Browse content similar to 09/08/2013. Check below for episodes and series from the same categories and more!
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with Chris Evans And Alex Jones. Tonight's guest is what about if you | :00:23. | :00:31. | |
go go back in time to recapture lost opportunities. We saw the film and | :00:31. | :00:36. | |
it is amazing. We weren't really in the mood but it got us there. | :00:36. | :00:40. | |
were a wreck when we left the cinema. Please welcome writer and | :00:40. | :00:47. | |
director Richard Curtis. And it is also very funny. Thank | :00:47. | :00:52. | |
you. You are par nighed about the fact we wouldn't mention it was | :00:52. | :00:57. | |
funny. There were joke, I didn't realise I had made a film people | :00:57. | :01:02. | |
would find sad by the end, I want people to be assured there are jokes | :01:02. | :01:09. | |
in there. You say it is sad, that doesn't necessarily mean it is sad. | :01:09. | :01:16. | |
Maybe. It makes you cry in an up Laith lifting way. We had to, we | :01:16. | :01:20. | |
were suicidal by the time we left. We have England fan, Australian fans | :01:21. | :01:30. | |
:01:31. | :01:31. | ||
here. Obviously, we have the, we have the | :01:31. | :01:36. | |
Fourth Test going on in County Durham, although we have already won | :01:36. | :01:41. | |
the Ashes. Issues here, conflict for Richard Curtis, listen to this. | :01:41. | :01:47. | |
conflicted. I had an Australia passport until I was 45. My mum used | :01:47. | :01:50. | |
to annoy my dad by supporting England and my dad supported | :01:50. | :01:56. | |
Australia. I have been torn. I am supporting Australia this time. | :01:56. | :02:01. | |
luck with that. They are having a harder time. I think they need every | :02:01. | :02:06. | |
man they can get. Back to the film, before we move on to more cricket. | :02:06. | :02:10. | |
This isn't your first brush with time travel is it, because you did | :02:10. | :02:16. | |
write an episode of Doctor Who. did. About, going back to see | :02:16. | :02:21. | |
Vincent van Gogh. I wrote a Blackadder time travel one. It is my | :02:21. | :02:28. | |
third time out. So Peter Capaldi, what do you think of him as the new | :02:28. | :02:34. | |
doctor? Exciting. He will be intelligent, and Scottish. . What | :02:34. | :02:40. | |
type of Doctor Who do you think he will be? I hope that he will be | :02:40. | :02:49. | |
tough, circumspect and witty. . Foul mouth is what we want, but I think | :02:49. | :02:53. | |
we should have Doctor Who and Doctor Who late, the one that comes on at | :02:53. | :02:57. | |
12.30. Every week disaster threatens to destroy the earth but the Time | :02:57. | :03:01. | |
Lord says the day. Of course he does. In real life some people are | :03:01. | :03:08. | |
more than prepared for the worst. Flash floods. Mass riot, extreme | :03:08. | :03:14. | |
weather. We have seen pretty apocalyptic scenes so if the end of | :03:14. | :03:18. | |
the world did come, where would you want to be? | :03:18. | :03:23. | |
Me? Well, I would want to be here on this street, in Hertfordshire, to be | :03:23. | :03:28. | |
with a man who claims to be ready for anything. | :03:28. | :03:32. | |
Retired soldier Michael is one of hundreds of so-called prepper, they | :03:32. | :03:37. | |
prepare by stocking up on essentials in case natural disasters or civil | :03:37. | :03:41. | |
unrest lead to society falling apart. | :03:41. | :03:50. | |
And his stash of items is in a secret store cupboard We need | :03:50. | :03:54. | |
pro-Tyne and carbohydrate, twice a day. So here I can see we have a | :03:54. | :03:59. | |
selection of pies, corned beef, tinned ham. It doesn't look like a | :03:59. | :04:03. | |
lot of fun, you know, but that is not what you are trying to do. | :04:03. | :04:08. | |
reason I have 20 tins of vegetable soup, it is the basis of a good | :04:08. | :04:12. | |
stew. A couple of tins of soup. I will go out and shoot a rabbit or | :04:12. | :04:17. | |
pheasant. I will process the meat, put it in there, make some | :04:17. | :04:20. | |
dumplings, Is all of this reparation, is it for you and your | :04:20. | :04:25. | |
immediate family? Or is it for anybody else? There may come a time | :04:25. | :04:29. | |
when the only thing I can do is batten down the hatches and look | :04:29. | :04:32. | |
after me and mine. But given a choice, I wouldn't look the other | :04:33. | :04:37. | |
