Browse content similar to 09/02/2018. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Hello and welcome to The One Show,
with me, Alex Jones, | 0:00:19 | 0:00:23 | |
and my superhero sidekick
for the night - faster | 0:00:23 | 0:00:25 | |
than a speeding autocue,
it's Jeremy Vine! | 0:00:25 | 0:00:30 | |
CHEERING. Thank you. | 0:00:31 | 0:00:37 | |
In true superhero style our guests
have all played their part | 0:00:37 | 0:00:40 | |
in the neverending struggle
between good and evil. | 0:00:40 | 0:00:42 | |
Cue the stirring music. | 0:00:42 | 0:00:43 | |
From the dark side, he played
one of Dr Who's most | 0:00:43 | 0:00:45 | |
fearsome arch-enemies. | 0:00:45 | 0:00:46 | |
The Master himself - it's John Simm | 0:00:46 | 0:00:52 | |
And our heroes tonight,
well they don't get much bigger | 0:00:52 | 0:00:55 | |
than this right now! | 0:00:55 | 0:00:56 | |
From the Marvel blockbuster
everybody is talking | 0:00:56 | 0:00:58 | |
about - Black Panther -
it's Chadwick Boseman | 0:00:58 | 0:00:59 | |
and Danai Gurira! | 0:00:59 | 0:01:03 | |
CHEERING. Great to see you both. I
mean, literally, where are you | 0:01:03 | 0:01:15 | |
getting your addresses from? You
look incredible. Hello to the three | 0:01:15 | 0:01:20 | |
of you. We know that the Premier
Black Panther was last night because | 0:01:20 | 0:01:25 | |
Jeremy here cycled past due in
Hammersmith. Yeah. I know this is | 0:01:25 | 0:01:32 | |
not a very dramatic story but I
cycled past Hammersmith Apollo and | 0:01:32 | 0:01:37 | |
thought, it's not quite LA, is it?
Where the big world premiere was. | 0:01:37 | 0:01:41 | |
How was it? It was fantastic. We had
a really good time. It was a cool | 0:01:41 | 0:01:47 | |
community of people coming together
to celebrate something. We felt very | 0:01:47 | 0:01:50 | |
welcomed. Kudos to you for keeping
it green and cycling. Must've been | 0:01:50 | 0:01:55 | |
freezing? Yeah, we had to stand out
there and take pictures. So hard! It | 0:01:55 | 0:02:06 | |
was tough, man! It is all about
superpowers. And superheroes. What | 0:02:06 | 0:02:12 | |
would your superpower be, John?
Probably teleportation. Is that a | 0:02:12 | 0:02:19 | |
superpower? I reckon it is. No
tickets. Brilliant. We might return | 0:02:19 | 0:02:24 | |
to this. | 0:02:24 | 0:02:25 | |
We've got the professionals in,
but we're throwing the gauntlet | 0:02:25 | 0:02:27 | |
down to you at home. | 0:02:27 | 0:02:29 | |
We want to see your
homemade super heroes. | 0:02:29 | 0:02:30 | |
Grab whatever is lying around
the house - leggings, | 0:02:30 | 0:02:33 | |
goggles, kitchen stuff -
to create a new superhero costume. | 0:02:33 | 0:02:38 | |
My gosh! | 0:02:38 | 0:02:41 | |
Then send us a photo of you striking
a heroic pose, along | 0:02:41 | 0:02:43 | |
with the name of your new hero. | 0:02:43 | 0:02:45 | |
Jeremy, would you demonstrate?
