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Hello and welcome to
The One Show with Matt Baker. | 0:00:22 | 0:00:24 | |
And Michelle Ackerley. | 0:00:24 | 0:00:25 | |
After a showbiz career
spanning six decades, | 0:00:25 | 0:00:27 | |
our guest tonight has decided to hit
the road for a tell all tour, | 0:00:27 | 0:00:31 | |
And with all the jobs she's
done over the years, | 0:00:32 | 0:00:34 | |
there's a lot to talk about. | 0:00:34 | 0:00:44 | |
Please welcome, Joanna Lumley! | 0:00:59 | 0:01:01 | |
CHEERING AND APPLAUSE. | 0:01:01 | 0:01:08 | |
A whip through memory lane. A lot of
Joannas there. If you were to go | 0:01:08 | 0:01:15 | |
back to one of them, which one would
you be? I wouldn't go back to being | 0:01:15 | 0:01:19 | |
a model. I did love it, but I
wouldn't be one again. I wouldn't | 0:01:19 | 0:01:24 | |
mind being Purdey again because that
was very fit and lots of fighting | 0:01:24 | 0:01:27 | |
and good things like that. I would
like to go about being a bit part | 0:01:27 | 0:01:33 | |
nobody. That's quite nice. A
girlfriend in On The Buses. And | 0:01:33 | 0:01:41 | |
being a Bond girl was fabulous. They
dressed me in a black twinkly think, | 0:01:41 | 0:01:49 | |
saying it was the English girl's
outfit. It was a bit of a blur, but | 0:01:49 | 0:01:53 | |
very exciting. Joanna is going on
tour. It's called, It's All About | 0:01:53 | 0:01:59 | |
Me. Tonight we want to see tours
with thousands of Joannas running | 0:01:59 | 0:02:10 | |
about the place. The age of Purdey.
Look at that. You wear it well. If | 0:02:10 | 0:02:17 | |
you wore it like Lumley back in the
day, show us a photo. When you went | 0:02:17 | 0:02:24 | |
into this haircut, what did you ask
for? It was down to their and Brown | 0:02:24 | 0:02:29 | |
-ish. I was thinking very hard about
the part of Purdey. I thought she | 0:02:29 | 0:02:36 | |
was very businesslike, fit and able,
so I'd didn't want fiddly long-hair. | 0:02:36 | 0:02:39 | |
They asked me to cut it short. John
Frieda was an assistant young junior | 0:02:39 | 0:02:48 | |
hairdresser. It took four hours. The
boy holding the Kirby grips for him | 0:02:48 | 0:02:55 | |
was called Nicky Clark! They were
just babies. Cropped hair, I wanted | 0:02:55 | 0:03:01 | |
it to look like a boy, cut into the
neck with a bit heavy fringe. Did | 0:03:01 | 0:03:06 | |
you know when you looked in the
mirror it was a winner? I never | 0:03:06 | 0:03:09 | |
think that, but I thought, that's
more like it. It's a winner to us. | 0:03:09 | 0:03:14 | |
We will talk more about your tour
later. Moving on... | 0:03:14 | 0:03:19 | |
A few months ago we spent time
with a family that had made | 0:03:19 | 0:03:22 | |
the ultimate career change,
when they bought a zoo | 0:03:22 | 0:03:24 | |
despite having no zoo experience. | 0:03:24 | 0:03:25 | |
Since then, they've encounter
a number of serious setbacks, | 0:03:25 | 0:03:27 | |
and Kevin has returned to see
what the future holds. | 0:03:27 | 0:03:30 | |
In May of this year, the tweedy
family gave up their cosy life in | 0:03:33 | 0:03:38 | |
Kent to buy this zoo in Wales. We
have just completed on the zoo! | 0:03:38 | 0:03:45 | |
Despite having no experience of
running one. If they are out, July | 0:03:45 | 0:03:50 | |
just chuck them back in? Three
months ago they were introducing | 0:03:50 | 0:03:55 | |
their first animals. This is our
life, our home and our future. Now a | 0:03:55 | 0:04:01 | |
lot has changed. The zoo is closed.
