Browse content similar to 08/02/2018. Check below for episodes and series from the same categories and more!
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Hello and welcome to
The One Show with Matt Baker. | 0:00:18 | 0:00:20 | |
And Alex Jones. | 0:00:20 | 0:00:22 | |
Tonight's guest isn't
just a great actor, he's | 0:00:22 | 0:00:24 | |
a pretty handy musician too. | 0:00:24 | 0:00:26 | |
He plays the drums, the piano
and even the vibraphone. | 0:00:26 | 0:00:30 | |
But, as they say, everyone's
got their critics. | 0:00:30 | 0:00:38 | |
Why not? | 0:00:39 | 0:00:46 | |
He's still music to our ears,
please welcome Max Beesley. | 0:00:51 | 0:00:55 | |
APPLAUSE | 0:00:55 | 0:01:00 | |
Very nice, much little girl telling
me I'm not very good! How little is | 0:01:02 | 0:01:07 | |
she? She is four, she is amazing,
beautiful, diamond in my eyes! She | 0:01:07 | 0:01:13 | |
does not like your piano playing!
She is big on Mozart. It was a bit | 0:01:13 | 0:01:20 | |
basic for her? I bet she loves the
drums. She does, she is very good. | 0:01:20 | 0:01:28 | |
Whatever she wants to get into, I
will back it. | 0:01:28 | 0:01:30 | |
Your daughter's not the only
woman in charge, Max. | 0:01:30 | 0:01:32 | |
Also joining us tonight
is Lieutenant Colonel Lucy Giles, | 0:01:32 | 0:01:34 | |
the first female commander at
Sandhurst. | 0:01:34 | 0:01:38 | |
And we'll be meeting someone whose
life was transformed by this. | 0:01:38 | 0:01:44 | |
Your daughter might like this. You
can find out how later. | 0:01:44 | 0:01:48 | |
First, to something
that affects us all - | 0:01:48 | 0:01:53 | |
how to care for loved ones
in later life. | 0:01:53 | 0:01:58 | |
It's a difficult issue,
with reports today of understaffing | 0:01:58 | 0:02:01 | |
in social care services
across the country. | 0:02:01 | 0:02:02 | |
Negotiating this complex system can
be draining and expensive. | 0:02:02 | 0:02:04 | |
We asked broadcaster
Iain Lee, and his mum Linda, | 0:02:04 | 0:02:07 | |
to share their story. | 0:02:07 | 0:02:07 | |
I'm the first to admit that in my
job I have a reputation for being a | 0:02:09 | 0:02:13 | |
bit gobby but one that I have in
common with a lot of people is the | 0:02:13 | 0:02:19 | |
struggle I face trying to sort out
care for a close relative full in my | 0:02:19 | 0:02:24 | |
case, Mike 67-year-old mum Linda.
I'm off to up might mum, she had | 0:02:24 | 0:02:29 | |
been living in this care home for 11
or 12 years and they look after her | 0:02:29 | 0:02:34 | |
really well but recently we were
faced with the issue that because of | 0:02:34 | 0:02:38 | |
funding and money, she might have to
move somewhere else which would have | 0:02:38 | 0:02:43 | |
been a disaster. Say cheese. Mum was
just 14 when she was diagnosed with | 0:02:43 | 0:02:51 | |
MS. Up until then she had been a
sharp-witted, loving mum who looked | 0:02:51 | 0:02:55 | |
after us all her life. You were so
sweet, what happened?! Munda does | 0:02:55 | 0:03:02 | |
not qualify for continuing health
care funding is under the social | 0:03:02 | 0:03:06 | |
