Browse content similar to 07/03/2017. Check below for episodes and series from the same categories and more!
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I've never known you have first night nerves like this before. | :00:07. | :00:15. | |
I've never had a first night like this before. | :00:16. | :00:17. | |
We have a bottle of champagne and a film about Brexit. | :00:18. | :00:42. | |
Hello and welcome to the One Show with Matt Baker. | :00:43. | :00:59. | |
And we are very pleased to see Suzy Starr and Pat Lewis from Tales | :01:00. | :01:05. | |
of the Unexpected back together and on our sofa. | :01:06. | :01:07. | |
Otherwise known as Dame Joan Collins and Pauline Collins. | :01:08. | :01:12. | |
Hello to you both. That is scary looking at yourself 35 years ago! | :01:13. | :01:21. | |
What do you remember from playing Suzy Starr? Absolutely nothing! A | :01:22. | :01:29. | |
few things, we will draw a veil over them! I remember she planned to kill | :01:30. | :01:35. | |
me because I was after a rich man. She succeeded, her whole family | :01:36. | :01:40. | |
wanted to kill me. This is the thing, John, twice. There he is. | :01:41. | :01:52. | |
Before the kill. Pauline, what is it with the family, why do you want to | :01:53. | :01:57. | |
kill Joan? There are too many Collinss! We didn't do that in our | :01:58. | :02:07. | |
new movie. But we had a few fights. You called me a terrible, | :02:08. | :02:11. | |
horrible... I thought you meant personally! Never! There is another | :02:12. | :02:22. | |
love triangle in the film. There is, we are both vying for Franco Nero. | :02:23. | :02:29. | |
He is gorgeous, so a calendar grandfather and a father and a cook. | :02:30. | :02:33. | |
A wonderful actor. And a wonderful lover. We will get to that in a bit! | :02:34. | :02:42. | |
There is a lovely Thelma and Louise feeling going on and it gave us a | :02:43. | :02:44. | |
bit of an idea. If you and a friend fancy yourselves | :02:45. | :02:49. | |
as real-life Thelmas and Louises, send us pictures of the two of you | :02:50. | :02:52. | |
together so we can all enjoy them. This is me and Liz. She is the | :02:53. | :03:01. | |
Thelma to my Louise. We have been friends since we were nine. Hello if | :03:02. | :03:08. | |
you're watching! That is so sweet. We will show as many as we can | :03:09. | :03:10. | |
later. This was the One Show last Friday, | :03:11. | :03:12. | |
when an enormous crowd came to watch Tickets for Ed's gigs and many | :03:13. | :03:15. | |
others sell out fast, with thousands being picked up | :03:16. | :03:25. | |
by ticket touts before the true fans As Matt Allwright reports, that even | :03:26. | :03:28. | |
includes tickets for charity events. Some fans will do anything and pay | :03:29. | :03:43. | |
anything to see their favourite stars live on stage. And that means | :03:44. | :03:49. | |
there are always ticket touts looking to cash in, no matter how | :03:50. | :03:55. | |
dreadful the deal they are offering. Online, unofficial site that claim | :03:56. | :03:59. | |
to be a secure marketplace offer fans the chance to buy and sell | :04:00. | :04:05. | |
tickets with confidence, sites like Get Me In, StubHub, the trade and | :04:06. | :04:10. | |
Viagogo but there are huge concerns at these sites are being abused by | :04:11. | :04:14. | |
touts who buy tickets in bulk and sell them at a massive mark up -- | :04:15. | :04:20. | |
Seatwave. You might say that if it is not illegal and we are prepared | :04:21. | :04:24. | |
to pay, what harm are these so-called touts doing? Well... Just | :04:25. | :04:33. | |
ask six-year-old Ed Sheeran Superfund Jayden from | :04:34. | :04:39. | |
Nottinghamshire -- super fan. He was devastated when tickets to Ed's talk | :04:40. | :04:44. | |
in April sold out in minutes. There were none left. Come here. The | :04:45. | :04:51. | |
tickets were quickly being resold for hundreds of pounds on this | :04:52. | :04:56. | |
secondary sites. The speed in which they appeared mean it is unlikely | :04:57. | :05:03. | |
only genuine fans were selling. For Ed Sheeran's upcoming gig for the | :05:04. | :05:07. | |
Teenage Cancer Trust, the organisers put in extra security measures aimed | :05:08. | :05:13. | |
