Browse content similar to 03/05/2017. Check below for episodes and series from the same categories and more!
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Hello and welcome to a One Show that is jam packed | :00:21. | :00:23. | |
With the ever tuneful Matt 'Ginger' Baker. | :00:24. | :00:30. | |
And, a woman who always hits the right note, Alex Jones. | :00:31. | :00:36. | |
Joining in on the Wurlitzer and one liners, comedian - | :00:37. | :00:38. | |
Canadian - Katherine - with a K - Ryan! | :00:39. | :00:43. | |
Voted Best New Artist, heading for Glastonbury and soon | :00:44. | :00:48. | |
to support Bruno Mars - Dua Lipa! | :00:49. | :00:52. | |
And topping the bill, on vibraphone - he's played with Robbie, | :00:53. | :00:57. | |
A proud Manchester lad at the top of the acting game, Max Beesley! | :00:58. | :01:02. | |
Standing by ready for take-off - at an airbase somewhere in England - | :01:03. | :01:15. | |
the real life Iron Man, Richard Browning. | :01:16. | :01:26. | |
His feet are firmly on the ground now, but they weren't earlier. | :01:27. | :01:36. | |
Join us later, when he'll be taking to the skies live. | :01:37. | :01:39. | |
He will act out all our dreams and be flying. Yeah! We will settle | :01:40. | :01:45. | |
down. What a show this is going to be. Lots lined up. Did you see that, | :01:46. | :01:51. | |
that man is going to fly. He's like a human flying machine. A Rocket | :01:52. | :01:56. | |
Man. Does that appeal to you. Where is that on the let's have a go list? | :01:57. | :02:03. | |
Rocket Man is not number one. I like to fly inside a real flying machine | :02:04. | :02:08. | |
let alone become a flying machine. An aeroplane. Flying machine is what | :02:09. | :02:18. | |
we call it in Canada. I'm not sure of what fancy Welsh word you use. We | :02:19. | :02:25. | |
will talk about your new show, you are playing a rogue. He's a trouble | :02:26. | :02:30. | |
character, to be sure. I was being polite. You were? You have | :02:31. | :02:36. | |
experience of being a rogue, a bit of a blagger? Certainly in my youth | :02:37. | :02:43. | |
as a Manchester chat. Tell us about the Dermot jacket. Dermot, I owe you | :02:44. | :02:52. | |
?100. He wanted a nice specific jacket, tailor-made, I got hold of | :02:53. | :02:55. | |
one for him, I took the money and kept the jacket. I will give you | :02:56. | :03:00. | |
that back, very, very It sounds like soon. A nice jacket for ?100. | :03:01. | :03:07. | |
Beautiful. A long time ago. Plenty more from Max and Katherine | :03:08. | :03:11. | |
throughout the show. Dua Lipa will be performing live later on wither | :03:12. | :03:14. | |
her new song. Looking forward to that. | :03:15. | :03:19. | |
Time to meet an inspirational brother and sister. | :03:20. | :03:20. | |
They are helping schools become more aware of how | :03:21. | :03:23. | |
conditions such as Parkinson's are affecting their pupils. | :03:24. | :03:25. | |
Joe has been to Cornwall to meet them. | :03:26. | :03:32. | |
Hello, I'm Mael and this is Amy, my sister. Hi. This is my dad and this | :03:33. | :03:40. | |
is my mum. She's the one with Parkinson's disease. Four years ago | :03:41. | :03:45. | |
55-year-old Lynn Fearn was diagnosed with Parkinson's disease. It's a | :03:46. | :03:50. | |
condition normally associated with grandparents, not parents and with | :03:51. | :03:53. | |
two small children, who were just four and eight years old at the time | :03:54. | :03:57. | |
it was a shock for everyone. Now, they've kindly invited me to spend | :03:58. | :04:00. | |
the day with them, so I can better understand what it means for the | :04:01. | :04:04. | |
whole family. How did you feel when mum told you? ? I felt quite worried | :04:05. | :04:11. | |
I didn't know what it was and what the affects were? Hi. Is your room | :04:12. | :04:17. | |
next door, Amy? Yeah. How does it affect your mum? Sometimes, like, | :04:18. | :04:22. | |
she can't take me out place ares because she gets really tired. So we | :04:23. | :04:27. | |
can't do as much stuff as normal parents and children can do. Yeah, | :04:28. | :04:33. | |
that makes me feel upset. Where's mum? Mum's not feeling well, so she | :04:34. | :04:39. | |
can't play with me. OK. How do you guys help mum? Then we, like, clean | :04:40. | :04:47. | |
up and we put stuff tidy and we do our bedrooms and, like, Mael's cooks | :04:48. | :04:55. | |
a short dinner for me #57bd myself? What do you cook An omelette or | :04:56. | :04:59. | |
something. Something like that. Is it good, Amy? Yeah. Lynn is one of | :05:00. | :05:06. | |
127,000 Parkinson's sufferers in the UK. With more women having babies | :05:07. | :05:10. | |
over 40, there's an increased risz being of them developing illnesses | :05:11. | :05:13. | |
whilst their children are still young. I first noticed when I was | :05:14. | :05:18. | |
pregnant with my son. I noticed I lost my sense of smell. I was | :05:19. | :05:22. | |
getting very tired. Then I noticed that I couldn't put my foot in a | :05:23. | :05:26. | |
boot and I couldn't turn keys in the lock. Then I started limping. I | :05:27. | :05:31. | |
wasn't in pain, but I was limping. When you got the diagnosis, did it | :05:32. | :05:36. | |
come completely out of the blue? He said, "oh, you've got Parkinson's" I | :05:37. | :05:40. | |
said, "thank you" which sounds ridiculous. I said, "thank you" | :05:41. | :05:45. | |
because I didn't know what else to say. Are you feeling better today? | :05:46. | :05:53. | |
Just a bit tired. OK. Mael I noticed became clingy. He took on the role | :05:54. | :05:57. | |
of someone who was responsible for me in some way. There was one day | :05:58. | :06:01. | |
when I wasn't functioning properly and Mael said to me, "mummy you | :06:02. | :06:08. | |
can't get us to school like this", which was really quite true. | :06:09. | :06:15. | |
The reality is there is currently little support for the children of | :06:16. | :06:21. | |
those affected. Let's take it into the dining room. The children needed | :06:22. | :06:26. | |
to speak to someone and all the literature and all the information | :06:27. | :06:30. | |
that they were getting was all about how grandma and grandad deals with | :06:31. | :06:33. | |
Parkinson's. With that, what they felt was a little bit of a stigma, a | :06:34. | :06:38. | |
little bit embarrassing. They kept saying to me, "are you old mum, are | :06:39. | :06:42. | |
you old?" Do you feel sad at school? Yeah. It's like when you have a mum | :06:43. | :06:47. | |
with an illness, it's like you're feeling alone at school. It's | :06:48. | :06:50. | |
difficult, isn't it, knowing what support to give? Yeah. If people | :06:51. | :06:55. | |
know more about it, it's the best thing? Yeah, they understand what's | :06:56. | :07:01. | |
going on and how they can help. To try and raise awareness, today Amy | :07:02. | :07:04. | |
is going to deliver a speech to the whole school about her mum. Are you | :07:05. | :07:10. | |
nervous, Amy? Erm, no, not really, I'm excited. All the family are | :07:11. | :07:16. | |
going along to support her. Take it nice and slow, in your own time. | :07:17. | :07:20. | |