care system rules, as she owned her
own house and had savings she had | 0:03:06 | 0:03:09 | |
been paying to live in the home. You
are brilliant at saving, you saved | 0:03:09 | 0:03:15 | |
£100,000. You would squirrel it
away. I know. Over the past 11 years | 0:03:15 | 0:03:24 | |
she has spent a little under
£350,000 on her care and last | 0:03:24 | 0:03:29 | |
September her savings had gone down
to just under £24,000. We had always | 0:03:29 | 0:03:34 | |
been told that when she crossed that
financial threshold, the council | 0:03:34 | 0:03:38 | |
would step in and take over the
payments and we believed that was | 0:03:38 | 0:03:42 | |
what would happen. I think we were a
bit naive. Look at those. I will | 0:03:42 | 0:03:47 | |
never forget the moment the council
called, telling me they would not be | 0:03:47 | 0:03:51 | |
able to cover the cost of the home
and would look to move mum to | 0:03:51 | 0:03:55 | |
alternative, more affordable
accommodation. I put the phone down | 0:03:55 | 0:04:00 | |
and burst into tears and didn't have
a clue what to do or who to turn to. | 0:04:00 | 0:04:04 | |
I soon found out that the only
person who's going to fight for | 0:04:04 | 0:04:07 | |
month to stay at the home she loved
was me. I basically had to act as | 0:04:07 | 0:04:13 | |
the middleman between the Counsel
and care home. It took a few weeks | 0:04:13 | 0:04:17 | |
but eventually we all came to an
agreement which meant mum could | 0:04:17 | 0:04:21 | |
state. If I had not got involved,
she would automatically have been | 0:04:21 | 0:04:25 | |
moved out so my advice is, don't
take it lying down. I really want to | 0:04:25 | 0:04:32 | |
go and share my story and my
experience with people and who | 0:04:32 | 0:04:35 | |
knows, maybe even help one or two
going through a similar thing. Today | 0:04:35 | 0:04:41 | |
I have invited some experts to
Reading's biggest shopping centre to | 0:04:41 | 0:04:46 | |
help others facing similar
challenges. Before we start I have | 0:04:46 | 0:04:49 | |
some questions of my own. Explain
this threshold and what it means. | 0:04:49 | 0:04:55 | |
There is a financial threshold which
is £23,250 which takes into account | 0:04:55 | 0:05:03 | |
your property any capital savings
you have and any income you have. | 0:05:03 | 0:05:08 | |
When you hit that, the council will
step in and take over responsibility | 0:05:08 | 0:05:12 | |
but there is also an assessment of
need, because if the council | 0:05:12 | 0:05:16 | |
believes that another home can meet
her needs safely for less money, | 0:05:16 | 0:05:21 | |
they will offer to move her pulse if
you live in Northern Ireland the | 0:05:21 | 0:05:24 | |
threshold is the same but in the
Scotland it is for the £6,000 and in | 0:05:24 | 0:05:30 | |
Wales it is £30,000 -- 20 £6,000.
Are they allowed to take in to | 0:05:30 | 0:05:36 | |
account the savings of family
members? Not at all, it would just | 0:05:36 | 0:05:41 | |
be based on your mother's situation,
her income and savings. And I are | 0:05:41 | 0:05:46 | |
not the only one with questions.
