Browse content similar to 01/05/2017. Check below for episodes and series from the same categories and more!
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Hello and welcome to your May Day One Show with Alex Jones. | :00:16. | :00:18. | |
As it's a Bank Holiday we've supersized the show | :00:19. | :00:22. | |
One is a Super Vet, the real life Dr Doolittle | :00:23. | :00:27. | |
who saves animals using pioneering surgery. | :00:28. | :00:31. | |
The other is a superstar who's gone from pulling beers in Cheers | :00:32. | :00:34. | |
to playing Hunger Games before ending up Lost in London | :00:35. | :00:37. | |
CHEERING It is nice to see you. Hello, how | :00:38. | :00:58. | |
are you? Have a seat. Sit down. It is nice to see you both, what a | :00:59. | :01:01. | |
treat for a bank holiday. It is great to see you. Noel is over the | :01:02. | :01:07. | |
moon because he is a big fan. Yes, big fan. This is great. Beside one | :01:08. | :01:16. | |
of my heroes. Thank you. Larry Flynn, you were amazing. Amazing. | :01:17. | :01:26. | |
Thank you. Andrew Detective. -- and true Detective full stop did you | :01:27. | :01:33. | |
enjoy that? Yes, that was fun. It was extraordinary, really good. We | :01:34. | :01:38. | |
are going to have a trip down memory lane, and also talking about your | :01:39. | :01:42. | |
new film Lost In London, this issue out in Cambridge, punting. -- this | :01:43. | :01:48. | |
is you. How did you get on with this? I'm a natural. How far did you | :01:49. | :01:55. | |
get? That is a wild little sport they've got going. You can get the | :01:56. | :02:01. | |
boat going the wrong direction. Pretty much in the balance, there. | :02:02. | :02:07. | |
The big news of the weekend, the boxing, and you were there? Yes, I | :02:08. | :02:13. | |
was. Seven rows from the front? Who do you know? Somebody, I'm not going | :02:14. | :02:21. | |
to tell you. They came out, both the machines, and what was | :02:22. | :02:27. | |
extraordinary, and they were in front of 90,000 people. They were | :02:28. | :02:35. | |
machines. A great advert for kids, and inspiration. It was mind blowing | :02:36. | :02:42. | |
in the fifth round. They came out. Joshua was doing amazing. You | :02:43. | :02:47. | |
thought the fight was over, and then Klitschko turns it around in the | :02:48. | :02:52. | |
same round. Amazing. When he went down in the sixth round, he was | :02:53. | :02:55. | |
standing up again, and that will be the making of him. It is still is | :02:56. | :03:01. | |
humility and perspective, you get down and you go up again. You played | :03:02. | :03:07. | |
a boxer in Play It To The Bone? Yes, I did. You were hitting each other? | :03:08. | :03:14. | |
We did a bit of actual hitting each other. Oh! LAUGHTER | :03:15. | :03:22. | |
Look at that! Is that really me? So weird. I remember, the first time I | :03:23. | :03:30. | |
actually did some boxing, the guy who was teaching me said, we are | :03:31. | :03:33. | |
going to do a couple of rounds of boxing. This was after training a | :03:34. | :03:41. | |
while. The adrenaline and everything, the cardio after, I | :03:42. | :03:44. | |
remember at one point, there was someone who has the time and they | :03:45. | :03:48. | |
said, one minute. Meaning we had only been at it one minute. And I | :03:49. | :03:54. | |
wanted to hit the person who said that, I was freaking out because I | :03:55. | :03:58. | |
was so exhausted at one minute. It doesn't bear thinking about. What | :03:59. | :04:02. | |
they do, the level of fitness. Extraordinary. We are going to talk | :04:03. | :04:07. | |
about your film, and you have a lovely hat. Lost In London. Yes, I'm | :04:08. | :04:11. | |
promoting it. It's only 15 years from now but man | :04:12. | :04:15. | |
has been replaced by machine - Sounds like the script of Woody's | :04:16. | :04:21. | |
next film but according to Top Gear presenter and technology expert | :04:22. | :04:28. | |
