Browse content similar to 13/05/2014. Check below for episodes and series from the same categories and more!
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Hello and welcome to the show. We are expecting good chat tonight, | :00:19. | :00:26. | |
because it when it comes to television interviews, there is not | :00:27. | :00:30. | |
much that this man does not know. For the last 22 years he has hosted | :00:31. | :00:33. | |
one of the biggest talk shows in America. You know you are famous | :00:34. | :00:37. | |
when a former President of the United States does this. It has | :00:38. | :00:42. | |
changed my life, and I have broader painting for you. Did you paint | :00:43. | :00:46. | |
that?! Please welcome Jay Leno! That is the | :00:47. | :01:02. | |
largest studio audience I have ever seen for a major talk-show! Just | :01:03. | :01:07. | |
looking back to that moment, you looked impressed, but what were you | :01:08. | :01:10. | |
really thinking? I was totally surprised, I had no idea he had done | :01:11. | :01:16. | |
that. It was very nice. And you could not even see the numbers! No, | :01:17. | :01:19. | |
I was shocked, actually. could not even see the numbers! No, | :01:20. | :01:27. | |
home, in my house. Is it in the toilet downstairs? No. We are really | :01:28. | :01:34. | |
pleased that you are here, just off the plane. We were hearing that you | :01:35. | :01:39. | |
have got some British heritage. My mother is from Scotland, she came | :01:40. | :01:45. | |
here when she was a little girl, 11 years old, by herself. It was before | :01:46. | :01:48. | |
the war, the depression was going on, and Mike Brand mother had gone | :01:49. | :01:56. | |
off with another man, and my grandfather had six kids, just one | :01:57. | :02:00. | |
too many. And they sent my mum to America, to live with an older | :02:01. | :02:02. | |
sister. I think that America, to live with an older | :02:03. | :02:08. | |
a comedian, because my mother always had this kind of sadness. | :02:09. | :02:11. | |
a comedian, because my mother always looked over, she would always be... | :02:12. | :02:16. | |
I always felt it was my duty to cheer her up. And I brought her back | :02:17. | :02:19. | |
to Scotland, actually. She did not want to go. This was the most | :02:20. | :02:24. | |
ridiculous reason as well. My dad was Italian, and very loud and | :02:25. | :02:32. | |
outspoken, my mother was Scottish. She used to say, the worst thing to | :02:33. | :02:35. | |
do is to bring attention to yourself. Well, obviously that did | :02:36. | :02:40. | |
not work out. My father took my mother down to get her citizenship | :02:41. | :02:44. | |
test, and you are allowed to get six questions wrong. If you get seven | :02:45. | :02:50. | |
wrong, you fail. So, they take my mother down and she gets six | :02:51. | :02:54. | |
questions wrong. The seventh question the judge asked my mother | :02:55. | :02:58. | |
was, what is the constitution of the United States? And she said, it is a | :02:59. | :03:07. | |
bold. The judge has said, I am sorry, you have failed. My father | :03:08. | :03:12. | |
said, what are you talking about?! And they have this huge demand. The | :03:13. | :03:16. | |
judge said, fine, you passed, just get out! 60 years to the day, I said | :03:17. | :03:26. | |
to my mum, let's go back. She was so afraid that after my father had | :03:27. | :03:29. | |
left, the judge had gone back and revoked her citizenship that she did | :03:30. | :03:33. | |
not want to go and get a passport because she was scared to death that | :03:34. | :03:38. | |
the judge actually did not approve it. So, finally, of course there was | :03:39. | :03:45. | |
no problem. And we took her back. I am going to say, we are going to | :03:46. | :03:49. | |
touch on your Scottish roots as the programme goes through. We have got | :03:50. | :03:54. | |
a lot to get through tonight. And first up, we have a very unusual | :03:55. | :03:56. | |