Martin is worried about his dad. If | 0:05:46 | 0:05:50 | |
my mother needs care but my father
doesn't, can the house disappear | 0:05:50 | 0:05:55 | |
under father? They will only be
based her charges on income and | 0:05:55 | 0:05:58 | |
capital savings. If he goes into
care, they will take the house into | 0:05:58 | 0:06:05 | |
account. As for Katie Bond
grandparents, they went into care | 0:06:05 | 0:06:09 | |
together but after 60 years of
marriage they found themselves | 0:06:09 | 0:06:12 | |
having to live apart when a
grandad's health deteriorated. Was | 0:06:12 | 0:06:16 | |
there any offer, moving the wife in
as well? Because the other home was | 0:06:16 | 0:06:22 | |
a nursing home and my Nan did not
meet the threshold for that. I am | 0:06:22 | 0:06:28 | |
sure it was your responsibility, you
put another bed in the room, don't | 0:06:28 | 0:06:32 | |
you? If you're Nan needed to be with
her husband, if that was something | 0:06:32 | 0:06:36 | |
really important and it's difficult
to imagine it wasn't, that is part | 0:06:36 | 0:06:39 | |
of her care needs, she needed to be
in the same place as him physically | 0:06:39 | 0:06:43 | |
and if that meant there was a bit
more cost involved, it should have | 0:06:43 | 0:06:46 | |
been paid for. As the day draws to a
close, what should we all be | 0:06:46 | 0:06:51 | |
thinking about? Any tips? I would
say to plan and it's never too early | 0:06:51 | 0:06:58 | |
to start. I would seek advice, go to
special adviser and make an informed | 0:06:58 | 0:07:03 | |
decision. Talking to someone and
planning ahead, advice I wish I had | 0:07:03 | 0:07:07 | |
followed when mum first became ill,
things that would have saved us a | 0:07:07 | 0:07:10 | |
lot of heartache. Can you drive me
into a pub? | 0:07:10 | 0:07:13 | |
Thank you to Iain and Linda. | 0:07:13 | 0:07:16 | |
We're keen to hear your stories too,
so please get in touch | 0:07:16 | 0:07:19 | |
if this issue affects you. | 0:07:19 | 0:07:22 | |
The Department of Health
and Social Care has told us | 0:07:22 | 0:07:26 | |
they're investing
more money and the government | 0:07:26 | 0:07:28 | |
will soon propose changes to social
care "to ensure it is | 0:07:28 | 0:07:31 | |
sustainable for the future". | 0:07:31 | 0:07:34 | |
Permaul information that is help on
our website -- for more information. | 0:07:34 | 0:07:41 | |
It is something you have talked
about? It should be spoken about, | 0:07:41 | 0:07:47 | |
morbid as it might sound, but
funeral plans. Your will, all of | 0:07:47 | 0:07:53 | |
that. We do think we're in fallible
but were not, as we have seen. We | 0:07:53 | 0:08:00 | |
speak about it, I speak about it and
make sure the children are looked | 0:08:00 | 0:08:04 | |
after and what I would like to
happen to me if I passed away. It is | 0:08:04 | 0:08:08 | |
important... Conversation is key.
Proactive. On a slightly lighter | 0:08:08 | 0:08:17 | |
note you're back and you could talk
about the second series of James | 0:08:17 | 0:08:20 | |
Down starting tomorrow on Sky One.
And it's a double -- Jamestown. | 0:08:20 | 0:08:28 | |
Bring us up to speed. | 0:08:28 | 0:08:32 | |
Basically it is 1607 and it covers
the story of the first settlers in | 0:08:36 | 0:08:44 | |
Jamestown Virginia who came over
from England, having led a pretty | 0:08:44 | 0:08:49 | |
drab life in England and wanting a
new experience in Jamestown but what | 0:08:49 | 0:08:54 | |
they were faced with were horrific
times, starvation and disease and | 0:08:54 | 0:08:59 | |
illness and death. Half of the
people that came over on the boats | 0:08:59 | 0:09:02 | |
initially in 16 is died for that. --
in 1607. Even played a hard-working | 0:09:02 | 0:09:14 | |
character with an interesting side.
You have a big scar on your face. In | 0:09:14 | 0:09:19 | |
the first season, I go up the
Mounties to find gold because that | 0:09:19 | 0:09:28 | |
is my ideal -- the Mount-Evans.