And there are questions over whether | 0:04:01 | 0:04:07 | |
amateurs should be in charge of one
at all. People are being warned to | 0:04:07 | 0:04:14 | |
be on the lookout for a wild cat
that has escaped from a animal Park. | 0:04:14 | 0:04:18 | |
In October they experienced every
zoo's worst nightmare, a dangerous | 0:04:18 | 0:04:23 | |
animal on the loose, Lilith the
Lynx. They found themselves on the | 0:04:23 | 0:04:31 | |
hunt for a wildcat. Tracking and
those kinds of skills is something I | 0:04:31 | 0:04:36 | |
haven't got. It was a tough time. A
lot of nights spent up walking | 0:04:36 | 0:04:40 | |
through woods and Bob mountains.
With Lilith on the loose the council | 0:04:40 | 0:04:47 | |
requested an immediate inspection of
the big cat enclosures. Which meant | 0:04:47 | 0:04:52 | |
moving another links. We couldn't
use the main part of the enclosure. | 0:04:52 | 0:04:59 | |
The keeper tasked with moving lily
use a Catchpole and dog cage. Not | 0:04:59 | 0:05:05 | |
considered best practice by some in
the industry. The keeper was trying | 0:05:05 | 0:05:10 | |
to be extra secure, and making sure
she wasn't running out. Using a | 0:05:10 | 0:05:13 | |
Catchpole for a few seconds well we
shut the door. Unfortunately, he | 0:05:13 | 0:05:17 | |
didn't release it in time. The
animal became distressed and was | 0:05:17 | 0:05:21 | |
sadly strangled. Tried to
resuscitate her. One of the staff | 0:05:21 | 0:05:26 | |
gave her mouth to mouth. I gave her
a heart massage, but she died. It | 0:05:26 | 0:05:30 | |
was horrible. Really horrible. Was
there anything more the cat keeper | 0:05:30 | 0:05:37 | |
could have done? People have argued
we are inexperienced, but he has | 0:05:37 | 0:05:41 | |
worked with the cat for five years.
If anything he was having more | 0:05:41 | 0:05:44 | |
precautions because he didn't want
another cats to escape. Meanwhile, | 0:05:44 | 0:05:49 | |
the escaped Lynx was spotted in a
nearby caravan park. Unbeknown to | 0:05:49 | 0:05:53 | |
the Tweedys, the council took
action. They were concerned she | 0:05:53 | 0:05:57 | |
might have hurt somebody. They
called in the firearms team. The | 0:05:57 | 0:06:00 | |
call came through that she had been
destroyed. That was just like our | 0:06:00 | 0:06:05 | |
whole world falling through, sort of
thing. The county council has since | 0:06:05 | 0:06:13 | |
told us awhile they would have
wished for a different outcome, they | 0:06:13 | 0:06:16 | |
had no option but to take decisive
action to protect the public. With | 0:06:16 | 0:06:21 | |
the death of both animals in the
space of two weeks, the Council been | 0:06:21 | 0:06:25 | |
carried out a detailed inspection of
the zoo. They have been over us with | 0:06:25 | 0:06:30 | |
a fine tooth comb, giving us a
bigger inspection and places like | 0:06:30 | 0:06:33 | |
London zoo. One week on, the results
are in. They have been given 120 | 0:06:33 | 0:06:39 | |
improvements they need to make.
There are big things like flooding | 0:06:39 | 0:06:44 | |
and drainage, and the electrics, big
things like that. By far the biggest | 0:06:44 | 0:06:48 | |
blow is the potential removal of
their star attractions. Basically, | 0:06:48 | 0:06:53 | |
they are wanting to take away the
category one animals. The lions, | 0:06:53 | 0:06:58 | |
leopards, Lynx, the bigger monkeys
and snakes and became and | 0:06:58 | 0:07:02 | |
crocodiles. Some of those animals
are too elderly to be moved safely, | 0:07:02 | 0:07:06 | |
which means they would be destroyed,
and that's not right. Campaigners | 0:07:06 | 0:07:11 | |
are also calling for the zoo to be
