |
One, two, three, fly. | 0:04:06 | 0:04:08 | |
The routine that we are putting together at the minute, | 0:04:12 | 0:04:15 | |
we've done a wee one's version, and an older one's version. | 0:04:15 | 0:04:17 | |
So we know the wee one's version, | 0:04:17 | 0:04:18 | |
-so we are going into the wee one's version. -So confused! | 0:04:18 | 0:04:21 | |
And then it is like, "Oh, no, wait, | 0:04:21 | 0:04:22 | |
"that's for the wee ones, that's not ours." | 0:04:22 | 0:04:24 | |
But hopefully it will all come together. | 0:04:24 | 0:04:27 | |
On the day, yes, we tend to pull together...out of nowhere. | 0:04:29 | 0:04:32 | |
I don't know where it comes from. | 0:04:32 | 0:04:34 | |
But we just... The teamwork comes through. | 0:04:34 | 0:04:36 | |
And we just know what to do. | 0:04:36 | 0:04:38 | |
The competition season has not yet finished, | 0:04:40 | 0:04:42 | |
and school exams are also underway. | 0:04:42 | 0:04:45 | |
So the girls' stress levels are in danger of overload. | 0:04:45 | 0:04:50 | |
Our girls are very, very good. | 0:04:50 | 0:04:51 | |
They want to go to competitions just as much as they do performance, | 0:04:51 | 0:04:55 | |
which is what we would really encourage, | 0:04:55 | 0:04:57 | |
because they both do go hand-in-hand together. | 0:04:57 | 0:05:00 | |
If you are a great competition dancer, | 0:05:00 | 0:05:02 | |
your performance work is going to be even better | 0:05:02 | 0:05:05 | |
because you are a better dancer, simple as that. | 0:05:05 | 0:05:08 | |
But first things first, the girls have got a show to put on. | 0:05:08 | 0:05:12 | |
And their costumes aren't going to make themselves. | 0:05:12 | 0:05:15 | |
-Hi. -Hello. Brought some more for the fittings. | 0:05:22 | 0:05:26 | |
This will be the first time she sees the full thing ready, | 0:05:26 | 0:05:30 | |
so it is just a more modern take on what we already had. | 0:05:30 | 0:05:34 | |
Ready? Let's see it. | 0:05:34 | 0:05:36 | |
-Do you like it? -That's stunning. | 0:05:36 | 0:05:38 | |
Normally our own costumes would all be made of velvet, | 0:05:38 | 0:05:41 | |
where as obviously you can see | 0:05:41 | 0:05:42 | |
that we've just kept a bit of the tradition in the skirt | 0:05:42 | 0:05:45 | |
and then a little bit of a shoulder showing. | 0:05:45 | 0:05:48 | |
-Shoulders peeping out. -Shoulders peeping out. | 0:05:48 | 0:05:50 | |
And different detail in the arms as well. | 0:05:50 | 0:05:52 | |
-It is itchy. -It is itchy, yes. | 0:05:52 | 0:05:54 | |
That's the one thing! But no pain, no gain. | 0:05:54 | 0:05:58 | |
-Hello. -Hiya. -Oh, it is lovely. | 0:05:58 | 0:06:02 | |
It is beautiful. | 0:06:02 | 0:06:05 | |
-Go away. -SHE LAUGHS | 0:06:05 | 0:06:07 | |
Lovely. You're making my tears run. | 0:06:07 | 0:06:10 | |
-THEY LAUGH -Mummy, Mummy, Mummy. | 0:06:10 | 0:06:12 | |
It's the big day, and the seniors have gathered | 0:06:19 | 0:06:21 | |
for their two-hour bus trip to Belfast | 0:06:21 | 0:06:24 | |
and hour-long flight to London. | 0:06:24 | 0:06:26 | |
On board, Catherine's mother, Patricia, | 0:06:31 | 0:06:34 | |
is nervous about the upcoming competition. | 0:06:34 | 0:06:37 | |
Up until now, it has only been the judges, | 0:06:37 | 0:06:39 | |