task for Joe first up, we have a very unusual | :03:57. | :04:00. | |
have sent him to Belgium to take part in a riot. Water cannon have | :04:01. | :04:07. | |
been used by police forces all over the world, but so far in the UK, | :04:08. | :04:12. | |
only in Northern Ireland. Just over the Channel in Brussels, they have | :04:13. | :04:14. | |
deployed them to disperse large crowds for arcades. It is tricky to | :04:15. | :04:20. | |
know what to make of this. I have decided to put myself in the firing | :04:21. | :04:25. | |
line. I'm going to take part in a Belgian police exercise which is | :04:26. | :04:28. | |
going to put these water cannon into operation. Here at this fake | :04:29. | :04:35. | |
village, they are going to simulate a riot. The police are using water | :04:36. | :04:40. | |
cannon to break up a group of student police officers who are | :04:41. | :04:42. | |
acting as troublemakers. This is it, an absolute beast. The water | :04:43. | :04:49. | |
goes in at the back, the main engine is at the back, at the maintainer is | :04:50. | :04:56. | |
here, it can hold 9000 litres. These cans can be used to add things to | :04:57. | :05:00. | |
the water, Abbas Bray and paint, which is not legal in Belgium, but | :05:01. | :05:05. | |
that is what it is therefore. -- spray. This commissioner is | :05:06. | :05:10. | |
responsible for public order events in the Brussels police force. When | :05:11. | :05:15. | |
do you use them? The best scenario is to use it as a last resort. If it | :05:16. | :05:21. | |
happens sometimes, we use them in the beginning, and sometimes you can | :05:22. | :05:25. | |
just use water as an element of deterrent. Water cannons can help | :05:26. | :05:29. | |
deal with one specific element of the crowd. Brand-new, one of these | :05:30. | :05:37. | |
bad boys can cost up to ?1 million. The man with his finger on the | :05:38. | :05:43. | |
button today is this police inspector. Talk me through the | :05:44. | :05:48. | |
equipment. This controls the cannon? Yes, left and right, up and | :05:49. | :05:55. | |
down. And this green button starts it. It is a little bit like a | :05:56. | :06:00. | |
computer game for you? Yes, but more dangerous. No water cannon will be | :06:01. | :06:08. | |
aimed at anyone's face today or in any real situation in Belgium. It is | :06:09. | :06:12. | |
too dangerous. There are even baskets of wood, basically | :06:13. | :06:16. | |
simulating debris or other things the protesters could throw at the | :06:17. | :06:22. | |
police. It is a very unusual scenario, but I am going to throw | :06:23. | :06:33. | |
some wood at the police. It is incredibly intimidating, it is | :06:34. | :06:40. | |
coming again. The cannon can deliver 18 litres of water a second, and at | :06:41. | :06:46. | |
its maximum pressure, can knock people over and rip their clothes. | :06:47. | :06:49. | |
It is not surprising that some people have been injured. As soon as | :06:50. | :06:54. | |
they are turned on, people scatter, they do not want to be caught in | :06:55. | :07:00. | |
it. It pushes people right back. And this is the whole point of these | :07:01. | :07:04. | |
cannons. Look at the distance it is giving the police from the | :07:05. | :07:07. | |
protesters. Nobody wants to be caught in the jet, including me! | :07:08. | :07:18. | |
This guy over here has just got caught on the back by a water | :07:19. | :07:24. | |
cannon. That just shows, even at low pressure, it really can have an | :07:25. | :07:28. | |
effect, it really can hurt. It can cause injuries? Based on our | :07:29. | :07:34. | |
experience, it has almost never caused serious injuries. Most police | :07:35. | :07:41. | |
units will deprive themselves of using water cannon. They end up | :07:42. | :07:44. | |
having a physical contact with demonstrators. So, there would be | :07:45. | :07:48. | |
more violence if you did not have them? And less surgical work. Back | :07:49. | :07:56. | |