Something like this. | 0:02:45 | 0:02:49 | |
We'll show some of
the funniest later. | 0:02:49 | 0:02:52 | |
I can see you are wondering what you
have got into. | 0:02:52 | 0:02:55 | |
Looking forward to meeting
Sofacushionman or Bagforlifewoman. | 0:02:55 | 0:03:00 | |
Absolutely. | 0:03:00 | 0:03:01 | |
As far as superhero poses go,
you'd be hard pushed to find one | 0:03:01 | 0:03:05 | |
as powerful as this next guy's. | 0:03:05 | 0:03:06 | |
With a wingspan of 54 metres, and no
less than 200 tonnes of steel, | 0:03:06 | 0:03:09 | |
he's been standing proud
on the outskirts of Gateshead - | 0:03:09 | 0:03:12 | |
overlooking the A1 -
for nearly 20 years. | 0:03:12 | 0:03:14 | |
And he's become quite
the local celebrity. | 0:03:14 | 0:03:22 | |
I'm Antony Gormley. I made the Angel
of the North. 20 years ago. It is | 0:03:26 | 0:03:34 | |
hard to believe. Designed and built
over the past four years, the Angel | 0:03:34 | 0:03:38 | |
Of The North took less than a day to
put up. When the angel was made, | 0:03:38 | 0:03:44 | |
there was 27% unemployment here. For
a council to realise how important | 0:03:44 | 0:03:48 | |
it was for the spirit of a community
to make something that says, we are | 0:03:48 | 0:03:54 | |
here! We can move you. We believe in
ourselves and we are going to show | 0:03:54 | 0:03:59 | |
the world that we believe in our
future, even if you have written us | 0:03:59 | 0:04:03 | |
off. It was a very moving things.
Going to engineering shops all | 0:04:03 | 0:04:09 | |
around the area saying, how do we
make this? Can you make this? Can we | 0:04:09 | 0:04:14 | |
find all those people that knew how
to bend steel. It is made of steel | 0:04:14 | 0:04:20 | |
plates. This is the work of more
than 100 people. | 0:04:20 | 0:04:30 | |
My name is Graham. I worked on the
Angel Of The North. That is me | 0:04:30 | 0:04:34 | |
fitting the ribs to the back section
of the angel. My name is Mark. It is | 0:04:34 | 0:04:42 | |
the first time I have stood
underneath the angel since she was | 0:04:42 | 0:04:45 | |
erected. It is a nice thing to do to
look up will stop A lot of people | 0:04:45 | 0:04:57 | |
come to see us knowing it is our
work and it is a quite proud | 0:04:57 | 0:05:00 | |
feeling. It was a new concept the
first time. Nobody was 100% sure how | 0:05:00 | 0:05:06 | |
we were going to put the wings on.
The size of a jumbo jet, it has not | 0:05:06 | 0:05:14 | |
been without controversy. Some have
questioned whether the £800,000 that | 0:05:14 | 0:05:19 | |
is being spent could not have been
better used. People are much more | 0:05:19 | 0:05:24 | |
frightened of ideas than reality.
From the moment this arrived people | 0:05:24 | 0:05:29 | |
changed their minds. Or is changed
their mind. That was absolutely | 0:05:29 | 0:05:34 | |
incredible, the day of putting it
up. Everybody had been told to stay | 0:05:34 | 0:05:39 | |
away. People did not pay a blind bit
of notice. I breakfast there must've | 0:05:39 | 0:05:43 | |
been a couple of hundred people. I
lunchtime a couple of thousand. And | 0:05:43 | 0:05:48 | |
it was just incredible -- incredibly
moving. It was designed to be a | 0:05:48 | 0:05:57 | |
tribute to the work in the
north-east, the shipbuilding | 0:05:57 | 0:05:59 | |
industry and the industry. A
reflection of their abilities. I | 0:05:59 | 0:06:07 | |
feel a lot of pride, the fact I
worked on it. I think 130 to 150 | 0:06:07 | 0:06:18 | |
years she is supposed to stand. It
is nice to know that something I did | 0:06:18 | 0:06:21 | |
will be going to another generation.
I remember standing at the bottom of | 0:06:21 | 0:06:26 | |
the drive and seeing the enormity of
it and thinking it was just magical | 0:06:26 | 0:06:30 | |
and beautiful. Gorgeous. She is
always lovely to come home too. The | 0:06:30 | 0:06:39 | |
Angel Of The North is truly ours.
