Browse content similar to 06/10/2016. Check below for episodes and series from the same categories and more!
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Hello, and welcome to the One Show with Alex Jones. | :00:18. | :00:19. | |
Tonight's guests have starred in two of the most talked-about | :00:20. | :00:22. | |
One shocked audiences when she did a disappearing act as calculating | :00:23. | :00:27. | |
Nick took my pride and dignity and my hope and my money. He took and | :00:28. | :00:40. | |
took from me until I no longer existed. That is murder. | :00:41. | :00:42. | |
Let the punishment fit the crime. And the other reminded us | :00:43. | :00:45. | |
of a pivotal moment in American history playing Dr Martin | :00:46. | :00:52. | |
Luther King in Selma. We will not wait any longer. Give us | :00:53. | :01:06. | |
the vote. We are not ask, we are demanding. Give us the vote. | :01:07. | :01:07. | |
Now they've teamed up for a brilliant new film and, | :01:08. | :01:11. | |
Please welcome Rosamund Pike and David Oyelowo. | :01:12. | :01:18. | |
CHEERING AND APPLAUSE Welcome, welcome to you both. And a | :01:19. | :01:25. | |
very exciting time in your career but before we talk about movies this | :01:26. | :01:28. | |
is what everybody is talking about today. Have you heard about the | :01:29. | :01:33. | |
Waterbottle Challenge? Yes. The idea is to try and get it to land on its | :01:34. | :01:42. | |
base, like that. How long have you practised. Practised. This is the | :01:43. | :01:47. | |
real truthful all afternoon. It's a big thing in our house at the | :01:48. | :01:53. | |
moment. But there. Your technique is a bit off. We will be asking you to | :01:54. | :01:58. | |
do it shortly. So less about my technique. You focus on yourself. | :01:59. | :02:02. | |
Everybody is doing it. We are talking Olympians are doing it. It | :02:03. | :02:12. | |
is being banned in schools. Can we replay that. Can we replay | :02:13. | :02:19. | |
it? It honesty happened. Here we go. They did record. Yes. Here we go. | :02:20. | :02:26. | |
There you go, look. We sort of saw it. You can have a go later on.ful. | :02:27. | :02:36. | |
Can't wait! We saw sort of crossed swords with won Anne Robinson, she | :02:37. | :02:40. | |
said she couldn't see any point in having a pet. I think was trying to | :02:41. | :02:46. | |
work people up. It worked. . If you like cats you wouldn't want to live | :02:47. | :02:52. | |
next to these ones. Look at these. Oh my God, these | :02:53. | :02:58. | |
aren't mind. I found these three. He is beautiful. Taking over the back | :02:59. | :03:06. | |
alleys and streets in Nottingham, a gang of feral cats. | :03:07. | :03:16. | |
Fighting, fouling and fornicating, wildcats like these are multiplying | :03:17. | :03:19. | |
and no-one can agree on what has to be done about them They need to move | :03:20. | :03:24. | |
on, it is hazardous people's health It is not their fault they are wild. | :03:25. | :03:29. | |
We would leave a dog out for it to fend for itself. . I can't sit | :03:30. | :03:32. | |
outside because it is smelling. That is out of control. | :03:33. | :03:41. | |
Locals reckon up to 70 cats are living wild. Some want them gone, | :03:42. | :03:47. | |
others want them leaved after. I am here to make sure it doesn't end up | :03:48. | :03:51. | |
in a cat fight. Dawn wants immediate action. No-one wants to come out and | :03:52. | :03:56. | |
have their eyes streaming and they can't breathe with the stench. I am | :03:57. | :04:00. | |
even thinking of moving, that is how bad it is. Even the dogs are crying | :04:01. | :04:07. | |
about it. They are. After complaints, the council wrote | :04:08. | :04:11. | |
to residents warning them that feeding the cats could result in a | :04:12. | :04:14. | |
fine, but this hasn't deterred everyone. | :04:15. | :04:19. | |
Hayley is just one of the locals still putting out food It is | :04:20. | :04:24. | |