home, Boris Johnson wants to buy three second-hand cannons from | :07:57. | :07:58. | |
Germany for the Metropolitan Police, but first he needs the Home | :07:59. | :08:04. | |
Secretary we will be keeping an eye on that whole decision. Not even | :08:05. | :08:13. | |
dropped him! As we said, 22 years as the host of one of the biggest talk | :08:14. | :08:18. | |
shows... And never hit with a water cannon once! I am proud of it! So, | :08:19. | :08:24. | |
you did The Tonight Show for 22 years, and it is all about early | :08:25. | :08:29. | |
evening over here in the UK, about seven o'clock, for the big shows. | :08:30. | :08:37. | |
Now for you guys... Late-night shows, sun streaming in! Wider you | :08:38. | :08:42. | |
think it is all about late nights in the states? Just people stay up | :08:43. | :08:48. | |
later, I guess. The flag show originally was in New York City, | :08:49. | :08:51. | |
which has always been a late-night town. People go out to eat dinner at | :08:52. | :08:56. | |
nine o'clock at night, and then you get back home and you turn on the | :08:57. | :09:00. | |
TV. The idea behind The Tonight Show was, the news in the States is on at | :09:01. | :09:05. | |
11 o'clock, and then you can watch us make fun of the news. That is | :09:06. | :09:09. | |
really what it is. You follow the stories of the day, take notes and | :09:10. | :09:13. | |
have jokes on it. So it is very topical? Yes, you do it every single | :09:14. | :09:20. | |
day. One of your most famous moments was the chat that you had with Hugh | :09:21. | :09:23. | |
Grant, after the Divine Brown incident. Did you realise that that | :09:24. | :09:29. | |
would be such a defining interview for you? The real credit goes to | :09:30. | :09:34. | |
Hugh Grant. In the United States a specially, people have a huge | :09:35. | :09:40. | |
entourage of press people and publicist and things. No, I do not | :09:41. | :09:51. | |
have one! And Hugh Grant came in and said, go ahead, I am guilty, just | :09:52. | :09:56. | |
ask me whatever you want. He could not have been more honest and | :09:57. | :10:00. | |
forthright, so the credit goes to him. We had an ice skater on who had | :10:01. | :10:05. | |
been in Playboy magazine, an Olympic skater, I Playboy called up, and we | :10:06. | :10:12. | |
told them we were only putting her on because she was America's | :10:13. | :10:17. | |
sweetheart. Right before the show, they said, we are not talking about | :10:18. | :10:24. | |
the Playboy. She is only here because she is ice-skating naked, | :10:25. | :10:30. | |
that is the only reason. Have you interviewed Bruce Willis? No, I was | :10:31. | :10:40. | |
joking. But you stepped down in February and you had a very special | :10:41. | :10:44. | |
message as a goodbye, and here it is. You have made a whole lot of | :10:45. | :10:50. | |
jokes about me over the years, Jay, but I am not upset. I have decided | :10:51. | :10:55. | |
to make you my new ambassador to Antarctica. He is a very good comic. | :10:56. | :11:04. | |
Very good. Some of the other things do not work as well, but the comedy! | :11:05. | :11:12. | |
But this is the interesting thing, because we talked about comedy | :11:13. | :11:14. | |
earlier on, and is where you started, isn't it? I still do | :11:15. | :11:22. | |
stand-up on the road quite a bit. I like being a stand-up. When you are | :11:23. | :11:27. | |
on TV, you do not really know if something is funny. You get notes. | :11:28. | :11:34. | |
We are not doing well with immature boys between 11 and 14, so can we | :11:35. | :11:38. | |
have something for that audience... ? But when you go to a club, | :11:39. | :11:43. | |
everybody buys a ticket, and all seats are filled, you know you are | :11:44. | :11:46. | |
doing well. You never know on television. You do not really know. | :11:47. | :11:53. | |
You just get this feedback from network. Well, apparently, this | :11:54. | :11:59. | |
You just get this feedback from going very well tonight, Jay! Now, | :12:00. | :12:01. | |
