Browse content similar to 28/02/2017. Check below for episodes and series from the same categories and more!
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Hello and welcome to the One Show with Matt Baker. | :00:15. | :00:17. | |
It's pancake day, so if you're tucking in | :00:18. | :00:25. | |
at home right now, we hope you're really enjoying them. | :00:26. | :00:28. | |
Sadly, tonight's guest is still recovering | :00:29. | :00:29. | |
That just reminds me, as it is Shrove Tuesday, I have made you | :00:30. | :00:39. | |
these pancakes from all my leftovers. Now, these ones are lard | :00:40. | :00:47. | |
and fish paste. And these are the plain ones. With just a hint of | :00:48. | :00:54. | |
liver. APPLAUSE | :00:55. | :00:56. | |
Happy days! Mrs Cropley's strange concoctions | :00:57. | :01:04. | |
were brilliantly funny, but did they really have | :01:05. | :01:09. | |
fish paste or liver in? No, I think most things that were | :01:10. | :01:21. | |
called liver were mainly Nutella or chocolate spread or something. We | :01:22. | :01:26. | |
like to keep it real on the One Show! We have got two plates of | :01:27. | :01:33. | |
pancakes, one is very beautiful, lemon and sugar, it is pancake | :01:34. | :01:42. | |
roulette. Because B is liver pate. It is definitely not chocolate | :01:43. | :01:46. | |
paste. And I have to tell from this distance? Which plate would you go | :01:47. | :01:54. | |
for? I am going for A. Are you? Can I have a little smell of A?! That is | :01:55. | :02:00. | |
a good idea! A was a good idea, lovely! I will try that one. It is | :02:01. | :02:07. | |
good! APPLAUSE | :02:08. | :02:11. | |
You did good! Just for the proof, go on. Don't | :02:12. | :02:18. | |
worry! Now, if you have risked a quick phone call behind the wheel | :02:19. | :02:22. | |
recently, you are one in nearly a third of drivers who have been | :02:23. | :02:27. | |
admitted to using their mobile phone while driving. But with harsher | :02:28. | :02:31. | |
penalties on the way, will they be doing it tomorrow? | :02:32. | :02:35. | |
You would think, after 14 years of a ban on using your mobile at the | :02:36. | :02:40. | |
wheel, people would have got the message. Apparently not. I am | :02:41. | :02:45. | |
talking about it now because there is about to be a change in the law. | :02:46. | :02:50. | |
From March, if drivers are caught using their mobile phone, instead of | :02:51. | :02:53. | |
a ?100 fine and three penalty points, it is going to be double, | :02:54. | :02:59. | |
200 points and six points. Ouch! But is that really going to make a | :03:00. | :03:03. | |
difference? To find out, I'm spending the morning with Zoe | :03:04. | :03:06. | |
Billings, a traffic officer from North Yorkshire Police. We are going | :03:07. | :03:13. | |
down to York, we are in a plane vehicle, so we will be looking at | :03:14. | :03:20. | |
any distracted driving is, mobile phones. Increasingly we get crotch | :03:21. | :03:25. | |
gazers, they think, just because they are looking down, that we | :03:26. | :03:28. | |
cannot tell. They know it is wrong, they are trying to hide it. Who are | :03:29. | :03:34. | |
the biggest culprits? Generally delivery drivers. For the price of a | :03:35. | :03:42. | |
hands-free kit, that is what I say. Expecting a busy road in York, I am | :03:43. | :03:46. | |
surprised to find we stop on an industrial estate. There tends to be | :03:47. | :03:52. | |
high mobile phone use around here, people are looking for places, | :03:53. | :03:56. | |
distracted, it is easy for us to spot them, it commands your full | :03:57. | :04:02. | |
attention. I would normally feel safe driving here, but I won't in | :04:03. | :04:09. | |
future! And it is not just me who would not expected. She soon spot a | :04:10. | :04:13. | |
driver on his phone who says he is struggling with his Bluetooth. It is | :04:14. | :04:18. | |
a brand-new van, it takes longer, and it is harder, and I don't know | :04:19. | :04:23. | |
how to get the number through on the new system. So obviously I am going | :04:24. | :04:27. | |
to have to learn a lot better now. And not long after, more people | :04:28. | :04:31. | |
driving distracted. This guy has been called over because he had a | :04:32. | :04:36. | |
map in his hand while driving. As to whether he gets points, he is in the | :04:37. | :04:39. | |
hands of Zoe. You realise what you were doing was wrong. I have been | :04:40. | :04:46. | |