And so many people are said to me, | 0:06:39 | 0:06:45 | |
the angel tells me that I am home.
Hard to do that, that is the best it | 0:06:45 | 0:06:52 | |
can do. Turner, empty, windy
post-industrial site into a place | 0:06:52 | 0:07:00 | |
that people feel is theirs. | 0:07:00 | 0:07:06 | |
There we are. Beautiful. Happy 20th
birthday. John, tell us about your | 0:07:13 | 0:07:18 | |
thriller, Collateral, which is on on
Monday? Yes, for four weeks. It is | 0:07:18 | 0:07:26 | |
written by Sir David Hare. It is a
political thriller with some very | 0:07:26 | 0:07:32 | |
now, very state of the nation. I
play a Labour MP in the Shadow | 0:07:32 | 0:07:38 | |
Cabinet. It starts off with the
murder of a pizza delivery guy. | 0:07:38 | 0:07:42 | |
Carey Mulligan is the detective in
charge of the case. He is murdered | 0:07:42 | 0:07:49 | |
delivering a pizza to my former
wife, played by Billie Piper. He is | 0:07:49 | 0:07:53 | |
not the guy who was supposed to
deliver it. So there is a whole | 0:07:53 | 0:07:57 | |
strand that goes off in loads of
different angles. Yeah, it goes for | 0:07:57 | 0:08:04 | |
politics, religion, immigration, the
stuff that David Hare is really | 0:08:04 | 0:08:11 | |
brilliant ad. Everything that is
relevant today. Let's see the moment | 0:08:11 | 0:08:17 | |
when you hear about the murder for
the first time. | 0:08:17 | 0:08:20 | |
I want say it again. It was me who
ordered the Peter. Did Jia de shot? | 0:08:20 | 0:08:27 | |
Of course I heard it. You were the
last person to speak to him? I | 0:08:27 | 0:08:35 | |
suppose. You don't seem very upset?
I thought I had a bottle of wine. I | 0:08:35 | 0:08:41 | |
must have drunkard. Is that a new
search? -- I must have drunk it. You | 0:08:41 | 0:08:47 | |
called me to come over here. Sorry
if that was a drag. I'm sure you are | 0:08:47 | 0:08:53 | |
busy. Don't worry.
Too busy for the mother of your | 0:08:53 | 0:08:58 | |
child.
Karen... I've only seen the first | 0:08:58 | 0:09:05 | |
episode so far and I have a feeling
that your character is hiding | 0:09:05 | 0:09:08 | |
something. At the beginning he is
kind of the pillar of the community. | 0:09:08 | 0:09:15 | |
Butter wouldn't melt, really. But
underneath, is there something else | 0:09:15 | 0:09:18 | |
going on? No. He is not The Master!
Really! He is like a Jeremy Corbyn | 0:09:18 | 0:09:28 | |
tight Labour MP. He is a good guy,
he fights for what he believes in. | 0:09:28 | 0:09:32 | |
His hands are tied because he get
into a lot of trouble with the | 0:09:32 | 0:09:36 | |
leader of the Labour Party because
he says the wrong things, he's | 0:09:36 | 0:09:39 | |
outspoken. He is essentially a good
guy. He is married to her. Not for | 0:09:39 | 0:09:50 | |
good. -- not for long. It is your
first politician to play, isn't it? | 0:09:50 | 0:09:58 | |
When I saw him, I thought, buddy. He
has to be in jail by the end. That's | 0:09:58 | 0:10:03 | |
terrible. It is my first politician.
It is very like state of play. A | 0:10:03 | 0:10:09 | |
political thriller. I was the
journalist in that. I am the MP in | 0:10:09 | 0:10:14 | |
this. I need to play the police
officer next. Is it true that you | 0:10:14 | 0:10:19 | |
did not even read the script before
taking the part? No. I was in LA. I | 0:10:19 | 0:10:26 | |
met the director. He directed life
on Mars, the defenders... She told | 0:10:26 | 0:10:33 | |
me about the script, Jessica Jones.