shut down, with a petition gaining | 0:07:11 | 0:07:16 | |
more than 12,000 signatures. But
there is nothing to stop novices | 0:07:16 | 0:07:19 | |
like the Tweedys running a zoo, as
long as they followed the | 0:07:19 | 0:07:23 | |
government's licensing rules. There
have been agencies in the UK that | 0:07:23 | 0:07:31 | |
start with one person's passion and
that can be a route to success. But | 0:07:31 | 0:07:35 | |
a zoo isn't a hobby. It's a very
intensive place. People might say | 0:07:35 | 0:07:40 | |
because you are inexperienced, you
are just treating it as a hobby zoo. | 0:07:40 | 0:07:45 | |
This was never a hobby for us. We
have always worked with animals, | 0:07:45 | 0:07:49 | |
cared for animals. Clearly there
have been errors and we will make | 0:07:49 | 0:07:52 | |
sure it never happens again. Do you
regret taking it on, is it too big a | 0:07:52 | 0:07:58 | |
job for you? We knew it was going to
be big, but it's bigger than we | 0:07:58 | 0:08:01 | |
thought it was. But we remain
completely committed to doing this | 0:08:01 | 0:08:04 | |
and turning it around and turning it
into the sanctuary it should be. | 0:08:04 | 0:08:11 | |
With us is one of the few
people who can relate | 0:08:11 | 0:08:14 | |
to the Tweedys situation. | 0:08:14 | 0:08:15 | |
Benjamin Mee took over
Dartmoor Zoo in 2006, | 0:08:15 | 0:08:17 | |
and ended up being played
by Matt Damon in the movie | 0:08:17 | 0:08:20 | |
We Bought A Zoo... | 0:08:20 | 0:08:22 | |
Watching that film there, you can
relate to the Tweedys' situation | 0:08:22 | 0:08:26 | |
after what you went through. What
would you put their situation down | 0:08:26 | 0:08:30 | |
to? Is it inexperienced or bad luck?
It's so hard to say. Watching the | 0:08:30 | 0:08:37 | |
film, I did it quite emotional
reliving our first days at the zoo. | 0:08:37 | 0:08:45 | |
It was a very rundown project, and
we had good intentions to try to | 0:08:45 | 0:08:49 | |
save the animals that were there.
That is key for us, that all the | 0:08:49 | 0:08:52 | |
animals at our place were going to
be destroyed and the place was going | 0:08:52 | 0:08:55 | |
to be turned into a nursing home. At
the start you had no experience | 0:08:55 | 0:09:01 | |
either. We didn't. We spent a lot of
time talking to the local authority | 0:09:01 | 0:09:06 | |
in advance of making an offer to see
if it was feasible for outsiders, | 0:09:06 | 0:09:13 | |
amateurs, I was writing a book about
animal intelligence, but I didn't | 0:09:13 | 0:09:18 | |
have zoo experience. I spoke to the
local authority a lot about going | 0:09:18 | 0:09:22 | |
about this. The key thing was to
employ animal managers who know | 0:09:22 | 0:09:26 | |
exactly what they are doing and
deferred to them in the business | 0:09:26 | 0:09:29 | |
plan. If you have to renovate the
place and you want an ice cream | 0:09:29 | 0:09:34 | |
machine, and the curator says, we
need more fence posts or enrichment | 0:09:34 | 0:09:38 | |
in this direction, you have to
prioritise the animals. That was | 0:09:38 | 0:09:41 | |
always our intention and we have
done that. Expert staff is key. It's | 0:09:41 | 0:09:46 | |
up to you how involved to get you
get with the experts. Looking at the | 0:09:46 | 0:09:53 | |
licensing laws, should they change
to protect the animals more? I don't | 0:09:53 | 0:09:58 | |
think so. I think the licensing laws
in this country are among the most | 0:09:58 | 0:10:02 | |
stringent in the world and they are
adhered to extremely well with most | 0:10:02 | 0:10:06 | |
zoos in the country. Ours is a
member of the British and Irish | 0:10:06 | 0:10:11 | |
Association of zoos and the Querrey.