at stopping touts from cashing in. What is the problem here? At the end | :05:14. | :05:18. | |
of the day can use to get the money from the original sale. We do but | :05:19. | :05:22. | |
people are making profit off the back of young people with cancer | :05:23. | :05:26. | |
when they sell these tickets. Ed is not making money from this gig, he | :05:27. | :05:30. | |
is playing for free. Young people with cancer are what it is about, | :05:31. | :05:33. | |
not about personal profit. The Teenage Cancer Trust is getting | :05:34. | :05:38. | |
tough also on the night, photo ID needs to match the Booker's name on | :05:39. | :05:42. | |
the ticket and any bought on the secondary market will not get you | :05:43. | :05:46. | |
in. There is more. The trust has directly asked the four big ticket | :05:47. | :05:53. | |
reselling platforms not to help the touts sell their tickets online. But | :05:54. | :06:00. | |
will they play ball? It is 9am, Friday, February 17 and the Ed | :06:01. | :06:02. | |
Sheeran tickets go on sale through the official sites. The man is | :06:03. | :06:10. | |
determined to get Jayden a seat. It doesn't look good -- the mother. It | :06:11. | :06:15. | |
doesn't look good, or the official tickets have sold out. They are all | :06:16. | :06:22. | |
not available. They have all gone. I hope they have gone to people who | :06:23. | :06:26. | |
want to go and see him want to help the charity. But I doubt that, I | :06:27. | :06:33. | |
will see them soon on the other websites for ?600. And sadly, she | :06:34. | :06:40. | |
was right. Our research has been keeping tabs on the big four resale | :06:41. | :06:46. | |
sites. Three of which, Seatwave, StubHub and Get Me In, have not | :06:47. | :06:50. | |
allowed the charity tickets to be sold but one site, Viagogo, does, | :06:51. | :06:55. | |
with tickets being sold in minutes for nearly ?2000. And ten days | :06:56. | :07:01. | |
later, Viagogo is still selling the tickets. Total price ?6,710, for one | :07:02. | :07:12. | |
ticket. Viagogo are the only people still selling these tickets. What do | :07:13. | :07:16. | |
you make of that? It's just wrong, people paying that amount, there is | :07:17. | :07:19. | |
no guarantee they will get in because of the measures we put in | :07:20. | :07:23. | |
place and fans will be disappointed. We have had to the line. What does | :07:24. | :07:29. | |
the company have disable itself? We did ask them if they wanted to talk | :07:30. | :07:35. | |
to us -- have to say for itself. But they didn't send a response. And we | :07:36. | :07:39. | |
are not the only ones who want answers. Their actions were | :07:40. | :07:44. | |
condemned at last week 's Prime Minister's Questions. When by Gogo | :07:45. | :07:48. | |
know only too well that tickets that are a result are invalid for entry | :07:49. | :07:52. | |
is unfair and not indicative of the market that works for everybody. The | :07:53. | :07:58. | |
government says it will be responded to an independent review it | :07:59. | :08:02. | |
commissioned the secondary ticketing market soon. StubHub told the | :08:03. | :08:07. | |
identities of all sellers on its site are checked and verified and | :08:08. | :08:10. | |
all tickets sold are guaranteed and. And as for our many Ed Sheeran, all | :08:11. | :08:17. | |
Jayden can do now is enjoy watching his favourite star at home. | :08:18. | :08:21. | |
Surely not. Tell us this had a happy ending. It wouldn't be right, we had | :08:22. | :08:31. | |
Ed Sheeran on the show can we had Jayden in the film so what could we | :08:32. | :08:35. | |
do but put them together and try to get a resolution and what a | :08:36. | :08:43. | |
resolution, have a look. Hello. I'm Ed, it's nice to meet you. You look | :08:44. | :08:48. | |
good, I might have a copy it. I heard you had trouble getting | :08:49. | :08:52. | |
tickets so you can add as many as you like. What did you say? Number | :08:53. | :09:01. | |
one fan. Thank you! You play guitar as well? Do you want to play me | :09:02. | :09:04. | |
something? Let me choose it up. That is great. Please tell us that | :09:05. | :09:27. | |
those tickets we saw in that film are still not on sale for ?6,000. | :09:28. | :09:34. | |
