Browse content similar to 11/10/2012. Check below for episodes and series from the same categories and more!
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Hello. Welcome to the One Show with Alex Jones. And Matt Baker. There | :00:23. | :00:30. | |
are plenty of funny people called Brand - Russell and Katy. But | :00:30. | :00:34. | |
tonight's guest is the comedy world's leading Brand - Jo Brand! | :00:34. | :00:37. | |
APPLAUSE Yes! Because you have been on the show so many times, we like | :00:37. | :00:44. | |
to think of you as our own Brand! How many times can we say "Brand"? | :00:44. | :00:49. | |
A few more! Well, are you one of those people who likes a good | :00:49. | :00:56. | |
natter on public transport? No. You sit and get your head down? | :00:56. | :00:59. | |
look at the floor and grunt at people that try and speak to me. | :00:59. | :01:02. | |
Very miserable. Have you noticed these that are popping up around | :01:03. | :01:07. | |
the Tubes of London at the moment? You have? Yeah? If you step on | :01:08. | :01:14. | |
someone's toes, please ask for a dance. Loud music prohibited unless | :01:14. | :01:21. | |
you singalong too. Rudeness attracts Tube mice! Then fixed | :01:21. | :01:26. | |
penalty - all sweeties must be shared and chocolate. It might make | :01:26. | :01:31. | |
- some Londoners can be miserable. It might cheer them up a bit? | :01:31. | :01:36. | |
are funny. They are. They are good. I put one next to me saying, "Yes, | :01:36. | :01:42. | |
I would like a sandwich!" LAUGHTER But, no, I think they are good | :01:42. | :01:46. | |
laugh. They do bring a smile. are not encouraging people to stick | :01:46. | :01:51. | |
them up. They are very funny. these dramatic pictures were taken | :01:51. | :02:01. | |
:02:01. | :02:03. | ||
in the village in Devon today. you live in one of the many areas | :02:03. | :02:07. | |
that have been flooded, you will be interested in this next invention. | :02:08. | :02:11. | |
It is a brilliant flood defence system that could keep communities | :02:11. | :02:18. | |
dry. But it does come at a price. The recent floods were a stark | :02:18. | :02:21. | |
reminder of the chaos and misery flooding has brought in recent | :02:21. | :02:26. | |
times. But now, one community is turning to a revolutionary new | :02:26. | :02:30. | |
flood barrier which they hope will offer future protection. In 2009, | :02:30. | :02:34. | |
there was a devastating flood here in Cockermouth. It is hard to | :02:34. | :02:39. | |
believe that that is the level that the water reached on Main Street, | :02:39. | :02:43. | |
destroying dozens of businesses and leaving hundreds homeless. The | :02:43. | :02:48. | |
Cumbrian floods claimed the life of one police officer and caused �276 | :02:48. | :02:53. | |
million worth of damage. One of those who lost her home and her | :02:53. | :03:00. | |
business is sandwich shop owner Julie Rickerby. Nice to meet you. | :03:00. | :03:05. | |
And you. It rose so fast, that's what people couldn't believe. It | :03:05. | :03:08. | |
was like a tsunami. When you got into the shop after the floods, | :03:08. | :03:14. | |
what did it look like? It was covered in thick mud. It just | :03:14. | :03:18. | |
didn't look like our shop. We always had it looking so nice. It | :03:18. | :03:24. | |
was so soul-destroying. With having it at home as well and then coming | :03:24. | :03:29. | |
here, it was - you looked and thought, "Where do I start?" | :03:29. | :03:33. | |
resilience of locals have helped the community bounce back, but with | :03:33. | :03:37. | |
more than five million people living or working in flood-risk | :03:38. | :03:42. | |
areas, there is a massive need for greater flood protection. Here, in | :03:42. | :03:46. | |
the West Midlands, one particular business believes they have the | :03:46. | :03:51. | |
answer. A self-closing barrier that only deploys when the floodwater | :03:51. | :03:56. | |
approaches. You can see when a river breaks its banks, how | :03:56. | :04:00. | |
terrifying and how quickly that water is moving. And many, many | :04:00. | :04:06. | |
more homes in the UK are needing protection from this kind of | :04:06. | :04:09. | |