She said it was so good, you have to | 0:10:33 | 0:10:37 | |
do it. She was considering it. When
I was doing Doctor Who, she said we | 0:10:37 | 0:10:42 | |
would like to offer you the role of
the MP. I said, yes. And then I read | 0:10:42 | 0:10:47 | |
it and it was really good. A good
thriller. Somewhere in it is your | 0:10:47 | 0:10:52 | |
daughter for a second. She is in
about three scenes. She plays mine | 0:10:52 | 0:10:59 | |
and Billy's daughter. Acting
required? I said, just pretend I'm | 0:10:59 | 0:11:08 | |
your daddy. It was a surreal
experience. She was very good. It is | 0:11:08 | 0:11:12 | |
her birthday today. She is 11. The
house is full of friends. The houses | 0:11:12 | 0:11:17 | |
full of 11-year-old girls. We look
forward to seeing it. Four episodes, | 0:11:17 | 0:11:25 | |
one each week. | 0:11:25 | 0:11:26 | |
At the end of a week where we've
marked the centenary of women | 0:11:26 | 0:11:29 | |
winning the right to vote,
we're going back to school now. | 0:11:29 | 0:11:33 | |
Not just any school -
one that produced one of the UK's | 0:11:33 | 0:11:35 | |
most famous suffragettes. | 0:11:35 | 0:11:36 | |
Does her legacy still
inspire the young women | 0:11:36 | 0:11:38 | |
learning there today? | 0:11:38 | 0:11:39 | |
Here's Carrie. | 0:11:39 | 0:11:43 | |
It was a moment in the suffragette
movement that changed everything. In | 0:11:43 | 0:11:49 | |
1913, Emily Davison School walking
out putting a scarf on the King's | 0:11:49 | 0:11:56 | |
horse in the Derby. She died for her
cause. She went to school here in | 0:11:56 | 0:12:05 | |
Kensington in 1885. 100 years on
from the moment when women over 30 | 0:12:05 | 0:12:07 | |
were allowed to vote, Philippa,
Emily's first cousin three | 0:12:07 | 0:12:13 | |
generations down, is heading to the
school to meet the pupils. Do you | 0:12:13 | 0:12:17 | |
know what they suffragette was?
Suffragette was someone who took | 0:12:17 | 0:12:21 | |
direct action to try to get women to
be able to vote. So girls, what does | 0:12:21 | 0:12:27 | |
it feel like to know that you are at
the school that Emily Davison School | 0:12:27 | 0:12:32 | |
went to? I feel it is really
inspirational but she broke rules | 0:12:32 | 0:12:40 | |
and the stereotypes. That makes me
feel I can do whatever I want when I | 0:12:40 | 0:12:43 | |
grow up. The school was founded by
the girl state -- the girls Day | 0:12:43 | 0:12:51 | |
School trust. It was setup in the
1900 to help girls like Emily get an | 0:12:51 | 0:12:56 | |
education. This is where Emily was
registered. 1885. Davison Wilding | 0:12:56 | 0:13:03 | |
Emily. Was their any sign back then
that she was going to become this | 0:13:03 | 0:13:08 | |
amazing campaigner? The headmistress
was always surprised she did better | 0:13:08 | 0:13:15 | |
in exams than expected. That says
something about her character. One | 0:13:15 | 0:13:20 | |
can say with all confidence she was
earnest, diligent and conscientious | 0:13:20 | 0:13:26 | |
in any work she undertook. That is
lovely. What difference has it made | 0:13:26 | 0:13:30 | |
to your life having Emily as one of
your ancestors? My father always | 0:13:30 | 0:13:35 | |
insisted that my mother was the head
of the house. He always brought us | 0:13:35 | 0:13:40 | |
up, the girls can do physics and
chemistry, the boys can do cooking | 0:13:40 | 0:13:44 | |
and art if they want. That attitude
is a very strong influence on my | 0:13:44 | 0:13:47 | |
upbringing. What would the girls
