16/02/2014 The British Academy Film Awards


16/02/2014

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flashing images. The red carpet is where it all starts. . The BAFTAs is

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one of the red carpets on the planets, it is very exciting.

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Let's just celebrate. There's a very warm reception here.

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It is like the running of the bulls! We're lucky. We're really lucky,

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actually. The film industry's biggest names

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are braving the cold to look the very best for such a glamorous

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occasion. It took me about three or four hours to get ready. Con

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Controversial going for the black suit. It is not just about glitz and

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glamour. There's one extraordinary reason why they are all here

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tonight. Damn it - so many good movies. Philomena was great, 12

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Years A Slave. 12 Years - that's what I am betting on. That's my my

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money is and I don't like to lose money. The wait is almost over. You

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can sense the anticipation. I cannot wait to see what's in store for

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tonight! We'll see. You never know what will happen. The stars are here

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and the stars are set for a night of drama, celebration and plenty of

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surprises. It is time for the British a British Academy Film

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Awards, 2014. Please welcome our host for this

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evening, Stephen Fry. APPLAUSE

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Good evening, good evening, ladies and gentlemen. Welcome to the EE

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BAFTA, or British Academy Film Awards. They say what comes around

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goes around. Whoever this day may or may not be, here we are, I find

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myself humbled, honoured n and in the best sense of the word, paid to

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be here. This is the greatest night of the British film calendar, if

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there is such a thing. If there is, I am putting myself up to be a nude

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Mr August for 2015! Let me cleanse your mind of that horrible image

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now. Destiny has dealt us a royal flush, because we also find

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ourselves within the plush womb of the resplendent Royal Opera House.

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We have faces sofa mill yar that you want to lick -- so Familiar that you

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want to lick them. Many have been inspired by what some like to call

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"Real life." That weird, fantastical land outside Hollywood, which

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unfortunately we have to visit from time to time. Which has provided us

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with tales of defiance, greed, passion and exploding microwave

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ovens. Also this year, we have been blessed with a small glut of films

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about individual struggles against insurmountable odds like Chiwetel

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Ejiofor whose portrayal portrayal in 12 Years A Slave was so engrossing,

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I wished that it was called 24 Years a Slave. I mean that in the best

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possible way, if there is a good way for me to say that! Beaming in row

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J, seat nine, is the star of the utterly compelling Blue Jasmine,

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Cate Blanchett. APPLAUSE

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She plays a woman who finds herself penniless and on the verge of a

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breakdown after being betrayed by a ruthless man. It is based on matters

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unravelling in the French presidency. Your muted laugh tells

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me you don't give a flying hoot about French politics. That was a

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brilliant reference. Look, Leo the Lion, who has...

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APPLAUSE He turned ferociously lupin in the

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blistering wolf of Wall Street. Mr DiCaprio we have a custom of asking

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one of those assembled if they would not mind blowing a kiss down the

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camera. Would you believe it, we drew lots until your name came out!

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What are the odds of that? If you would be a real darling and oblige.

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I shall never wash my eyes again. The star of the simply wonderful

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American Hustle, Christian Bale, is with us.

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APPLAUSE Still in character I see - although

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he has chosen a different 70s wig and he has lost his pot belly! How

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do you do that? I've spent years... Well, I suppose I why I am this side

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of the stage and you that. Self-control! The man with brighter

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flares than Christian, Tom Hanks is here.

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APPLAUSE I don't know how the passing cargo

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ship missed his flares! Hello, sailor. I am feeling a little

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love-sick at the thought of you being here, but Rita knows she's

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save. Also a little seasick, to be honest. Of course bringing the over

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70s to our screen, we have Emma Thompson... No - not a year... Not a

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year over... Well, actually she's younger than me. We hoped to have

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here Brad Pitt and Angelina Joli. They couldn't make it. They are not

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fooling anyone. Her eyes are brown and she would never wear a dress

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like that. We are in the company of Dame Helen Mirren, who this year has

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brought her grandson along. Welcome the Duke Duke of Cambridge.

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APPLAUSE So, let an absolute belter of a year

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in film be relived in the sounds of a belter of a live performance.

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Ladies and gentlemen, let your jaws plummet as we revel in an astounding

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12 months in the company of an award-winning rapper, it is Tinie

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Tempah and Laura Mvula. # We have learnt to fly away.

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# No tear tears when the sun goes # He'll never die

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# Here, everyone's a hero # We all have a second chance

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# And have a place piano # Because here I've learnt to dance

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Trying to get him # Dancing the devil

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# With my two left feet # Dancing the revels on New Year's

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Eve # A blue dress

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# She says to my mother # Hello to everybody's favourite MC

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# Somebody's mother, getting too friendly

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# Why the hell am I sitting next to an MP

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# Because they ain't in the scholarship

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# # Here, everyone's a hero

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# Yeah # We all learn to fly away

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# Fly # No tears when the sun goes

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# Laura Mvula, everyone! No way! # Here everyone's a hero

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# We've all got a second chance # Amen

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# And play piano # Because here I dance again

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# I'll be going # A sensor

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# I go deep, I'm Tinie Tempah # No race, religion or gender

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# # Give me top marks

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# Will take the Tube # Send a car

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# Count your stars # Trying to learn guitar

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# Together we stand # Together we fall apart

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# Here, everyone's a hero # We all got a second chance

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# Amen # And heaven plays piano

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# Demonstration # And heaven plays piano

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# Here I learnt to dance, to Tinie Tempah and Laura Mvula. That

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takes me back to my days as an early rapper, two-step my stro. We receive

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some dear, dear friends, without whom we would be out of business - I

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am talking about the great British public. They and the naked British

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public are almost all welcome, apart from you - you know who you are!

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Before we tuck in, an advisory note, usually if you are given something,

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say a cup of tea, for example, it is customary to say "Thank you." You

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don't go on and thank the kettle and the cup and the milk! The cow! And

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the tea-picker! Award winner, I trust I make myself very clear - the

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briefer you are, the more we will love reverence and adore you. I must

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go speedily to the first award for Outstanding British Film. Presented

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in honour of Alexander Corder. We are privileged to offer you a star

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of unrif valued stature. Her performance in The Butler was so

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moving I almost gave mine the afternoon off!

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They even named this very building after her! Please welcome the royal

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Oprah Winfrey. Hi. Well thank you so much - it is a

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great pleasure for me to be at the Oprah House. Sounds nothing like my

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mine. It is wonderful being here, both as a nominee and as a guest

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presenter. Let's take a look for the nominations for Outstanding British

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Film. Let's see where we are!

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Let's see where we are... What you doing sat here? Go out and

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make some money. Go on! Got that bridle too tight on that

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horse! I'll come out and sort it out for

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you. She's one in 100,000. What do you

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people - so that's just maths. You people - so that's just maths. You

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should be nice to the people on the way up because you might meet them

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again on the way down. You, of all people, should understand that!

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APPLAUSE And the BAFTA goes to Gravity.

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Thank you. Excuse me, I've got a bit of a cold, but this sure as hell is

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going to make it better. First, thank you BAFTA. This is beyond

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belief. And best of all, it recognises everybody who was

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involved with the film. We have had the most incredible crew on this

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film. Unbelievable. Also, Framestore and the team who created the visual

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effects. Incomparable. APPLAUSE

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Of course, the film would be absolutely nothing without our cast,

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George Clooney and of course, as I said, the heart of the film, San bra

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Bullock. APPLAUSE

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-- Sandra Bullock. Thanks to Warner Brothers. Thank you, Sue, amazing.

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Of course, as my fellow producer, he probably wouldn't say it himself,

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but we wouldn't be here without our wonderful direct director, Mr

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Alfonso. Thank you very much. And thank you. Whoops, thank you Rose!

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APPLAUSE Now to the award for Animated Film.

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The Last King of Scotland and Cock Bull story are some of the films of

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this gifted actress who speaks fluent American. An actor of sheer

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unadulterated talent. Please welcome Gillian Anderson and David Oyelowo.

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Hello, everyone. So much work goes into making an animated film that

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just a few seconds on screen involves hours and hours of

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painstaking work for an awful lot of people. Yes, honey. Let's take a

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look at the nominations. Frozen. We are trying to bring back

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summer. I don't know why, but I've always loved the idea of summer and

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sun and all things hot. Really? I'm guessing you don't have much

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experience with heat. Monsters University. Do you pledge your souls

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to them? Do you pledge to keep a secret of all that you learn? No

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matter how horrifying. Will you take the sacred oath. Turn the lights on

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while you are down here. Despicable Me 2. Kevin, urgh... He's not Kevin

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any more. He's an indestructible mindless killing machine.

