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Good evening, I'm Edith Bowman, bringing you the red carpet action | :00:31. | :00:37. | |
from the Orange British Academy Film Awards 2012, from the gorgeous | :00:37. | :00:41. | |
London's Royal Opera House. Brad Pitt, George Clooney, Meryl Streep, | :00:41. | :00:46. | |
Penelope Cruz, Gary Oldman, Martin Scorsese - the list is endless. All | :00:46. | :00:51. | |
the stars will be here. We are poised and ready for action, for | :00:51. | :01:01. | |
:01:01. | :01:23. | ||
the biggest, most glamorous night I am joined by Eddie Redmayne. How | :01:23. | :01:29. | |
are you? I'm good. The you are taking this in your stride. It's | :01:29. | :01:33. | |
always a bit overwhelming but it should be an amazing night. These | :01:33. | :01:37. | |
guys have been out for a while, they look freezing cold! It's been | :01:37. | :01:42. | |
a great year for you. You are celebrating the success of it My | :01:42. | :01:45. | |
Week With Marilyn and you are nominated for rising star yourself. | :01:45. | :01:49. | |
You do this work in a vacuum and over an extended period of time, | :01:49. | :01:53. | |
you never think anyone sees it. But suddenly at events like this you | :01:54. | :01:58. | |
meet up with people you haven't seen for a while and as well as | :01:58. | :02:02. | |
being a celebration of film, it feels like a nice thing to see | :02:02. | :02:06. | |
those guys and hang out with them. It feels like the start of | :02:06. | :02:11. | |
something brilliant. That is very kind. Loving the take on the suit | :02:11. | :02:16. | |
tonight. This is Christopher Bailey, who runs Burberry. Be made a lovely | :02:16. | :02:26. | |
:02:26. | :02:27. | ||
velvet jacket. Good luck tonight, As the red carpet becomes awash | :02:27. | :02:32. | |
with stars, we shall be taking a closer look at the five contenders | :02:32. | :02:37. | |
for the highly coveted Best Film award. First stop, it's the best of | :02:37. | :02:41. | |
British talent in the brilliant Tinker Tailor Soldier Spy. Its | :02:42. | :02:47. | |
leading man and Best Actor nominee, Gary Oldman, will be stopping by | :02:47. | :02:51. | |
for a chat in the second. Right after we've taken a closer look at | :02:51. | :03:01. | |
:03:01. | :03:04. | ||
There is a mole right at the top of the circus. He's been there for | :03:04. | :03:12. | |
years. You are not talking about a kind of fantasy spy. It's not James | :03:12. | :03:16. | |
Bond, it's a completely different at the John Roll together. There | :03:16. | :03:21. | |
are no gadgets, no gizmos, no Aston Martins. Have you got clearance for | :03:21. | :03:29. | |
that? Well, I'm not bloody training it up outside. I know it is one of | :03:29. | :03:35. | |
five men. All I want from you is one code name. Smiley has to figure | :03:35. | :03:39. | |
out these people based on how he understands them. It brings out the | :03:39. | :03:47. | |
human element. I think he's a fascinating character because of | :03:47. | :03:54. | |
his discretion, sobriety, self- control. You don't see that | :03:54. | :04:04. | |
:04:04. | :04:08. | ||
He lets everything come to him up. The room temperature changes to him. | :04:08. | :04:13. | |
He completely and utterly beguiles people into thinking he is harmless. | :04:13. | :04:18. | |
I will do my at most. In life you wouldn't notice him. But under the | :04:18. | :04:22. | |
microscope of the drama, you scrutinise him and you find that | :04:22. | :04:32. | |
:04:32. | :04:41. | ||
this man is seriously intelligent, Congratulations. It is so deserving. | :04:41. | :04:46. | |
Thank you, it's exciting. It's great to have you back on the red | :04:46. | :04:50. | |
carpet and great for you to be nominated. It's been a few years. | :04:50. | :04:57. | |
Let's not put a number on it. But this role, I think I heard you say | :04:57. | :05:02. | |
that you were surprised that you were the director's first choice - | :05:02. | :05:11. | |
is that right? I'm always surprised. Why me? What was it about this role | :05:11. | :05:20. | |
that you were so taken with? remember the series from 1979 and | :05:20. | :05:28. | |