here like to see in the next 100 | 0:13:47 | 0:13:53 | |
years? I'm great -- very grateful
that in Britain girls and women get | 0:13:53 | 0:13:59 | |
the vote. In some countries it is
different. In 100 years I would want | 0:13:59 | 0:14:02 | |
that to change. The young people's
attitudes towards gender equality is | 0:14:02 | 0:14:08 | |
really positive. We have to embrace
that and move that forward. | 0:14:08 | 0:14:17 | |
You mentioned your 11-year-old
daughter. I also have an 11-year-old | 0:14:18 | 0:14:23 | |
daughter. I just wonder what they
take from the suffragette in the | 0:14:23 | 0:14:27 | |
21st century? Equality, equal pay,
everything. There is a big sea | 0:14:27 | 0:14:32 | |
change at the moment. That was the
beginning of a long time ago. It's | 0:14:32 | 0:14:36 | |
getting bigger now. Have you been
talking to your daughter about it | 0:14:36 | 0:14:41 | |
this week? I haven't seen much of
her because I have been at work and | 0:14:41 | 0:14:46 | |
she has been at school. My wife has.
She has been talking to her about | 0:14:46 | 0:14:51 | |
it. Yeah. It is a special week. For
them to understand it was a period | 0:14:51 | 0:14:56 | |
when women did not have the vote. A
century ago. | 0:14:56 | 0:14:59 | |
Yeah. Danai, exploring equality
themes is nothing new to you. You | 0:14:59 | 0:15:07 | |
wrote it clips, the first all-female
Black cast. And now you have Love | 0:15:07 | 0:15:14 | |
Our Girls, your foundation.
Talk to us about the work you do? | 0:15:14 | 0:15:17 | |
Love Our Girls is like an awareness
hub. I created it in 2016 when it | 0:15:17 | 0:15:22 | |
clips went to Broadway. I really
wanted to signify the activism that | 0:15:22 | 0:15:27 | |
needs to happen around women and
girls. We look at those 100 years | 0:15:27 | 0:15:32 | |
ago, there is still so much
inequality. | 0:15:32 | 0:15:39 | |
Love Our Girls was something I
created because I was born on | 0:15:40 | 0:15:44 | |
Valentine's Day. I have a confused
relationship with that holiday. I | 0:15:44 | 0:15:51 | |
wanted to read a dedicated it to
loving girls and women and if we | 0:15:51 | 0:15:56 | |
focus on loving them, can we really
continue to give them an equal | 0:15:56 | 0:16:01 | |
rights in so many sectors of
society? It is an awareness hub. | 0:16:01 | 0:16:07 | |
Better much astounding work being
done but a lot of times people don't | 0:16:07 | 0:16:11 | |
know. They don't know who to
support, they don't know how to | 0:16:11 | 0:16:15 | |
become activists themselves. Every
month on the 14th we put out a | 0:16:15 | 0:16:20 | |
newsletter and tried to disseminate
as much information as possible for | 0:16:20 | 0:16:23 | |
people to start to connect and
understand, and we showed them how | 0:16:23 | 0:16:28 | |
to plug in. We'll talk more about
Black Panther later on but Chadwick, | 0:16:28 | 0:16:36 | |
it's a remarkable film. It's very
different because you go in the | 0:16:36 | 0:16:41 | |
cinema and its overwhelmingly a
black cast. Yes, I guess that is | 0:16:41 | 0:16:47 | |
very striking! LAUGHTER It's weird
because I'm used to it now, having | 0:16:47 | 0:16:54 | |
been on this film for over a year.
With this family of people for over | 0:16:54 | 0:17:03 | |
a year. We carried part of that
cars. -- that cast. I don't go to | 0:17:03 | 0:17:11 | |
work every day saying, wow, I'm
around all these black people! | 0:17:11 | 0:17:15 | |
LAUGHTER Did you think you're part
of a cultural change or not? This is | 0:17:15 | 0:17:22 | |
an extraordinary moment, and...