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And the BAFTA is awarded to Frozen. Wow. This is amazing. We would love

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to thank BAFTA and also our cast and crew. It took about 600 people that

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were on this one, so, I'd like to thank them for all the drawings they

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had to draw and redraw. They made mountains of ice and snow for us and

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also there were hundreds of hours of voice recording and computer rigging

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to create our characters and bring them to life. And we'll never forget

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Bobby and Christian Lopez on the penal no-ry day and John lasstering

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strutting down the hall flipping his hair round singing "let it go" and

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also to Ed Cattermole who slammed his hand down on the table one day

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and screamed "we've got ourselves a musical" so to them we want to say

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thank you and this is for them. Thank you.

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Now we have many traditions here at BAFTA alongside the one where I get

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a bit tipsy at the after party in an attempt to French kiss every

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winner's trophy. There is also the tradition of taking a closer look at

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the five nominees for best film, four of which are based on real

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life, amazingly. What's more, there's also resemblance between all

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of the films and events in my life uncanny doesn't come close to how

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uncanny it is. So, let us start with an in-depth examination of the first

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of tonight's nominees, David Russell's exceptional American

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Hustle, this quite extraordinary achievement takes us back to the

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'70s and a couple of confidence tricksters with doubtful hair who

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get caught up with the police, the mob and a local politician,

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something that recently happened to me just the other week in the

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company of the Mayor with even more doubtful hair than is in the film.

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Hard to believe but true. I shall never accept another breakfast

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invitation from Boris Johnson. This is American Hustle.

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I knew your choices were bad. Behind survival is a story that never ends.

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Ride the storm. Where it takes you is so varied with the characters.

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Horribly flawed, yet you love them. Let's go. They are trying to

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accomplish their own happy ending. It's about the way that we try to

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survive. You are going to have to decide for yourself. I just laid

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everything on the table. I've always said that you were very, very hard

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to motivate. In search of this is bigger truth that he's after. He's

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willing to tell us no lies. I'm in, I'm out. One, two, three, go. Nobody

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directs like David. He's very good about creating characters. David

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cares about the real emotional life that everybody's breathing. You just

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don't know what the heck will happen from day to day. This is under the

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umbrella of the '70s, with the music, hair styles and clothes.

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These dresses are beautiful. Unprintable. Funny. I have nothing

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but respect for you -- unpredictable. Magic.

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APPLAUSE American Hustle who stars Christian

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Bale, Amy Adams and Bradley Cooper are here tonight, along with

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director David O Russell Ly rhyming mode now with American

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Hustle. Looking forward to American bustle, tussle and especially

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American muscle, yes, I just love seafood.

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Well, we have now wound up with the award for Outstanding Debut by a

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British writer, director or producer given the honour of it. This

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person's list of talents is endless. The only thing he hasn't got on his

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CV is film awards show host. God, what have I done, no, no, he'd never

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lower himself. Please welcome the utterly adorable and awe-inspiring

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Steve Coogan. APPLAUSE

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By the way, Steven, in your hands, hosting an awards show is never a

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dissent. Frankly, I think you elevate it to an art form.

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APPLAUSE I've always thought of you as an

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elevator! Now on to Outstanding Debut. All of us at one time or

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another had to make our debut. Mine was about 25 years ago, Stephen's

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was a little longer. Of course, in those day days we were fledgling

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young Turks, men about town with a pager on our belt and the world at

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our feet and a voiceover to go to. Crazy days! Oh, you continue go

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back! Let's take a look at the nominations.

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Keiran Evans. Kelly Victor. Keiran Evans hones his craft directing

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music videos in documentaries before turning his hand to features where

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his strong sense of place and sensitive handling of complex

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characters comes to the fore. Seeing her again? Definitely. Paul Wright,

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Polly Stokes, for these in peril. Background in theatre brought a

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sense of narrative to the film written and directed by one of the

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country's new directors, Paul Wright. Paul took his inspiration

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from his upbringing in a Scottish fishing village. She's the only one

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who'll believe me. Kelly Marcel, Saving Mr Banks. Once

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an actress in stage musicals and TV, Kelly Marcel quit acting to become a

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writer and executive producer. Would Saving Mr Banks, Kelly created a

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script Lauded by fellow writers and film makers alike. Look at you! I

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could just eat you up. That wouldn't be appropriate.

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Scott Graham, Shell. Scott mad three short films before this one and

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spent a total of 15 days on set with his debut feature, Scott directed a

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complex, moving and mature piece of film making which stands as

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testament to his talent and skill. Colin Carberry, Glenn Patterson,

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Good Vibrations. The debut, Colin and Glenn bring wit, energy and

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thought to the real life story of punk rock hero Terry who ran the

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label during the troubles in Belfast.

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APPLAUSE And the BAFTA goes to Keiran Evans

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APPLAUSE APPLAUSE

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Thank you very much. Wow. I was definitely not expecting this.

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There's so many people to thank so better get on with it. To start

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with, I've got to thank my wonderful, wonderful, wonderful

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producer Janine who's stayed with me for eight years to make this happen.

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I wouldn't be here without her. Robin, Theo who believed in me at

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the start and took this project forward. To the wonderful cast and

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crew who I wouldn't be here without and to the wonderful Julia Morris

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and finally to Niall Griffiths who wrote the book and allowed me to

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adapt the film and make it what it is. Thank you so much. Finally, one

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more thing, sorry, I've got to remember this one, family and

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friends in Dublin and Wales and to my two beautiful sons Dylan and

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Jacob who made it happen and to my mum who sat me in front of Hitchcock

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films when I was a kid and to my dad who drove with me on a coach for 50

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miles to an art college. Those moments are the reasons why I'm here

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now. Thank you so much. To present the award is greededly

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brilliant, BAFTA actor, who starred in and written more great films than

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I care or will mention. In film a goddess, in truth, you would be sick

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if I told you how much I love her. Spank your palms together,

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repeatedly for the great Emma Thompson.

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APPLAUSE Is it me, or is it being British -

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what is it that makes being referred to as sicking awful makes me feel so

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much better about myself! I am tempted to ask if there's a

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doctor in the house! I'm so thrilled to be here, to announce the nominees

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for Best Supporting Actor and they are:

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You can't say that Why not. It is a Ferrari.

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The weight distribution is a disaster. It is amazing, all these

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facilities and you make a piece of crap like this!

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You don't play the game! The ship's broken. Nobody gets hit!

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Hey! Look at me. Sure.

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Matt Damon for Behind The Candelabra.

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Lee doesn't have a dim approximate in his chin. I know -- a dimple in

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his chin. I know - it's my face. Just a little one!

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OK. If anybody contradicts you.

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If you lived the them in New England, but you don't!

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Most surely do not. And the BAFTA is awarded to Barkhad

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Abdi for Captain Phillips. Thank you! Thank you!

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I want to thank first of all BAFTA for this honour.

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I want to thank Paul Greengrass for believing in me before I believed in

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myself and putting me into this project. I want to thank Tom Hanks.

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I see you! I want to thank Sony Pictures.

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I want to thank my producers - Dana, Michael and I want to thank my

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family and my friends. I love you. Last, but not least, I want to thank

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my other pirates in the film - my friends and the people that came

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from nothing and we got this. Thank you!

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APPLAUSE Congratulations. We know hold our

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magnifying grass over the second best nominees. Captain Phillips,

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always known as Saving Mr Hanks. BAFTA... I cannot be the first

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person to have thought of that! BAFTA sent me a preview copy of

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Captain Phillips, which annoyingly started with a plot spoiler - a

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piracy warning! I found myself astonished between

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the resemblance between the film and real life. I was trapped in a

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lifeboat capsule with Tom Hanks. Not so much a capsule than a lift, an

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elevator, which got stuck. After we were rescued Mr Hanks was asked how

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he was by the nurse and he just broke down and wept, as he does in

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the film. Spooky! The utterly thrilling Captain

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Phillips. I'll call you from there. What

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really happening is really fascinating. It is a crime story

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that tells you something about the great forces driving us.

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Listen up! We have been boarded by armed pirates. The captain of a

:36:46.:36:50.

large container ship is attacked by four young men from the absolute

:36:51.:36:54.

other end of the world. Once the guys climb up on board the ship, all

:36:55.:37:01.

the rules are off. Nun will get hurt if you -- no-one will get hurt if

:37:02.:37:06.

you don't play no game. The relationship between a captain from

:37:07.:37:10.

our world and a captain from theirs is what drives the film. That

:37:11.:37:17.

becomes more intense. It is an odd burden that is shared between the

:37:18.:37:22.

rich and it is not a pleasant one - it is life and death. There has to

:37:23.:37:26.

be something other than kidnapping people! It is a part of the world

:37:27.:37:31.

that has a story to tell and its people have a story to tell. The

:37:32.:37:36.

actors have done a fantastic job of showing the criminality and the

:37:37.:37:39.

recklessness and the violence of those men, but also the desperation

:37:40.:37:45.

and the humanity. It's over. I I can't give up! Paul has a way of

:37:46.:37:50.

working in which the action goes on and he captures it on three

:37:51.:37:54.

different cameras from different perspectives. That is not how a lot

:37:55.:37:58.

of films are made. He was capturing behaviour. That is the environmental

:37:59.:38:03.

atmosphere that he created. It was worth its weight in gold. Look at

:38:04.:38:06.

me! I'm the captain now! APPLAUSE

:38:07.:38:15.

