Browse content similar to 13/09/2012. Check below for episodes and series from the same categories and more!
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Hello and welcome to The One Show with Alex Jones. And Matt Baker. | :00:19. | :00:23. | |
Tonight's guest is a comedian and master of improvisation, so we are | :00:23. | :00:28. | |
putting him on the spot straightaway. Paul, you have 10 | :00:28. | :00:31. | |
seconds to give yourself a glowing introduction to the show, and you | :00:31. | :00:38. | |
have to start with the words "Pam Ayres". Off you go! Pam Ayers is a | :00:38. | :00:44. | |
famous comedian. Paul Merton is appearing on The One Show tonight. | :00:44. | :00:53. | |
Pam, I am your illegitimate son. is of course Paul Merton. I did not | :00:53. | :00:58. | |
know you're going to do that. My mum will not be happy. We will have | :00:58. | :01:05. | |
more from Pam Ayres later as well. Excellent. Now, it has of course | :01:05. | :01:09. | |
been a momentous couple of days for the people of Liverpool after an | :01:09. | :01:12. | |
independent panel uncovered the true extent of the police cover-up | :01:12. | :01:17. | |
after the Hillsborough disaster. a moment, we will talk to the | :01:17. | :01:21. | |
city's mayor, Joe Anderson, but first, here is what you had to say | :01:21. | :01:24. | |
on the streets of Liverpool. Everyone is going round with a | :01:24. | :01:28. | |
smile on their face today, which we always have. But there is an extra | :01:28. | :01:33. | |
smile today because we have justice for them people. It was just one | :01:33. | :01:37. | |
last thing hanging over our shoulders as Liverpudlians. We | :01:37. | :01:41. | |
always knew we were right, and yesterday we were vindicated. | :01:41. | :01:47. | |
weight has been lifted. And the mood has changed. Liverpool won out | :01:47. | :01:55. | |
in the end. They stood up for us. The truth came out. Liverpool, as a | :01:55. | :02:00. | |
city, has always stuck together through everything. But today does | :02:00. | :02:04. | |
for definitely feel a lot happier, and that we have come over the | :02:04. | :02:07. | |
other side. As we said, Joe Anderson joins us | :02:07. | :02:13. | |
now, the Mayor of Liverpool. A new inquest is expected to follow, but | :02:13. | :02:17. | |
from your perspective, what effect have the apologies from the Sun, | :02:18. | :02:23. | |
Kelvin McKenzie and the Prime Minister had on the city? From the | :02:23. | :02:27. | |
prime minister, it was welcomed. He handled it well and he was | :02:27. | :02:30. | |
dignified, with a personal perspective. We were pleased with | :02:30. | :02:37. | |
that. From Kelvin McKenzie, it was contemptuous. He apologised during | :02:37. | :02:45. | |
the two-minute silence we were holding, at 3.06, the time when we | :02:45. | :02:55. | |
:02:55. | :02:57. | ||
remember the 96 people. It is 23 years and 30 hours too late. As the | :02:57. | :03:03. | |
editor rob the Sun, it was too late. As you say, it has been a very long | :03:04. | :03:08. | |
time, but can you give us a flavour of how their campaign has managed | :03:08. | :03:11. | |
to overturn what has been described as the biggest police cover-up | :03:11. | :03:18. | |
over? The report has been something they have complained for in terms | :03:18. | :03:23. | |
of the truth. That was what we always wanted. As a result of the | :03:23. | :03:28. | |
report yesterday, the truth is now known not only to the UK, but to | :03:28. | :03:33. | |
the whole world. The report is both shocking in one sense, but also | :03:33. | :03:37. | |
liberating in another sense, in that it has lifted a cloud that has | :03:37. | :03:44. | |
hung over the family's and victims who suffered at Hillsborough. It | :03:44. | :03:53. | |
has lifted a cloud from the city. We all welcomed the report. As | :03:53. | :04:01. | |
mayor of the city of Liverpool, I pay tribute to the families and the | :04:01. | :04:05. | |
campaigners for what they achieved for the city. The likes of Kelvin | :04:05. | :04:09. | |
McKenzie don't understand that it has added a sense of justice -- | :04:09. | :04:13. | |
injustice to their lives, as well as the bereavement process. What | :04:13. | :04:18. | |