Maybe it shouldn't be extraordinary. | 0:17:22 | 0:17:29 | |
That's the point I'm making. I think
we have to see what happens as far | 0:17:29 | 0:17:35 | |
as black film goes. Every decade
there is a period of time where | 0:17:35 | 0:17:40 | |
there are film-makers making films
and we are excited about it and it | 0:17:40 | 0:17:46 | |
becomes a trend. We have some
amazing stuff happening on TV and | 0:17:46 | 0:17:56 | |
film. | 0:17:56 | 0:18:03 | |
film. We had Selma. All of the
things that have happened over the | 0:18:03 | 0:18:08 | |
past few years, I hesitate to call
it a renaissance but we don't know | 0:18:08 | 0:18:11 | |
what's going to happen in the
future. We need ten more years to | 0:18:11 | 0:18:15 | |
look back and see if the industry
did change. It's a stunning film to | 0:18:15 | 0:18:20 | |
watch, it must have been stunning to
work on as well. | 0:18:20 | 0:18:24 | |
One thing that certainly
unites us is music. | 0:18:24 | 0:18:26 | |
In the words of the great
philosopher Confucius - | 0:18:26 | 0:18:28 | |
"Music produces a kind of pleasure
which human nature | 0:18:28 | 0:18:30 | |
cannot do without". | 0:18:30 | 0:18:31 | |
Or as Harry Styles once said - "Can
you imagine a world with no music? | 0:18:31 | 0:18:35 | |
It would suck." | 0:18:35 | 0:18:37 | |
Well said. | 0:18:37 | 0:18:38 | |
Here's Jim Moir - or Vic Reeves,
as he's better known - | 0:18:38 | 0:18:41 | |
looking at the art
of a great record. | 0:18:41 | 0:18:45 | |
The record. In bent it in the 1880s,
followed soon after by the invention | 0:18:45 | 0:18:50 | |
of the record cover. -- invented in
the 1880s. Record sleeves are there | 0:18:50 | 0:18:57 | |
practically to stop the record from
being scratched, like this. But the | 0:18:57 | 0:19:05 | |
real reason for record covers is to
create iconic art. Fairport | 0:19:05 | 0:19:11 | |
Convention, what we did on our
holidays. I would sit in my bedroom | 0:19:11 | 0:19:16 | |
looking at this for hours and hours
because there's always something new | 0:19:16 | 0:19:19 | |
that you can find in this. Forget
the Mona Lisa, stack them up in your | 0:19:19 | 0:19:25 | |
bedroom or your lounge. You can
flick through it and look at your | 0:19:25 | 0:19:30 | |
own fabulous bit of personal
artwork. Every day! In celebration | 0:19:30 | 0:19:35 | |
of Alba Mart, I've come to a shop in
Deal, Kent, to look at record covers | 0:19:35 | 0:19:41 | |
for the locals. His first? The
first-ever British punk album. I'd | 0:19:41 | 0:19:49 | |
seen them play 516 times. Which
tracks are we going to go for. We | 0:19:49 | 0:19:56 | |
are going to do New Rose. Played a
record! MUSIC | 0:19:56 | 0:20:03 | |
But there's a twist. I have to
complete the sketches before the | 0:20:03 | 0:20:08 | |
chosen track ends. It's only two
minutes and 43 seconds. I need to | 0:20:08 | 0:20:13 | |
get a move on! The first time I saw
them play was in Luton in 1976. It | 0:20:13 | 0:20:23 | |
was supposed to be 50p but I only
had 35p. The landlady let me end. | 0:20:23 | 0:20:30 | |
About 35 years later I met her at a
gig and I gave her the other 15p! | 0:20:30 | 0:20:40 | |
gig and I gave her the other 15p! Is
that your bag? Are you a copper?! | 0:20:40 | 0:20:44 | |
Not exactly! CHEERING
Two minutes 39, punk rock. | 0:20:44 | 0:21:03 | |