Nice and confident. You've got a great voice. Good morning everyone. | :07:21. | :07:25. | |
Good morning. I'm not going to do the assembly this morning, I will | :07:26. | :07:28. | |
hand over to my assistant. Amy, would you like to join us? Hello, | :07:29. | :07:35. | |
everybody. Today I'm going to be talking to about what Parkinson's is | :07:36. | :07:38. | |
and how it affects me and my brother. Parkinson's is a disease | :07:39. | :07:44. | |
that affects the brain. They have grown up too fast. They've lost some | :07:45. | :07:48. | |
innocence that they shouldn't have lost. They should be just out there | :07:49. | :07:52. | |
playing and not worrying about mum at home. One day when I was watching | :07:53. | :07:57. | |
TV they told me what Parkinson's was and that made me feel a bit better | :07:58. | :08:02. | |
than I was before. I think, at the end of the day, you know, if | :08:03. | :08:05. | |
children love someone, it's just natural to worry about them. So | :08:06. | :08:11. | |
Parkinson's, basically, can affect every part of everything, really in | :08:12. | :08:16. | |
your life. APPLAUSE | :08:17. | :08:22. | |
I think we should continue that applause. The Fearn family are here | :08:23. | :08:31. | |
now. We have mum, dad and Mael and Amy. Lynn, for you to witness that | :08:32. | :08:38. | |
and, you know, how brave your daughter was in saying what she was | :08:39. | :08:41. | |
and how many children she will help from doing that? It's incredible. | :08:42. | :08:47. | |
The film they made and things. It's very powerful stuff. It's really | :08:48. | :08:51. | |
important to get the message out so people become aware, open up and | :08:52. | :08:55. | |
start talking about neurological disease and not just think it's | :08:56. | :08:59. | |
something that's not embarrassing almost to talk about. Amy, you did a | :09:00. | :09:04. | |
great job. It was a very good speech. It was. Do you feel it made | :09:05. | :09:08. | |
a difference in school? Do you your friends talk about it openingly? I | :09:09. | :09:13. | |
can talk to them and I feel I can talk if I'm worried about mum at | :09:14. | :09:17. | |
school and stuff. That makes me feel much better. Easier with the | :09:18. | :09:23. | |
teachers as well? Yeah. It's made them still understand, but, yeah, | :09:24. | :09:29. | |
they just understand. That's good. Mael for all the other children out | :09:30. | :09:33. | |
there watching this that may be in a similar situation to you guys and | :09:34. | :09:37. | |
your family, what is your message to those watching this and how it does | :09:38. | :09:40. | |
help to talk about it? Yeah. Just tell people that will you and don't | :09:41. | :09:45. | |
keep it inside. Tell people and it helps a lot. Talking is always the | :09:46. | :09:52. | |
key. You have made this short film to help raise awareness of | :09:53. | :09:54. | |
Parkinson's. Do you still think though that there is quite a long | :09:55. | :09:59. | |
way to go in getting people who are not affected to understand what it | :10:00. | :10:02. | |
is that families like ourselves go through? Definitely. The point of | :10:03. | :10:06. | |
the film is to educate the teachers so they can open up and talk to the | :10:07. | :10:10. | |
children as well and recognise when there's a problem and not brush it | :10:11. | :10:16. | |
under the carpet. The title - Listen To the Thoughts - when Mael said - I | :10:17. | :10:22. | |
wish people would listen to the thoughts in my head. It's his title. | :10:23. | :10:25. | |
You have a connection to this story. You have a personal coy NECs with | :10:26. | :10:31. | |
it? My elder brother, Gary, suffers with Parkinson's. | :10:32. | :10:34. | |
He will be 60 this year. He won't thank me for saying that. He was | :10:35. | :10:40. | |
diagnosed five years ago. The onset with my brother is quick. | :10:41. | :10:44. | |
We have talked about the medication involved and you can feel tired with | :10:45. | :10:47. | |
the disease itself. How important it is for your children to be educated | :10:48. | :10:51. | |
and to have a good support network for your partner, for your children, | :10:52. | :10:55. | |
they are going through the same journey, really. As dad here, it | :10:56. | :11:01. | |
must be very difficult for you to see all of this happening and to | :11:02. | :11:05. | |
even hear Amy and what she was saying there to her school friends? | :11:06. | :11:10. | |
It's very painful. Obviously, the children feel - it's a horrible | :11:11. | :11:13. | |
disease. It has many symptoms. It has physical symptoms and it has | :11:14. | :11:17. | |
mental symptoms as well. It's very difficult for the children to see | :11:18. | :11:23. | |
their mum go through that and it's very difficult for me as well as a | :11:24. | :11:28. | |
family to see all that. It's hard to see them feel that they have some | :11:29. | :11:32. | |
responsibility to look after their mum. I guess, mum, you feel very | :11:33. | :11:35. | |
lucky to have children like you've got. You are a great family. Very | :11:36. | :11:42. | |
proud. Thank you for making the film for us as well. That's OK. And | :11:43. | :11:47. | |
popping in to us see. Amy, great sdres! Yeah. Let's end send you away | :11:48. | :11:51. | |
with a lovely round of applause. Thank you very much indeed. | :11:52. | :11:56. | |
APPLAUSE Great fun that. | :11:57. | :12:03. | |
Max will be on our screens later this week in a | :12:04. | :12:06. | |
It's an epic story about the birth of America and the men who built it, | :12:07. | :12:10. | |
produced by the people behind Downtown Abbey. | :12:11. | :12:12. | |
For a start, there's not a Lord or Lady in sight. | :12:13. | :12:16. | |
100 acres each. It's a lot of land. You are taking on a debt to purchase | :12:17. | :12:28. | |
your fine wife. You'll be paid, in labour. As we agreed. It'll be paid, | :12:29. | :12:37. | |
how do you find your woman? She knows work. That is why I picked | :12:38. | :12:43. | |
myself a farm lass. How does she find you? She finds me to be her | :12:44. | :12:46. | |
husband. APPLAUSE | :12:47. | :12:49. | |
There is a lot of excitement about this series. I have seen it trailed | :12:50. | :12:54. | |
quite a lot. Set the scene for us. It's the 17th century? 16 19, 12 | :12:55. | :13:01. | |
years after the first British could NUS went over there. The Require yin | :13:02. | :13:07. | |
Company sent British people over in 1607. They found land they thought | :13:08. | :13:14. | |
it would be a wonderful idea to build a colony, become pioneers. Did | :13:15. | :13:18. | |
they send the best or worst of British? Everything. 20% of the | :13:19. | :13:23. | |
people who went over in the ships survived the passage over there. 80% | :13:24. | :13:30. | |
died on the way out there. The starvation period was 16 08 or 09 to | :13:31. | :13:35. | |
10 when I would have been there as one of the elder brothers. They were | :13:36. | :13:39. | |
really drastic times. They built this land on really terrible, | :13:40. | :13:44. | |
terrible ground. They couldn't have picked a worse spot and there's | :13:45. | :13:48. | |
masses of grass around it. They couldn't work out for a long time | :13:49. | :13:54. | |