the book. It's an iconic literary character. It is a bit like an act | :05:28. | :05:36. | |
are being asked to play Hamlet. You kind of know what it is. It was | :05:36. | :05:43. | |
exciting but it is hard working in the shadow of Alec Guinness. | :05:43. | :05:48. | |
you brought something of yourself to that as well. With that ensemble | :05:48. | :05:53. | |
cast you had as part of the film, it was incredible. I know, the | :05:53. | :06:00. | |
creme DLA creme of British acting. Six degrees of Harry Potter as well. | :06:01. | :06:07. | |
Who is stuck behind you as well! I'm not finished with you yet. I've | :06:07. | :06:11. | |
got to ask you about the rest of the nominees in your category. You | :06:11. | :06:16. | |
are the only Brit. I've got a good feeling. You never know. I've got | :06:16. | :06:22. | |
everything crossed for you, Gary. Congratulations, nice to see you. | :06:22. | :06:31. | |
Daniel, how are you? I'm good, very good. Are you on official duties | :06:31. | :06:37. | |
this evening? I'm at presenting the award for Best Supporting Actress. | :06:37. | :06:42. | |
That is a great one. It is. I'm lucky enough to have worked with | :06:42. | :06:49. | |
Carey Mulligan a few years ago, but there are no favourites. We will | :06:49. | :06:53. | |
mention everyone else's name later on. This will be balanced later on. | :06:53. | :06:58. | |
Have there been films that have stood out for you this year? Tinker | :06:58. | :07:05. | |
Tailor Soldier Spy, no favourites but... I watched Moneyball the | :07:05. | :07:11. | |
other day and thought that was awesome. I believe that is up for | :07:11. | :07:16. | |
Best adapted screenplay as well. It's a wide and a very dear. That | :07:16. | :07:20. | |
is what is so exciting about it. haven't managed to see nearly all | :07:20. | :07:24. | |
of it, so that will be my big mission in my three weeks off after | :07:24. | :07:30. | |
this is all done. Congratulations with the woman in black, it's a | :07:30. | :07:40. | |
Let's take a look at another of the nominees in the Best Film category. | :07:40. | :07:45. | |
A beautiful, stylised action romance between a getaway driver | :07:45. | :07:50. | |
and a downtrodden single mum. This is Drive up. We'll be chatting to | :07:50. | :07:56. | |
Christina Hendrix from the film in just a moment. You give me a time | :07:56. | :08:00. | |
and a place, I'll give you a five- minute window. Anything happens in | :08:00. | :08:06. | |
that five minutes and I'm Yours. I don't sit in, don't carry a gun. I | :08:06. | :08:16. | |
:08:16. | :08:16. | ||
drive it. Driver is the stunt man, as well as the getaway driver. | :08:16. | :08:22. | |
put this kid behind the wheel, there's nothing he can't do. | :08:22. | :08:27. | |
driver pads his bank account by getting involved in other things. | :08:27. | :08:32. | |
You get your money, whose debt is paid. You never go near his family | :08:32. | :08:37. | |
ever again. It turns out that this particular cava is bad for everyone. | :08:37. | :08:41. | |
He's got to go. It leads to the unravelling of a lot of people's | :08:41. | :08:47. | |
hopes and dreams. The driver in the film is a hard man, half machine | :08:47. | :08:51. | |
concept. He doesn't understand the difference until he realises that | :08:51. | :08:57. | |
he falls in love. It's through that process that the machine eventually | :08:57. | :09:02. | |
takes over the human side. We all have theories about who he is but | :09:02. | :09:06. | |
it's best to leave it up to the audience. It's wild, it's an | :09:06. | :09:10. | |
experiment because you have this family drama and you have this | :09:10. | :09:15. | |
really intense, violent, visceral revenge film. It sort of feels like | :09:15. | :09:22. | |
a dream that turns into a nightmare. Congratulations on the recognition | :09:22. | :09:27. | |
Drive was getting. What a film, I loved it. It is testament to the | :09:27. | :09:31. | |
variety of films that are doing so well this year. I think so. I'm | :09:31. | :09:36. | |
really proud to be a part of it and excited to be here to support it. | :09:36. | :09:42. | |