so now it is public voting, and that's... | 0:06:39 | 0:06:42 | |
It is almost like an unknown quantity. | 0:06:42 | 0:06:45 | |
The girls are very popular anyway, especially on the north coast. | 0:06:45 | 0:06:48 | |
As you're going up the country, and you're seeing signs | 0:06:48 | 0:06:50 | |
and posters up, you know, you're getting messages from Facebook | 0:06:50 | 0:06:54 | |
and Twitter and all the rest. | 0:06:54 | 0:06:55 | |
Hopefully, everybody will be behind us. | 0:06:55 | 0:06:57 | |
THEY CHEER | 0:06:57 | 0:07:00 | |
I will be voting, and my family will be voting, too. | 0:07:02 | 0:07:04 | |
HE LAUGHS | 0:07:04 | 0:07:06 | |
As Belfast nears, the girls reflect on their Britain's Got Talent debut. | 0:07:07 | 0:07:12 | |
A couple of acts before us got buzzed, | 0:07:12 | 0:07:14 | |
-and how loud were the buzzers? -So loud. | 0:07:14 | 0:07:17 | |
Like, you know, everybody says it, | 0:07:17 | 0:07:19 | |
but it actually goes through your body. | 0:07:19 | 0:07:20 | |
If they'd buzzed, we would all stop for a minute and be, | 0:07:20 | 0:07:23 | |
"Oh, my God!" And it would be so hard to get back into the dance. | 0:07:23 | 0:07:26 | |
-I would be so heartbroken. -I wouldn't even come home. | 0:07:26 | 0:07:29 | |
-I would be... -Just get on another fight somewhere. | 0:07:29 | 0:07:32 | |
Before we went on stage, the crew were like, | 0:07:34 | 0:07:37 | |
"Simon's in a bad mood today." | 0:07:37 | 0:07:38 | |
When we first went on, he was very, like, negative. | 0:07:38 | 0:07:41 | |
He was like, "We've seen this all before, Irish dancing." | 0:07:41 | 0:07:44 | |
And then he rolled his eyes. | 0:07:44 | 0:07:45 | |
And then he stood up, he actually stood up, | 0:07:45 | 0:07:48 | |
and was extremely pleased with what we had done. | 0:07:48 | 0:07:51 | |
There's definitely a lot more pressure this time | 0:07:51 | 0:07:53 | |
because we've already done our twist sort of thing, | 0:07:53 | 0:07:55 | |
so it's what are we going to do next? | 0:07:55 | 0:07:57 | |
But we actually do have a few surprises | 0:07:57 | 0:07:59 | |
up our sleeves for this one. | 0:07:59 | 0:08:01 | |
This is a completely new routine that we are doing for the semifinal. | 0:08:01 | 0:08:05 | |
Not only have the judges not seen it, | 0:08:05 | 0:08:06 | |
nobody has seen it before. | 0:08:06 | 0:08:08 | |
It is totally new, which makes it ten times scarier, | 0:08:08 | 0:08:10 | |
because we've never performed it to a live audience before. | 0:08:10 | 0:08:14 | |
# I don't care | 0:08:30 | 0:08:32 | |
# I got this feeling on the summer day when you were gone | 0:08:32 | 0:08:35 | |
# I crashed my car into the bridge | 0:08:35 | 0:08:37 | |
# I watched, I let it burn | 0:08:37 | 0:08:39 | |
# I threw your...into a bag... # | 0:08:39 | 0:08:41 | |
THEY CHEER | 0:08:41 | 0:08:43 | |
# I crashed my car into the bridge | 0:08:43 | 0:08:45 | |
# I don't care | 0:08:45 | 0:08:47 | |
# I love it... # | 0:08:47 | 0:08:50 | |
We are watching Britain's Got Talent and, as well, it is my birthday. | 0:08:50 | 0:08:54 | |
Oh, my God. | 0:08:58 | 0:09:00 | |
'Hey, and now we get a selfie.' | 0:09:00 | 0:09:03 | |
THEY CHEER | 0:09:04 | 0:09:06 | |
CHEERING AND APPLAUSE | 0:09:10 | 0:09:13 | |