overflow. What you have got here is a model which can explain to us | :04:09. | :04:12. | |
what would happen in Cockermouth. Take me through it? Once the | :04:12. | :04:18. | |
barrier is in place, it is designed to deploy before the floodwater | :04:18. | :04:22. | |
reaches it. The water is rising. Once it gets to this level here... | :04:22. | :04:25. | |
It would break the riverbanks. the time it reaches where the | :04:25. | :04:30. | |
barrier is, the barrier starts to deploy. The waterfalls down into | :04:30. | :04:34. | |
the barrier and then pushes the barrier up? So as the water is | :04:34. | :04:38. | |
coming at it, the barrier is going up. How do you know it is going to | :04:38. | :04:43. | |
work? It's got to work. The design of that - the only way that cannot | :04:43. | :04:47. | |
go up is if somebody changes the law of physics overnight. These | :04:47. | :04:51. | |
barriers have a 100% success rate. One of the unexpected benefits is | :04:51. | :04:56. | |
what jobs are coming back to the UK? Every cloud has to have a | :04:56. | :05:03. | |
silver lining. We are bringing manufacturing to the UK. Instead of | :05:03. | :05:06. | |
being manufactured in the Far East, everything is manufactured here and | :05:06. | :05:09. | |
a lot of it in the Midlands. Frank has been installing this flood | :05:09. | :05:13. | |
barrier all over the world but this is the first time the Environment | :05:13. | :05:19. | |
Agency has used it in England. The residents of Cockermouth part- | :05:19. | :05:22. | |
funded the installation of the flood barriers to the tune of �1.5 | :05:23. | :05:27. | |
million, raised through fund- raising and by asking their local | :05:27. | :05:30. | |
authority to increase their council tax. Other flood-hit towns could | :05:30. | :05:35. | |
consider the same plan of action. You are now building flood defences | :05:35. | :05:39. | |
- we can see them. Could they have protected against that kind of | :05:39. | :05:44. | |
event that you saw? No, they couldn't. Most lifetime flood also | :05:45. | :05:49. | |
be protected by this scheme, covering some 360 houses, 50 | :05:49. | :05:53. | |
businesses in Cockermouth, costing �4.4 million. The local residents | :05:53. | :05:56. | |
have been closely involved in the look of the defences as well. You | :05:56. | :06:00. | |
can see it is stone-faced. We are in the Lake District National Park. | :06:00. | :06:07. | |
There will be glass barriers on the top of walls. A lot of money has | :06:07. | :06:10. | |
been spent. How much are you investing across England and Wales? | :06:10. | :06:14. | |
Over the course of this Government, until 2015, we will be spending in | :06:14. | :06:18. | |
excess of �2.1 billion in England and Wales on flood. The average | :06:18. | :06:23. | |
value of flood defences means that for every �1 invested we get �8 | :06:23. | :06:30. | |
worth back of damage averted. That's music to the ears of | :06:30. | :06:34. | |
Cockermouth residents who hope the new defences will withstand any | :06:34. | :06:40. | |
future flooding. You are back in the shop. It looks amazing now. | :06:40. | :06:45. | |
have been here 22 years now. So I was determined I was going to get | :06:45. | :06:48. | |
back. We know you have got these flood defences coming in. Are you | :06:48. | :06:52. | |
hopeful they will stop some of the flooding? The defences they have | :06:52. | :06:59. | |
put in now would stop an ordinary flood. I just feel that you can't | :06:59. | :07:05. | |
stop water and so I think if it did happen again, it happens. With | :07:05. | :07:10. | |
those floods we have seen - they are all coming round. Every few | :07:10. | :07:16. | |
months. Anita, I have been up there in Cumbria before. It is incredible | :07:16. | :07:21. | |
the resilience of the people up there. You were involved in a life- | :07:21. | :07:24. | |
changing experience? Yes, I went to Workington. Their bridge had come | :07:24. | :07:28. | |
down because of the floods. The One Show went up. They opened this new | :07:28. | :07:32. | |
bridge. Without it, the residents had to travel 18miels to get from | :07:32. | :07:40. | |
south of Workington to north of Workington -- 18 miles. We went to | :07:40. | :07:45. | |