comes next for the families and Hillsborough? How good a move on | :04:18. | :04:26. | |
now? We have now got the truth. From my perspective and there's, | :04:26. | :04:29. | |
hopefully from the truth follows justice and accountability. | :04:30. | :04:34. | |
Somebody made those terrible decisions. It is good disease some | :04:34. | :04:39. | |
people coming out and making apologies, including the FA today, | :04:39. | :04:43. | |
for their part. But clearly, somebody has to be held to account | :04:43. | :04:47. | |
here. Somebody has to take responsibility for the decisions | :04:47. | :04:51. | |
that were made. That is what the City of Liverpool will be looking | :04:51. | :04:57. | |
for, and hopefully will get the support of government to back us up | :04:57. | :05:01. | |
so that we can achieve what is rightly ours. We should not have to | :05:01. | :05:10. | |
beg for justice. Paul, have you been following this? | :05:11. | :05:15. | |
Yes, it is obviously an incredibly terrible story. Now the events have | :05:15. | :05:19. | |
reached the point where they might find closure on the thing, but back | :05:19. | :05:23. | |
then, the football fans were demonised a bit. People were so | :05:24. | :05:27. | |
ready to believe that people could behave in the most extraordinary | :05:27. | :05:32. | |
way while people were dying around them. I find it deeply disturbing. | :05:32. | :05:36. | |
The people of Liverpool are a very tight-knit community, and it is | :05:36. | :05:41. | |
something they have felt passion about for a long time. If there is | :05:41. | :05:49. | |
a release, that is good. Now, all this week, we have been on | :05:49. | :05:54. | |
an extraordinary journey with a retired teacher called Jackie. | :05:54. | :05:58. | |
Jackie is back from India. She helps a small group of Indian | :05:58. | :06:02. | |
children, all the way from her home in Oldham. Last night, we followed | :06:02. | :06:06. | |
her to India to meet those children for the first time. This is the | :06:06. | :06:12. | |
final part of her journey. Here near Oldham, tacky Berra | :06:12. | :06:18. | |
teaches kids in India via the internet. Hi! After an emotional | :06:18. | :06:21. | |
meeting with them for the first time, she is going to see where | :06:21. | :06:30. | |
they live. It is a slum. I feel quite apprehensive. It is one thing | :06:30. | :06:36. | |
to drive past these slums. It is something else to actually walk | :06:36. | :06:46. | |
:06:46. | :06:46. | ||
into them and really see how people are living. This man has been one | :06:46. | :06:49. | |
of the most active members of Jackie's group since it began. His | :06:49. | :06:53. | |
family moved to the slum in search of active employment, and Jackie is | :06:53. | :06:57. | |
keen to talk to his mother. Do you notice that it has made any | :06:57. | :07:07. | |
:07:07. | :07:07. | ||
difference to him that he does sessions and talks to me? He seems | :07:07. | :07:12. | |
very smart when I speak to him. What would be your hopes for him to | :07:12. | :07:22. | |
:07:22. | :07:31. | ||
His mother is so dedicated. She works physically so hard. She is | :07:31. | :07:37. | |
not in good health. The idea is that her children were have a | :07:37. | :07:42. | |
better life than she has had. Incredible. Over 7 million children | :07:42. | :07:48. | |
in India have never been to school. Once a week, this 12-year-old girl | :07:48. | :07:54. | |
learns how to sow in a group for girls with no education. Stand up | :07:54. | :07:57. | |
and show me your skirt. It is beautifully made. I love the | :07:57. | :08:07. | |
:08:07. | :08:14. | ||
colours. Why don't you go to Do you know how to write anything? | :08:14. | :08:19. | |
She can write her name. Would your parents be able to let you go to | :08:19. | :08:27. | |
school? She really wants to go, but she doesn't know. Later that day, | :08:27. | :08:37. | |
Jackie went to meet the girl's mother. The family of six live here. | :08:37. | :08:42. | |
Come and sit with us. She was telling us that she doesn't go to | :08:42. | :08:52. | |
:08:52. | :08:54. | ||
school. But it was here that Jackie found out the real reason the girl | :08:54. | :09:04. | |