bearing in mind your Scottish heritage, we have got a bagpiper to | :12:02. | :12:07. | |
introduce this neck film. He was a bit loud, so we have put him | :12:08. | :12:13. | |
outside. Why do the Scottish always have to stay outside?! As well as | :12:14. | :12:19. | |
being a bagpiper's favourite, Amazing Grace has been a staple of | :12:20. | :12:23. | |
American culture for hundreds of years Ron be but surprisingly, its | :12:24. | :12:28. | |
roots lie a bit closer to home. Here is the amazing Gyles with the story. | :12:29. | :12:37. | |
Amazing Grace, and some of America's civil rights movement, | :12:38. | :12:41. | |
protest song during the Vietnam War, and folk hymn sung throughout the | :12:42. | :12:46. | |
world. Everybody knows it. So where did this world-famous hit come from, | :12:47. | :12:51. | |
this potent anthem of social change? Where else but the sleepy | :12:52. | :12:59. | |
Bucks parish of Olney? It was here in 1772 that the lyrics to Amazing | :13:00. | :13:05. | |
Grace were written by preacher John Newton. But he had not been a devout | :13:06. | :13:09. | |
man of God all his life. A former MP, Jonathan Aitken has written a | :13:10. | :13:17. | |
man of God all his life. A former biography of Newton. He was a | :13:18. | :13:19. | |
man of God all his life. A former wild young man who was violent, a | :13:20. | :13:23. | |
blasphemer, which was a bad thing to be in those days, and he was a nasty | :13:24. | :13:28. | |
piece of work. Eventually he ended up in Africa, and became a trade in | :13:29. | :13:37. | |
slaves, with all the unpleasant and best deal behaviour which that trade | :13:38. | :13:41. | |
implied, 1 million miles from being any sort of good | :13:42. | :13:42. | |
implied, 1 million miles from being kind of guy we would expect | :13:43. | :13:48. | |
implied, 1 million miles from being writing Amazing Grace? No, it was an | :13:49. | :13:51. | |
incredibly unlikely vocation for him. Caught in a terrifying storm | :13:52. | :13:56. | |
one day, Newton promised God he would mend his ways if he was spared | :13:57. | :14:02. | |
death. It set him on a spiritual journey which transformed him into | :14:03. | :14:05. | |
the hymn writing vicar of Olney. And here is Amazing Grace, written in | :14:06. | :14:12. | |
this very room. Extraordinary. Amazing Grace, how sweet the sound, | :14:13. | :14:18. | |
that saved a wretch like me. It is very personal, isn't it, it is | :14:19. | :14:26. | |
autobiographical? Absolutely. People in the church very often call it a | :14:27. | :14:28. | |
testimony. You in your time in the church very often call it a | :14:29. | :14:33. | |
course have fallen from grace - does this ring bells with you as a | :14:34. | :14:34. | |
consequence? Hugely. this ring bells with you as a | :14:35. | :14:39. | |
prison, somebody sent me a book about Newton and I read it and | :14:40. | :14:44. | |
immediately it struck a chord, Kos Newton had screwed up his life, but | :14:45. | :14:49. | |
nevertheless, thanks to God 's grace had found a path of fulfilment and | :14:50. | :14:53. | |
spiritual peace. And some of that was perhaps happening to me as well. | :14:54. | :14:56. | |
And here is Newton's him, was perhaps happening to me as well. | :14:57. | :15:04. | |
gospel choir, to the unattributed folk choose which it was paired with | :15:05. | :15:05. | |
in America in the terrific. It really does have sold. | :15:06. | :15:33. | |
It really does. Although Amazing Grace was not popular in England for | :15:34. | :15:39. | |
at least 150 years after Newton died. The people who made it popular | :15:40. | :15:45. | |
with the American black churches. But is extraordinary, when the words | :15:46. | :15:49. | |
were written by a former slave trader. An extraordinary irony. Why | :15:50. | :16:04. | |
did it become such an anthem? What is in it that makes it work 's it | :16:05. | :16:11. | |
has a universal message about fresh starts, conquering life's disasters. | :16:12. | :16:18. | |
