01/03/2017 The One Show


01/03/2017

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-- SCREAMING. Help low and welcome to the with

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Matt Baker And Michelle Ackerley. We are joined by three top Hollywood

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stars. Here is how happy they looked when they started promoting their

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new film in Vietnam. Exactly one year, one week and one day later,

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here's how they look on our sofa! APPLAUSE

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Please welcome from the new Kong movie, Skull Island, Samuel L

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Jackson, Brie Larson and Tom Hiddleston. It was the premier last

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night, how did it go. It was great. Went really well. Really surreal.

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Never been to a premier like that. I was blown away by the whole thing.

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Have you never been like a premier like that? No, independent films.

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Very small. Nobody ever really goes. First big premier, really? Yes, I'm

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serious. You are as surprised. Really? Yes. I'm brand new. Yes, you

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are. I mean, come on, you are brand new and you have every award that

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everybody wishes they could have. OK. Golden Globe, Oscars. Boom,

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boom, boom! The only one they wouldn't leave the country was the

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Baftas. They didn't think I was going to win, to be fair, because

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I'm American. Come on! You were in a groove. There was no way - I was so

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in the groove. You have everything. I I'll let it go now. Is it rubbing

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off a bit here. I was amazed to hear you have never won an Oscar, Samuel?

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Nominated once. I can't believe that. There is something wrong in

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that. Really? I can name six movies I should have won for. Too right.

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Another 100 I could name. There you are. You are the highest grossing

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actor all-time. I passed Harrison again, XXX. After this, it doesn't

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matter what Blade Runner does, I will be out there by myself. I've

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got him now. Thank you for being complimentary about our pre-titles

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and special effects. We are talking about Kong tonight. We will also be

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# Talking about the highs, I'm talking about the lows... #

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Yes, she is talking about the highs and the lows because our cast is

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joined by BRIT Award winner, Emeli Sande. Michelle and I were jumping

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out of our seats. You more than me. Some more than most. I tell you

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what, this movie, it's out next Thursday. We saw it first thing this

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morning. It's set in the 1970sty end of the Vietnam War when a scientific

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mission is despatched to Skull Island with the help of the US army.

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The aim is to map the area for the first time. Here is the moment they

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arrive, not knowing what to expect. Certainly not expecting this.

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Oh, my God! Does anybody know what that is?

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It's very tense, isn't it. It is a monkey, a very big one. The The

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characters in this fill vm their own agenda, don't they, talk us through

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your roles and where you all come from? Well, the setup is that there

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is John Goodman plays the leader of a government organisation who is

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taking an expedition to an undiscovered island in the South

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Pacific, 1973, satellites are beginning to photograph the earth

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from space. We don't have Google Earth and that kind of thing. Each

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of us are hired by the team to do different things. I play a former

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British SAS tracker who will lead the expedition through the jungle.

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Brie is an antiwar photographer called mason Weaver. I'm a

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troublemaker not meant to be there. Sam is a commander in the sky and

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I'm the commander on the ground. How much did you relish your roles.

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Samuel, you are a bit of a baddie there, aren't you? A bit! No, I

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wouldn't call him a baddie. Really? He's upset he lost some men. That

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this big giant ape is responsible for it. So he has to exact some

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revenge for his people that he's lost and save the ones that he still

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has. It takes a little determination and you can't be a nice guy when you

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want to do that. That is true. You can tell how determined he is, he

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stares out Kong a few times. He really goes for it. I had to give

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him the hard eye. Tom, real physicality in it. You play an

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action man, did you enjoy doing that? Is I enjoyed doing that. It's

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all my boyhood dreams come true. I love shooting action. It's

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choreographic and it's all stage and screen combat is about the, sort of,

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dancing with the camera. We have sharp objects I had to be pro cries

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-- r cries or the crew would have hair head chopped off. There is

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Black Bower, he is in the new 24. For those who remember the original

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there is a connection between King Kong, those who are romantic and a

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rose-tinted view of that original won't be disappointed. There is that

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human connection? Yes, if that is what you are looking for in this

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film you will be satisfied than that. You wear way more clothes than

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Faye? Is Wearing more clothes, stronger. Taller. More of a mouth

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popping off than her. Taller. She has the lost indestructible camera

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in cinematic history. That is a very good point. The last scene where you

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pick it up... It's still there! Nothing damages that camera. That's

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it. There are real emotive moments. It's a part with your character,

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Brie, and your character, Tom, with King Kong, the three of you

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together. It's CGI with Kong how do you get in that moment. You have a

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technique to get you in the mood and really kind of draw out the emotion?

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Well, it was mostly, I have to say, the thing I love about this film is

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that we shot it in real places. In Hawaii, Australia and Vietnam.

