Browse content similar to 03/03/2017. Check below for episodes and series from the same categories and more!
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Hello and welcome to The One Show with Jon Richardson... And Angela | :00:19. | :00:24. | |
Scanlon. Tonight we are joined by one of the biggest stars on the | :00:25. | :00:28. | |
planet. He released his third album, | :00:29. | :00:35. | |
'Divide' and tonight performing twice, it's the unand only, Ed | :00:36. | :00:39. | |
Sheeran! # When I was six years | :00:40. | :00:42. | |
old I broke my leg # I was running from my | :00:43. | :00:45. | |
brother and his friends # Tasted the sweet perfume | :00:46. | :00:47. | |
of the mountain grass I rolled down # Made friends and lost | :00:48. | :00:53. | |
them through the years # Driving at 90 | :00:54. | :01:11. | |
down those country lanes # And I miss the way | :01:12. | :01:26. | |
you make me feel, and it's real # When we watched the sunset over | :01:27. | :01:35. | |
the castle on the hill # Fifteen years old and smoking | :01:36. | :01:45. | |
hand rolled cigarettes # Running from the law | :01:46. | :01:52. | |
through the backfields # Had my first kiss | :01:53. | :01:54. | |
on a Friday night, # I don't reckon I did it | :01:55. | :02:00. | |
right # And buy cheap spirits | :02:01. | :02:04. | |
and drink them straight # Me and my friends have not thrown | :02:05. | :02:18. | |
up in so long, # Driving at 90 | :02:19. | :02:21. | |
down those country lanes # And I miss the way | :02:22. | :02:34. | |
you make me feel, # When we watched the sunset over | :02:35. | :02:58. | |
# One's just barely getting by | :02:59. | :03:23. | |
# And I can't wait to go home | :03:24. | :03:30. | |
# I still remember these old country lanes | :03:31. | :03:40. | |
# When we did not know the answers, | :03:41. | :03:46. | |
# And I miss the way you make me feel, it's real | :03:47. | :03:50. | |
# When we watched the sunset over the castle on the hill | :03:51. | :04:20. | |
APPLAUSE. Absolutely wonderful. Still to come a world exclusive, | :04:21. | :04:35. | |
when the man performs his new single single 'Supermarket Flowers'. | :04:36. | :04:39. | |
At a school in Essex, there's beenen unusual delivery. We're trying to | :04:40. | :04:43. | |
use this beast to create some real high art. And I'm not talking about | :04:44. | :04:52. | |
the pretentious kind! These are living photographs, pictures formed | :04:53. | :04:56. | |
by vast crowds of soldiers, photographed from a tower. Created | :04:57. | :05:03. | |
in America in 1917, they were shot by Essex-born photographer, Arthur | :05:04. | :05:08. | |
Mole. He had moved to America to join a religious community and his | :05:09. | :05:13. | |
first pictures had sacred themes. But the talent was spotted by the | :05:14. | :05:18. | |
military who wanted to show off strength and unity during the war. | :05:19. | :05:22. | |
Although in the States no-one has heard of his birthplace of L Bexton. | :05:23. | :05:33. | |
Well, we are putting that right. I have teamed up with photographer | :05:34. | :05:37. | |
Carl Taylor to create a living photograph of himself in his home | :05:38. | :05:47. | |
town. This is a real challenge. | :05:48. | :05:57. | |
Mole used up to 30,000 people for his photographs, we have 650 | :05:58. | :06:00. | |
students from Bexley College. If they is what they are like today, I | :06:01. | :06:05. | |
wonder what they are like tomorrow! But that's the least of our worries, | :06:06. | :06:12. | |
to take the living photo, Carl will be over 50 feet high. | :06:13. | :06:17. | |
We are trying to use Arthur Mole's original technique. This is how he | :06:18. | :06:22. | |
may have done it on the back of his glass screen. Remember this was 100 | :06:23. | :06:27. | |
years ago. We don't have the same. We have a modern camera but I'm | :06:28. | :06:33. | |
going to use the small acer tape which I insert to my camera, so I | :06:34. | :06:38. | |