There was tobacco on the plantations | 0:09:28 | 0:09:33 | |
and that was the gold but he is
convinced there is gold up there and | 0:09:33 | 0:09:37 | |
I go with my brother who has an
interest in my wife, which I had | 0:09:37 | 0:09:42 | |
paid for, and that they love
connection there and I fall asleep | 0:09:42 | 0:09:47 | |
smoking a pipe with gunpowder and
had blown up and he leaves me to | 0:09:47 | 0:09:53 | |
die. He is a lovely brother! Here is
a clip of you speaking in a way we | 0:09:53 | 0:09:59 | |
have probably not heard you speaking
before. | 0:09:59 | 0:10:02 | |
If you refuse, there are more
investment is it our favour and | 0:10:30 | 0:10:33 | |
kindness. Do as the King wishes. | 0:10:33 | 0:10:37 | |
APPLAUSE
That was not Welsh as somebody in | 0:10:37 | 0:10:44 | |
our production meeting said! It was
Native American. How did you go | 0:10:44 | 0:10:49 | |
about teaching yourself such a
complex language? The production | 0:10:49 | 0:10:57 | |
company Carnival make top end drama
and they have put everything into | 0:10:57 | 0:11:02 | |
Jamestown and Bill Gallagher is a
phenomenal writer and they have the | 0:11:02 | 0:11:06 | |
best historians and dialect coaches,
costume and make-up and everything. | 0:11:06 | 0:11:11 | |
All you need to do is spend time
with these guys because they are at | 0:11:11 | 0:11:15 | |
the top of their business and put
the time in. But with that, that was | 0:11:15 | 0:11:21 | |
one of the hardest things. It is not
like French or Italian with male and | 0:11:21 | 0:11:25 | |
female and sounds similar to
English, it has not been spoken for | 0:11:25 | 0:11:31 | |
a hundred years, there was a
specialist who worked with us every | 0:11:31 | 0:11:34 | |
day and we worked out we put in
about a hundred manner into a Depor | 0:11:34 | 0:11:40 | |
two or three page seemed -- a
hundred man hours into a scene. You | 0:11:40 | 0:11:47 | |
have to write all of it, listen to
the other actors as well it is a | 0:11:47 | 0:11:54 | |
challenge but watching it, I was
quite impressed! You did all right! | 0:11:54 | 0:12:02 | |
You have been working very hard at
an actor but also as a musician, | 0:12:02 | 0:12:05 | |
working on a new album. Yes, it used
to be a profession for me as a | 0:12:05 | 0:12:12 | |
youngster but it is a hobby now.
October I thought I would put some | 0:12:12 | 0:12:16 | |
tunes together. I had a list of
people I wanted to work with, that I | 0:12:16 | 0:12:21 | |
had worked with or aspired to work
with. Eight out of the ten said yes | 0:12:21 | 0:12:26 | |
which was wonderful and very
blessed. How high profile are we | 0:12:26 | 0:12:30 | |
going? Top notch. Robbie kindly
agreed to do the album. Paul Weller, | 0:12:30 | 0:12:43 | |
he sang one of the most important
tunes, for my daughter. Did she like | 0:12:43 | 0:12:48 | |
it? She is four and she knows all
the lyrics! It is amazing. Paul did | 0:12:48 | 0:12:58 | |
a great vocal, he is one of our best
singers. Lisa Stansfield who I love. | 0:12:58 | 0:13:03 | |
When is it out? Where finding a home
for it right now so we will see and | 0:13:03 | 0:13:09 | |
then get it out. Best of luck with
it all. | 0:13:09 | 0:13:11 | |
This week we've already met women
who have blazed a trail | 0:13:12 | 0:13:14 | |
in business and science. | 0:13:14 | 0:13:15 | |
Tonight, the army. | 0:13:15 | 0:13:16 | |
Soon we'll meet Lieutenant
Colonel Lucy Giles. | 0:13:16 | 0:13:18 | |
But first, here are
the women who influenced | 0:13:18 | 0:13:20 | |
the presenter of Woman's Hour. | 0:13:20 | 0:13:23 | |
In Barnsley. | 0:13:29 | 0:13:32 | |
I Jenny Macklin and my life began
here, I lived it with my and my dad, | 0:13:32 | 0:13:42 | |
with an electrician, she had to give
up work because they did not have | 0:13:42 | 0:13:45 | |
married women in those days. I was
an only child so I was completely | 0:13:45 | 0:13:49 | |
the focus of attention. She loved me
but she didn't always entirely | 0:13:49 | 0:13:56 | |
approve of me. I was not the pretty,
polite, charming little girl that my | 0:13:56 | 0:14:01 | |
mother had hoped I might be so I
suppose all my life I was rebelling | 0:14:01 | 0:14:08 | |
against the woman who ran this
house, and at the same time | 0:14:08 | 0:14:13 | |
desperately trying to please her. My
mother's determination to mould me | 0:14:13 | 0:14:20 | |
went as far as elocution lessons
from the age of five. No risk of a | 0:14:20 | 0:14:25 | |
Yorkshire accent. I did please her
when I passed the 11 plus and went | 0:14:25 | 0:14:30 | |
to her secondary school, Barnsley
high school for girls. There I met | 0:14:30 | 0:14:36 | |
another formidable influence, my
French teacher. It was a thrill to | 0:14:36 | 0:14:44 | |
meet her again some 50 years later.