doesn't go to school. Her little brother was the one who let the cat | :09:04. | :09:07. | |
out of the bag. He said by the way, my sister left school because she | :09:07. | :09:15. | |
got married. And as the guest, she is indeed only 12 or 13 years old. | :09:15. | :09:19. | |
They were following a tradition. It will not be considered for at least | :09:19. | :09:26. | |
another few years. And did she have any say in a matter? No. So it is | :09:26. | :09:29. | |
understandable that she feels awkward about going to school, when | :09:29. | :09:33. | |
probably, some of the other children would tease her. 18 % of | :09:33. | :09:38. | |
girls are married before their 50th birthday, often in poverty-stricken | :09:38. | :09:44. | |
rural areas. -- they are married before their 15th birthday. | :09:44. | :09:48. | |
think that a child's life is set out for her before the age of 10 | :09:48. | :09:57. | |
without her having any say, that is just so shocking. Today is Jackie's | :09:57. | :10:01. | |
last day here before heading back door Oldham. But before the good | :10:01. | :10:06. | |
bys Begin, there is time for one last session. This is the last time | :10:06. | :10:11. | |
I am going to CU here in India. I am going to show you how to make | :10:11. | :10:16. | |
some bunting, like this. It has made a big impact. The boy who was | :10:16. | :10:22. | |
cheating in my card game, and yet he was the one who was here till | :10:22. | :10:25. | |
the last minute at this evening, holding my hand and reading bits to | :10:25. | :10:30. | |
me out of a book. My relationship with the children will be different, | :10:30. | :10:36. | |
particularly those two little girls. My name is Lakshmi. I have seen | :10:36. | :10:40. | |
where they live and what their lives are like. They have big | :10:40. | :10:45. | |
ambitions. One wants to be a doctor, and the other wants to go back to | :10:45. | :10:55. | |
:10:55. | :10:59. | ||
the village and make sure they have a clean water supply. And I think | :10:59. | :11:05. | |
things like that will leave a lasting impression. | :11:05. | :11:13. | |
As you saw earlier, Jackie is with us now. Watching that makes me want | :11:13. | :11:19. | |
to cry now! That was quite a few weeks ago. Since you have come back, | :11:19. | :11:23. | |
what have you said to the children about what is going on over here? | :11:23. | :11:29. | |
We have spoken on several occasions. One of the lovely things was that | :11:29. | :11:33. | |
the bunting we started making, we didn't finish it when I was there | :11:33. | :11:36. | |
because we didn't have time. But they have finished it, and they | :11:36. | :11:40. | |
showed it to me over Skype and they took a picture of them. They have | :11:40. | :11:45. | |
sent photos of it. They know they are on television here this week, | :11:45. | :11:50. | |
because I spoke to them on Tuesday. What was their reaction? They are | :11:50. | :11:59. | |
really excited. They know the BBC. They were really enthusiastic about | :11:59. | :12:04. | |
the idea of the film. Since we have been there, they wanted to make a | :12:04. | :12:13. | |
film themselves. I think somebody is going to do storyboarded with | :12:13. | :12:20. | |
them. They loved the fact that Mike was called Mike, because they kept | :12:20. | :12:26. | |
saying Mike, can I hold the Mike? They thought that was a huge joke. | :12:26. | :12:31. | |
They loved that whole thing about the filming. Big was a clear that | :12:31. | :12:35. | |
Europe spending time with the children. We got clear impressions | :12:35. | :12:40. | |
of you as a teacher. Paul has something here written by Sunil. | :12:40. | :12:45. | |
says, we thought they were bird eggs, but when she gave them to us | :12:45. | :12:49. | |
to eat, we realised it was chocolate. Jackie is rich, but she | :12:49. | :12:54. | |
did not speed down to us. I liked that very much. So straight to the | :12:54. | :12:59. | |
point. It is true about the BBC. When we were filming a documentary | :12:59. | :13:03. | |
for Channel 5, we said we were from the BBC and immediately got more | :13:03. | :13:11. | |
respect. And then you were there for Just A Minute. Yes, we did a | :13:11. | :13:15. | |
