Browse content similar to 05/09/2012. Check below for episodes and series from the same categories and more!
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Hello. Welcome to your Wednesday hour-long edition of the One Show. | :00:21. | :00:24. | |
Tonight a full house of One Show viewers and game makers who will be | :00:24. | :00:28. | |
sharing their thoughts on some of the stories we will be covering | :00:28. | :00:32. | |
this evening. It is a full house! We have also | :00:32. | :00:35. | |
got Carrie Grant on stand-by to give a well-deserved treat to a man | :00:35. | :00:40. | |
who has been a stalwart in his community for years. | :00:40. | :00:44. | |
We will be meeting Paralympic archers Danielle Brown and Mel | :00:44. | :00:51. | |
Clarke, who are here to show off their medals. | :00:51. | :00:55. | |
Also, John Sergeant is about to blow a fuse over the end of the | :00:55. | :01:02. | |
light bub. Me and him both. Our guest tonight, she has a list as | :01:02. | :01:08. | |
long as your arm of block busting titles to her name. Harry Potter, | :01:08. | :01:14. | |
Nanny McPhee. The list is endless. She is the only person ever to win | :01:14. | :01:23. | |
an Oscar for writing and acting. It's Emma Thompson. It's lovely to | :01:23. | :01:33. | |
:01:33. | :01:34. | ||
have you with us. Thank you I just love the idea of describing | :01:34. | :01:42. | |
Howard's end as a blockbuster. have to say, you look absolutely | :01:42. | :01:47. | |
gorgeous, with earrings to match the theme of the new book. | :01:47. | :01:56. | |
indeed. Do you want me to tell you now? I have written a book you see. | :01:56. | :02:03. | |
A new Peter Rabbit book. He is 110. This is it. The dress, which you | :02:03. | :02:09. | |
might have worried about, because who wears a big kilt on The One | :02:09. | :02:18. | |
Show, it is the inside of the book you see. It is the same, tartan. It | :02:18. | :02:25. | |
is designed for Peter. I went into a jewellery shop and saw some very | :02:25. | :02:28. | |
interesting fruits and I asked the jewellery maker if she would make | :02:28. | :02:33. | |
me a radish and a carrot, which she has. Which is great, but the only | :02:33. | :02:39. | |
thing is when I take the book to read to children, they become so | :02:39. | :02:43. | |
engrossed with the earrings, that they don't listen to the book. I | :02:43. | :02:51. | |
have to take them off. But they are amazing. It is happening now. | :02:51. | :02:59. | |
Everyone has been saying let me touch your earrings. Can I touch it. | :02:59. | :03:05. | |
This is a big part of the story of how it all came about. The radish | :03:05. | :03:13. | |
is intrinsic to the meaning and depth of the story. It is very | :03:13. | :03:18. | |
radish-centred. I got this extraordinary, I got a little | :03:18. | :03:21. | |
little parcel, it was two years ago, and I got a little parcel wrapped | :03:21. | :03:26. | |
in brown paiper and string, which of course would appeal to my | :03:26. | :03:34. | |
Victorian side. It was this. I brought it in to show you. There is | :03:34. | :03:43. | |
a half eaten radish leaf on the top. Inside, the original is not there | :03:43. | :03:49. | |
but inside was a small coat, belonging to someone that I knew | :03:49. | :03:59. | |
:03:59. | :03:59. | ||
well. I thought my God it's his coat. Then there was this, a bit of | :03:59. | :04:06. | |
radish leaf with some radish left on it and saying for the attention | :04:06. | :04:11. | |
of Miss Emma Thompson hand delivered by Benjamin bunny he is | :04:11. | :04:17. | |
quir. Inside was a letter my Paul, a letter from Peter to write a new | :04:17. | :04:25. | |
book. You accepted? Of course. If they had said from the publishers, | :04:25. | :04:33. | |
I would say don't be so ridiculous, Bearix Potter has a genius. But | :04:33. | :04:38. | |
because the child part of me thought this is from Peter Rabbit, | :04:38. | :04:43. | |
this is actually from him, I really believed it, so I wrote back to him. | :04:43. | :04:48. | |
So all the correspondence about the book has been between me and Peter. | :04:48. | :04:55. | |
Has he ever been fazed out of the process. I pushed him out when the | :04:55. | :05:00. | |
numbers went up and then I thought that's cruel. He only wants paid in | :05:00. | :05:05. | |
radishes anyway. We will find out more about the whole process later. | :05:05. | :05:10. | |
First up, the latest in our films about people who faced life | :05:10. | :05:14. | |
changing decisions. Unlike some of the others, One Show viewer Lucy | :05:15. | :05:19. | |
Gale had almost no time to weigh up her options. When you are watching | :05:19. | :05:24. | |
this, ask yourself the question, would you have done the same thing? | :05:24. | :05:29. | |
Two years ago I came across an accident on this level crossing. | :05:29. | :05:33. | |
Two cars crashed, one was on the track and a a train was coming and | :05:33. | :05:37. | |
I made my big decision to do something about it. Lucy lives in a | :05:37. | :05:42. | |
small village in Yorkshire, with her partner Doug and 14-year-old | :05:42. | :05:45. | |
daughter Rebecca. Two years ago she was work can as a local taxi driver | :05:45. | :05:48. | |
and one evening in May was taking a regular passenger home, when she | :05:48. | :05:53. | |
came to a level crossing. Tell me about the particular day of the | :05:53. | :05:57. | |
incident. As we got towards the level crossing, the lights were | :05:57. | :06:02. | |
flashing. Meaning a train was approaching. Yes and the barrier | :06:02. | :06:05. | |
was down and I could see there had been an accident and a car had been | :06:05. | :06:10. | |
pushed towards the tracks. I just got out of my car and went to help. | :06:10. | :06:15. | |
The driver of the car on the tracks was pensioner Mary. She had been | :06:15. | :06:19. | |
waiting at the lights at the level crossing when another vehicle hit | :06:19. | :06:24. | |
her from behind, pushing her car on to the track. I need today get her | :06:24. | :06:28. | |
out. She was really, really shocked. Her eyes were wide and she was | :06:28. | :06:33. | |
shaking. With no time to spare, Lucy made her instinctive big | :06:33. | :06:37. | |
decision. As she was struggling to free the injured pensioner from the | :06:37. | :06:40. | |
car, a freight train carrying thousands of tonnes of coal was | :06:40. | :06:43. | |
hurtling down the line less than two minutes away and heading | :06:43. | :06:49. | |
