12/02/2012 The British Academy Film Awards


12/02/2012

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This programme contains some strong language and scenes of repetitive

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Good evening and welcome to the most prestigious event in British

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cinema. The Orange British Academy Film Awards.

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Welcome to the BAFTAS. This is the most important date in British film

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calendar. There is lots of very exciting people here tonight.

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Stkpwh for one night only, London's historic Royal Opera House plays

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host to some of the biggest names in cinema.

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I feel like a million dollars. crowds this evening, as always in

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London, absolutely fantastic. crowds tonight are terrifying.

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Listen. I think that says it all! The stars have dressed in suitable

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finery for the occasion. Feel suited and booted. I am wearing

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Givency. My Valentino dress. air is thick with anticipation as

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we prepare to find out who'll be taking home the much coveted BAFTAS.

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Oh, man so many good films, I wouldn't know where to begin.

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Artist will do well, I hope Gary wins for Tinker, Tailor, Soldier,

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Spy. 11 nominations. Michael Fassbender, Shame was an

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extraordinary film. You never know. Tinker, Tailor, Soldier, Spy.

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have to say Drive because I'm in it, film of the year for sure.

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excited to be in the building. love The Artist. Ladies and

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gentlemen, please take your seats for the 2012 British Academy Film

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Ladies and gentlemen, paying homage to 50 years of James Bond, please

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Apology for the loss of subtitles for 170 seconds

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CHEERING AND APPLAUSE Thank you. Thank you very much.

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Thank you. Ladies and gentlemen, your host for this evening, Mr

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Hello. Thank you. Thank you. Thank you so much. Thank you. Please,

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please stop. Oh, you have. Ladies and gentlemen, please

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redirect your thunderous applause to Thunderball, as performed by the

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red hot smoking Welsh dragon that is Sir Tom Jones!

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You know, as a rule, we don't do musical song and dance numbers here

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at BAFTA because, well let's be honest, song and dance numbers at

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awards shows are usually a toe- curling, ear-wiggling eye-watering

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embarrassment that make you want to chew your own legs off. But when it

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comes to a talent like Sir Tom and a celebration of 50 years of James

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Bond in cinema, well, we have an exception that shaters the rule.

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But I'm forgetting my manners. My Lords, Iron Ladys, gentlemen,

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filmmakers, high powered magnets, stars, starlets, starlings and

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assorted media scum, welcome to the Orange British Academy Film Awards,

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surely THE most eagerly anticipated event in Britain and indeed London

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that could ever be hosted in 2012. I can think of no other event that

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would come close. So half a century of James Bond, we are so proud of

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it. An enduring collaboration of dashing British style and

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eccentricity and that very special American quality of oh, what's the

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word... Money. And whilst banging the British drum,

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let's bang it a little louder by telling you that last year was a

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record-breaking one at the UK box office when takings passed �1

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billion for the first time ever. What's more, eight of the top 20

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grossing fim films of the year were made here in this country,

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including the highest grossing of them all, Harry Potter And The

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And that film of course brought to an end a simply staggering era

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which has, amongst other things, launched the careers of three young

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brilliant sexy British actors, something for which I'm sure

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Michael Gambon Maggie Smith and John Hurt will be eternally

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grateful for, but we couldn't possibly move on without mentioning

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the great British icon in our midst, the Right Honourable Baroness Meryl

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Thatcher. I'm guessing this could be the first time in recorded

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history that we hear the words, Maggie, Maggie, Maggie, win, win,

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win, or possibly Meryl Thatcher, trophy snatcher! Who knows, the

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secrets are locked up in envelopes yet to be slit open by our panoply

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of distinguished presenters who'll be handing out the coveted BAFTA

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masks for the likes of actor, actress, director, film and of

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course the academy's highest honour, the foal lowship. This grand Royal

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Opera House on whose stage Nijinski sang and Carruso danced has

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probably never been filmed with so many distinguished people in one

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single night. If I shade my eyes to look across the footlights, there

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is no face that I don't recognise and which doesn't fill me with oh,

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wow, Gary old man, I mean Gary Oldman!

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Unfortunately, some people couldn't be here in person tonight, namely

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the television audience, we simply didn't have room to fit you all in

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here anyway and if we did, who'd be watching. To all of you with your

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eyes and ears and with some cases lips on the screen, welcome along,

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in fact to make you feel especially welcome, I wonder, Brad, if you

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would be a lovely darling and just blow a kiss into the camera for or

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TV audience. Can you do that? CHEERING AND APPLAUSE

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Go on. There we are. Thank you very A nation's heart flutters, or is it

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just mine?! Now now with tongues, no, worth a

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try anyway! Many, many wonderful films and

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performances will be honoured here tonight that my nude scene in

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Sherlock Holmes was overlooked by BAFTA doesn't make me bitter or

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upset, only really rather grateful that Guy Ritchie decided against

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making the film in 3D. What a package... Sorry, what a package we

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have now to show you, as we present a review of 2011 in film, as they

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used to say in the days of tape and tubes, roll VT. I address you all

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tonight as you truly are wizards, How's that for a magic trick?

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I've ever seen. Ready to party! Well, there is discourt, may we

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bring harmony, where there is error, may we bring truth, where there is

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doubt, may we bring faith and where Happy endings only happen in the

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movies. The story's not over yet. You want me to speak? When I point

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Seriously, it's like your photo Simon, we need to talk. Oh, not

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APPLAUSE What are we clapping for? For you...

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APPLAUSE What a year!

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Now, a final word before we get stuck into it. Let's talk about

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that dread bitch whore time, as we all know, it's not the winning,

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it's the taking part... And winning. So if you happen to be one of the

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lucky ones, don't hang around, rush to the stage, run, run like Usain

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Bolt and locked manage to keep your afusions of gratituded to a minimum,

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140 characters usually suffices for me, that would be grand. As I've

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observed before, no-one in the history of award ceremonies has

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ever left one saying, it was good, but I thought it was a bit too

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short. So, bearing that in mind, we must get down to business and when

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I say we, I mean of course we. Your job is simply to look there and

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look sumptuous which you are doing very well indeed at the moment. The

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first award this evening is for Special Visual Effects and to

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present it, a much-loved Oscar- winning actor so great they named a

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country, a cigar and a missile crisis after him. Please welcome,

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Good evening, ladies and gentlemen. Whitney, I will always love you.

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APPLAUSE Mr Fry... Mr Fry, your introduction was almost correct,

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but as you can see, I'm the kind of guy who likes to make a special

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visual effect. It's unbelievable isn't it? In reality I'm George

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Clooney, yes, but where Michael Fassbender's manliness. So, I have

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the utmost respect for the people who make it all happen on screen.

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Apology for the loss of subtitles for 170 seconds

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Extraordinary achievement in cinema. The BAFTA goes to... Harry Potter

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And The Deathly Hallows - Part 2. Wow! It's a bit scary being first

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up. I think we are all just really, really choughed that we've finally

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won this. We've been trying for a long, long time, so... APPLAUSE

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I would like to say thank you to Warner Brothers, the three Ds, they

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know who they are. And everybody who has worked on all of the films.

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There's so many great films that we've all contributed to. All The

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Artists, everyone, all the work they've given us. Congratulations.

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We now leap as lithely as a lightly-luebed leopard to the next

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award. Outstanding Debut by a British Writer, Director or

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Producer. To present it two glorious Bridesmaids, whose careers

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are on such an upwards trajectory they would leave the atmosphere and

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reach outer space. Please welcome Chris O'Dowd and Kristen Wiig!

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Hi, thank you. It's an honour to be here. I have to admit I get a

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little nervous sometimes with presenting with all the awkward you

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know. Yes, it is all a bit fake. Between two people. But not now.

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it's natural. I was worried, so I wrote a little scene. OK. It is not

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a scene. It is just a, I don't wanna... It's on a napkin?

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could improvise, but I wouldn't. It's pretty good. OK. Man. So far

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that's good. Yep. Man, you are looking so great tonight they

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should call you Chris O'Wow! LAUGHTER Good one, Kirsten. They

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call you Kristen Wiig because your hair is so pretty. LAUGHTER I just

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want to show you that. I went to the trouble. Let's look at the

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nominees. For Outstanding Debut by a British

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Lovely fireworks. Comedian and broader Joe was

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inspired by his love of '80s fantasy film to make this story of

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inner city kids versus extraterrestial monsters.