Rory Reid, science fiction Robots are capable of carrying out | :04:29. | :04:38. | |
increasingly sophisticated tasks. But it's claimed that by 2030 up to | :04:39. | :04:43. | |
a third of jobs could be automated. And we are not just talking about | :04:44. | :04:46. | |
jobs that involve lifting and moving things. It is thought robots could | :04:47. | :04:52. | |
one day replace more skilled workers, possibly even chefs and | :04:53. | :04:57. | |
surgeons. But how realistic is this? The government is certainly behind | :04:58. | :05:03. | |
the idea, they announced ?17 million of funding to review the development | :05:04. | :05:06. | |
of artificial intelligence for the UK in February and in a periodical | :05:07. | :05:11. | |
which London they are already putting this into practice. This | :05:12. | :05:16. | |
doctor introduces me to a robot. Nice to meet you. So, what is so | :05:17. | :05:24. | |
special about this robot? He is learning to carry out tasks by trial | :05:25. | :05:29. | |
and error. You have equipped it with a hockey stick. Yes, we are trying | :05:30. | :05:34. | |
to learn how to strike a hockey puck and get this to a target position. | :05:35. | :05:40. | |
That is not bad. This is a robot that learns by itself? Yes, but we | :05:41. | :05:45. | |
still have to supervise it, but over time it should be able to learn new | :05:46. | :05:51. | |
skills on its own. Oh! It will learn to anticipate the needs of their | :05:52. | :05:55. | |
human co-worker and they will pass the right tool just before the human | :05:56. | :05:59. | |
needs it. They will get better and better until they can do it fully | :06:00. | :06:07. | |
autonomously. That is perfect. The ability of a robot to learn and | :06:08. | :06:10. | |
develop through its own experience is called reinforcement learning but | :06:11. | :06:14. | |
the ability of robots to imitate human behaviour is already being | :06:15. | :06:18. | |
applied to Comdex tasks like cooking. Which is why I have come | :06:19. | :06:25. | |
here to meet a fully automated chef. Robo chef. The inventor is Mark. He | :06:26. | :06:35. | |
can cook on the same kitchen like this and Robo chef can copy this | :06:36. | :06:40. | |
movement. The robot is looking at the physical movements of a human | :06:41. | :06:42. | |
and doing the same thing? Absolutely. It is time to see this | :06:43. | :06:49. | |
in action. There it goes. This is freaky. Although Robo chef has been | :06:50. | :06:54. | |
fully trained it seems it still needs a helping human hand now and | :06:55. | :07:01. | |
again. It is sticking. Masterchef winner Tim Anderson was amongst | :07:02. | :07:06. | |
those who helped with the training. Because it uses hands it can do, | :07:07. | :07:10. | |
eventually, everything a human can do because these are the most | :07:11. | :07:13. | |
effective tools we have for cooking and a lot of things. But how does | :07:14. | :07:17. | |
the cooking stand up against that of Tim Anderson? We have set our very | :07:18. | :07:25. | |
own One Show test. Robo chef and Tim Anderson will cook and we will put | :07:26. | :07:30. | |
them to the test later. Robots and gentlemen, let's cook. Tiny bit of | :07:31. | :07:38. | |
adjustment to make. Whilst I have my doubts that advanced robots taking | :07:39. | :07:41. | |
skilled jobs will become a reality any time soon, there are those that | :07:42. | :07:46. | |
view this would concern. According to a recent report by the global | :07:47. | :07:51. | |
employment Institute, governments might need to consider into juicing | :07:52. | :07:54. | |
human quotas for companies to protect jobs in the future. -- | :07:55. | :07:59. | |
introducing. This woman that the report. If we think many jobs are | :08:00. | :08:04. | |
eliminated we have got to think, what we do with these people and so | :08:05. | :08:07. | |
we have got to think about retraining and another solution | :08:08. | :08:12. | |