straight for them. I needed help. She never hesitated. She didn't sit | :06:49. | :06:56. | |
back in her car and think it might be dangerous, there is a train | :06:56. | :07:00. | |
coming. She did none of that. She ran into the situation and she | :07:00. | :07:06. | |
helped me out. Thanks to Lucy Mary was now safe, but her car was still | :07:06. | :07:10. | |
on the tracks in the direct path of the freight train now about 40 | :07:10. | :07:15. | |
seconds away. The train driver had applied his emergency brakes and | :07:15. | :07:18. | |
signalled his horn but the momentum of the train was too great. It was | :07:18. | :07:24. | |
going to hit the car. So Lucy went back on the track. The worst moment | :07:24. | :07:28. | |
was getting back into the car to move the car off the track and | :07:28. | :07:35. | |
looking down the track and seeing the train coming. When I got in, my | :07:35. | :07:39. | |
feet physically couldn't get to the pedals, the seat was too far | :07:39. | :07:44. | |
forward. I was fiddling around trying to find a lever in a strange | :07:44. | :07:47. | |
car that you have never driven before in such a high pressure | :07:47. | :07:52. | |
situation, with the train coming. That was the scariest moment. I | :07:52. | :07:56. | |
could still remember the driver waving his arms in the window of | :07:56. | :08:00. | |
the train. That is how close he was. I could see him waving his arms. | :08:00. | :08:03. | |
Everybody says what did you think when you could see the train coming. | :08:04. | :08:07. | |
I don't remember being being scared. I just remember thinking this has | :08:07. | :08:14. | |
got to be daub. Lucy managed to drive Mary's car off the track just | :08:14. | :08:20. | |
moments before the train passed. The second the train went past what | :08:20. | :08:23. | |
was your immediate reaction. Everybody is safe, that is the main | :08:23. | :08:31. | |
thing. Everybody is safe. You had 60 seconds to move a strange car? | :08:31. | :08:36. | |
Yes, move a seat, get it into gear. What was it like when the train | :08:36. | :08:44. | |
rushed by? It feels like the air is rushing flew your ears. What made | :08:44. | :08:49. | |
you do it It was instinct, human nature to need to help. You see | :08:49. | :08:56. | |
somebody needs help, you do it. Lucy went straight back to driving | :08:56. | :09:00. | |
her taxi but it wasn't long before the significance of her actions hit | :09:00. | :09:04. | |
home. If Lucy hadn't been here that day and done what she z what might | :09:04. | :09:10. | |
have happened? Potentially averted quite a major crash. We have | :09:10. | :09:14. | |
tankers, electrical pylons there, can you see there is a small | :09:14. | :09:19. | |
station, it was a passenger train waiting to come out, there was a | :09:19. | :09:23. | |
freight train coming through. If that train had struck the cars it | :09:23. | :09:28. | |
would have ploughed through and reached that passenger trained. | :09:28. | :09:32. | |
told her on the day she was my guardian angel who just appeared | :09:32. | :09:39. | |
and possibly I still feel that. is your guardian angel? Yes. | :09:39. | :09:46. | |
never lost any sleep from what I did. Had I sat back and watched it | :09:46. | :09:51. | |
unfold, I would never have slept again. | :09:51. | :09:56. | |
Lucy is with us here in the studio to talk more. You have won awards | :09:56. | :10:00. | |
after this, you have changed so many people's lives by the actions | :10:00. | :10:07. | |
you had. Has it changed your life? Has it changed my life, it has | :10:07. | :10:11. | |
changed by behaviour, but it's not changed my life. I have had some | :10:11. | :10:17. | |
brilliant experiences from it. still work as a taxi driver, so | :10:17. | :10:23. | |
when you get to a crossing then, how does your behaviour differ? | :10:23. | :10:28. | |
Before, because I live in an area where there are freight trains, you | :10:28. | :10:32. | |
can be waiting up to ten minutes if there is two going to go, before it | :10:32. | :10:36. | |
was an inconvenience to sit and wait and I used to sit with my foot | :10:36. | :10:42. | |
on the brake and huff and puff, like you do. Now I put my hand | :10:42. | :10:48. | |
brake on and I sit and wait. It's not worth it. Do you ever mention | :10:48. | :10:52. | |
to passengers when you have them in the car, you will never believe | :10:52. | :10:56. | |
what happened here? No, never. about the passenger you had with | :10:56. | :11:03. | |
you at the time? Mr HOLMES. I have seen her since and we discussed it | :11:03. | :11:08. | |
on our way to the airn and she just said I got into a bit of trouble | :11:08. | :11:14. | |
for getting her home late. After all that? She said her husband | :11:14. | :11:20. | |
forgiven me now and would allow me to take her back to the airport. | :11:20. | :11:25. | |
have Matt from Network Rail. You wouldn't advise people to take the | :11:25. | :11:31. | |
same action? Of course, it was an incredibly brave act, but we | :11:31. | :11:35. | |
wouldn't advise people to do that. We would advise people to get on | :11:35. | :11:38. | |
and off level crossings as safely as possible. You end up with quite | :11:38. | :11:44. | |
a few people on the railway lines not in heroic situations. We have | :11:44. | :11:48. | |
incredible CCTV footage here. Obviously, you can see the red | :11:48. | :11:53. | |
light and the lady is choosing with a pram to cross in front of a train | :11:53. | :11:57. | |
while there is a red warning light telling her not to cross. She | :11:57. | :12:07. | |
:12:07. | :12:14. | ||
believes that is wosht taking that What happened to that guy? I think, | :12:14. | :12:20. | |
the train clips his leg and knocks his shoe off. He's vaulted the | :12:20. | :12:27. | |
barrier there, he broke his leg, he later checked into A&E. There isn't | :12:27. | :12:32. | |
a barrier in this next footage. Look at that! This is a very, very | :12:32. | :12:42. | |
:12:42. | :12:43. | ||
near miss. What is the situation of barriers and level crossings then? | :12:43. | :12:49. | |
98% of crossings, in fact, we have nearly 7,000 crossings, only 116 of | :12:49. | :12:54. | |
those don't have barriers. They have been assessed as being low | :12:54. | :13:01. | |
risk crossings. There might be one or two trains per day, low speed | :13:01. | :13:05. | |
trains, very little traffic there. But we have a project at the moment | :13:05. | :13:11. | |