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I'm quite sweet really aren't I? Paddy Considine, Diarmid Scrimshaw

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for Tyrannosaur. Building on their BAFTA-winning Short Film Dog

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Altogether, he befriends a troubled widower played by Peter Mullin.

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What's your name? De Niro snir. Ralph Fiennes, Coriolanus. He shot

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his directorial debut in Belgrade. A visceral interpretation of

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Shakespeare's tragedy about a Will Sharpe, Tom Kingsley and Sarah

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Brocklehurst. Black Pond. Directors Will and Tom made this a real

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comedy on a budget of just �25,000,000. The boys also did

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their own post production and visual effects. It is sheer lunacy

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to have a banana at this hour. us, and a wonderful evening of

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love-making. Richard Ayoade. Submarine. As well as starring in

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the Channel 4 comedy The IT Crowd Richard has directed videos for the

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Arctic Monkeys and Vampire Weekend. Set in Wales Submarine is a stylish

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APPLAUSE No bias at all. OK. And the BAFTA

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goes to... Paddy Considine and Diarmid Scrimshaw for Tyrannosaur!

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I love yous too. I'm Rocky Balbao. That was quite a good impression. I

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surprised myself then! Thank you very much to Eric Wilton, the

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editor of the film, Nadia Stacey, Danny Gulliver, Dan Winch,

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everybody who worked on the crew. Samuel Bottomley, Sian break kin,

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Shali Carmen and the principal cast, Eddie Marzan, my hero party Mullin.

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Gary Oldman was there at the beginning of this journey, and the

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irrepressible and brilliant Olivia Colman. Thank you. APPLAUSE This is

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great. I don't feel this BAFTA belongs to me. I feel like it

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belongs to everybody who helped make Tyrannosaur. I probably will

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keep it, but I would like to thank Paddy for being an amazing writer

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and director to work with and I'm proud to count him as a friend.

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Thank you very much. APPLAUSE

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What an amazing film, Tyrannosaur. If you haven't seen it I do urge

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you to. Still to come, the awards for film, actor, actress and the

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Fellowship. Of course, this evening is one of celebration. As well as

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lauding the nominated films it is my great pleasure to congratulate

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BAFTA in Los Angeles on reaching the ripe old age of 256789 I'm sure

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they'll be partying wildly with macrobiotic brown rice and lashings

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of green team. We spend fraternal greetings. Here in the UK we are

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not light on celebrations ourselves. It is going to be a great year for

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Great Britain. Later on we shall be street partying like there's no

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tomorrow for the Queen's Diamond Jubilee, and running, hurdling and

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vaulting on to the sofa to watch the summer Olympics held here in

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the metropolis. It is with those great Games in mind that I embarked

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on a film pentathlon or film Athlon if you will, and took a closer look,

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in no special order, at the five great works nominated this year for

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Best Film. My first treat was the quite brilliant and much talked

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about tur deforce which has ravaged everyone who has seen it. Caps

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speaks in French I WEPT TO SEE NIT MY LOCAL CINEMA.

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UNFORTUNATELY THE NIGHT I WENT THE it's the story of a silent movie

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actor and he is a huge star. He meets a young lady. He is going to

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fall and she will become a huge star of the talkies.

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He is a joker, naive, a seducer. Sometimes arrogant. A nice guy. No

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instinct for the future. George Valentine cannot make the

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adaptation into talkies and resists. And he hits bottom. Parallel is the

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rise of a young actress who is going to become very famous. This

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girl Pepe Miller has got what was known as "it". She's definitely got

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star quality, which you nights her and George. It's a love story not

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only for a man and a woman. It is a APPLAUSE

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If the great Louis Prima hadn't written Sing, Sing, Sing the story

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would have been poorer. It proved that silence is indeed golden? We

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shall see. Spank me twice, ladies and gentlemen. If we haven't

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already chanced upon the award for Production Design. Making the

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presentation the quite brilliant actress who has made the transition

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from stage acting to screen acting almost as the they were more or

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less in some way related. Her most recent performance as able even --

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Abaileen forced them to recalibrate the critical claim innator. Ladies

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and gentlemen, the astonishing Creating the overall look of a film

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is a huge responsibility and something that requires the utmost

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dedication, creativity and vision. The Production Design teams working

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on the nominated films have all shown that those are qualities they

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possess in abundance. Let's take a look at their amazing

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Apology for the loss of subtitles for 170 seconds

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work. Harry Potter And The Deathly

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Apology for the loss of subtitles for 170 seconds

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APPLAUSE On behalf of Dante Ferreti,

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unfortunately he couldn't be here tonight, I would like to thank all

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of you for this amazing award and with all my heart, with all my

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heart, I like to thank Martin Scorsese because it's a huge honour

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to have been working with him. Congratulations.

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Well, we now come to the award for supporting actor and to present it,

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last year's winner of supporting actress, a pulsating and breath-

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taking British star, who is acting Royalty, in a lot of her films she

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acts Royalty, Alice, Queen Elizabeth, King's Speech or the

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Queen of the Death Eaters. She infuses every role with her unique

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energy, passion, passionate energy and energetic passion. Ladies and

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gentlemen, some people think that the world is going to Helena

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Hancarte, I would say it's going to APPLAUSE.

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Thank you. I think you are doing very well too and I also want to

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thank the Queen. OK, so the bigger the pot, the easier it is to act

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well because you can have some bad days and you can kind of get away

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with it -- the bigger the part. It won't make that much of a

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difference but when the part is smaller, you have to come in and

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nail it and pray you are not cut too much. So, the five actors who

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really nailed it this year in best Wonderfully loud music. Boom, boom,

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boom, boom... What kind of music's that? Probably house music.

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Who do you want? You, me and the governor, that's it. He's a fund-

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raiser. Won't be late. Tell him if he doesn't offer Thompson the

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Cabinet position, he's not going to Don't call it my duty. It's my

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duty... Ambition. The rest of us, me, the children, we can all go to

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hell. Don't worry about me. Where OK, thank you very much, we'll call

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you back. Thank you. Come on! Come They wouldn't stand for this

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nonsense at the Hippodrome in Eastbourne. You have to be patient

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with Marilyn. Trying to teach her to act is like trying to teach Urdu

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to a badger! APPLAUSE

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And the BAFTA goes to Christopher Plummer for Beginners. APPLAUSE OK,

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he's not here, I'll give it to him, but he's got this little message

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thank God, it says that BAFTA's spoken now and I feel more at home

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here than ever. My deepest thanks for your generosity, faith and

:36:35.:36:45.
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wisdom. I'll get it to him. Thank Up ahead, the awards for actor,

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actress and director and we'll present the academy's greatest

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honour, the Fellowship. Now time for the second event in my film

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pentathlon, the superb emotional challenging journey set in Hawaii

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which is The Descendents, as I prefer to call it, my American

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cousins. My Twitter feed went ballistic for this film. I kept one

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which said "who in reality gets to live on a tropical island while

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plotting their next multibillion dollar deal?" from an at Richard

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Branson. Ladies and gentlemen, The Descendents. I'm ready to talk,

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ready to change. I'm ready to be a real husband and a real father.

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Just wake up. Please, Liz, just wake up. What you been going

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through, that's a tough deal. Trying to keep my head above water.

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A story about mat King, a father and a husband, who's not really

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great at either one of those things. I don't know what to do with her.

:37:58.:38:05.

Maybe if you spent more time with her, she wouldn't act like such a

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complete jazz. He is now forced to be in charge of these two girls who

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he doesn't know very well. Shut up, you motherless whore. Easy, half-

:38:14.:38:19.

pipe. Where'd you learn to talk like that?! It's kind of like a lot

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of teenagers' relationships with their fathers. I'll be more civil

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with him around. Don't ever do that to me again. She loves him and

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knows he has a lot to offer but she looks at him as kind of the child

:38:32.:38:38.

and she kind of takes on the parenting role and has her whole

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entire life. You really don't have a clue do you.