could be to find different social security systems so that people | :08:13. | :08:16. | |
don't have to work and can do other creative jobs, but governments need | :08:17. | :08:21. | |
to think about it now and not we have mass dismissals. But for now it | :08:22. | :08:25. | |
is time to find out what is happening in our One Show test of | :08:26. | :08:31. | |
man versus robot. That should do it. Robo chef and Tim Anderson have both | :08:32. | :08:36. | |
made their soups so it is time to take them out to the streets of | :08:37. | :08:39. | |
London to see which one the public prefers. It smells nice. That's | :08:40. | :08:46. | |
really good. This one was made by Masterchef winner Tim Anderson. I | :08:47. | :08:51. | |
prefer this one. That was actually made by a robot. LAUGHTER | :08:52. | :08:59. | |
A robot. Masterchef Tim Anderson. By a robot. The robot. It is getting | :09:00. | :09:06. | |
tight. Masterchef winner Tim Anderson. So that is it, 5-4 in | :09:07. | :09:13. | |
favour of Tim Anderson that so the results are in. Who would have | :09:14. | :09:19. | |
thought? Well, he's good but he's not taking my job, and who would've | :09:20. | :09:23. | |
thought a robot could almost match the skills our Masterchef winner. | :09:24. | :09:29. | |
And why I do think -- and while I think robots are a long way from | :09:30. | :09:33. | |
taking the jobs of chefs in kitchens, this has given me food for | :09:34. | :09:41. | |
thought. Do you think we can ever get to a point where robots are | :09:42. | :09:45. | |
going to take over? I'm not going to be out of a job any time soon. I | :09:46. | :09:51. | |
think they can do a lot, it is remarkable what they can do and they | :09:52. | :09:54. | |
are quite clever, but they are only clever... Not intuitive, but it is a | :09:55. | :10:02. | |
cognitive thing, and I don't think they would ever have the skill set | :10:03. | :10:07. | |
of him as an actor or me as a surgeon because they can't make | :10:08. | :10:11. | |
those judgments. Dogs are smarter than humans, just think about it. | :10:12. | :10:16. | |
They understand a lot of our words but we haven't got any of their | :10:17. | :10:22. | |
words. Correct. I've said that recently, they speak a language but | :10:23. | :10:26. | |
we have chosen not to understand. Because we think we are all that. | :10:27. | :10:32. | |
You must have come across that in your movie with the apes? The apes | :10:33. | :10:39. | |
do a lot of things with sign language and they understand a | :10:40. | :10:43. | |
massive amount of words. They can communicate. With your lifestyle, | :10:44. | :10:49. | |
you lead a very eco-friendly existence. You live in off grade and | :10:50. | :10:54. | |
all of that, and I guess you prefer a lack of technology? I just want to | :10:55. | :11:03. | |
have a soft footprint on the earth. I feel like a lot of what we do in | :11:04. | :11:07. | |
terms of you look at our waste on a regular basis, just personally. How | :11:08. | :11:13. | |
much we throw away, plastic, paper. I tried to do as little of that as | :11:14. | :11:23. | |
possible. And my cars are either be -- bio diesel or Electric. You have | :11:24. | :11:33. | |
five varieties of avocado. Why is that? That is my favourite fruit? | :11:34. | :11:41. | |
Ten use ago no one knew what it was, -- ten use ago no one knew what it | :11:42. | :11:44. | |
was and they thought it was just a dodgy colour for a bathroom. OK. | :11:45. | :11:53. | |
Let's talk about this cat and your film Lost In London. -- cap. It was | :11:54. | :12:00. | |
shot in January in one take from start to finish and it was beamed | :12:01. | :12:04. | |
live to cinemas for the audience. Where did the idea come from? I | :12:05. | :12:11. | |
always have this concept, of merging theatre and film and I thought it | :12:12. | :12:14. | |
would be cool because if you can it something in real time, this is long | :12:15. | :12:22. | |
before other films try to do that. It was not technologically possible | :12:23. | :12:25. | |