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Vietnam, particularly the most breath taking country. This

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particular scene with Brie and myself takes place on a mountain

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top, on a hill top. We get very close to Kong and because the

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movement of the camera needed to be very controlled we built the set. It

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was a big green screen, on a sound stage. It was quite... The

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atmosphere was quite dry andster rile and the whole scene is about

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interacting with this extraordinary creature. We shot it over two-days.

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We began it at the end of the first day. We both felt it was difficult

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to work out exactly where he was, how close he was, just to feel the

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weight of this enormous animal. The camera team didn't know when to move

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in and get close to Brie. So I thought about it over night.

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I thought - what if we played a piece of music that somehow could

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evoke that sense of there being another presence in the room. It

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became this, kind of, little ballet between us and this imaginary thing

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and the camera guys it worked out, I think, I hope. Well, it did. It was

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very convincing. Sam, is it right, is it right that you have something

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written in your contract when you do a movie that you have to have time

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out to play golf? I have a little golf clause in my contract. We

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picked it up on the One Show. We have a golf course at the end of the

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studio. We like to look after our guests. Oh. We are going to a film.

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I'm going to embarrass myself missing a putt. I can stroll over.

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Whenever you feel like it. Put a couple in. Do it. It These are

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Here is All-star Apes. The first is Tarzan. He ran off seat and a dog

:10:29.:10:40.

was sent to retrieve him. It if you think American politics has gone

:10:41.:10:44.

bananas recently you should have gone to the cinema in the 1950s. A

:10:45.:10:49.

chimp acted alongside future president Ronald Reagan in this

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movie. In it, Reagan atvrments to teach humour more ales to the ape.

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Perhaps we will see a chimp running for President. In the past, as

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portrayed in the fit am, 2001, skilled mimele actors and dancers

:11:06.:11:11.

were used to portray the moment apes use weapons for the first time. Who

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needs a weapon when you have a friendly orang-utan. The orang-utan

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grabbed Clint while he was driving a truck. Try putting cold water in.

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Thank you, Matt. Is on that point, as far as the technology and how it

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advance in movies, how impressed were you when you saw the finished

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thing. It's not just Kong there are giant animals. How surprised were

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you, Tom? Amazing. We spent five months imagining these

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monsters. We picked the tallest tree on the horizon and pretend it was

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something. Scary. That was the question every day - where is it?

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What is it? How big is it? How fast is it? You are asking about the

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thing, when it ate a camera we said, where is it and how fast it is? The

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camera was supposed to be going off, we are supposed to be shooting it

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and following it. Everyone is pointing guns at each other. We'll

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kill each other. Where is it? Eight people were giving us answers. We

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decided to not aim at anybody, aim another way. A lot of looking

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around. Pick a tree, pick a tree. For me, I swear to God, by the time

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the movie came out, when I saw it for the first time, it was never

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that big! Really? Never that big. I'm tell you. Nobody ever said, he's

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that big. If you thought he was going to be that big you would be

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more surprised. They would say he's leaping from that mountain over

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there. He can do that, where is he hiding on this island? There's no

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way he would be on this island and we can't find him. Where does he

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sleep at night, that we can't find him? It's a big old island. You are

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part of another big movie franchise we are talking about the Marvel

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films. Brie this is you at Comic Con. This is Samuel talking about

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Nick Fury. Looking cool. Tom, this is how you turned up. That is super

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keen. I like to dress up for Comic Con. I've come a long way! Go for

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it. You said that role was life-changing for you? It was. No

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question. It's an amazing park. He's the God of Mischief it's my

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professional obligation to turn up and have the best time I can have.

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Going to Comic Con it was mad because nobody knew I was coming and

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it was just... There were 7,000 people out there and I'd never

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played Loki life, it's in front of the faithful, I had intended to give

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a, sort of, protospeech about how I wanted them to chant my name. I

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walked out and they just started chanting it. Amazing. I had to keep

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it together. Channelled you. Comic Con is the most surreal experience

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can have in your life. I mean, I've been going for a long time, since

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episode 1, I remember looking ought out my hotel window one night, full

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on light saber battle in the park. That was my first year going. I was

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backstage and in the Marvel holding room and sitting to talking to

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people and she was like - honey why are you here? I was like, I'm in it

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now. No-one had any idea, including the rest of the cast of the HMRC

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marvel films. They thought I was in the wrong room. Have they given you

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any advice? No. You have to work it out for yourself. You have a handle

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on it. Depending on your costume, make sure you get air conditioning.

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Very wise. They didn't tell you that. Make sure there is a thing you

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can plug into that pumps cool air into your costume. I'm concerned

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about going to the bathroom. Be concerned about that. Do be

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concerned. That is where we're going to leave it.

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Here's Anita with a classic underdog tale and if it was ever turned

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into a film, it would be a dead-cert at the Oscars.