Hold the lead Nicholas will wind. Keep your fingers crossed. Ryan | :09:42. | :09:47. | |
Gosling seems to be the man of the moment. Ladies swoon at the mere | :09:47. | :09:52. | |
mention of his name. What is you like to work with? Divine. Is an | :09:52. | :09:55. | |
extraordinary act and a real professional. Everything you want | :09:55. | :10:02. | |
him to be, he is. He seems to be versatile over the types of roles | :10:02. | :10:06. | |
he can do. Yes, I think he is slowly conquering the movie | :10:06. | :10:11. | |
business. He is taking over the world. I've got to ask what you are | :10:11. | :10:15. | |
wearing tonight because you are gorgeous. I am wearing Vivienne | :10:15. | :10:24. | |
Westwood. Keeping it British. How are you, Michael Fassbender? | :10:24. | :10:32. | |
Pretty good. I was at the awards in Dublin last night. I just got here | :10:32. | :10:37. | |
this afternoon. Ready to pick up another one? I don't know about | :10:37. | :10:44. | |
that. I'm just happy to be here. It's an amazing group of people to | :10:44. | :10:52. | |
be in a category with. Absolutely. It is great. I've said it before, | :10:52. | :10:55. | |
especially the type of film, if it can encourage people to go and see | :10:55. | :10:59. | |
it, sometimes people will be a bit put off by what people think it is, | :10:59. | :11:03. | |
so this really helps and will hopefully encourage people to go | :11:03. | :11:09. | |
out and watch it. Have you met George Clooney and Brad Pitt? | :11:09. | :11:15. | |
I work with Brad Pitt, I knew him up from working with him on a film. | :11:15. | :11:21. | |
I met George Clooney when I was out at the Golden Globes. They are | :11:21. | :11:27. | |
great, they are at the top of what they do. Not only as actors but | :11:27. | :11:31. | |
producers. George is a director as well. They are really good guys as | :11:31. | :11:37. | |
well. It's nice. But he managed to do this great thing where the small, | :11:37. | :11:40. | |
independent films you are making of the ones that are getting | :11:40. | :11:43. | |
recognition, as well as doing the mainstream, bigger films as well. | :11:43. | :11:52. | |
Not everyone manages to achieve that. I know, touch wood! Touch | :11:52. | :12:00. | |
them together. The Scottish kiss! I've just been lucky. I've been | :12:01. | :12:06. | |
surrounded by really talented people. It stacks things in your | :12:06. | :12:11. | |
favour. It is always going to be a risk. You think, this looks | :12:11. | :12:15. | |
interesting to me but you don't know how people will take to it. | :12:15. | :12:19. | |
But I've been working with really good people. Good luck for tonight. | :12:19. | :12:29. | |
:12:29. | :12:32. | ||
Taking a breather from red carpet are rivals for a second, next stop | :12:32. | :12:34. | |
- sisters are doing it for themselves in one of this year's | :12:34. | :12:40. | |
best female ensembles. Leading lady pilot died this -- Viola Davis will | :12:40. | :12:44. | |
be joining me shortly for a chat. Now let's take a look at the story | :12:44. | :12:49. | |
behind The Help, another runner for the Best Film. They help us about | :12:49. | :12:54. | |
these unlikely women all coming together to create change. It was a | :12:54. | :12:58. | |
chance for me to be in a movie that illuminated a part of our history | :12:58. | :13:07. | |
that we have a tendency to be silent about. The story mainly | :13:07. | :13:13. | |
focuses around Skeeter or and Mini. And also Aibileen. It is hard for | :13:13. | :13:16. | |
Aibileen to tell her stories because she's been told she is | :13:16. | :13:21. | |
invisible. But all the sudden someone says, who are you? I want | :13:21. | :13:25. | |
to interview you. Skeeter just graduated with a degree in | :13:25. | :13:30. | |
journalism. Two people from very different worlds in very dangerous | :13:30. | :13:36. | |
circumstances come together into each other's lives. | :13:36. | :13:39. | |
Skeeter is trying to impress this publisher in New York. You said to | :13:39. | :13:43. | |
write about what disturbs me. I'd like to write something from the | :13:43. | :13:49. | |