can see the image that we need on the ground, so the technique will be | :06:39. | :06:41. | |
very similar. Wow. Great. Great. Before we get | :06:42. | :06:46. | |
started there is time for a quick art lesson. As the images recede in | :06:47. | :06:53. | |
the distance, they get smaller! What is clever about what he did is that | :06:54. | :06:58. | |
the Statue of Liberty doesn't get smaller from the base to the tip of | :06:59. | :07:02. | |
the torch, it would have been about half a mile. There are 17 people at | :07:03. | :07:09. | |
the base but in the torch alone, there are 12,000 people! We've only | :07:10. | :07:14. | |
got 650. But it take as whole day to mark out the image on the ground. By | :07:15. | :07:19. | |
the time we're ready, the weather is threatening to ruin everything. | :07:20. | :07:24. | |
It's getting a bit windy, if this starts swaying around we are heading | :07:25. | :07:27. | |
back down. Let's roll! Come in, come in. One, | :07:28. | :07:36. | |
two, three, four, five, six, seven, eight. Come on, we need more of you. | :07:37. | :07:43. | |
Lots more! Come on! Puff yourself in there. | :07:44. | :07:47. | |
I hope we've got enough kids! Keep coming! This is where most of the | :07:48. | :07:53. | |
kids are used up in the hair. In the stretched perspective from where we | :07:54. | :07:58. | |
see it, it looks a short distance but on the ground it's a long | :07:59. | :08:02. | |
distance. A century ago, most techniques | :08:03. | :08:08. | |
showed the might of America's army, today it's unioning an entire | :08:09. | :08:11. | |
school. Three, two, one, cheese! | :08:12. | :08:13. | |
ALL SPEAK AT ONCE Cheese! Fantastic! I think we did | :08:14. | :08:24. | |
it, Adebanji, I think we've nailed it. | :08:25. | :08:31. | |
Our living photo of Arthur Mole, no longer forgotten about in Lexton. | :08:32. | :08:36. | |
Give yourselves another round of applause! It's quiet in the studio! | :08:37. | :08:42. | |
Can with you get a round of applause for Ed Sheeran, please! He's inside! | :08:43. | :08:49. | |
Ed, it's been a big day. We have something very, very special for | :08:50. | :08:52. | |
you. Do you want to do the honour, Jon? | :08:53. | :08:58. | |
Yes. Now, you sang a song, 'Lego House'. We are a fan. Angela has | :08:59. | :09:06. | |
nothing to do last evening. Wow, did you do that? I may or may | :09:07. | :09:14. | |
not have done it! That's incredible. That is over 4,000 pieces in there. | :09:15. | :09:21. | |
Can I keep that?! Yes, it's yours! You can keep it later. We were | :09:22. | :09:26. | |
afraid you could smash it. You are interested in art, right? Yes. | :09:27. | :09:32. | |
You designed the album art cover in Damien Hirst' studio. | :09:33. | :09:37. | |
Yeah, there you go. There was one day I was trying to think what to do | :09:38. | :09:42. | |
for an album cover. I knew I wanted it bright blue. I had been there and | :09:43. | :09:47. | |
visited it before. I had seen he had the huge spinning machine for his | :09:48. | :09:51. | |
spin paintings. So I, he luckily, allowed me to go there. We got | :09:52. | :09:57. | |
dressed up in the jump suits and he just gave me loads of blue paint | :09:58. | :10:03. | |
buckets and I just lobbed them. He let you loose in his studio? Yep. | :10:04. | :10:09. | |
I got covered in paint and he sent them to me. He was really sweet. | :10:10. | :10:17. | |
When you said that he used them for his spin paintings, I'm assuming he | :10:18. | :10:23. | |
does not just "lob" paint?! Well, his are more planned. | :10:24. | :10:30. | |
And he drew a tattoo as well? He drew a shark. I got it tattooed. | :10:31. | :10:39. | |
Where is it? On the ribs. So you get a tattoo to mark key | :10:40. | :10:43. | |
events in your life. That is exciting. The first album in three | :10:44. | :10:48. | |
years. I have had the 'Divide' tattoo since | :10:49. | :10:53. | |
2011. Just under the watch. Sorry, what | :10:54. | :10:58. | |