ridiculous, because fining people for feeding a starving animal is | :04:25. | :04:29. | |
wrong. I have tried a number of time, ringing cat agencies, everyone | :04:30. | :04:34. | |
is always full. Over the road, John is looking after | :04:35. | :04:41. | |
27 ferals in his garden, including two kittens. How can you not love | :04:42. | :04:46. | |
that? Goo why are you looking after them? To have them sitting round, | :04:47. | :04:51. | |
watching you, they groum like dad and much. Beautiful. | :04:52. | :04:56. | |
As John shows me where the cats like to hang out we find o new litter of | :04:57. | :05:01. | |
feral fur balls. Look at these. These aren't mine. Can you get them. | :05:02. | :05:07. | |
I don't know. I will get, will I get a disease off them? Worried it might | :05:08. | :05:11. | |
scratch me. It will do what it is told. The claws are sharp. Can I put | :05:12. | :05:17. | |
them down. They are all matted. They are all closed up, their eyes. He is | :05:18. | :05:22. | |
nearly blind, he is gappy, and you, you are not too bad. It is crazy. | :05:23. | :05:29. | |
All these kittens have cat flu and eye infections which thankfully for | :05:30. | :05:34. | |
us are not transmittable to humans. The charity Cats Protection is on | :05:35. | :05:39. | |
hand to treat them. Jane is their neutering manager. Where are they | :05:40. | :05:42. | |
coming from? A big part of the problem is across the UK people are | :05:43. | :05:46. | |
not getting their cats neutered, that means they are able to have | :05:47. | :05:54. | |
kittens. One female cat can result in 25,000 in five years. What is the | :05:55. | :05:58. | |
plan? We will start by making sure the cats are fed in one place, that | :05:59. | :06:03. | |
will enable us to trap them and take them to the vet and get a spay or | :06:04. | :06:09. | |
snip. Of course feral perils don't just run free in Nottingham. | :06:10. | :06:14. | |
Yorkshires a rescue puts the number of unwanted kittens born at more | :06:15. | :06:18. | |
than four million. This is every day for us. Every day we are picking up | :06:19. | :06:25. | |
scrag ends like you. There are feral cats living like | :06:26. | :06:28. | |
this throughout the country. Local Authorities do need now to take | :06:29. | :06:32. | |
responsibility here, just as they will take responsibility for other | :06:33. | :06:36. | |
things in the local environment. Rescue centre manager Sam has been | :06:37. | :06:40. | |
called out to six feral kittens born in a back alley in Bradford. | :06:41. | :06:44. | |
Thankfully these little ones and their mum will be neutered and found | :06:45. | :06:49. | |
loving homes. But being born for ram is a tough | :06:50. | :06:53. | |
start in life with to guarantee of the a happy ending.. In this sort of | :06:54. | :06:57. | |
environment not many of the kittens survive and sadly this one, not made | :06:58. | :07:02. | |
it. There are other countries that have solution, our Government needs | :07:03. | :07:06. | |
to look at the country, to see what is working there, because this | :07:07. | :07:12. | |
problem needs to be addressed. Back in Nottingham, Cats Protection | :07:13. | :07:15. | |
are putting their plan into place. If successful it will put the brakes | :07:16. | :07:19. | |
on the feral population boom. But of course, it won't make them go away. | :07:20. | :07:22. | |
You are not going to take the cats away from this area. No, we are not. | :07:23. | :07:26. | |
There will be cat hearse. Why is that a good idea. If you remove them | :07:27. | :07:33. | |
cats from out the area will move in. Neutering will help prevent smells | :07:34. | :07:38. | |
and stop the cats fighting. So the people in this corner of Nottingham | :07:39. | :07:42. | |
will still have to share it with their feral squatters but at least | :07:43. | :07:47. | |
it will be less noisy and a little more fragrant P We do have an update | :07:48. | :07:52. | |