They are not on sale for ?6,000. Now the best seat in the house is on | :09:35. | :09:41. | |
sale at nearly ?12,000. That is a joke! And that is not going to the | :09:42. | :09:48. | |
Teenage Cancer Trust? Obviously the original sale Price bids the rest of | :09:49. | :09:54. | |
it is going to somebody. It is ridiculous. And what happens to the | :09:55. | :10:01. | |
person who buys the ticket? Will they get in? If you talk to Teenage | :10:02. | :10:05. | |
Cancer Trust they are certain, they decided this will not happen and | :10:06. | :10:09. | |
they will not allow it so as far as the organisers are concerned, they | :10:10. | :10:13. | |
are saying that no, if you buy a ticket through Viagogo or another | :10:14. | :10:17. | |
site, you are not coming through. And is there anywhere else you can | :10:18. | :10:21. | |
go if you miss out and you don't want to pay over the odds? The | :10:22. | :10:24. | |
interesting thing is now but other site are emerging. There is one | :10:25. | :10:29. | |
called Twickets and that is backed by a lot of big artists like Adele | :10:30. | :10:34. | |
and Ed Sheeran. You have to sell the tickets for face value or less. I | :10:35. | :10:39. | |
think they allow 15% on top to cover booking charges but that is where | :10:40. | :10:43. | |
you can go and these are people who just want somebody else to enjoy the | :10:44. | :10:47. | |
ticket that they can't use. There are a couple of others, one called | :10:48. | :10:52. | |
Dice and one called WeGotTickets. This is not just for music, it is | :10:53. | :10:56. | |
going on with musicals, plays, sporting events. I am sure the | :10:57. | :11:01. | |
ladies have experienced it. Many times. Not paying for them but | :11:02. | :11:10. | |
looking at the prices. And as an actor, if you are on stage and you | :11:11. | :11:13. | |
know your audience are paying different amounts for the same | :11:14. | :11:17. | |
seats, that is not fair. The best thing is to go to the theatre if you | :11:18. | :11:21. | |
can and put it there. I know they have these touts on Broadway because | :11:22. | :11:26. | |
when I played that there were lines around the block. But I didn't | :11:27. | :11:30. | |
realise they pushed the prices up to such a terrible amount. Hamilton, | :11:31. | :11:37. | |
WeGotTickets for our granddaughter for Hamilton in New York... Cameron | :11:38. | :11:42. | |
Macintosh came on here. He was as worried about it as anybody was and | :11:43. | :11:46. | |
said he was trying to do whatever he could to make sure those tickets get | :11:47. | :11:50. | |
to fans at the most reasonable prices, close to face value as | :11:51. | :11:54. | |
possible. And you are not meant to buy blocks and they do by big | :11:55. | :12:00. | |
blocks. There is a piece of legislation which is hitting the | :12:01. | :12:05. | |
parliament at the end of this month which is devised to stop what they | :12:06. | :12:09. | |
call net bots which is the software that can harvest the ticket in huge | :12:10. | :12:12. | |
numbers and that is what this is that it's happening. It is not | :12:13. | :12:16. | |
individuals being quick, it is much more organised than that. Fingers | :12:17. | :12:17. | |
crossed. We will have to move on. In a moment, brace yourselves, | :12:18. | :12:21. | |
you'll see the rare sight that is Joan Collins sitting | :12:22. | :12:24. | |
on a bus. Sticking with the bus theme, | :12:25. | :12:32. | |
here's how a little bit of graffiti in a Devon bus shelter | :12:33. | :12:39. | |
eventually led to it becoming It is a tranquil spot here come the | :12:40. | :12:55. | |
river flows underneath the bus shelter. When my son was very small, | :12:56. | :13:05. | |
the boys used to meet here and play. In 2030 it suffered some vandalism. | :13:06. | :13:11. | |
Somebody drew all over the walls. -- 2013. We woke up to see it had had a | :13:12. | :13:15. | |
makeover. There were plants, they keep | :13:16. | :13:27. | |
replacing them. There was a buzz of excitement around the visit and it | :13:28. | :13:30. | |
brought a smile to my face as it did to everybody else. It looks really | :13:31. | :13:39. | |
nice. There were fairy lights. We are off to walk to preschool so we | :13:40. | :13:44. | |