Captain Phillips, ladies and gentlemen. Don't do what David O

:38:16.:38:20.

Russell has done and do all your next films with riming with your

:38:21.:38:23.

surname - that would be bad! As it would be if you did Tom, come

:38:24.:38:28.

to think of it! We have the stars with us - Tom

:38:29.:38:34.

Hanks and his brilliant costar who is being interviewed by the press at

:38:35.:38:39.

the moment. They all deserve our grateful applause. It is a

:38:40.:38:43.

magnificent movie. APPLAUSE

:38:44.:38:48.

Servicing now cinematography and presenting a pair acting gems one

:38:49.:38:54.

called Helen who has appeared in Harry Potter and one called Ray, who

:38:55.:38:59.

is about to be seen in the epic Noah, inspired by this year's

:39:00.:39:04.

British weather! Please yodel and squeak for the terrifying

:39:05.:39:10.

terrifyingly talent talented ed... Thank you.

:39:11.:39:28.

We are delighted to be here this evening to present the award for

:39:29.:39:33.

cinematography. It never seizes to amaze me what these people create.

:39:34.:39:37.

I was thinking about it the other day. The great ones could make me

:39:38.:39:42.

and your old man look good. Unbelievable! Let's have a look at

:39:43.:39:45.

the nominations. Stick together and we'll be all

:39:46.:40:37.

right! Keep it. You hadn't thought about

:40:38.:40:48.

it! And the award goes to... . Gravity.

:40:49.:40:56.

APPLAUSE Ladies and gentlemen, I am afraid

:40:57.:41:11.

Emmanuel cannot be here tonight so the director will come up and

:41:12.:41:24.

collect the award. Emmanuel Lubezki, we know him - he

:41:25.:41:29.

cannot be here, he's shoot shooting, believe it or not, I think it is a

:41:30.:41:34.

four-and-a-half weeks shoot with a crew of 20 people in the desert. So

:41:35.:41:40.

he's asked me to read this message. Thanks for the British academy for

:41:41.:41:44.

this award. I would like to share it with the cast and crew of Gravity,

:41:45.:41:49.

especially with my friend and teacher. You have to understand it

:41:50.:41:59.

is an ironic way of talking. So Alfonso thank you for allowing me to

:42:00.:42:02.

destroy your dreams to r the last 20 years. It has been incredible.

:42:03.:42:09.

Thank you for coming one this story. Sandy for giving this film a face.

:42:10.:42:15.

And the wizard of effects and the frame store nurds for making this

:42:16.:42:20.

adventure possible. And for shooting a big part of this

:42:21.:42:27.

movie. David Heyman. Warner Brothers for making this movie and my family,

:42:28.:42:33.

my friends and the audience - thank you.

:42:34.:42:36.

APPLAUSE And now we move on to Supporting

:42:37.:42:47.

Actress. To present it a Titanic star to be seen in the ride that is

:42:48.:42:54.

The Wolf Of Wall Street, where there is excessive drugs and I will simply

:42:55.:43:04.

say, please, howl, howl and howl again for Leonardo DiCaprio.

:43:05.:43:14.

When I saw the five actresses nominated I was completely blown

:43:15.:43:28.

away. The talent is enormous. Separating this emis an enormous

:43:29.:43:32.

task. I am pleased I was not one who had to do it. It is my pleasure to

:43:33.:43:35.

announce the winner tonight. Let's take a look at the nominees.

:43:36.:43:45.

All the nutrition out of our food is empty - just like your deals! Empty!

:43:46.:43:52.

Empty. I read it in an article. Look! Print

:43:53.:44:00.

something into this house that will take the nutrition out of our food

:44:01.:44:04.

and then light our house on fire. Thank God for me!

:44:05.:44:14.

What am I going to do without you! I don't!

:44:15.:44:21.

Stop it. Stop it! Please! Would you like to sit in my office. Look,

:44:22.:44:28.

who's this guy, Al? What does he do? I know what he doesn't do - he

:44:29.:44:32.

doesn't make scenes where I work in public!

:44:33.:44:45.

I take so much... 400,000 cotton - day in, day out. And for that...

:44:46.:45:10.

I don't care what else you do, where you go, screw up your life, just...

:45:11.:45:32.

Survive. Please. Oprah Winfrey, the Butler.

:45:33.:45:38.

Get out. Please, please. I can't take this no more. We ain't seen

:45:39.:45:47.

this boy for seven years. Sorry, Mr Butler, I didn't mean to make fun of

:45:48.:45:54.

your hero. Everything you are and everything you have is because of

:45:55.:46:01.

that Butler. And the BAFTA goes to Jennifer

:46:02.:46:12.

Lawrence Lawrence. Jennifer is unable to be here tonight as she's

:46:13.:46:18.

filming, but to collect the award is the brilliant David Russell.

:46:19.:46:26.

Jennifer asked me to read something that said she'd like to thank

:46:27.:46:37.

everybody here at BAFTA, it's an honour for me, she wants to thank

:46:38.:46:43.

Sony, Megan, the producers and her costars, the actors who created this

:46:44.:46:47.

magnificent world with her, Christian Bale, Amy Adams, Bradley

:46:48.:46:52.

Cooper, Robert Dee know row, all the cast and producers -- de Niro, Eric

:46:53.:47:01.

Singh and me and David O Russell, me, and it's a great honour. Here is

:47:02.:47:12.

to telling stories of culture, heartbreak, romance and rebirth and

:47:13.:47:16.

music and life. Thank you very much. This is for Jennifer.

:47:17.:47:27.

APPLAUSE The third of the best film nominees

:47:28.:47:32.

waiting to be forensically examined by us is the heart wrenching

:47:33.:47:42.

exquisite phenomena which is Philomena and it's phenomenal. I

:47:43.:47:46.

struggle to find anything in my life that might mirror events in this

:47:47.:47:54.

genius work. My mother has spent many, many years wondering what on

:47:55.:48:03.

earth has happened to her son! And I have been enchanted and overwhelmed

:48:04.:48:09.

by Philomena. Hello. You must be Philomena. The

:48:10.:48:15.

idea originated with Steve Coogan. He read an article about Martin

:48:16.:48:20.

Sixsmith's book, about a little old Irish lady searching for her long

:48:21.:48:26.

lost son. What really grabbed my attention was in the article in The

:48:27.:48:31.

Guardian, there was a picture of Martin with Philomena. The image

:48:32.:48:36.

struck me because they seemed like very, very different people. Do you

:48:37.:48:43.

want a tune? If I hum it would you play it? It's the most extraordinary

:48:44.:48:48.

true story, finding he was pregnant, her family sent her to the school

:48:49.:48:55.

for Nuns to have the baby and he was taken from her. One, tworks three,

:48:56.:49:03.

action... It's an astonishing story. But it's

:49:04.:49:08.

not a miserable film, it's a very cheerful film because the two of

:49:09.:49:12.

them are such extraordinary characters. Your wife tells me you

:49:13.:49:16.

think you're mildly depressed. Well I got the sack, I'm unemployed. It

:49:17.:49:22.

wasn't your fault. Well, that's why I'm depressed. Steve made me laugh

:49:23.:49:26.

every single day of the shoot. The film is laced with humour which

:49:27.:49:33.

makes it easy to watch. It's a remarkable journey that she and

:49:34.:49:39.

Martin Sixsmith made. To only way you can get through things some

:49:40.:49:43.

times is to laugh or joke. You have to pay for everything on Ryanair...

:49:44.:49:57.

APPLAUSE Dame Judi Dench and Steve Coogan are

:49:58.:50:00.

here tonight. In preparing to play the role of a journalist, such was

:50:01.:50:04.

Steve's desire to know the effect that they have on people, he event

:50:05.:50:08.

went so far as to have his own phone hacked. That's commitment!

:50:09.:50:13.

The next presentation is for outstanding contribution to British

:50:14.:50:17.

cinema, give none honour of the Great British producer Michael

:50:18.:50:21.

Balkan to. Make the presentation, the lead of the British acting

:50:22.:50:24.

establishment who's shone brightly for many years, in 1999 she received

:50:25.:50:29.

a CBE in the Queen's birthday honours list and last year receive

:50:30.:50:36.

add bottle of Prosecco. Go madly ballistic for Juliet Stevenson.

:50:37.:50:49.