why the Indian tribes were killing them, you know, until they thought - | :13:55. | :13:57. | |
it's the grass. We will give it a mow. Most of our colony will | :13:58. | :14:07. | |
survive. 1619. Things have been OK. Things are running OK. All of a | :14:08. | :14:13. | |
sudden there is the arrival of of three, very, very wonderful girls | :14:14. | :14:17. | |
who play the actresses in the show. We have 100 maids sent over on the | :14:18. | :14:23. | |
ships to marry, the men pay Forlan their wives to marry their husbands. | :14:24. | :14:28. | |
Is it fair to describe it as, sort of, part western, part costume | :14:29. | :14:35. | |
drama? Jacobean era it's like a Jacobean tragedy. A touch of | :14:36. | :14:39. | |
everything in it, there really is. My part, for instance, is very dark. | :14:40. | :14:44. | |
I came away thinking I was making Game of Thrones every night. . You | :14:45. | :14:50. | |
see beautiful shots with the cinematographers and beautiful | :14:51. | :14:53. | |
dresses and costume and makeup. So, one can look at it as a Downtown | :14:54. | :15:00. | |
type deal. It's in the middle for me. It's edgy. Like I say, those | :15:01. | :15:05. | |
times were really edgy, dark times. So we've got all of that in the | :15:06. | :15:09. | |
writing. Bill Gallagher is the writer. He. He's created amazing | :15:10. | :15:16. | |
scripts, truly. Actors come on shows promoting whatever it is they are | :15:17. | :15:19. | |
promoting I think - it's a bit boring. This is definitely a really | :15:20. | :15:24. | |
excellent drama to be enjoyed by as many people as | :15:25. | :15:29. | |
It is shot in Hungary, isn't it? It is about North America, obviously, | :15:30. | :15:36. | |
but it was shot in hungry in an incredible set. The artists did an | :15:37. | :15:43. | |
incredible job. It is an hour's drive, not good at four in the | :15:44. | :15:47. | |
morning! And then time in her and make up, I need a lot of work, | :15:48. | :15:53. | |
obviously! They built the actual town. The drama is based on reality. | :15:54. | :15:58. | |
Everything had to be done perfectly. When you walk there indoor garb, you | :15:59. | :16:05. | |
are in it, really, you are totally there already. You have come a long | :16:06. | :16:10. | |
way from Burnage in Manchester, where you are from. And you live in | :16:11. | :16:15. | |
LA now. How is life over there" there is only! That's one thing that | :16:16. | :16:22. | |
is different. I like the weather in Los Angeles. I've got a little | :16:23. | :16:26. | |
daughter who was born there. She's been in Manchester for the last | :16:27. | :16:30. | |
three weeks, she's like a little Mancz baby! She loves it, she loves | :16:31. | :16:34. | |
travelling, she likes the hotels. But she's not so good when I'm away | :16:35. | :16:39. | |
for long periods of time so buy cheap misses you? She misses me, | :16:40. | :16:44. | |
that is the pound of flesh, when you are enacted you miss your family | :16:45. | :16:48. | |
quite a bit. I love a lake, and I love California more so. You one not | :16:49. | :16:55. | |
so keen, Katherine? I like a lake, I have been out there quite a lot | :16:56. | :17:00. | |
because I having Netflix by show. However, I like British weather! | :17:01. | :17:04. | |
Look at it out there, it's better for your skin. And you watch where | :17:05. | :17:08. | |
you raise that baby, because you don't want her to be, like oh, my | :17:09. | :17:13. | |
gosh, that, I really need some money! My daughter has a lovely | :17:14. | :17:18. | |
British accent. I do agree with you. My the full Sir Bryn, she's like, | :17:19. | :17:30. | |
dad, can you get me a water -- my little Sabrina. But California as a | :17:31. | :17:33. | |
whole, Los Angeles is the presenter of volatility, because everybody | :17:34. | :17:35. | |
there is trying to do the same thing, which is act. There are over | :17:36. | :17:38. | |
half a million people in that facility. It can be quite horrendous | :17:39. | :17:44. | |
in many ways. You went to America to act? It was New York specifically. I | :17:45. | :17:48. | |
went to New York from LA, because I'd heard that he was coaching... | :17:49. | :17:56. | |
Didn't you like that as well? That was a black as well. Robert De Niro | :17:57. | :18:04. | |
had used -- that was a polite. I knew she was really great and I | :18:05. | :18:08. | |
phoned and said, I am in the New York doing this play with Chekhov, a | :18:09. | :18:14. | |
complete blank, I was lying. I sat at home and she said, come out on | :18:15. | :18:19. | |
Thursday and we will do a fourth birdie session. At the time I was | :18:20. | :18:25. | |
working as a musician, I was playing with George Michael live, and George | :18:26. | :18:29. | |
Benson in the studio. So my music career was great. And I couldn't | :18:30. | :18:34. | |
have... It was a real gamble, you know. But I went for it because of | :18:35. | :18:38. | |
raging Bull, watching that work that Robert De Niro did and I went, I | :18:39. | :18:42. | |
just love the formats, the escapism, you know. Luckily you what a blogger | :18:43. | :18:49. | |
with talent! It worked out well for you, Max Beesley. James Down is on | :18:50. | :18:51. | |
this Friday, 9pm on sky one. I don't know what you tWo | :18:52. | :18:55. | |
are like with heights but, strangely enough, all our regular | :18:56. | :18:58. | |
One Show reporters were unavailable when we offered them the chance | :18:59. | :19:00. | |
to try out the UK's highest outdoor Happily, the ultra-competitive | :19:01. | :19:03. | |
couple John Slattery and Kiera Wheelan | :19:04. | :19:12. | |
came to our rescue. I think we are pretty intrepid, | :19:13. | :19:21. | |
inventory is people. I think that is why we have got the call, we have | :19:22. | :19:26. | |
gone all over the world and done amazing things. They are probably | :19:27. | :19:29. | |
going to ease us into something really simple... This is the UK | :19:30. | :19:34. | |
newest outdoor climbing wall, it is 36 metres high, which is over 3.5 | :19:35. | :19:39. | |
times the height of the highest Olympic diving board. And this is | :19:40. | :19:43. | |
Luke Murphy, one of Britain's brightest climbing hopes for the | :19:44. | :19:46. | |
2020 Tokyo games, where climbing makes its Olympic debut. Do you | :19:47. | :19:53. | |
believe he has never timed himself before? Of course he has, he is a | :19:54. | :19:59. | |
bloke, it's what we do! 1.39, the fastest you've ever done! I am the | :20:00. | :20:06. | |
route setup. I go with the drool and put the holes onto the wall. As in | :20:07. | :20:14. | |
the thing he's? You are hoping it is going to take you to the Olympics? | :20:15. | :20:18. | |
Hopefully, you. This is the first time it has been in, it is in all | :20:19. | :20:23. | |
three disciplines. Speed climbing is as it sounds, it is the fastest of | :20:24. | :20:27. | |
the top. Leave climbing is you go up a specific route with the rope and | :20:28. | :20:31. | |
you clip in as you go. Bouldering, it is not a pure form of climbing, | :20:32. | :20:37. | |
it is very gymnastic, a lot of movement. What are the physical | :20:38. | :20:41. | |
effects as you were doing that? You feel it in your forearms and your | :20:42. | :20:45. | |