-- and aquariums. You can only get | 0:10:11 | 0:10:18 | |
into that organisation if you show
your practices are over and above | 0:10:18 | 0:10:21 | |
the line 's singer requirements,
which already some of the best in | 0:10:21 | 0:10:24 | |
the world. Just like the licensing
requirements. Joanna come you are | 0:10:24 | 0:10:28 | |
involved with the animal rights
group Born Free. Are there any roles | 0:10:28 | 0:10:33 | |
for zoos in the UK? Born Free was
originally called zoo check, to | 0:10:33 | 0:10:39 | |
check on the zoos to make sure they
kept their animals properly. And | 0:10:39 | 0:10:43 | |
secondly to close zoos down, stop
them together. We always felt | 0:10:43 | 0:10:46 | |
wildlife belongs in the wild. I
think with filming, the kind of | 0:10:46 | 0:10:51 | |
filming techniques we have now, we
can see animals unbelievably free | 0:10:51 | 0:10:55 | |
and wonderful, I wonder if there is
still a place in a 21st-century for | 0:10:55 | 0:11:00 | |
looking at them in enclosures,
looking at specimens. You don't see | 0:11:00 | 0:11:03 | |
them behaving naturally outside
their natural habitat. We were | 0:11:03 | 0:11:08 | |
discussing this, we both love
animals, but we come from different | 0:11:08 | 0:11:12 | |
sides of the fence. I believe they
should be kept in the wild. | 0:11:12 | 0:11:16 | |
Benjamin, you are hoping to do
something quite remarkable with the | 0:11:16 | 0:11:19 | |
Siberian leopard. The Amur leopard,
as part of a breeding programme, | 0:11:19 | 0:11:30 | |
there are 300 or so Amur leopards in
captivity in Europe and 200 of them | 0:11:30 | 0:11:35 | |
are breathable animals. In the wild
in Siberia there are probably only | 0:11:35 | 0:11:39 | |
around 50. -- are breeding animals.
The wild population is extremely | 0:11:39 | 0:11:45 | |
inbred. Even without poaching they
would die out within 30 years | 0:11:45 | 0:11:52 | |
because of the inbreeding. It's
important to cross pollinate the | 0:11:52 | 0:11:57 | |
European population with the wild
population. Dartmoor zoo has been | 0:11:57 | 0:12:00 | |
selected as one of four zoos in the
country to be able to hold Amur | 0:12:00 | 0:12:05 | |
leopards, aftershow, not for public
spectacle, they are only for a | 0:12:05 | 0:12:11 | |
serious conservation programme. And
to release their offspring back into | 0:12:11 | 0:12:14 | |
the wild. That is positive. It will
increase the genetic diversity. The | 0:12:14 | 0:12:22 | |
wild is being depleted by the
captive population is stable. We | 0:12:22 | 0:12:25 | |
will leave it there. And Joanna will
be talking about her Born Free tour | 0:12:25 | 0:12:33 | |
next year, telling audiences
anything they would like to know | 0:12:33 | 0:12:35 | |
about your career, Joanna. | 0:12:35 | 0:12:38 | |
But before we find out more,
another celebrity wants to take us | 0:12:38 | 0:12:40 | |
on a trip down memory lane. | 0:12:40 | 0:12:42 | |
And it's all to give thanks
to the women who helped make him | 0:12:42 | 0:12:45 | |
the man he is today. | 0:12:45 | 0:12:48 | |
My name is Shane Patrick Roche, but
most people know me as Shane Richie, | 0:12:48 | 0:12:52 | |
or even Alfie Moon. I love you,
Alfie Moon. You're not too bad | 0:12:52 | 0:12:59 | |
yourself! But I'm not an East End
boy. I was brought up here. A little | 0:12:59 | 0:13:05 | |
part of north-west London. A place
called Harlesden. Welcome to my | 0:13:05 | 0:13:08 | |
stomping ground. Both my parents
moved from Dublin to London in the | 0:13:08 | 0:13:14 | |
early 60s in search of work. After I
was born, we moved to a top floor | 0:13:14 | 0:13:19 | |
flat here in Craven Park. This is
such a strange experience. More than | 0:13:19 | 0:13:26 | |
40 years ago, that's the last time I
came to the house I grew up in. I | 0:13:26 | 0:13:29 | |
lived here with my parents and
younger brother, Dean. But this was | 0:13:29 | 0:13:34 | |
no ordinary house. For a time it was
a refuge for what were then called | 0:13:34 | 0:13:38 | |
battered wives and their kids. My
mum was the caretaker. In the middle | 0:13:38 | 0:13:42 | |
of the night we would get a phone
call from the local police station | 0:13:42 | 0:13:46 | |
saying there was another lady
turning up with her children. The | 0:13:46 | 0:13:49 | |
police would stand here in the
corridor. I would stand at the top | 0:13:49 | 0:13:52 | |
of the stairs and watch these women,
most of the time they were holding | 0:13:52 | 0:13:58 | |
their faces where they had been
physically abused. The children | 0:13:58 | 0:14:02 | |
would be standing there crying. ... | 0:14:02 | 0:14:07 | |
My mum would love me to show. All
the children would meet upstairs and | 0:14:15 | 0:14:19 | |
I would stand behind the curtain and
my mum would say, please welcome | 0:14:19 | 0:14:23 | |
onto the stage, the one and only
Shane Roche. I would stand there and | 0:14:23 | 0:14:29 | |
go...