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Dad, mom was cheating on you. would like to know who the guy was

:38:52.:38:58.

that my wife was seeing. He's still in his own minutiae and Brian's

:38:58.:39:03.

able to pay attention to her. might not be able to hear this

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right now, but she was lonely. are you? This is a story of his

:39:14.:39:24.
:39:24.:39:40.

A marvellous film, will The Descendents of The Descendents

:39:40.:39:44.

December have a BAFTA mask to take each other to court over? Only the

:39:44.:39:50.

presenter who opens the envelope will be automobile to tell. The

:39:50.:39:56.

legendary producer, Alexander Corder. Two exceptional actresses

:39:56.:40:03.

soon to be seen together playing bond girls in the new Bond film

:40:03.:40:08.

Skyfall, but even sooner that that, they'll be seen here. Please

:40:08.:40:18.
:40:18.:40:24.

Good evening. As Bond women, we are here to celebrate British film.

:40:24.:40:29.

it's a huge honour to present this award for the Outstanding British

:40:29.:40:39.
:40:39.:40:50.

Could be the real thing. If it's genuine, it's gold dust. Its topic

:40:50.:40:58.

ality makes it suspect. Smiley and suspicious, Percy. The circuit for

:40:58.:41:08.

me was a turnoff. I realised I was going, going, going, and I was way

:41:08.:41:18.
:41:18.:41:42.

Listen, buddy, it's easy to misunderstand something when you

:41:42.:41:52.
:41:52.:41:53.

hear it out of context. I didn't not know the context. I am the

:41:53.:42:03.
:42:03.:42:19.

context. Shall I be her? Are you APPLAUSE

:42:19.:42:29.
:42:29.:42:29.

Apology for the loss of subtitles for 170 seconds

:42:29.:43:10.

And the BAFTA is awarded to Tinker, Thank you. It's easy to be talented

:43:10.:43:16.

when you're surrounded by talented people and thank you so much for

:43:16.:43:21.

letting me do this. Tim. You are very welcome. First big thanks has

:43:21.:43:26.

to go to John Le Carre for a magnificent novel, then entrusting

:43:26.:43:32.

us with it to turn it into movie 30 years later. Thank you to Peter and

:43:32.:43:38.

Bridget for a beautiful screen play, a fantastic crew put together by

:43:38.:43:44.

Robin, fantastic cast led by the beautiful Gary Oldman. And thank

:43:44.:43:48.

you to Studio Canal for backing this picture, you came in and were

:43:48.:43:51.

there all the way, thank you to Olivier and Ron and all the others

:43:51.:43:56.

who work there. It wouldn't have been possible without brilliant

:43:56.:44:00.

direction and we are very fortunate to have a man who's forensic in

:44:00.:44:05.

detail and totally inspiring as a director. This award really belongs

:44:05.:44:15.
:44:15.:44:22.

to him. Thank you so much. APPLAUSE Well, as we presented the award for

:44:22.:44:28.

supporting actor a short while ago, we must now maintain the

:44:28.:44:31.

equilibrium and present the supporting actress award. To

:44:31.:44:36.

perform the duties required of a presenter, we've got ourselves a

:44:36.:44:41.

bona fide global phenomenon. We've watched him grow from a boy into a

:44:41.:44:46.

man. He's bucked the child star trend and somehow avoided

:44:46.:44:50.

brattishness, eating disorders, addiction, bankruptcy and long-term

:44:50.:44:55.

incarceration to become a hugely successful and talented adult, a

:44:55.:45:02.

first in cinema history. Now starring in the chilling Woman

:45:02.:45:12.
:45:12.:45:14.

APPLAUSE Thank you very much. I'm delighted

:45:14.:45:18.

to be here tonight to announce the winner of this award. I've had the

:45:18.:45:21.

pleasure of working with one of these actresses but I'm glad I

:45:21.:45:26.

don't have to choose the winner out of such anout standingly talented

:45:26.:45:36.
:45:36.:46:01.

No hugging. I'm sorry. It's the A great actress like you has many

:46:01.:46:07.

other things on her mind. You think I'm a great actress? None of the

:46:07.:46:11.

rest of us know how to act for the camera. But you do. It's a rare

:46:11.:46:21.
:46:21.:46:37.

That's his father? Where is he? I need to see you square on at all

:46:37.:46:47.
:46:47.:46:57.

times. I get to come up with the I need the toilet. I need the

:46:57.:47:07.
:47:07.:47:24.

APPLAUSE And the BAFTA is awarded to Octavia

:47:24.:47:34.
:47:34.:47:55.

CHEERING Well, this is a surprise. Thank you

:47:55.:48:05.
:48:05.:48:06.

to the BAFTAs. This is a dream and I have to say, Taylor and Branson

:48:06.:48:12.

Green, Michael and everybody at Disney, everybody at DreamWorks, my

:48:12.:48:21.

co-stars, I share this with Jessica Chastain, Viola, all of my scene

:48:21.:48:28.

partners. Wow! It's been said that The Help is an American movie about

:48:28.:48:33.

American problems and American history. I am so grateful so you

:48:33.:48:40.

for seeing past that, because surely oppression and strife knows

:48:40.:48:45.

no gender, no age, no sexual orientation, and in our case

:48:45.:48:49.

country, so I appreciate this. So much.

:48:50.:48:59.
:49:00.:49:12.

Well, now, round three of my film Athlon saw me skipping along to see

:49:12.:49:15.

the chillingly subline Tinker Tailor Soldier Spy, which has

:49:15.:49:20.

already won an award for best British film. The twists and turns

:49:21.:49:24.

of this narrative roller coaster kept me on the edge of my seat,

:49:24.:49:29.

though others did find the plot hard to follow. Again I received a

:49:29.:49:35.

tweet. Please explain what it is all I'm about that, was from Gary

:49:35.:49:43.

Oldman. Ladies and gentlemen, Tinker Tailor Soldier Spy.

:49:43.:49:49.

There's a mole right at the top of the circus. He's been there for

:49:49.:49:57.

years. You are not talking about this kind of fantasy spies or Bond.

:49:57.:50:03.

It's a completely different thing, a different genre altogether.

:50:03.:50:09.

are no gadgets, no gizmos or Aston Martins. Have you got clearance for

:50:09.:50:14.

that? I'm not bloody chaining it up outside. I know it is one of five

:50:14.:50:19.

men. All I want from you is one code name. Smiley has to figure out

:50:19.:50:23.

these people based on how he understands them. It brings out the

:50:23.:50:31.

human element in all of this. did you make of it, Jim? The theory.

:50:31.:50:36.

He's a fascinating character because of his discretion, sobriety,

:50:36.:50:46.
:50:46.:50:47.

self control. You don't see celebrated in other action spies.

:50:47.:50:53.

He lets everything come to him. The room temperature changes to him. He

:50:53.:50:58.

completely and utterly beGiles people into thinking he is harmless.

:50:58.:51:06.

I will do my utmost. In life you wouldn't notice him but under the

:51:06.:51:10.

microscope of the drama you scrutinise him and find that this

:51:10.:51:19.

man is seriously intelligent, wise and cool. I know who he is.

:51:19.:51:29.
:51:29.:51:30.

APPLAUSE Tinker Tailor Soldier Spy, ladies

:51:30.:51:35.

and gentlemen, making a mountain of a film out of a mole. Hopeful of

:51:35.:51:38.

smiley faces all round come the end of the night, but there is no way

:51:38.:51:43.

of telling, unlike the British Secret Service security at BAFTA is

:51:43.:51:47.

unbreechable. We now stand at the brink of the award for Original

:51:47.:51:51.

Screenplay. To present it, two dynamite actors who would you

:51:51.:51:55.

believe are polar opposites when it comes to gender. He has galloped

:51:55.:52:00.

into the limelight with a sublime leading role in War Horse. While

:52:00.:52:05.

aged 11 she dived into it at Merhaids and has remained at the

:52:05.:52:10.

front of the pack ever since. Jeremy Irvine and Christina Ricci!

:52:10.:52:20.
:52:20.:52:23.

APPLAUSE It begins with a blank page. In

:52:23.:52:27.

time those words become the dialogue you hear, the settings you

:52:27.:52:32.

see and the emotions you feel when they are brought to life on screen.

:52:32.:52:36.