at the time I have the idea because it was just film. You could not have | :12:26. | :12:32. | |
shot that long. Since I'm pretty slow from the germination of an idea | :12:33. | :12:37. | |
to its conclusion, technology caught up with the idea. And I thought this | :12:38. | :12:43. | |
would be great, this would be merging theatre and film to shoot | :12:44. | :12:46. | |
this in real time, in this case 99 minutes. In fact, that is not true, | :12:47. | :12:52. | |
you need an audience for this to be theatre, and then I thought, maybe | :12:53. | :12:57. | |
you could live stream it as you shoot it, if you are going to shoot | :12:58. | :13:01. | |
it in real time, anyway. Yes, why not. You have got the sound cues and | :13:02. | :13:07. | |
the music cues, but it seems like it would be possible. I didn't realise | :13:08. | :13:12. | |
what an undertaking it would be otherwise I would have bailed on | :13:13. | :13:17. | |
that idea. LAUGHTER It is based on a drunken night out | :13:18. | :13:20. | |
in London and at the beginning of the film it says too much of this | :13:21. | :13:25. | |
true, so how much of it is true? Too much. But how much is too much? | :13:26. | :13:33. | |
Let's keep it ambiguous. We showed it yesterday twice, at the picture | :13:34. | :13:39. | |
house, because they are our bodies, and it was great, the response. | :13:40. | :13:44. | |
People wanted to know that and I thought, I've already got enough... | :13:45. | :13:49. | |
You can hate me enough for what you see on that screen, and if I tell | :13:50. | :13:54. | |
you how much is true, that could be a problem. We have a clip. This is | :13:55. | :13:59. | |
Owen Wilson who is playing himself and he is trying to tell you how to | :14:00. | :14:01. | |
avoid a media scandal. You didn't pay? I tried to | :14:02. | :14:16. | |
negotiate. You cannot negotiate with Marty. But he is a lawyer, they | :14:17. | :14:28. | |
negotiate. You know who did not negotiate, the little people. | :14:29. | :14:40. | |
How far in to the movie was that roughly and how much did you have to | :14:41. | :14:44. | |
rehearse to do this, so many questions! We had two months of | :14:45. | :14:52. | |
rehearsal. It was very intense. A lot of rehearsal for where the | :14:53. | :14:59. | |
camera would be. And you know, the production design had to allow for | :15:00. | :15:03. | |
the camera to look in every direction at any point. So the | :15:04. | :15:08. | |
writing itself as well. But for you as an actor, because you want to be | :15:09. | :15:13. | |
in the moment as much as you can but where you're just thinking ahead for | :15:14. | :15:17. | |
the whole time? That was a problem and in fact that was going on all | :15:18. | :15:24. | |
the time. I was doing a pretty horrific job as an actor until | :15:25. | :15:29. | |
finally it was the night of the shoot and Nigel Willoughby told me | :15:30. | :15:33. | |
forget the directing, you are just the actor. And I thought yeah, that | :15:34. | :15:41. | |
is true. And hopefully being my bread and butter I was able to pull | :15:42. | :15:46. | |
that off. You said yourself it was quite a gamble. This show is a | :15:47. | :15:50. | |
gamble every night and it is just 30 minutes. Were you happy with the end | :15:51. | :15:59. | |
result? There are some mistakes, there is one quite large mistake. | :16:00. | :16:05. | |
Where an actor did not come into his scene when he was supposed to. But | :16:06. | :16:10. | |
showing it to people, it is like a diamond with flaws. You're not going | :16:11. | :16:16. | |
to pay as much as you would for a non-flawed diamond. But I've shown | :16:17. | :16:23. | |
it to people and they do not know where the problem is. They do not | :16:24. | :16:29. | |
see it. I saw it, it was pretty obvious. Maybe the beauty is in that | :16:30. | :16:33. | |
the floor. But it almost didn't happen because of something that | :16:34. | :16:39. | |