# And call it puppy love... My mum | 0:14:29 | 0:14:34 | |
was the backbone. She made this
house work. My dad ran several | 0:14:34 | 0:14:41 | |
clubs. We would turn up. After a few
drinks. He certainly let himself | 0:14:41 | 0:14:50 | |
know he was in the house. We always
knew when he was coming home. | 0:14:50 | 0:14:54 | |
If things got too much, there was
always the street, my playground. | 0:14:59 | 0:15:03 | |
This was the stop the number 18 bus
which will run right past our house. | 0:15:03 | 0:15:09 | |
And it would stop here and me and my
mates would come up the road, as the | 0:15:09 | 0:15:13 | |
bus came on we would jump on and
tried to hide from the conductor | 0:15:13 | 0:15:16 | |
without paying. I used to go
travelling with my mum a lot on the | 0:15:16 | 0:15:21 | |
bus, we go to the West End for one
reason or another. You could see | 0:15:21 | 0:15:26 | |
into people'shouses, when they were
watching TV, and I never forget my | 0:15:26 | 0:15:30 | |
mum sing, all of these people are
going to know who you are. | 0:15:30 | 0:15:38 | |
# Baby, I'm your man... #
And so the dream began and my first | 0:15:38 | 0:15:45 | |
public performance was right here at
the Gwalia working men 's club. I'd | 0:15:45 | 0:15:52 | |
got the bit of pocket money from
this. It was on this stage that I | 0:15:52 | 0:15:55 | |
kind of kick started my career,
belting out songs and telling jokes | 0:15:55 | 0:15:59 | |
and just singing with the bands. It
all started here. My DNA is up here | 0:15:59 | 0:16:07 | |
as an 11-year-old, singing. As a
teenager teachers believed my | 0:16:07 | 0:16:11 | |
talents were better served elsewhere
so I started moon shining in theatre | 0:16:11 | 0:16:16 | |
where I was taught by Liz Arnold.
And that teaching you. It was | 0:16:16 | 0:16:26 | |
lovely. Smashing. I loved what you
did. You were always generous. You | 0:16:26 | 0:16:32 | |
always wanted to share stuff. I
remember my dad was working on the | 0:16:32 | 0:16:37 | |
building site and he would ask me to
go and work and I have never been so | 0:16:37 | 0:16:41 | |
adamant I didn't want to work on a
building site. I would say, yes, I'm | 0:16:41 | 0:16:45 | |
an actor, I got these big dreams of
things I want to do. I know that you | 0:16:45 | 0:16:49 | |
met him a couple of times and he was
very angry. I remember him saying | 0:16:49 | 0:16:56 | |
that people like us couldn't afford
to do acting. You always went for | 0:16:56 | 0:17:01 | |
your dreams. I needed somebody to
hold my hand up, and that was you. I | 0:17:01 | 0:17:07 | |
was now on a path that would take me
from the West End to the small | 0:17:07 | 0:17:12 | |
screen and the dream of that little
boy on the number 18 bus came true. | 0:17:12 | 0:17:17 | |
APPLAUSE
Thanks for being so open. Joanna, we | 0:17:17 | 0:17:26 | |
were just saying that you went back
to an important school, a boarding | 0:17:26 | 0:17:33 | |
school. He spent a lot of time at
this boarding school, this convent | 0:17:33 | 0:17:36 | |
school. This was the second one from
the age of 11-17. It was called | 0:17:36 | 0:17:43 | |
Saint Mary 's. It was in the hills
behind Hastings. I adored it. Did | 0:17:43 | 0:17:49 | |
you? And when you went back to see
at what memories washed over you? I | 0:17:49 | 0:17:54 | |
had very good memories. When your
memories are fresh and young, you | 0:17:54 | 0:17:59 | |
are like fresh plasticine, you
remember the names of the first | 0:17:59 | 0:18:04 | |
dogs, your first boyfriend! I just
loved it, I had such affection for | 0:18:04 | 0:18:08 | |
it, I remember gaslit corridors. It
was so cold when the windows were | 0:18:08 | 0:18:16 | |
open at night that our days with
reason the washstand, and the chapel | 0:18:16 | 0:18:21 | |
bells ringing and ringing, but it
was a very happy school and they | 0:18:21 | 0:18:24 | |
were darling nuns, and later gave me
an awful lot! You have some | 0:18:24 | 0:18:32 | |
fascinating stories that will be
weaved into your tour. It's called | 0:18:32 | 0:18:37 | |
It's All About Me. It is quite
unscripted at the start. It can be | 0:18:37 | 0:18:46 | |
unscripted. I thought I would start
of kind of in the modelling days. | 0:18:46 | 0:18:50 | |
Even people who are not alive then
would know about the 60s, modelling, | 0:18:50 | 0:18:55 | |
Mary Quant and all that. We have
lots of pictures of that, as well. | 0:18:55 | 0:19:01 | |
You said that this something you
wouldn't like to revisit. You don't | 0:19:01 | 0:19:08 | |
talk! You didn't grin. In those days
you never smile. The ones that come | 0:19:08 | 0:19:16 | |
down the catwalk now look absolutely
furious. That is just the way it has | 0:19:16 | 0:19:20 | |
to be as a model, thin and furious.