shoulders, more than your legs, you are struggling to close your hands | :20:46. | :20:49. | |
because you are so fatigued. Who do you think between me and women | :20:50. | :20:55. | |
should go first? Ladies first! Why did you have to be so polite?! It | :20:56. | :21:00. | |
was time for us to make complete idiots of ourselves. Nothing new | :21:01. | :21:04. | |
there then! I'm really, really nervous. We will see how it goes. | :21:05. | :21:10. | |
Keep it up! That's helping, cheers! Go! You built this, Luke, yet? You | :21:11. | :21:20. | |
are. You could have made it easier! How are you feeling? My body is | :21:21. | :21:24. | |
giving up on me. You can see my legs shaking. My hands have just stopped | :21:25. | :21:29. | |
working. I'm terrified! Oh, my hands are gone! Just smash on. I didn't | :21:30. | :21:38. | |
think she would get that far, but she's actually still going. She's | :21:39. | :21:44. | |
only three quarters awake. You just took your first climbing fall, so | :21:45. | :21:47. | |
close. You're nearly there, keep going! | :21:48. | :21:52. | |
I actually did it! 14 minutes 52 seconds. How do you feel? You know | :21:53. | :22:03. | |
something... It was probably one of the worst experiences of my entire | :22:04. | :22:08. | |
life! That was impressive stuff. But I think if I could overcome my | :22:09. | :22:18. | |
nerves I can beat that. Go! He is as graceful as an elephant, basically. | :22:19. | :22:21. | |
How are you feeling? I'm starting to panic a bit now. Oh, that's a long | :22:22. | :22:27. | |
way up, isn't it? You're not even halfway yet. Thanks! I'm beginning | :22:28. | :22:31. | |
to feel it in my arms now. You're nearly there. I won't like he's | :22:32. | :22:42. | |
really well. 3.5 minutes. Oh, bloody hell. Let go and hold on a second. | :22:43. | :22:53. | |
Oh, my arms. It was the most surreal experience, I hated it and I loved | :22:54. | :22:58. | |
it. I didn't think I would do it. I did beat you, I won and I beat you | :22:59. | :23:02. | |
well. What was the time again... What do you think they will make us | :23:03. | :23:07. | |
do next? Hopefully make a film with woodpeckers or something. What would | :23:08. | :23:11. | |
you do with woodpeckers? Woodpeckers the night before last, we did it | :23:12. | :23:17. | |
with Woody! That was massive, that was. | :23:18. | :23:20. | |
Thanks to Kiera and John, who normally work on TV | :23:21. | :23:22. | |
Let's go back to your climbing. How did a massive crime, and when I say | :23:23. | :23:36. | |
massive, have a look at this! Did you sleep on that wall? I slept on | :23:37. | :23:44. | |
it for two nights. It took three whole days in total. I finally got | :23:45. | :23:48. | |
to the top, I'd never been so pleased to feel the ground beneath | :23:49. | :23:54. | |
my feet! I remember we're doing live linkups to you. Why didn't you tell | :23:55. | :23:58. | |
me not to do that? What do you mean?! You slept on the side of it! | :23:59. | :24:06. | |
In like a hammer. That's crazy! You why do is to putting | :24:07. | :24:10. | |
couples under strain, Katherine, because of your new show. It's very | :24:11. | :24:17. | |
entertaining, Your Face Or Mine. Explain that? It has been on before, | :24:18. | :24:22. | |
but this is a brand-new version with you and Jimmy Carr, explain how it | :24:23. | :24:27. | |
works? I love Jimmy Carr. He is known for his sometimes cutting | :24:28. | :24:30. | |
sense of humour, and I'm the same way. This is couples who come on, | :24:31. | :24:34. | |
they choose to come on, they have to rate their partner's looks for cash, | :24:35. | :24:38. | |
or the lie to save their relationship. And it's really fun, | :24:39. | :24:44. | |
because these people think they are tens to begin with, they are | :24:45. | :24:48. | |
charming and we get to know them. But then we play some rounds where | :24:49. | :24:51. | |
we say, is your boyfriend better looking than this man or that man, | :24:52. | :24:55. | |
you can say, of course he is, but they won't win any money. And you | :24:56. | :24:59. | |
know, they really do want to win the money! In this case, is your husband | :25:00. | :25:04. | |
better looking than his brother?! Let's have a look. ?400, Charlotte, | :25:05. | :25:14. | |
who is better looking? Barry or Freddie, who is better looking? | :25:15. | :25:24. | |
Abhors is her fault! -- the pause. What do you mean the sharp intake of | :25:25. | :25:28. | |
breath? You have got eyes in your head! | :25:29. | :25:29. | |
APPLAUSE Shall we have a look. Let's find out | :25:30. | :25:48. | |
who is better looking. I will! So they got the money! This is when we | :25:49. | :25:53. | |
reveal who was the husband. The husband was not the best looking | :25:54. | :25:57. | |
while our audience vote. We know we might be breaking up relationships, | :25:58. | :26:01. | |
but we hadn't considered breaking up a marriage! They've got children and | :26:02. | :26:05. | |
everything, it was quite exciting, that couple. They are really good | :26:06. | :26:10. | |
sports. I'm sure Jimmy doesn't tell, because he is quite cutting. Do you | :26:11. | :26:14. | |
sometimes find yourself squirming, you're the one who tries to patch | :26:15. | :26:19. | |
things up and make it all right? I'm forever saying, oh, what about this, | :26:20. | :26:26. | |
what about his ankles, you know! I try to find... And it's very | :26:27. | :26:30. | |
shallow, but I feel that is whether we like it or not the world we live | :26:31. | :26:34. | |
in, and that's wrong, we're not saying it is right. But in the | :26:35. | :26:38. | |
constraints of this amazing show, it's a safe space, everyone has | :26:39. | :26:41. | |
consented, and they walk away with thousands of pounds. Which makes it | :26:42. | :26:47. | |
absolutely fine! As long as there's money! Millions love roasting, it is | :26:48. | :26:56. | |
language of love to us. You are really great if you show yourself to | :26:57. | :26:59. | |
have a sense of humour and can have a laugh at yourself, you will really | :27:00. | :27:02. | |
love these couples. And they signed up to it, as we say. Max, how did | :27:03. | :27:05. | |
you meet your wife? On a blind date with one of her friends! Was she the | :27:06. | :27:11. | |
emergency call?! There she is, Jennifer. She's lovely. Her friend | :27:12. | :27:16. | |
came and she said, I'm going to be at the bar with ten of my | :27:17. | :27:19. | |
girlfriends because I'm going away somewhere. I went, great, bring | :27:20. | :27:25. | |
everybody! I scoured the room obviously, and then I saw Jennifer | :27:26. | :27:28. | |
walk up the stairs and thought she was beautiful. And I told her I was | :27:29. | :27:34. | |
a geography teacher... No, I looked like a geography teacher but I told | :27:35. | :27:39. | |
her I was a writer. We were in the Skybox. Did you tell her the truth? | :27:40. | :27:43. | |
I couldn't at that time, I was trying to pull her! It did work, now | :27:44. | :27:48. | |
we have a little bambino! We met, she's Minnesota originally. So it | :27:49. | :27:53. | |
was a breath of fresh air from what I'd been used to for a few months | :27:54. | :27:57. | |
