Browse content similar to Dunkirk, City of Ghosts, Captain Underpants: The First Epic Movie. Check below for episodes and series from the same categories and more!
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women coming up, we will find out how the English preparations are | :00:00. | :00:00. | |
going. That is all coming up at 6:30 p:m.. Now it is time for Film | :00:00. | :00:00. | |
Review. Hello and welcome to the Film Review | :00:00. | :00:26. | |
and to take us through the cinema releases as ever, Mark Kermode what | :00:27. | :00:32. | |
have you been watching. A bigwig. We have Dunkirk about which everyone is | :00:33. | :00:39. | |
talking. We have City of Ghosts, and very harrowing documentary. And we | :00:40. | :00:52. | |
have and we have Captain Underpants which is very funny. Everyone is | :00:53. | :00:57. | |
talking about Dunkirk. The scale and ambition of this is remarkable. It | :00:58. | :01:01. | |
is and also the ambition of the release. It is the story of Dunkirk | :01:02. | :01:07. | |
told by Christopher Nolan and it is the story of the evacuation told | :01:08. | :01:12. | |
through three intertwining strands that loosely follow land sea and | :01:13. | :01:17. | |
air. But, all of the story itself is fairly straightforward, it is told | :01:18. | :01:20. | |
over three different timescales, one of the stories last one way, one | :01:21. | :01:26. | |
last one day and one last one hour and these strands... If you know | :01:27. | :01:29. | |
anything about Christopher Nolan, you would know that he likes to play | :01:30. | :01:33. | |
with time. The brilliant thing about this is that he does in a way that | :01:34. | :01:37. | |
is very clear, you understand what is happening even though it is a | :01:38. | :01:42. | |
complex structure. It is short on large format film and you have seen | :01:43. | :01:47. | |
from the images, they are astonishing, great big cameras, | :01:48. | :01:49. | |
plaudits to the cinematographer, carrying around these bulky cameras | :01:50. | :01:52. | |
and doing really extraordinary work with them. The film is available in | :01:53. | :01:57. | |
numerous different formats and depending on where you go to see it, | :01:58. | :01:59. | |
you can see it in digital, 70... The picture will be | :02:00. | :02:17. | |
different and look different. The advice I would give is that make | :02:18. | :02:20. | |
sure you see it in the cinema that you know does the best possible | :02:21. | :02:22. | |
presentation and sound. Sound is very important, it plays a huge part | :02:23. | :02:25. | |
in this. It has an extraordinary score. Christopher Nolan talked | :02:26. | :02:27. | |
about this being a movie about tension, it is not to do with | :02:28. | :02:30. | |
explicitly what you see, it is about the build-up and the score is like a | :02:31. | :02:33. | |
rising tide and it fills all the way through the film. I think the most | :02:34. | :02:36. | |
impressive thing, you know I am huge fan of Christopher Nolan, the most | :02:37. | :02:40. | |
impressive thing is that for a film on this scale, it is actually, the | :02:41. | :02:43. | |
thing you take away from it, the smaller images, the image of a man | :02:44. | :02:47. | |
walking hopelessly into the sea, the image of Kenneth Branagh's face | :02:48. | :02:52. | |
looking over a lost Horizon, those are very impressive pieces of work | :02:53. | :02:56. | |
and it is great to see someone making a blockbuster movie that | :02:57. | :02:59. | |
imagines that the audience are smart enough to keep up with this complex | :03:00. | :03:04. | |
structure. Christopher Nolan's whole thing has been the audience are | :03:05. | :03:10. | |
clever than anyone imagines. That is really refreshing. Look how well he | :03:11. | :03:16. | |
does. Why be Michael Bay when you can be Christopher Nolan? It is what | :03:17. | :03:25. | |
everyone will be watching. Stories of the terror of Dunkirk and stories | :03:26. | :03:30. | |
of heroism and there are stories as well in your next choice of some | :03:31. | :03:34. | |
very brave individuals and I have to be honest, the more I read about | :03:35. | :03:37. | |
this, another one I am not sure I quite had the stomach for but it is | :03:38. | :03:43. | |
important work. It is a documentary and it is the harrowing account of | :03:44. | :03:48. | |
Isis brutality as seen through the eyes of a citizens journalist | :03:49. | :03:55. | |
collective in Syria. They formed at collective and they decided that | :03:56. | :03:58. | |
what they would do was document what was going on, to let the world know | :03:59. | :04:03. | |
and they did that at great personal cost. Here is a clip. | :04:04. | :05:09. | |
The thing that I think the film does really well is that pays greater | :05:10. | :05:15. | |
tribute to the bravery of these people in doing this citizen | :05:16. | :05:19. | |
journalism reporting and it contains horrifying images and there are | :05:20. | :05:22. | |
several occasions while I was watching where I had to look away. | :05:23. | :05:25. | |
The bravery of it is that the people who were doing this, they did not | :05:26. | :05:30. | |
look away, they saw it as their responsibility to document this. As | :05:31. | :05:33. | |
you quite rightly say, it is a documentary that takes an very, very | :05:34. | :05:48. | |