point of view of The Help. I was raised by a coloured woman. We love | :13:49. | :13:53. | |
them and they love us but they can't even use the toilets in our | :13:53. | :14:01. | |
houses. You are fired! Mini is very vocal because she refuses to be | :14:01. | :14:06. | |
invisible. It's a really interesting dynamic. They start an | :14:06. | :14:10. | |
expose of sorts with all the maids of Jackson, Mississippi. I'm going | :14:10. | :14:18. | |
to do it. We all laugh. I've got to come up with the questions, too?! | :14:18. | :14:22. | |
It takes both of the races to work together to get back story out | :14:22. | :14:32. | |
:14:32. | :14:36. | ||
Congratulations on your Best Actress nomination. How much do you | :14:36. | :14:41. | |
want to be in this film? It's a great film. I wanted to be in this | :14:41. | :14:44. | |
film so bad. I did not want to be in the audience watching this film | :14:44. | :14:50. | |
are thinking, gosh, I want to be a part of this. I'm so happy, I feel | :14:50. | :14:55. | |
like I've won the lottery in every way this year. It's been a dream up. | :14:55. | :14:59. | |
It has literally transformed my life The. And the film is getting | :14:59. | :15:02. | |
such a great response from fans, but also in terms of awards | :15:02. | :15:05. | |
ceremonies. It must be very fulfilling for you and the rest of | :15:05. | :15:11. | |
the cast. Absolutely. It feels like hard work has paid off. You want | :15:11. | :15:17. | |
the audience to respond to it, you want people to respond or your work, | :15:17. | :15:22. | |
otherwise you are a legend in your own mind. It has been wonderful. I | :15:22. | :15:27. | |
think it has been deserved, I really do. I agree. Have a great | :15:27. | :15:37. | |
:15:37. | :15:39. | ||
It must feel nice when you walk up the carpet and they are yelling | :15:39. | :15:47. | |
your name. Yes. I thought that was your voice! I listened to your mix | :15:47. | :15:51. | |
CD all of the time. I can't believe that. That was three years ago. | :15:51. | :15:56. | |
beautiful gesture on your part. Thank cue. Congratulations on this | :15:56. | :16:01. | |
role in Moneyball. It must be nice to get recognition for this role. | :16:01. | :16:05. | |
It is incredible. To be nominated for a BAFTA and an Academy Award, | :16:05. | :16:11. | |
it is very surreal. It shows us the Vorsah -- versatility of you as an | :16:11. | :16:17. | |
actor. We love you in those roles. It shows you have more to offer. | :16:17. | :16:22. | |
am just an actor. I like to play different parts. It is important to | :16:22. | :16:28. | |
challenge yourself. What about working with someone who has years | :16:29. | :16:33. | |
of knowledge like Brad Pitt? He must be able to suck in... | :16:33. | :16:39. | |
doesn't know anything. He is the greatest! He is such a good | :16:39. | :16:43. | |
producer, a good actor. He has made such cool and brave choices and I | :16:43. | :16:48. | |
respect him so much. Congratulations. Thank you. Hoping | :16:48. | :16:54. | |
to see you on the stage. Almost 1,000% sure I will win! Thank you | :16:54. | :17:04. | |
:17:04. | :17:04. | ||
Time once again to pause for a moment and take a look at another | :17:05. | :17:10. | |
contender in the Best Film category. Funny, adorable and nominated for | :17:10. | :17:14. | |
12 awards tonight, it is the artist. Its leading man and nominated for | :17:15. | :17:19. | |
Best actor, Jean Dujardin, will be chatting to us in a moment, | :17:19. | :17:22. | |
straight after we have seen this love letter to the Hollywood silent | :17:22. | :17:32. | |
:17:32. | :17:48. | ||
It is the story of a silent movie actor and he is a massive star. He | :17:48. | :17:58. | |
:17:58. | :18:01. | ||
meets a young lady. He will fold He is a joker, sometimes arrogant. | :18:01. | :18:10. | |
A nice guy. No instinct for the future. George Valentin can't make | :18:10. | :18:18. | |
the adaptation into talkies and resists. He hits bottom. It is the | :18:18. | :18:24. | |
rise of the young actress who will become very famous. This girl, | :18:24. | :18:34. | |
:18:34. | :18:47. | ||