Hundreds of drafts and years of rewrites can go into perfecting

:52:36.:52:40.

every line and stage direction that we as actors can destroy in a

:52:40.:52:44.

moment just by thinking that we know best. Here are the nominees

:52:44.:52:54.
:52:54.:53:08.

Watch out. She's on the prowl. Eat your egg.

:53:08.:53:18.
:53:18.:53:19.

Goodness. There you are. It's fine for your father and I to

:53:19.:53:23.

disagreement that's what a democracy is. He defends the right-

:53:23.:53:27.

wing of the party and I think you have to be like a demeanted lunatic,

:53:28.:53:31.

but it doesn't mean we don't respect each other's views, am I

:53:31.:53:41.
:53:41.:53:44.

Excuse me. Street fighting. Your lads are seizing drugs with a

:53:44.:53:49.

street value of $10 million. I wonder what street it is you are

:53:50.:53:59.
:54:00.:54:26.

buying your cocaine on as it is not This is your husband? No. No. I

:54:26.:54:32.

don't know him, I'm sorry. Do you want to go for a walk later?

:54:32.:54:39.

can't. I can't, I'm sorry. APPLAUSE

:54:39.:54:49.
:54:49.:54:49.

And the BAFTA goes to... Michel Hazanavicius.

:54:49.:54:59.
:54:59.:55:12.

Thank you. Thank you for the BAFTA. I'm very surprised, because so many

:55:12.:55:18.

people thought there was no script, because there was no dialogue.

:55:18.:55:24.

English people are very clever. LAUGHTER Congratulations to you.

:55:24.:55:29.

And I want to thank all the people who worked on that movie, all the

:55:29.:55:33.

cast, the crew, the producer, everyone. Everybody made that movie

:55:33.:55:35.

for a good reason. Thank you very much.

:55:35.:55:45.
:55:45.:55:49.

APPLAUSE Well, we come now to the

:55:49.:55:53.

Outstanding British Contribution to Cinema award, which is named in

:55:53.:56:01.

honour of Sir Michael Walcombe. To make the presentation an Oscar-

:56:01.:56:07.

winning writer, director, who attacks everything he does with

:56:07.:56:14.

unstoppable drive and unquenchable enthusiasm. I'm delighted to

:56:14.:56:24.
:56:24.:56:24.

welcome the almost mythical Billy Bob Thornton. APPLAUSE

:56:24.:56:30.

OK, the moment you've all been waiting for. An inarticulate guy

:56:30.:56:34.

who can see about four feet in front of him, with an IQ of just

:56:34.:56:44.

under 50 to present an award. LAUGHTER And here we go. The re

:56:44.:56:48.

sipper... I told you. For Outstanding British Contribution to

:56:48.:56:53.

Cinema is a supremely talented man who is very much an actor's actor,

:56:53.:56:58.

someone who clearly loves what he does and would be just as happy

:56:58.:57:05.

performing in a room above a pub than performing in the biggest

:57:05.:57:11.

films. A Man For All Seasons, Midnight Express, Alien, the

:57:11.:57:15.

Elephant Man, Nineteen Eighty-Four, the Harry Potter films and Tinker

:57:15.:57:21.

Tailor Soldier Spy. Those roles alone can give you an indication of

:57:21.:57:25.

his incredible versatility. He brings a distinction and quality

:57:25.:57:29.

that takes him out of the ordinary and into the extraordinary. I've

:57:29.:57:33.

known this guy for 20-odd years and recently had the pleasure and

:57:33.:57:37.

honour of directing him. Here is how you do it. You do a couple of

:57:37.:57:43.

takes and you say, "John, are you OK?" He says, "Are you happy?" And

:57:43.:57:48.

I say, "I'm astounded." That's the way you direct him. Let's watch the

:57:48.:57:58.
:57:58.:58:04.

work of a guy who is ridiculously I think it is clear that we can

:58:05.:58:14.
:58:15.:58:17.

I want this country to realise that we stand on the edge of oblivion. I

:58:17.:58:21.

want every man woman and child to understand how close we are to

:58:21.:58:31.
:58:31.:58:39.

chaos. I want everyone to remember Is this how we fail? Something will

:58:39.:58:46.

defeat you. The best thing to do is get your ass out of here. Yeah, but

:58:46.:58:53.

how. Catch the Midnight Express. am not an animal.

:58:53.:59:03.
:59:03.:59:04.

I am a human being. I think it's a bleeding miracle

:59:04.:59:08.

that man should have planted love into every man and every woman,

:59:08.:59:18.
:59:18.:59:21.

even though in some of us it's as Look. I cut that with a rusty blade

:59:21.:59:29.

before I became an informer. A film can change the way people think.

:59:29.:59:39.
:59:39.:59:46.

If you must know, how completely, Look inwarned ask yourself not if

:59:47.:59:50.

there's anything inside that you want, but whether there's anything

:59:50.:00:00.
:00:00.:00:16.

inside that you have not yet APPLAUSE

:00:16.:00:20.

So, ladies and gentlemen, the BAFTA Award for outstanding British

:00:20.:00:30.
:00:30.:01:05.

contribution for cinema goes to, CONTINUING APPLAUSE

:01:05.:01:15.
:01:15.:01:45.

What am I to do? I speak? I speak, yes! Thank you.

:01:45.:01:53.

Heaven alone, sit down. Who would have thought all those years ago

:01:53.:02:02.

that I would be sharing the stage of the Royal Opera House Covent

:02:02.:02:12.

Garden with Billy Bob Thornton?! How fabulous. Anyway, one of the

:02:12.:02:16.

difficult things, of course, is my being given an award that you know

:02:16.:02:22.

you are going to get and not having to wait for the envelope to be

:02:22.:02:31.

opened is that you are supposed to have had the time to write a speech.

:02:31.:02:38.

Well, I did but, without giving away too much information, I was

:02:38.:02:44.

getting up one morning last week and, on my way to the bathroom, and

:02:44.:02:52.

passing the end of the bed and my wife said to me, can I say

:02:52.:02:55.

something to you, you remember the other day you read out that speech

:02:55.:03:02.

that you are going to give on Sunday, and I said yes, yes, are

:03:02.:03:05.

you sure you are not going to be cross, she said. I said no, I'm not

:03:05.:03:15.
:03:15.:03:19.

going to be cross, what about it and she said well, don't. So I

:03:19.:03:26.

thought well, that's all right, clearly you didn't like it but what

:03:26.:03:30.

am I going to do, I've got to say something. She said, what I would

:03:30.:03:37.

like to see you do is stand just as you are standing now in front of

:03:37.:03:42.

all those peers and have been directly or indirectly responsible

:03:42.:03:50.

for giving you this honour and simply say "thank you". I have

:03:50.:03:57.

taken her advice. And I am saying to all of you indirectly and

:03:57.:04:03.

directly, thank you, particularly, however, to all those directors

:04:03.:04:07.

that have given me the opportunity to play some of the most wonderful

:04:07.:04:17.
:04:17.:04:20.

parts that I would never in a million years have thought of for

:04:20.:04:28.

myself. It is the reason that I'm standing here is because I am the

:04:28.:04:31.

addition basically of their imaginations. So I thank them all

:04:31.:04:41.
:04:41.:04:59.

from the bottom of my heart and the We come now to the fourth of the

:04:59.:05:05.

five films of my film athlon, the triumph over adversity is is The

:05:05.:05:11.

Help. This tackles the delicate area of racial equality with

:05:11.:05:14.

courage and emotional depth, at least according to my maid whom I

:05:14.:05:22.

sent to see it for me - no, don't be silly, this is - so sorry, this

:05:22.:05:27.

is another work that really does restore one's faith in the future

:05:27.:05:31.

of filmmaking, it's quite something. Ladies and gentlemen, watch this,

:05:31.:05:39.

The Help. The Help is about unlikely women all coming together

:05:39.:05:45.

to create change. The Help was the chance for me to be in a movie that

:05:45.:05:50.

imluem naiting a part of our history that we have a tendency to

:05:50.:05:58.

be silent about -- illuminating. focuses around certain characters.

:05:58.:06:03.

It's very hard for Abileen to tell her story because she's been told

:06:03.:06:08.

she's invisible. All of a sudden someone says, who are you. I want

:06:08.:06:14.

to interview you. Just graduated with a degree in journalism.

