Browse content similar to 05/05/2017. Check below for episodes and series from the same categories and more!
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Hello and welcome to the One Show with Gyles Brandreth. | :00:16. | :00:19. | |
Tonight, our guests represent the punk era | :00:20. | :00:22. | |
Yes, that's anarchic student Vyvyan in The Young Ones. | :00:23. | :00:28. | |
Please welcome Blondie and Adrian Edmondson! | :00:29. | :00:52. | |
Blondie will be playing their latest single live later on. | :00:53. | :00:54. | |
In fact, Debbie and Ade, you have dueted before | :00:55. | :00:59. | |
Thank you very much. We sang the theme tune to Absolutely Fabulous | :01:00. | :01:13. | |
together. That's right. I remember clearly, you said "you have a nice | :01:14. | :01:20. | |
voice". Was it the best duet you have ever done? Perhaps! OK! We | :01:21. | :01:26. | |
harmonised. We did. Yeah. Yeah. Rather well. | :01:27. | :01:31. | |
How did it come about? We never did an album! We could have! How did it | :01:32. | :01:38. | |
come about? I sang with Judy Driscoll. It is an older song that | :01:39. | :01:43. | |
we knew. I sang it with her for the first few series. And then there was | :01:44. | :01:48. | |
an episode you were in. I think we changed it then. I think it was a | :01:49. | :01:53. | |
Christmas show. Was it? A special Christmas show. | :01:54. | :01:59. | |
Where did you get into music, Ade? Like most people you listen to it on | :02:00. | :02:06. | |
the radio! That was it as a boy? But it is very folksy your sort of | :02:07. | :02:11. | |
music? Well, I went to a university in Manchester in the '70s, where in | :02:12. | :02:16. | |
one venue there was punk music, happening to people being very | :02:17. | :02:26. | |
excited and then in another pub, an Irish lot of folk songs, singing | :02:27. | :02:31. | |
jigs and reels. I think that a lot of punk music is | :02:32. | :02:37. | |
folk music, it is not centred on self but stories. Social comment and | :02:38. | :02:42. | |
righteous anger, rather than I love you, you love me. | :02:43. | :02:48. | |
Lovely. Thank you! Before Blondie gets themselves ready for their | :02:49. | :02:52. | |
performance, we wondered if Gyles was into punk? Oh, yes. | :02:53. | :02:59. | |
Take a look at this. Yes, it's angry. | :03:00. | :03:05. | |
That was my look. Before I got the Mohican, that's what I looked like. | :03:06. | :03:10. | |
It's what happens when you do too much pogo. | :03:11. | :03:15. | |
This week Peter Kay's hit TV show Car Share came to an end and fans | :03:16. | :03:18. | |
were left bereft when he said there wouldn't be any more episodes. | :03:19. | :03:21. | |
Viewers were begging for a happy ending. | :03:22. | :03:24. | |
But is leaving people wanting more the best way to end a TV series? | :03:25. | :03:31. | |
# Do you remember # Chocolates hearts melting on a | :03:32. | :03:37. | |
plate... # Do you remember. A successful show | :03:38. | :03:48. | |
can define an era. Whether All good things must come to | :03:49. | :03:53. | |
an end but what's the secret to a perfect ending? Do you like the | :03:54. | :03:58. | |
ending of a series to be left open, or just finish it, everyone dies, | :03:59. | :04:02. | |
they are all gone. Leave it open. Then we can talk | :04:03. | :04:06. | |
about it afterwards. It is nice to be left on a high. Wanting more. It | :04:07. | :04:14. | |
is open to interpretation. I like certainty. I want to be told! | :04:15. | :04:20. | |
Mostly, people are looking forward to a really, really happy ending. | :04:21. | :04:25. | |
But the creators behind the show want to do something more | :04:26. | :04:29. | |
imaginative. Getting the two to come together beautifully is really, | :04:30. | :04:32. | |
really difficult. # When it comes to this bitter end. | :04:33. | :04:39. | |
Hello? So, has there been a series where you think this must end now? I | :04:40. | :04:44. | |