to install barriers at crossings like that. We have had a trial in | :13:11. | :13:16. | |
Scotland, where we have put a barrier on what was an open | :13:16. | :13:22. | |
crossing. Network Rail have been criticised a lot for not, people | :13:22. | :13:26. | |
saying they are not doing enough to help people's safety. There is two | :13:26. | :13:30. | |
issues here and the first is, we have now got a business change | :13:30. | :13:33. | |
programme, a huge transformation programme. We are investing �130 | :13:33. | :13:38. | |
million over the next 18 months in improving safety. That includes a | :13:38. | :13:44. | |
whole new operating regime for risk management. At the moment we are | :13:44. | :13:47. | |
recruiting 100 level crossing managers through England, Scotland | :13:47. | :13:51. | |
and Wales. We have improved training, processes and alongside | :13:51. | :13:55. | |
that we have a huge safety enhancement programme that looks | :13:55. | :13:59. | |
like innovation, technology, enforcement cameras at level | :13:59. | :14:03. | |
crossings. And education campaigns. We have launched a campaign called | :14:03. | :14:11. | |
lose your head phones. We are doing a huge amount. We have the safest | :14:11. | :14:19. | |
level crossings in Europe. Another viewer that we want to celebrate | :14:19. | :14:22. | |
tonight is Frank Kennington from Grimsby, who has been ringing the | :14:22. | :14:28. | |
bells at his local church since he was 12 years ol. Since his | :14:28. | :14:32. | |
retirment, frank has had to ring in a few changes as Carrie Grant has | :14:32. | :14:36. | |
been finding out. Bell ringing has been my life, but | :14:36. | :14:43. | |
it is a very sad day today. I am as fit as a 78-year-old can be but | :14:43. | :14:49. | |
those stairs, they take the wind out of your sail. For the past 67 | :14:49. | :14:54. | |
years the people of Grimsby have heard Frank's bell ringing around | :14:54. | :14:59. | |
the town during some of the most significant moments of their lives. | :14:59. | :15:07. | |
Chrissenings, weddings and funerals. Frank rang for my wedding. What did | :15:07. | :15:17. | |
:15:17. | :15:18. | ||
that mean to you? Everything. Because that was Frank. Frank's | :15:18. | :15:23. | |
retirement marks the end of an era for his family, the Kenningtons who | :15:24. | :15:28. | |
have rung the bells here for over 100 years. Frank was introduced to | :15:28. | :15:33. | |
bell ringing at 12 by his father who showed him the ropes on 8th May | :15:33. | :15:37. | |
1945. From that day on his life would be dedicated to the bells of | :15:38. | :15:47. | |
the church. It was full of joy, the end of the war, everybody was happy. | :15:47. | :15:54. | |
There was my mother, my sister, two brothers. We all came up the Belfry. | :15:54. | :15:58. | |
All along these walls are boards and the name Kennington appears an | :15:58. | :16:07. | |
awful lot. This one is from 1905. Charles Kennington, that was my | :16:07. | :16:13. | |
father. Johnny Kennington was his brother, my uncle. That is 107 | :16:13. | :16:23. | |
:16:23. | :16:23. | ||
years ago. Before my time! Certainly is. How important has it | :16:23. | :16:29. | |
been for you to continue the legacy? I have no family of my own | :16:29. | :16:35. | |
as such of the. The only family I have are nieces and nephews. There | :16:35. | :16:39. | |
are so many other attractions these day. I am the last one of the | :16:39. | :16:42. | |
Kennington dynasty. Frank has always been keen to pass on his | :16:42. | :16:52. | |
:16:52. | :17:03. | ||
passion. So I thought I would give Don't be in a hurry. I dropped it, | :17:03. | :17:09. | |
but not bad for a beginner. You have been married for 54 years. | :17:09. | :17:13. | |
Does it feel like you have been married to the bells? The previous | :17:13. | :17:18. | |
rector here said he had heard of golf widows but he knew that I was | :17:18. | :17:25. | |
a bell ringing widow. How hard was the decision to retire for Frank? | :17:25. | :17:29. | |
Sundays are very difficult, because I can tell that he is grieving that | :17:29. | :17:36. | |
he is not up there. He is worrying about his bells, they are his bells. | :17:36. | :17:41. | |
I know better than stressed that we come into town on a Sunday. Why is | :17:41. | :17:46. | |
that?. I think it would upset him to hear them ringing. You must feel | :17:46. | :17:50. | |
immense pride? I have become very proud of him. I sthi that's mainly | :17:51. | :17:58. | |
because there's only me really knows the commitment that he's made. | :17:58. | :18:04. | |
A lifetime of bell ringing. Let's go over to Carrie of news of a | :18:04. | :18:10. | |
special treat. You are up to something, aren't you? I certainly | :18:10. | :18:13. | |
am. Welcome to St James Garlickhythe in London and the | :18:13. | :18:19. | |
location of the royal Jubilee bells. Which were cast especially for the | :18:19. | :18:22. | |
Queen's Diamond Jubilee celebrations. A couple of weeks ago | :18:22. | :18:26. | |
Frank was reading a magazine and read about these bells. Little did | :18:26. | :18:30. | |
he know two weeks later he would be here in London ringing them live to | :18:30. | :18:35. | |
the nation. It is an exciting evening. This place was destroyed | :18:35. | :18:42. | |
in the great fire of 1666. Then rebuilt in 1683 by Sir Christopher | :18:42. | :18:46. | |
Wren. It is sometimes nicknamed Wren's lantern because of the way | :18:46. | :18:51. | |
the light light shines through the windows. It has the highest ceiling | :18:51. | :18:56. | |
of any of the London city churches. Bell ring something | :18:56. | :19:01. | |
quintessentially English. We have been doing it for 400 years. It It | :19:01. | :19:09. | |
seems right we used it as part of the Queen's diamond celebrations. | :19:09. | :19:16. | |
The lead lead barge had a Belfry built on to it. Inside were housed | :19:16. | :19:20. | |
eight bells. All of those bells named after members of the Royal | :19:20. | :19:23. | |
Family and bell ringing on the Thames had never been attempted | :19:23. | :19:31. | |
before. They had to hand pick the bell ringers very carefully. It was | :19:31. | :19:35. | |
an incredible feat. The bells went from that barge and are now | :19:35. | :19:40. | |
permanently housed here at St James here in Garlickhythe. Frank tonight | :19:40. | :19:43. | |
is going to be playing them, ringing them live to the nation. | :19:43. | :19:49. | |
More of that later. It's going to be very special. Emma, | :19:49. | :19:58. | |