open the bridge. I spoke to the residents of Cockermouth. Really | :07:45. | :07:50. | |
resilient people. In the film, Louise touched on how council tax | :07:50. | :07:53. | |
payments go towards helping fund these flood defence systems. How | :07:53. | :07:58. | |
does it work in terms of residents' contributions? Cockermouth have | :07:58. | :08:01. | |
raised �1 million for their flood defences. Some of that has been | :08:01. | :08:05. | |
paid by the council, some is being paid by local businesses, but some | :08:05. | :08:10. | |
of it has been paid by residents through their council tax which | :08:10. | :08:13. | |
isn't unusual. Gloucestershire and Essex do the same. What's different | :08:13. | :08:18. | |
about Cockermouth is they voted to see whether or not they should | :08:18. | :08:22. | |
raise their council tax to pay for it. 62% said yes. It went through. | :08:22. | :08:27. | |
You might think it is not a huge majority, 38% voted no. Some people | :08:27. | :08:32. | |
do live on the hills so they are not affected by the flooding. | :08:32. | :08:36. | |
However, Cockermouth town centre is severely damaged. You have to | :08:36. | :08:40. | |
remember people's homes, livelihoods and lives were lost in | :08:40. | :08:44. | |
the floods. In 2009, the floods were so bad, the worst floods they | :08:44. | :08:48. | |
have had in 500 years. That is how disastrous it was for the area. So | :08:48. | :08:53. | |
this new flood defence system is incredible. Jo, you were saying | :08:53. | :08:59. | |
your Mum lives in Ludlow? It was hit by a flood. The river rose and | :09:00. | :09:04. | |
half of a house got swept away by the bridge and it was amazing. As | :09:04. | :09:08. | |
you looked at it, it was like a doll's house, you could see the | :09:08. | :09:12. | |
dressing gown on the door and the whole half of the house... | :09:12. | :09:20. | |
whole gable end? I bet she thought, "I wish I had Hoovered!" LAUGHTER | :09:20. | :09:24. | |
You don't realise how fragile houses can be, that something as | :09:24. | :09:29. | |
powerful as water can destroy buildings that you think are so | :09:29. | :09:33. | |
strong. I know. Louise was making the point where the water came to. | :09:33. | :09:38. | |
Thank you. Now, here are the nurses and the medics working on the very | :09:38. | :09:43. | |
busy NHS ward... What an attractive bunch they are(!) There's the | :09:43. | :09:48. | |
Getting On crew. The series shows the lighter side of things. We | :09:49. | :09:53. | |
asked a group of nurses to share some of their experiences involving | :09:53. | :09:58. | |
hospital patients. There's everything. The retrieving of | :09:58. | :10:03. | |
objects from various places. We have had to have lockSmiths in to | :10:03. | :10:12. | |
remove people from being intwiened with each other. -- entwined with | :10:12. | :10:18. | |
each other. You don't realise you have been duped at the time. We had | :10:18. | :10:23. | |
to ask what time a child last ate or drank prior to surgery. She said, | :10:23. | :10:28. | |
"No, he had nothing." This boy piped up and said, "Yes, I have, I | :10:29. | :10:37. | |
had the cake out of my party bag because you didn't give me any | :10:38. | :10:42. | |
breakfast!" This gentleman had dementia and he was adamant I was | :10:42. | :10:46. | |
his wife. He told me he loved me. He wanted to hold my hand. I had to | :10:46. | :10:54. | |
draw the line when he tried to kiss me. That was a step too far! | :10:54. | :10:56. | |
annoying drunks around Christmas time and in the winter. If they | :10:56. | :11:01. | |
have soiled their clothing, we couldn't send them home in that, so | :11:01. | :11:04. | |
we used to have a competition between a lot of the nurses to see | :11:04. | :11:09. | |
what outfit we could get them to go home in. My one, I managed to get a | :11:09. | :11:13. | |
man in his late 20s home in a red dress and Wellington boots. We | :11:13. | :11:19. | |
always let them go an hour before the buses started running! LAUGHTER | :11:19. | :11:22. | |
Excellent. It is brilliant to know they have a bit of fun. Thank you | :11:22. | :11:29. | |
to the nurses from Romford and Croydon. That is where you filmed | :11:29. | :11:33. | |