thought one of the most tragic shows that refused to die was Shameless. | :04:45. | :04:49. | |
It was a fantastic show at first. But it went on and on and on and on! | :04:50. | :04:58. | |
Is there a series that's been on, that finished and you loved that | :04:59. | :05:03. | |
programme? Morse. Do you remember how the show ended? | :05:04. | :05:07. | |
I don't I this I could bear to watch it. He had aheart attack. He died on | :05:08. | :05:14. | |
the steps of the college. Is there a show that you wish was | :05:15. | :05:21. | |
still on? Well, I just watch the reruns so it has never finished. | :05:22. | :05:27. | |
There was BlackEd aer, that ended in a beautiful way. I have a plan, sir. | :05:28. | :05:34. | |
Yes, a cunning and subtle one? Yes, sir. | :05:35. | :05:38. | |
As cunning as a fox who has been appointed professor of cunning at | :05:39. | :05:44. | |
Oxford University? That was a really good ending. It was sad. | :05:45. | :05:52. | |
But they didn't die! If it is too conclusive it can't come back. Gavin | :05:53. | :05:57. | |
and Stacey ended perfectly. The brilliant tight rope walk between | :05:58. | :06:02. | |
being too sentimental or too conclusive. Just with then | :06:03. | :06:08. | |
squabbling on the seafront. What's the joke? Oh, Welsh person! | :06:09. | :06:18. | |
It don't make me Welsh! But, it is popularity, that it is a difficult | :06:19. | :06:22. | |
thing, this is the point. That's why ending the shows is so difficult. | :06:23. | :06:26. | |
People are saying goodbye to old friends. | :06:27. | :06:33. | |
The perfect ending, either you can leave the door open, hoping for a | :06:34. | :06:39. | |
comeback, or go to something just a little more definite. | :06:40. | :06:46. | |
Look out! Cliff! Phew, that was close! Oh! I'm not coming back from | :06:47. | :06:55. | |
that one. What an ending. When you happy with | :06:56. | :07:02. | |
the finality of that? Yes, we were young and stupid. We knew that | :07:03. | :07:07. | |
faulty towers had made 12 eepisodes, so we thought it was good to leave | :07:08. | :07:15. | |
it sort of rock and role. Is it a mistake, Conan killed off | :07:16. | :07:22. | |
Doyle but had to bring him back. I think if we had made more it would | :07:23. | :07:28. | |
have gotten weak. Things like Dad's Army have been | :07:29. | :07:32. | |
turned into a film with a new cast. Would that be wrong? You know, a | :07:33. | :07:39. | |
very difficult thing to do. Absolutely Fabulous made it into a | :07:40. | :07:41. | |
film. . Successfully. But few do. Even | :07:42. | :07:48. | |
more come and wise had trouble making films. | :07:49. | :07:52. | |
Well, we are not going to give away the ending of Tilly and the Time | :07:53. | :07:54. | |
Machine. This is your new children's book, | :07:55. | :08:00. | |
you have done audio books, why decide to write books yourself? Well | :08:01. | :08:07. | |
it is simple, some friends's children moved in next door to me. | :08:08. | :08:11. | |
They have three young kids, five, seven and nine. The one in the | :08:12. | :08:17. | |
middle is very forthright and brute. I took her as inspiration for a | :08:18. | :08:22. | |
character. I said to her that I could read her stories as my kids | :08:23. | :08:28. | |
were all grown up, that my BFG was brilliant. They had heard it, they | :08:29. | :08:32. | |
said. So I thought, I will write one of my own, that they will not have | :08:33. | :08:37. | |
heard of that. Was Roald Dahl your inspiration? I | :08:38. | :08:42. | |
think he is every children's writer. What is the story? At the beginning | :08:43. | :08:47. | |
of the book, Tilly's mother has recently died. Her dad is a buttoned | :08:48. | :08:53. | |
up English chap and does not talk about it so as not to make Tilly | :08:54. | :09:00. | |
sad. It is that classic shyness to death. And he is a bit of a boffin. | :09:01. | :09:05. | |