way. Uncertain his house would be safe | :04:37. | :04:42. | |
enough if society fell apart Michael has a trailer stocked up with enough | :04:42. | :04:46. | |
food for three months ready to move his family to a secret hideaway in | :04:46. | :04:51. | |
Wales at a moment's notice. In here is food, water and somewhere to | :04:51. | :04:55. | |
sleep. Why would you not want to be in your home? The looting and | :04:55. | :04:59. | |
rioting. If that was my local town I would be want to be as far away as | :04:59. | :05:04. | |
possible. At the moment there is an angry mob coming in that direction, | :05:04. | :05:08. | |
there is a hurricane coming from there, there is fooding behind us, I | :05:08. | :05:14. | |
am not a celebrity, you need to get me out of here. OK. | :05:14. | :05:18. | |
Michael claims he can get the trailer and the family to safety in | :05:18. | :05:27. | |
minutes. The challenge is on. Sure enough, in no time we are off. | :05:27. | :05:31. | |
Pretty soon we are hidden deep in local woods. | :05:31. | :05:39. | |
He starts by erecting a shelter. I am put on fire making duty. | :05:39. | :05:47. | |
Me? Bear Grylls. , the only real men left on television. Now we are out | :05:47. | :05:53. | |
here, I want to find out why he became a prepper. I think it | :05:53. | :05:56. | |
probably started with Hurricane Katrina and seeings how the | :05:56. | :05:59. | |
Government failed those -- seeing how the Government failed those | :05:59. | :06:03. | |
people. 1800 people were waiting for someone to rescue them and nobody | :06:03. | :06:09. | |
came. It is final time for us to get on the with the cooking, we are | :06:09. | :06:14. | |
having sausage and mash and something to drink. Is it true you | :06:14. | :06:20. | |
have something you can pee in and it comes out as water. I can purify | :06:20. | :06:25. | |
water for me and my family. If there is a water source I can purify it. | :06:25. | :06:30. | |
The tent sup, the food is ready, it is time to eat. Mash and onion | :06:30. | :06:35. | |
gravy. You are doing this from a stable environment, that is where | :06:35. | :06:39. | |
people will think it is a bit weird. Yes, I live in one of the safest | :06:39. | :06:44. | |
places in the world, but from time to time, we have natural disasters, | :06:44. | :06:49. | |
or, accidents, catastrophe, we have bombs going off on public | :06:50. | :06:53. | |
transplant. We have power out, they all happen in the UK. If you expect | :06:54. | :06:59. | |
the state to reach out and support you and save you, you are | :06:59. | :07:03. | |
delusional. People need to be more self reliant. | :07:03. | :07:08. | |
Michael thinks whatever happens, he and his family are going to be OK. | :07:08. | :07:12. | |
We need each other. We need the love in our hearts and | :07:12. | :07:16. | |
the strength in our arms. And we will be fine. | :07:16. | :07:21. | |
I must admit that before I came here today, I thought prepping was a bit | :07:21. | :07:27. | |
odd. But whatever you make of it, you can't help but admire Michael's | :07:27. | :07:31. | |
determination to be reliant on no-one but himself. | :07:31. | :07:37. | |
Love, love, love, Richard, come on, it gets on to you perfectly. It is | :07:37. | :07:40. | |
interesting. This, the difference with this new film I have done, is | :07:40. | :07:43. | |
the other ones have been to the moment when they first kiss or they | :07:43. | :07:47. | |
get married, and I have suddenly realised you fall in love, you | :07:47. | :07:50. | |
escape your family, fall in love, get married then you create another | :07:50. | :07:53. | |
family, and then you become responsible for your parents as | :07:53. | :07:58. | |
well, so the whole thing is a kind of cycle of love and family that | :07:58. | :08:03. | |
takes you through your whole leave. This movie is double. It is double | :08:03. | :08:08. | |
strength. Before we talk about it in more detail we have have never seen | :08:08. | :08:13. | |
before montage of your greatest love moments. It has never been seen | :08:13. | :08:17. | |
before. The new film is in this montage. So, maybe you should | :08:17. | :08:22. | |
explain the plot a bit before we go. It is up to you. Do a bit of the | :08:22. | :08:28. | |
premise that people at home know. The plot of the film? It is about a | :08:28. | :08:33. | |