Good evening, everybody, I am very, very happy to be here and very

:50:50.:50:55.

honoured to be presenting this award. You could say that the work

:50:56.:51:02.

of Pete Peter Greenaway is characterised by challenge to his

:51:03.:51:06.

audiences, to existing cinematic forms, to his designers and to his

:51:07.:51:12.

actors. I can speak to the last of those. Working with him in 1987 on

:51:13.:51:18.

his film Drowning By Numbers, I found myself stretched to my limits

:51:19.:51:25.

in many interesting ways. Having to push a large naked woman

:51:26.:51:29.

in a wheel barrow up a slippery wet slope in five inch heels, finding

:51:30.:51:35.

myself dropped into a turbulent North Sea in November half a mile

:51:36.:51:40.

out from shore in order to drown my his who let it slip fairly quickly

:51:41.:51:44.

that he couldn't actually swim but hadn't mentioned that at the time

:51:45.:51:51.

because he wanted the part and Thursdayly doing some surprising and

:51:52.:51:56.

inventive things with an ice lolly, a raspberry Mivvi as I recall. I

:51:57.:52:00.

loved every minute of the challenges. Pets Peter Greenaway was

:52:01.:52:06.

always receptive, collaborative and demanding in all the right ways,

:52:07.:52:10.

visionary and inspirational and I was very proud to be a part of that

:52:11.:52:14.

very beautiful film. He does seem to relish going to the edges, observing

:52:15.:52:19.

and recording the furthest extremes of human appetites, the cutting edge

:52:20.:52:24.

of what is sin matically possible and the boundaries where cinema and

:52:25.:52:29.

painting meet. He understands that going to the edges, you often find

:52:30.:52:35.

the centre. He has no time for convention or Orthodoxy, while

:52:36.:52:39.

lovingly paying tribute to the artists who've inspired him and

:52:40.:52:45.

their influence is always present in the exquisite compositions of his

:52:46.:52:49.

frames, beauty and invention in every shot.

:52:50.:52:53.

Peter once told me that if he could have been a Painter, he would have

:52:54.:52:58.

been. But for him, cinema was a second choice. Let's look at some of

:52:59.:53:01.

his incredible creative output. Films to satisfy their sexual

:53:02.:53:25.

fantasies. Who does that? I would imagine most. Privateer Greenaway

:53:26.:53:30.

has explored eroticism in a raw, surreal and darkly cometic way.

:53:31.:53:40.

Don't be stupid. He's a distinctive, iconic film maker who continues to

:53:41.:53:46.

shock and inspire in equal measure. Having trained as a Painter, this

:53:47.:53:51.

background in visual arts transfers into the screen with extraordinary

:53:52.:53:56.

stage designs, elaborate costumes and an appreciation of art. Your

:53:57.:54:04.

face is very red. No redder than your backside. The 1982 film

:54:05.:54:13.

established him as an innovative and established British film maker. I'll

:54:14.:54:18.

kill and eat him. He went on to make the Cook, the Thief, his wife and

:54:19.:54:23.

Her lover, starring Helen Mirren and Michael Gambon. Try a little harder,

:54:24.:54:28.

please. Refounded for his exploration of the cinematic medium,

:54:29.:54:32.

the imaginative director continues to push in new and exciting ways the

:54:33.:54:38.

boundaries of cinema. Having waited so many years to honour this

:54:39.:54:46.

visionary architect whom I have so passionately admired, for me, this

:54:47.:54:48.

moment is very sweet indeed. Ladies and gentlemen, the BAFTA for

:54:49.:55:10.

outstanding contribution to British cinema goes to Peter Greenaway.

:55:11.:55:37.

Well, I certainly thank BAFTA for this award. I have to say, I'm very,

:55:38.:55:45.

very surprised to receive it. But I'd like to imagine it was an

:55:46.:55:51.

acknowledgement indeed of contemporary changing cinema which

:55:52.:55:55.

we all know is not the same cinema as our fathers and forefathers, so

:55:56.:56:00.

as an encouragement not only to me but ath but to all those people who

:56:01.:56:06.

believe that cinema continually has to be reinvented. I have a huge

:56:07.:56:11.

number of people the thank. I've been making films now for 30 years

:56:12.:56:15.

and I suppose there's nearly 80 films on the record and all those

:56:16.:56:19.

people I've worked with continually on both sides of the camera have

:56:20.:56:24.

always been extremely loyal and are very happy to that travel -- to

:56:25.:56:31.

travel with me. I have to thank all those people in. The last ten years,

:56:32.:56:37.

probably in the last 20, my Dutch film produce, case Cassander who's

:56:38.:56:43.

always found the money and the circumstances for us to continue. I

:56:44.:56:48.

thank BAFTA for this reward and regard it as an encouragement for,

:56:49.:56:52.

let me repeat, the continual reinvention of cinema. Thank you.

:56:53.:57:06.

APPLAUSE Come along, it's time for the

:57:07.:57:09.

original screen play and, to do the presenting, we have a man with

:57:10.:57:13.

lovely bones who does devilish in Prada and who will add his

:57:14.:57:18.

considerable talents to the Hunger Games, mocking J part one. It's an

:57:19.:57:23.

actor who simply does not know how to give a bad performance. The

:57:24.:57:27.

wonderful Stanley T Tubb tchi. Thank you very much. There is

:57:28.:57:42.

nothing quite as terrifying as being faced with a blank page and having

:57:43.:57:45.

to write something original. You trust me, I know. It took me hours

:57:46.:57:49.

to write this. Let's take a look at the nominations

:57:50.:57:57.

for original screen play. Nebraska. Bob Nelson.

:57:58.:58:09.

Have you ever seen the steel machinery before? I never know what

:58:10.:58:15.

you boys are up to. Why didn't you say it was yours? I thought you

:58:16.:58:20.

wanted it? What for? That's what I couldn't figure out. Blue Jasmine.

:58:21.:58:27.

Woody Allen. Business lunch. Did you take her hand? Are you nuts? Do you

:58:28.:58:33.

think if I was having an affair I would be crazy enough to have it in

:58:34.:58:38.

public in the Four Seasons? It's obvious she has a crush on you. You

:58:39.:58:42.

are building a case. If you were having an affair, I would be upset.

:58:43.:58:46.

Don't get your temper up, I don't like that side of you. Gravity,

:58:47.:58:50.

Alfonso and Jonas Cuaron. American Hustle. Eric Warren Singer

:58:51.:59:17.

and David O Russell. Pf You gisted my girl. That's what

:59:18.:59:26.

vision is. I gave you a compliment. Inside Llewyn Davis. Joel Coen and

:59:27.:59:36.

Ethan Coen. It's not a big re-education for the public. Mel?

:59:37.:59:42.

Snell! How you doing, kid? And the BAFTA goes to Eric Warren

:59:43.:00:03.

Singer and David for American Hustle.

:00:04.:00:14.

I was breast fed from a very young age on British cinema. It is a huge

:00:15.:00:40.

part of my life. Thank you BAFTA, thank you to my wonderful cast and

:00:41.:00:46.

to my studio, to my wife and wonderful children.

:00:47.:00:51.

APPLAUSE I thank you, Eric, for bringing this

:00:52.:00:56.

wonderful story. I thank you, David! I thank you so much.

:00:57.:01:03.

No, I think without Eric or Charles I wouldn't have been here, they

:01:04.:01:07.

brought me this story - characters which came to amazing life I was

:01:08.:01:11.

just extraordinary. Most of all, I just have to thank the actors who it

:01:12.:01:17.

has been my privilege to work with. Thank you, guys.

:01:18.:01:22.

It means the world to me. Thank you! APPLAUSE

:01:23.:01:30.

I think it was not who it was a great privilege of the work with,

:01:31.:01:36.

but with whom it was a great privilege to work. Never mind! So,

:01:37.:01:47.

we now embark on a thorough look at the uncompromising uncompromisingly

:01:48.:01:55.

12 Years A Slave. I too was duped by a couple of gentlemen and found

:01:56.:02:00.

myself in the deep south in intolerable conditions. Have you

:02:01.:02:04.

ever done a book-signing in Bournemouth? As Lord Byron once

:02:05.:02:09.

wrote, sometimes we may laugh so we may not weep. This is a serious film

:02:10.:02:15.

about a serious subject. Prepare to be blown away by 12 Years A Slave.

:02:16.:02:20.

APPLAUSE It's an astonishing story of one man

:02:21.:02:41.

who holds on to his faith. Holds on to his humanity through the worst

:02:42.:02:48.

kind of experience one can think of and I thought the world should know

:02:49.:02:53.

about. Days ago I was with my family and my home. Now you tell me All Is

:02:54.:02:59.