:06:14.:06:18.

people from very different worlds and in dangerous circumstances come

:06:18.:06:23.

together and enter each other's lives. I thought I might write my

:06:23.:06:30.

stories down and read them to you. You said you where about what

:06:30.:06:33.

disturbs me. I thought you would write something from the point of

:06:34.:06:40.

view of The Help. I was raised by a coloured woman. We love her and she

:06:40.:06:44.

loves us, but they can't even use the toilets in our houses. Are you

:06:45.:06:50.

in there? You are fired! She's vocal because she refuses to be

:06:50.:06:54.

invisible. It's an interesting dynamic. They start an expose of

:06:54.:06:59.

sorts with all the maids in Jackson, Mississippi. All right, I'm gonna

:06:59.:07:05.

do it. We all are. I got to come up with the questions too? Oh.

:07:05.:07:09.

takes both of the races to work together to get that story out

:07:09.:07:19.
:07:19.:07:27.

APPLAUSE Magnificent piece of work. Will the

:07:27.:07:33.

Help clean Uptonite and do the dishes, bake the cakes, change the

:07:33.:07:37.

nappies? Anticipation is mounting and all will be revealed soon. Now,

:07:37.:07:44.

we help ourselfs to our next category which is the Orange

:07:44.:07:47.

Wednesday's Rising Star Award created in honour of the legendary

:07:47.:07:52.

casting director Mary Sellway, by far the most prestigious mid-week

:07:52.:07:55.

based accolade you can receive. This award is particularly special

:07:55.:07:59.

because it's the only one in which the great British public are

:08:00.:08:03.

allowed to phone in and vote for the winner. Suffice to say, there

:08:03.:08:07.

are five young actors in this hall whose mothers have very large phone

:08:07.:08:12.

bills. To present the award, we have a star already risen, fresh

:08:12.:08:18.

from her explosive performance in Drive, the very lovely and talented

:08:19.:08:28.
:08:29.:08:37.

APPLAUSE To be recognised by the industry is amazing but without the

:08:37.:08:42.

cinema-goers, none of us would have a job, so this next award is

:08:42.:08:46.

particularly special because it is the cinema-goers who chose the

:08:46.:08:56.
:08:56.:08:59.

winner. Let's see who they've been He has great sensitivity and

:09:00.:09:05.

passion. Tenderness. I would do anything to be in a film.

:09:05.:09:10.

talent is so overwhelming. Couldn't imagine anybody better. You can go

:09:10.:09:20.
:09:20.:09:26.

now, Carl. Oi,... Adam's grown up in areas much like I've grown up in

:09:26.:09:31.

and you have the ability to become what people see as quite vicious or

:09:31.:09:37.

people see as a monster, doesn't mean that's the way you are.

:09:37.:09:43.

mumsy You are an idiot, Kenneth. Don't talk to me like that, man.

:09:44.:09:48.

He's extremely handsome, he looks very, very period. Scott

:09:49.:09:53.

Fitzgerald... Probably tired of people saying that he looked

:09:53.:09:57.

contemporary. I'm no more than an honest stolen relic locked up here

:09:57.:10:03.

until you might have use for me. Can we not discuss my public life

:10:03.:10:13.
:10:13.:10:14.

in private... I just found the sexy guy with a twinkle in his eye.

:10:14.:10:24.
:10:24.:10:31.

fun to watch him work. You're big. Hey, guys. He has the ability to do

:10:31.:10:36.

something most of us can't do, which is to be funny and a little

:10:36.:10:43.

sexy. Come on. So charming, nice and funny and a great improviser.

:10:43.:10:49.

In a world of complete darkness, the sight of the Bank of England,

:10:49.:10:59.
:10:59.:11:02.

The sight of the blind but the blind can see.

:11:03.:11:12.
:11:13.:11:35.

APPLAUSE Wow. This is mad, this is crazy, I

:11:35.:11:40.

can't believe I'm in the same place as people like Brad Pitt. This is

:11:40.:11:47.

so surreal. Thank you, thank you to everyone out there, you know. My

:11:47.:11:53.

agent, everyone at the management, Danny and Billy, my co-writer, he's

:11:53.:11:59.

in the audience, all the cast and crew. Thank you to BAFTA for this

:11:59.:12:04.

because for me it means acceptance and it's not just a win for me,

:12:04.:12:09.

it's a win for the underdog and it's a win for any young person out

:12:09.:12:12.

there that's trying to better themselves and that has a dream.

:12:12.:12:17.

This means a lot. Thank you so much. And thank you to the general public.

:12:17.:12:27.
:12:27.:12:36.

APPLAUSE Poor innocent child has yet to

:12:36.:12:41.

learn the price that's paid for his hours in front of the press.

:12:41.:12:46.

Still, we come now face-to-face with our next category, documentary,

:12:46.:12:50.

the genre that each year grows in popularity, status and interest. To

:12:50.:12:55.

present the award, a supremely gifted actor, baker and unit

:12:55.:13:01.

cyclist, starred in a ga still-on and three movies with unforgettable

:13:01.:13:06.

performances in gangster one, A Beautiful Mind, that the Da Vinci

:13:06.:13:11.

Code and he played the voice of Jarvis in the Iron Man, but he's so

:13:11.:13:16.

much more than a voice, he has arms, legs, nipples and ears which give

:13:16.:13:26.
:13:26.:13:32.

you the perfectly formed Paul APPLAUSE

:13:32.:13:37.

Good evening. I'm honoured to be making the presentation for this

:13:37.:13:41.

year's best documentary in what has been an exemplary year for the

:13:41.:13:51.
:13:51.:13:54.

genre. That's take a look at the remarkable nominations. George got

:13:54.:14:04.
:14:04.:14:12.

his guitar out and played this It just happened. There was no

:14:12.:14:15.

family discussion about should we, shouldn't we, you know, it was just,

:14:15.:14:25.
:14:25.:14:26.

oh, we're having a chimp, we are going to teach it sign language.

:14:26.:14:31.

Ranked among the all-time greats. How do you feel about being world

:14:31.:14:41.
:14:41.:14:51.

champion? It's not a bad feeling at And the BAFTA goes to and I'm

:14:51.:15:01.
:15:01.:15:35.

really pleased about this, Asif Frustratingly I just used up my

:15:35.:15:38.

witty and pithy speech on Tinker Tailor Soldier Spy. Obviously no-

:15:38.:15:44.

one noticed I didn't say a word but... LAUGHTER I am really, really,

:15:44.:15:48.

really thrilled that you have honoured this film with an award,

:15:48.:15:53.

because this film was made by all of us with love. And all that we've

:15:53.:16:01.

got back from it is love. That deeply cynical word commercialality

:16:01.:16:08.

which I never utter was never even considered in this situation. We

:16:08.:16:14.

made this because we loved it and you showed the love back. Thank you

:16:14.:16:18.

everybody. We want to thank everybody at Working Title. We had

:16:18.:16:28.
:16:28.:16:28.

never done a documentary before. We want to thank Universal. We want to

:16:28.:16:33.

thank the Formula One and motor racing community and the family and

:16:33.:16:39.

friends of Ayrton Senna for helping us get the film made, and most

:16:39.:16:45.

importantly we want to thank Ayrton Senna for living sadly such a short

:16:45.:16:52.

life. Thank you very much. APPLAUSE

:16:52.:16:57.

This is really, really, really wanted to thank the Senna family

:16:57.:17:01.

for trusting us with his legacy. When your son dies in circumstances

:17:01.:17:06.

like that, and you get a bunch of guys who turn up and say, "Listen,

:17:06.:17:10.

we want to tell the story, we think we are very sensitive, we think we

:17:10.:17:14.

will absolutely tell it right" it takes a lot of guts to support

:17:14.:17:17.

people like that. I would like to thank them for doing that.

:17:17.:17:27.
:17:27.:17:32.

Believe me, if you know nothing about Formula One racing and you

:17:32.:17:38.

are not vaguely interested in motor sports you will find Senna one of

:17:38.:17:40.

the most interesting documentaries you will ever watch.

:17:40.:17:45.