guy who find out on his 21st birthday that all the men in his | :08:33. | :08:38. | |
family can travel in time. So he has, his father asks what would you | :08:38. | :08:42. | |
like to do with it, he says get a girlfriend. The rest is him | :08:42. | :08:47. | |
travelling back in time and finding out sometimes it is helpful and | :08:47. | :08:53. | |
sometimes it is disastrous, have youly he only travels back in time a | :08:53. | :08:58. | |
little. -- actually he only travels back in | :08:58. | :09:08. | |
:09:08. | :09:21. | ||
# How long will I love you # As long as stars are above you | :09:21. | :09:29. | |
# And longer if I can # How long will I need you? | :09:29. | :09:39. | |
:09:39. | :09:39. | ||
# As long as the seasons need to # Follow their plan | :09:39. | :09:49. | |
:09:49. | :09:50. | ||
# How long will I be with you? # As long as the sea is bound to | :09:50. | :09:58. | |
# Wash upon the sand # How long will I want you? | :09:58. | :10:08. | |
:10:08. | :10:08. | ||
# As long as you want me to # And longer by far | :10:08. | :10:18. | |
:10:18. | :10:18. | ||
# How long will I hold you? # As long as your father told you | :10:18. | :10:26. | |
# As long as you can # How long will I give to you? | :10:26. | :10:36. | |
:10:36. | :10:37. | ||
# As long as I live through you # However long you say | :10:37. | :10:47. | |
:10:47. | :10:47. | ||
# How long I I love you? # As long as stars are above you | :10:48. | :10:57. | |
:10:58. | :11:09. | ||
# And longer if I may. # We are all travelling through time | :11:09. | :11:16. | |
together. Every day of our lives. All we can do is do our best. To | :11:16. | :11:25. | |
relish this remarkable ride. APPLAUSE | :11:25. | :11:31. | |
We loved the film. Bill, I said where is this going? There is a | :11:31. | :11:36. | |
moment that arrives out of nowhere and you see it, and it lasts for 15 | :11:36. | :11:40. | |
or 20 seconds and you must have known the whole film was about this | :11:40. | :11:47. | |
one moment. When do you imagine that moment? Is that how you start the | :11:47. | :11:52. | |
movie with? Is this the boy on the beach? He he goes back and his dad | :11:52. | :11:58. | |
says is this it? That moment. enough this movie did start at the | :11:58. | :12:01. | |
end. I thought of the conclusion, that I wanted and the second thing I | :12:01. | :12:07. | |
thought of was this walk on the beach. Then I tried to say how do | :12:07. | :12:11. | |
you make a movie about trying to value just every single precious day | :12:11. | :12:15. | |
of our lives? I thought I would create a thing about time travel, | :12:15. | :12:19. | |
and you might finely decide in the end that the thing you would do with | :12:19. | :12:23. | |
time travel is be here, today, but not be scared and try and enjoy the | :12:23. | :12:29. | |
texture of your life, so I started with the end of the film. So the | :12:29. | :12:35. | |
space within the moments you have? So often we look back and say why | :12:35. | :12:40. | |
didn't I Joan they job or that person I was with? It is because you | :12:40. | :12:43. | |
are being doubtful and thinking of the future and what it might | :12:43. | :12:49. | |
achieve. You should just enjoy the texture, all of us who lose their | :12:49. | :12:56. | |
parent, why do I relish it, why was it impatient, to take time loving | :12:56. | :13:01. | |
the things. It is a lovely lesson you take from the film. It has been | :13:01. | :13:05. | |
written about in a lot of papers, rom-com, other movies have been, but | :13:05. | :13:12. | |
in isn't, this is deeper, it has go got a bigger, better message. It has | :13:13. | :13:19. | |
been written that it is going to be your directorial finale, because you | :13:19. | :13:22. | |
have directed three move I I haves you have said that is it, in our | :13:22. | :13:28. | |
opinion, you are just getting good, don't take it the wrong way. Please | :13:28. | :13:33. | |
don't stop. You can't stop there. This is a great film. I should quit | :13:33. | :13:37. | |
while I am ahead. The message of the movie is to enJo I the day, and | :13:37. | :13:42. | |
directing a movie is 1,000 days of pain, so I thought, Bill and I were | :13:42. | :13:47. | |
saying what shall we do the next time we spend three weeks together | :13:47. | :13:51. | |
and we thought we should go on Holiday Inn stead of filming and | :13:51. | :13:54. | |