It is so good to see you. | 0:14:44 | 0:14:52 | |
The school is now flats but inside
there are a few reminders of the old | 0:14:52 | 0:14:55 | |
days. If only the walls could talk.
What do you remember of me? For you | 0:14:55 | 0:15:03 | |
I remembered somebody who was
extremely clever, more mature than | 0:15:03 | 0:15:11 | |
most of the others and if you could
detect some kind of appreciation in | 0:15:11 | 0:15:17 | |
my comment on your work, that was
something you enjoy it. I wanted to | 0:15:17 | 0:15:23 | |
be patted on the head! Is a discreet
way. As if we could exchange a wink | 0:15:23 | 0:15:31 | |
and say, all right, but the others
have said is fairly traditional and | 0:15:31 | 0:15:35 | |
pedestrians but what I have said is
a bit shocking and personal! And you | 0:15:35 | 0:15:40 | |
enjoyed that. Another strong woman
like my mother who inspired | 0:15:40 | 0:15:47 | |
rebellion who I was also desperate
to impress. Maybe a pattern was | 0:15:47 | 0:15:50 | |
emerging here. | 0:15:50 | 0:15:54 | |
Haberman at 18 I combined my
interest in drama and French when I | 0:15:54 | 0:15:57 | |
went to study at the University of
Hull, it was there that I started to | 0:15:57 | 0:16:03 | |
forge my own identity. I walked into
the radio studio and I felt | 0:16:03 | 0:16:10 | |
completely at home and I knew then
that is what I wanted to do, it was | 0:16:10 | 0:16:16 | |
not as sophisticated as it is now,
of course. It is amazing that it | 0:16:16 | 0:16:21 | |
started here, really, here I am, 67,
still doing it. My career has taken | 0:16:21 | 0:16:30 | |
me from BBC local radio to Newsnight
and back to my beloved radio as | 0:16:30 | 0:16:34 | |
presenter of woman's hour, and
eventually I even went to Buckingham | 0:16:34 | 0:16:38 | |
Palace to be made a Dame by the
Queen. My mother died in 2006 would | 0:16:38 | 0:16:44 | |
have been proud as punch. Enough
talk of the past, let's talk about | 0:16:44 | 0:16:50 | |
the future. I hope I can give some
advice to the next generation of | 0:16:50 | 0:16:55 | |
budding broadcasters with my One
Show lecture at my old stomping | 0:16:55 | 0:17:01 | |
ground. I will stick to the
headlines. It is important to be | 0:17:01 | 0:17:08 | |
persistent, it is important to be
competent, don't let people put you | 0:17:08 | 0:17:12 | |
down -- confident. Be willing and be
the one who says, I can do that. And | 0:17:12 | 0:17:18 | |
don't be afraid to start at the
bottom. But be very bad at what the | 0:17:18 | 0:17:25 | |
bottom requires a view. The
impressive -- requires of you. And | 0:17:25 | 0:17:33 | |
keep on keeping on. LAUGHTER
STUDIO: Very wise words. | 0:17:33 | 0:17:41 | |
Thank you, Jenni. | 0:17:41 | 0:17:42 | |
We're joined now by someone
who has served in Iraq, | 0:17:42 | 0:17:45 | |
Afghanistan, Bosnia,
Sierra Leone and Northern Ireland | 0:17:45 | 0:17:46 | |
and is the first ever female college
commander at Sandhurst - | 0:17:46 | 0:17:49 | |
Left-tenant-Colonel Lucy Giles. | 0:17:49 | 0:17:51 | |
APPLAUSE
Lovely to see you. You have no | 0:17:51 | 0:17:57 | |
military background, your parents