Ladies and gentlemen, we come now, to take an all too brief few

:17:45.:17:49.

moments to remember those from our industry who've sadly been taken

:17:49.:17:55.

from us this year. Though they may no longer be here it is true, as

:17:55.:17:59.

Cicero said, that memory is the Treasury and guardian of all things.

:17:59.:18:04.

The faces you will see of the men and women who've died this year are

:18:04.:18:09.

of beloved colleagues who have enriched our world beyond measure.

:18:09.:18:15.

We thank them and we bid them sad and fond farewell.

:18:15.:18:21.

How do you put it around your neck? You don't, lovey, you put it around

:18:21.:18:26.

your head. You must think I was born yesterday. Sometimes there is

:18:26.:18:36.
:18:36.:18:53.

Broken wings mend in time. One day Life has all kinds of things. There

:18:53.:19:03.
:19:03.:19:09.

Forgive me my dear fellow but I cannot resist the dramatic and the

:19:09.:19:17.

setting was so perfect I succumbed to terch takes. This way, what son.

:19:17.:19:22.

-- temptation, this way, Watson. With great power comes great

:19:22.:19:32.
:19:32.:20:04.

I love ya. Why did you love me? I want you to get up right now and

:20:04.:20:10.

go to the window, open it and stick your head out and yell, "I'm as mad

:20:10.:20:20.
:20:20.:20:26.

as hell and I'm not going to take A man needs a little madness or

:20:26.:20:36.
:20:36.:20:40.

else... Or else? He never dares cut And I'm going to howl it out and

:20:41.:20:46.

I'm not going to give a damn what's I do and I'm going to make the

:20:46.:20:56.
:20:56.:21:04.

biggest goddamn explosion you ever APPLAUSE

:21:04.:21:12.

So many I had not known that death had undone so many. Our next

:21:12.:21:15.

category is Adapted Screenplay. To present it we have a Hollywood

:21:15.:21:18.

great on screens big and small. Ladies and gentlemen, please

:21:18.:21:28.
:21:28.:21:34.

welcome star of the Town, Shrek and Sucker Punch. It's mad man John

:21:34.:21:44.

Hamm. APPLAUSE Myriad challenges arrive

:21:44.:21:48.

when attempting to adapt an already successful piece of literature into

:21:48.:21:54.

an equally successful film. Chief amongst these challenges is were

:21:54.:22:01.

you it in all the fart jokes. LAUGHTER It's harder than it sounds.

:22:02.:22:11.
:22:12.:22:19.

Here are five nominees who live up Hi. I'm Brian. Brian. We may have

:22:19.:22:25.

met before. Matt King. My wife is Elizabeth King. I think you may

:22:25.:22:35.
:22:35.:22:36.

have met her too. This is our All you do is lie to try to get

:22:36.:22:46.
:22:46.:22:46.

what you want. You are a Godless woman. And you tried. Ain't you

:22:46.:22:52.

tired? Everybody who turns 18 or graduates

:22:53.:22:56.

High School gives two years of service to their country. For that

:22:56.:23:02.

your education is paid for, period. The beauty is that everybody over

:23:02.:23:06.

18 who is past the age of eligibility will be for it. And all

:23:06.:23:13.

of the others? They can't vote. You survived this long I suppose

:23:13.:23:22.

because of your ato change sides. Serve any master.

:23:22.:23:27.

-- your ability to change sides. What's this about George? It is

:23:27.:23:33.

about which master you've been serving.

:23:33.:23:38.

Moneyball. Be straight with them. No fluff, just facts. "Pete, I have

:23:38.:23:44.

got to let you go. Jack's office will handle the details." That's

:23:44.:23:49.

it? Really? Would you rather get a bullet to the head or five to the

:23:49.:23:55.

chest and bleed to death? Are those my only two options?

:23:56.:24:05.
:24:06.:24:07.

APPLAUSE And the BAFTA is presented to...

:24:07.:24:17.
:24:17.:24:42.

Tinker Tailor Soldier Spy. Oh. I would like to thank The

:24:42.:24:45.

Artist for not being adapted from a book. LAUGHTER

:24:45.:24:51.

APPLAUSE There's a lot of other people I

:24:51.:25:00.

need to thank. Everyone at Working Title. Studio Canal, Focus Features,

:25:00.:25:07.

my producers, an incredible cast led by Gary Oldman, and our

:25:07.:25:10.

wonderful director, Tomas Alfredson. Every award for Tinker Tailor

:25:10.:25:15.

Soldier Spy should have your name on it, and everyone standing on the

:25:15.:25:19.

shoulders of a giant, John Le Carre, who was so supportive. I though

:25:19.:25:24.

they will all understand if I accept this award on behalf of

:25:25.:25:29.

another collaborate ore. My wife Bridget O'Connor died before Tinker

:25:29.:25:34.

Tailor Soldier Spy was made. She wrote all the good bits and I made

:25:34.:25:39.

the coffee. Bridget, I love you. I miss you. This is for you. Thank

:25:39.:25:49.
:25:49.:25:59.

you so much is. APPLAUSE Now, don't forget coming soon to an

:25:59.:26:03.

awards ceremony near you we'll be finding out who will be floating

:26:03.:26:09.

home with the BAFTAs for actor, actress and director, and we'll be

:26:09.:26:14.

presenting the academy's Fellowship. But now the fifth and final. What

:26:14.:26:19.

is so genuinely and excited and enthralled me is the variety on

:26:19.:26:23.

display amongst the five nominees for Best Film this year. They are

:26:23.:26:28.

proof of the continuing biodiversity and richness that

:26:28.:26:32.

characterises today's generation of film makers. Take this, the

:26:32.:26:37.

brutally magnificent and absorbing Drive Less-skilled hands this could

:26:37.:26:43.

be a routine car thriller, the kind of a picture many might think form

:26:43.:26:47.

layic with nothing new to offer. As it is Drive is one of those films

:26:47.:26:52.

whose quality and style never leaves you. Flying Ryanair can be,

:26:52.:26:57.

how shall I put it, an experience, one I shall certainly never have

:26:57.:27:04.

again. But driving Ryan Gosling, well, watch this. You give me a

:27:04.:27:09.

time and a place, I give you a five minute window. If anything happens

:27:09.:27:19.
:27:19.:27:23.

in that five minutes I'm yours. I don't carry a gun. I drive.

:27:23.:27:29.

Driver is a stuntman. If you put him behind the wheel there is

:27:29.:27:39.
:27:39.:27:41.

nothing he can't do. Driver gets involved in more neverarious things.

:27:41.:27:51.
:27:51.:27:58.

He doesn't understand the difference until he realises that

:27:58.:28:04.

he falls in love and it is through that process that the machine

:28:04.:28:09.

eventually takes over the human side. Driver is quite an enigmatic

:28:09.:28:15.

character. We all have theories who he is but it is best to leave it up

:28:15.:28:19.

to the audience. You have this family dram ma. At the same time

:28:19.:28:25.

you've got this intense, violent, visceral revenge film. It is like a

:28:25.:28:33.

dream that turns into a nightmare. APPLAUSE

:28:33.:28:39.

Just when you think that a genre has become tired, along comes a

:28:39.:28:44.

piece of film making like Drive and you remember why you love cinema so

:28:44.:28:50.

much. Five more to come ladies and gentlemen, in the shape of awards

:28:50.:28:55.

for actress, actor, film and the Fellowship. The first is the award

:28:55.:29:00.

for director. It is named in honour of the great Sir David Lean. To

:29:00.:29:09.

present it is a man I wrote ten paragraphs to express my feelings

:29:09.:29:19.
:29:19.:29:27.

for you. But what's the point? Sod Thank you. The director is the most

:29:27.:29:32.

important force on any film. We gather in support of their vision

:29:32.:29:39.

because they are our authors. Here are this year's nominees in Best

:29:39.:29:49.
:29:49.:30:19.

Got half a story on the table in my club. Tell me? He's been shot.

:30:19.:30:29.
:30:29.:30:32.

What's this about? You know where you are spending the afterlife?

:30:32.:30:37.

yes, I do, as a matter-of-fact. I'm going straight to hell. Eternal

:30:37.:30:47.
:30:47.:30:47.

Apology for the loss of subtitles for 170 seconds

:30:47.:31:28.

damnation, the whole bit. Thank you APPLAUSE

:31:28.:31:38.
:31:38.:32:02.