worrying about whether the weather is going to hold. If you are going | :13:54. | :13:59. | |
to bow out, this is the one to do it on. Please don't. Your relationship | :13:59. | :14:03. | |
with Bill Nighy, to go on holiday with him for three weeks you might | :14:03. | :14:09. | |
be one of the awkward couples who need work to go on. What would we | :14:09. | :14:15. | |
talk about? Yeah. The old days. Instead of new things. Does he ever | :14:15. | :14:20. | |
eat? Have I seen him eating? I haven't, but I am sure I have seen | :14:20. | :14:30. | |
:14:30. | :14:30. | ||
him ordering. I have seen the food being cleared away so I think eating | :14:30. | :14:35. | |
must have happened! There is one restaurant that is central to the | :14:35. | :14:41. | |
movie, where the main characters meet for the first place. The | :14:41. | :14:45. | |
restaurant is completely in the dark and you can eat in the dark and it | :14:45. | :14:51. | |
actually exists. Yes, there is a restaurant in London. We went to | :14:51. | :14:57. | |
dinner there and it was the most difficult meal. Of course, you can't | :14:57. | :15:03. | |
see a smile. I would say something that I thought was amusing. Silence, | :15:03. | :15:06. | |
total silence. We kept on checking we were still there. It is pitch | :15:06. | :15:13. | |
black. In the movie you can vaguely see the glitter of a watch. The idea | :15:13. | :15:16. | |
is the first time they meet, they can't see each other so you are | :15:16. | :15:22. | |
meant to have fallen in love by the time you first see her. You didn't | :15:22. | :15:29. | |
believe me it existed. I have been! Has anyone else been? You can come | :15:29. | :15:34. | |
with me to find it! Before Cerys tells us how important music is to | :15:34. | :15:41. | |
movies, she has been looking at the strange life of the author behind a | :15:41. | :15:46. | |
famous novel. This small village in the Rhondda | :15:46. | :15:50. | |
Valley is the inspiration for the most famous novel written about | :15:50. | :15:55. | |
Wales. How Green Was My Valley was penned by first-time author it | :15:55. | :16:00. | |
should Llewellyn. It became an instant bestseller when it was | :16:00. | :16:04. | |
published in 1939 and has never been out of print since. It was | :16:04. | :16:09. | |
dramatised many times, most memorably in the Oscar-winning | :16:09. | :16:15. | |
film. Hugh Morgan is the central character and the novel follows the | :16:15. | :16:18. | |
ups and downs of his early life growing up in a large, hard-working | :16:18. | :16:23. | |
family in a tight-knit village that is about to be torn apart by | :16:23. | :16:26. | |
conflicting loyalties to trade unions and families. I remember | :16:26. | :16:29. | |
reading the book as 18 age and thinking it must have helped define | :16:29. | :16:39. | |
Mr typical -- defines the stereotypical image of life being | :16:39. | :16:49. | |
good despite the toils of working down the pits. This is how he | :16:49. | :16:51. | |
described the mine for the first time. | :16:51. | :16:56. | |
You would swear you are blind and then Terra puts sharp teeth into | :16:56. | :17:01. | |
you. It says he was born in Saint David | :17:01. | :17:11. | |
:17:11. | :17:16. | ||
any time underground and although his parents were Welsh, he was born | :17:16. | :17:22. | |
in north London and spoke with a very posh English accent. I have | :17:22. | :17:27. | |
never written any book without being in that place because of the detail. | :17:27. | :17:33. | |
We all know, 99.9% of research is wasted, but these .1%, is | :17:33. | :17:39. | |
invaluable. I am fascinated to know more about Richard Llewellyn, why | :17:40. | :17:46. | |
did he say he was born here? thing to remember is that he was a | :17:46. | :17:50. | |
storyteller, he made things up about himself. He hardly ever answered a | :17:50. | :17:55. | |
question about himself in an honest way. He seemed to need the romance, | :17:55. | :18:02. | |
the entry, the secretiveness of giving wrong answers about himself. | :18:02. | :18:05. | |
Although he did not go down the mines, the author visited the | :18:05. | :18:12. | |
village several times and this man's grandfather acted as his | :18:12. | :18:20. | |
guide. My grandfather explained it had been very green. I think that is | :18:20. | :18:24. | |
how the title came about. He based it on my grandfather's family and | :18:24. | :18:29. | |