He makes her a time machine. It is down at the bottom of the shed. He | :09:06. | :09:11. | |
wakes her up to tell her it is working. That they could go anywhere | :09:12. | :09:19. | |
they wanted. She says that she wants to go back to her sixth birthday | :09:20. | :09:25. | |
when her mummy was here. So they get stuck in time. Going through the | :09:26. | :09:32. | |
battle of Trafalgar, meeting Queen Victoria, the time when the Albert | :09:33. | :09:39. | |
memorial cost still yens of times. And all Tilly wants is a few more | :09:40. | :09:44. | |
photos in place. We all have a time machine in our | :09:45. | :09:48. | |
heads. Sometimes spurred on by photographs. | :09:49. | :09:55. | |
You keep a photograph of Rik Mayal in your study? I have several. Snow | :09:56. | :10:04. | |
He keeps an eye on you, does he, an eye on you from beyond? It is not a | :10:05. | :10:10. | |
glum thing it is a nice celebration. Well I loved the book. I thought it | :10:11. | :10:15. | |
funny and touching. I was waiting for that. | :10:16. | :10:23. | |
You have three grandchildren. I do. I have sieve and I gave your book to | :10:24. | :10:30. | |
my grandchild, and he described it as bum testic. He was not sure that | :10:31. | :10:38. | |
I would understand it, I wanted to use an old fashioned word but he | :10:39. | :10:45. | |
said I could call it amazeballs. But there was a bone I wanted to pick | :10:46. | :10:49. | |
with you. This is from your lovely book if you can read this. This is | :10:50. | :10:53. | |
from a section when she is on her own. Her dad got lost in time. She | :10:54. | :10:58. | |
is eating the jelly from the fridge, having fun on her own. It says Tilly | :10:59. | :11:07. | |
watched all of the Won Show and EastEnders, all of her mum's | :11:08. | :11:14. | |
favourite programmes, it was fun. If her dad had been watch watching, he | :11:15. | :11:19. | |
would have said that she would have been rotting her brain! What's wrong | :11:20. | :11:21. | |
with that?! Using just a microwave, this | :11:22. | :11:34. | |
is what she's trying to recreate: Here's one for everyone | :11:35. | :11:42. | |
out there who, like me, normally likes to watch the show | :11:43. | :11:44. | |
with a microwave meal on their lap. Our chef Ricky's been to meet | :11:45. | :11:47. | |
someone who doesn't just see We all know that sound, mike milk is | :11:48. | :11:57. | |
hot, my loaf is defrosted, my chicken korma is ready. We have been | :11:58. | :12:03. | |
hearing the familiar ping for 70 years. | :12:04. | :12:08. | |
The first commercial microwave was released in 1947. But the 1960s, the | :12:09. | :12:16. | |
microwaive was embraced as a future of cooking before becoming a tape | :12:17. | :12:26. | |
until the home. So while a microwave may have been created for food on | :12:27. | :12:30. | |
the go, it is not real cooking, or is it? Jennifer is the President of | :12:31. | :12:40. | |
the microwave's technology association. | :12:41. | :12:44. | |
Jennifer, microwaives are a bit-and-a-half? Well, over 95% of | :12:45. | :12:49. | |
people have a microwaive in their home. I think most don't understand | :12:50. | :12:54. | |
the possibilities that you can cook, basic cooking in a microwaive oafen. | :12:55. | :13:02. | |
It is practical and efficient. People associate microwaives with | :13:03. | :13:07. | |
ready meals? You can't make Yorkshire puddings but anything that | :13:08. | :13:11. | |
is moist, you can do perfectly well. What about a steak? Course you can. | :13:12. | :13:16. | |
I would love to see that. Absolutely. | :13:17. | :13:22. | |
Before cooking a steak, she heats up a microwaivable plate and cover it | :13:23. | :13:26. | |
is with butter to help create the pan fried effect on the steak. | :13:27. | :13:29. | |
Clever. Another minute in the microwaive and it is done. But will | :13:30. | :13:35. | |
it taste as good as it looks? You know what... That's really good. | :13:36. | :13:40. | |