show there earlier this year. In Indian universities, they often | :13:15. | :13:18. | |
played Just A Minute as a way of improving your English language, | :13:18. | :13:22. | |
because you must not repeat, deviate or has a tape. So it is | :13:22. | :13:28. | |
used as a tool for exploring English. I would be hopeless. | :13:28. | :13:32. | |
Jackie, you were an experienced teacher before going to India, but | :13:32. | :13:36. | |
has your trip changed the way you teach the children via Skype now | :13:36. | :13:40. | |
that you are back in the UK? It is really difficult doing it over | :13:40. | :13:46. | |
Skype. You realise how much of interacting with people is to do | :13:46. | :13:52. | |
with body language, hand movements, expressions. And over Skype, | :13:52. | :13:57. | |
because the equipment is never great, that is quite hard. You have | :13:57. | :14:02. | |
to work doubly hard. It is a slightly different technique. | :14:02. | :14:06. | |
have inspired so many people. Lots of people got in contact with us, | :14:06. | :14:10. | |
wanting to do what you are doing. The numbers are limited from a | :14:10. | :14:15. | |
teaching perspective, but there are other things you can do. We have | :14:15. | :14:20. | |
put a link up. There are loads of ideas on our website. If you want | :14:20. | :14:24. | |
to volunteer, there are some postcodes specific ideas, and there | :14:24. | :14:26. | |
are other ideas for people over the age of 50. | :14:26. | :14:31. | |
And now, when Christine Walkden was invited the pan as garden, she | :14:31. | :14:34. | |
found the green fingered poet had a very specific technique when it | :14:34. | :14:41. | |
comes to planting. Paul, you know Pam quite well. What do you think | :14:41. | :14:45. | |
is her gardening technique? On it all in and don't care about the | :14:45. | :14:55. | |
:14:55. | :14:58. | ||
Quiet please. Kindly, don't impede my concentration. I am sitting in | :14:58. | :15:05. | |
the garden, thinking thoughts of propagation. Of nurturing the | :15:05. | :15:10. | |
fruits that my work will bare and the place will not know what has | :15:10. | :15:15. | |
hit it, once I get up from me chair! Pam Ayres and her husband | :15:16. | :15:20. | |
have lived on this Gloucester farm for 25 years. From the look of it, | :15:20. | :15:26. | |
there has been a lot of nurturing going on. | :15:26. | :15:32. | |
I'm not much of a planner, really. My great aim is to bring insect | :15:32. | :15:36. | |
noose the garden. As and when I read something or see a plant that | :15:36. | :15:40. | |
is good for wildlife, I tend to buy it and bung it in. There is a | :15:41. | :15:47. | |
structure, as you can see, but there is a lot of bunking in that | :15:47. | :15:54. | |
goes on! I love bunged in! Now, you bunged in this remarkably well. It | :15:54. | :15:57. | |
is so much easier to grow than lavender. | :15:57. | :16:03. | |
I know and the bees love it. It is so much easier to grow. Everyone | :16:03. | :16:09. | |
think it is is lavender. It is such good value. It is cheap, easy-going. | :16:09. | :16:15. | |
It stands on a north wall. You don't have to fiddle to it or | :16:15. | :16:21. | |
pander to it. You just have to bung it in! This is not a working farm, | :16:21. | :16:28. | |
but animals of all sorts live here. And hidden away from them is a | :16:28. | :16:34. | |
secret walled garden. So, the veggie garden? Yes, this is a | :16:34. | :16:39. | |
vegetable garden. You can tell from this place, Pam | :16:39. | :16:47. | |
knows her way around a runner bean. I am the youngest of six children, | :16:47. | :16:53. | |
my dad grew all of our vegetables. At the back of our garden there was | :16:53. | :16:59. | |
another huge garden. The man was always gardening, he would produce | :16:59. | :17:06. | |
an abundance of vegetables in season. Dad would try to enthuse us, | :17:06. | :17:12. | |
but I was bored by it. But when I moved away in my 20s, I | :17:12. | :17:17. | |
never wanted to buy a tired old vegetable from somebody elgs, so I | :17:17. | :17:23. | |
started to grow my own in my own garden when I was about 22 - not | :17:23. | :17:33. | |
:17:33. | :17:37. | ||
long ago, really! Absolutely! Look at those splend id flowers? I know. | :17:37. | :17:42. | |