you have written The Further Tale of Peter Rabbit. How have you taken | :19:58. | :20:04. | |
the story onwards from the original? I thought about it and I | :20:04. | :20:09. | |
thought if he wants a further tale perhaps I should take him away from | :20:09. | :20:15. | |
the garden and I was in Scotland when I was writing it and Bearix | :20:15. | :20:20. | |
Potter loved Scotland. She's very interesting, she is the original | :20:21. | :20:26. | |
bunny boiler, you do know that don't you. She was not soppy about | :20:26. | :20:31. | |
animals at all and kept rabbits and knew them well and named them and | :20:31. | :20:38. | |
then when they died would boil them and separate them out and sort out | :20:38. | :20:43. | |
their bones. So So that is one of the things that attracted me to it. | :20:43. | :20:51. | |
You don't include that in the in the book? No. Funnily enough I left | :20:51. | :20:57. | |
that out. There I was in Scotland and I thought Mr and Mrs MacGregor | :20:57. | :21:01. | |
could be Scottish and maybe Peter accidentally gets into a bit of | :21:01. | :21:07. | |
luggage and ends up in Scotland. That is what I did. I took him up | :21:07. | :21:15. | |
north. Would you read some for us? Yes Yes, absolutely. All sitting | :21:15. | :21:25. | |
:21:25. | :21:30. | ||
comfortably. He's gone to Scotland and he's met his cousin who is a | :21:30. | :21:36. | |
big black rabbit called Finlay and he is defending his title at the | :21:36. | :21:43. | |
highland games. He is this huge very big rabbit and Peter is | :21:43. | :21:50. | |
watching him throw these things and then he gets bored because he has | :21:50. | :21:57. | |
strong passions. He goes off and he finds a bit of will low fencing and | :21:57. | :22:03. | |
it goes there, protected by will low fencing lay an unusually large | :22:03. | :22:08. | |
radish. We have the pictures on the big | :22:08. | :22:15. | |
screen. It must have measured three rabbits round. It also smelt | :22:15. | :22:19. | |
delicious and Peter was very hungry. He thought no-one would notice if | :22:19. | :22:24. | |
he took a little nibble off the end. Accordingly, he scratched his way | :22:24. | :22:30. | |
under the willow fence and took a bite and then another and another. | :22:30. | :22:37. | |
By the time Peter had stopped eating, he was inside the radish. | :22:37. | :22:45. | |
Feeling cosy, he fell asleep. When he woke up the radish was jogling. | :22:45. | :22:53. | |
Not again thought Peter. APPLAUSE | :22:53. | :22:57. | |
Is this something you are going to continue on with, now you have | :22:57. | :23:04. | |
started this relationship with Peter? Well, yes. He has asked me | :23:04. | :23:08. | |
to write another one, so I started that this summer. I went up to The | :23:08. | :23:14. | |
Lakes to visit Bearix Potter's old homes. She is an extraordinary | :23:14. | :23:18. | |
woman because she bought most of the Lake District and saved it from | :23:18. | :23:23. | |
development. I went to one of her first farms Hilltop Farm and made a | :23:23. | :23:27. | |
new friend there, who is going to appear in the new book, who is | :23:27. | :23:32. | |
called William, whose exact nature I am going to keep under wraps for | :23:32. | :23:38. | |
the moment. Everyone knows that the baddie in Peter Rabbit is of course | :23:38. | :23:45. | |
Farmer McGregor. Incredibly we have found a farmer in Scotland with | :23:45. | :23:50. | |
that exact name. You went looking for the enemy. Not only that, he is | :23:50. | :23:58. | |
standing by to talk to you via Skype. | :23:58. | :24:02. | |
From Coldstream Mains in Berwickshire. Do you like rabbits, | :24:02. | :24:09. | |
Colin? I haven't tasted rabbit pie but I can see after this, I am | :24:09. | :24:16. | |
going to have to try it. Association Rabbits aren't really | :24:16. | :24:23. | |
that welcome on your farm? really. They can do a lot of damage. | :24:23. | :24:29. | |
Six rabbits can eat as much as one sheep. They don't eat sheep, do | :24:29. | :24:36. | |
they, rabbits? We are not big fans of rabbits. Having said that Emma, | :24:36. | :24:41. | |
they do have a big connection with Bearix Potter because isn't it | :24:41. | :24:46. | |
right that Beatrix herself has stayed on the land of your farm? | :24:46. | :24:53. | |
That is right. We discovered recently that, we are farmers here | :24:53. | :25:01. | |
on Lenel estate, she actually stayed here in 1894 on Lennel House | :25:01. | :25:06. | |
and so she is known in the area. After seeing Colin's face there, | :25:06. | :25:14. | |
will you write about farmer ma Gregor in a different light now? | :25:14. | :25:18. | |
You are much better without the side burns. You are in your office | :25:18. | :25:24. | |
there and you have a picture behind you, who is in that picture? Yes, | :25:24. | :25:29. | |
my wife, we were at the farmers weekly awards and it was my wife's | :25:29. | :25:39. | |
:25:39. | :25:40. | ||
computer. There is a picture of Matt with Jill. All the best Colin. | :25:40. | :25:47. | |
Lots of love to Jill. Our gardening expert Christine has | :25:47. | :25:50. | |
managed to grow a long list of famous personalities who invited | :25:50. | :25:56. | |
her over to have a look around their gardens. Tonight she turns | :25:56. | :26:01. | |
her attention to Maureen Lipman's back yards. When the time comes to | :26:02. | :26:06. | |
move home, there is one thing the removal men can't get on the van, | :26:06. | :26:11. | |
your garden. For most people it is starting all over again. Eight | :26:11. | :26:16. | |
years ago Maureen Lipman lost her husband, the screen writer jack | :26:16. | :26:21. | |
rosen that will. The family home began to feel too big so she moved | :26:21. | :26:26. | |
from the house to a flat and from big garden to, well, let her | :26:26. | :26:31. | |
explain. I have been here nearly five years. I moved from the big | :26:31. | :26:35. | |
family family house where Jack and I brought up the children with a | :26:36. | :26:40. | |
beautiful big garden, a phone box, a post box, a shed to play house in, | :26:40. | :26:48. | |
and I have come here and this is my little girl flat. You can smell the | :26:48. | :26:58. | |
:26:58. | :26:58. | ||
fragrance from the jasmines. You have two, this is the false jasmine. | :26:58. | :27:04. | |
It's like a jasmine and then you have the proper jasmine. | :27:04. | :27:12. | |
What was the most difficult part of downsizing? Out with the Mahogany | :27:12. | :27:17. | |