were not from the military? I was | 0:17:57 | 0:18:03 | |
from Somerset and went to my local
comprehensive school and went to | 0:18:03 | 0:18:07 | |
university and had a retrospective
gap year which meant I did know what | 0:18:07 | 0:18:11 | |
I wanted to do. My experience at the
University training Corps sowed | 0:18:11 | 0:18:17 | |
seeds and my friend Alison said,
just get on and join the Army, and | 0:18:17 | 0:18:24 | |
because it is the challenge and the
travel which sounds quite cliched | 0:18:24 | 0:18:28 | |
but it was the people actually that
drew me to the service and it has | 0:18:28 | 0:18:33 | |
been great ever since. 26 years now,
how has the perception of women | 0:18:33 | 0:18:40 | |
changed and the treatment of women
changed? I have seen a lot of | 0:18:40 | 0:18:45 | |
change. When I first joined you had
to leave if you were pregnant and if | 0:18:45 | 0:18:51 | |
you were gay you had to leave, you
were disciplined, in fact, if you | 0:18:51 | 0:18:55 | |
were gay, and we have got on with
that and got rid of it. Maternity | 0:18:55 | 0:19:06 | |
and paternity arrangements are now
fantastic and we are a stone wall | 0:19:06 | 0:19:10 | |
100 company and are part of an
organisation which has just got a | 0:19:10 | 0:19:14 | |
triple Ofsted, so very proud to be
part of that. We have seen how | 0:19:14 | 0:19:20 | |
inclusive the adverts have come, but
maybe the young girls they still | 0:19:20 | 0:19:23 | |
associated with something that is
ruled by men, what would you say to | 0:19:23 | 0:19:29 | |
young women who are scared of
applying? They just need to go for | 0:19:29 | 0:19:34 | |
it. I've got a daughter and if she
wanted to be in the Army I would | 0:19:34 | 0:19:41 | |
say, apply, there are so many
different things and there is a good | 0:19:41 | 0:19:46 | |
five, if that makes sense. -- a good
fibre. Very positive role models out | 0:19:46 | 0:19:53 | |
there and we had six mating ladies
who just cross Antarctica -- six | 0:19:53 | 0:19:58 | |
amazing ladies. How amazing is that?
If anyone feels a bit fearful about | 0:19:58 | 0:20:05 | |
joining, I'm going to Chinese then,
if they are keen to come, I will | 0:20:05 | 0:20:09 | |
host them at Sandhurst -- I'm going
to challenge them. Just e-mail me | 0:20:09 | 0:20:16 | |
and it will get there and we will
show you what we do. EU are, | 0:20:16 | 0:20:21 | |
training offices -- Hee Young | 0:20:21 | 0:20:24 | |
-- here you are, training new
offices, why has it taken so long? | 0:20:27 | 0:20:34 | |
The important thing it is
practically bare, and we need to get | 0:20:34 | 0:20:40 | |
the physical standards so that we
are not inadvertently breaking | 0:20:40 | 0:20:46 | |
anybody, but here we are, I'm
confident we will have women serving | 0:20:46 | 0:20:51 | |
in the infantry next year -- the
important thing, it is practically | 0:20:51 | 0:20:56 | |
here. We could speak to you all
night. It is lovely being here, and | 0:20:56 | 0:21:02 | |
I want to say hello to my son and
daughter, Alex and yes. -- Jess. We | 0:21:02 | 0:21:11 | |
are very pleased to have you here.