happened on Westminster Bridge? Yes, Waterloo Bridge. That was a | :16:40. | :16:45. | |
significant occasion for us and then that night they found a World War II | :16:46. | :16:52. | |
unexploded bomb close to the bridge. They left this thing 70 years ago! | :16:53. | :17:00. | |
People had survived. It was the first time I ever had a personal | :17:01. | :17:07. | |
beef with Hitler. I never much liked and before that! Lost in London is | :17:08. | :17:15. | |
now at selected cinemas. Go and see it for yourself. | :17:16. | :17:17. | |
As Noel's here we thought we'd show a fascinating film about an animal | :17:18. | :17:20. | |
And it just so happens, Woody, that it's a woodpecker. | :17:21. | :17:24. | |
The nature reserve in Bedfordshire is home to one of the most peculiar | :17:25. | :17:45. | |
birds. This is a creature whose anatomy allows it to bang its head | :17:46. | :17:49. | |
into a tree trunk hundreds of times a day and still come back for more | :17:50. | :17:53. | |
the very next day. It is the woodpecker. The drumming of the | :17:54. | :17:59. | |
great spotted woodpecker is a sign that the breeding season is upon us. | :18:00. | :18:05. | |
Woodpecker is drawn to attract a mate automata -- to mark out | :18:06. | :18:10. | |
territory. But how do they help create our Spring soundtrack without | :18:11. | :18:14. | |
sustaining serious head injuries? I'm hoping to show you. Despite the | :18:15. | :18:21. | |
noise that woodpeckers make spotting one of these avian head-bangers is | :18:22. | :18:24. | |
not always as easy as you might imagine. To track the woodpecker | :18:25. | :18:28. | |
down I need some local knowledge. Lizzie Bruce is the RSPB warden | :18:29. | :18:34. | |
here. This site is amazing, great spotted woodpecker, the occasional | :18:35. | :18:40. | |
lesser spotted woodpecker, the green woodpecker. Where is the best place | :18:41. | :18:45. | |
amongst these trees to track them down? They tend to use the whole | :18:46. | :18:49. | |
area but generally we look for areas of Deadwood, standing Deadwood would | :18:50. | :18:55. | |
tell you where they favour because when they drawn into that it | :18:56. | :18:59. | |
resonates better. The most likely way we're going to find the | :19:00. | :19:02. | |
woodpecker is by using our ears, listening them. I have quite big | :19:03. | :19:08. | |
ears but they're not as big as Gregory, the wildlife sound | :19:09. | :19:16. | |
recorders, and his electronic year. I have a parabolic reflector and it | :19:17. | :19:19. | |
travels through the air and bounces off curved walls and is focused to | :19:20. | :19:24. | |
the central point where the microphone sits. To help locate the | :19:25. | :19:28. | |
woodpecker Gregory just needs to scan the landscape and listen for | :19:29. | :19:32. | |
the sound of the drumming. But you have a lot of landscape to scan. We | :19:33. | :19:37. | |
will be here sometime. After a lot of searching... That is one. There | :19:38. | :19:46. | |
is another. About ten, 15 metres in that direction. I cannot see it for | :19:47. | :19:53. | |
love nor money. Then finally... There it is. Even I can hear that. A | :19:54. | :20:04. | |
couple of e-mails are vying for the same territory. Normally this time | :20:05. | :20:11. | |
of year is all about the males scrapping for territory but we have | :20:12. | :20:16. | |
e-mails, all happening right above our head this female is clearly | :20:17. | :20:23. | |
trying to make their presence known. From slowing down the footage, I | :20:24. | :20:29. | |
calculate that this bird is drumming about 17 times per second. So how | :20:30. | :20:36. | |
does it avoid head injury? Recent research has come up with some | :20:37. | :20:41. | |
revelations. First there are microscopic spongy bones in the | :20:42. | :20:46. | |
skull that soften the impact. Next the woodpecker has an incredibly | :20:47. | :20:50. | |
long bone, an extension of its tongue. It acts like a seat belt, | :20:51. | :20:56. | |