and in with the clean minimalistic lines and that lasted for about 12 | :27:17. | :27:23. | |
seconds. Don't throw that away, oh no, I can't because that was the | :27:23. | :27:29. | |
time when we... So it's about as minimalistic as I am. Of course | :27:29. | :27:35. | |
there are things in the garden that remind Maureen of Jack. That is | :27:35. | :27:44. | |
Jack's rose climbing up the walls. What is with this plaque? That is a | :27:44. | :27:54. | |
:27:54. | :27:56. | ||
rhinoceros. He needs to be freed. Jack used to collect rhinoceros. I | :27:56. | :28:06. | |
have I haveen 18 in the flat. My bedroom looks ought on to this | :28:06. | :28:11. | |
courtyard, so I could sit in bed and watch the birds. I went to the | :28:11. | :28:19. | |
garden centre and bought worms and fat balls and wild bird food and | :28:19. | :28:25. | |
all sorts of bird food, not a bird since. Never mind the birds, plants | :28:25. | :28:29. | |
and small shrubs fill this courtyard like a haven of | :28:29. | :28:37. | |
tranquility. So we have this tropical lush paradise, but in the | :28:37. | :28:43. | |
other courtyard, nothing grows. Nothing at all. You will see why in | :28:43. | :28:51. | |
a minute. It is the beast of W 2. This is warren. Warren is | :28:51. | :28:57. | |
responsible for this carnage. will eat almost anything that's | :28:57. | :29:05. | |
below his own height. Of course. is a dear fellow. What could I | :29:05. | :29:09. | |
plant in here that would be Warren proof. Standard trees and you would | :29:09. | :29:18. | |
have to put a rabbit guard round the stem. You mean like an oak. | :29:18. | :29:22. | |
a tree on the clear stem, can be anything from three foot to however, | :29:22. | :29:28. | |
but if you had a nice fuchsia and standard roses, only this height, | :29:28. | :29:35. | |
so the the vegetation would be out of the way. Fortunately Warren | :29:35. | :29:40. | |
never gets near the main courtyard garden where a lovely green curtain | :29:40. | :29:46. | |
envelopes this place. It is what Maureen had hoped for. I wanted d | :29:46. | :29:50. | |
to enclose me. That is the big thing, I am on my own and it feels | :29:50. | :29:58. | |
safe. Now I feel a bit more like the air has come into me and I am | :29:58. | :30:03. | |
not grieving so much, or just wanting to be in my own word, I am | :30:03. | :30:09. | |
back in the world and life goes on. I think this garden is very you. | :30:09. | :30:18. | |
you? I must have done something right, as they say in the song. | :30:18. | :30:24. | |
In honour of Emma's book, we have brought lots of rabbit-loving | :30:24. | :30:30. | |
viewers into the studio. They would like to show off their rabbits. You | :30:30. | :30:36. | |
have started a business. Yes. us an idea. Who is this? He is enor | :30:36. | :30:43. | |
husband. This is Bruno, a continental giant. How does he fit | :30:43. | :30:51. | |
into your empire? We have continental giants, mini lops, | :30:51. | :30:58. | |
dwarfs. Did this come from a love of Bearix Potter? Yes, I like | :30:58. | :31:04. | |
rabbits, I used to have loads of rabbits when I was younger. I have | :31:04. | :31:09. | |
had good experience with them. I was read the Bearix Potter books | :31:09. | :31:19. | |
:31:19. | :31:19. | ||
when I was younger. He is a very gentle soul. Bruno is absolutely | :31:19. | :31:24. | |
lovely but Emma and I are in love with these two. Richard and Sally | :31:24. | :31:34. | |
and we have Arty and Galaxy. These are aning gor ra rabbits. Yes. | :31:34. | :31:41. | |
Angora. Are you showing Galaxy at the minute? I am about to. You are | :31:41. | :31:48. | |
showing Arty. I am, yes. What makes a good Angora? They should be well- | :31:48. | :31:55. | |
behaved. Which they are. Two, they should have a long coat, which Arty | :31:55. | :32:01. | |
has. They should have a really good texture, they should feel like silk. | :32:01. | :32:10. | |
He's lovely. Most importantly, they should have nice tufts on their | :32:10. | :32:15. | |
ears and look like a little snow ball. We hear you are called the | :32:15. | :32:25. | |
:32:25. | :32:27. | ||
rabbit man. I am known by many as either a bunny boy or rabbit man. | :32:27. | :32:33. | |
think the Angora goes well with your dress. The reason the rabbit | :32:33. | :32:40. | |
is shaking is because I have been talking about making into some sort | :32:40. | :32:50. | |
:32:50. | :32:52. | ||
of stole. I don't mean it. This Polish rabbit, it is actually | :32:52. | :32:58. | |
native breed. One of our few English breeds. We have had them | :32:58. | :33:03. | |
around since 1880. They are well establish indeed this country. They | :33:03. | :33:13. | |
:33:13. | :33:16. | ||
have their own club. We nurture them. You have 250 of these? | :33:16. | :33:21. | |
several species, but yes I do have that many. Hutch cleaning must be | :33:21. | :33:28. | |
brilliant fun. If anybody wants to help... Do you spend your entire | :33:28. | :33:32. | |
life shovelling sawdust? Shovelling something, yes! | :33:32. | :33:38. | |
I have to ask, why do you keep picking it up? Because on his own | :33:38. | :33:47. | |
he will probably sit down. He likes to know you are there. He has been | :33:47. | :33:54. | |
trained to kill, you know that. They are a long way from Peter | :33:54. | :34:01. | |
Rabbit. As well as Peter Peter Rabbit another character who has | :34:01. | :34:05. | |
delighted children is nanny McPhee. When you need me but do not want me, | :34:05. | :34:15. | |
:34:15. | :34:17. | ||
I must day. When you want me but no longer needly, I must go. It's | :34:17. | :34:26. | |
rather sad really, but there it is. We will never want you. Then I will | :34:26. | :34:36. | |
:34:36. | :34:37. | ||
never go. Is it true, did it take you seven years to write Nanny | :34:37. | :34:43. | |
McPhee? From door-to-door, from the moment I put pen to paper, it was | :34:43. | :34:49. | |
nine years actually. It took a long time to develop. It is curious | :34:49. | :34:55. | |
which is why I have so much respect for Potter. They seem very simple, | :34:55. | :35:01. | |
they should seem very simple but should go very deep. It takes a | :35:01. | :35:06. | |
long, long time. To work out what the story is, how to -- I don't | :35:06. | :35:10. | |
know why it takes so long. The second one was five years, a bit | :35:10. | :35:15. | |
less. On the nanny theme with Tom Hanks, is it right you are starring | :35:15. | :35:21. | |