And for everything you do. | 0:21:11 | 0:21:17 | |
Thank you Lucy - undoubtedly
a pioneer in your own right, | 0:21:17 | 0:21:20 | |
but there have been many pioneers
throughout British history. | 0:21:20 | 0:21:22 | |
Joe's been looking back
at 400 years of British | 0:21:22 | 0:21:24 | |
imagination and invention. | 0:21:24 | 0:21:25 | |
The holograms used on our bank cards
on the first computer memory, what | 0:21:25 | 0:21:29 | |
do they have in common? They are
protected by British patents. To | 0:21:29 | 0:21:36 | |
celebrate 400 years of British
patents a series of photographs has | 0:21:36 | 0:21:40 | |
been taken to highlight the
ingenuity of the vengeance. -- of | 0:21:40 | 0:21:45 | |
the inventions. What is the point of
a patented? To protect someone's | 0:21:45 | 0:21:54 | |
unique idea, really, if you have an
idea and it will be of value to you | 0:21:54 | 0:22:00 | |
and the community, you want to
protect it. 400 years ago we had the | 0:22:00 | 0:22:05 | |
first one, what was it for? A method
of engraving and printing maps, but | 0:22:05 | 0:22:10 | |
we can't show you a map where they
have used this process. What are the | 0:22:10 | 0:22:15 | |
valuable ones? Pfizer made £109
billion. 109 billion! If I want my | 0:22:15 | 0:22:27 | |
invention to remain secret, can I do
that? Every single pate and that is | 0:22:27 | 0:22:33 | |
filed today goes by the Ministry of
Defence -- every single patents but | 0:22:33 | 0:22:37 | |
the if they think it is a danger to
the country, it may not be published | 0:22:37 | 0:22:44 | |
for 20, 30 years. Incredible. These
days thousands of patents are | 0:22:44 | 0:22:50 | |
granted every year, everything from
this children's the folds on this | 0:22:50 | 0:22:56 | |
water bottle. | 0:22:56 | 0:23:01 | |
water bottle. The national media and
science museum in Bradford is home | 0:23:02 | 0:23:04 | |
to one of the most controversial
inventions, the Seattle gaffe. | 0:23:04 | 0:23:16 | |
inventions, the Seattle gaffe. It
was invented by Robert Paul and it | 0:23:16 | 0:23:18 | |
can be considered to be the
beginnings of the cinema industry | 0:23:18 | 0:23:21 | |
within Britain at this point. But
Paul wasn't the first to project | 0:23:21 | 0:23:26 | |
moving pictures in Britain, and his
old business partner Bert acres has | 0:23:26 | 0:23:31 | |
beaten him to it with his device.
The pair had previously worked | 0:23:31 | 0:23:36 | |
together to design a film camera but
the partnership had only lasted six | 0:23:36 | 0:23:39 | |
weeks. Acres paintings in the
camera, a similar one, in his own | 0:23:39 | 0:23:47 | |
name, cutting Paul out of the work
they had done together -- patented. | 0:23:47 | 0:23:52 | |
Even though acres got there first,
Paul had the last laugh. With films | 0:23:52 | 0:23:57 | |
like this of the 1896 apps and the,
Paul's see films became a big | 0:23:57 | 0:24:08 | |
success -- 1896 apps and the. | 0:24:08 | 0:24:11 | |
Others show the first beta blockers
and artificial silk and Portland | 0:24:14 | 0:24:20 | |
cement, all of which have had
British patents. We are trying to | 0:24:20 | 0:24:27 | |
create a body of work which
demonstrates the imagination behind | 0:24:27 | 0:24:32 | |
invention and then we tried a
visualise this into a interesting | 0:24:32 | 0:24:35 | |
image and bring it to life or people
all over the world to | 0:24:35 | 0:24:43 | |
all over the world to understand --
for people. The caption being | 0:24:44 | 0:24:51 | |
photographed here is the grip on
rugby balls. | 0:24:51 | 0:24:58 | |
rugby balls. Ted wants to capture
the way a game of rugby flows | 0:24:58 | 0:25:01 | |
smoothly as a result of this
invention. That is looking very | 0:25:01 | 0:25:06 | |
nice. The images they have created
will be circulating across the | 0:25:06 | 0:25:12 | |
world, it is a imaginative and
distinctive way of showcasing the | 0:25:12 | 0:25:15 | |
incredible innovation that has come
out of Britain over the last 400 | 0:25:15 | 0:25:19 | |
years. STUDIO: That will be a great
display. | 0:25:19 | 0:25:28 | |
And one of Britain's
ingenious inventors joins us | 0:25:28 | 0:25:29 | |
now - Mandy Haberman. | 0:25:29 | 0:25:32 | |
The Female Inventor of the Year.