the stories my grandfather told him. How Green Was My Valley earns | :18:29. | :18:36. | |
Llewellyn a fortune and a contract as a Hollywood script whiter. -- | :18:36. | :18:40. | |
script writer. He started rewriting his own background and disputed | :18:40. | :18:44. | |
meeting anyone called Joseph Griffiths. Why would he deny knowing | :18:44. | :18:49. | |
your grandfather? He was a fantasist, he was a mixed up chap. | :18:49. | :18:53. | |
He made up his story as he went along. He used to claim he was a | :18:53. | :18:57. | |
Welsh nationalist. I checked that out with pied camera, he was never a | :18:57. | :19:05. | |
member. -- with Plaid Cymru. He used to say he was a Catholic but that | :19:05. | :19:10. | |
was not true either. Llewellyn went on to write 23 other novels but none | :19:10. | :19:14. | |
had the romantic and nostalgic appeal of his debut. It is a great | :19:15. | :19:20. | |
story and I admire it as a novel, but don't look for historical truth. | :19:20. | :19:24. | |
Llewellyn died in 1983 and to this day, no one really knows why he lied | :19:24. | :19:27. | |
about his past. What is apparent is his love for this valley which | :19:27. | :19:35. | |
shines throughout the novel. Bright shone the sun but right to | :19:35. | :19:39. | |
shun the valley's green for each blade of grass gave back the light | :19:39. | :19:44. | |
and made the meadows full of greens and golds and yellows and pinks and | :19:44. | :19:48. | |
blues were poking from the hedges, where the flowers were hard at work | :19:48. | :19:52. | |
for the bees. No matter how Welsh Richard Llewellyn was, nor how much | :19:52. | :19:57. | |
time he spent here, How Green Was My Valley has a lyrical and timeless | :19:57. | :20:00. | |
appeal and the characters and stories grip from beginning to end. | :20:00. | :20:06. | |
It is a eulogy to a life long gone from these values. | :20:06. | :20:11. | |
How precarious was that? It was terrifying, they made me do it, I | :20:11. | :20:21. | |
:20:21. | :20:26. | ||
filmed in South Wales, either. Green Was My Valley was not filmed | :20:26. | :20:31. | |
there at all? No, it was filmed in Santa Monica, the Second World War | :20:31. | :20:36. | |
was on. If you look at the stills, there are no mountains. One big | :20:36. | :20:44. | |
thing missing. Have you seen the film? When you see the pictures of | :20:44. | :20:51. | |
the set, it doesn't look like it was values. It went on to win an Oscar, | :20:51. | :20:59. | |
it beat Citizen Kane. That'll teach him a lesson for making a long, | :20:59. | :21:08. | |
boring, serious movie! The sound of cinema season is starting through | :21:08. | :21:12. | |
September and October, I am so excited about this. Some of the best | :21:12. | :21:17. | |
music written was for film. You are talking about shaft, the James Bond | :21:17. | :21:25. | |
films, in this clip we are going to see from a BBC Four programme, where | :21:25. | :21:35. | |
:21:35. | :21:35. | ||
Neil Brand is talking about the shower scene in Psycho. This is his | :21:35. | :21:40. | |
own copy of the original score for psycho, it is one of the most famous | :21:40. | :21:45. | |
pieces of music in the history of film. You can see the notes getting | :21:45. | :21:50. | |
deeper and deeper, as if the knife is going into deeper and deeper each | :21:50. | :21:56. | |
time. Alfred Hitchcock was not going to use music at all, he had to be | :21:56. | :22:02. | |
persuaded and now you cannot think of it without that sound. Favourite | :22:02. | :22:12. | |
:22:12. | :22:13. | ||
bits of music from movies? How about third man? On these ever -- the | :22:13. | :22:23. | |
:22:23. | :22:24. | ||
zither. I think sway from American pie. Richard, you get involved with | :22:24. | :22:29. | |
all of the music. Is it true that when Love Is All Around was in the | :22:29. | :22:36. | |
charts for 17, 18 years, did Wet Wet Wet request you withdraw it? They | :22:36. | :22:42. | |
pulled it went was about to take the record, they asked for it. Did you | :22:42. | :22:48. | |
have to say yes? I wasn't consulted, it was painful because I am a chart | :22:48. | :22:54. | |
obsessive. Just as we were creeping towards Bryan Adams... I think the | :22:54. | :22:58. | |
bodyguard album sold 50 million copies, the second or third biggest | :22:58. | :23:02. | |
of all time. Do you get is reduced by bands and record companies trying | :23:02. | :23:06. | |