So Amazing Grace is available for all,. Newton apologised for his part | :16:19. | :16:31. | |
in the slave trade, and joined the campaign against it. He died in | :16:32. | :16:38. | |
1807, the year Britain abolished slavery. Newton never heard Amazing | :16:39. | :16:43. | |
Grace sung like this, which is a shame, because he never knew that | :16:44. | :16:48. | |
his heartfelt tale of starting a new would one day be sung by million | :16:49. | :16:54. | |
throughout the world. # Was blind, but now I see. #. | :16:55. | :17:13. | |
Wasn't that beautiful? And you have got three other things that we might | :17:14. | :17:19. | |
assume or American? I am going to test Jay on this. Baseball, is it | :17:20. | :17:28. | |
American? That is as American as apple pie! Is it? Yes! No. It was | :17:29. | :17:43. | |
stolen from us! 1749 was when we were playing it over here. The | :17:44. | :17:46. | |
Prince of Wales played it. It did not reach you for 40 years. So you | :17:47. | :17:50. | |
think American apple pie is American? Yes! No, it isn't. It is | :17:51. | :18:05. | |
British. It is British and has been here King Richard. We had it before | :18:06. | :18:16. | |
King Richard. Really? He was the first to eat the pie? You did not | :18:17. | :18:20. | |
even get apples until the 18th century. One more. Blue jeans? | :18:21. | :18:29. | |
American? Those are American as... Yes! It is international. Levi | :18:30. | :18:48. | |
Strauss came from Bavaria, in Germany. It is a German American | :18:49. | :18:53. | |
creation. He went to Germany with the cloth and then during the gold | :18:54. | :18:57. | |
rush, he made those genes. Rock 'n' roll! That is English! American! | :18:58. | :19:06. | |
Sorry, it is English. In the 1950s, we invented rock 'n' roll. As I said | :19:07. | :19:11. | |
to you at the start, we have got a lot to get through. Thank you, | :19:12. | :19:16. | |
Gyles. We are moving onto optical illusions. Like that last segment we | :19:17. | :19:25. | |
just did. Here is one that could lead to a remarkable medical | :19:26. | :19:28. | |
breakthrough. Over to Michael Mosley. | :19:29. | :19:37. | |
Appearances can be deceptive. Optical illusions are fun, but they | :19:38. | :19:40. | |
also reveal something interesting about how our brains work. We can | :19:41. | :19:45. | |
even use them to deceive our brain about our body. This is a pretty | :19:46. | :19:52. | |
good rubber hand, but can I really convince people that this hand is | :19:53. | :19:56. | |
their hand? Let's see. A volunteer puts their arm close to the rubber | :19:57. | :20:01. | |
hand. The partition means they can see the rubber hand, but not their | :20:02. | :20:06. | |
real hand. I am going to try and persuade you that this hand belongs | :20:07. | :20:10. | |
to you. I gently stroke their real hand and the same spot on the rubber | :20:11. | :20:14. | |
hand. Soon, most people adopt the rubber hand. There is one way to | :20:15. | :20:22. | |
test how strong the connection is. Time after time, this simple | :20:23. | :20:27. | |
illusion works. Deeply odd, because it feels in the wrong place. That is | :20:28. | :20:32. | |
weird. The illusion works because our brains tend to trust vision over | :20:33. | :20:37. | |
other senses. Is your hand feeling OK? Yeah. My brain is a bit | :20:38. | :20:43. | |
confused. If the brain can be deceived like this, can it also be | :20:44. | :20:47. | |
tricked the other way, into alleviating pain? Well, illusions | :20:48. | :20:52. | |
are being used to treat some very real medical conditions. Dr Jenny | :20:53. | :20:58. | |
Lewis is a clinical occupational therapist in Bath. She is trialling | :20:59. | :21:03. | |
a new technology that makes use of visual illusion is. We are creating | :21:04. | :21:08. | |
a visual illusion which tricks your brain into thinking your hand is | :21:09. | :21:13. | |
different to how it is. I am looking at an image of my hand created by a | :21:14. | :21:19. | |