I mean, it's moist, it's cooked well. If you don't tell me, I | :13:41. | :13:47. | |
wouldn't know it was cooked in a MIVR waive. Jennifer makes jam in | :13:48. | :13:55. | |
her MIVR waive. Heating strawberries with lemon zest for a few minutes | :13:56. | :14:01. | |
before adding sugar and microwaiving for 20 minutes. | :14:02. | :14:04. | |
That is really good jam. Beautiful. What about a One Show | :14:05. | :14:14. | |
challenge. Three course meal, you do it in the microwaive, I'll do it on | :14:15. | :14:16. | |
the hob. You're on. | :14:17. | :14:23. | |
I sweat my onions in a pan while Jennifer sweats her's in a | :14:24. | :14:25. | |
container. Can you smell the wonderful onions | :14:26. | :14:31. | |
and garlic sweating down? That lovely aroma. Nothing is coming from | :14:32. | :14:36. | |
the microwaive. More flavours are being released | :14:37. | :14:40. | |
here than in the pan. Whilst I fry the salmon and veg, | :14:41. | :14:48. | |
gen. Jennifer soaks her's in a container before heating it on the | :14:49. | :14:51. | |
sauce. Then a case of heating the mixture | :14:52. | :14:56. | |
for the chocolate brownie. The catering students here are to be the | :14:57. | :15:01. | |
judges. We are not saying which dishes have been done in the oven or | :15:02. | :15:08. | |
which have been microwaived! Whilst all of the judges worked out which | :15:09. | :15:13. | |
soup was cooked in the microwaive. One thought that Jennifer's salmon | :15:14. | :15:19. | |
was cooked in the oven. Two could not believe that Jennifer's brownie | :15:20. | :15:25. | |
was cooked in the microwelfare and they loved it. | :15:26. | :15:31. | |
But overall traditional cooking was supreme. | :15:32. | :15:35. | |
Well done. So steel outweighs the microwave at | :15:36. | :15:37. | |
the moment. OK. | :15:38. | :15:39. | |
Give it another seven years. Before we hear from you, | :15:40. | :15:42. | |
since it didn't go too well for Team Microwave, | :15:43. | :15:47. | |
we've set Jennipher Using just a microwave, this | :15:48. | :15:48. | |
is what she's trying to recreate: Butterflied fillet of sea bass | :15:49. | :16:04. | |
stuffed with scallop mousse and served with the deconstructed | :16:05. | :16:05. | |
ratatouille sauce. Yes, it's from Ade's winning | :16:06. | :16:08. | |
Celebrity MasterChef meal. In the meantime, Tommy, you're also | :16:09. | :16:10. | |
on my team, Team Microwave. Tell us about the microwave's | :16:11. | :16:15. | |
accidental origins. In 1945 it started, Percy Spencer, | :16:16. | :16:28. | |
working for the US military, is playing with military grade | :16:29. | :16:34. | |
magnetrons and they are giving off heat because the candy bar in his | :16:35. | :16:38. | |
pocket starts to melt and something is going on. I thought he was | :16:39. | :16:46. | |
German! He starts playing around and he tests out some corn kernels and | :16:47. | :16:52. | |
makes popcorn Andy Burton egg into the kettle and fills that the | :16:53. | :16:55. | |
microwaves and the egg explodes and the microwave is born Andy Payton is | :16:56. | :17:02. | |
later that year and one is created soon after. This is a direct result | :17:03. | :17:10. | |
of wartime research? Mine has just gone! | :17:11. | :17:16. | |
Ah, that will be my cocoa - which needs a bit of sweetener. | :17:17. | :17:23. | |
Sweetener is accidental, invented by Constantin Fahlberg in a Baltimore | :17:24. | :17:32. | |
University, he gets home and realises his bread tastes sweeter | :17:33. | :17:37. | |
after playing with chemicals. He works out which chemical it wasn't | :17:38. | :17:41. | |
made it taste so sweet, and saccharin was born. Saccharin was | :17:42. | :17:50. | |
born! His friend in the lab, he kept him out of the deal and kept all the | :17:51. | :17:57. | |
royalties himself. Before my dad was a teacher he worked in a lab testing | :17:58. | :18:01. | |