restraining the violent recoil of its head. And lastly, unlike humans, | :20:57. | :21:01. | |
where the brain is more likely to rattle around on impact, the brain | :21:02. | :21:06. | |
of the woodpecker is packed tightly into the skull to reduce that | :21:07. | :21:11. | |
rattling. These are all fascinating discoveries. But they could also | :21:12. | :21:15. | |
have an important use. Scientists all over the world are looking at | :21:16. | :21:20. | |
the woodpecker to see how they can improve head protection technology. | :21:21. | :21:26. | |
One inventor in India came up with this cycle helmet which has a | :21:27. | :21:29. | |
lattice of cardboard inside that is meant to mimic the spongy bone of a | :21:30. | :21:35. | |
woodpecker skull. Not of course that I'm planning on going banging my | :21:36. | :21:45. | |
head against any trees. That was a nice first for you, Noel, | :21:46. | :21:51. | |
you have never operated on a woodpecker. I love operating on wild | :21:52. | :21:56. | |
animals. I was just watching that and I felt the fight on Saturday | :21:57. | :22:03. | |
night, the brain wobbling around, they could learn something from the | :22:04. | :22:06. | |
woodpecker. But with much to learn from animals and we choose not to do | :22:07. | :22:18. | |
it. Well Noel is probably the most famous vet in this country. Just | :22:19. | :22:24. | |
explain a bit about what you do. We save broken animals. What we do is, | :22:25. | :22:31. | |
we try and move technology forward to give animals hope. So stem cell | :22:32. | :22:38. | |
work, rebuilding body parts, trying to repair damaged tissue. But not | :22:39. | :22:42. | |
that any expense, just if it is morally the right thing to do. We | :22:43. | :22:47. | |
were talking a bit about when it is right to do something where is that | :22:48. | :22:52. | |
line. And this is something that we explore a lot in the show, in this | :22:53. | :22:57. | |
series, there is a lot of failure. And in fact this week is the most | :22:58. | :23:03. | |
difficult I have ever had it. You're talking about Bella the Boxer dog. | :23:04. | :23:09. | |
We have a case this week alongside the hedgehog, who all remarkably had | :23:10. | :23:14. | |
broken their left back leg, the mustard in crossing, you have a go | :23:15. | :23:18. | |
at it! They all broke their left back leg. But in that same show, we | :23:19. | :23:24. | |
have the single greatest failure I have ever been through on the | :23:25. | :23:31. | |
television show. It was not really about my pain even though that was | :23:32. | :23:37. | |
intense because you store all the cemetery of your fingers in your | :23:38. | :23:41. | |
heart. But it is about the beautiful human beings that allowed us to go | :23:42. | :23:44. | |
through that journey with them as a message of hope for those who have | :23:45. | :23:48. | |
no hope. Even though we failed, there was some kind of redemption in | :23:49. | :23:52. | |
the failure, a sense of peace that you'd done the right thing to your | :23:53. | :23:57. | |
friend. And that is what the show is about, the centrepiece that you've | :23:58. | :24:00. | |
done the right thing for your friend, who is a member of your | :24:01. | :24:04. | |
family and for humanity as well because animals put the human in | :24:05. | :24:09. | |
humanity. And I guess the difficulty for you is you are pioneering the | :24:10. | :24:12. | |
stuff and you have got to try it out in some way, shape or form and you | :24:13. | :24:16. | |
are learning as you go along. And you have this goal by the time you | :24:17. | :24:21. | |
reach 50, to be lying on the floor of a hospital. My goal when I was | :24:22. | :24:27. | |
11, I watched wolverine, I was a big fan of the avengers and I thought | :24:28. | :24:33. | |
what if we could rebuild them. I was friends with all the animals, very | :24:34. | :24:37. | |
few human friends, still to this day! So I lead a relatively | :24:38. | :24:43. | |