Lost. It feels like fate conspires against this man and puts him in

:03:00.:03:06.

this compromised position. There are ways he is a contemporary hero, I

:03:07.:03:14.

think. I will not fall into despair. I will keep my heart until freedom

:03:15.:03:19.

is offered to me. I am pleased on the page we didn't pull any punches

:03:20.:03:24.

and I know Steve and the actors haven't as well. I said, come here!

:03:25.:03:31.

Stephen is very good with human beings and understands human

:03:32.:03:37.

behaviour and has a curiousty in it and approaches it in a

:03:38.:03:43.

non-judgmental way. Help you, steers you if you need it. I like that

:03:44.:03:46.

about him. I had the book in my hand. I opened

:03:47.:03:53.

the first page of the book and I couldn't put it down. It is a gift

:03:54.:03:58.

from the middle of the 19th century right into the present day. It is a

:03:59.:04:04.

story that speak speaks - there are on-going debates. What it means,

:04:05.:04:09.

what human dignity and respect really mean.

:04:10.:04:16.

There is no justice in slavery. If justice had been done I would never

:04:17.:04:17.

have been here. APPLAUSE

:04:18.:04:31.

12 years a slave, whose stars have done us the privilege being here

:04:32.:04:40.

tonight. Chiwetel Ejiofor, Michael Fassbender

:04:41.:04:44.

and Steve McQueen. It fills me with anxious and horror that I have not

:04:45.:04:49.

experienced since seeing myself naked in sher Sherlock Holmes, Games

:04:50.:04:59.

of Shadows. Now to Adapted Screenplay. A top-notch actor in

:05:00.:05:03.

whose glittering career, to quote one of our contenders for Best Film

:05:04.:05:10.

- some of this actually happened. She stars in American Hustle and in

:05:11.:05:16.

Her and once ingested an entire antelope whole. I will let you work

:05:17.:05:22.

which which ones are true. Please welcome Amy Adams.

:05:23.:05:30.

Taking a story which has been told and adapting it for the screen is an

:05:31.:05:42.

uneve viable task. When it is done well, like really, really well, as

:05:43.:05:47.

with tonight's nominees, the end result is remarkable. Let's take a

:05:48.:05:48.

look at them. And then precisely seven-and-a-half

:05:49.:06:04.

minutes after that, you'll bring us two more and two more after that.

:06:05.:06:09.

Every five minutes until one of us passes out. Excellent strategy, Sir.

:06:10.:06:16.

I'm good with water for now, Sir. It's his first day on Wall Street,

:06:17.:06:19.

give him time! They will not let you win. They

:06:20.:06:30.

can't let you win. They would rather sink this boat than let you get me

:06:31.:06:37.

back to Somalia - it is over! I come too far. I can't pick you up.

:06:38.:06:55.

You have learnt how to read A word here or there. Don't trouble

:06:56.:07:01.

yourself. Same as the rest, the master brought you here to work.

:07:02.:07:06.

That's all. Any more will learn you 100 lashes.

:07:07.:07:16.

I have a California weight. Guaranteed 15 lbs in four weeks.

:07:17.:07:43.

I have always loved that name, Nancy. I have a niece called Nancy.

:07:44.:07:50.

Maybe they think it is her. What about Ann? We'll have to use your

:07:51.:07:56.

real name, Philomena. That is how these things work.

:07:57.:08:01.

APPLAUSE And the BAFTA is awarding to Steve

:08:02.:08:13.

Coogan and Jeff Pope for Philomena. APPLAUSE

:08:14.:08:32.

Gosh! This story started four years ago with a newspaper article I read

:08:33.:08:44.

and I pursued it because I hooked one this guy, Jeff Pope and we

:08:45.:08:48.

managed to bring this story to life. We couldn't have done that without

:08:49.:08:52.

obviously a whole host of people. First of all, we have to thank, of

:08:53.:08:59.

course, Martin Sixsmith for his book that we adapted. Philomena Lee, who

:09:00.:09:08.

is here tonight. The real Philomena. APPLAUSE

:09:09.:09:16.

Her story has been told and her story finished in the Vatican. She

:09:17.:09:20.

has been heard. There are 60,000 other women who are yet to trace

:09:21.:09:24.

their children and their story is not yet over. Briefly though, I

:09:25.:09:29.

would like to thank the dream team that we managed to assemble. Most

:09:30.:09:37.

notably Stephen for his fantastic director. The person who brought

:09:38.:09:44.

Philomena's story to life and gave flesh and blood to her on screen, my

:09:45.:09:50.

dream cast choice and someone whovy fallen in love with, Dame Judi

:09:51.:09:58.

Dench. APPLAUSE

:09:59.:10:04.

Thanks to Christine, who brought Steve and I together. I am so

:10:05.:10:09.

pleased to be able to make up for an appalling scarf that I was wearing

:10:10.:10:13.

earlier. I am thinking, right now, of my father, who I lost in November

:10:14.:10:17.

and my lovely wife, Tina. Thank you. Who brought Stephen Steve and me

:10:18.:10:39.

together. If it is a writing award, you might be able to speak popperly.

:10:40.:10:46.

My tiny production company we are working with Jeff Pope and we know

:10:47.:10:51.

will not be able to afford him. The esmt The EE Rising Star Award is on

:10:52.:10:58.

us now, to present it, two actors who are previous nominees of this

:10:59.:11:05.

very award - she is the Scandinavian star - a woman so Swedish, she comes

:11:06.:11:18.

flat-packed. And he was great in Les Misarable.

:11:19.:11:28.

So, all the nominees in this category are equally brilliant and

:11:29.:11:43.

deserving of this award. Yes, they are indeed. They are a staggering

:11:44.:11:47.

group of actors. I am thrilled that we don't have to make the choice -

:11:48.:11:52.

the public have to make the choice. Let's take a look at them in action.

:11:53.:12:04.

I'm returning from dinner. I live here and you - what are you doing

:12:05.:12:12.

here? All these rules. I think you've got

:12:13.:12:45.

to obey them. What are you talking about? All that noise inside your

:12:46.:12:48.

head. I've no comfort in this life.

:12:49.:13:03.

You can't buy mercy. Are you a writer? No. I'm not.

:13:04.:13:17.

You're not anything. Oh, my God!

:13:18.:13:24.

You know me now? We're not interested in what you

:13:25.:13:45.

think. You are nothing to us. Get what you need and go.

:13:46.:13:57.

It bit me. Where. Trust me, Kenny is fine.

:13:58.:14:05.

So the public has voted and the winner is... Will Poulter.

:14:06.:14:16.

APPLAUSE Start with a cliche - this is a

:14:17.:14:51.

surprise. Thank you so much. I almost cried watching other people

:14:52.:14:56.

go up and get their awards. I am famous in my family for crying and

:14:57.:15:03.

watching Finding Nemo with my dad. It is about a dad who couldn't find

:15:04.:15:08.

his dad, so I shouldn't have watched it with my dad. Jenny and Lee, this

:15:09.:15:14.

is such a huge honour. I am grateful to BAFTA and EE. Especially an

:15:15.:15:19.

honour given it is voted in part by the public, to everybody who voted,

:15:20.:15:24.

I am so grateful. What makes it so truly special and I know it is said

:15:25.:15:34.

a lot and this category and being considered among you - I forget your

:15:35.:15:43.

name. Dane, who I love... Sorry, I am very nervous, Dane. I am genuine

:15:44.:15:49.

fans of all your work. You are amazing. Some personal thanks to the

:15:50.:15:55.

most overqualified team in the world, Christian, Alexander and all

:15:56.:16:01.

the girls at Premier. My family and the best friends ever. Thank you

:16:02.:16:04.

very much. A sober moment now. Just as life

:16:05.:16:27.

itself as influenced your works this year, so it's inevitable dark twin

:16:28.:16:31.

death is responsible for taking from us some of our dearest friends and

:16:32.:16:37.

colleagues. As the author, Montgomerie said however, nothing's

:16:38.:16:40.

really lost to us so long as we remember it.

:16:41.:16:47.

# On the good ship, lollipop # It's a sweet trip

:16:48.:16:50.

# To a candy shop Rebecca's won. No, no, no matter

:16:51.:17:11.

what happens, she hasn't won. Promise me you'll come back for me.

:17:12.:17:21.

I promise I'll come back for you. Twhast you share with someone else

:17:22.:17:49.

when you are uncool. My advice to you, I know you think these guys are

:17:50.:17:52.

your friends. If you want to be a true friend to them be, honest. --

:17:53.:18:01.

if you want be a true friend to them, be honest and merciful.

:18:02.:18:41.

You know what I'm doing, placing my thoughts elsewhere. Why is that

:18:42.:18:54.

guilty smile on your face... Took care of it. You took care of me

:18:55.:19:05.

too. I'll call you, baby. I have 100-strong orchestra. It's

:19:06.:19:28.

not as good as mine, is it? E-I personally think it's better.