Was it a happy time? It was great, | 0:19:20 | 0:19:26 | |
fantastic. We were not paid very
much, about £4 ten an hour, £5 ten | 0:19:26 | 0:19:33 | |
an hour, quite a lot of money then
but not a lot by today's modelling | 0:19:33 | 0:19:36 | |
money. We would have our hair in
rollers with a big scarf over the | 0:19:36 | 0:19:40 | |
top. When you travelled on the tube
like that, people would say, she's a | 0:19:40 | 0:19:44 | |
model! I think that's what they
said! From modelling, you broke into | 0:19:44 | 0:19:50 | |
acting. Was that a difficult
transition? I'd always liked acting | 0:19:50 | 0:19:56 | |
at school and I felt since I was
seven I was going to be an actor. I | 0:19:56 | 0:20:02 | |
footed all the modelling money away.
I did say to anybody thinking of | 0:20:02 | 0:20:06 | |
becoming an actor, are you facing
poverty in the eyes now? You will | 0:20:06 | 0:20:11 | |
never make money as an actor, but it
was exciting, it was what I wanted | 0:20:11 | 0:20:15 | |
to do. Scrabbling my way into films
and then television and then ending | 0:20:15 | 0:20:19 | |
up on stage. And when you were in
the convent School, was that all the | 0:20:19 | 0:20:24 | |
plan? Sure. And also to wear red
lipstick and drive around in an open | 0:20:24 | 0:20:31 | |
top car, initially! I was doing
Latin and German and Italian and | 0:20:31 | 0:20:36 | |
French and all these sorts of things
but what I wanted to do was to leave | 0:20:36 | 0:20:39 | |
school! Talking of those hard times,
the modelling and acting, there was | 0:20:39 | 0:20:45 | |
a very important role, when you were
in Coronation Street. And that came | 0:20:45 | 0:20:50 | |
at just the perfect time. I was
absolutely skint and I was brought | 0:20:50 | 0:20:56 | |
up to Coronation Street to be the
girlfriend of Ken Barlow. And he was | 0:20:56 | 0:21:00 | |
going to ask to marry me! I could
have been in Coronation Street for | 0:21:00 | 0:21:06 | |
15 years! But I turned him down. I
said, I can't turn him down, he is | 0:21:06 | 0:21:13 | |
Ken Barlow, he is the nation's
heart-throb, and his wife has just | 0:21:13 | 0:21:18 | |
been killed by a hairdryer! We all
know your character Patsy from | 0:21:18 | 0:21:24 | |
Absolutely Fabulous. Did that change
your life in terms of the acting | 0:21:24 | 0:21:27 | |
roles and opportunities? It was
great because I was allowed to be | 0:21:27 | 0:21:33 | |
ridiculously funny and just
entertaining, really. I think it is | 0:21:33 | 0:21:39 | |
the one I might lurch back into if I
had to revisit our rail, Patsy. -- | 0:21:39 | 0:21:51 | |
revisit a role. Tickets for your
show, is all about me, are on sale | 0:21:51 | 0:21:56 | |
right now. You've given people a lot
about the plan, it is out next | 0:21:56 | 0:21:59 | |
October. Even the very best of us
have moments of doubt occasionally. | 0:21:59 | 0:22:07 | |
Confidence seems like something
Joanna has plenty of, | 0:22:07 | 0:22:09 | |
but even the best of us
have moments of doubt. | 0:22:09 | 0:22:11 | |
For example
Sir Paul McCartney admitted today | 0:22:11 | 0:22:13 | |
he still has nightmares
about gigs going wrong. | 0:22:13 | 0:22:15 | |
A new survey has
been questioning why | 0:22:15 | 0:22:16 | |
people feel insecure,
and Iwan's been to Salisbury | 0:22:16 | 0:22:18 | |
to get some answers. | 0:22:18 | 0:22:22 | |
The year is almost over. A new study
has shown that out of those 365 days | 0:22:22 | 0:22:29 | |
we spent 120 feeling insecure and
not Coggan and four guys, it is 84. | 0:22:29 | 0:22:34 | |
Why are we feeling insecure or?