in a movie about the writer of Mary pop pinss? It is most odd because | :35:21. | :35:25. | |
dad writing The Magic Roundabout and me writing Nanny McPhee and | :35:25. | :35:33. | |
being asked to write this and one of PLTravers heroines was Bearix | :35:33. | :35:43. | |
:35:43. | :35:45. | ||
Potter. PL Travers, said she didn't write for children, she wrote to | :35:45. | :35:53. | |
please herself. Bearix Potter was quite grumpy with children who came | :35:53. | :35:58. | |
into her garden. It is a particular creativity. The film is about Walt | :35:59. | :36:07. | |
Disney and PL Travers and their relationship. It was very | :36:07. | :36:12. | |
belligerent. She was passionate about, she was family in the same | :36:12. | :36:16. | |
way Mickey Mouse was Walt Disney's family, but they created these | :36:17. | :36:20. | |
characters to get them away from the torture of their own child | :36:20. | :36:24. | |
childhoods which were very difficult. It is a film about how | :36:24. | :36:28. | |
artists are using their art to heal themselves from very painful | :36:28. | :36:33. | |
experiences when they are little. Staying on the children's theme, | :36:33. | :36:38. | |
you are working on a brand new remake of Annie, which we are | :36:38. | :36:48. | |
:36:48. | :36:50. | ||
really excited about, with Jay Z and willow Smith. What stage are | :36:50. | :36:56. | |
you at? It's still script work and music work. They keep saying we | :36:56. | :37:00. | |
will make it next year, and that might happen. It will be in the | :37:01. | :37:05. | |
autumn, but that's been in the works for a year and a bit, because | :37:05. | :37:12. | |
I wrote it last summer. You have plenty on your plate. Yes. Earlier | :37:12. | :37:16. | |
we met Frank Kennington who has been ringing bells for 70 years in | :37:16. | :37:20. | |
his local church. Frank had to retire because his knees couldn't | :37:20. | :37:26. | |
take the qulim the climb of 69 steps to the bell tower. His story | :37:27. | :37:31. | |
chimed with us sob tonight we thought we would arrange for him to | :37:31. | :37:35. | |
ring the royal Jubilee bells live at the end of tonight's show. All | :37:35. | :37:40. | |
along Frank's wife has been keeping this a secret from him. We have | :37:40. | :37:45. | |
managed to surprise her. After we found out she's absolutely bonkers | :37:45. | :37:52. | |
about Matt. A very good afternoon. How are you | :37:52. | :37:59. | |
doing? How lovely to see you Maureen. Fine thank you. This is my | :37:59. | :38:05. | |
surprise. I was wondering what would your reaction be if we told | :38:05. | :38:15. | |
:38:15. | :38:18. | ||
you we have organised for you to ring the the royal Jubilee bells? | :38:18. | :38:22. | |
We would love it if you would ring them tonight live on the show for | :38:22. | :38:30. | |
us? Sure! You would do it for us? Yes. Isn't that lovely. | :38:30. | :38:34. | |
He was shell-shocked. We have word Frank and Maureen have arrived so | :38:34. | :38:40. | |
we will go over to Carrie Grant and her welcoming party of bell ringers. | :38:40. | :38:44. | |
I don't know who is more excited Maureen for Frank because Maureen | :38:44. | :38:52. | |
was very excited about meeting Matt. They have come all the way down | :38:52. | :39:02. | |
:39:02. | :39:21. | ||
The Roland ringers have been laid on for Frank. The red carpet no | :39:21. | :39:25. | |
less. Maureen come on down. | :39:25. | :39:31. | |
What do you reckon to all of this? Amazing, to say the least. | :39:31. | :39:35. | |
weren't expecting this yesterday when we were in Grimsby. What does | :39:35. | :39:39. | |
it mean to you to be able to play with the royal bell ringers and | :39:39. | :39:47. | |
with these bells? It means quite a lot. These are the experts. You are | :39:47. | :39:52. | |
not going to be shown up. He was talking about this yesterday. | :39:52. | :39:58. | |
was. This afternoon when they told him he was almost in tears. Let's | :39:58. | :40:06. | |
get you in, up the stairs for live tonight bell ringing. | :40:06. | :40:10. | |
A man of few words but full of emotion. Yesterday we saw the first | :40:10. | :40:16. | |
part of John Sergeant's trip around the sea loches of west Scotland | :40:16. | :40:26. | |
:40:26. | :40:40. | ||
where he met fisherman and sailed The sea loches of the west coast of | :40:40. | :40:46. | |
Scotland for an amateur sailor like me. Today I am exploring the | :40:46. | :40:51. | |
stretch of water between the mainland and the wildly beautiful | :40:51. | :40:56. | |
Isle of Skye, with a good boat, dramatic scenery and today the | :40:56. | :41:06. | |
sunshine, what more could you want. My journey starts with a sail past | :41:06. | :41:13. | |
probably the most scenic castle in Scotland. What a magnificent site. | :41:13. | :41:18. | |
There has been a castle here since the 13th century. If it looks | :41:18. | :41:22. | |
familiar, that is because it is. It's been used in television and | :41:22. | :41:29. | |
films, including highlander and the Bond movie The World is Not Enough. | :41:29. | :41:33. | |
But time heading for a relatively new landmark in the Scottish | :41:33. | :41:43. | |
:41:43. | :41:44. | ||
landscape. The Skye Bridge. Sailing beneath the 500 metre | :41:44. | :41:51. | |
Longbridge is a real treat. But when it opened in 1995, it was | :41:51. | :41:55. | |
immediately mired in controversy. The link from the island to the | :41:55. | :42:00. | |
mainland carried a toll of over �10 for a return crossing. And the | :42:00. | :42:04. | |
islanders protested. A lot of people on the island have criminal | :42:04. | :42:09. | |
records because they refused to pay, so to this day they have a criminal | :42:09. | :42:15. | |
record. The campaign was ultimately successful and the bridge is now | :42:15. | :42:20. | |
toll free. We are part of the mainland, some people would feel | :42:20. | :42:30. | |
:42:30. | :42:41. | ||
I like gliding screenly along the calm surface of the loch, but there | :42:41. | :42:51. | |
:42:51. | :42:52. | ||
is a chance to get a glimpse below and is keep your feet dry in a | :42:52. | :43:02. | |
:43:02. | :43:22. | ||
On deck the seals are popular and I am heading six miles to the north, | :43:22. | :43:28. | |
to a village which lives up to its guide book description, uncommonly | :43:29. | :43:33. | |
picture echbleing. -- picturesque. These windless conditions won't do | :43:33. | :43:39. | |