THEY CHEER | 0:09:13 | 0:09:15 | |
Um, I've got two issues. One, I think there should be more of you. | 0:09:17 | 0:09:21 | |
I also think you need a lead star. | 0:09:21 | 0:09:24 | |
I think, without those two aspects, | 0:09:24 | 0:09:25 | |
it's not really going to go anywhere. | 0:09:25 | 0:09:27 | |
I liked the dancing, but I don't agree with Simon. | 0:09:27 | 0:09:30 | |
-I can't believe what Simon said. -Who listens to Simon anyway? | 0:09:30 | 0:09:34 | |
No. It's up to the public. | 0:09:35 | 0:09:37 | |
And if this segment of the public have their way, | 0:09:41 | 0:09:44 | |
Innova are a shoo-in. | 0:09:44 | 0:09:46 | |
-Oh, I got my vote! -I voted like 1,000 times. | 0:09:47 | 0:09:51 | |
I've done it so much my battery is dead now. | 0:09:51 | 0:09:54 | |
THEY CHEER | 0:09:54 | 0:09:55 | |
After flooding the phone lines, | 0:09:55 | 0:09:57 | |
the juniors take to the streets to drum up more votes. | 0:09:57 | 0:10:01 | |
From right up to the older ones to the younger ones, | 0:10:01 | 0:10:04 | |
they all look out for each other and they are a family. | 0:10:04 | 0:10:07 | |
-And that's what it's all about. -ALL: -Innova! | 0:10:07 | 0:10:09 | |
No matter what happens tonight, it's been amazing. | 0:10:11 | 0:10:13 | |
The journey that those girls have taken everybody on | 0:10:13 | 0:10:17 | |
has been such fun. | 0:10:17 | 0:10:18 | |
And let's just hope for the best. | 0:10:18 | 0:10:20 | |
It comes as no surprise that Innova do well in the public voting, | 0:10:22 | 0:10:26 | |
and sail into the top three. | 0:10:26 | 0:10:28 | |
THEY CHEER | 0:10:28 | 0:10:30 | |
But once again, this places their fate in the hands of Simon Cowell. | 0:10:41 | 0:10:45 | |
I'm going to give my vote to Lettice. | 0:10:50 | 0:10:53 | |
No! | 0:10:53 | 0:10:55 | |
His decision would send the competition to deadlock | 0:10:55 | 0:10:58 | |
and back to the public vote, | 0:10:58 | 0:10:59 | |
with competitor Lettice eventually winning out. | 0:10:59 | 0:11:03 | |
Gutted but so proud of all of them. | 0:11:05 | 0:11:10 | |
So disappointing for them, | 0:11:10 | 0:11:11 | |
but they were brilliant, they were brilliant, it doesn't matter. | 0:11:11 | 0:11:14 | |
It doesn't matter, we are still really proud, so we are. | 0:11:14 | 0:11:18 | |
Obviously we were disappointed | 0:11:25 | 0:11:26 | |
because you're so close to getting into the final, | 0:11:26 | 0:11:29 | |
but on the other hand, | 0:11:29 | 0:11:30 | |
we were in the final 15 from 60,000 auditionees, | 0:11:30 | 0:11:34 | |
and that's the thing we have taken away from it. | 0:11:34 | 0:11:37 | |
Britain's Got Talent was an absolutely amazing experience. | 0:11:39 | 0:11:42 | |
What Simon said about having a lead dancer | 0:11:42 | 0:11:44 | |
doesn't really concern us because we don't want to have a lead dancer. | 0:11:44 | 0:11:47 | |
All of us are equals and we all perform exactly the same way, | 0:11:47 | 0:11:50 | |
and that's just what we do best. | 0:11:50 | 0:11:52 | |
Since the Britain's Got Talent semifinal, | 0:11:54 | 0:11:56 | |
it has just been insane in the best possible way. | 0:11:56 | 0:12:00 | |
The invites that we have got in, | 0:12:00 | 0:12:01 | |