:19:29.:19:39.

He's plastered. If I were truly plastered, could I do this? !

:19:40.:19:53.

So our fifth outstanding work Gravity is a breathtaking

:19:54.:20:07.

bombardment of the senses that left me and everyone else that's seen it

:20:08.:20:12.

reeling. Again, eerily close to the experience I had only the other

:20:13.:20:16.

night which began embarrassingly when I invited Sandra Bullock to my

:20:17.:20:20.

house for what she thought was dinner when I just wanted her to fix

:20:21.:20:24.

my satellite dish. She didn't budge though, bless her. Made in Britain

:20:25.:20:28.

for the entertainment of the universe, ladies and gentlemen,

:20:29.:20:33.

Gravidad! Explorer, this is Houston. Mission

:20:34.:20:42.

abort. Repeat. Go, go, go. We wanted to do a film about adversity. It's a

:20:43.:20:48.

story about what makes us try when there's nothing left to try for. The

:20:49.:20:54.

journey she goes on, she ultimately makes the decision to choose life.

:20:55.:20:59.

When you are writing, you are not thinking how you are going to make

:21:00.:21:02.

it happen. I have to say, I thought it would be much simpler. It wasn't

:21:03.:21:08.

until late on, we realised what we were creating. It was designed

:21:09.:21:13.

around the extremely long shots. The camera is always moving. There's no

:21:14.:21:19.

right or left. It took a while to work tout best technique to do it.

:21:20.:21:26.

Whatever reading system they had, these were all new creations,

:21:27.:21:31.

brilliant people who had to think of something that didn't exist to make

:21:32.:21:36.

a movie. Alfonso was told it couldn't be done. It was literally

:21:37.:21:45.

like, your life in their hands. Something could crash into my

:21:46.:21:49.

fashion. Nothing you could do, just say goodbye. Just lay yourself in

:21:50.:21:55.

the hands of the smartest guys in the room. No, no, no. Nudge. No, no,

:21:56.:22:03.

no. The complexity challenged everybody, but it was great.

:22:04.:22:17.

APPLAUSE The marvellous Gravity starring the

:22:18.:22:24.

out of this world Sandra Bullock. Sandra is soon to be seen in three

:22:25.:22:29.

more films inspired by Isaac Newton, the first being Calculous and also

:22:30.:22:40.

the Apple Fell on my Head. Many delights have we tasted but those

:22:41.:22:44.

that lie in wait are the most succulent fruits of them all, being

:22:45.:22:49.

the fellowship, best film, leading actress, director and the current

:22:50.:22:52.

object of our attention which, has there is no award for mis-Leading

:22:53.:22:56.

Actor, is for Leading Actor. To present it, a woman with exceptional

:22:57.:23:02.

movie star talents and looks and exceptional movie star starriness.

:23:03.:23:06.

In short, she's without exception, exceptional. Throw off the shackles

:23:07.:23:11.

of conformity and unrestrain your restraints as you welcome the one

:23:12.:23:13.

and only, Uma Thurman. In this incredible year for film,

:23:14.:23:38.

the following gentlemen gave brave, passionate, inspirational and

:23:39.:23:43.

utterly sincere performances, so let's take a look at them.

:23:44.:23:53.

Cassanderian Bale. American Hustle. You got too much attitude to be

:23:54.:23:57.

small and sleek. You have to be a conman, right, I'm in, I'm out, I

:23:58.:24:02.

was there all the time, you don't know it, all right. That's somebody

:24:03.:24:10.

who people can pin their beliefs on. Are we going to Lincoln today? Bruce

:24:11.:24:16.

Dern, Nebraska. A little bit. A lot. All right. So I drink a lot. God

:24:17.:24:22.

damn it. So what, you do what you wanna do, so do I. You'd drink too

:24:23.:24:29.

if you were married to your mother. Chiwetel Ejiofor, 12 year s Years A

:24:30.:24:32.

Slave. That's the only way to survive. I

:24:33.:24:58.

don't wanna survive. I wanna live. Tom Hanks, Captain Phillips. Keep

:24:59.:25:06.

them away from the important things like the generator and engine

:25:07.:25:15.

controls. Stick together and we'll be all right. Good luck. Leonardo

:25:16.:25:24.

DiCaprio, The Wolf Of Wall Street. You listen to me and you listen

:25:25.:25:29.

well. Pick up the phone and start dialling. Is your landlord ready to

:25:30.:25:35.

fix you? Good, pick up the phone and start dialling because your

:25:36.:25:39.

girlfriend thinks you are a worthless loser. Pick up the phone

:25:40.:25:42.

and start dialling. I want you to deal with your problems by becoming

:25:43.:25:49.

rich! And the BAFTA goes to Chiwetel

:25:50.:25:56.

Ejiofor, for 12 Years A Slave. Wow. Wow, wow, wow.

:25:57.:26:31.

CHEERING AND APPLAUSE Oh. Thank you, thank you so much.

:26:32.:26:39.

Thank you so much. Thank you. Thank you to BAFTA for this extraordinary,

:26:40.:26:46.

this incredible award, I'm so deeply honoured, privileged to receive it.

:26:47.:26:50.

I have so many people to thank for this. I want to start with Steve

:26:51.:26:57.

McQueen. Thank you. Thank you, Sir. Thank you for your work, for your

:26:58.:27:02.

artistry, for your passion in this project, you really just brought us

:27:03.:27:08.

all through it and had the real vision to tell this kind of

:27:09.:27:13.

remarkable story to introduce me to Solomon which I thank you for, the

:27:14.:27:19.

extraordinary life that he had and to tell this story in a way to make

:27:20.:27:27.

it of such value, of such worth to all of us who were there, all of us

:27:28.:27:31.

who worked with you, thank you for this, this is yours, by the way. I

:27:32.:27:36.

know that, you know that, it's yours, I'm going to keep it, but

:27:37.:27:44.

it's yours. I want to thank an incredible cast of actors that I had

:27:45.:27:49.

this remarkable opportunity to go on this journey with. Slightly unfair

:27:50.:27:53.

to pick out people, there are so many, but I would be remiss if I did

:27:54.:27:59.

not thank you, Michael Fassbender, for your extraordinary work. You are

:28:00.:28:07.

a marvel, as is Lupito N'Yongo, Benedict Cumberbatch, Paul Giamati,

:28:08.:28:14.

an extraordinary group, really, Michael Kay Williams, the list was

:28:15.:28:20.

endless with everybody bringing extraordinary passion to this

:28:21.:28:24.

project. I want to thank my family, my mother who is here, I love you,

:28:25.:28:29.

my late father who is not here, I love you too, my brothers, sisters,

:28:30.:28:36.

my niece and nephew who with brand-new actually, Hero and River,

:28:37.:28:39.

we'll endeavour to make a world that you are proud of. I want to thank

:28:40.:28:49.

Bob and Suzie Wallensthin, Laura Simons and Emma Scott, Michael

:28:50.:28:53.

Cooper and John Burnham. Thank you all so much for this. Thank you.

:28:54.:28:59.

CHEERING AND Congratulations to Chiwetel Ejiofor.

:29:00.:29:13.

In honour of the legendary David Lean, we advance to the award of

:29:14.:29:19.

Director. The super talent whose father, mother and brother are

:29:20.:29:22.

respectively a director, screenwriter and actor, hardly

:29:23.:29:26.

surprising she's followed in the tradition though she will perhaps

:29:27.:29:29.

one day achieve her dream of breaking away and pursuing her real

:29:30.:29:33.

ambition of becoming a quantity surveyor. With her, a brilliant

:29:34.:29:39.

character actress, Dara frost-Nixon and the Queen whose career is

:29:40.:29:43.

reaching such heights, he'll soon have to play it himself. Please

:29:44.:29:50.

welcome Maggie Gyllenhaal and Michael Sheen.

:29:51.:29:59.

Great directors are visionaries, dreamers with a goal to create a

:30:00.:30:05.

masterpiece. To be fair, so are the not so great

:30:06.:30:10.

ones. The difference is the great ones have the ability to follow

:30:11.:30:13.

through on those dreams and visions and turn them into astounding works.

:30:14.:30:20.

The five directors nominated tonight definitely fit into that category.

:30:21.:30:26.

Let's look at their remarkable achievements.

:30:27.:30:31.

You should alert your crew. Get your fire hoses ready and follow

:30:32.:30:37.

lock-down procedures. Is that it? So, you settle into your role then!

:30:38.:30:52.

My back is thick with scars! For protesting our freedom. Do not...

:30:53.:31:04.

Five, four, three, two, one... Can me and the man talk about business

:31:05.:31:11.

here? Expensive champagne. We had to buy

:31:12.:31:34.

champagne. Tell them about the sides. $26,000 worth... Do they cure

:31:35.:31:43.

cancer? And the BAFTA goes to... Alfonso

:31:44.:32:03.