metal and they would sweeten their tea with sulphuric acid! Not | :18:02. | :18:04. | |
recommended! Delicious cup of tea! While you're here, | :18:05. | :18:11. | |
and nothing to do with food, there's another invention making | :18:12. | :18:13. | |
the news this week. Lots of parents will | :18:14. | :18:15. | |
know all about it. This is an accidental craze, the | :18:16. | :18:23. | |
fidget spinner has come about because they thought it would help | :18:24. | :18:28. | |
children with autism and there is no research to say that but people from | :18:29. | :18:33. | |
the autism Society say it helps but it has been banned from schools | :18:34. | :18:38. | |
because it has the adverse effect and prevents children from | :18:39. | :18:41. | |
concentrating because it are messing about. It is really boring! It just | :18:42. | :18:49. | |
goes round and round! That is sweeping schools around the country! | :18:50. | :18:53. | |
Thanks Tommy, it looks like Jennipher has finished. | :18:54. | :18:54. | |
I will introduce it in true Masterchef style. | :18:55. | :19:02. | |
Jennipher has made butterflied fillet of seabass | :19:03. | :19:04. | |
Served with a deconstructed ratatouille sauce, also | :19:05. | :19:10. | |
Jennipher is the family Craddock of the microwave! We will invite Tommy | :19:11. | :19:26. | |
to taste this. I will have some vegetables. What is the secret? The | :19:27. | :19:36. | |
microwave? I don't know... Don't prejudge. That is tasty, microwave | :19:37. | :19:42. | |
magic. Isn't Jennipher Ajoy! Jennipher is a lovely human being! | :19:43. | :19:49. | |
All you need is a microwave and Jennipher! The source is more like | :19:50. | :20:00. | |
tomato soup. It needs thickening? I haven't had a microwave for years, | :20:01. | :20:04. | |
we have grandchildren and they use that for heating up the milk but I | :20:05. | :20:09. | |
don't get it because there are so complicated to use. Complicated? You | :20:10. | :20:19. | |
press a button! Absolutely delicious. That took about 12 | :20:20. | :20:25. | |
minutes. Thank you so much, Jennipher. That was a 12 minute | :20:26. | :20:26. | |
wonder! In a moment the legendary | :20:27. | :20:27. | |
Blondie will perform First, here's an idea | :20:28. | :20:29. | |
for your next book, Ade. I can see what you're thinking - | :20:30. | :20:33. | |
how did you do that. My favourite part of the reaction is | :20:34. | :20:56. | |
the expression on their faces when they first see it. It is a painting | :20:57. | :21:05. | |
hidden under the edge of the book. It appears and vanishes, as if by | :21:06. | :21:12. | |
magic. My name is Martin Frost and I am a fore-edge painter. This is a | :21:13. | :21:21. | |
British art form for books. An image that is only for edge of a book, | :21:22. | :21:26. | |
under the gold, which is only seen when the book is find out. I will | :21:27. | :21:36. | |
make you are painting. The first thing we have to do is put this into | :21:37. | :21:44. | |
the farm and I use a press to hold this in position. I would like to | :21:45. | :21:48. | |
paint the Royal Pavilion in Brighton, very close to me, a very | :21:49. | :21:55. | |
recognisable image. This is slow painting, a quick sketch like this | :21:56. | :22:02. | |
will be four hours but something elaborate is a week. This is | :22:03. | :22:08. | |
meticulous work. People have been decorating the edges of books from | :22:09. | :22:14. | |
1000 years, it was only when gilding came in and that enabled us to make | :22:15. | :22:18. | |
a painting vanish under the gold. No UCH... Now, you don't. -- night you | :22:19. | :22:29. | |
see it. I can do doubles, one way there is an image and on the other | :22:30. | :22:35. | |
side... All pages have two sides, we have another image again. Another | :22:36. | :22:41. | |
variant is not just the fore-edge because the book as a top and Bottom | :22:42. | :22:50. | |