there's stuff that we obviously wouldn't have got before. | 0:12:01 | 0:12:04 | |
We've been exposed to a whole new audience, | 0:12:04 | 0:12:06 | |
we've been dancing in Italy, | 0:12:06 | 0:12:08 | |
we've been at open air concerts here, | 0:12:08 | 0:12:11 | |
corporate events, just a whole range of stuff. | 0:12:11 | 0:12:14 | |
We are heading off to London, | 0:12:16 | 0:12:18 | |
that's for a Financial Times corporate event. | 0:12:18 | 0:12:20 | |
It's a new platform for us, | 0:12:21 | 0:12:23 | |
we've never performed at something like this before, | 0:12:23 | 0:12:25 | |
so we'll just go and do our thing and hopefully it goes down well. | 0:12:25 | 0:12:30 | |
I'm sending all the music that we are going to be using tomorrow. | 0:12:30 | 0:12:33 | |
We are doing three pieces, so even if we get through one of them, | 0:12:33 | 0:12:37 | |
with the proper sound, in the rehearsal, | 0:12:37 | 0:12:39 | |
that sort of will set my mind at ease. | 0:12:39 | 0:12:41 | |
They're just smaller than we would normally use, | 0:12:41 | 0:12:43 | |
and as well as that, there's four individual podiums. | 0:12:43 | 0:12:46 | |
So, four dancers will be out at those podiums, | 0:12:46 | 0:12:49 | |
and the rest on the stage. | 0:12:49 | 0:12:50 | |
So we kind of have to re-choreograph certain aspects of it | 0:12:50 | 0:12:54 | |
to make sure that that all fits in well. | 0:12:54 | 0:12:56 | |
The following day, the girls are back in London | 0:12:59 | 0:13:01 | |
for the first time since losing out on Britain's Got Talent. | 0:13:01 | 0:13:05 | |
Being here is overwhelming. Everything is just so "go, go, go", | 0:13:07 | 0:13:10 | |
compared to home in Northern Ireland. | 0:13:10 | 0:13:12 | |
It's nothing like that. | 0:13:12 | 0:13:13 | |
I'm really interested to see how this audience responds to us, | 0:13:13 | 0:13:17 | |
just because I would say nobody here has ever seen us before. | 0:13:17 | 0:13:20 | |
Probably half of them, more than half of them, | 0:13:20 | 0:13:22 | |
-have never heard of us before. -If a crowd is sort of... | 0:13:22 | 0:13:25 | |
SHE CLAPS WEAKLY | 0:13:25 | 0:13:27 | |
..then it is a bit of a killer for us, | 0:13:27 | 0:13:28 | |
so hopefully they are in good spirits and enjoying themselves, | 0:13:28 | 0:13:32 | |
and then we'll enjoy it, too. | 0:13:32 | 0:13:33 | |
The girls head to the Natural History Museum, | 0:13:37 | 0:13:39 | |
and with no time for changes, | 0:13:39 | 0:13:41 | |
they're hoping all their requirements have been met. | 0:13:41 | 0:13:43 | |
-Oh, it is so massive. -It looks so pretty. | 0:13:50 | 0:13:53 | |
Immediately we are so happy with the stage, | 0:13:54 | 0:13:57 | |
it is so much better than we thought it was going to be. Much bigger. | 0:13:57 | 0:14:00 | |
We haven't seen the podiums yet, | 0:14:00 | 0:14:02 | |
but I think they are going to be fine as well, | 0:14:02 | 0:14:05 | |
so immediately that is a massive relief. | 0:14:05 | 0:14:08 | |
The surroundings are just amazing. | 0:14:08 | 0:14:11 | |
I'm so excited. And I'm not even nervous. | 0:14:11 | 0:14:13 | |
It is looking amazing already, | 0:14:13 | 0:14:15 | |
so I think it is going to be stunning | 0:14:15 | 0:14:16 | |
by the time that we're ready to rock tonight. | 0:14:16 | 0:14:18 | |