She has definitely got star quality, It is a love story not only for a | :18:47. | :18:57. | |
:18:57. | :19:11. | ||
man and woman, it is also a love Crazy, crazy. Jean Dujardin, how | :19:11. | :19:20. | |
are you? Fine. It is cold. Come on, yes. Like France. You should be | :19:20. | :19:25. | |
used to it. Congratulations on this film. Thank you, I'm very happy and | :19:25. | :19:33. | |
very proud. I am proud for the artist and the film. Did you ever | :19:33. | :19:37. | |
expect that this film would capture people's imaginations the way it | :19:37. | :19:47. | |
:19:47. | :19:52. | ||
has? No. It is a small movie, 35 days for the shooting. It is just a | :19:52. | :19:58. | |
simple movie, a love story. It is unbelievable. Did you discover you | :19:58. | :20:07. | |
have very good cheekbones after all of the expressiveness? Les! It is | :20:07. | :20:15. | |
my face, I'm sorry. Gorgeous. beautiful. A my nose, my eyebrows. | :20:16. | :20:21. | |
Stop it! I hope to see you tap- dancing at the after-show party. | :20:21. | :20:30. | |
Yes, every day. My feet would be warm if I was tap-dancing! | :20:30. | :20:34. | |
Still to come, we will take a look at our remaining Best Film | :20:34. | :20:40. | |
contender and chatting to both stars. First, we know they can act, | :20:40. | :20:45. | |
but can they dress? Let's take a closer look at the glamourous and | :20:45. | :20:52. | |
the gorgeous in our red carpet fashion fix. I am here to show off | :20:52. | :21:00. | |
my dress! I am wearing a very beautiful suit that was made by | :21:00. | :21:10. | |
:21:10. | :21:11. | ||
Christopher Bailey. I love this stress. -- dress. I feel like a | :21:11. | :21:21. | |
:21:21. | :21:25. | ||
million dollars. Everybody here is Red carpet glamour and it is at its | :21:25. | :21:28. | |
finest. Speaking of which, the gorgeous Michelle Williams. How are | :21:28. | :21:34. | |
you? A little gold. What are you wearing? A dress from age and them. | :21:34. | :21:43. | |
Wow! I know you're a little cold. Congratulations on the nomination. | :21:43. | :21:48. | |
An incredible role. They don't come along very often for actresses. | :21:48. | :21:52. | |
is once-in-a-lifetime. In terms of the dedication you put into | :21:52. | :21:57. | |
recreating it. It was like changing for you. It was. It is the hardest | :21:57. | :22:03. | |
I have ever worked on a movie. lived it. You were reading love | :22:03. | :22:07. | |
stories in a Marilyn voice to your girls. I did, she became a big part | :22:07. | :22:12. | |
of our lives. How does it feel to be in a category with people like | :22:12. | :22:17. | |
Meryl Streep? Such a thrill. I am such a fan of her. You look | :22:17. | :22:26. | |
gorgeous, go and get warm. Good Time to take a look at the last of | :22:26. | :22:32. | |
our contenders for the best film. With equal amount of laughs and | :22:32. | :22:36. | |
tears, George Clooney plays a Hawaiian landowner who has to deal | :22:36. | :22:42. | |
with male menopause and a desire -- dysfunctional family in their | :22:42. | :22:47. | |
descendants. George will be here in person after this. I am ready now, | :22:47. | :22:53. | |
ready to talk, ready to change. I am ready to be a real husband and a | :22:53. | :23:03. | |
:23:03. | :23:03. | ||
real father. Just wake up. Please, What you've been going through, it | :23:03. | :23:08. | |
is a tough deal. Just trying to keep my head above water. It is a | :23:08. | :23:13. | |
story about Matt King, who is a father and her husband, and is not | :23:13. | :23:17. | |
really great at either of them. don't know what to do. You need to | :23:17. | :23:26. | |
spend more time with her. He is now in charge of these two girls who he | :23:26. | :23:33. | |
doesn't know very well. Shut up! Easy. Where did you learn to talk | :23:33. | :23:38. | |
like that? It is kind of like a lot of teachers' relationships -- | :23:38. | :23:43. | |
children's relationships with their fathers. I will be a lot more civil | :23:43. | :23:47. | |
if he's around. Don't ever do that to me again. She loves him and she | :23:47. | :23:51. | |
knows he has a lot to offer, but she looks at him as a child. She | :23:51. | :24:00. | |