earlier in Los Angeles. And, yeah, that's a long time ago now. A long, | :27:58. | :28:03. | |
long time ago. Who do you think is better looking, you all your | :28:04. | :28:06. | |
partner? I think we both look like brother and sister actually, which | :28:07. | :28:10. | |
is quite strange. They say that the longer you are together, the log is | :28:11. | :28:13. | |
about more you end up like brother and sister. Look, I look like a | :28:14. | :28:18. | |
freak, but she is very pretty! Katherine, we have to ask you, you | :28:19. | :28:22. | |
caused a massive Twitter storm. It is all part of this fake news, your | :28:23. | :28:27. | |
brand-new Channel 4 series. Tell us about that? Channel 4 did a one-off | :28:28. | :28:35. | |
called fake news, in response and reaction to the alternative fact | :28:36. | :28:37. | |
happening in the political sphere. It was a success, so we are going to | :28:38. | :28:41. | |
do a whole series. We were tasked with making our own fake news, and | :28:42. | :28:44. | |
whoever got the biggest reaction won. I'm very competitive, so I | :28:45. | :28:51. | |
lied. I lied! And I said that I had a bomb in enhancement. Because I do | :28:52. | :28:59. | |
want one! -- I said that I had a bum enhancement. It is madness! The | :29:00. | :29:11. | |
journalists that believed it... Your bottom... When is your show on? Fake | :29:12. | :29:19. | |
news starts really soon, you can watch it in the spring and summer. | :29:20. | :29:24. | |
And Your Face Or Mine starts on Comedy Central UK from the 17th. | :29:25. | :29:29. | |
As we now know, Max's new drama is about natives | :29:30. | :29:31. | |
Mike's been to the Cairngorms to find out whether Britain is ready | :29:32. | :29:36. | |
for an elusive creature that some want see returned to our shores. | :29:37. | :29:42. | |
Hundreds of years ago a supreme predator stalked the UK, the lynx. A | :29:43. | :29:51. | |
cat the size of a lab are dosh that hunts by stealth. Deforestation, a | :29:52. | :29:57. | |
decline from prey species and human persecution are all thought to have | :29:58. | :30:00. | |
distributed towards the lynx extension in Britain by the late | :30:01. | :30:04. | |
Middle Ages. Now, could the cat be on the verge of a comeback? The | :30:05. | :30:12. | |
potential reintroduction of lynx is being publicly raised in what could | :30:13. | :30:16. | |
be the most ambition rewilding projects ever attempted in the UK. | :30:17. | :30:20. | |
The highlands of Scotland have been put forward as one of the most | :30:21. | :30:24. | |
appropriate places for a reintroduction, but what might it | :30:25. | :30:33. | |
mean in practice. Peter Cairns supports rewilding? There is a more | :30:34. | :30:37. | |
al obligation, in my book. We got rid of the animals. We sit-in | :30:38. | :30:41. | |
judgment over other countries. We ask India to look after their tigers | :30:42. | :30:48. | |
about,, but we are wanting to have large predators here in our own | :30:49. | :30:55. | |
backyard. I think rewilding, as it's often referred to, is about looking | :30:56. | :30:58. | |
forward and setting the clock back in motion. How would lynx | :30:59. | :31:04. | |
reintroduction affect the wildlife in these beautiful pine forests? | :31:05. | :31:15. | |
Lynx prey on roe deer, seeker deer. It reduces the grazing pressure that | :31:16. | :31:22. | |
they bring to the forest. The forest can breathe and regenerate. Will you | :31:23. | :31:25. | |
see lynx back in this for nest your lifetime? It's a tricky question. I | :31:26. | :31:30. | |
would like to think, given time, the public would come to love the animal | :31:31. | :31:37. | |
once they know about it and see the benefits far outweigh the | :31:38. | :31:41. | |
disadvantages. A viable population of around 400 lynx could survive in | :31:42. | :31:46. | |
Scottish Highlands with smaller numbers possible in southern | :31:47. | :31:52. | |
Scotland and in England. Not everyone is convinced. With | :31:53. | :31:57. | |
livestock farmers remain sceptical. I think we should look after the | :31:58. | :32:04. | |
species we have here. Red squirrel, wildcat. | :32:05. | :32:07. | |
We spent a lot of money on the species to maintain them. This is an | :32:08. | :32:12. | |
animal that is shy and essentially aa woodland animal. Your farm, you | :32:13. | :32:16. | |
are grazing open land. If you look around, we have a lot of woodland | :32:17. | :32:20. | |
around our fields. There is nothing going to stop it nipping out of the | :32:21. | :32:27. | |
wood to take sheep. Were the lynx to be reintroduced is there mitigation | :32:28. | :32:29. | |
you can think that might help farmers? Compensation is a complex | :32:30. | :32:34. | |
issue. Although they see it as a simple issue. You know, one dead | :32:35. | :32:38. | |
sheep you compensate for a sheep. That's not the way it goes. I've | :32:39. | :32:44. | |
sheep in this field, 40 sheep, 120 lambs inside the sheep in this | :32:45. | :32:48. | |
field. It might kill a sheep, and that will be three lambs inside it. | :32:49. | :32:51. | |
The rest of them have had a chase around. It might alsos lose their | :32:52. | :32:56. | |
lambs. You don't know that for maybe weeks afterwards. One positive | :32:57. | :33:01. | |
benefit would be a huge potential increase in tourism? Yeah. We | :33:02. | :33:06. | |
ourselves have self-catering properties we benefit from tourism. | :33:07. | :33:13. | |
The lynx is an elusive species and nocturnal how many tourists will see | :33:14. | :33:17. | |
it. It's a complex picture? Yes, absolutely. I heard arguments for | :33:18. | :33:22. | |
and against reintroducing lynx to the UK, but to get an understanding | :33:23. | :33:26. | |
of what it might be like to bring the animals back to our landscapes I | :33:27. | :33:29. | |
need to go somewhere where they have already done it. Next, I'm heading | :33:30. | :33:35. | |
off to the mountains of northern Germany. | :33:36. | :33:43. | |
Part two coming up shortly. Amazing creatures. Not a fan, Katherine? No. | :33:44. | :33:51. | |
Of the great outdoors? We have lots of wild animals in Canada. My sister | :33:52. | :33:54. | |
made the executive decision to move up a mountain. I went to visit her | :33:55. | :34:00. | |
she had a new baby three weeks ago, I was attacked by wolves. Actually | :34:01. | :34:04. | |
attacked by wolves, sounds very dramatic? I was attacked by two | :34:05. | :34:09. | |
wolves. My sister and I wanted to take a selfie on this rock. We | :34:10. | :34:14. | |
exited the van. In the distance we saw these wolves looking at us, | :34:15. | :34:18. | |
coming towards us. We got back in the van. That is scary? It would | :34:19. | :34:22. | |
have been better had they photobombed you? It wasn't much of | :34:23. | :34:28. | |
an attack they didn't get there. If they had! It's a great story. Matt | :34:29. | :34:34. | |
loves the big outdoors he likes music nearly as much. He is over | :34:35. | :34:40. | |
there at the piano. You will give us a Tinkle on? Yeah. We can go... Ah! | :34:41. | :34:49. | |
APPLAUSE Yes. | :34:50. | :34:58. | |
Oh! CHEERING AND APPLAUSE | :34:59. | :35:07. | |
I mean, this obviously comes from a lot of practice and really, Max, | :35:08. | :35:10. | |