for you. The latest news is that the process of rounding up and neutering | :07:53. | :07:55. | |
the cats is under way and the kittens you saw, they are now at an | :07:56. | :08:01. | |
adoption centre and will be rehomed when they are ready. They are cute. | :08:02. | :08:09. | |
Let us talk about a UK Ukraine. It is a true story based on Seretse | :08:10. | :08:15. | |
Khama and Ruth William, you sent and image to Rosamund to see if you | :08:16. | :08:18. | |
would be interested in taking the role. This is the image of Seretse | :08:19. | :08:26. | |
and Ruth in real life. What emotions did that evoke in you. David sent me | :08:27. | :08:33. | |
that picture among other, and as I looked, didn't know anything about | :08:34. | :08:38. | |
these, didn't know who they were, I looked after that photograph, I | :08:39. | :08:42. | |
think it was something about, I think I saw the love and I think I | :08:43. | :08:47. | |
saw the journey they had made, somehow, an it made me cry. I | :08:48. | :08:53. | |
started crying, and it was a really strange and unexpected reaction that | :08:54. | :08:57. | |
you sort of have to pay attention to, I tend to be private about those | :08:58. | :09:01. | |
thing, but it has been talked about, but you know, those things, that are | :09:02. | :09:07. | |
unexplicable and aren't to do with you thinking about anything, those | :09:08. | :09:10. | |
moments when you are preparing for the a role they count. David, for | :09:11. | :09:14. | |
those that don't know the story, this is something that has been on | :09:15. | :09:18. | |
your mind, you wanted to tell this story for a long time. Why is it | :09:19. | :09:23. | |
such a passion for you, and in a nutshell, what is the story. The | :09:24. | :09:30. | |
story is about Seretse Khama who was studying in London, in the '40s,en | :09:31. | :09:35. | |
he was studying law, and he was the heir to the throne of Botswana, he | :09:36. | :09:40. | |
met this lady, Ruth Williams and they felt in love, they got married | :09:41. | :09:45. | |
and the fall out from their interracial marriage was something | :09:46. | :09:48. | |
they could not have fully anticipated. It caused a diplomatic | :09:49. | :09:55. | |
earthquake between South Africa, Botswana and the United Kingdom. And | :09:56. | :10:01. | |
it really is a story of love, this. And love overcoming all, and the | :10:02. | :10:05. | |
hope that love will overcome all. That is right. You can get cynical | :10:06. | :10:11. | |
about that, and you know, we have all grown up hearing fairy tales and | :10:12. | :10:15. | |
in this story, living it, playing it I believed it. I believe you know, | :10:16. | :10:20. | |
that Ruth, I can't really speak for you Ruth's strength came from | :10:21. | :10:24. | |
knowing she was loved. And it gave her this tremendous strength. She | :10:25. | :10:30. | |
was a very ordinary girl from Blackheath, she had been liberated | :10:31. | :10:33. | |
in the war, she has done some jobs that would have previously been | :10:34. | :10:38. | |
occupied by men, she had nothing to prepare her for this on a global | :10:39. | :10:42. | |
stage. That love she had for Seretse. That was a thing that kept | :10:43. | :10:47. | |
her on the straight and, that was the one thing she was driving for, | :10:48. | :10:51. | |
they changed the face of a nation in the process. It is unbelievable what | :10:52. | :10:55. | |
they did. The love between the two characters does shine through in the | :10:56. | :10:59. | |
film. This is them, Ruth and Seretse having been on their first date when | :11:00. | :11:05. | |
Ruth learns that Seretse is an isn't actually an ordinary man. Can we do | :11:06. | :11:11. | |
this again? I mean meet? Is that too forward of me? No. No. What? Queen | :11:12. | :11:23. | |
Victoria. The men who negotiated for her protection of bats wanna land. | :11:24. | :11:29. | |
He was my grandfather. -- Botswana land. Land: A king. I am his heir. | :11:30. | :11:43. | |