# Can anybody find me
# Somebody to love? # | 0:21:04 | 0:21:07 | |
The next | 0:21:07 | 0:21:12 | |
The next album is A Day At The Races
by Queen. We have chosen Somebody to | 0:21:14 | 0:21:19 | |
Love. My friend worked at a record
shop and I managed to get Freddie | 0:21:19 | 0:21:24 | |
Mercury's phone number. We went to
my friends house to find a number to | 0:21:24 | 0:21:28 | |
speak to Freddie. I said my name is
Ralph. He said where have you got my | 0:21:28 | 0:21:33 | |
number from? I said I just want you
to know that we think you're | 0:21:33 | 0:21:37 | |
fabulous and we really love the new
single Somebody to Love. He said | 0:21:37 | 0:21:42 | |
that's very nice and I appreciate it
but don't give this number to anyone | 0:21:42 | 0:21:47 | |
else! LAUGHTER The song is
bittersweet because as we know | 0:21:47 | 0:21:51 | |
Freddie died from aids and my school
friend also died of aids. I perform | 0:21:51 | 0:21:56 | |
it live and it's always with a
bittersweet feeling. And you | 0:21:56 | 0:22:00 | |
remember them. I remember them,
which is the important thing. | 0:22:00 | 0:22:06 | |
# Need somebody to love... CHEERING
A fabulous four minutes 57 seconds. | 0:22:06 | 0:22:21 | |
Our last album is The Holy Bible by
The Manics. We met in Charing Cross | 0:22:24 | 0:22:33 | |
library and she was looking for The
Holy Bible. I said hold on, I'll | 0:22:33 | 0:22:38 | |
tape it for you. I've bought three
copies since so it's OK! LAUGHTER | 0:22:38 | 0:22:43 | |
There are policemen in the area! I
know! What was the upshot of this? | 0:22:43 | 0:22:50 | |
22 years later we are still
together. We had the The Manics | 0:22:50 | 0:22:56 | |
playing at our wedding. This lovely
album of death, destruction and | 0:22:56 | 0:23:02 | |
misery brought us together. APPLAUSE
3.55, these album covers clearly | 0:23:02 | 0:23:12 | |
mean a lot of people. It's been fun
but I'm all sketched out! | 0:23:12 | 0:23:19 | |
They were brilliant and amazing he
did them all in four minutes. | 0:23:19 | 0:23:24 | |
Incredible, all as the songs were
playing. | 0:23:24 | 0:23:30 | |
playing. We are going to talk a bit
more about Black Panther. Your | 0:23:30 | 0:23:38 | |
character's dot was killed in the
Civil War. If you see Civil War you | 0:23:38 | 0:23:44 | |
know he was killed. We pick up where
we left off essentially. He has to | 0:23:44 | 0:23:51 | |
take on the throne, so there is the
weight of the guilt of allowing his | 0:23:51 | 0:23:56 | |
father to be killed and returning
and having to answer for that. The | 0:23:56 | 0:24:03 | |
country is in disarray because we
don't have a king. It's the weight | 0:24:03 | 0:24:08 | |
of taking on the legacy of my father
and living up to that level of | 0:24:08 | 0:24:13 | |
leadership. I wondered if you felt
in some way it was fate that you | 0:24:13 | 0:24:22 | |
played Black Panther? I read you
saying there were certain things | 0:24:22 | 0:24:25 | |
that happened where you thought I
wonder if I'll do that one day. Yes, | 0:24:25 | 0:24:29 | |
little signs stop with the comic
book is one of those things as a | 0:24:29 | 0:24:35 | |
film-maker and storyteller and
actor, you say I would love to do | 0:24:35 | 0:24:38 | |
that one day. I think on my travels
the first thing is that I was in | 0:24:38 | 0:24:46 | |
Peru and I saw a cross and there's a
puma which is a sort of Panther. | 0:24:46 | 0:24:53 | |