And the BAFTA goes to... Thank you again. I'm so proud that

:32:02.:32:12.
:32:12.:32:12.

Brad Pitt pronounced my name so well. Thank you. The recognition of

:32:12.:32:17.

this is the most important and I know that I will have some bad days

:32:17.:32:22.

because I'm a director so I'll have some bad days, but I will remember

:32:22.:32:32.
:32:32.:32:35.

this day, today, as a good day and to thank you very much, thank you.

:32:35.:32:41.

APPLAUSE Well, women who act for

:32:41.:32:45.

understandable reasons prefer usually to be called actors, not

:32:45.:32:49.

actresses, that is until it's awards time and they are prepared

:32:49.:32:53.

to make an exception and be nominated into the category Best

:32:53.:32:58.

Actress. We have now arrived at that category. In an ideal world,

:32:58.:33:03.

to present the award, I would have been able to introduce last year's

:33:03.:33:11.

winner of Best Actor, the star of a sing Single Man, the King's Speech,

:33:11.:33:14.

so successful that we would have been bowled over by his presence

:33:14.:33:18.

with us. But ladies and gentlemen, it turns out we do live in an ideal

:33:18.:33:28.
:33:28.:33:36.

world because behold, the Colin Good evening. It's my great

:33:36.:33:40.

privilege to present in a category in which I've been grievously

:33:40.:33:45.

overlooked. Actress in a leading role. Let's have a look at the

:33:45.:33:55.
:33:55.:34:26.

Just 24 years old, the best part of a person's life. Anniversary of his

:34:26.:34:33.

death comes every year and I can't breathe. But to everyone else, it's

:34:33.:34:39.

just another day in Bridge. Perhaps the Right Honourable gentleman

:34:39.:34:44.

could attend more closely to what I'm saying, rather than how I am

:34:44.:34:49.

saying it. He may receive a valuable education in spite of

:34:49.:34:59.
:34:59.:34:59.

Apology for the loss of subtitles for 170 seconds

:34:59.:36:33.

And the BAFTA goes to... Meryl Oh, my God. Thank you so much. That

:36:33.:36:38.

couldn't be worse, that couldn't have gone worse!

:36:38.:36:44.

Oh, gosh. Somebody once said, I think it was Margaret Atwood,

:36:44.:36:50.

actually I always say it was her but I don't even know if he said

:36:50.:36:56.

this, but somebody once said, the fate of the well known is to be

:36:56.:37:05.

misunderstood. The ambition of this film, The Iron Lady, was to look at

:37:05.:37:13.

the life of The Iron Lady from the inside out and to locate something

:37:13.:37:20.

real. Something real maybe hidden but truth NFL the life of someone

:37:20.:37:27.

that we've all decided we all know everything about already. I'm very

:37:27.:37:37.
:37:37.:37:41.

proud of the film and I owe so much to Abi Morgan, Pathe, Damian Jones,

:37:41.:37:48.

for sticking with this, for asking and expecting so much of me. I want

:37:48.:37:55.

to thank the soulful Jim Broadbent, the divinely gifted Olivia Coleman,

:37:55.:38:00.

my beloved moths, all 300 beautiful actors and crew that worked on this

:38:00.:38:07.

Bonn derful film. Half of me is Streep but the other half is win

:38:07.:38:12.

kin son from Lincolnshire, so I come by it, honestly this part,

:38:12.:38:22.
:38:22.:38:31.

thank you very much. I'm so APPLAUSE

:38:31.:38:34.

Oh, Prince Charming tried the slipper on and it fitted Cinderella

:38:34.:38:39.

at once. What a happy ending! It follows as the night, the Dame that

:38:39.:38:43.

if there is to be an award for Best Actress, there should also be one

:38:43.:38:47.

for Best Actor. To remind us of the nominees and announce the chosen

:38:47.:38:52.

one, a true Hollywood superstar just knowing she's standing back

:38:52.:38:56.

there clutching the BAFTA mask and golden envelope makes me all

:38:56.:39:03.

fluttery, if I say Vanilla Sky, Pirates of the Caribbean, you will

:39:03.:39:10.

know who I mean. She's so popular, they've even named a popular beach

:39:10.:39:20.
:39:20.:39:30.

heath and leisure type common after Good evening. Let's take a look at

:39:30.:39:40.
:39:40.:39:41.

the work that the amazing actors nominated for lead actor have done.

:39:41.:39:51.
:39:51.:39:58.

What's your longest relationship? Four months. To commit, you would

:39:58.:40:08.

actually have to give it a shot. did.

:40:08.:40:13.

We spend our lives looking for the whacknesss in one another's systems.

:40:13.:40:18.

Don't you think it's time to recognise there is this Little

:40:18.:40:28.
:40:28.:40:42.

worse on your side as there is on This is a process, it's a process,

:40:42.:40:52.
:40:52.:40:58.

it's a process. OK. I hate losing, I hate it. I hate losing more than

:40:58.:41:08.
:41:08.:41:18.

I even want to win. George Clooney, Goodbye, my love., my friend, my

:41:18.:41:28.
:41:28.:41:36.

pain, my joy. Goodbye. APPLAUSE And the BAFTA goes to... Jean

:41:36.:41:46.
:41:46.:42:18.

Thank you. Michelle, what have you done to me? It's your fault. To be

:42:18.:42:28.
:42:28.:42:28.

in the company of such illustrious and talented nominees, Brad Pitt,

:42:28.:42:34.

Gary Oldman, Michael Fassbender, George Clooney, I'm very, very

:42:34.:42:39.

proud and I'm sorry, I'm shocked. To receive this award from the

:42:39.:42:49.
:42:49.:42:52.

country of Sir Laurence Olivier, William Webb-Ellis and Benny Hill,

:42:52.:42:59.

it's great. Thank you to those who took the risk of picking a black-

:42:59.:43:08.

and-white silent movie. You know who you are. Thank you to Nigel and

:43:08.:43:18.
:43:18.:43:21.

of course to BAFTA and, as... Sorry And as Buster keeton would say,,

:43:21.:43:31.
:43:31.:43:41.

thank you, thank you very much, thank you. Time for the penultimate

:43:41.:43:47.

award of the evening, Best Film. I don't mind telling you, we went

:43:47.:43:50.

insane when we thought about who might present this award. We could

:43:50.:43:54.

have chosen one of the greatest film stars on earth, but we didn't.

:43:54.:44:02.

As I say, we went mad, we chose two of the greatest film stars on earth,

:44:02.:44:08.

like really good coffee, great surfing beaches and frankly

:44:08.:44:13.

mediocre cricket, they come from the land Down Under. Ladies and

:44:13.:44:23.
:44:23.:44:37.

gentlemen, Hugh Jackman and Russell G' day everyone. Very brave of them

:44:37.:44:43.

to give over this stage to a couple of Aussies. We might start saying

:44:43.:44:50.

things like, call this a locking opera house?! Perish the thought,

:44:50.:44:57.

all right. Now, I am quivering with irrepressible mouth-watering

:44:57.:45:07.
:45:07.:45:09.

delirium at the undulating prospect of this most splendifirous. That's

:45:09.:45:13.

Stephen's script. Thank God, I didn't auns bloody word. Nobody

:45:13.:45:16.

does. All right. I think that's yours. Thank you. So, strewth,

:45:16.:45:23.

cobbers, there's some fair dinkum films nominated in this bopbz

:45:23.:45:33.
:45:33.:45:33.

Erekat glory, yes. Great script. Thanks -- bopbzer -- bonzer

:45:33.:45:37.

category. We have had a look at the five great movies nominated before

:45:37.:45:41.

Best Film. Before we find out which one will be taking home the BAFTA,

:45:41.:45:51.
:45:51.:46:18.

let's remind ourselves of them once You can write my obituary. Dead,

:46:18.:46:28.
:46:28.:46:48.

Who is he? Big Gar man? Thief. -- And the BAFTA for Best Film goes

:46:48.:46:58.
:46:58.:47:30.

Wow! A beautiful room. Thank you, thank you very much. Thank you

:47:30.:47:35.

Michel for doing such a great picture. I want to thank Nigel

:47:35.:47:40.