for a serious sailor, but I just like to enjoy the way the evening | :43:39. | :43:45. | |
light plays across the seascape. No wonder this is a big draw for | :43:45. | :43:52. | |
artists and photographers. Miriam came to Plocton 11 years ago and | :43:52. | :43:57. | |
stayed. She runs drawing and painting classes and is even | :43:57. | :44:02. | |
prepared to find hidden talent in me. It is a west coast village | :44:02. | :44:09. | |
facing east so we get light shining in on us, water all the way round. | :44:09. | :44:14. | |
In the summer we have light at strange times. What time is it now? | :44:14. | :44:18. | |
It's nearly 10.00. It is very strange. You only have about four | :44:19. | :44:25. | |
hours of darkness. We hardly have any darkness tonight. We have got | :44:25. | :44:33. | |
to reproduce this. You are asking me to do this. But just try to see | :44:33. | :44:38. | |
the blocks of colour, don't worry about it being the right colour, | :44:38. | :44:42. | |
just keep looking at it, rather than looking at your page. Forget | :44:42. | :44:47. | |
what you are doing, trust your hands. Look at the sea. You are | :44:47. | :44:52. | |
getting it right and I am getting it wrong. There is no right or | :44:52. | :45:00. | |
wrong. It is like dancing, you just enjoy it. I know a bit about that. | :45:00. | :45:09. | |
Mine looks like a child's activity pad. Hasn't it made you look more | :45:09. | :45:14. | |
at what you are seeing. It changes your vision. I agree with that. To | :45:15. | :45:19. | |
be honest, you don't have to look very hard to find beauty in a place | :45:19. | :45:28. | |
like this. John, that was a beautiful setting. Fantastic. The | :45:28. | :45:33. | |
weather of course held perfectly. When I went on my normal sailing | :45:33. | :45:40. | |
holiday, poured with rain, gales in the Westcountry. It is an area you | :45:40. | :45:48. | |
are fond of as well. That is where I wrote the book. We could have met | :45:48. | :45:57. | |
up Emma. I was working. Working hard! What's coming up tomorrow?. | :45:57. | :46:03. | |
We go further north and we meet a community that can only be reached | :46:03. | :46:12. | |
by boat. It is really interesting. It is a terrific area. I have been | :46:12. | :46:17. | |
looking forward to our next story because I can't stand energy saving | :46:17. | :46:27. | |
:46:27. | :46:27. | ||
light bulbs. Last week the traditional 40 40 Watt light bulb | :46:27. | :46:37. | |
was consigned to the history books. I am incandesceent. You have a | :46:37. | :46:41. | |
store?. Not a little store, but just enough. I don't want people | :46:41. | :46:46. | |
running around thinking I have got them all. I have the rest of them. | :46:46. | :46:51. | |
There is a loophole. We are not allowed to have them because they | :46:51. | :46:55. | |
are meant to be not saving energy but they do have them for | :46:55. | :47:00. | |
industrial use. If you go to a shop, which I did in West London, | :47:00. | :47:05. | |
specialist shop, they are called rough service bulbs. It is not | :47:05. | :47:09. | |
against the law. And they are the industrial ones. They work just | :47:09. | :47:12. | |
like the old ones and you can be happy forever. You are feeling | :47:12. | :47:16. | |
around in the dark for what feels like hours when you switch on. | :47:16. | :47:22. | |
is a cold light. You can't see and feel you feel cold. What's to like, | :47:22. | :47:31. | |
nothing. Would you rather write to a candle I do sometimes, we get a | :47:31. | :47:39. | |
lot of power cuts in our area. These will be contraband and they | :47:39. | :47:49. | |
will be precious items. You can't get lamp shades to fit over these. | :47:49. | :47:57. | |
They make dimmer switches blow. Is there much of a difference between | :47:57. | :48:02. | |
the energy saving bulbs and this one? I can hear people screaming at | :48:03. | :48:12. | |
the TV. How do you feel about these new energy saving light bulbs? A | :48:12. | :48:16. | |
lot of people are telling me they're not that keen. But I want | :48:16. | :48:20. | |
to know if they can really tell the difference between the new ones and | :48:20. | :48:25. | |
the old ones. I am rigging up a cunning spemplt | :48:25. | :48:30. | |
to test -- experiment to remain those who need to be convinced by | :48:30. | :48:33. | |
energy saving bulbs. It is a national debate that gets people | :48:33. | :48:38. | |
hot under the collar, nowhere more so than here at the Shropshire star | :48:39. | :48:45. | |
newspaper. Journalist Karl wrote that energy saving bulbs were still | :48:45. | :48:53. | |
too dim and ugly. It went berserk. It was the most | :48:54. | :49:01. | |
commented on article last year. People were saying thank goodness | :49:01. | :49:05. | |
someone else has voiced this. I am not against eco-friendly light | :49:05. | :49:09. | |
bulbs, but when I want a reading light or when I want a light at the | :49:09. | :49:14. | |
top of my stairs that becomes bright quickly, I have yet to find | :49:14. | :49:21. | |
an equivalent to the old-fashioned ones. Time to put them to the test. | :49:21. | :49:27. | |
Can they tell their traditional bulbs from their low energy | :49:27. | :49:33. | |
lighting. I have arranged four identical lamps but can they pick | :49:34. | :49:43. | |
:49:44. | :49:46. | ||
out the traditional 40 Watt bulb? That is a halogen bulb, 30% more | :49:46. | :49:55. | |
efficient than an old-fashioned bulb? | :49:55. | :50:00. | |
BulbB, it is the old inefficient one. I am not going to decide until | :50:00. | :50:06. | |
the end. Bulb C. | :50:06. | :50:12. | |
. The LED is the longest lasting and most efficient of the bunch. | :50:12. | :50:21. | |
This is the least appealing light of the three. Bulb D. | :50:21. | :50:27. | |
That is the compact fluorescent, couragely the most common energy | :50:27. | :50:32. | |
saving bulb. I wouldn't like to read with that light over me. | :50:32. | :50:37. | |
Before we let the guys know the results, I want to know more about | :50:37. | :50:43. | |
the current crob of energy-saving bulbs. What is wrong with these old | :50:43. | :50:51. | |
style bulbs? This bulb, 90% of the energy is wasted in heat. They are | :50:51. | :50:56. | |
very inefficient. But what about the new ones. People say the bulbs | :50:56. | :51:01. | |
are too dim, they don't like the colour. They are coming from the | :51:01. | :51:06. | |
earlier generation of bulbs. Things have moved on hugely. You could | :51:06. | :51:16. | |