Making every moment count, the girls squeeze in a quick rehearsal. | 0:14:22 | 0:14:26 | |
If you wouldn't mind meeting me, probably on this side, | 0:14:32 | 0:14:34 | |
I'll get someone from the museum down. | 0:14:34 | 0:14:36 | |
We'll get you up on stage, we'll dim the lights, | 0:14:36 | 0:14:38 | |
and then once you give me the thumbs up, we'll raise them and start. | 0:14:38 | 0:14:41 | |
-Yeah? -Yeah. -Great. | 0:14:41 | 0:14:43 | |
With the guests finally arriving, | 0:14:44 | 0:14:46 | |
the girls prepare for the star-studded VIP event. | 0:14:46 | 0:14:49 | |
We want to impress, | 0:14:53 | 0:14:54 | |
no matter if we are dancing in front of an audience of two people, | 0:14:54 | 0:14:57 | |
which has happened before, | 0:14:57 | 0:14:59 | |
or an audience of how many ever people, hundreds of people, | 0:14:59 | 0:15:02 | |
that are here tonight. | 0:15:02 | 0:15:03 | |
Even if we get one more contact from tonight, | 0:15:03 | 0:15:05 | |
that's an absolute bonus for us. | 0:15:05 | 0:15:07 | |
And you never know where it can take us. | 0:15:07 | 0:15:09 | |
We love the performance end of it, as you can tell. | 0:15:09 | 0:15:12 | |
This is our full energy into this. | 0:15:12 | 0:15:13 | |
Not that we don't with competitive dancing, | 0:15:13 | 0:15:16 | |
but we all love this part much more. | 0:15:16 | 0:15:18 | |
One of the girls earlier on was saying | 0:15:23 | 0:15:24 | |
she felt like being here tonight was like hitting the big-time. | 0:15:24 | 0:15:28 | |
And do you know, it really is, because it's a massive event. | 0:15:28 | 0:15:32 | |
It's a bit surreal that we are here. | 0:15:32 | 0:15:36 | |
Ladies and gentlemen, please welcome Innova Irish Dance Company. | 0:15:36 | 0:15:42 | |
CHEERING | 0:15:42 | 0:15:44 | |
MUSIC STARTS | 0:15:44 | 0:15:46 | |
WHISTLING | 0:15:46 | 0:15:48 | |
CHEERING | 0:16:26 | 0:16:28 | |
CHEERING AND APPLAUSE | 0:17:12 | 0:17:16 | |
# Shake that | 0:17:20 | 0:17:22 | |
# Every day I'm shufflin'. # | 0:17:22 | 0:17:24 | |
# Yeah! | 0:17:36 | 0:17:37 | |
# Everybody dance now! # | 0:17:37 | 0:17:39 | |
# Who run the world? Girls! | 0:17:39 | 0:17:40 | |
# Who run the world? Girls! | 0:17:40 | 0:17:42 | |
# Who run the world? Girls! | 0:17:42 | 0:17:44 | |
# Who run the world? Girls! | 0:17:44 | 0:17:46 | |
# Every day I'm shufflin'. # | 0:17:46 | 0:17:48 | |
CHEERING AND APPLAUSE | 0:17:48 | 0:17:52 | |
Absolutely amazing performance. | 0:17:55 | 0:17:57 | |
Real combination of traditional dance and contemporary music. | 0:17:57 | 0:18:01 | |
It was awesome. | 0:18:01 | 0:18:02 | |
People may think we're a bit stuffy, but it was, honestly, outstanding. | 0:18:02 | 0:18:06 | |
Everyone at my table absolutely loved it. | 0:18:06 | 0:18:08 | |
I had to follow the girls, like, | 0:18:08 | 0:18:10 | |
and the audience were up and excited, | 0:18:10 | 0:18:12 | |
so it made it a lot easier for me tonight. | 0:18:12 | 0:18:14 | |
It was actually like the Riverdance, but with a whole new vibe. | 0:18:14 | 0:18:19 | |
Whole...it was amazing. | 0:18:20 | 0:18:22 | |
Because they done the footwork, | 0:18:22 | 0:18:24 | |
but they put a bit of a disco twist on it. | 0:18:24 | 0:18:28 | |