was the question before that? You have 12 songs from three years, how | :10:59. | :11:02. | |
does it come about? Lots of whittling down. Every time I thought | :11:03. | :11:06. | |
that the album was done, I would leave it a bit. Then came back and | :11:07. | :11:12. | |
realised I could do better. So I kept adding and taking away. | :11:13. | :11:19. | |
A lot of maths! Smart! It got to the point where had someone not just | :11:20. | :11:23. | |
taken the album and put it out, I could have done that forever. I | :11:24. | :11:29. | |
didn't know when the album was done. So So someone took it. | :11:30. | :11:35. | |
Who tells you? Time! I said I wanted to release it on the 1st of January. | :11:36. | :11:40. | |
So it had to happen. But I had Castle On The Hill recorded and done | :11:41. | :11:43. | |
for about two years. We never thought it would be a single. | :11:44. | :11:51. | |
Right, and Multily, your last album, sold 14 million coppice, you had a | :11:52. | :11:56. | |
target this time, is that right? It was ten. | :11:57. | :12:00. | |
You exceeded that. You did millions! Right! I reckon this time... I would | :12:01. | :12:11. | |
like my main target to break France. It was the last market. I never | :12:12. | :12:16. | |
really broke it on Plus or Multiply. It is just starting on this record. | :12:17. | :12:21. | |
So I would throve break France. Why why Why is that? They have a big | :12:22. | :12:32. | |
domestic artists. So 90% is French artists or you are competing with | :12:33. | :12:38. | |
Rihanna, Justin Bieber. So the business side of things you | :12:39. | :12:43. | |
have to take seriously? I spend a lot of time creatively creating | :12:44. | :12:47. | |
something. I don't let business get involved in that. I make what I am | :12:48. | :12:56. | |
happy with. But in my mind I'm like, why not have the whole world hear | :12:57. | :13:01. | |
it. It is like a dirty word to say that I check statistics and figures, | :13:02. | :13:05. | |
people might say that is not real. But it is about the music, so why | :13:06. | :13:11. | |
not want the whole world to hear it. I don't understand why someone would | :13:12. | :13:15. | |
make an album and then just say, cool. | :13:16. | :13:20. | |
Stick it in the glove compartment! It makes sense. | :13:21. | :13:26. | |
And you managed to make the album without a phone, that is what blue | :13:27. | :13:31. | |
my mind. And Thinking Out Loud. | :13:32. | :13:40. | |
The most popular wedding dance ever. On the first record, the A Team was | :13:41. | :13:45. | |
such a big song. I thought I would never write a bigger song. There was | :13:46. | :13:51. | |
a cloud over me. Then I shattered that. It was possible. So Thinking | :13:52. | :13:56. | |
Out Loud was bigger than anyone thought it would be. I thought with | :13:57. | :14:00. | |
this song, I think it is better, bigger. | :14:01. | :14:04. | |
Which is the song you are talking about? It is called Perfect. | :14:05. | :14:10. | |
It feels perfect to you? Yeah. That was the first song I wrote for the | :14:11. | :14:15. | |
album. The first song I finished for it. My brother composed the strings. | :14:16. | :14:21. | |
That was the first time we worked together. He is a classical | :14:22. | :14:24. | |
composer. We asked you to get in touch and | :14:25. | :14:28. | |
tell us the stories behind your first dance. As always, you didn't | :14:29. | :14:33. | |
disappoint. As our whole wedding was movie | :14:34. | :14:39. | |
themed, the only dance we could do was the dance from Dirty cap | :14:40. | :14:44. | |
dancing. This happened about ten years ago, no-one was learning to | :14:45. | :14:48. | |
dance for first dances. Learning to dance was daunting. It | :14:49. | :14:52. | |
took us about six months. Six months. | :14:53. | :14:58. | |
We put it on YouTube so our friends in America could see. | :14:59. | :15:03. | |