mixture of cameras and mirrors. Any move of my hand is replicated on the | :21:20. | :21:24. | |
screen. Jenny gradually enlarges the image of my right hand. The | :21:25. | :21:32. | |
on-screen changes are subtle, but have a surprising effect on my hand | :21:33. | :21:37. | |
moved its. Now I would like you to do the same hand exercise again. How | :21:38. | :21:43. | |
is it feeling? It feels less coordinated, harder to do. My right | :21:44. | :21:50. | |
hand feels sluggish. Precision is diminished. Just as in the rubber | :21:51. | :21:57. | |
hand experiment, my brain prioritises what it sees. Jenny | :21:58. | :22:00. | |
thinks this visual illusion could be used to help treat patients with | :22:01. | :22:06. | |
severe pain. We hope that would trick their brain into thinking the | :22:07. | :22:10. | |
appearance of the hand is normal, and therefore have an influence on | :22:11. | :22:14. | |
reducing pain and other symptoms. Mike is one of Jenny's patients. | :22:15. | :22:19. | |
Following an accident, he developed complex regional pain syndrome, | :22:20. | :22:23. | |
which leaves his right arm in agony. Looking at your right hand, how does | :22:24. | :22:29. | |
that feel? Much heavier. It also feels really swollen. In relative, | :22:30. | :22:35. | |
Mike's hand is not obviously swollen, but to him it feels much | :22:36. | :22:41. | |
bigger. And the pain? Quite high. Really numb and aching, a pain that | :22:42. | :22:50. | |
just drives you crazy. Scientists do not fully understand Mike's | :22:51. | :22:53. | |
condition, but his pain might be caught by his brain misinterpreting | :22:54. | :22:56. | |
information it receives from his senses. Jenny increased the size of | :22:57. | :23:02. | |
the image of my hand, but with Mike, she will shrink it. Pins and needles | :23:03. | :23:09. | |
are going off. And this has a profound effect. How are your hands | :23:10. | :23:16. | |
feeling? Actually, in here, I feel really good. There is no pain and no | :23:17. | :23:24. | |
heaviness. They are both exactly the same. Although the technology only | :23:25. | :23:27. | |
works when Mike's hand is in the box, it is remarkable that a visual | :23:28. | :23:33. | |
illusion can alleviate Mike's pain. By shrinking the image of Mike's | :23:34. | :23:37. | |
hand, Jenny might be kicking his brain into saying his hand is | :23:38. | :23:40. | |
normal, and this eases the pain, which offers Mike Hope for the | :23:41. | :23:45. | |
future. It is early days, but you can see the potential. For me, it | :23:46. | :23:50. | |
reinforces the power and mystery of the human brain. Extremely clever. | :23:51. | :23:57. | |
The power of the mind is extraordinary. We are going to show | :23:58. | :24:01. | |
you this picture, Jay. Is there anything wrong with this apart from | :24:02. | :24:05. | |
it being upside down? No. It is quite handsome. Oh! I am America | :24:06. | :24:17. | |
game again -- American again. Or English again! Now, as well as | :24:18. | :24:23. | |
doing Or English again! Now, as well as | :24:24. | :24:29. | |
tickled you, hasn't it? Your other passion in | :24:30. | :24:30. | |
tickled you, hasn't it? Your other everybody how many you have got. | :24:31. | :24:33. | |
There are a lot of cards. everybody how many you have got. | :24:34. | :24:40. | |
128. -- cars. Many of those are English vehicles. | :24:41. | :24:44. | |
128. -- cars. Many of those are that have brought you to Europe? | :24:45. | :24:50. | |
Yeah, I will be joining a Jaguar in the Mille Miglia, which is a | :24:51. | :24:53. | |
re-creation of a race that ended in 1957. It is 1000 miles around | :24:54. | :24:55. | |
Italy. Stirling Moss is the 1957. It is 1000 miles around | :24:56. | :25:00. | |
record-holder in perpetuity, because the race | :25:01. | :25:00. | |
record-holder in perpetuity, because doubt anyone could match what he did | :25:01. | :25:07. | |