Loved it. Loved it. | 0:18:28 | 0:18:29 | |
WHOOPING | 0:18:29 | 0:18:31 | |
How was that for you? | 0:18:31 | 0:18:32 | |
It went absolutely amazing. I'm so, so pleased. | 0:18:34 | 0:18:37 | |
For once, no mistakes. | 0:18:37 | 0:18:38 | |
Not that we're owning up to anyway right now! | 0:18:38 | 0:18:41 | |
I don't think I've ever performed so well. | 0:18:41 | 0:18:43 | |
Just the whole atmosphere, the audience, | 0:18:43 | 0:18:45 | |
and all of us were in such good form, | 0:18:45 | 0:18:47 | |
so you just fully went for it. It was so good. | 0:18:47 | 0:18:50 | |
Still on a high from their performance, | 0:18:50 | 0:18:53 | |
the girls return to the main hall in search of that one valuable contact. | 0:18:53 | 0:18:57 | |
CHEERING AND WHOOPING | 0:18:59 | 0:19:01 | |
I can't get on my toes like you. | 0:19:01 | 0:19:02 | |
-Oh, you can! -WHOOPING AND CHEERING | 0:19:02 | 0:19:06 | |
Come on! Come on! Come on! | 0:19:09 | 0:19:12 | |
-Perfect, it's great. That's great. -JASON LAUGHS | 0:19:12 | 0:19:15 | |
-Thank you very much. -Well done, girls. | 0:19:15 | 0:19:17 | |
After a long summer of endless performance commitments | 0:19:21 | 0:19:24 | |
and very little competition practice, | 0:19:24 | 0:19:26 | |
it's time for a number of the Innova seniors to face the music | 0:19:26 | 0:19:29 | |
at the Northern Ireland Irish Dancing Championships. | 0:19:29 | 0:19:32 | |
Under 16's competitor Ailish Deeney | 0:19:35 | 0:19:37 | |
plans to take this routine in front of the adjudicators. | 0:19:37 | 0:19:40 | |
APPLAUSE | 0:20:20 | 0:20:22 | |
After a successful solo performance, Ailish rejoins her fellow dancers | 0:20:26 | 0:20:30 | |
and it's clear the group feel more comfortable when they're together. | 0:20:30 | 0:20:34 | |
I can't remember what dancing's like without these two. | 0:20:34 | 0:20:37 | |
They've just been a part of it all. | 0:20:37 | 0:20:39 | |
And we got a lot closer during Britain's Got Talent as well, | 0:20:39 | 0:20:42 | |
because we just spent so much time together. We were like inseparable. | 0:20:42 | 0:20:45 | |
Whenever we went home we were like, "Oh, I miss each other!" | 0:20:45 | 0:20:48 | |
All lonely. | 0:20:48 | 0:20:50 | |
Yeah, we had no-one to play with. | 0:20:50 | 0:20:52 | |
Courtney is also dancing solo tonight | 0:21:03 | 0:21:05 | |
in the under 17s championship | 0:21:05 | 0:21:07 | |
and she too has found it difficult | 0:21:07 | 0:21:09 | |
to switch between performance and competition modes. | 0:21:09 | 0:21:12 | |
Going from this competition | 0:21:15 | 0:21:16 | |
to events like the National History Museum | 0:21:16 | 0:21:19 | |
and Britain's Got Talent, | 0:21:19 | 0:21:20 | |
you're out there to perform, entertain. | 0:21:20 | 0:21:22 | |
As we're here in Northern Ireland, it's a total different story. | 0:21:22 | 0:21:26 | |
Everyone's watching you, this school, competition, you know, | 0:21:26 | 0:21:29 | |
and it's very difficult to live up to the standards. | 0:21:29 | 0:21:32 | |
But with the competition imminent, | 0:21:32 | 0:21:35 | |
Courtney hopes that when the judges see this routine | 0:21:35 | 0:21:38 | |
they'll be impressed. | 0:21:38 | 0:21:40 | |
APPLAUSE | 0:22:15 | 0:22:17 | |