The next morning I'm going to work and there's a girl sitting next to | :15:04. | :15:07. | |
me and suddenly there is a huge photograph of you and me... It was a | :15:08. | :15:11. | |
full page. I asked her to swap newspapers, she | :15:12. | :15:17. | |
asked why... Because, that was me! That began months and months of | :15:18. | :15:23. | |
newspapers, magazines, from all around the world. And my friend rang | :15:24. | :15:31. | |
and then I was like, they want to fly us out to do Oprah Winfrey. I | :15:32. | :15:37. | |
remember walking out and chatting to opera, and she asked us to do the | :15:38. | :15:41. | |
dance. We were dancing and the audience | :15:42. | :15:45. | |
clapping along and then they started to go mad. I am thinking we are not | :15:46. | :15:53. | |
that good. Then I saw Patrick Swayze asking to cut in. | :15:54. | :16:02. | |
I am taken over with Patrick. And I shouted let's do the lift. So he did | :16:03. | :16:07. | |
the lift with me. We met at uni. | :16:08. | :16:11. | |
Nick became ill Christmas 2013. . He was rushed to hospital. We | :16:12. | :16:18. | |
realised he had lost his sight. They said it was cancer. | :16:19. | :16:25. | |
I remember visiting Nick at the hospital and hearing a song on the | :16:26. | :16:32. | |
radio, and linking the song to us, thinking we were perfect | :16:33. | :16:35. | |
imperfections. We got a dance teacher to help us out. | :16:36. | :16:41. | |
When we were practicing, the farmer drove past and stopped. Saying it | :16:42. | :16:46. | |
was really nice to see young people dancing like in the olden days. | :16:47. | :16:48. | |
Oh, my God! I think the first dance for us was | :16:49. | :16:57. | |
symbolic because it was the first time our friends and family had seen | :16:58. | :17:00. | |
us do something normal since Nick became ill. I wasn't a leading Nick, | :17:01. | :17:06. | |
the roles had reversed, Nick was being a gentleman and leading his | :17:07. | :17:07. | |
lady. We had an Irish theme running | :17:08. | :17:18. | |
through the wedding and Dominik came up with the idea of having a bit of | :17:19. | :17:23. | |
an Irish jig. Off I went teaching two left feet peak in the living | :17:24. | :17:26. | |
room every night. Shouting at him to get it right. -- two left feet | :17:27. | :17:34. | |
sheet. At one point, the wife fell over. Me being a true but I carried | :17:35. | :17:39. | |
on so if she got back up and joined in she would know where she was up | :17:40. | :17:44. | |
to. There was a fireman in the room who came to the rescue. I knew she'd | :17:45. | :17:50. | |
be in good hands. He couldn't have done anything right, if you'd stops | :17:51. | :17:54. | |
to pick me up I would have shouted at him for getting out of time, if | :17:55. | :17:58. | |
he hadn't have picked me up, which he didn't, that was wrong, too. That | :17:59. | :18:03. | |
it with being a married man, you can't do anything right. That's how | :18:04. | :18:08. | |
you do it if the wife takes a tumble, she's on her own. My wife | :18:09. | :18:13. | |
whispered to me in our first dance, she said, stop spinning, you're | :18:14. | :18:17. | |
making me feel sick. That's romantic, isn't it? You're not just | :18:18. | :18:21. | |
there for the wedding is coming you were there from the beginning, you | :18:22. | :18:24. | |
are on record with the most romantic date ever where no fewer than five | :18:25. | :18:28. | |
people got engaged at your gig. Pressure. I remember that. It's a | :18:29. | :18:37. | |
weird thing because it just started happening after Thinking Out Loud | :18:38. | :18:41. | |
came out. You'd just here in the middle of a quiet song an eruption | :18:42. | :18:45. | |
of applause and screaming, I'd be like... I didn't do anything. | :18:46. | :18:50. | |
Playing the O2 Arena in London, it happened five times in one song. By | :18:51. | :18:55. | |
the end of it I had clocked. Getting annoying. | :18:56. | :19:01. | |
For me, it's such an honour to have someone pick such a special moment, | :19:02. | :19:10. | |