And the bees and the butterflies love them. I tell you what, | :17:42. | :17:46. | |
Christine, I have started -- started to dead-head them. The only | :17:46. | :17:50. | |
thing is you need to be very, very tall. | :17:50. | :17:58. | |
Or good on a ladder? Or a pogo stick! Pam's favourite spot is here, | :17:58. | :18:01. | |
looking out over the ponds and the fields. | :18:01. | :18:07. | |
Has your life turned out as you expected it to? No. I did not have | :18:07. | :18:14. | |
expectations. I was not a planner, but I did have an driving -- a | :18:14. | :18:18. | |
driving ambition to be a performer. I loved the idea of being a | :18:19. | :18:23. | |
performer. Because I have a cranky country accent. I have a funny | :18:23. | :18:28. | |
sense of humour. I like write being small things, like the husband that | :18:28. | :18:32. | |
know it is all. I was then able to put things together with that. It | :18:32. | :18:38. | |
seemed to work. Did you ever dream about living on | :18:38. | :18:43. | |
a farm? I did dream about living on a farm, but I only thought it would | :18:43. | :18:50. | |
ever be a dream. I used to ride a pony in the village where I lived | :18:50. | :18:56. | |
once, at the Manor Farm. I loved it. So craved to be in that environment, | :18:57. | :19:02. | |
but I never thought I would be lucky enough to acquire one. I know | :19:02. | :19:06. | |
every tree, stick, detail of the place here now. I cannot imagine | :19:06. | :19:11. | |
not having it. It would be heartbreaking. | :19:11. | :19:16. | |
She is so warm and lovely. So perfectly matched to the place | :19:16. | :19:22. | |
where she lives. Yes, but one of the questions that Christine asked | :19:22. | :19:28. | |
was had Pam's life turned out the way she expected it to, what about | :19:28. | :19:33. | |
yours? I don't know, when I was young I wanted to be in comedy. I | :19:33. | :19:38. | |
could not have predicted it lasting as long as this. Have I Got News | :19:38. | :19:44. | |
For You has lasted 20 years. It is a long time. I'm immensely pleased, | :19:44. | :19:49. | |
it has lasted all the way up to this evening, this could be the | :19:49. | :19:54. | |
programme that kills it forever. You went to the circus? Yes, I went | :19:54. | :19:59. | |
to the circus, I saw people, they said not to do that. Then I would | :19:59. | :20:04. | |
see adults dressed in boots, throwing sausages at each other, | :20:04. | :20:10. | |
throwing buckets of water. I loved You have been out on the road with | :20:10. | :20:14. | |
On The Road. You came on the last time to talk about Out Of My Head. | :20:14. | :20:19. | |
It is coming to the West End from October? It is. | :20:19. | :20:26. | |
The blush describes it as "lovingly honed"? Well, we did 50 shows in | :20:26. | :20:30. | |
the spring. Over 50 shows you develop things. Things change, you | :20:30. | :20:37. | |
drop it if it is not good. It took ten gigs for one joke to work. It | :20:37. | :20:43. | |
did, then, but it is like a moving jigsaw. That bit is OK, then this | :20:43. | :20:49. | |
bit is not. You tink irwith it. That was fascinating as opposed to | :20:49. | :20:56. | |
the improvised stuff. This has props, cues, so lots going on. | :20:56. | :21:03. | |
Is that nerve-wracking for you? is. You don't know how it is going | :21:03. | :21:09. | |
to work. You have to hope a lot. So it is nerve-wracking, but the sense | :21:09. | :21:14. | |
of achievement after is enormous. You have not done stand-up for 14 | :21:14. | :21:20. | |
years? Something like that I did a solo stand-up tour 14 years ago. It | :21:20. | :21:27. | |
was a tired cliche, listening to the buzz of the audience, while I'm | :21:27. | :21:31. | |
having a cup of tea, liking like the most miserable person in the | :21:31. | :21:37. | |
venue. There must be a better way to do it. There is, but this show | :21:37. | :21:42. | |
is more social. Is it a massive difference | :21:42. | :21:48. | |
withstand-up and improv? Improv is easier. The stand-up is hard. | :21:48. | :21:54. | |
Why? It is funny, if you do an improvised show, the audience | :21:54. | :21:58. | |
expect it. They buy that fact. When it is a written show it needs | :21:58. | :22:03. | |