We're in the medieval city of | 0:22:34 | 0:22:42 | |
Salisbury. I'm inviting people to
tell me their worries in my the one | 0:22:42 | 0:22:53 | |
show Doubt hang-out. Anything you
feel insecure about? Body image, | 0:22:53 | 0:22:57 | |
with pressure from society, images
on social media. I've just bought my | 0:22:57 | 0:23:02 | |
first house. Congratulations. It is
doubtful, but it is exciting. I look | 0:23:02 | 0:23:13 | |
around, I question myself, I
question what my kids are doing, | 0:23:13 | 0:23:15 | |
what I am teaching them, how am I
setting a good example to them. When | 0:23:15 | 0:23:20 | |
it comes to doing work, doing jobs,
I can't really believe in myself. I | 0:23:20 | 0:23:26 | |
need to make sure that I take my
professional life away from the | 0:23:26 | 0:23:29 | |
family because of the nature of my
work. To make sure that that work | 0:23:29 | 0:23:33 | |
doesn't follow me home. If your work
colleagues think you're doing a good | 0:23:33 | 0:23:39 | |
job, how can you change your
mindset? Maybe it is just Ashley | 0:23:39 | 0:23:43 | |
said I can believe in myself and
have a positive attitude. I can do | 0:23:43 | 0:23:47 | |
it, I am good, man! You can be a
success! Think that a lot of things | 0:23:47 | 0:23:57 | |
will get any quite easily. Usually
money. And a lack of. There's never | 0:23:57 | 0:24:02 | |
enough money to go around. Paying
bills and mortgages. Everything | 0:24:02 | 0:24:07 | |
going up in price, and my pension
not going up in price. And just | 0:24:07 | 0:24:11 | |
trying to manage everything. It is
stressful. How can you keep that | 0:24:11 | 0:24:16 | |
negativity out of your mind? You
just realise that we're all | 0:24:16 | 0:24:20 | |
different and we all have different
body and shapes. We're all unique | 0:24:20 | 0:24:24 | |
and brilliant. 20 years ago I had a
nice six-pack but now... I am not | 0:24:24 | 0:24:32 | |
half the man I used to be. It is the
best way for me to control my | 0:24:32 | 0:24:38 | |
anxiety is to go to kick boxing. I
don't want you taking out your | 0:24:38 | 0:24:44 | |
anxiety on me! You are safe! No
doubt talking helps with the | 0:24:44 | 0:24:50 | |
confidence. It seems that even when
you have your close friend Jennifer | 0:24:50 | 0:24:54 | |
Saunders beside you, you lack
confidence, jumping into a big vat | 0:24:54 | 0:25:00 | |
of grapes to make some champagne.
There have been some crazy talk that | 0:25:00 | 0:25:05 | |
we had been asked to do this. There
would have been a ghastly silence | 0:25:05 | 0:25:13 | |
around the room! As grandmothers.