add to what somebody else has put here. I made a bus and on the back | :13:45. | :13:51. | |
it says, we decorated the bust up with home-made cards. It's the best | :13:52. | :13:57. | |
one I've seen. I go all around everywhere and this is the best one. | :13:58. | :14:04. | |
To hear water running is a lovely sound. Hand on heart, as a man of | :14:05. | :14:12. | |
the cloth, I cannot tell you who is doing this. Sometimes I come in here | :14:13. | :14:17. | |
just because it's really nice in here. I usually just sit back and | :14:18. | :14:24. | |
listen to everything around. We have asked people, we tried to guess. We | :14:25. | :14:35. | |
call it the Banksy bus stop! It is somewhere you can sit and you can | :14:36. | :14:41. | |
use it. It just feels important that the village cared about things and | :14:42. | :14:46. | |
caring about this funny little space, it is just a wonderful idea. | :14:47. | :14:50. | |
My bus! Such a lovely idea, isn't it? It is | :14:51. | :15:05. | |
beautiful, you want to go and sit there. | :15:06. | :15:09. | |
Joan, we have two as, when did you last hang out at a bus stop?! -- we | :15:10. | :15:16. | |
have to ask. Are there many in St Tropez? The last time I was a on a | :15:17. | :15:22. | |
bus was in Birmingham. I went to another actor to see a film. We got | :15:23. | :15:27. | |
out, we couldn't find a cab or anything. I said, come on, I've got | :15:28. | :15:32. | |
to be on stage and 45 minutes. He said, come on, we'll get a bus. I | :15:33. | :15:37. | |
said, I haven't been on a bus since I was 11. Did anybody recognise you? | :15:38. | :15:44. | |
Yes, somebody recognised me. Said, are you Joan Collins? I said no! If | :15:45. | :15:56. | |
it wasn't for a bus, the story we are going to watch in this wonderful | :15:57. | :15:58. | |
movie would never have happened. So just give us an idea of how you both | :15:59. | :16:02. | |
be to start with. I am in a very sad marriage which is at the end of its | :16:03. | :16:05. | |
life, it seems to me. Joan is any very sad old peoples home and | :16:06. | :16:08. | |
desperate to get out of it. So all in a very sad old people's home. On | :16:09. | :16:13. | |
a day trip, I meet her by chance. She drops her purse, I pick it up | :16:14. | :16:17. | |
off the floor and we get talking. She then uses me shamelessly to | :16:18. | :16:26. | |
accompany her, yes, to a funeral of an old Hollywood producer who used | :16:27. | :16:30. | |
to give her lots of work, and she now wants more work and she's going | :16:31. | :16:38. | |
to Basel for work. A subplot, too. Many subplots! It's a movie about | :16:39. | :16:42. | |
friendship, but you don't start off as friends. Oh, no, not at all. She | :16:43. | :16:47. | |
doesn't know who I am. Finally when I tell her, I recognised you, | :16:48. | :16:55. | |
though. You play an actress from the 60s. IPlayer and actress who has | :16:56. | :16:59. | |
been actually dumped by Hollywood, which is what they do to a lot of | :17:00. | :17:04. | |
actresses when they hit the big 40. When you look at the actresses from | :17:05. | :17:09. | |
that era, you will find they are not working. She says to Priscilla, she | :17:10. | :17:14. | |
says, you not allowed actresses aren't allowed to get gold in | :17:15. | :17:17. | |
Hollywood. I'm going to make a comeback. She's totally deluded. -- | :17:18. | :17:23. | |
to get old. She wants to go to this funeral, she can't drive or speed | :17:24. | :17:27. | |
French. But she can drive and she can speak French, so I kidnap our. | :17:28. | :17:38. | |
She uses and abuses me! We have a lovely. This is the moment Priscilla | :17:39. | :17:40. | |
and Helen sneaked aboard the cross-channel ferry. Now I don't | :17:41. | :17:43. | |
know what to do. You don't know me! Whatever happens, just keep moving, | :17:44. | :17:49. | |
OK. Oh, Helen, oh, my God, are you all right? I think she fainted, I've | :17:50. | :17:57. | |
no idea who she is, but she does look familiar. Madame, Madame? Do | :17:58. | :18:05. | |
you know, the double act you have done here is so lovely. At the heart | :18:06. | :18:10. | |
of it, there is French at that. Joan, and my right in saying that | :18:11. | :18:15. | |