done before. Have you done it since? I have done it since, to be honest. | :04:47. | :04:58. | |
Louw points? Will this have any effect on you using your phone? I | :04:59. | :05:03. | |
guess so. It is my own fault, I have got a hands-free kit, I didn't use | :05:04. | :05:09. | |
it. You have got a hazard, you could have said, ring Dave. There has to | :05:10. | :05:13. | |
be something that will make you stop doing it. I haven't got a bird | :05:14. | :05:17. | |
anymore, so she won't be ringing me five times a day! It is modern | :05:18. | :05:21. | |
society, hustle and bustle, making money. What about going to prison? I | :05:22. | :05:30. | |
guess so, yeah. If there was a custodial sentence? I guess so. So | :05:31. | :05:34. | |
you have caught three people on a phone, one using a map, I am quite | :05:35. | :05:39. | |
shocked. It is an awful lot of people in a small area. Have we | :05:40. | :05:45. | |
earned a cup of tea yet?! While Zoe takes a break, I am asking more | :05:46. | :05:49. | |
people what they think it will take to stamp it out altogether, and I | :05:50. | :05:54. | |
have got four options, finds with points, jail or a ban. If you have | :05:55. | :06:01. | |
got a family and you have to get to work and you lose your license... I | :06:02. | :06:07. | |
think it would be enough as long as it is enforced, six points, I know | :06:08. | :06:11. | |
it is serious, but it seems slightly excessive. I tell you what, you are | :06:12. | :06:18. | |
the first one to choose jail. They could kill me, they could cause an | :06:19. | :06:22. | |
accident. I don't want to lose my life. I think jail is a bit much, we | :06:23. | :06:28. | |
have already got enough people in jail. An immediate ban would stop | :06:29. | :06:33. | |
people. If my daughter was killed because somebody had been on their | :06:34. | :06:36. | |
phone, I would be absolutely furious about it. It has to be, doesn't it? | :06:37. | :06:42. | |
All the people here think the ultimate deterrent to stop people | :06:43. | :06:45. | |
using their phone is this, a much larger fine and a ban. | :06:46. | :06:54. | |
Well, Anita is here to explain more about the change in the law, but do | :06:55. | :06:58. | |
you think ?200 and six points is enough? We saw people in the film | :06:59. | :07:04. | |
were saying go to jail. It is hard, isn't it? So much damage could | :07:05. | :07:08. | |
happen. Definitely, I think it is right to increase the penalty, | :07:09. | :07:13. | |
definitely, and I probably will get caught now, won't I? Not if you | :07:14. | :07:20. | |
don't touch your phone! But you can talk. This is the way it works, the | :07:21. | :07:27. | |
rule of thumb, it is all changing tomorrow, this new law is coming in, | :07:28. | :07:32. | |
do not physically have your phone in your hand. If you want to use it as | :07:33. | :07:37. | |
a sat nav, but the codes in, but the postcode in before you set off, put | :07:38. | :07:41. | |
it on the right place, but the minute you touch your phone, you are | :07:42. | :07:45. | |
in the danger zone. It is terrible if you are a first-time driver. It | :07:46. | :07:51. | |
is really going to affect the newly qualified, two years. If you get | :07:52. | :07:56. | |
caught in those two years, you will get a ?200 fine, you will get the | :07:57. | :08:00. | |
six points, but you will get your license automatically revoked, then | :08:01. | :08:05. | |
you have to to get the provisional and said the test again, and you | :08:06. | :08:08. | |
will still have the six points once you have done the test again. So it | :08:09. | :08:12. | |
is an absolute disaster, so bottom line, and I think it is because, you | :08:13. | :08:17. | |
know, relatively speaking, phones are a new technology, and we are | :08:18. | :08:21. | |
learning. And the amount of accidents caused, over 2000 in the | :08:22. | :08:27. | |
last few years, and in 2015, there were 22 deaths. Don't touch your | :08:28. | :08:30. | |
phone, we need to learn to live without our phones in the car. | :08:31. | :08:36. | |
Unless, of course, you have an integrated system. OK, the irony is | :08:37. | :08:41. | |
that people was taking photos of people doing it to try and catch | :08:42. | :08:46. | |
them! It is getting more confusing! Don't confuse it and drive your car | :08:47. | :08:51. | |