Oh... I see. APPLAUSE | :11:44. | :11:48. | |
They do end up having a child, and that child, Ian is now the current | :11:49. | :11:52. | |
President of Botswana, so was he involved in this process, in any | :11:53. | :11:56. | |
way? Did you get to meet him, did you see him? Yes, met with him under | :11:57. | :12:01. | |
the most extraordinary circumstances, we were shoots in | :12:02. | :12:08. | |
Botswana one day and Rosamund and Terry who played Seretse's sister | :12:09. | :12:12. | |
were doing a scene, I was on set on that day and we heard this noise and | :12:13. | :12:18. | |
a helicopter. We were whispered to that the President is arriving and | :12:19. | :12:23. | |
he landed... As the light is going. Were you nervous? We didn't really | :12:24. | :12:29. | |
have time to get nervous, because for security reasons we weren't | :12:30. | :12:34. | |
forewarned, thankfully. He walked behind the monitor, sat next to me | :12:35. | :12:38. | |
and had this Presidential bearing about him, sat down and then | :12:39. | :12:44. | |
Rosamund and Terry... A bit of Elvis mixed in. He has good hair. They | :12:45. | :12:49. | |
were doing this scene. At the end of it he reasons we weren't forewarned, | :12:50. | :12:52. | |
thankfully. He walked behind the monitor, sat next to me and had this | :12:53. | :12:55. | |
Presidential bearing about him, sat down and then Rosamund and Terry... | :12:56. | :12:58. | |
A bit of Elvis mixed in. He has good hair. They were doing this scene. At | :12:59. | :13:01. | |
the end of it he turned to me and said "It's so strange seeing my | :13:02. | :13:03. | |
parents again." And you know, you could see... That is the biggest | :13:04. | :13:06. | |
compliment he could have paid you in a sense. I didn't know about that. | :13:07. | :13:09. | |
It is S it must be strange to see your parents younger than you knew | :13:10. | :13:12. | |
them, as it were. And to see that political story his parents almost | :13:13. | :13:16. | |
created, and what has come from that, and, yeah, there, you must | :13:17. | :13:20. | |
have all sorts of emotions mixed up in that? As a happily married man | :13:21. | :13:26. | |
myself and a shameless romantic, I love this story for the fact that | :13:27. | :13:31. | |
despite all the political machination, the thing that cut a | :13:32. | :13:34. | |
swathe through all of it was the love these two people had. As | :13:35. | :13:38. | |
Rosamund said that went on to change the nation, the power of love did | :13:39. | :13:41. | |
that. I think that is an amazing thing to see. It must be frustrating | :13:42. | :13:46. | |
that the film is not out for a little while, because A United | :13:47. | :13:49. | |
Kingdom is out on the 25th November but people are going to be excited | :13:50. | :13:52. | |
about it. Real anticipation for this one. I hope so. Seretse and Ruth | :13:53. | :14:01. | |
within their battle, achieving independence for Botswana in 1966. | :14:02. | :14:06. | |
Meanwhile in that same year immigrants had their own fight on | :14:07. | :14:13. | |
their hands, as Emma explains. This is Euston railway station in | :14:14. | :14:18. | |
London. It is a place of fusion and diversety, with people from all | :14:19. | :14:20. | |
cultures working and passing through. | :14:21. | :14:26. | |
But it wasn't always that way. As recently as 1966, as some British | :14:27. | :14:30. | |
Railway stations black people weren't allowed to work in jobs | :14:31. | :14:34. | |
where they camen to contact with the public. But this man was determined | :14:35. | :14:42. | |
to change that. I have come to Kent to meet his son, daughter and niece. | :14:43. | :14:46. | |
People came to him for advice, he was like the head of the family. As | :14:47. | :14:51. | |
the youngest daughter he was protective to me. I remember sitting | :14:52. | :14:57. | |
on his lap, or him holding my hand. After World War II, there were | :14:58. | :15:00. | |