you asked for Pauline to do that? -- am I right. Our producer- director - | :18:16. | :18:21. | |
writer came to meet for five years ago and I read the script and I | :18:22. | :18:26. | |
thought it was wonderful. And two equally wonderful parts, the two | :18:27. | :18:29. | |
actresses. He said, who would you like to see in this role? I | :18:30. | :18:33. | |
immediately said, Pauline. I love you! You will do the same for me one | :18:34. | :18:40. | |
day. And so he said, what a great idea. He sent the script Pauline, | :18:41. | :18:45. | |
she was very busy, working on about eight different things, Charles | :18:46. | :18:48. | |
Dickens shows, a quartet, a very busy woman. But I said yes. She said | :18:49. | :18:56. | |
yes immediately. We rehearsed and we got along really well. Except she | :18:57. | :19:01. | |
said, you're so dressed up, and I said, no I'm not, I'm just wearing | :19:02. | :19:07. | |
an old shirt and a T-shirt. You are so glamorous! That's what's | :19:08. | :19:09. | |
interesting about the two characters. Your character, Pauline, | :19:10. | :19:14. | |
it takes the role of the downtrodden housewife. Abused housewife. It is a | :19:15. | :19:19. | |
character you have played before, going back a few years. But what I | :19:20. | :19:24. | |
find so fascinating is, you really are intrigued by Joan's character. | :19:25. | :19:29. | |
It is the glamour... I was swept off my free by her. She opens the door | :19:30. | :19:33. | |
to a world but I know nothing about. The great thing about this story is | :19:34. | :19:38. | |
that nobody remains the same at the end of it, we change each other, | :19:39. | :19:45. | |
don't we? Yes. I make a nicer. They are almost blended. You start to get | :19:46. | :19:49. | |
more into room with your past as well, I don't want to give too much | :19:50. | :19:53. | |
weight -- more in tune. Just that kind of end moment when you are | :19:54. | :19:57. | |
wandering off in the Sunset... I love that, don't you? It really is a | :19:58. | :20:04. | |
journey. In one hour and 45 minutes, you see these two totally desperate | :20:05. | :20:08. | |
women, who really don't really like each other... I think I admire you. | :20:09. | :20:18. | |
And then you admire me when I drop my purse. I admired you because of | :20:19. | :20:24. | |
your energy. I think we better make it again! I've been going down the | :20:25. | :20:27. | |
wrong alley. There's another one in there, I'm sure. You have been so | :20:28. | :20:33. | |
inspiring to our viewers tonight. We have had so many pictures sent in. | :20:34. | :20:37. | |
Pictures of Thelma and Louise! Oh, great! The Times Of Their Lives is | :20:38. | :20:42. | |
on cinemas from Friday. Last night, Alex Riley took four | :20:43. | :20:47. | |
One Show viewers from Nottingham, Manchester and Bolton to meet | :20:48. | :20:49. | |
David Davis, the Secretary of State They asked him what would happen | :20:50. | :20:52. | |
to all those EU laws we currently have to stick to, | :20:53. | :20:56. | |
and how trade would work once This is our team. 41 showed viewers. | :20:57. | :21:08. | |
Nigel Baxter and Nora Hulk Roth, who voted to leave -- four one showed | :21:09. | :21:15. | |
viewers. And two viewers who wanted to remain. They have been digging | :21:16. | :21:20. | |
into the issues over leaving the EU with the man assigned to get the | :21:21. | :21:25. | |
best deal for Britain. Secretary of State David Davis. Do you wake up in | :21:26. | :21:29. | |
the middle of the night thinking, blimey, it's a bit more complicated | :21:30. | :21:32. | |
than I thought it was? To be honest, I didn't expect to get the job. He | :21:33. | :21:37. | |
will have a tough task when he goes head-to-head with the EU's chief | :21:38. | :21:41. | |
negotiator Michel Barnier. Nigel wants to know just how much money he | :21:42. | :21:53. | |
is going to ask us to pay up to get out. It has been reported that we | :21:54. | :21:56. | |
might have the 50, ?60 billion to exit the EU. Is that real stop law | :21:57. | :21:58. | |
they are taking a negotiating position. They are taking a | :21:59. | :22:04. | |
responsibility. UI businessman, you know I'm not going to open the bin. | :22:05. | :22:09. | |