your whole life, as you were saying before, was all about music. Where | :35:11. | :35:14. | |
did it all start for you and what kind of musical household did you | :35:15. | :35:18. | |
grow up in? My mother was a jazz singer. My father a drummer, a jazz | :35:19. | :35:24. | |
drummer. He gave me a pair of sticks when I was three. My mum made me | :35:25. | :35:33. | |
play the piano. When I was like five. Then I went to an amazing | :35:34. | :35:40. | |
music school in Manchester. I got some scholarships when I was 18 to | :35:41. | :35:51. | |
four different... Guildhall and the Royal Academy I went off with Paul | :35:52. | :35:55. | |
Weller. It was amazing. That was my first gig. Your plan was to have a | :35:56. | :36:01. | |
life in music? Is Session musician, then writer, producer and film | :36:02. | :36:06. | |
scores. I mean, as you mentioned names there, you played brilliantly | :36:07. | :36:09. | |
and beautifully. We will have a look. Here you are with Robbie | :36:10. | :36:14. | |
Williams at Knebworth. Lovely. Mr Max Beesley. | :36:15. | :36:26. | |
# Will be strong # I Noel' carry on | :36:27. | :36:35. | |
# If there's somebody # Calling me on | :36:36. | :36:41. | |
# She's the one... # APPLAUSE | :36:42. | :36:43. | |
To have a love of music and play in front of that many people and have | :36:44. | :36:48. | |
reaction to see people crying from that performance. What was that | :36:49. | :36:52. | |
like? Amazing. I said to Rob, it's lovely of you putting a banner up | :36:53. | :36:56. | |
with you and me life live. What a lovely gesture. That was the art | :36:57. | :37:00. | |
director kid, I had no idea. It was lovely. We had 135,000, 140,000 a | :37:01. | :37:08. | |
night we did three nights and toured for six months. There is no buzz | :37:09. | :37:12. | |
like it, whether it's piano or drums or whatever it is, live stadium gigs | :37:13. | :37:21. | |
are phenomenal. How did it compare to perm forming alongside James | :37:22. | :37:25. | |
Brown? Mr Brown was another - Rob is a great performer and amazing | :37:26. | :37:30. | |
performer. This was terrifying. I was roasting. We were talking about | :37:31. | :37:34. | |
roasting earlier. There he is. So technical what you are playing | :37:35. | :37:38. | |
there? He is roasting me. Making me blow! He really is. Look at this. He | :37:39. | :37:46. | |
kept going, "hit it again, hit it again." Music never leaves leaves | :37:47. | :37:51. | |
you. Is your plan to perform more, what is the idea? Recently, yeah, | :37:52. | :37:57. | |
I've decided I was going to do an album of movie theme tunes. I wrote | :37:58. | :38:06. | |
a lot of it. I went these top lines, the big string lines, horn lines, | :38:07. | :38:10. | |
they are great top line melody lines. I turn a lot of them into | :38:11. | :38:16. | |
songs. Decided to get the black book out. I spoke to Paul Weller, Chaka | :38:17. | :38:27. | |
Khan. There are loads. Dua, I've been trying to get hold of her for | :38:28. | :38:31. | |
four weeks. She is here tonight I spoke to her. She will listen to the | :38:32. | :38:36. | |
tunes. Which is great, we have, Rob is doing a song on it. I have | :38:37. | :38:40. | |
amazing artists going on it. I will be really proud of it. We wish you | :38:41. | :38:44. | |
luck with that. Ten seconds, what do you want to play us out with? | :38:45. | :38:50. | |
Anything you want. A bit of drums. We have a Canadian in the audience. | :38:51. | :38:53. | |
We can all march. APPLAUSE | :38:54. | :39:01. | |
Impressive man, isn't he? Now it's time to join Tommy | :39:02. | :39:10. | |
and Richard 'Rocket Man' Browning. How exciting is this? We are here | :39:11. | :39:20. | |
with the Rocket Man, tell us, before we go any further. Why? Why have you | :39:21. | :39:25. | |
created a suit like this? To be honest, this started out as a joy | :39:26. | :39:31. | |
filled exploration into what was considered not po possible. We got | :39:32. | :39:35. | |
to something we never thought we would be able to do. The whole world | :39:36. | :39:39. | |
is now interested. You are making headlines around the planet. How | :39:40. | :39:43. | |
does that feel? It's nice to see other people take some of that same | :39:44. | :39:49. | |
enthusiasm we had that fuelled this journey. What about the headlines at | :39:50. | :39:56. | |
home. You are a dad as well? My eight and ten-year-old boys, Oliver | :39:57. | :39:59. | |
and Thomas, they love. It they sat through a lot of testing watching me | :40:00. | :40:06. | |
not as good as I have hype hope to do this season. Their dad is the | :40:07. | :40:13. | |
Flying Man? They are chuffed. They came up with an idea about an | :40:14. | :40:19. | |
electric powered version. A cool Christmas present. You get your kit | :40:20. | :40:24. | |
on here. You can power up. What is involved in what you are wearing | :40:25. | :40:29. | |
right now? So, there are six jet engines. A fuel system on my being | :40:30. | :40:32. | |
back. Electronic control system on my front. This rather snazzy helmet, | :40:33. | :40:38. | |
heads up display tells me everything that is going on. Tells me if it's | :40:39. | :40:42. | |
not working, for instance. Let's hope it doesn't tell me that. That | :40:43. | :40:47. | |
won't happen at all. This can go to quite a high altitude. Tell me how | :40:48. | :40:53. | |
high? Several thousand feet and several hundred miles an hour. We | :40:54. | :40:56. | |
keep it safe. We fly a few feet in the air. Safety | :40:57. | :41:03. | |
is a priority. We will zip around nicely here. Do you want to get it | :41:04. | :41:10. | |
going? It will take a few minutes to fill up. This is function al on the | :41:11. | :41:14. | |
front. It's telling me and my ground crew as to whether it's running | :41:15. | :41:20. | |
right. This is a fallible prototype system. No pressure than doing it | :41:21. | :41:25. | |
live. Live TV. Whilst Richard gets powered up. It's important to point | :41:26. | :41:30. | |
out it will get loud, quite quickly. I will step away. It's starting to | :41:31. | :41:35. | |
pick up. See you in a We are about minute. To witness the Flying Man. | :41:36. | :41:40. | |
Take it away, Richard Browning. -- see you in a minute. We are about | :41:41. | :42:02. | |
to witness the Flying man. Take it away, Richard Browning. | :42:03. | :42:07. | |
It's about to get so incredibly loud. We won't be able to hear | :42:08. | :42:16. | |
ourselves. This is it. This is the moment. Richard Browning flies, | :42:17. | :42:24. | |
LIVE, on the One Show. APPLAUSE | :42:25. | :43:15. | |
It happened, eventually! It happened. All things come to those | :43:16. | :43:23. | |
who wait. There you are. He has had one of the best Indian dinners of | :43:24. | :43:31. | |
his life. He went up, wonderful. People spend millions to watch that | :43:32. | :43:36. | |
on TV. We were glued. Waiting for things to come to an end. | :43:37. | :43:41. | |
The old style ?5 banknote goes out of circulation on Friday. | :43:42. | :43:44. | |
Gyles has been to the Bank of England to meet the woman whose | :43:45. | :43:48. | |
signature appears on every single new ?5 note in the country - | :43:49. | :43:51. | |