either to one of my songs, at one of my concerts. It's going to stay... | :19:11. | :19:15. | |
Even if I die and my music dies, it's always that person's memory. | :19:16. | :19:19. | |
Even if they get divorced they will remember that song forever. I wonder | :19:20. | :19:23. | |
if anyone here got engaged at that very concert. Surely not! Lauren and | :19:24. | :19:34. | |
Tom everybody! Congratulations. How did it happen? What did you do? I | :19:35. | :19:39. | |
got down on my during give me Love and proposed. We were number three. | :19:40. | :19:48. | |
You didn't get wobbly when you heard two eruptions? Slightly but I knew I | :19:49. | :19:51. | |
wanted to do it that night. Did you get annoyed when the first people | :19:52. | :19:55. | |
did it before you? God, that has dropped me in it. Kind of stole my | :19:56. | :20:02. | |
thunder. When's the wedding? 10th of August. How plans coming along? | :20:03. | :20:08. | |
Going good, bit stressful but I have my dress and everything. What about | :20:09. | :20:16. | |
the first dance? Tenerife C. Who sings that? | :20:17. | :20:21. | |
They've left a guitar next to me, I think... Here is your chance to | :20:22. | :20:29. | |
rehearse it. Shall we know where the lights. | :20:30. | :20:37. | |
# You look so wonderful in that address | :20:38. | :20:41. | |
# I love your hair like that # The way it falls on the side of | :20:42. | :20:44. | |
your neck # Down your shoulders and back | :20:45. | :20:52. | |
# We are surrounded by all of these lies and people that talk too much | :20:53. | :20:57. | |
# You've got the kind of look in your eyes as if no one knows | :20:58. | :21:03. | |
anything but us # Should this be the last thing I | :21:04. | :21:06. | |
see, I wanted to know... #. APPLAUSE Congratulations, of course, to | :21:07. | :21:19. | |
Lauren and Tom. Another special performance from Ed later. First, | :21:20. | :21:24. | |
here is our street barber Michael Douglas and this film was | :21:25. | :21:26. | |
tailor-made for Ed and me. Around one in ten of us Britons | :21:27. | :21:29. | |
belong to a very special and quite Today, I'm going to explore what's | :21:30. | :21:32. | |
on the heads and in the minds All shades of red are gathering | :21:33. | :21:38. | |
here at the Candid Arts Trust in London for music, | :21:39. | :21:47. | |
art and a sense of community. It feels like I'm in the middle | :21:48. | :21:49. | |
of a real social movement. There is a great kind of spirit | :21:50. | :21:52. | |
about this whole event, Yeah, everyone is really friendly | :21:53. | :21:58. | |
and I don't know if it stems But there is one experience | :21:59. | :22:06. | |
all redheads seem to have in common. Being singled out at school | :22:07. | :22:13. | |
because of their hair. I, ironically, was bullied | :22:14. | :22:19. | |
by a ginger girl. I got the comments from | :22:20. | :22:22. | |
other people but also... I don't know if she was | :22:23. | :22:31. | |
trying to deflect any It could be psychologically | :22:32. | :22:33. | |
that backwards. Being a redhead makes you different | :22:34. | :22:37. | |
without even trying. So I think it is embracing | :22:38. | :22:43. | |
what makes you stand out. In the past few decades, | :22:44. | :22:46. | |
ginger has gone from a hair colour that hardly dare speak its name | :22:47. | :22:56. | |
to being out and proud. There is a host of celebs | :22:57. | :22:59. | |
who are glad to be red. One of the speakers today | :23:00. | :23:04. | |
is Jacky Colliss Harvey. She has written a history | :23:05. | :23:07. | |
of the redhead and at the root of it My mum has blonde hair, | :23:08. | :23:10. | |
my father's hair was dark. When I arrived I was | :23:11. | :23:24. | |
a great surprise. But this one gene is enough | :23:25. | :23:28. | |
to mark you out for life. There is this thing | :23:29. | :23:32. | |
called the ginger look. If two redheads spot each other, | :23:33. | :23:34. | |