Sticking with the subject of money, much has been said about the amount | :22:10. | :22:13. | |
we will save by leaving the EU. John wants to know where that money is | :22:14. | :22:18. | |
going to go. Before the referendum, it was that ?350 million that was | :22:19. | :22:23. | |
always mention, going back into the NHS. Will that go to the National | :22:24. | :22:27. | |
Health Service? The money that comes back will be used in the way that | :22:28. | :22:30. | |
the Government thinks is best for the economy, for the country. In the | :22:31. | :22:41. | |
end, this comes back to control. It's about Britain controlling what | :22:42. | :22:43. | |
it does with Britain's money. Many people's reason for voting to leave | :22:44. | :22:46. | |
the EU was to reduce immigration and to take back control of our borders. | :22:47. | :22:49. | |
But John is worried about what sort of country we will become. How can | :22:50. | :22:53. | |
we control immigration but not alienate people, you know, still be | :22:54. | :22:56. | |
a welcoming country? The door is not going to slam shut the day after, we | :22:57. | :23:02. | |
are still going to be open for the best and brightest, the talent, | :23:03. | :23:06. | |
whether it is professors, managers, engineers. Are we still going to be | :23:07. | :23:10. | |
open though for those waffling piratical... Baftas asylum. Has been | :23:11. | :23:18. | |
a watchword -- for those fleeing conflict, that is asylum. It is not | :23:19. | :23:24. | |
that people disapprove of all immigration, because they don't, I | :23:25. | :23:28. | |
think. If I were in eastern Europe, I would be working here. It is a | :23:29. | :23:32. | |
question of balancing the economic demands with the interests of | :23:33. | :23:36. | |
British people who want to feel their country is under their | :23:37. | :23:41. | |
control. This economy needs ordinary workers to come and support our | :23:42. | :23:45. | |
businesses and our public services, our NHS. We will do it in a way | :23:46. | :23:49. | |
which allows us to bring the net numbers down, over time, and we will | :23:50. | :23:55. | |
do it in a way which doesn't cause labour shortages, that's the point. | :23:56. | :23:58. | |
And what about the jobs which British citizens don't want to do? | :23:59. | :24:03. | |
We have two encourage people. There is definitely never going to be a | :24:04. | :24:07. | |
time when there will be no migrants here. Before negotiations start, we | :24:08. | :24:11. | |
need to hand in our notice. Can you tell us when Article 50 will be | :24:12. | :24:16. | |
triggered? By the end of March. Wonder. Look then we will be | :24:17. | :24:21. | |
underway with the negotiations. There will be no strings attached | :24:22. | :24:27. | |
about? The Goverment's intention is to get on with it. The Prime | :24:28. | :24:31. | |
Minister is very conscious that the people want us to get on with it and | :24:32. | :24:35. | |
resolve any uncertainties and get us on to our new track. And that new | :24:36. | :24:40. | |
track is going to be designed to be in everyone's interests, not just | :24:41. | :24:45. | |
the 52, everybody. Our time with David Davis is up. How does team | :24:46. | :24:49. | |
Brexit feel about what he had to say? I thought it was good what he | :24:50. | :24:54. | |
said about getting a deal that is good for Britain and good for the | :24:55. | :24:58. | |
whole of the EU. I am pleased that they get the need for a free-trade | :24:59. | :25:02. | |
agreement, but I don't believe we will have our cake and eat it. We | :25:03. | :25:06. | |
are only just starting to realise how complicated it is. How long is | :25:07. | :25:10. | |
it going to be take with Mike how long will it cost? Everybody is | :25:11. | :25:14. | |
looking at David Davis, it is a difficult job. And it has only just | :25:15. | :25:19. | |
begun. Well, team Brexit will be back before too long. John and | :25:20. | :25:24. | |
Pauline -- Joan and Pauline, we were talking, it is difficult for people | :25:25. | :25:27. | |
in the public eye to be able to say their views openly without getting | :25:28. | :25:31. | |
shot down. How do you both feel about it at the moment? I feel, we | :25:32. | :25:36. | |