And one really serious pensioner, | 0:25:13 | 0:25:21 | |
plunging about in pants! That looks
like great fun. They really puffing | 0:25:21 | 0:25:34 | |
and panting. We did pick the grapes,
though. We did help unload them. It | 0:25:34 | 0:25:39 | |
is a fascinating process. Absolutely
Champers it is called. We can't tell | 0:25:39 | 0:25:50 | |
you when it is on. Around Christmas. | 0:25:50 | 0:25:52 | |
Now we know millions of you have
been enjoying all the amazing | 0:25:52 | 0:25:55 | |
slow motion photography
in Blue Planet 2 | 0:25:55 | 0:25:57 | |
so we thought we'd send
One Show cameras out to capture | 0:25:57 | 0:26:01 | |
something a little closer to home. | 0:26:01 | 0:26:02 | |
Here's how British woodlands tidy up
after themselves in the autumn. | 0:26:02 | 0:26:09 | |
Autumn. Across the UK, death is the
theme and nowhere is that more | 0:26:09 | 0:26:17 | |
visible than in our ancient
woodlands. The colourful leaves | 0:26:17 | 0:26:23 | |
array last hurrah before they were
there and drop. On the forest floor, | 0:26:23 | 0:26:27 | |
something is growing. This is the
time of the mushroom. Funghi are | 0:26:27 | 0:26:38 | |
neither plant not animal. With over
3000 species in the UK, the command | 0:26:38 | 0:26:45 | |
their own kingdom. They are so
numerous that one gram of woodland | 0:26:45 | 0:26:52 | |
soil can contain 1 million
microscopic funghi. With poetic | 0:26:52 | 0:27:00 | |
names such as the Amethyst deceiver,
and the Devils snuffbox, they have | 0:27:00 | 0:27:09 | |
captured the imagination of authors
and poets for decades. Most of the | 0:27:09 | 0:27:14 | |
time they go unnoticed, hidden
amongst the leaf litter as strands | 0:27:14 | 0:27:22 | |
finer than human hair spread along
the forest floor, helping the | 0:27:22 | 0:27:27 | |
decomposition and recycling of
nutrients from the dead leaves and | 0:27:27 | 0:27:29 | |
other organic material. Although
they may look enticing, many funghi | 0:27:29 | 0:27:40 | |
are poisonous. This is the
quintessential mushroom out of the | 0:27:40 | 0:27:51 | |
fairy tale. It's rich red cap is a
warning that it contains | 0:27:51 | 0:27:55 | |
psychoactive chemicals which cause
hallucinations. Perhaps it is not | 0:27:55 | 0:28:02 | |
surprising, then, that pixies and
fairies are hope -- are thought to | 0:28:02 | 0:28:05 | |
make their homes beneath them. The
main use of the visible body of the | 0:28:05 | 0:28:10 | |
fungus is to reproduce. The stink
worn emits a chemical that smells | 0:28:10 | 0:28:18 | |
like rotting flesh which attracts
all sorts of lies, then spreads its | 0:28:18 | 0:28:23 | |
spores further afield. This funghi
protects its spores with a tough cap | 0:28:23 | 0:28:32 | |
delivers fully grown, then it breaks
open to give its name, the Earth | 0:28:32 | 0:28:40 | |
Star. The soft inside releases a
puff of spores whenever it is | 0:28:40 | 0:28:46 | |
touched by raindrop or blown by
wind. Each mushroom can release | 0:28:46 | 0:28:50 | |
millions of spores into the
environment, ready to germinate once | 0:28:50 | 0:28:53 | |
conditions are correct. Once the
mushroom's job is done, they | 0:28:53 | 0:29:00 | |
disappear. They become part of the
life cycle of the woods once more. | 0:29:00 | 0:29:07 | |
The woodland continues to close down
for the year. The forest floor, | 0:29:07 | 0:29:14 | |
ending his last firework display of
the magical, mystical mushroom, as | 0:29:14 | 0:29:18 | |
we get ready for winter. That was
lovely. We have been delivered a | 0:29:18 | 0:29:30 | |
pile of Purdie haircuts. Which is
just incredible. This was Suzanne | 0:29:30 | 0:29:39 | |
when she was younger. This is Val
Doonican. This one from Cheshire. | 0:29:39 | 0:29:49 | |
She went to a friend 's wedding, and
everyone thought it was the bee's | 0:29:49 | 0:29:52 | |
knees, and it was, darling! Here is
Jenny sporting a Purdie from 1975. | 0:29:52 | 0:30:00 | |
And this is Annabel from Nottingham.
She has kept this since 1975. These | 0:30:00 | 0:30:08 | |
are three sisters, Arena, Judith and
Brenda, or with PUrdey haircuts from | 0:30:08 | 0:30:17 | |
1973. Tomorrow... | 0:30:17 | 0:30:22 | |
Al Murray and Stephen
Tomkinson will be | 0:30:22 | 0:30:24 | |
here, plus Pete Tong
and the Heritage Orchestra will be | 0:30:24 | 0:30:29 | |
performing - see you at 7pm. | 0:30:29 | 0:30:33 |