hands-free? I tried that, it doesn't work! Very good point! Can you | :08:52. | :08:57. | |
believe it was 23 years ago that the Reverend Geraldine Granger arrived | :08:58. | :09:04. | |
in Dibley, much to the surprise of the locals. She was one of the first | :09:05. | :09:09. | |
women because, but how much have things changed for female clergy | :09:10. | :09:13. | |
since then? According to Gogglebox's reverend Kate Bottley, quite a lot. | :09:14. | :09:22. | |
# This is a man's world... # Authority is associated with males. | :09:23. | :09:33. | |
For centuries, the hierarchy of the Anglican Church was totally male | :09:34. | :09:41. | |
dominated. It wasn't until 1992 and after 70 years of campaigning that | :09:42. | :09:45. | |
women like me at last were allowed to become priests. And just two | :09:46. | :09:50. | |
years ago, we finally got our first female bishop, although not without | :09:51. | :09:56. | |
opposition. Is it your will and she should be ordained? It is! No, not | :09:57. | :10:02. | |
in the Bible, with respect, your Grace, I asked to speak on this | :10:03. | :10:08. | |
absolute impediment, please. The objection was overruled, and history | :10:09. | :10:12. | |
was made. I ask one more time, is it your will that she should be | :10:13. | :10:19. | |
consecrated? Yes! With women making an impact, things | :10:20. | :10:24. | |
are changing. I've come to Oxford's Trinity College to meet reverend | :10:25. | :10:30. | |
Emma Percy. Man has historically tended to perpetuate the idea of God | :10:31. | :10:37. | |
as being male. Those in power made Daly in their own image, almighty, | :10:38. | :10:42. | |
King, Lord and father, and women need to find a way of reconnecting | :10:43. | :10:48. | |
more fully to the idea that female and male are made in the image of | :10:49. | :10:55. | |
God. So see what it feels like to parade to God as mother and address | :10:56. | :11:02. | |
God as she. What is going on here is bold, Emma is repairing to God as | :11:03. | :11:06. | |
female, a mother figure. Sublet us prey. God, our mother, creator of | :11:07. | :11:13. | |
all that is, whose compassion is boundless... | :11:14. | :11:19. | |
I loved your sermon, it was pretty bad a cost of, why are you calling | :11:20. | :11:27. | |
God she? -- it was pretty radical stuff. Because we have used these | :11:28. | :11:32. | |
male images, it is easy for people to think that God really is a bloke, | :11:33. | :11:39. | |
and that has made it harder for women to connect to God. The | :11:40. | :11:43. | |
suggestion that men are more like God. These are the pictures of God | :11:44. | :11:47. | |
that we know, I realise how silly it is to suggest that we know what he | :11:48. | :11:53. | |
looks like, but an old man on a cloud? I think it has meant that | :11:54. | :11:57. | |
there is a certain entitlement to being in authority, that has often | :11:58. | :12:01. | |
been assumed by men. Half the human race experience life in a woman's | :12:02. | :12:09. | |
body, and that they are made in the image of God. How has that gone | :12:10. | :12:14. | |
down? Mixed! Mixed. People want to tell you that you are wicked. Or | :12:15. | :12:20. | |
silly. It is not only on behalf of the staff that the gender bias has | :12:21. | :12:25. | |
been challenged. Good feminists that we are, we are going to look at some | :12:26. | :12:30. | |
clothes! -- on the heavy stuff. This is one of the first clothing ranges | :12:31. | :12:34. | |
specifically designed for female clergy. | :12:35. | :12:44. | |
# This is ladies' night, oh what a night... # | :12:45. | :12:51. | |
I was ordained three years ago, and I was disappointed with what was on | :12:52. | :12:56. | |
offer at the time, and I was quickly disappointed, they didn't fit, they | :12:57. | :12:58. | |
looked uncomfortable, but there was something deeper than that. | :12:59. | :13:03. | |
I felt that we weren't really being embraced, because there was nothing | :13:04. | :13:07. | |
out there except badly adapted menswear, which made me feel as if I | :13:08. | :13:13. | |
was a man in drag and I was being subdued. | :13:14. | :13:20. | |
We thought, why don't we try to make something for women? It is a supple | :13:21. | :13:27. | |
challenge to the male domination in the ministry. -- supple. The new | :13:28. | :13:34. | |
look is going down a storm. It is a liberating experience. This isn't | :13:35. | :13:38. | |