the series? Yes. It was a working hospital. How did you fit filming | :11:33. | :11:38. | |
in around that? They closed down a couple of the wards. We took over | :11:38. | :11:45. | |
one of them. Coming - I would come in and if I went out to get a | :11:45. | :11:51. | |
coffee, people would say, "Can you tell me where gynaecology is?" | :11:51. | :11:58. | |
course. Would you make it up? like... Over there! I guess you | :11:58. | :12:02. | |
fell back into your nursing roots. You did want to help people out? | :12:02. | :12:06. | |
am like that all the time! I am always throwing people on the | :12:06. | :12:10. | |
ground trying to give them heart massage(!) In series three, Nurse | :12:10. | :12:14. | |
Kim has moved to a brand-new hospital. They are struggling to | :12:14. | :12:19. | |
deal with the equipment. They are. Can we move it up? That's good. | :12:19. | :12:26. | |
Excellent. Kim, can you make sure she doesn't roll forward? Can you | :12:27. | :12:31. | |
not get it back down? No, you are going to squash her now. Kim, the | :12:31. | :12:35. | |
knees are... Can you not make the whole thing come down flat? That's | :12:35. | :12:41. | |
better. You have to hold her. can't. I'm pressing the button. | :12:41. | :12:47. | |
Move it more towards me. Perfect. If I hold her, can you... Have you | :12:47. | :12:57. | |
:12:57. | :12:59. | ||
got her? I'm holding her. Can I go for my break now?! APPLAUSE That is | :12:59. | :13:04. | |
just brilliant. It is. You co-wrote the series as well, didn't you? | :13:04. | :13:07. | |
Nurses sure I will have commented on how realistic it is? Was that | :13:07. | :13:11. | |
something that was important to you while you were creating it? Yes, it | :13:11. | :13:14. | |
was really important. I wanted to do something that was funny, but | :13:15. | :13:19. | |
also tragic at the same time. I think that is very hard to do and | :13:19. | :13:23. | |
it is a real challenge. And also that reflected the sort of drudgery | :13:23. | :13:29. | |
of life on a ward because it's not all kind of gorgeous doctors and | :13:29. | :13:34. | |
gorgeous nurses. In my case, obviously, it is(!) LAUGHTER What | :13:34. | :13:39. | |
is the secret? It is not as if it is stand-up gag after stand-up gag. | :13:39. | :13:44. | |
It is real-life. It is quite black, isn't it? Yes, it is very dark. I | :13:44. | :13:49. | |
think the pace is quite slow. Actually, weirdly, we took jokes | :13:49. | :13:54. | |
out rather than put them in. I'm terrible because I'm - Vicky and | :13:54. | :13:58. | |
Joe are actors. I want to come across in the background and do | :13:58. | :14:03. | |
one-liners. I kept getting told off! Stop that! You are making it | :14:03. | :14:09. | |
too much like a sitcom. So we tried to make it really natural. Do you | :14:09. | :14:15. | |
ad lib to make it sound like that? We do. We don't learn the script | :14:15. | :14:21. | |
word-for-word. We try and do it in our own words. Yes. You won a BAFTA | :14:21. | :14:26. | |
for the last series. Where does... What happened there? Huge | :14:26. | :14:31. | |
congratulations for that. Thank you. Where does the plot go this time | :14:31. | :14:36. | |
round? Well, I can say that there are major traumas going on in the | :14:36. | :14:41. | |
life of all three of us which is sort of different. But they are not | :14:41. | :14:45. | |
- it is not something like an alien has landed in the front room and we | :14:45. | :14:49. | |
have to cook it tea! There are things that happen to ordinary | :14:49. | :14:54. | |
people. For the characters, they are traumatic. Also, Hilary, who is | :14:54. | :15:00. | |
the modern matron, has come back now working for a private company | :15:00. | :15:07. | |
assessing, doing a time and motion study. He is as irritating as he | :15:07. | :15:13. | |
was before! It's moved on. They are making a pilot in the US of the | :15:13. | :15:17. | |
series? They are. They have rewritten the script so it's | :15:17. | :15:27. | |
:15:27. | :15:30. | ||
American. Gwyneth Paltrow is playing me! Who is playing you? | :15:30. | :15:36. | |
would like Rosanne to do it! Have you put any political messages in | :15:37. | :15:40. | |
this? Your experience and your husband works within psychiatric | :15:40. | :15:45. | |