we always make eye contact. And sometimes we exchange a little | :23:35. | :23:42. | |
comment as well, like, "great hair". It has been estimated that | :23:43. | :23:45. | |
40% of the population of the United Kingdom | :23:46. | :23:49. | |
are carrying the gene. It most definitely is not | :23:50. | :23:52. | |
going to become extinct. That is one of the great | :23:53. | :23:54. | |
myths about red hair. I just hope she doesn't say that | :23:55. | :23:56. | |
when she sees her hair. Of course, there is one way | :23:57. | :24:02. | |
in which red hair is just It loses its colour | :24:03. | :24:13. | |
as it gets older. Someone who knows this | :24:14. | :24:20. | |
all too well is stand-up performer and sitcom writer, | :24:21. | :24:24. | |
Paul Kerensa. And this is the me I would | :24:25. | :24:26. | |
like to get back to. If you could make that happen, | :24:27. | :24:31. | |
that would be fantastic! It's part of me, it's | :24:32. | :24:33. | |
part of my identity. I feel a bit self-conscious by not | :24:34. | :24:38. | |
being ginger here today. It's nice to see the tables | :24:39. | :24:43. | |
turned, absolutely. I am expecting to be bullied at any | :24:44. | :24:45. | |
minute for being mousey brown! I have always been ginger | :24:46. | :24:49. | |
and my hair has been And so today I thought | :24:50. | :25:12. | |
I would dye my hair! Over a thousand gingers have | :25:13. | :25:16. | |
embraced Redhead Day. They have been entertained, | :25:17. | :25:19. | |
educated and, who knows, It's fair to say I felt | :25:20. | :25:22. | |
a bit left out today. # He's got to be sure, he's got to | :25:23. | :25:59. | |
be soon # He's got to be larger than life | :26:00. | :26:05. | |
# Larger than life # What's he doing now? Mind my | :26:06. | :26:14. | |
canary! A massive thank you to my co-host, Jon. Thank you to you, | :26:15. | :26:19. | |
Angela. Performing Supermarket Flowers, here is Ed Sheeran. | :26:20. | :26:24. | |
# Threw the day old tea from the cup flowers from the windowsill | :26:25. | :26:37. | |
# Matthew had made Memories of a life that's been loved | :26:38. | :26:42. | |
# Took the get well soon cards and stuffed animals | :26:43. | :26:47. | |
# Poured the old ginger beer down the sink | :26:48. | :26:53. | |
# Dad always told me don't you cry when you're down | :26:54. | :26:57. | |
# But mum there's a tear every time that I blink | :26:58. | :27:03. | |
# Oh I'm in pieces it's tearing me up but I know | :27:04. | :27:08. | |
# A heart that's broke is a heart that's been loved | :27:09. | :27:13. | |
# So I'll sing Hallelujah, you were an angel in the shape of my mum | :27:14. | :27:20. | |
# When I fell down you'd be there holding me up | :27:21. | :27:22. | |
# He'll say Hallelujah, you're home | :27:23. | :27:38. | |
# Made the beds, stacked the chairs up | :27:39. | :27:44. | |
# Folded your nightgowns neatly in a case | :27:45. | :27:48. | |
# John said he'd drive, then put his hand on my cheek | :27:49. | :27:51. | |
# And wiped a tear from the side of my face | :27:52. | :28:00. | |
# I hope that I see the world as you did cause | :28:01. | :28:05. | |
# I know a life with love is a life that's been lived | :28:06. | :28:08. | |
# So I'll sing Hallelujah, you were an angel in the shape of my mum | :28:09. | :28:12. | |
# When I fell down you'd be there holding me up | :28:13. | :28:16. | |
# He'll say Hallelujah, you're home Hallelujah, | :28:17. | :28:32. | |
# You were an angel in the shape of my mum | :28:33. | :28:37. | |
# You got to see the person that I have become | :28:38. | :28:40. | |
# That when God took you back, he said Hallelujah you're home.# | :28:41. | :28:54. | |
APPLAUSE CHEERING | :28:55. | :28:55. | |
These people will turn on anyone they start to doubt. | :28:56. | :28:58. | |
So what do you believe in, Dougie? Justice. | :28:59. | :29:01. | |
Have you heard about a plot to free the king? | :29:02. | :29:04. |