desperate shortages of workers in Britain. Asquith was part of a | :15:01. | :15:03. | |
generation of people from the Caribbean, who came here, to keep | :15:04. | :15:08. | |
our workforce going. The advert went out to the colony, | :15:09. | :15:13. | |
around the world, they said come to London, England is your mother | :15:14. | :15:17. | |
country, the streets of London are paved with gold, you can have | :15:18. | :15:21. | |
regular jobs and income, and you can have a better life. They believed | :15:22. | :15:28. | |
it. Life was hard for the family and others like them who earned much | :15:29. | :15:32. | |
less than other workers. But in ten years as quit worked his way up to a | :15:33. | :15:35. | |
guard at Marylebone station. With a big family to support he | :15:36. | :15:43. | |
applied for a transfer to Euston station in 1966, where the guards | :15:44. | :15:47. | |
were paid an extra ?10 a week, but he did not get the job and received | :15:48. | :15:50. | |
an extraordinary letter of rejection. It was an unwritten law | :15:51. | :15:59. | |
that they would not have any ethnic minority people to meet with | :16:00. | :16:04. | |
passengers. What kind of jobs were black people allowed to do? | :16:05. | :16:09. | |
Cleaning, menu task, it was blatant dissemination. He was invited like | :16:10. | :16:18. | |
everyone else -- menial tasks, it was blatant discrimination. It | :16:19. | :16:24. | |
didn't make sense. Asquith had a battle on his hands. The letter had | :16:25. | :16:30. | |
been signed by the rail union, the very people supposed to be | :16:31. | :16:33. | |
supporting him, but he would not take no for an answer and he kept | :16:34. | :16:38. | |
lobbying the union until eventually MPs and railway managers started to | :16:39. | :16:44. | |
take notice and in July 1966 amidst intense media pressure he got his | :16:45. | :16:50. | |
victory. There is no colour bar now of any description at Euston. | :16:51. | :16:55. | |
Celebration was short lived. Before long he received death threats. We | :16:56. | :17:00. | |
have uncovered information about what he went through, that not even | :17:01. | :17:05. | |
his family has seen before. That is kind of scary, looking at that. He | :17:06. | :17:14. | |
has been handed three anonymous letters, one said his client would | :17:15. | :17:18. | |
be cut, and another said when you get to Euston you will wish you had | :17:19. | :17:23. | |
never come, I've never seen that before and I feel very hurt. I feel | :17:24. | :17:32. | |
very hurt by that. Quite shocking. He was as brave as a lion. Look at | :17:33. | :17:39. | |
him. I've seen pictures of him smiling, after these things, he was | :17:40. | :17:43. | |
fearless. For the next two years colour bars continue to affect | :17:44. | :17:48. | |
workers at other stations, but Asquith's fight has started | :17:49. | :17:52. | |
something unstoppable and in 1968 the -based nations act made it | :17:53. | :17:57. | |
illegal to refuse some unemployment on the grounds of their race -- race | :17:58. | :18:03. | |
relations act. Now, after 50 years, The One Show as a surprise for his | :18:04. | :18:08. | |
family. We have persuaded Network Rail to honour him permanently in | :18:09. | :18:14. | |
the heart of the station. We have a little something, a surprise to show | :18:15. | :18:21. | |
you. Colback this curtain. -- brought back. This plaque will stand | :18:22. | :18:28. | |
here, for your father's legacy. You are welcome. It must be emotional. | :18:29. | :18:40. | |
Indescribable. It has knocked us sideways. I'm very pleased it has | :18:41. | :18:52. | |
happened. His fight helped end racial discrimination in the | :18:53. | :18:57. | |
workplace, his is a name we should all know. STUDIO: That is lovely. | :18:58. | :19:05. | |
David, what did you make of the story? You were moved. Yes. Colour | :19:06. | :19:15. | |