care. Anything there you are trying to have...? You have to be very | :15:45. | :15:49. | |
careful not to have, not to overlay it with too much political | :15:50. | :15:54. | |
preaching. We have tried to make it natural. We had to second-guess | :15:54. | :15:59. | |
what would happen with the Health Service Bill. We didn't know | :15:59. | :16:03. | |
whether it would go through or not. There are political points very | :16:03. | :16:09. | |
gently made, I would say. OK. Well, the new series starts at 10.00pm | :16:09. | :16:14. | |
next Wednesday on BBC Four. Jo, we will be testing your nursing | :16:14. | :16:18. | |
knowledge. I have to go out! LAUGHTER We are going to see | :16:18. | :16:23. | |
whether you can guess whether these are nursing implements or gardening | :16:23. | :16:27. | |
implements? Are you implying I am so old that I might have used | :16:27. | :16:32. | |
those? No. It was perfect. You did work in a garden centre as well at | :16:32. | :16:36. | |
some point. I did. I had the most boring job that anybody could ever | :16:36. | :16:44. | |
have. I pulled the heads of flowers! LAUGHTER We will test you | :16:44. | :16:49. | |
later on. Lots of performers suffer from stage fright. None more so | :16:49. | :16:53. | |
than a young singer who battled crippling shyness to become a | :16:53. | :16:57. | |
worldwide hit. Carrie meets the man who had to send in the clowns to | :16:57. | :17:00. | |
make it on stage! # Baby, I chose this lonely life | :17:00. | :17:08. | |
# It seems it is strangling me now. Leo Sayer's career began with seven | :17:08. | :17:13. | |
top ten hits in a row. He found himself at number one 30 years | :17:13. | :17:22. | |
later with this remix. # I still... # | :17:22. | :17:25. | |
Sounds like he was a natural. Not exactly. When he first got his | :17:25. | :17:31. | |
break as a singer, he was so nervous he had to do it in disguise. | :17:31. | :17:39. | |
# Baby... # This track, The Show Must Go On, | :17:39. | :17:44. | |
took Leo to number two. It had been a painful journey. I didn't have | :17:44. | :17:47. | |
much confidence in myself. I had confidence in my songs. How was I | :17:47. | :17:53. | |
going to perform them? Leo started working with a writer and producer | :17:53. | :17:59. | |
who introduced him to Adam Faith. Adam was wonderful that he was all | :17:59. | :18:05. | |
about original talent and he was behind Sandie Shaw. He loved being | :18:05. | :18:08. | |
a mentor, taking on a protege and taking them through the business, | :18:08. | :18:17. | |
which is what he did with me. was Adam Faith seeing in you? | :18:17. | :18:21. | |
Although he had a lot of hit records, he didn't really have the | :18:21. | :18:26. | |
greatest voice in the world. He loved singers. And he looked on me | :18:26. | :18:34. | |
as like his kid. So he said to me, "Basically..." Sorry. I get | :18:34. | :18:38. | |
emotional. "It is like you are my son, you have the voice I always | :18:38. | :18:48. | |
:18:48. | :18:50. | ||
dreamed of." He saw in this nervous kid the artist I could become. | :18:50. | :18:55. | |
I knew I was different to any other kids. How to express that, God | :18:55. | :18:58. | |
knows how. I remember years of walking around in London not | :18:58. | :19:05. | |
talking to a soul, just like trying to invent something, invent myself. | :19:05. | :19:10. | |
David Bowie would say the same. We created a character that was in us. | :19:10. | :19:15. | |
Leo found the image he was looking for in one of his favourite films. | :19:16. | :19:22. | |
There was a movie, a beautiful French film. There's a character in | :19:22. | :19:31. | |
it, an actor who doesn't say a word. His performance always entranced me. | :19:31. | :19:39. | |
I wanted to be like him. I took on the guise of the clown. The | :19:39. | :19:44. | |
storyteller. What was he hiding? Nothing, really. I became that | :19:44. | :19:49. | |
character. I found my confidence through it. He used the image for | :19:49. | :19:55. | |
one year exactly and then gave it up. It launched a run of 15 chart | :19:55. | :20:00. | |
hits for him. Despite this success, he hasn't always had a smooth ride | :20:00. | :20:07. | |