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Ration al tensions were running high in Britain when one woman took on

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the establishment and nearly brought it its needs. Jayaben Desai led the

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fight for workers right and uniting the white dominated male world of

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the trade movement. Jayaben Desai was born in India and

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then moved to the UK. She found a job in a factory in Brent in London,

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in this very spot. Her son also worked at the factory in the

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sweltering summer of 1976. It was a hot summer. Outside the temperatures

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were searing and the working conditions were not comfortable. Pay

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was low with long hours and compulsory overtime. This all came

:16:58.:17:04.

to a head in August when Jayaben Desai, her son and three others

:17:05.:17:08.

walked out to join an unfairly sacked employee. Four foot ten

:17:09.:17:14.

Jayaben Desai squared up to her 6-foot manager and these were her

:17:15.:17:20.

words. What you are running is the factory -- not a factory but a zoo.

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The Lions roared. Three days after walking, her fellow workers began to

:17:30.:17:38.

join her on the picket line. We are talking about the 1970s. Migrant

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women in a racist Britain doing what she did. Where did that come from?

:17:44.:17:50.

It was not very hard for her to see the unfairness of others. They

:17:51.:17:54.

picked on someone who was not just going to go away. She was advised to

:17:55.:18:00.

find a union to back the strike. Apex stepped in. With their backing

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came strike pay and the ability to continue the fight. Other unions

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then answered the call to support the action. Postal workers refused

:18:11.:18:17.

to deliver mail. Steelworkers, miners, dockers, printers,

:18:18.:18:19.

journalists, even members of parliament came out in huge numbers

:18:20.:18:25.

all to support Jayaben Desai and her fellow strikers. The dispute

:18:26.:18:29.

escalated. Mass pickets were organised and the universally white

:18:30.:18:35.

male workers Britain flooded the streets to show solidarity. 321,

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20,000 union and nonunion members took to the streets around the

:18:44.:18:47.

factory. Jayaben Desai kept the strike momentum going for two years

:18:48.:18:51.

before support started to drift away. There's an exhibition about

:18:52.:19:02.

it. This shows how people of different races and backgrounds can

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be united. It was really the first time that a predominantly white and

:19:09.:19:15.

male trade union movement had expressed support for a dispute led

:19:16.:19:24.

by Asian workers. How they are fighting for the rights, that is

:19:25.:19:28.

what I saw with my own eyes. I did not believe it and I saw that. It

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was really tremendous. She passed away in 2010. The courage and

:19:37.:19:39.

resilience she showed sent a clear message that workers were to be

:19:40.:19:44.

valued. Remarkably, this tiny Asian woman in her sari true strength of

:19:45.:19:48.

character, determination and will power brought together all these

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different groups, united in fighting injustice. To me she is an absolute

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hero and a true British beam our pioneer.

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Samuel, you are a well known civil rights campaigner.

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This kind of story must resonate with you. Yes. We were taken by the

:20:12.:20:20.

fact that she was out there for two years and gave up all to the cause.

:20:21.:20:26.

Bike a lot of things, she was ground down by the system, unfortunately.

:20:27.:20:34.

It does not have the most happy ending that work conditions changed

:20:35.:20:38.

and she was improved by it. But the Iron will of the people is something

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that really resonates right now. All over the world. People are fighting

:20:47.:20:52.

for rights, job rights, equal rights for women are fighting against

:20:53.:20:57.

religious prosecution. All kinds of stuff. But, the fact that she wanted

:20:58.:21:05.

to stand up and the fact that she stood up and encouraged so many

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people is what is inspiring. It is not always about the result but it

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is about giving people hope and letting people know that when you

:21:15.:21:18.

use your voice, there is something that can be done. People can be made

:21:19.:21:25.

aware. We could sit here and talk all night long but we are a live

:21:26.:21:26.

show. Very soon Emeli Sande will be

:21:27.:21:31.

showing us why she's the deserved winner of her fourth Brit award

:21:32.:21:34.

when she performs for us live. But first we have a very

:21:35.:21:37.

dramatic film that needs Would you three do

:21:38.:21:39.

the honours, please? This is a film about a giant,

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hundreds of feet high. The salt marshes of the North Kent

:21:44.:22:10.

coast are home to some spectacular nature. But there is one man-made

:22:11.:22:14.

feature that dominates the skyline here. Grain power station. Its

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chimney is one of the tallest freestanding structures in the UK.

:22:23.:22:28.

But it is almost all that remains of what was once Europe's largest oil

:22:29.:22:33.

fired power station. New environmental laws means it is too

:22:34.:22:39.

dirty, so it has reached the end of its life. It is time for it to go.

:22:40.:22:46.

That means explosions. This is the tallest structure ever to be

:22:47.:22:52.

demolished in the UK. It is huge. The base alone is 30 metres across.