After a very long day of competing, | 0:22:20 | 0:22:22 | |
it's time for the girls to see if their love of performance | 0:22:22 | 0:22:26 | |
has dashed their competition hopes. | 0:22:26 | 0:22:28 | |
-ANNOUNCER: -Adjudicator A gave first grades to number 9. | 0:22:29 | 0:22:33 | |
Adjudicator B gave first grades to number 12. | 0:22:35 | 0:22:37 | |
-Adjudicator C gave first grades to number 9. -Yes! | 0:22:40 | 0:22:44 | |
In first place, with a total of 26 points, | 0:22:48 | 0:22:52 | |
number 9, Courtney McAlister from Innova. | 0:22:52 | 0:22:55 | |
CHEERING AND APPLAUSE | 0:22:55 | 0:22:59 | |
'I just won the dance championships under 17 and I am ecstatic.' | 0:23:06 | 0:23:11 | |
To win the Northern Irelands, it's everything. | 0:23:11 | 0:23:13 | |
I haven't been dancing well lately, | 0:23:13 | 0:23:15 | |
but then I just gave it all tonight - | 0:23:15 | 0:23:17 | |
might as well, nothing to lose - | 0:23:17 | 0:23:18 | |
and it paid off. | 0:23:18 | 0:23:20 | |
Courtney also do took first place with Ailish in the two-hand... | 0:23:22 | 0:23:25 | |
..and again in the three-hand with Lauren. | 0:23:27 | 0:23:29 | |
Ailish also took the top spot in the under 16's category. | 0:23:30 | 0:23:34 | |
Proud teacher Catherine leaves with an armful of trophies, too. | 0:23:36 | 0:23:40 | |
I'm so overwhelmed by the results and how they danced | 0:23:42 | 0:23:46 | |
and I'm just so pleased that all the hard work and everything they put in | 0:23:46 | 0:23:49 | |
has kind of, you know, they've got back now what they deserve from it. | 0:23:49 | 0:23:52 | |
On nights like this, you love competition as much as performance. | 0:23:52 | 0:23:55 | |
-Yes! -We can't complain. | 0:23:55 | 0:23:58 | |
After a busy season of performance and competition commitments, | 0:24:02 | 0:24:05 | |
the girls finally return to their beloved hometown of Portstewart | 0:24:05 | 0:24:09 | |
to take on their toughest challenge yet - | 0:24:09 | 0:24:12 | |
an open-air performance | 0:24:12 | 0:24:14 | |
to an eager crowd of motorcycle enthusiasts. | 0:24:14 | 0:24:16 | |
Portstewart is known for its stunning promenade | 0:24:20 | 0:24:23 | |
and its variety of windswept golf courses, | 0:24:23 | 0:24:25 | |
but its biggest event by far is the annual North West 200, | 0:24:25 | 0:24:30 | |
and Innova are kicking off the main event. | 0:24:30 | 0:24:32 | |
Over 150,000 motorcycle fans from around the globe | 0:24:34 | 0:24:38 | |
have converged on the tiny coastal town | 0:24:38 | 0:24:40 | |
over the course of the week-long event, | 0:24:40 | 0:24:42 | |
culminating with today's final race. | 0:24:42 | 0:24:45 | |
The Innova girls are making the short walk | 0:24:47 | 0:24:49 | |
from Catherine's home to the racing grid, | 0:24:49 | 0:24:51 | |
where local celebrity DJ Brian Moore is busy warming up the crowd. | 0:24:51 | 0:24:56 | |
Are you able to stamp your feet | 0:24:58 | 0:24:59 | |
and clap your hands above your head at the same time? | 0:24:59 | 0:25:02 | |
One, two, one, two, one, two. | 0:25:02 | 0:25:05 | |
Get the feet stamping. Come on! | 0:25:05 | 0:25:07 | |
I think it will go down a storm, | 0:25:09 | 0:25:10 | |
because the crowd aren't expecting it. | 0:25:10 | 0:25:12 | |