Dear Bank of England... I wrote my birthday card. I didn't know there | :43:52. | :44:08. | |
was a whole ?10 note inside. Please could you send me a new one. I will | :44:09. | :44:14. | |
take extra special care of it. Thank you very much. Since 1694, the Bank | :44:15. | :44:21. | |
of England has been producing banknotes made of paper. But the | :44:22. | :44:26. | |
problem with paper note is that they can easily be damaged or destroyed. | :44:27. | :44:29. | |
Whether they are paper or plastic, every note carries the promise to | :44:30. | :44:38. | |
pay the bearer. That means if someone or something has mangled | :44:39. | :44:43. | |
your money, you can return it to the Bank of England. More specifically, | :44:44. | :44:49. | |
the mutilated notes centre, where it ?11 million worth of damage | :44:50. | :44:52. | |
banknotes are sent every year. The One Show has been granted special | :44:53. | :44:57. | |
permission to film inside this highly secure facility. Security is | :44:58. | :45:01. | |
so tight, for their own protection, we are not allowed to show the faces | :45:02. | :45:06. | |
of the people who work here. One employee, whose identity we can | :45:07. | :45:11. | |
reveal, who is in charge of overseeing the 23,000 cases handled | :45:12. | :45:14. | |
here each year, and whose signature is on every note printed by the Bank | :45:15. | :45:21. | |
of England. Chief cashier. Your name, your signature, is on every | :45:22. | :45:25. | |
note. What does that mean? It means that I'm signing that I promise to | :45:26. | :45:33. | |
pay on behalf of the Bank of England, and the Bank of England | :45:34. | :45:36. | |
will always step behind and pay back that ?5. If you have a mangled note, | :45:37. | :45:41. | |
what do you do with that? We ask people to explain what happened to | :45:42. | :45:44. | |
the note and return as much of the note as you have got. We want at | :45:45. | :45:48. | |
least 50% of the note and a serial number. This means people cannot | :45:49. | :45:52. | |
reclaim twice on the same note. What is the biggest claim you have ever | :45:53. | :45:56. | |
had Brazil are the biggest claim was for ?35,000 from a fire in an 80. | :45:57. | :46:06. | |
The majority of the claims, they are from individuals, quite often just | :46:07. | :46:10. | |
for a single note. Incredibly, these are just some of the actual cases | :46:11. | :46:15. | |
they have dealt with. To whom it may concern... My new puppy was really | :46:16. | :46:20. | |
naughty and stole my wallet. He chewed the entire contents. Please | :46:21. | :46:26. | |
can you replace my torn up 20? Dear Bank of England, I accidentally left | :46:27. | :46:30. | |
a ?5 note in the pocket of my jeans when I put them in the washing | :46:31. | :46:32. | |
machine, and now it's completely ruined. Please can I have a new one? | :46:33. | :46:42. | |
I was keeping ?300 safe in the microwave, but by hapless brother | :46:43. | :46:45. | |
switched it on without checking. Now it has turned to cinders. But not | :46:46. | :46:50. | |
all money is mangled by accident. Sometimes it is done on purpose. | :46:51. | :46:55. | |
Andrew Woods is the to rate of the study of money at the Yorkshire | :46:56. | :47:00. | |
Museum. On the table in front of you have 2000 years worth of damage | :47:01. | :47:03. | |
currency. These are the oldest coins, these are from the very end | :47:04. | :47:07. | |
of the Roman empower. At the very end of that empire, the people of | :47:08. | :47:11. | |
Britain took those quaint and started dropping the edges of them. | :47:12. | :47:15. | |
If you take enough off enough different coins you have enough tiny | :47:16. | :47:19. | |
pieces to turn into another groin, which is where we come to this coin | :47:20. | :47:23. | |
on the right, which is a contemporary copy, a forgery made at | :47:24. | :47:28. | |
the time. This has been damaging the currency for hundreds of years? We | :47:29. | :47:33. | |
have this ?10 note, which is really quite a normal thing, with the | :47:34. | :47:37. | |
exception that it has stopped the big EU rip-off written on it, vote | :47:38. | :47:44. | |
Ukip! Goodness, a political message. For either the general election or | :47:45. | :47:47. | |
the European election in the last year or two. This is just an | :47:48. | :47:50. | |
individual who has written this on the note? Yes, this has been | :47:51. | :47:54. | |
happening for a very long time, going all the way back to the | :47:55. | :47:57. | |
suffragettes in the early part of the 20th century, they defaced money | :47:58. | :48:01. | |
with political slogans, right the way through to the IRA in the 1970s | :48:02. | :48:06. | |
he was stamping through the Queen's head with the letters IRA. These | :48:07. | :48:12. | |
paper ?5 notes have been replaced by the more durable polymer ones. More | :48:13. | :48:16. | |
durable or not, if you don't want your money to end up here at the | :48:17. | :48:20. | |
mutilated notes centre, handle it with care, and keep it away from the | :48:21. | :48:22. | |
pets and the microwave. However tempting it sounds, don't | :48:23. | :48:34. | |
put a ?5 note in the microwave! Disastrous consequences! | :48:35. | :48:36. | |
Gyles is here with some breaking currency news. | :48:37. | :48:38. | |
The new ?1 coin, some of them have been emerging damaged. People are | :48:39. | :48:47. | |
worrying about that, thinking they might be more worthwhile to have. | :48:48. | :48:54. | |
The Royal Mint issued some 5 billion Queen's Cup idea. They are 1.5 | :48:55. | :48:58. | |
billion phones worth of these ?1 coins. Invariably, a handful get | :48:59. | :49:02. | |
damaged in the striking process, and they are not worth anything very | :49:03. | :49:08. | |
special. But what is special is the highest in nomination of note issued | :49:09. | :49:11. | |
by the Bank of England. This is one of the secrets uncovered when I went | :49:12. | :49:15. | |
to visit the bank. What do you think it might be? Let me surprise you. | :49:16. | :49:22. | |
It's not ?50. It is ?100 million. It is called a Titan. There is a ?100 | :49:23. | :49:28. | |
million note. There is a giant as well. That is just ?1 million. They | :49:29. | :49:33. | |
never leave the Bank of England. But if you manage to get hold of one, it | :49:34. | :49:38. | |
would be worth that much. It says, I promise to pay the bearer, and it is | :49:39. | :49:42. | |
signed by the chief cashier. That is what it is worth and it would not | :49:43. | :49:47. | |
that. I don't think my off-licence would! You into gold? There is a lot | :49:48. | :49:51. | |
of gold in the Bank of England. I have seen a few of their 400,000 | :49:52. | :49:57. | |
bars of gold worth over ?100 billion. Nine volts looked just like | :49:58. | :50:02. | |
that one. Has anybody ever tried to steal any gold from the Bank of | :50:03. | :50:05. | |
England? Quite a few people have tried over the years. In the 320 | :50:06. | :50:09. | |
years of the Bank of England, nobody has succeeded in stealing gold from | :50:10. | :50:14. | |
there. But back in 1836, the directors of the bank began to get | :50:15. | :50:18. | |