Cuaron. APPLAUSE

:32:04.:32:19.

Thank you, BAFTA. After seven years of criticising

:32:20.:32:31.

Russell's English, I don't know if I can open my mouth! But, yeah, I

:32:32.:32:38.

mean, you cannot tell from my accent but I consider myself a part of the

:32:39.:32:43.

British film industry. I live in London the last 13 years. I have

:32:44.:32:48.

done almost half of my films in the UK.

:32:49.:32:53.

I guess that I make a very good case for curbing immigration!

:32:54.:33:00.

LAUGHTER APPLAUSE

:33:01.:33:08.

Well, this means a lot to me because this community who is giving this

:33:09.:33:13.

award - I want to share this and thank my teacher in film and master

:33:14.:33:20.

in life. Sandra Bullock, who is Gravity. You know, without her

:33:21.:33:26.

performance everything would have been nonsense. And in this

:33:27.:33:31.

distinction, this poor understanding of cinema that creates distinctions,

:33:32.:33:38.

upstairs and downstairs distinctions, in which some

:33:39.:33:43.

categories are artistic and others are the fineness and technical. I

:33:44.:33:49.

want to share this award with all the artists that live downstairs,

:33:50.:33:56.

that make these films possible and a couple of guys that is Ian and Alex

:33:57.:34:06.

because I cannot order breakfast without asking their advice and, as

:34:07.:34:17.

always, thank you so much. Well, it is now time for leading

:34:18.:34:30.

actress. To do the presenting a wonderful actor, you would have of

:34:31.:34:38.

sal vated over in Bronson and who it has been said, good gracious. He is

:34:39.:34:46.

man so handsome, we are relieved he's not followed in the current

:34:47.:34:50.

trend and turned up with a bag on his head. Please welcome Tom Hardy.

:34:51.:34:55.

APPLAUSE Thank you, it is a tremendous night

:34:56.:35:13.

to be here to of present the award to Best Leading Actress. Hard work,

:35:14.:35:21.

profound talent are what these five fantastic actresses have. Let's take

:35:22.:35:26.

a look. Probably did suspect. Not that

:35:27.:35:42.

everything was 100% above above. Christ, you would have to be an

:35:43.:35:48.

idiot not to think his phenomenal success was true. A cheat is a

:35:49.:35:51.

cheat! Do those children make letters for

:35:52.:36:04.

you? Do they write letters? Do they make drawings? Would you tear up

:36:05.:36:08.

those gifts in front of them? It is a dreadful thing to do! I don't

:36:09.:36:13.

understand why must father tear up the advertisement his children have

:36:14.:36:18.

made and throw it in the fire place? Why won't he mend their kite?

:36:19.:36:28.

To get us out of this - not just me, but us. I'm going to get really

:36:29.:36:39.

close with Ritchie, the cop in case we need to use him, if we need

:36:40.:36:44.

another move. We don't need another move. We need four busts and we're

:36:45.:36:51.

done. We'll need another move - trust me!

:36:52.:36:58.

I'm going to die today... Funny that, you know, to know, but the

:36:59.:37:13.

thing is I'm still scared. I'm really scared.

:37:14.:37:22.

A terrible sin and had to be punished. What made it so much worse

:37:23.:37:30.

was that I enjoyed it. What? The sex.

:37:31.:37:36.

It was wonderful, Martin. I thought I was floating on air. He was so

:37:37.:37:40.

handsome - the way he held me in his arms. The thing is, I didn't even

:37:41.:37:43.

know I had a clit rus, Martin. And the BAFTA goes to Cate

:37:44.:37:50.

Blanchett. Thank you BAFTA. I was sitting in

:37:51.:38:28.

row G. I thought that was a sign I wouldn't be getting up here tonight.

:38:29.:38:32.

Blue Jasmine was the most extraordinary opportunity for an

:38:33.:38:36.

actress, this actress. God, I'm unfit!

:38:37.:38:42.

So, to everyone who made that, not only possible, but so memorable and

:38:43.:38:45.

such a game-changer for me, I thank you. I would like to dedicate this

:38:46.:38:53.

to an actor who has been continual, profound touch-stone for me - a

:38:54.:38:58.

monumental presence, who is so sadly in absence. The late great Phillip

:38:59.:39:12.

Hoffman. And Phil, your monumental talent. Your generosity and your

:39:13.:39:17.

unflinching quest for truth, both in art and in life will be missed by

:39:18.:39:21.

not only me, but by so many people, not only in this room and the

:39:22.:39:24.

industry, but the audiences who loved you so dearly. You raised the

:39:25.:39:30.

bar continually, so very, very high, and I guess all we can do in your

:39:31.:39:35.

absence is to try and raise it continually through our work. So

:39:36.:39:41.

Phil, buddy, this is for you, you bustard, I hope you're proud.

:39:42.:39:54.

Congratulations and fully endorsed. Before I disrobe and plunge into my

:39:55.:40:02.

bath of ass's milk there are two more awards we have to give out. The

:40:03.:40:09.

first of which is for best fill. To present it -- Best film. To present

:40:10.:40:14.

it, an actor showered with air wards in recent years, they have rained

:40:15.:40:21.

down on him, so much so he's had to build a new awards annex to his

:40:22.:40:24.

house. Please welcome (speaks . Thank you, Stephen for that

:40:25.:40:57.

introduction. It sounded good - whatever it meant!

:40:58.:41:02.

And the award for best film recognises not least the huge effort

:41:03.:41:08.

by everyone involved in putting on a production. Only when all those

:41:09.:41:12.

elements, those many pieces come together and work in harmony is the

:41:13.:41:18.

end result as astonishing as those films nominated this evening.

:41:19.:41:20.

Let's take a look at them. You have no choice. You work for me.

:41:21.:41:58.

You keep changing the rules and not only are you getting a little

:41:59.:42:01.

power-drunk... . The BAFTA is awarded to 12 Years A

:42:02.:42:41.

Slave. Anthony Katagas, Brad Pitt, Jeremy

:42:42.:42:52.

Kleiner, Chiwetel Ejiofor and Steve McQueen.

:42:53.:43:00.

Wow! OK! What is that song? What is that song

:43:01.:43:29.

we sang at the end of the movie? Help me, people. Roll, Jordan, roll.

:43:30.:43:34.

Thank you BAFTA so much for this award. I would like to thank my wife

:43:35.:43:39.

for giving us this award. I would like to thank Sean Bobbitt. I love

:43:40.:43:46.

you Sean. I would love to fact the actors - a star is born.

:43:47.:44:00.

Michael Fassbender - genius and Chiwetel Ejiofor for uniting this

:44:01.:44:08.

film. I would like to thank Bradd. I thank Jeremy Kleiner. Arnold, Bradd

:44:09.:44:22.

Weston. Channel 4, Tessa Ross - the genius. Patrick and of course the

:44:23.:44:30.

one and only Paula wap Woods and my one and only mother - thank you for

:44:31.:44:35.

having the faith. Never give up, mummy. Thank you. Finally, right

:44:36.:44:42.

now, there are 21 million people in slavery as we sit here. 21 million

:44:43.:44:47.

people. I just hope that 150 years from now,

:44:48.:44:52.

our ambivalence will not allow another film-maker to make this

:44:53.:44:56.

film. Thank you so much for this trophy. Thank you.

:44:57.:45:00.

Thank you! Thank you! Thank you!

:45:01.:45:23.

What an extraordinary evening. The final cherry is coming to this

:45:24.:45:29.

year's fellowship. To present it, a unique combination of acting Royalty

:45:30.:45:35.

and actual Royalty in the majestic form of Jeremy Irons and His Royal

:45:36.:45:39.

Highness, the Duke of Cambridge. For one of them, this is the nearest

:45:40.:45:42.

he's ever been to appearing in the King and I. For the other, this is

:45:43.:45:47.

the nearest he's ever been to an iron! Please welcome, Jeremy Irons

:45:48.:45:53.

and His Royal Highness, prince Will I am!

:45:54.:46:10.

APPLAUSE Good evening, ladies and gentlemen.

:46:11.:46:14.

As President of BAFTA, it gives me great pleasure to present the

:46:15.:46:20.

Fellowship. It's the highest honour the academy can bestow and is

:46:21.:46:24.

presented to an individual who's made an outstanding exceptional

:46:25.:46:29.

contribution to film. The recipient of this year's Fellowship is an

:46:30.:46:34.

extremely talented British actress whom I should probably call granny.

:46:35.:46:40.

To tell you more about her remarkable career, Jeremy Irons.

:46:41.:46:52.