edge, two of them can be painted some reasonably simple painting like | :22:51. | :22:55. | |
this with self or something in the region of ?250 and more elaborate | :22:56. | :22:59. | |
ones are considerably more expensive. There is very little | :23:00. | :23:06. | |
water involved in this, this is a balancing act, too much water and | :23:07. | :23:11. | |
the gold will come off so just a little water and you won't get the | :23:12. | :23:16. | |
paint on in the first place. Lightly first and build it up. Then let it | :23:17. | :23:22. | |
dry. And you start working over the top of that. My career in fore-edge | :23:23. | :23:30. | |
painting started in 1970 and over that period I have painted in the | :23:31. | :23:37. | |
region of 3500 books. I training was in theatre, I was painting | :23:38. | :23:41. | |
backdrops, and different scale. At the same sort of skills. I was | :23:42. | :23:46. | |
working with a colleague who was a fore-edge painter and my friend | :23:47. | :23:51. | |
suggested I have a go and I did and I have been doing it ever since. | :23:52. | :23:56. | |
This is a critical part. When you start painting, the market you make | :23:57. | :24:02. | |
is the mark you are left with, there is no going back. There have been | :24:03. | :24:07. | |
many temporary painters over the years but unfortunately not at the | :24:08. | :24:12. | |
moment, as far as I know I am the only one painting edges full-time. | :24:13. | :24:18. | |
The heritage Craft Association have compiled a list of endangered | :24:19. | :24:21. | |
British crafts and fore-edge painting is listed as extremely | :24:22. | :24:27. | |
endangered. And I suppose that could make me an endangered species! I | :24:28. | :24:36. | |
have taught well over 300 students, people enjoy trying it but they | :24:37. | :24:41. | |
don't want to seem to take this up as a profession. I am lucky, I have | :24:42. | :24:45. | |
found a job that makes me generally happy. I look forward to opening the | :24:46. | :24:52. | |
book and painting it. Once I have done it I am looking forward to the | :24:53. | :25:00. | |
next one. Right, we are done. I am rather pleased with that. There you | :25:01. | :25:05. | |
go. Fore-edge painting. Just for the One Show. | :25:06. | :25:09. | |
And very best of luck to Martin, who has been shortlisted | :25:10. | :25:13. | |
for Maker of the Year at the Heritage Crafts Association | :25:14. | :25:15. | |
Ade - what do you think of the picture Martin's done | :25:16. | :25:19. | |
Tilly and the Time Machine is out now. | :25:20. | :25:35. | |
Before we go, performing Long Time from their new album, | :25:36. | :25:37. | |
Pollinator, which is out today, this is Blondie. | :25:38. | :25:47. | |
# I've been running circles from a night that never ends | :25:48. | :25:51. | |
# I've been chasing heartache in a city and a friend | :25:52. | :25:54. | |
# Even seen you lose it, but who cares? | :25:55. | :26:03. | |
# Racing down the Bowery on a crowded afternoon | :26:04. | :26:08. | |
# Keep me from the downpour of your insecure typhoon | :26:09. | :26:11. | |
# Or is this just a way to keep you safe? | :26:12. | :26:19. | |
# Take me, then lose me, then tell them I'm yours | :26:20. | :26:27. | |
# Does it make you think everybody wants to be your friend? | :26:28. | :26:47. | |
# I can make you think everybody wants to be your friend | :26:48. | :27:05. | |
# Drinking with yourself but with a smile upon your face | :27:06. | :27:09. | |
# Happy in success but still a thousand miles away | :27:10. | :27:13. | |
# Is this everything you had in store? | :27:14. | :27:20. | |
# Take me and lose me and tell them I'm yours | :27:21. | :27:29. | |
# Does it make you think everybody wants to be your friend? | :27:30. | :27:49. | |
# I can make you think everybody wants to be your friend | :27:50. | :28:06. | |
# Take me, then lose me, then tell them I'm yours # | :28:07. | :28:41. |