with the music industry. A lot of the lyric of The Show Must Go On is | :20:07. | :20:13. | |
criticising the industry, or saying, "I want out." Yes. It is like a | :20:13. | :20:20. | |
premonition of what happens later? Totally. I got ripped rotten, I | :20:20. | :20:23. | |
almost went bankrupt. You have to say it like it is. That song was | :20:23. | :20:27. | |
about saying what it is. I have been a rebel and I am still a rebel. | :20:27. | :20:32. | |
I still fight the industry. Life imitates art and sometimes art | :20:32. | :20:39. | |
imitates life. Be careful of what you write because it will come true. | :20:39. | :20:43. | |
After a period in the wilderness, Australia at least, he had a | :20:43. | :20:48. | |
surprise number one with this remix of Thunder In My Heart. He is now | :20:48. | :20:55. | |
about to embark on a UK tour. When you look back at that young clown | :20:56. | :21:01. | |
on the stage, how do you feel about him now? Yes, he is part of it. I | :21:01. | :21:05. | |
know that guy so well. He is very important. I would never do it | :21:05. | :21:10. | |
again. I think that belittle the whole thing. You have to leave | :21:10. | :21:14. | |
those things behind. I find it sad when people tend to carry that | :21:14. | :21:20. | |
image on and on and on when they get older. You have to move on. I | :21:20. | :21:30. | |
:21:30. | :21:31. | ||
know that character and he does work with me every night. Wow! What | :21:31. | :21:40. | |
a story. Jo, take us back to 1973 and Hastings Pier? I saw Leo Sayer | :21:40. | :21:48. | |
dressed up as a clown doing a show. Was he good? Yes. Was he? Yes. I | :21:48. | :21:54. | |
had 23 barley wines! LAUGHTER weird that we have had that story | :21:54. | :22:00. | |
because Dave doesn't cope with the limelight. Really? There we are. | :22:00. | :22:10. | |
LAUGHTER You must be a fan of '80s pop? Your character in Getting On | :22:10. | :22:15. | |
is called Kim Wilde? That's right. Well, I just - I feel bad saying | :22:15. | :22:23. | |
this. I hated the name Kim because there was somebody at school I | :22:23. | :22:29. | |
didn't like and she was called Kim. Actually, I love Kim Wilde and she | :22:29. | :22:33. | |
and I did a very odd TV show together. I told her that I was | :22:33. | :22:37. | |
going to use her name and she said, "I will come and lie in a bed." I | :22:37. | :22:41. | |
thought it would be great... That would be excellent. Is she in this | :22:41. | :22:48. | |
series? No. I hope she will be. the Conservative Party Conference | :22:48. | :22:51. | |
finished yesterday but 25 years ago, Margaret Thatcher's Tory Conference | :22:51. | :22:57. | |
was in danger of being overshadowed by a prison riot. Lucy Siegle has | :22:57. | :23:07. | |
:23:07. | :23:07. | ||
been to meet the man in the centre of the drama. | :23:07. | :23:12. | |
Peterhead prison is one of the most remote prisons in the UK. 25 years | :23:12. | :23:17. | |
ago it was a scene of one of Britain's worst ever prison | :23:17. | :23:20. | |
disturbances, involving one Prison Officer in a terrifying hostage | :23:20. | :23:26. | |
ordeal and eventually leading to an historic intervention from the SAS. | :23:26. | :23:31. | |
Peterhead was one of the first hard labour prisons built in Scotland. | :23:31. | :23:35. | |
By 1987 it was home to some of Scotland's worst criminals. And | :23:35. | :23:40. | |
tensions were rising. The prisoners were angry at the harsh conditions | :23:40. | :23:44. | |
and the distance their families had to travel to visit. The initial | :23:44. | :23:49. | |
trouble began when 50 inmates started destroying everything in | :23:49. | :23:53. | |
sight. Most of the rioters soon gave themselves up. A few prisoners | :23:53. | :23:59. | |
climbed up into the roof of D Wing ready to take on any attempts to | :23:59. | :24:04. | |
oust them. The prisoners managed to grab Prison Officer Jackie Stuart. | :24:04. | :24:13. | |
For him, it was the beginning of a terrible five-day ordeal. I was | :24:13. | :24:19. | |
getting attacked. I got the knife off him. I thought it was an | :24:19. | :24:24. | |
isolated case. We were taken upstairs and into a cell and held | :24:24. | :24:28. | |
there while they chased the staff out. Then they started smashing up | :24:28. | :24:31. | |