:51:16. | :51:18. | ||
light your whole house with 200 watts. Our compact fluorescent cost | :51:18. | :51:27. | |
�2 more than a digsal -- traditional bulb. Which one do you | :51:27. | :51:34. | |
think is the old style bulb? Bulb B is the correct answer. | :51:34. | :51:40. | |
Karl has got it wrong. Why did you go for B as the old style. | :51:40. | :51:50. | |
:51:50. | :51:52. | ||
thought it was brighter. I thought the light was whiter and sharper. | :51:52. | :52:00. | |
The old was bulb B. Karl, how do you feel about that? | :52:00. | :52:06. | |
7% of the people who opposed me on the website are probably cheering. | :52:06. | :52:13. | |
Bulb A and bulb B were the best two. I thought it was a clearer light | :52:13. | :52:19. | |
bulb A. Maybe I need to change my bulb supply. It would be wrong to | :52:19. | :52:25. | |
draw too many conclusions from our unscientific experiment but it | :52:25. | :52:31. | |
seems the debate looks set to shine on. With some people clinging on to | :52:31. | :52:36. | |
the old bulbs, it will be sometime until they are finally switched on | :52:36. | :52:45. | |
for good. The debate has been going on and on. We have games makers | :52:45. | :52:52. | |
Adam and Nathan. You have some strong views, you are divided. | :52:52. | :52:56. | |
are twins. Your feelings are very similar but what are your thoughts? | :52:56. | :53:01. | |
It is a constant source of conflict in the house. I am against them. I | :53:01. | :53:06. | |
am against these ecobulbs. They are so dim. In the morning I need to | :53:06. | :53:11. | |
make up and they take ages to warm up. I need to wake up in the | :53:11. | :53:16. | |
morning. They are just too dim. am for them and they last longer. | :53:16. | :53:26. | |
:53:26. | :53:29. | ||
You are saving money. You save energy, saving the world, bulb at a | :53:29. | :53:34. | |
time. They are difficult to dispose of as well. We should get you back | :53:34. | :53:41. | |
on next Wednesday. The GB Paralympic archers Danielle Brown | :53:41. | :53:51. | |
:53:51. | :53:53. | ||
and Mel Clarke join us now. This is you on the front of the | :53:53. | :53:57. | |
Times. A beautiful photo. How many copies of this have you bought | :53:57. | :54:06. | |
today?. We got one each. It's a beautiful shot. Good nails. | :54:06. | :54:10. | |
Fantastic nails. That picture is very, very beautiful. How does it | :54:10. | :54:14. | |
feel to be front page of the national newspaper?. It is | :54:14. | :54:18. | |
incredible. I am overwhelmed with the amount of coverage we have had. | :54:18. | :54:24. | |
When I won a gold in Beijing and I did two interviews that night and I | :54:24. | :54:28. | |
have not stopped doing interviews since yesterday afternoon. To be on | :54:28. | :54:32. | |
the front page of the Times is incredible. During the competition, | :54:32. | :54:36. | |
you two were going head to head really until the last minute. How | :54:36. | :54:41. | |
tough was that then? It was really tough, to meet any opponent in a | :54:42. | :54:45. | |
medal match, but to have a Brit tlrks we knew we were going to have | :54:45. | :54:52. | |
a gold and silver and it was who was going to keep the nerve. It is | :54:52. | :54:59. | |
down to the fact it is a home Games but what do you put the difference | :54:59. | :55:04. | |
down to? It was a fantastic experience, and it was just great | :55:04. | :55:08. | |
being able to perform in front of my friends and my family, my | :55:08. | :55:11. | |
personal coach and everyone who supported me on my journey. It's | :55:11. | :55:18. | |
been a long and hard journey getting here. You are incredibly | :55:18. | :55:28. | |
:55:28. | :55:33. | ||
young. One of team-mates turned 64 so. The brilliant thing about the | :55:33. | :55:37. | |
Paralympics, is that we have all learnt so much about different | :55:37. | :55:41. | |
sports. Things we have never heard about before. But saying there are | :55:41. | :55:47. | |
some people out there who think I fancy giving archery a go, how do | :55:47. | :55:52. | |
you sport, because they are things that aren't mainstream. Doing an | :55:53. | :55:58. | |
internet search and finding out about your local club. I know there | :55:58. | :56:07. | |
are new initiatives about doing archery in schools. You can lean | :56:07. | :56:12. | |
towards the sporty type, we have a great shot of you playing volley | :56:12. | :56:19. | |
ball. Oh, God. It's you in your new film. | :56:20. | :56:27. | |
Over the summer you were doing a romcom. I was rubbish, I am so bad. | :56:27. | :56:33. | |
I bought my husband an archery set, that sounds sad, but not a little | :56:33. | :56:38. | |
thirntion but I bought him that heavy thing and the thing, it's so | :56:38. | :56:43. | |
hard, but the the thrill of it going, that noise that it makes | :56:43. | :56:52. | |
when it goes in, it's fantastic. The trajectory of it, I was hitting | :56:52. | :56:58. | |
lights and everything, it's hard. It is really hard work out how to... | :56:58. | :57:07. | |
We have good news. We have the volley ball picture. | :57:07. | :57:14. | |
They are my own teeth. Paralympic medal board is filling up thick and | :57:14. | :57:18. | |
fast with ten more medals added today. Great Britain are still in | :57:18. | :57:24. | |
second place. The moment has come for our unsung | :57:24. | :57:29. | |
hero Frank Kennington to ring the royal Jubilee Bells live in front | :57:29. | :57:34. | |
of millions. We have come up a lot of steps to | :57:34. | :57:39. | |
the ringing room here. I want to ask Frank, what does it mean to you | :57:39. | :57:44. | |
to be about to ring these special bells? Absolutely fantastic. I | :57:44. | :57:48. | |
never thought anything would like this would happen. It is happening | :57:48. | :57:58. | |
:57:58. | :58:13. | ||
What does that mean to you seeing Frank? It makes me feel very | :58:13. | :58:17. | |
emotional. I never thought I would be near to tears, but I am. He has | :58:17. | :58:22. | |
a big smile on his face. I don't want to turn round, if I see him | :58:22. | :58:26. | |
again, I will probably burst into tears. He's had a wonderful time | :58:26. | :58:34. | |
coming up here. APPLAUSE | :58:34. | :58:38. | |
A lovely way to end the programme. That is all we have time for. | :58:38. | :58:42. | |
Thanks to our wonderful audience tonight. You have been brilliant. | :58:42. | :58:46. | |
Good luck to all the athletes competing in the road cycling and | :58:46. | :58:50. |