just about clothes, it's about celebrating ourselves as women in | :13:39. | :13:42. | |
the Church. Watching this, it's 1 million miles away from the old male | :13:43. | :13:47. | |
dominated institution that the Church of England once was. I reckon | :13:48. | :13:54. | |
God would approve all stop wouldn't she? | :13:55. | :13:54. | |
Got some lovely styles there! I have never seen so many female | :13:55. | :14:08. | |
beggars in one place, is it a prayer of vicars? -- vicars. Do you | :14:09. | :14:13. | |
remember your first car sick? I had to have it fitted in quite a Ben | :14:14. | :14:21. | |
Reynolds lies -- in quite a Benn Robinson place in Westminster. I was | :14:22. | :14:25. | |
getting it for a TV show, but it had to be correct, and it was quite an | :14:26. | :14:29. | |
embarrassing experience, because the men that were working there hadn't | :14:30. | :14:37. | |
fitted women. Although a cassock is supposed to de-sex you, women have | :14:38. | :14:40. | |
got lumps where men do not have, so you have to measure, and the men | :14:41. | :14:45. | |
were going bright red! It was a bit embarrassing for them. | :14:46. | :14:50. | |
Did you get a sense of how inspiring you would be? For the women in the | :14:51. | :14:57. | |
film, you were an inspiration. Maybe. Richard Curtis wrote the | :14:58. | :15:02. | |
show, and it was his decision to write a female priest like that, and | :15:03. | :15:08. | |
to normalise it. And we did have some angry people, just as there | :15:09. | :15:13. | |
were angry people when Libby was consecrated and ordained as a | :15:14. | :15:19. | |
bishop. People objected. They did object back then, even to the | :15:20. | :15:24. | |
sitcom. They knew the sitcom might be quite powerful in normalising the | :15:25. | :15:30. | |
situation. But Joy Wallace, or Joy Carroll, she wasn't married then, | :15:31. | :15:35. | |
there she is. She is wonderful. She was the person I did my research | :15:36. | :15:41. | |
around. She was the person most like the character I wanted to play. I | :15:42. | :15:46. | |
asked her, how do you wear the dog collar and when? I agree with the | :15:47. | :15:51. | |
women in the film, it is impossible to find something a bit feminine. | :15:52. | :16:02. | |
Look, yeah... I rest my case. We will leave it there, that was over | :16:03. | :16:07. | |
20 years ago. We will move onto your most recent project. You have been | :16:08. | :16:11. | |
meeting some of the most talented youngsters in the world. Let's see | :16:12. | :16:14. | |
you having a lesson from young Shaolin monk. | :16:15. | :16:24. | |
Just spin it. Just, you know, spin it. APPLAUSE | :16:25. | :16:49. | |
You've got it. Definitely don't try that at home. That caught me on the | :16:50. | :17:02. | |
knuckles and it really hurt. He was amazing. He came out, and as he | :17:03. | :17:08. | |
approached me, he had his swords, I don't know what they call them, he | :17:09. | :17:13. | |
is a Shaolin Warrior, producing a sword from his back, putting it very | :17:14. | :17:19. | |
close to my nose. Really surprisingly, unbelievably talented | :17:20. | :17:22. | |
young guy. Interestingly, this is the first time you meet the children | :17:23. | :17:26. | |
when they come into the studio setting on the sofa. That must be an | :17:27. | :17:30. | |
amazing experience for you. You don't know what you will get, did | :17:31. | :17:35. | |
they know who you were? We know you as an incredible comedian, but how | :17:36. | :17:40. | |
was it for the kids? They know me as a smelly, middle aged woman! | :17:41. | :17:47. | |
The kids on the show are between four and 13, and kids don't really | :17:48. | :17:52. | |
know who I am. I did a bit orbit in Harry Potter, they know that. The | :17:53. | :17:58. | |
kids are far too young to know me. But we decided not to meet them | :17:59. | :18:03. | |
before they came on to do their special talent, because kids can't | :18:04. | :18:07. | |
fake meeting you and meeting you again, and I wanted to see them for | :18:08. | :18:12. | |
the first time. It seemed to work, because we made friends on the sofa. | :18:13. | :18:18. | |
How is this working? Is it a demonstration of skill and are they | :18:19. | :18:23. | |
competing? How does it work? It is no competition, no judgment or | :18:24. | :18:27. | |
prizes, nothing like that. We didn't want to reject any kids or make them | :18:28. | :18:31. | |