Green for doing this movie here. I want to give a special thanks to

:47:40.:47:45.

someone who transformed the silence into a King's speech, Mr Harvey

:47:45.:47:53.

Weinstein. He's been very good for this movie. We will never forget it

:47:53.:48:00.

was silent and black and white. Thank you to Berenice Bejo. She's a

:48:00.:48:03.

great actress. And we are grateful that all the people who helped us

:48:03.:48:06.

in this movie are here in this room. Thank you so much.

:48:06.:48:13.

APPLAUSE Oh, goodness graish use me, ladies

:48:13.:48:19.

and gentlemen. Before we go -- goodness gracious me, ladies and

:48:19.:48:22.

gentlemen, before we go there is the Fellowship. To present the

:48:22.:48:29.

award we have a quite extraordinary Oscar nominated actor in a career

:48:29.:48:38.

spanning an age-defying 60 years of film making in an ocean of roles

:48:38.:48:46.

which include Ming the Merciless, and Shutter Island. If those

:48:46.:48:51.

weren't enough he is ensured immortality with his incredible 13

:48:51.:48:57.

collaborations with the imperishable Ingmar Bergman. Not

:48:57.:49:02.

only that, for those who know Sweden there is a traditional Chris

:49:02.:49:08.

drink called Glug. I was given the other day this great man's

:49:08.:49:17.

legendary recipe. It is called UN Max's Glug. It is unsurpassably

:49:17.:49:27.
:49:27.:49:44.

magical and remarkable. Please Max Max Von Sydow Thank you very

:49:44.:49:53.

much. Ladies and gentlemen, to be awarded

:49:53.:49:59.

the Fellowship, the highest honour bestowed by this academy, you need

:49:59.:50:06.

to have made a unique ground- breaking and extraordinary

:50:06.:50:11.

contribution to the art of film making. Well, tonight's recipient,

:50:11.:50:20.

ladies and gentlemen, has done just that and much, much more. He is

:50:20.:50:24.

unquestionably the greatest American film maker of his

:50:24.:50:33.

generation. A director whose technical mastery and innovation

:50:33.:50:37.

are unparalleled. His astonishing body of work contains some of the

:50:37.:50:45.

most iconic movies of all time. Earning him the overwhelming

:50:45.:50:50.

admiration, respect and love of his friends and peers within the

:50:50.:50:57.

industry. Two of whom we can hear from now.

:50:57.:51:04.

Marti, many, many congratulations on this award. To me, you will

:51:04.:51:12.

always be a very dear friend and a cinematic genius. And I will always

:51:12.:51:22.
:51:22.:51:24.

think of you with great respect and affection. Have a wonderful evening.

:51:24.:51:31.

Hey Marty we spent 20 years making movies, from Taxi Driver, Raging

:51:31.:51:38.

Bull, and Cape Fear. In the 20 years we've stopped making movies

:51:38.:51:43.

together we've moved on to attending awards ceremonies. Each

:51:43.:51:46.

one was a unique experience. I'm sorry I can't be there to be with

:51:46.:51:52.

you tonight to receive this very special award, the BAFTA Fellowship

:51:52.:51:55.

award, celebrating you and your extraordinary body of work. It's a

:51:55.:51:58.

great honour for a great artist and a great friend. Congratulations. I

:51:58.:52:08.
:52:08.:52:09.

love you. APPLAUSE

:52:09.:52:17.

Thank you to Sir Christopher Lee and Robert de Niro. I don't have to

:52:17.:52:22.

say that I share their opinions and feelings from the bottom of my

:52:22.:52:32.
:52:32.:52:33.

Just before I invite this year's recipient up on stage, let us take

:52:33.:52:39.

a look at some of the titbits of his extraordinary impressive

:52:39.:52:49.
:52:49.:53:17.

As far back as I can remember I Come out, come out wherever you are.

:53:17.:53:27.
:53:27.:54:03.

You talking to me. I'm here to # I was born in a cross-fire

:54:03.:54:13.
:54:13.:54:13.

Apology for the loss of subtitles for 170 seconds

:54:13.:54:57.

Who the lock do you think you're CHEERING AND APPLAUSE

:54:57.:55:06.

Ladies and gentlemen, the recipient of this year's BAFTA Fellowship is

:55:06.:55:16.
:55:16.:55:41.

of course the great incomparable Please. Thank you. Thank you so

:55:41.:55:51.
:55:51.:55:52.

much. APPLAUSE Really. Sit. Thank you.

:55:52.:55:57.

Thank you. Thank you so much BAFTA and thank you Max for being here

:55:57.:56:04.

and presenting this to me tonight. It's such an honour. I think just

:56:05.:56:10.

holding this award is an honour. Actually getting it is like a dream.

:56:10.:56:14.

For me British cinema was something that was formative. Italian and

:56:14.:56:18.

British movies were the first movies that I ever saw that weren't

:56:19.:56:25.

made in America. The Italian films were familiar to me, closer to home.

:56:25.:56:31.

Closer to what I knew and lived in New York. The British films were

:56:31.:56:38.

more exotic. More foreign. And they seemed to be in a language that was

:56:38.:56:43.

familiar but enigmatic. Intriguingly enigmatic. British

:56:43.:56:48.

films then were what they are still to me now, a mystery and a great

:56:48.:56:54.

marvel. The rich tradition of British cinema also embraces more

:56:54.:57:01.

me the peerless craftsmanship of the British crews who help me with

:57:01.:57:05.

dedication and extraordinary imagination. When making Hugo here

:57:05.:57:10.

at Shepperton, a film which all of us who worked on it can I hope be

:57:10.:57:14.

proud. I'm particularly honoured to have worked alongside them, as I am

:57:14.:57:19.

to be here tonight holding this award. I would like to hope this

:57:19.:57:24.

BAFTA Fellowship gives me visiting privileges to that same rich

:57:24.:57:30.

tradition of British cinema that inspired your poets. The BAFTA has

:57:30.:57:38.

a personal resonance as it is the first award I've shared with

:57:38.:57:44.

Michael Powell. I think of them as poets and the Knights Templar of

:57:44.:57:49.

the British cinema. The archers of the tradition actually. It's the

:57:49.:57:56.

highest, most profound honour for me to stand among them tonight and

:57:56.:58:06.
:58:06.:58:22.

with you. I thank you. Well, this magical night of

:58:22.:58:26.

celebration has ended. Congratulations to you all for

:58:26.:58:33.

winning, for being nominated, props - it's a thing young people say -

:58:33.:58:36.

for continuing to advance this great art form of the motion

:58:36.:58:41.

picture. It has always been true to say that we live in difficult and

:58:41.:58:46.

dark times. But it has never been truer than today. In times of

:58:46.:58:51.

austerity, doubt, darkness and fear, films can allow us to escape from

:58:51.:58:56.

the burdens and hardships of life. And they can shine a light on

:58:56.:59:01.

injustice. Film can reduce us to quivering wrecks with laughter to

:59:01.:59:07.

help us forget. And it can stun us with truth to help us remember.

:59:07.:59:12.

There is no right or wrong genre or style of film. Next year more

:59:12.:59:16.

stories will have been put together to remind us that the art of movie

:59:17.:59:22.

storytelling is more alive than ever. And blessed with as much

:59:22.:59:25.

creative talent as it ever has been in its history. I'm so proud to

:59:25.:59:28.

have been allowed to stand here tonight as your host. Let's all

:59:29.:59:33.

keep lining up for tickets and sitting in the dark, support your

:59:33.:59:41.

local cinema. Live and love film. From us all, thank you and

:59:41.:59:51.
:59:51.:59:52.

goodnight. Thank you very much. Presented earlier: Pitch Black

:59:52.:00:02.
:00:02.:00:39.

I would just like to say I've dreamed of this moment ever since I

:00:39.:00:49.
:00:49.:00:51.

Editing: Senna. It was pure driving. It was real

:00:51.:01:01.
:01:01.:01:16.

racing. Guillaume isn't here. He's in Los

:01:16.:01:22.

Angeles. He didn't give me a note, so I guess if he was here he would

:01:22.:01:32.
:01:32.:01:32.

Apology for the loss of subtitles for 170 seconds

:01:32.:02:24.

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