reclusive life and the animals were my friends. I thought, we can | :24:44. | :24:48. | |
rebuild them. I just build this new hospital, opening next year and my | :24:49. | :24:53. | |
ambition for my 50th birthday was to sleep on the floor in this hospital. | :24:54. | :24:58. | |
It is called the Fitzpatrick Institute for the restoration of | :24:59. | :25:02. | |
skeletal tissue. I'm going to sleep on the floor on the first night and | :25:03. | :25:06. | |
in that room I intend to die standing up operating with my | :25:07. | :25:11. | |
kneecaps locked like a horse. They can preserve me to look down and | :25:12. | :25:15. | |
give them instructions in future years. That is my goal. And the | :25:16. | :25:23. | |
children who write into the show gives me hope even in spite of the | :25:24. | :25:30. | |
failure is. We get letters from kids in war-torn regions, letters from | :25:31. | :25:35. | |
kids in a world gone mad. And they find hope in the journeys of those | :25:36. | :25:39. | |
animals and that is important. All those kids watching at home will | :25:40. | :25:43. | |
want to see it a clip and we have the perfect one. The hedgehog. | :25:44. | :25:53. | |
Hedgehog time. First one goes to x-ray, goes out, get the tables | :25:54. | :25:56. | |
lined up and we will run them through. Look at his face! I do not | :25:57. | :26:05. | |
even know what is the front end. We do not usually get little creatures | :26:06. | :26:10. | |
in, normally just cats and dogs, so it is exciting and everyone gets | :26:11. | :26:17. | |
involved. Telephone the outcome is? This | :26:18. | :26:22. | |
weekend in London at Excel I will give the outcome to all the kids | :26:23. | :26:26. | |
because I'm teaching them about taking care of hedgehogs. I'm | :26:27. | :26:29. | |
excited about interacting with them but I will tell you, am I allowed to | :26:30. | :26:38. | |
do that? Let's just say it was a hedgehog battle. It is on on | :26:39. | :26:42. | |
Thursday at eight o'clock on Channel 4. We found out doing some digging | :26:43. | :26:47. | |
that Noel did try his hand originally at acting. Oh, no! And in | :26:48. | :26:57. | |
the archives we found this. I cannot believe you wanted him to die. Stop | :26:58. | :27:04. | |
it! You are only making things worse for him. The longer he is alive, the | :27:05. | :27:08. | |
longer these sufferers. You mean the Longueuil that you suffer. -- the | :27:09. | :27:19. | |
longer. We will crying and Imogen Stubbs | :27:20. | :27:22. | |
cried at the right minute. I could not. Almost as if you are waiting | :27:23. | :27:34. | |
for the new Stormers -- star wars movie, the suspense! How is the | :27:35. | :27:40. | |
shooting going? It is going great, terrific directors, the actors are | :27:41. | :27:51. | |
great. Brilliant script. Amazing. There is a lot of secrecy | :27:52. | :27:54. | |
surrounding these films. What can you tell us about your character? | :27:55. | :28:01. | |
I'm a man tour and also a criminal. -- mentor. What a world to be part | :28:02. | :28:10. | |
of. Everyone these days get so excited about it. And for you guys | :28:11. | :28:13. | |
to be in there actually creating these memories for young people. I | :28:14. | :28:18. | |
guess that is why you do what you do. Absolutely. That is why I'm | :28:19. | :28:22. | |
heading in there at six o'clock tomorrow, to create memories! Do you | :28:23. | :28:27. | |
think about your legacy for the kids and things like that? You know, I | :28:28. | :28:34. | |
guess. I think it is cool, a lot of the movies I did, the kids can't go | :28:35. | :28:40. | |
to watch them so it is nice when they can. There's a lot of movies I | :28:41. | :28:45. | |
wished I had done that my kids could have watched. But, you know. They | :28:46. | :28:52. | |
have it, thank you so much for your company Noel. | :28:53. | :28:57. | |
We're back tomorrow with Keith Lemon and Paddy McGuinness - who knows | :28:58. | :29:01. |