back in the day. 57 people were killed over the years, so they said, | :25:08. | :25:11. | |
no more racing. Now, we take these great classics and drive not at a | :25:12. | :25:22. | |
breakneck pace, but it is a sort of rolling classic car show. You parked | :25:23. | :25:27. | |
cars on the lawn, you see them in action, and it is great fun. And | :25:28. | :25:33. | |
what a car you are doing it in. What car is your -- what year is your | :25:34. | :25:40. | |
car? 1951. And there is a lovely story behind why you chose this car | :25:41. | :25:47. | |
to do the race. Well, Jaguar was the king of sports cars. I was nine and | :25:48. | :25:51. | |
riding my bike up the hill, and I saw this man polishing a 1950 car. | :25:52. | :25:59. | |
When you have grown up in a small town in New England, nobody had | :26:00. | :26:02. | |
sports cars. And I was staring at it, and he said, would you to sit in | :26:03. | :26:07. | |
the car? This was back in the day, before all men were paedophiles. And | :26:08. | :26:11. | |
I went and sat in the car, and he was quite nice to me. I thought he | :26:12. | :26:15. | |
was 50 years old at the time, because I was nine. I told this | :26:16. | :26:20. | |
story in a magazine article and then I got a letter from the guy. He is | :26:21. | :26:24. | |
still around. I said, how old was he? He was only 12 when I was nine, | :26:25. | :26:31. | |
but when I was nine, he seemed old! And he still had the car. So we went | :26:32. | :26:38. | |
back and filmed the Jaguar. It is till parked in the same spot it was | :26:39. | :26:42. | |
in 1960 when I first saw it. So I will recreate the drive in one of | :26:43. | :26:48. | |
those. We wish you the best. Now, I need seven of these. I could | :26:49. | :26:56. | |
do with six. But we heard that you only need five hours' sleep a night? | :26:57. | :27:01. | |
I am not a big sleeper. Well, today is the BBC date of the body clock, | :27:02. | :27:05. | |
so we sent an easy to get your tips for a good night's sleep. | :27:06. | :27:11. | |
On average, we get asked under seven hours of sleep a night. Lack of | :27:12. | :27:16. | |
sleep is linked to health issues ranging from heart disease, cancer | :27:17. | :27:20. | |
and diabetes to memory loss. I have embedded myself into Croydon live to | :27:21. | :27:26. | |
try and find out your secrets of getting a seriously good night's | :27:27. | :27:34. | |
kip. Hello! If you could get a perfect night's sleep, what are your | :27:35. | :27:40. | |
tips? Sleep on your own. Listen to soft music. Maybe not eating as late | :27:41. | :27:49. | |
as some people may. I used to listen to Lionel Richie before I went to | :27:50. | :27:53. | |
bed, but then it made the sad, so I had to change it to Spice Girls. | :27:54. | :27:57. | |
What are your tips for when you do get a good night's sleep? I keep a | :27:58. | :28:02. | |
journal. So I put all my thoughts into it before going to sleep. It | :28:03. | :28:07. | |
does not help when children come into your bed every night like my | :28:08. | :28:10. | |
daughter does. Should have sleeping clubs for worn out parents. Sorry, | :28:11. | :28:18. | |
you go to sleep with your phone in your hand? Sometimes! When you are | :28:19. | :28:23. | |
on the phone until three o'clock, you can't get a good night's sleep. | :28:24. | :28:29. | |
Switch the phone off, put it down. What is the secret of a good | :28:30. | :28:33. | |
night's sleep? The secret is separate beds. I sleep in Bromley | :28:34. | :28:43. | |
and my wife sleeps in Croydon. Cheers, Lucy. We were talking about | :28:44. | :28:46. | |
your Scottish heritage. You have been trying to play the bagpipes. | :28:47. | :28:54. | |
Not trying! Here we go! That is beautiful! It is remarkable. That is | :28:55. | :29:05. | |
all for tonight. Good luck to Jay in the Mille Miglia. Tomorrow, we are | :29:06. | :29:08. | |
joined by Osman Pat, Stephen Mangan and pop incessant Rita Ora. See you | :29:09. | :29:10. | |
then. | :29:11. | :29:13. |