the place. The hostage-takers were in prison for violent crimes. It | :24:31. | :24:38. | |
was thought that they had nothing to lose. As the country watched, | :24:38. | :24:44. | |
they regularly hauled Jackie Stuart out on to the roof. How did you | :24:44. | :24:47. | |
feel knowing your wife and family were seeing these images? I knew | :24:47. | :24:53. | |
what was going on. It was worst for them. You only saw what was on the | :24:53. | :24:58. | |
roof. The siege at Peterhead Jail has entered a fifth night. Three | :24:58. | :25:06. | |
violent men, one of whom is a convicted killer, has been holding | :25:06. | :25:11. | |
hostage Jackie Stuart... decision was made to send in the | :25:11. | :25:19. | |
SAS. Deploying the elite force proved to be controversial. | :25:19. | :25:24. | |
course, the Tory Conference was starting that day, or the next day, | :25:24. | :25:32. | |
that is why Margaret Thatcher had to say, "Get them out." | :25:32. | :25:39. | |
operation lasted six minutes. had masks on of course. "I'm the | :25:39. | :25:45. | |
officer." He took me up through the roof. He said, "Run along there." | :25:45. | :25:50. | |
I'm running along this ledge, about this width, 60 feet up. I wouldn't | :25:50. | :25:57. | |
have done it in daylight! Today, the working conditions in Peterhead | :25:57. | :26:00. | |
are very different. This old Victorian prison is soon to be | :26:00. | :26:04. | |
replaced by a new �90 million super-jail due to open in autumn | :26:04. | :26:10. | |
2013. Housing inmates from Aberdeen and Peterhead, the new prison will | :26:10. | :26:15. | |
be the first of its kind in Scotland. It will be the first | :26:15. | :26:19. | |
community-facing prison in Scotland. That is a brand-new concept for us. | :26:19. | :26:24. | |
We will have adult male, young offenders, females, remands, all in | :26:24. | :26:28. | |
the same jail. The prisoner population will be from the North | :26:28. | :26:33. | |
East of Scotland. 25 years after he was held hostage, how does Jackie | :26:33. | :26:43. | |
:26:43. | :26:43. | ||
Stuart now feel about the prison? Later on, you get flashbacks. It | :26:43. | :26:47. | |
doesn't bother me. I had the family. Is it something you are conscious | :26:47. | :26:55. | |
of, the fact that it is an anniversary? Yes, it was my wife's | :26:55. | :27:01. | |
birthday the same day! LAUGHTER birthday and the hostage situation | :27:01. | :27:10. | |
come together. So you wouldn't forget it, like. Thank you. Jo, you | :27:10. | :27:14. | |
ready? Time to test your medical knowledge. Go on then. With this | :27:14. | :27:22. | |
wonderful game... Nurse or Nursery! wonderful game... Nurse or Nursery! | :27:22. | :27:30. | |
APPLAUSE This is one of the classics! Brilliant. I was a | :27:30. | :27:36. | |
psychiatric nurse and I was useless. I might not get any right. We love | :27:36. | :27:39. | |
a disclaimer(!) Half of these objects are medical implements, | :27:39. | :27:44. | |
half of them are gardening implements. You need to guess which | :27:44. | :27:52. | |
is which. Shall we start with this one? What is it? We are all | :27:52. | :27:59. | |
thinking the same! We are. Let's not go down that route. Gardening. | :27:59. | :28:09. | |
:28:09. | :28:11. | ||
And the answer is - it is - it's a grape storage jar. Really? What | :28:11. | :28:18. | |
about this one here? Is this Nurse or Nursery? There's two of them. | :28:18. | :28:23. | |
know. It is one thing. It's a collective thing. Well, let's say | :28:23. | :28:32. | |
it's Nurse. Let's find out. It's Casualty! It has to be Nurse. | :28:32. | :28:36. | |
something to get your tonsils out. What takes your fancy? What about | :28:36. | :28:46. | |
:28:46. | :28:48. | ||
this one? That looks... This is hard. I would say that's Gardening. | :28:48. | :28:56. | |
Nurse or Nursery? It's Nurse. It's a dynamometer. You squeeze it and | :28:56. | :29:01. | |
it tells you how hard you can grip. This one, quickly. What is that? | :29:01. | :29:05. | |
I'm tempted to say that is gardening. It is so dirty. Would | :29:05. | :29:15. | |
:29:15. | :29:15. | ||
you put that anywhere near...? is! It's a daisy grabber! Good luck | :29:15. | :29:19. |