anonymous letters saying, I know how to steal your gold. Eventually the | :50:19. | :50:21. | |
directors were persuaded to come to a meeting with this person in the | :50:22. | :50:33. | |
ball. They got there, they saw nobody, then there was a funny | :50:34. | :50:36. | |
tapping noise on the floor. They look down, the floorboards burst | :50:37. | :50:38. | |
open, and out popped the Superman. The man who claimed the sewers at | :50:39. | :50:41. | |
the Bank of England had discovered there was a disused pipe, he worked | :50:42. | :50:44. | |
his way through it. He said, I'm not going to steal anything from you, I | :50:45. | :50:46. | |
want to prove it is possible to steal this gold. They were so | :50:47. | :50:51. | |
thrilled, they gave him a reward for his honesty of ?800. Which would be | :50:52. | :50:57. | |
worth today about ?80,000. So, there is a reward in being honest sewer | :50:58. | :51:04. | |
man. That is the message! Thank you, Gyles, as always, on the money! | :51:05. | :51:08. | |
Earlier, we saw Mike examining the pros and cons for reintroducing | :51:09. | :51:10. | |
Well now he's travelled to Germany, where the animal has | :51:11. | :51:14. | |
already been reintroduced, to see what lessons we can learn. | :51:15. | :51:21. | |
Since the 1970s, links have been reintroduced in several European | :51:22. | :51:26. | |
countries, including Switzerland, France, Poland and here in northern | :51:27. | :51:32. | |
Germany. I am in the hots National Park to look at the impacts of lynx | :51:33. | :51:37. | |
reintroduction and to see what can happen if we were to follow the same | :51:38. | :51:43. | |
initiative back in the UK. Wild lynx or incredibly shy, so realistically | :51:44. | :51:46. | |
the only way I am going to see what is in the closure of the hearts | :51:47. | :51:50. | |
links project. I am under the guidance of project leader. I have | :51:51. | :51:57. | |
to say, it's quite unnerving. Because I know there is a big animal | :51:58. | :52:01. | |
in here that's almost certainly looking at me at the moment. Here it | :52:02. | :52:07. | |
is coming here it is. While! Look at that. | :52:08. | :52:15. | |
Sharpening its claws, the killing weapons. I can't leave how big it | :52:16. | :52:23. | |
is! I'm in awe of that animal. -- I can't believe. It's beautiful, | :52:24. | :52:28. | |
powerful, and it is totally at one with this incredible environment. | :52:29. | :52:33. | |
Since the project began in 2000, 24 lynx have been released back into | :52:34. | :52:36. | |
the world. All that is taking me higher into the mountains, where | :52:37. | :52:40. | |
they roam free. How is the project going since you started? Well, it's | :52:41. | :52:45. | |
doing quite well at the moment. The number of lynx is increasing. But | :52:46. | :52:53. | |
the range of the lynx is also increasing. Lynx has left the hearts | :52:54. | :52:57. | |
mountain already and it is reproducing in other areas. Slowly | :52:58. | :53:01. | |
spreading across northern Germany. -- northern Germany. There are now | :53:02. | :53:07. | |
up to 40 adult links and juveniles in the area. They are clearly | :53:08. | :53:11. | |
finding plenty of Praet in the forest. -- plenty of prey. We have a | :53:12. | :53:22. | |
lynx kill. Wow, look at that! That is a red deer calf. This one has | :53:23. | :53:27. | |
been killed by a lynx. What is their main prey here? The main food is | :53:28. | :53:36. | |
dear, but we have some specialists. This is a big animal to take down. | :53:37. | :53:40. | |
It is much heavier than the lynx. They appear to be thriving here. I'm | :53:41. | :53:47. | |
eager to seek out opinions are those whose livelihoods could be impacted. | :53:48. | :53:52. | |
This man keeps fallow deer close to the hearts mountains and has lost | :53:53. | :53:56. | |
some to lynx. It was hard for me to see all of the dead animals around, | :53:57. | :54:02. | |
but we got in contact with the Hearts project, and we got our money | :54:03. | :54:10. | |
back and got help to build a fence. Obviously you can't put an electric | :54:11. | :54:13. | |
fence around every population of livestock. What other ways can you | :54:14. | :54:17. | |
protect them? If the lynx gets in conflict with people all with deer | :54:18. | :54:22. | |
or sheep, I think we have to control them. It is great to see the lynx | :54:23. | :54:29. | |
backs, but we have to look that we can live with them together, | :54:30. | :54:34. | |
side-by-side. Gaining public support will be the key to any | :54:35. | :54:38. | |
reintroduction back into the UK. In the Hearts Mountains, the image of | :54:39. | :54:42. | |
the lynx is everywhere, it has become a mascot for the area. The | :54:43. | :54:47. | |
lynx's enclosure is a focal point that draws in the tourists. Feeding | :54:48. | :54:52. | |
time is a highlight at the enclosure, and Ola has devised a | :54:53. | :54:56. | |
lynx challenge to help us capture the athletic prowess. | :54:57. | :55:05. | |
Lynx are ambush hunters, attacking their prey from behind cover rather | :55:06. | :55:11. | |
than chasing it down. They are capable of jumping over two metres | :55:12. | :55:15. | |
in the error. But what are the tourists make of this impressive | :55:16. | :55:19. | |
predator living here -- in the air. It is a good idea. It is amazing | :55:20. | :55:26. | |
that we have a big predator back in Germany, I think it is amazing for | :55:27. | :55:30. | |
the Hearts. It shows our good nature here. This project has worked hard | :55:31. | :55:34. | |
to keep people on site. We would have to do the same if we are to | :55:35. | :55:39. | |
have any chance of seeing Britain's lost big cat returned to our own | :55:40. | :55:40. | |
wild places. Well, so far there has been no | :55:41. | :55:52. | |
proposal or even licence application submitted to reintroduce the lynx. | :55:53. | :55:56. | |
We will see what happens. Watch this space! | :55:57. | :55:59. | |
Thanks to our guests, Max and Katherine. | :56:00. | :56:03. | |
Max's new drama, Jamestown, starts on Friday 9.00pm on Sky 1 | :56:04. | :56:05. | |
and you can see Katherine in Your Face or Mine from 17th May | :56:06. | :56:08. | |
We can just say very quickly that there is an exclusive. James Down | :56:09. | :56:15. | |
has been recommissioned for season two! -- James Down. | :56:16. | :56:19. | |
Now, to play us out with her latest singe, it's the fantastic Dua Lipa | :56:20. | :56:24. | |
# Floating, weightless, I'm willing | :56:25. | :56:43. | |
# My will keeps bending and breaking, honey | :56:44. | :56:48. | |
# Let me ride in your love all night, babe | :56:49. | :56:57. | |
# I want to die in your love all night, babe | :56:58. | :57:04. | |
# I wanna stay right here all night, baby | :57:05. | :57:20. | |
# Oh, now everything's vivid, vivid | :57:21. | :57:25. | |
# You want it all, nothing's wasted, woman | :57:26. | :57:38. | |
# I want to stay right here all night, baby | :57:39. | :57:51. | |
# I want to stay right here all night, baby | :57:52. | :58:28. | |
# Let's get lost in the light, baby, all night | :58:29. | :58:34. | |
# I want to stay right here all night, baby | :58:35. | :58:40. | |
# Let's get lost in the light, baby #. | :58:41. | :58:52. |