difficult subject matter and I think is really important, but it is | :05:49. | :05:50. | |
absolutely necessary to say that there are things in this | :05:51. | :05:52. | |
documentary, quite rightly, are very harrowing, but it is a real tribute | :05:53. | :05:54. | |
to the bravery, that they were trying to get the message out all | :05:55. | :05:57. | |
the time, even though their own lives are under threat. Many of them | :05:58. | :06:00. | |
now live in Germany. Even there of course, there is the sense that they | :06:01. | :06:07. | |
are never completely safe. We approach the summer holidays and we | :06:08. | :06:12. | |
move to entirely different matters and perhaps very younger age group | :06:13. | :06:17. | |
is there something for adults? I am 54 and I love Captain Underpants. | :06:18. | :06:21. | |
This is based on the much loved books. If you're familiar with the | :06:22. | :06:27. | |
books and I am, I was worried that some on make a movie but now they | :06:28. | :06:32. | |
have, too, but creating kids accidentally turn their headmaster | :06:33. | :06:38. | |
into Captain Underpants with the help of hypnotising ring from the | :06:39. | :06:43. | |
cereal packet. Here is a clip. What's this? It is the paperwork to | :06:44. | :06:48. | |
separate but two! It's really incredible. I can actually see the | :06:49. | :06:54. | |
end of your friendship. George, do something. Put the pen down or we | :06:55. | :06:59. | |
will hypnotise you! What's happening? When I start my fingers | :07:00. | :07:10. | |
you will obey our every command! You're now be amazing Captain | :07:11. | :07:19. | |
Underpants! We've got to stop them. Why? You laughed all the way through | :07:20. | :07:32. | |
that. You're still laughing. I started laughing at the beginning of | :07:33. | :07:36. | |
this movie and I did not stop. The more it went on, the funnier it | :07:37. | :07:40. | |
became. I was sitting with critics who were enjoying it but they tend | :07:41. | :07:43. | |
to be well-behaved but I was laughing like a hyena. It is really | :07:44. | :07:47. | |
funny and how great that we have a family movie out that you can take | :07:48. | :07:51. | |
young kids to see and you will enjoy it every bit as as them. Captain | :07:52. | :07:56. | |
Underpants is a real standout delight. That is one day at least | :07:57. | :08:05. | |
that is started. It is lovely, when there are not the best kids films | :08:06. | :08:08. | |
around to see. It is very hard to find something that you think will | :08:09. | :08:13. | |
work both for the young audience and also for all an older audience. I | :08:14. | :08:17. | |
would quite happily go and see this again tomorrow. I laughed all the | :08:18. | :08:20. | |
way through it and you know what a fan I am of the minions, this made | :08:21. | :08:24. | |
me laugh more. Funnier than the minions and that is really saying | :08:25. | :08:29. | |
something. That is all we need to hear. What is best out? I have gone | :08:30. | :08:36. | |
back to Baby Driver, it is still in cinemas and I love it. Edgar Wright | :08:37. | :08:39. | |
has managed to cross a car chase movie with a romantic musical and | :08:40. | :08:42. | |
make this film which is funny and sharp and smart and as a piece of | :08:43. | :08:48. | |
cinema, I think it is really great and I want people to see it in the | :08:49. | :08:52. | |
cinema. It will come out on home video, but it is one of those | :08:53. | :08:56. | |
things, the bean to see at? I am going to see it. OK, you have to go. | :08:57. | :09:08. | |
I am going to see this. You need to see it in a cinema. That sure summer | :09:09. | :09:14. | |
homework. I did not do well on homework last week. What is the DVD? | :09:15. | :09:20. | |
As I said last week, you need to see the levelling. Get Out is out, it is | :09:21. | :09:29. | |
a great horror thriller. Jordan Peel is one of the voices in Captain | :09:30. | :09:32. | |
Underpants and he wrote and directed this movie. He comes from a comedy | :09:33. | :09:38. | |
background. What this does is, it is kind of inspired by the books of our | :09:39. | :09:43. | |
11 who wrote the Stepford wives and tells a about white middle-class | :09:44. | :09:49. | |
liberal America and it is more of a psychological thriller than a horror | :09:50. | :09:52. | |
movie although there are moments of horror in it. It is sharp and | :09:53. | :09:56. | |
satirical and really well played and what I loved about it, it was one of | :09:57. | :10:00. | |
those films, you could not quite see where it was going. It has great | :10:01. | :10:06. | |
performances, it is very bright and I didn't know much about it when I | :10:07. | :10:09. | |
went in and I was really surprised and I love the books anyway, it is | :10:10. | :10:15. | |
not directly adapted from the books, but it is a really fine piece of | :10:16. | :10:19. | |
work, but try not to read too much about it before you see the film. | :10:20. | :10:21. | |
Thank you very much. I have A quick reminder before we go that | :10:22. | :10:25. | |
you'll find more film news and reviews from across the BBC | :10:26. | :10:33. | |
online at bbc.co.uk/mark kermode --- including Mark's top ten | :10:34. | :10:35. | |
films of the year so far. And you can find all our previous | :10:36. | :10:38. | |
programmes on the bbc iplayer. I have got quite a mix of whether on | :10:39. | :11:11. | |
the way | :11:12. | :11:13. |