It's so out there, so left field, to have Irish dancers | 0:25:12 | 0:25:16 | |
on the starting grid of the North West 200. | 0:25:16 | 0:25:19 | |
I mean, it's... I think it's going to be amazing. | 0:25:19 | 0:25:22 | |
-Hi, ladies! -Hello! | 0:25:22 | 0:25:24 | |
-You're very welcome. -Thank you. | 0:25:24 | 0:25:26 | |
We're going to bring out some guests here | 0:25:26 | 0:25:28 | |
and we're going to start the North West 200 | 0:25:28 | 0:25:31 | |
as it's never been started before, OK? | 0:25:31 | 0:25:34 | |
Right, go, go, go. Good luck. | 0:25:34 | 0:25:36 | |
We need you clapping your hands and stamping your feet along to it. | 0:25:36 | 0:25:39 | |
Please welcome... Give a round of applause for the Innova dancers! | 0:25:39 | 0:25:43 | |
WHISTLING AND APPLAUSE | 0:25:43 | 0:25:46 | |
IRISH FOLK MUSIC STARTS | 0:25:49 | 0:25:51 | |
MUSIC WARPS AND STOPS | 0:25:55 | 0:25:57 | |
# Shake that. # | 0:25:57 | 0:25:58 | |
# Born to be wild! | 0:25:58 | 0:26:02 | |
# Born to be wild! | 0:26:06 | 0:26:09 | |
# Whoa, Black Betty, bam-a-lam | 0:26:13 | 0:26:15 | |
# Whoa, Black Betty, bam-a-lam | 0:26:15 | 0:26:17 | |
# Black Betty had a child, bam-a-lam | 0:26:17 | 0:26:19 | |
# The damn thing gone wild Bam-a-lam | 0:26:19 | 0:26:21 | |
# She said, I'm worrin' outta my mind, bam-a-lam | 0:26:21 | 0:26:23 | |
# The damn thing gone blind Bam-a-lam | 0:26:23 | 0:26:25 | |
# I said oh, Black Betty Bam-a-lam | 0:26:25 | 0:26:27 | |
# Whoa, Black Betty, bam-a-lam | 0:26:27 | 0:26:30 | |
APPLAUSE | 0:26:52 | 0:26:54 | |
The Innova dancers kicking off big style the North West 200, 2015. | 0:26:56 | 0:27:02 | |
There is always something very special about | 0:27:02 | 0:27:04 | |
doing something that's local, | 0:27:04 | 0:27:06 | |
to get together with the town, and be part of that | 0:27:06 | 0:27:09 | |
and showcase another bit of Portstewart, | 0:27:09 | 0:27:12 | |
because that's essentially I suppose what we are. | 0:27:12 | 0:27:14 | |
You're going to something like the North West, | 0:27:14 | 0:27:16 | |
where bikers are at it, so you want to deliver something | 0:27:16 | 0:27:19 | |
they're going to be able to relate to, | 0:27:19 | 0:27:21 | |
so whether that's putting in biker music or, you know, | 0:27:21 | 0:27:24 | |
a few different moves. | 0:27:24 | 0:27:25 | |
We are pushing to achieve the best we possibly can. | 0:27:26 | 0:27:30 | |
We're never going to be just happy with what we're doing. | 0:27:30 | 0:27:34 | |
That's been our dream from the start, so, you know, | 0:27:34 | 0:27:37 | |
we'll absolutely just keep on going, | 0:27:37 | 0:27:39 | |
doing the best that we can for us | 0:27:39 | 0:27:41 | |
and for festival dancing and Irish dancing in general. | 0:27:41 | 0:27:44 | |
If Innova can keep on going the way that it has for the past year, | 0:27:47 | 0:27:50 | |
that would be the absolute dream. | 0:27:50 | 0:27:52 | |
For us to still be this busy next year, in five years' time, | 0:27:52 | 0:27:55 | |
in ten years' time, fantastic. | 0:27:55 | 0:27:58 | |
If we can build on top of that, you know, | 0:27:58 | 0:28:00 | |
particularly in terms of maybe more international gigs - | 0:28:00 | 0:28:04 | |
tradition with a twist, international. | 0:28:04 | 0:28:06 |