:22:53.:23:00.

That enormous size gives the demolition experts some serious

:23:01.:23:04.

problems. A working electricity substation is just 200 metres away

:23:05.:23:11.

and being 244 metres high, it is essential that the tower does not

:23:12.:23:16.

fall in the direction of the substation. Fortunately, you can

:23:17.:23:23.

control the direction of toppling tower. Back in the TV demolition man

:23:24.:23:32.

Fred Dibnah was a master. His time honoured method did not rely on

:23:33.:23:36.

explosives. It was a simpler science. Just replace some of the

:23:37.:23:41.

bricks on one side of the base of the tar with wooden supports, build

:23:42.:23:46.

a fire at the base. As the wooden supports burn away, it topples over

:23:47.:23:54.

in a controlled direction. Easy! While the demolition engineers here

:23:55.:23:57.

use more modern technology. They rely on the same principle to get

:23:58.:24:03.

the direction right. This monstrous tower is made of 40,000 tonnes of

:24:04.:24:09.

concrete, the shakier problem remains. Neal Wright is the man in

:24:10.:24:15.

charge. If the chimney were to come down in one big piece, the whole

:24:16.:24:19.

chimney would impact of the ground at a high lost city. The vibrations

:24:20.:24:26.

would damage the substation. The power supplied to the whole

:24:27.:24:29.

south-east of England could be at risk. The team has had to come up

:24:30.:24:34.

with an alternative solution. They are putting in some explosives about

:24:35.:24:40.

halfway up here. They will set them off first which will bring down the

:24:41.:24:45.

top of the tower is pretty much vertically and then they will set of

:24:46.:24:49.

some explosives towards the bottom almost immediately afterwards and

:24:50.:24:52.

that will bring this part of the tower in a more traditional way.

:24:53.:24:58.

This is what is called a progressive collapse and that should keep

:24:59.:25:02.

vibrations to a minimum. 4000 holes have been drilled into the chimney.

:25:03.:25:08.

A tonne of explosives have been crammed in. There is just one chance

:25:09.:25:15.

to get this right. Three, two, one...

:25:16.:25:26.

Wow! That was quite astonishing. You could feel the shock waves that hit

:25:27.:25:34.

you in your gut and through your feet as well. The first explosion

:25:35.:25:40.

causes 100 metres of chimney to drop, almost perfectly vertically.

:25:41.:25:44.

The second explosion make sure the bottom half goes away from the

:25:45.:25:52.

substation. And with the chimney coming down in two sections, it

:25:53.:25:58.

doesn't hit the ground all at once so vibrations are reduced. But, was

:25:59.:26:03.

it sufficient to protect the substation? Everything has come back

:26:04.:26:09.

as positive. We have no issues. Everything is good. Well done. I can

:26:10.:26:11.

smile now. Thank you very much

:26:12.:26:19.

to Tom Hiddleston, Brie Larson and Samuel L Jackson

:26:20.:26:22.

for joining us tonight. Kong: Skull Island opens

:26:23.:26:25.

next Thursday 9th March. But right now, singing us

:26:26.:26:30.

out with Highs and Lows from the album Long Live the Angels,

:26:31.:26:33.

this is Emeli Sande. # Just pack our bags

:26:34.:26:36.

and run as fast as we can # We hold the future

:26:37.:26:41.

in the palm of our hands # I know you hear me

:26:42.:26:43.

but do you understand? # I'm talking 'bout the highs

:26:44.:26:55.

I'm talking 'bout the lows # I'm giving you forever,

:26:56.:27:11.

baby, it's yours # I'm talking 'bout the highs

:27:12.:27:17.

I'm talking 'bout the lows # When we're gray

:27:18.:27:21.

and we're old # And we run out of

:27:22.:27:24.

all the silver and gold # Will you still wanna

:27:25.:27:28.

be my someone to hold? # See, I'd tell you

:27:29.:27:32.

but you already know # I'm talking 'bout the highs

:27:33.:27:37.

I'm talking 'bout the lows # I'm sticking by your side

:27:38.:27:45.

No way I'm letting go # I'm talking 'bout

:27:46.:27:53.

forever, baby # I'm certain that there's

:27:54.:28:02.

no other # It's banging

:28:03.:28:04.

in my heart like thunder # I know

:28:05.:28:06.

I was made to love you # No way I'm letting go

:28:07.:28:07.

I'll be there for the highs # I'm giving you forever,

:28:08.:28:16.

baby, it's yours # I'm talking 'bout the highs I'm

:28:17.:28:52.

talking 'bout the lows.# We're going to bond by finding out

:28:53.:29:08.

whether Paula was really From one mother to another,

:29:09.:29:20.

leave it alone.

:29:21.:29:24.

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