feel anything other than utterly relaxed, showing us what ever they | :18:32. | :18:36. | |
can do, whatever their passion, their skill or talent is, the | :18:37. | :18:40. | |
spotlight is entirely on them in a positive way. They come on and tell | :18:41. | :18:44. | |
me what they have done, come additions they have won, how they | :18:45. | :18:50. | |
have learned to do what ever it is, kids from four years old, a chap is | :18:51. | :18:54. | |
a shepherd, he came on and showed me his sheep. That's his being. Amazing | :18:55. | :19:05. | |
kids, those boring dancing kids, Kerry and Joshua, kids with amazing | :19:06. | :19:11. | |
talents. Some of these kids are from viral Internet things, and | :19:12. | :19:19. | |
sensations. Of course. Some of them have had 16 million hits. We had a | :19:20. | :19:31. | |
young boy from the Philippines, his thing was cool, he did a dance by | :19:32. | :19:38. | |
the pool, and everyone saw that. It is so refreshing as well. It is very | :19:39. | :19:46. | |
innocent, light-hearted, positive, perfect for this time in our lives, | :19:47. | :19:51. | |
wouldn't you say, in our crazy, upside-down world, it is something | :19:52. | :19:56. | |
positive. Everybody can see it for themselves, 8pm on ITV, Little Big | :19:57. | :19:57. | |
Shots. Now, as we know, | :19:58. | :20:04. | |
talented children have to grow up. And with us tonight are | :20:05. | :20:06. | |
some adults who performed on TV Before that, Nitin Ganatra has | :20:07. | :20:09. | |
the amazing story of how 100 children from Liverpool found | :20:10. | :20:18. | |
themselves sharing screen space Of the biggest grossing films in | :20:19. | :20:35. | |
Britain in 1958 was Being Of The Sixth Happiness. In 1914, Ingrid | :20:36. | :20:41. | |
Bergman rescued 100 Chinese orphans by tracking them to safety across | :20:42. | :20:45. | |
war-torn China. It was filmed right here on these mountains, but we are | :20:46. | :20:54. | |
not in China. It's a place with dramatic, snowcapped peaks, wild | :20:55. | :20:56. | |
mountain rivers and acres of dense woodland. Snowdonia in North Wales. | :20:57. | :21:05. | |
This man that grew up in London played in good Bergman's adopted son | :21:06. | :21:13. | |
when he was six. Look at you. Yeah! You haven't changed a bit. You have | :21:14. | :21:17. | |
the same smile. Everyone was friendly, Ingrid was very warm. It | :21:18. | :21:22. | |
felt like she was my adoptive mother. The scene with Ingrid in the | :21:23. | :21:27. | |
paddy fields. I remember being told to run along a wall, point, the | :21:28. | :21:33. | |
planes coming in, then run down. The planes would fire and I was really | :21:34. | :21:39. | |
terrified. But why was all of this happening in Wales? In fact, the | :21:40. | :21:43. | |
film was supposed to be shot in Taiwan on the book producers fell | :21:44. | :21:47. | |
out with the government there. They wondered if they could fool VI by | :21:48. | :21:51. | |
building a Chinese set in a wild, unspoiled mountain spot elsewhere. | :21:52. | :22:06. | |
-- fool the eye. Nearby Liverpool was visited by producers, and | :22:07. | :22:15. | |
brought the children to Wales by the bus-load. Today, some of them are | :22:16. | :22:24. | |
back to meet us. My mum is so pleased. My sister! This was one of | :22:25. | :22:30. | |
the babies recruited to play another one of Ingrid Bergman's adopted | :22:31. | :22:36. | |
children. I was quite young. I don't have any recollection of what went | :22:37. | :22:40. | |
on, but my elder brother Roy does. Throughout filming, he was shown to | :22:41. | :22:46. | |
me, and taken away, and I would cry afterwards. That is how I was made | :22:47. | :22:53. | |
to cry. I see! Peter, you will 14, you must have vivid memories. What | :22:54. | :22:55. | |
other memories do you have of the time? There were scenes where we | :22:56. | :23:04. | |
walked for miles. They made us do it 20-30 times, a couple of mile walks, | :23:05. | :23:08. | |
and we were really tired. When you see us on film as knackered, so to | :23:09. | :23:16. | |
speak, we were tired. I claim to fame is that I am the only person to | :23:17. | :23:21. | |
have appeared naked with Ingrid Bergman. There are not many people | :23:22. | :23:24. | |
that can say that. I don't think anyone else can say that. | :23:25. | :23:34. | |
One of the film's breakthrough talents was Bert Kwok. His character | :23:35. | :23:38. | |