takes on the parenting role. You don't have a clue, do you? Mum was | :24:00. | :24:08. | |
cheating on you. I am the antithesis of Matt King. I would | :24:08. | :24:14. | |
like to know who my life was -- wife was seeing. He is stoic and in | :24:14. | :24:18. | |
his own world. Brian is able to pay attention to her. You might not be | :24:18. | :24:26. | |
able to hear this right now, but she was lonely. Who are you? The | :24:26. | :24:31. | |
anything I know for sure if you are a god damn liar. This is a story of | :24:31. | :24:41. | |
:24:41. | :24:51. | ||
his slow and gentle a wakening. -- Higher! How are you? Good to see | :24:51. | :24:59. | |
you. You look very nice. So do you. Are you staying warm? Not bad, I | :24:59. | :25:06. | |
have thermals. How are you? Good. Congratulations on this film. It | :25:06. | :25:10. | |
doesn't rely on anything apart from great performances and great story. | :25:10. | :25:15. | |
And bad shirts. And high trousers! I like that. Nominated for best | :25:15. | :25:24. | |
actor. Have you got a speech? think it will probably be a Gary | :25:24. | :25:33. | |
Oldman board Jean de Jardine. I get the sense... Brits love you. I will | :25:33. | :25:39. | |
still have a drink! Nominated with your bodies -- buddies as well. | :25:39. | :25:44. | |
don't like him so much. Keeping you guys separate. The rest of the guys | :25:44. | :25:48. | |
are fine. Have there been things that have caught your attention | :25:48. | :25:54. | |
this year? A lot. A lot of films I have liked this year. I really | :25:54. | :26:01. | |
loved the artist. I loved we need to talk about Kevin. Tilda Swinton | :26:01. | :26:06. | |
is great in it. A bunch of others. You guys worked together. Nice to | :26:06. | :26:09. | |
see her up there getting recognition for it. Hard but | :26:09. | :26:14. | |
brilliant performance. It is a rough film. You want to get that | :26:14. | :26:19. | |
kid! That is the thing about this year, there's such a diversity of | :26:19. | :26:25. | |
films. Silent movies to terrifying films are just great stories. | :26:25. | :26:29. | |
is a really interesting film, fun film. A lot of great movies this | :26:29. | :26:39. | |
:26:39. | :26:41. | ||
A little bit of a crazy welcome. is really nice for top people must | :26:41. | :26:45. | |
have been waiting in the cold for a long time. You have been here | :26:45. | :26:48. | |
before it and you always get a great response. People are always | :26:48. | :26:53. | |
kind to us. Congratulations on Moneyball. Thank you, you guys are | :26:53. | :26:57. | |
not supposed to like baseball. don't get it but I like the film. | :26:57. | :27:04. | |
get it. Were you a big baseball fan? Not really. Now you are? | :27:04. | :27:11. | |
book was about value and how to create a fair playing field. Those | :27:11. | :27:15. | |
things are universal. What a great bunch of people to be in a category | :27:15. | :27:22. | |
with. We have got some great our up-and-coming actors. The most | :27:22. | :27:27. | |
amazing work. Not so sure about George Clooney? Gary Oldman, we | :27:27. | :27:34. | |
have all... He is as good as it gets. A hero of mine. Do you still | :27:34. | :27:40. | |
get star-struck or overwhelmed when you meet people like that who have | :27:40. | :27:47. | |
inspired you? Not so much. It is more of a privilege to get to talk | :27:47. | :27:52. | |
and chat with them. I really value that. A Jonah Hill, great to see | :27:52. | :27:56. | |
him. Great to see him getting the game. They were shouting his name | :27:56. | :28:03. | |
earlier. He is a super hero. Such versatility as an actor as well. | :28:03. | :28:07. | |
Yes, he really did an amazing job. It is well-earned and always nice | :28:07. | :28:13. | |
to see someone pops out of the box. How long did it take you to get | :28:13. | :28:21. | |
dressed? The buttons take a little bit. Cufflinks? About 15. Top of | :28:21. | :28:28. | |
the table. But like tonight. -- good luck tonight. That is it from | :28:28. | :28:33. | |
the star studded BAFTA red carpet this year. Brad Pitt, George | :28:33. | :28:37. |