There are various animals that go
along with that cross and it made me | 0:24:53 | 0:25:04 | |
think of Wakanda because you have
this lost city of Michu Pichu. I | 0:25:04 | 0:25:14 | |
wanted the Black Panther movie and
what I wanted it to be like. I was | 0:25:14 | 0:25:18 | |
in Australia shooting another movie
and a security guard on the set | 0:25:18 | 0:25:21 | |
basically saw me one day sparring
with another security guard. He came | 0:25:21 | 0:25:28 | |
and the next day he put a black
panther comic book in my trailer. He | 0:25:28 | 0:25:35 | |
said I think you would be great if
you played this one day. Here we | 0:25:35 | 0:25:39 | |
are! LAUGHTER Here we are chatting
about it. So you play Okoya who is | 0:25:39 | 0:25:52 | |
an incredible strong female
character. There are loads of very | 0:25:52 | 0:25:55 | |
strong female characters in this
film. Your daughter would love it | 0:25:55 | 0:25:58 | |
for that reason. She is incredibly
loyal. She's the head of the Armed | 0:25:58 | 0:26:09 | |
Forces and I think it's a wonderful
concept, a woman Army that protects | 0:26:09 | 0:26:15 | |
the throne. And consequently secures
the nation with him. I work | 0:26:15 | 0:26:21 | |
alongside him. He has a right-hand
woman which is a cool leadership | 0:26:21 | 0:26:26 | |
choice. | 0:26:26 | 0:26:31 | |
choice. She's very, very loyal to
him and to the nation. She deeply | 0:26:32 | 0:26:39 | |
loves Wakanda, and her role of
course involves protecting this | 0:26:39 | 0:26:44 | |
nation's legacy and what her for
mothers and forefathers setup. We've | 0:26:44 | 0:26:49 | |
got a clip which is where you debate
what to do your nemesis Claw with | 0:26:49 | 0:26:55 | |
the CIA agent Martin Freeman. I'll
talk to him first... | 0:26:55 | 0:27:04 | |
After your questioning will take you
back to Wakanda. He's in my custody | 0:27:17 | 0:27:23 | |
now, he's not going anywhere. I'm
doing you a favour by even letting | 0:27:23 | 0:27:27 | |
you be in here. | 0:27:27 | 0:27:34 | |
Does she speak English? When she
wants to. APPLAUSE | 0:27:35 | 0:27:45 | |
It's funny in places, isn't it?
Their resume there. There's | 0:27:45 | 0:27:51 | |
definitely a lot of humour in the
film. We got to explore these | 0:27:51 | 0:27:56 | |
African characters, right down to
the language which was really | 0:27:56 | 0:27:58 | |
exciting to do. The films got it
all. It's out on the 13th of | 0:27:58 | 0:28:05 | |
February. That his next Tuesday. You
sent in some pictures of you dressed | 0:28:05 | 0:28:15 | |
as superheroes. | 0:28:15 | 0:28:23 | |
This is Colin the man! And she made
this outfit herself. Her superpowers | 0:28:23 | 0:28:30 | |
are making ice cream and her super
name is Agent Rainbow! | 0:28:30 | 0:28:41 | |
That's it for tonight -
thanks to our guests John, | 0:28:41 | 0:28:43 | |
Danai and Chadwick. | 0:28:43 | 0:28:44 | |
You can see Collateral
on Monday night at 9pm | 0:28:44 | 0:28:47 | |
on BBC Two, and Black Panther
is in cinemas on Tuesday. | 0:28:47 | 0:28:49 | |
And thanks of course to Jeremy -
always a pleasure! | 0:28:49 | 0:28:52 | |
Matt's back on Monday and we'll
be joined by Radio 1's | 0:28:52 | 0:28:54 | |
Clara Amfo and Billy Ocean. | 0:28:54 | 0:28:56 | |
When the going gets tough,
the tough get going. | 0:28:56 | 0:28:58 | |
Have a lovely weekend. | 0:28:58 | 0:29:00 |