led the kids in the dramatic crossing over the yellow River. The | :23:39. | :23:45. | |
scene was shot here. For an actor like Bert Kwok, this was one of the | :23:46. | :23:50. | |
films that launched him. It must have been a coup. Most Asian | :23:51. | :23:53. | |
characters in those days were played by white people. He actually was the | :23:54. | :24:00. | |
forerunner, so to speak, of bringing Chinese out. Chinese kids are | :24:01. | :24:06. | |
playing a Chinese part. It was just so totally new. To celebrate the | :24:07. | :24:13. | |
film's significance, locals are helping stage a special screening | :24:14. | :24:18. | |
for the cast. But how has the film aged after nearly 60 years? | :24:19. | :24:23. | |
You know what the coldest sound in the world is. It's teeth chattering. | :24:24. | :24:29. | |
CHEERING It's given me a lifelong affection | :24:30. | :24:42. | |
for Wales. If I watched it on my own, I would be blubbing away. I am | :24:43. | :24:46. | |
a bit of an old romantic for it. Lovely story. Great to see them back | :24:47. | :24:54. | |
together. It's time to meet some of the stars | :24:55. | :24:59. | |
of past child TV talent shows. Dawn, will you do the honours | :25:00. | :25:03. | |
and introduce our first guests? Representing Bognor Regis, | :25:04. | :25:06. | |
please welcome James Carroll, Simon Capes and Gavin Wickham, | :25:07. | :25:11. | |
also known as the Rockettes! APPLAUSE | :25:12. | :25:21. | |
Here they are. This is what they look like now. | :25:22. | :25:23. | |
And here they are performing on Crackerjack back in 1977. | :25:24. | :25:32. | |
# Lost in the rhythm # It was a jungle... # | :25:33. | :25:48. | |
Who was on drums? Are you still together as a band? Not as a band. | :25:49. | :25:57. | |
But as friends. What do you do now? I run a medical laser company. I am | :25:58. | :26:04. | |
a sound engineer. I used to be a cameraman, but now I am an artist. | :26:05. | :26:12. | |
You have been a talent judge, would you send them through to the next | :26:13. | :26:17. | |
round? I would and I would tell them to reformat and tell them to think | :26:18. | :26:23. | |
about a tour! Simon, wave the Crackerjack! Crackerjack! | :26:24. | :26:30. | |
Representing the Southampton area, please welcome | :26:31. | :26:33. | |
And here she is performing as Margaret Thatcher back in 1978. | :26:34. | :26:51. | |
I sat next to Jim Callaghan fatigue. It was just as I feared it would be. | :26:52. | :27:02. | |
His rumblings abdominal were truly phenomenal, and everyone thought it | :27:03. | :27:11. | |
was me. LAUGHTER Kate, you are still in the business, | :27:12. | :27:21. | |
as a voice-over artist. Do you still do impressions? I do. Give us one. | :27:22. | :27:29. | |
Hello, it is gorgeous to see you on the one Show. Gorgeous to see you. | :27:30. | :27:37. | |
What do you think of that, Dawn? You are the other half of me! My people | :27:38. | :27:43. | |
will call your people, come on, darling, let's do lunch. | :27:44. | :27:48. | |
Please welcome tap dancer and singer Vivienne McMaster! | :27:49. | :27:58. | |
Let's see her competing in Crackerjack Young Entertainer | :27:59. | :28:05. | |
This is my favourite. # Every minute, he leans on my | :28:06. | :28:16. | |
shoulder. # He's kissing me | :28:17. | :28:22. | |
# # That's impressive. You are tapping | :28:23. | :28:37. | |
on point. Look at your legs now. They are OK, I used to put white | :28:38. | :28:44. | |
spirit on my toes to harden them up. You are still a trickle toes today. | :28:45. | :28:52. | |
I still am. I performed in musicals, pantomimes, all of that, I teach | :28:53. | :28:58. | |
kids and also the over 60s. I have a group of performing pensioners. | :28:59. | :29:07. | |
There they are. I love it. You can rejoin the performers, and let's say | :29:08. | :29:13. | |
a big thank you to all of our wonderful guests. APPLAUSE | :29:14. | :29:18. | |
We're looking for stories behind your first dance at your wedding. | :29:19. | :29:22. | |
They could be funny, unusual or romantic. | :29:23. | :29:24. | |
That's it for tonight, huge thanks to Dawn. | :29:25. | :29:28. | |
Looking forward to Little Big Shots tomorrow at 8 o'clock. | :29:29. | :29:30. | |
Dawn tonight and tomorrow some more brilliant guests - | :29:31. | :29:37. | |
Samuel L Jackson, with Tom Hiddleston and Brie Larsson. | :29:38. | :29:40. |