bar is the name of the book that Susan Williams wrote that talks of | :19:16. | :19:23. | |
Ruth Williams and Seretse Khama's story, and I just love that you | :19:24. | :19:27. | |
showed that film, to show people how much the black experience is | :19:28. | :19:32. | |
interwoven into British history and how little of it we have seen. That | :19:33. | :19:36. | |
was one of the primary motivations for me in terms of getting A United | :19:37. | :19:41. | |
Kingdom made, to show how much we are part of this country's history, | :19:42. | :19:44. | |
not always the best part, but still a part of it. A significant part. | :19:45. | :19:52. | |
Still very much working on projects in the future with that in mind. | :19:53. | :19:55. | |
This week the husband of a woman who died after falling off her bike | :19:56. | :19:59. | |
while not wearing a helmet has called for a change in the law - | :20:00. | :20:02. | |
making it compulsory for all cyclists to wear helmets. | :20:03. | :20:04. | |
But how much support is there from the cycling | :20:05. | :20:06. | |
Michael Douglas has been to find out. | :20:07. | :20:09. | |
Cycling in a big city is complete with hazards, but if you choose to | :20:10. | :20:13. | |
ride without a helmet or even bring out your phone for a quick selfie, | :20:14. | :20:18. | |
could you be taking a risk too far? I went on my bike to find why some | :20:19. | :20:24. | |
cyclists might be taking less safety precautions than others. What are | :20:25. | :20:30. | |
you not wearing a helmet? People give you a wide berth if you are | :20:31. | :20:35. | |
wearing one. How safety fear without they had -- safety you feel without | :20:36. | :20:46. | |
helmet and with headphones on? I feel as safe as possibly could be. | :20:47. | :20:54. | |
Can I ask you a question? Do you normally ride with a helmet? Yes, | :20:55. | :20:59. | |
but I forgot it this morning. Do you feel vulnerable? A little bit, yes. | :21:00. | :21:08. | |
Psychologically, if I fall, I feel I will be more injured. How come you | :21:09. | :21:15. | |
are not wearing a helmet? I don't want a helmet. Do you feel | :21:16. | :21:23. | |
vulnerable without one? No. I was amazed at how many people who will | :21:24. | :21:27. | |
not wearing helmets and how comfortable they were with this. | :21:28. | :21:32. | |
Should everyone be made to wear a helmet? It is freedom of choice, | :21:33. | :21:37. | |
whatever gives you confidence to go out riding is important, the biggest | :21:38. | :21:41. | |
way to get confidence is by putting in far better infrastructure than we | :21:42. | :21:44. | |
have got in the UK so we have space for cycling. People have mobile | :21:45. | :21:49. | |
phones and headphones, so many distractions, how do you feel? You | :21:50. | :21:54. | |
have got to be responsible on the road, you need to look ahead at what | :21:55. | :21:58. | |
is going on, and you should have your senses and wits about you. We | :21:59. | :22:03. | |
know about drinking and driving, but be careful when you are on your | :22:04. | :22:06. | |
bike, we have got to look out for each other because we are all in | :22:07. | :22:13. | |
this together. How come you don't wear red helmet? -- a helmet. I'm | :22:14. | :22:22. | |
riding every day and I know every set of lights and I know where | :22:23. | :22:27. | |
people are coming from. If spirits plays a big part in being safe. -- | :22:28. | :22:37. | |
experience. I take my time. What about something hitting you? A | :22:38. | :22:44. | |
careless driver? I am very careful. If it was made mandatory to wear a | :22:45. | :22:48. | |
helmet, that would frustrate you? I would break the law. I got to go. | :22:49. | :22:54. | |
Thanks very much. One study found that helmets reduce the likelihood | :22:55. | :23:02. | |
of serious head injury by up to 70%, and another found those with helmets | :23:03. | :23:07. | |
were more likely to take risks on the road. If that is true, the best | :23:08. | :23:14. | |