to get your songs on their movies? had a strange meeting about Notting | :23:06. | :23:10. | |
Hill. The guy who did the bodyguard Soundtrack said, if you take every | :23:10. | :23:15. | |
song of it and that these nine songs on it, you will sell as many copies | :23:15. | :23:21. | |
as the bodyguard. Was he related to a member of staying... Sorry, member | :23:21. | :23:31. | |
of the police? No.I you sure? All right. The soundtrack was excellent. | :23:31. | :23:38. | |
There is a Italian pop song as the central piece and it is produced by | :23:38. | :23:48. | |
:23:48. | :23:57. | ||
the rain, have already retained the Ashes, the latest battle was in | :23:57. | :24:07. | |
:24:07. | :24:10. | ||
County Durham. Phil Tufnell has been It is one of the most exciting | :24:10. | :24:17. | |
battles in the sporting calendar and steeped in history. I reckon Durham | :24:17. | :24:20. | |
has a natural talent for cricket and we can make a cricket team out of | :24:20. | :24:29. | |
this lot. Can they catch? Can they bat? Can they bowl? Howzat? That is | :24:29. | :24:39. | |
:24:39. | :24:51. | ||
scoring fours and sixes, whacking it out of the park but it all starts | :24:51. | :24:55. | |
with a good defence. Let's see what these guys have got. Very good. A | :24:55. | :25:01. | |
good stride. I could have been a professional cricketer but I can't | :25:01. | :25:09. | |
bat, can't bowl or can't field, so I open for Australia. We have two more | :25:09. | :25:15. | |
volunteers, the long arm of the law and the long arm of the Lord. Let's | :25:15. | :25:19. | |
have a look at your technique. Forward defence. Look at that! | :25:19. | :25:29. | |
:25:29. | :25:31. | ||
Perfect. Cover drive. Blimey! Dave is Durham's groundsman, he lives for | :25:31. | :25:36. | |
the 22 yards of green and his wicket could make or break the game. | :25:36. | :25:39. | |
probably the biggest game in cricket, it doesn't become quick -- | :25:39. | :25:44. | |
come bigger than England against Australia. The weather plays a big | :25:44. | :25:50. | |
part. We are very close to a river. Early morning, you can have such a | :25:50. | :25:54. | |
heavy mist. We take the covers off and there is a dampness in the | :25:54. | :25:59. | |
surface. There is a lot of influences that go into preparing a | :25:59. | :26:05. | |
pitch and hopefully everything has gone right for this one. | :26:05. | :26:07. | |
Coming to Durham would not be complete without a visit to the | :26:07. | :26:12. | |
cathedral. The bishops have won the toss and decided to bat. The field | :26:12. | :26:22. | |
:26:22. | :26:31. | ||
flowing again. I fancy a bat. You can never be too careful. This lot | :26:31. | :26:41. | |
:26:41. | :27:02. | ||
canon. Well, caught by the edit, I think. | :27:02. | :27:07. | |
We are already thinking about next debris's Winter Olympics in Russia. | :27:07. | :27:12. | |
Alex Riley is testing out for Team GB's bobsleigh team who are training | :27:12. | :27:20. | |
in Bath -- next February's Winter Olympics. I am with Craig Pickering. | :27:20. | :27:23. | |
You were at the Beijing Olympics doing the hundred metres, how come | :27:23. | :27:28. | |
you are doing bobsleigh? I wasn't really enjoying athletics because I | :27:28. | :27:33. | |
kept getting injured and I felt like it was time for a change. Is it an | :27:33. | :27:37. | |
easy transition to make? There are big differences but I like to think | :27:37. | :27:41. | |
I am reasonably quick. You should be. When do you find out if you are | :27:41. | :27:45. | |
going to make the team? The team is picked at the end of January, I | :27:45. | :27:50. | |
should be sorted by then. Anything I need to be aware of as I am going | :27:50. | :27:57. | |
down? Hold on tight.I will get in the front, I will drive, and here we | :27:57. | :28:07. | |
:28:07. | :28:35. | ||
going to have to go quicker than that to beat the Americans. I am, | :28:35. | :28:41. | |
thanks for that tip. Run as fast as you can, that is my tip. Back to the | :28:41. | :28:47. | |
studio. Well done! Thank you for being here, | :28:47. | :28:52. | |
Richard Curtis. Thank you for having me, I could give up directing and | :28:52. | :29:00. | |
take up the bobsleigh as well. Richard's new film is out on the 4th | :29:00. | :29:06. | |
of September, About Time. What are you doing on your weekend? I am | :29:06. | :29:12. |