Helen Mirren has always been an actress impossible to ignore. Early

:46:53.:47:02.

in my career, I, like the rest of my 'res, was always aware of the

:47:03.:47:07.

theatre work she engaged in -- my peers. It was always worthwhile,

:47:08.:47:12.

serious and, because of her, it was always intrinsically sexy.

:47:13.:47:17.

As she worked, more and more in film, it was her role as Jane

:47:18.:47:28.

Tennison in Prime Suspect that captured the audiences here and in

:47:29.:47:33.

America. She was at the peak of her powers here, middle aged and tough,

:47:34.:47:38.

without having lost any of her immense sex appeal. She played your

:47:39.:47:45.

grandmother then, Sir. Not juries, Stephen!

:47:46.:47:50.

And there was no going back. She won the hearts of an international

:47:51.:47:57.

audience -- not yours, Stephen. When I worked with her on Elizabeth I.

:47:58.:48:01.

What a dream come true that was for me. I still found her to be

:48:02.:48:05.

grounded, powerful and a superb leader to those around her. I think

:48:06.:48:11.

it's as much that groundedness as her great talent that draws us

:48:12.:48:19.

towards her. She has to her name 11 BAFTA nominations and she's won

:48:20.:48:27.

four. She is won hell of a Dame. Of course, she should be a BAFTA

:48:28.:48:31.

Fellow. Anything Emms would be an oversight. -- anything else. Let's

:48:32.:48:37.

remind ourselves of some of her work.

:48:38.:48:49.

Celebrate you, I cry for you, I hoped your fantasy remanslaughters

:48:50.:49:04.

with leading ladies... How do you know it looked like that? Can anyone

:49:05.:49:14.

see my nipples? Three sheets to the wind, pimpy brown. Nowadays people

:49:15.:49:18.

want glamour and tears, the grand performance. I'm not very good at

:49:19.:49:19.

that. I never have been. What are you doing? No, get me

:49:20.:49:34.

Cecil. I'm the Queen of England. You've got him. Now you use him. Mr

:49:35.:50:13.

Wiseman's an American, they do things differently there. Now, good

:50:14.:50:16.

servant, I'm the good, I'm the best, I'm the perfect servant. So this

:50:17.:50:22.

must be a fun job. Yes, it has its moments. Vouch, that really hurt.

:50:23.:50:32.

Told me you behave like a pig. Well, piggish. I have a little snout, huh.

:50:33.:50:43.

What's your game, you monster. I should hope you're all properly

:50:44.:50:52.

inspired. That's that. Short and very sweet.

:50:53.:50:59.

Fascinating stuff. Let's have it again.

:51:00.:51:12.

Please welcome to the stage, Dame Helen Mirren.

:51:13.:51:28.

Thank you. Thank you so much. Thank you.

:51:29.:51:56.

I just want to just quickly blow a kiss to my his who can't be here

:51:57.:52:04.

tonight and he's such a great supporter. Taylor. Got it? Good.

:52:05.:52:11.

Now, my journey to this place, right here, right now, began with a great

:52:12.:52:17.

teacher. Alice Welding, who died just two weeks ago at the age of

:52:18.:52:22.

102. She revealed to me the power of literature and she recognised my

:52:23.:52:26.

need to live in that world of imagination, that world of poetry.

:52:27.:52:29.

She alone was the person who encouraged me to become an actor.

:52:30.:52:35.

So, I'm standing up here thanking Mrs Welding and all the great

:52:36.:52:42.

teachers who've inspired the many creative people sitting here in this

:52:43.:52:48.

beautiful room. In fact, how many of you remember a great teach teacher

:52:49.:52:52.

who inspired you and opened the gate to the path that led you here? I

:52:53.:52:59.

want you all to put your hands up. That's a lot of teachers. So let's

:53:00.:53:04.

right now thank those teachers, all of us together.

:53:05.:53:07.

APPLAUSE So, my teachers in film have of

:53:08.:53:22.

course included directors, several of whom are here today, producers,

:53:23.:53:29.

ADs, costume people, make-up artists, caterers, grips, cinemaing

:53:30.:53:35.

to radio federals, Clapper loaders, writers, drivers, drivers especially

:53:36.:53:40.

of that Honey wagon without whom we'd all be squatting in the bushes,

:53:41.:53:46.

in fact I did that quite often! All those incredible carnival of

:53:47.:53:51.

characters who make up the brilliant and the astoundingly hard working

:53:52.:53:56.

army that march into battle on any film. I thank you all, all of you in

:53:57.:54:02.

my past. It's been an amazing journey up to now. I'm going to

:54:03.:54:10.

finish with the words of a great write writer. I think the words are

:54:11.:54:18.

kind of in a way apt. So, as I foretold you, our revels now are

:54:19.:54:23.

ended and these are actors, as I foretold you, were all spirits and

:54:24.:54:31.

are melted into air, into thin air, and like the baseless fabric of this

:54:32.:54:39.

vision, the cloud Towers, the gorgeous passes, the solemn temples,

:54:40.:54:44.

the great globe itself yay all of which it inherits shall dissolve and

:54:45.:54:51.

like this insubstantial pageant faded leave not a rack behind. We

:54:52.:54:57.

are such stuff as dreams are made on and our little life is round it with

:54:58.:55:04.

a sleep. My little life is rounded with this honour. Thank you very

:55:05.:55:06.

much indeed. These cards are going to earn me a

:55:07.:55:31.

lot on eBay! Well, that's all from the EE British academy film awards

:55:32.:55:37.

2014. Thank you your Royal highness and everybody who's contributed and

:55:38.:55:42.

congratulations to all those who're nominated or involved in any of the

:55:43.:55:46.

films that have here been recognised. After nine outings of

:55:47.:55:52.

hosting this event I can only speak truthfully and think this year's

:55:53.:55:56.

presented the greatest variety of captivating compelling, but always

:55:57.:55:59.

utterly watchable and engrossing stories. There are new stories being

:56:00.:56:05.

enacted in the world every day and there are stories that always need

:56:06.:56:08.

telling in new ways. There are stories being born in the minds of

:56:09.:56:12.

imaginative writers the world over and maybe there's a story that you

:56:13.:56:16.

have fermenting in your mind. Everyone in the film world starts

:56:17.:56:21.

out somewhere and contrary to what you mange, it's not a closed world.

:56:22.:56:26.

Everyone is welcome. So to the established masters of the form,

:56:27.:56:29.

good luck with your next story and to anyone out there who knows they

:56:30.:56:35.

can tell a story in film too, go for it. I mean it. Thank you so very

:56:36.:56:37.

much and good night. Awards presented earlier. British

:56:38.:56:53.

short film. The BAFTA is awarded to James W Griffith and Sophie Banner,

:56:54.:56:57.

Room 8. Thank you very much. Not in a

:56:58.:57:11.

million years did we ever imagine when making this we'd be nominated

:57:12.:57:16.

for a BAFTA. British Short Animation. The BAFTA is awarded to

:57:17.:57:23.

Sleeping with the Fishes, James Walker, Sarah woolner and co.

:57:24.:57:36.

Thank you to our friends and family most importantly. Thank you.

:57:37.:57:47.

Production Design. The Great Gatsby. Catherine Martin and Beverley Dunn.

:57:48.:57:55.

Film is a profoundly collaborative art form and obvious obviously we

:57:56.:58:01.

stand on the shoulders of an extraordinary team. Sound. Gravity.

:58:02.:58:26.

Glenn Freemantle. Skip Livesey. There's no sound in space. There you

:58:27.:58:33.

go, we 're all right. Editing. The BAFTA is awarded to Dan Hanley and

:58:34.:58:39.

Mike Hill. I think they should thank the hell

:58:40.:58:54.

out of me, I really do. Who knows how emotional it would be. They

:58:55.:58:59.

should be glad they weren't here. Documentary. The BAFTA goes to

:59:00.:59:04.

Joshua Oppenheimer. Thank you. Thank you so very much.

:59:05.:59:30.

Make-up Hair. American Hustle. Katherine Gordon, Lori McRoy-Bell.

:59:31.:59:46.

We really thank you for spending so much time in our trailer. Three

:59:47.:59:53.

hours of rollers and comovers. Costume Design. The Great Gatsby.

:59:54.:00:07.

-- come-overs. Original music. Gravity. Steven Price.

:00:08.:00:20.

Thank you my mum and dad for having such a great record collection when

:00:21.:00:25.

I was a kid and starting this whole thing off!

:00:26.:00:38.

Gravity. Tim Webber, Chris Lawrence, David

:00:39.:00:47.

Shirk. Massive thanks to all of the crew

:00:48.:00:54.

for their incredible talent and incredible dedication. And Film not

:00:55.:01:02.

in the English Language. The Great Beauty.

:01:03.:01:14.

I would love to dedicate this award to a great Italian director and his

:01:15.:01:31.

name was (inaudible). Thank you very much.

:01:32.:01:40.

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