probably both agree, I feel it is in some ways irresponsible of actors to | :25:37. | :25:40. | |
give opinions about politics. Yes, because we don't know enough about | :25:41. | :25:44. | |
them. And we should not be influencing people, because we've | :25:45. | :25:50. | |
been on the telly. Yes, but that doesn't mean that if we are around | :25:51. | :25:56. | |
the dining room table with writers and things we don't talk about it | :25:57. | :25:59. | |
for if Risley, because we do have opinions. But those opinions should | :26:00. | :26:04. | |
not colour other people's opinions. The same goes for big actors in | :26:05. | :26:09. | |
Hollywood, who I think have become much too political. Is this an | :26:10. | :26:13. | |
invite for dinner after The One Show? We can carry on chatting! | :26:14. | :26:16. | |
We're going to take a moment get to know Joan | :26:17. | :26:19. | |
We're calling it "This Collins or That Collins?". | :26:20. | :26:22. | |
We have some facts - some are about Joan, | :26:23. | :26:24. | |
Joan, Pauline, all you have to do is use your paddles | :26:25. | :26:28. | |
This Collins or that Collins. You just have to spin it accordingly. | :26:29. | :26:37. | |
Me?! Matt's playing along | :26:38. | :26:39. | |
with tonight's audience. You will spin it round for this | :26:40. | :26:57. | |
Collins if it's for you. Thick as a plank of wood at the minute! If you | :26:58. | :27:02. | |
think the statement that we read out is about you, you turn it around to | :27:03. | :27:06. | |
say, this Collins, write to the front. Oh, I see, I've got it now! | :27:07. | :27:13. | |
OK, are we ready in the blue area's are we ready in the audience? Here | :27:14. | :27:15. | |
we go with the first statement... The father of which Collins, | :27:16. | :27:19. | |
upon hearing that his daughter had been named the prettiest women | :27:20. | :27:21. | |
in England, said, "I'm amazed, she's a nice little girl, | :27:22. | :27:24. | |
but nothing special"? Was its genome or Pauline? We are | :27:25. | :27:38. | |
all going... -- was it Joan. The majority is saying Joan. This | :27:39. | :27:43. | |
Collins, it was Joan, well done. We have got a lovely little picture of | :27:44. | :27:46. | |
you just when you were a little girl. Oh, look! Is it true that your | :27:47. | :27:53. | |
mum put a little note on saying, don't kiss this baby?! When I was | :27:54. | :27:58. | |
young, my mum put a note on saying, please do not kiss me. My mum was | :27:59. | :28:04. | |
very jealous, even then in the dark ages! We will move onto next | :28:05. | :28:05. | |
question. Which Collins once cut | :28:06. | :28:06. | |
?500 worth of pearls out of a dress because she didn't | :28:07. | :28:09. | |
like the neckline? What are we thinking? Joan Collins | :28:10. | :28:18. | |
or Pauline Collins? It looks like a resounding Joan Collins to me. Oh, | :28:19. | :28:29. | |
it was Pauline! It was Pauline! Wow! It was when I was nominated for an | :28:30. | :28:34. | |
Oscar. I arrived in Hollywood with some unsuitable clothes, as I always | :28:35. | :28:38. | |
do, I'm nothing like Joan. Is it this dress? No, that a good dress, | :28:39. | :28:43. | |
that's what I ended up with. The stylist said, these are OK, honey, | :28:44. | :28:47. | |
but I'll give you something different. She brought a pearl | :28:48. | :28:50. | |
outfit in and I loved it, but I said, I don't like the high | :28:51. | :28:54. | |
neckline. She said, you don't like it? I said no. She cut about ?500 | :28:55. | :28:59. | |
worth of polls. And that is what I walk and I loved it. -- worth of | :29:00. | :29:06. | |
pearls. These are the Hayward girls. I think the Hayward boys or in the | :29:07. | :29:12. | |
background. We have got to Julie and her best meet marina. Angela and | :29:13. | :29:19. | |
Chantal met 36 years ago. We would like to say a very big thank you to | :29:20. | :29:22. | |
Joan and Pauline for joining us tonight! | :29:23. | :29:25. | |
The Times of their Lives is in cinemas on Friday. | :29:26. | :29:28. | |
Tomorrow Miranda Hart, Tony Robinson and Rob Beckett are joined | :29:29. | :29:30. | |
by the Harlem Globetrotters who will be slam dunking | :29:31. | :29:33. |