advice is to keep wearing a helmet, but cycle is if you are not wearing | :23:15. | :23:22. | |
one. STUDIO: If you fall onto a hard floor, it is going to hurt, so put a | :23:23. | :23:30. | |
helmet on. Anyway... We found this great clip of you, David, scoring | :23:31. | :23:37. | |
this amazing basketball shot. Your leg is in plaster, as well. APPLAUSE | :23:38. | :23:48. | |
That was my fourth time of trying, but still. That day. LAUGHTER | :23:49. | :23:55. | |
It is time to do the water bottle challenge. To be fair, that is why | :23:56. | :24:04. | |
we are doing it. Choose your bottle. Is the water to bottle ratio right? | :24:05. | :24:10. | |
It is up to you. When you are ready. Oh! Just keep going. Oh! Is it going | :24:11. | :24:23. | |
to happen? You have about 20 seconds. CHEERING | :24:24. | :24:33. | |
Rosamunde, we will show you that again in a beautiful slow motion | :24:34. | :24:49. | |
replay -- Rosamund. Well done. With autumn under way, we thought we | :24:50. | :24:51. | |
would let you enjoy the British summer one more time. | :24:52. | :24:56. | |
Here's Patrick Aryee with a day in the life of a meadow, | :24:57. | :24:59. | |
Dawn in a British wild flower meadow, heralding its own chorus. A | :25:00. | :25:12. | |
visit to any such meadow may be graced by her hundred species of | :25:13. | :25:21. | |
grasses and flowers stash 100. Herr Bells. Spotted orchids in their | :25:22. | :25:30. | |
thousands. There are sent signals breakfast. -- the alluring scent | :25:31. | :25:38. | |
signals breakfast. Amongst the first visitors, the pollen hungry bees, | :25:39. | :25:44. | |
and others follow suit. A soldier beetle and cow parsley. Chafe at | :25:45. | :25:51. | |
feeding on dandelion pollen. Connecting the dusting on its body | :25:52. | :25:56. | |
and pollinating the next flower and wittingly. For the slug it is the | :25:57. | :26:05. | |
petal of a juicy buttercup. As the date heats up, the butterflies join | :26:06. | :26:15. | |
the fray, painted lady, Peacock, opening their wings until the sun | :26:16. | :26:20. | |
rays were on their night chilled blood. -- warm. Millions are drawn | :26:21. | :26:36. | |
into feed off the meadow. Descend down the grassy steps and a pool of | :26:37. | :26:42. | |
water is home to a new group of inhabitants. A ruddy dragonfly in | :26:43. | :26:52. | |
search of a mate. A raft spider spies the water for its next meal. | :26:53. | :27:00. | |
The hive of activity draws a crowd up above. The feasting in sex make a | :27:01. | :27:12. | |
-- the feasting insects make a meal for the birds. There is an abundant | :27:13. | :27:26. | |
but fate to feed the cheque. A buzzard rides, scouring the meadow. | :27:27. | :27:37. | |
For more substantial meals. But as the day draws to an end, the setting | :27:38. | :27:52. | |
sun marks the arrival of a new cast. Ready to hunt through the long night | :27:53. | :28:02. | |
ahead. STUDIO: Wasn't that delightful. The joys of the British | :28:03. | :28:09. | |
meadows. We have had a chat and we think we are going for Seretse as a | :28:10. | :28:18. | |
name. You make it sound as though I am the father. LAUGHTER | :28:19. | :28:28. | |
We are talking children in need, last week we launched the Sir Terry | :28:29. | :28:36. | |
Wogan award. We are going high-tech. You can nominate online. Details and | :28:37. | :28:44. | |
conditions can be found on the BBC children in need website. It is not | :28:45. | :28:49. | |
about how much you raise, it is about entering. | :28:50. | :28:53. | |
That's all we've got time for tonight. | :28:54. | :28:55. | |
A big thank you to David and Rosamund, | :28:56. | :28:57. | |
A United Kingdom is out on 25th November. | :28:58. | :29:03. | |
Tomorrow Patrick Kielty will be co-presenting, | :29:04. | :29:08. | |
the new queen of QI Sandy Toksvig will be dropping | :29:09. | :29:11. | |
by and Keane's Tom Chaplin will be performing. | :29:12. | :29:13. |