Because of these cup designs. Added | 0:25:32 | 0:25:38 | |
these come to be? -- how did. I've
done a number of inventions, in what | 0:25:38 | 0:25:47 | |
turned me from being a graphic
designer and a mother to being an | 0:25:47 | 0:25:50 | |
inventor was having children. I can
thank my kids for this. Our youngest | 0:25:50 | 0:25:56 | |
daughter was born with problems and
she was fed with achievement which | 0:25:56 | 0:25:58 | |
went up her nose and she had that
for about four months -- she was fed | 0:25:58 | 0:26:06 | |
with a | 0:26:06 | 0:26:11 | |
with a tube. Miss assesses | 0:26:12 | 0:26:14 | |
assessor team was the mother of
invention, if you like. Mashed | 0:26:17 | 0:26:21 | |
necessity was the mother. | 0:26:21 | 0:26:24 | |
If I had not got into the renting
thing, I got the bug, and I realised | 0:26:24 | 0:26:30 | |
I was the | 0:26:30 | 0:26:33 | |
-- if I had not got into the
inventing thing, I got the bug, and | 0:26:36 | 0:26:42 | |
I realised I was looking at other
children and they needed that cup. | 0:26:42 | 0:26:49 | |
It was the anyway up cup and it was
a big success. When you designed the | 0:26:49 | 0:26:55 | |
cups, you went to many David and
Goliath court cases with the big | 0:26:55 | 0:27:03 | |
boys and managed to win. Yes. The
way the market works, if you have a | 0:27:03 | 0:27:09 | |
technology which disrupts the status
quo and technology changes the | 0:27:09 | 0:27:19 | |
market, and we had a 40% share | 0:27:19 | 0:27:24 | |
quo and technology changes the
market, and we had a 40% share, and | 0:27:24 | 0:27:25 | |
so the existing companies thing, who
is this, -- think, who is this | 0:27:25 | 0:27:32 | |
question not they challenge the
patented and come up with the | 0:27:32 | 0:27:36 | |
infringements and then it is down to
the paint and owner -- patent owner | 0:27:36 | 0:27:43 | |
to see if they will force their
rights and it was a difficult | 0:27:43 | 0:27:46 | |
decision. You can lose everything.
But I did it because I felt I | 0:27:46 | 0:27:53 | |
couldn't live with myself if I'd do
something about it. It all turned | 0:27:53 | 0:27:56 | |
out wonderfully. Here you are to
tell the tale. Max, you are an | 0:27:56 | 0:28:04 | |
immense? -- inventor. Of course will | 0:28:04 | 0:28:11 | |
I did have an idea once. Instead of
having a tanning bed... Stand-up | 0:28:11 | 0:28:19 | |
tanning beds. You are in there, but
check this out, at every resort, | 0:28:19 | 0:28:27 | |
instead of it being tubes, it is 30
factor, with all the jets coming | 0:28:27 | 0:28:37 | |
out, how annoying is it putting all
your cream on? You close the door | 0:28:37 | 0:28:44 | |
and say, number 30 please, and in
the dryer drives you and then you | 0:28:44 | 0:28:49 | |
put on your pants and you go out. I
don't know what to say. How was | 0:28:49 | 0:28:55 | |
that? They already out there. | 0:28:55 | 0:29:01 | |
That's your lot for tonight -
thanks to Mandy, Lucy and Max - | 0:29:01 | 0:29:05 | |
Jamestown returns tomorrow,
9pm, Sky One. | 0:29:05 | 0:29:08 | |
Tomorrow Jeremy Vine
and I will be joined by John Simm | 0:29:08 | 0:29:11 | |
and the stars of new Marvel
film, Black Panther. | 0:29:11 | 0:29:13 | |
See you tomorrow! | 0:29:13 | 0:29:16 | |
Good night. | 0:29:16 | 0:29:21 |