certain things. So a joke, you write a joke, now, if you give the | :22:03. | :22:07. | |
audience too much information it sounds too corny. If you don't make | :22:07. | :22:12. | |
the point that A is related to B, they don't know what you are | :22:12. | :22:16. | |
talking about. So there must abgap that they have jumped themselves. | :22:16. | :22:19. | |
So give them a certain amount of information, but not too much. That | :22:19. | :22:26. | |
is difficult to judge. Doing it in front of a live audience is the | :22:26. | :22:31. | |
best way. Until you get out there and try it, you don't know. | :22:31. | :22:35. | |
Sometimes they laugh, sometimes they just look at you. | :22:35. | :22:40. | |
You say that improv keeps you "match fit", as it keeps your mind | :22:40. | :22:47. | |
ticking? It does. I do a regular show at the Comedy Store. Things | :22:47. | :22:52. | |
like Have I Got News For You which is improvised. When they come along, | :22:52. | :22:59. | |
I feel like I've done lots of improvisation. When I do the comedy | :22:59. | :23:05. | |
store, I feel rusty. It is good the improv. It keeps you alert. | :23:05. | :23:10. | |
Are you starting to rehearse? Yes a director coming in, John | :23:10. | :23:14. | |
Nicholson. I am looking forward to it, but it is unlike the improv, | :23:15. | :23:19. | |
there is so much to look forward to and fear that it may not work, but | :23:19. | :23:25. | |
so far, so good. Well, Out Of My Head is on at the | :23:25. | :23:28. | |
Vaudeville Theatre in London from the 1st to the 20th of October. Now | :23:28. | :23:32. | |
to the weather. Of course, lots of people like to complain about it, | :23:32. | :23:37. | |
but when you do, spare a thought for the men and the women working | :23:37. | :23:43. | |
out on the oil rigs in the North Sea. Out there drastic changes in | :23:43. | :23:48. | |
conditions can happen in a matter of minutes. Marc McCarroll explains. | :23:48. | :23:53. | |
It is one of the most inhospitable workplaces in the world. Where the | :23:53. | :23:58. | |
weather is often violent and always unpredictable. | :23:59. | :24:03. | |
We are all used to changing weather, but out in the North Sea, the rigs | :24:03. | :24:08. | |
can be hit by several severe weather systems in a single day. | :24:08. | :24:15. | |
Because of its location, the North Sea is a hostile environment, | :24:15. | :24:18. | |
bombarded by different weather systems battering it from both the | :24:18. | :24:24. | |
Atlantic and the Arctic. In summer, the warm winds blow over the cold | :24:24. | :24:29. | |
waters to create the har, a Scots word describing the sea mist and | :24:29. | :24:34. | |
fog that smothers visibility. Winter brings the lows of cold air | :24:34. | :24:40. | |
that hit the warmer sea, that creates a short-lived storm. That | :24:40. | :24:46. | |
is not all. Storm surges build within hours. In squally conditions | :24:46. | :24:53. | |
they build in minutes, bringing with them gales of up to 90 mph and | :24:53. | :24:57. | |
waves that can reach nearly 20 metres high. Out here getting to | :24:57. | :25:02. | |
work is a battle against the elements. Crews change shifts by | :25:02. | :25:05. | |
helicopter, preparation is all. Over 30 years, the helicopter | :25:05. | :25:11. | |
accidents in the North Sea have caused 110 deaths. Today, there are | :25:11. | :25:18. | |
more res crews than fatalities, with the pilot training playing a | :25:18. | :25:22. | |
crucial part in the successes. This helly centre is as close to the | :25:22. | :25:28. | |
real thing as you can get. Chris puts the pilots through their paces. | :25:28. | :25:34. | |
Chris, there is driving rain, poor conditions? Yes, we set up the | :25:34. | :25:36. | |
simulator to represent the conditions that the pilot would see | :25:36. | :25:41. | |
and the point where he has to make a decision whether to land or fly | :25:41. | :25:46. | |
away from the ground. It is important to expose the pilot to | :25:46. | :25:50. | |
the conditions, and to stimulate their decision-making process. | :25:50. | :25:56. | |
We are going the wrong way! There we go. We landed. | :25:56. | :26:01. | |
And it is not just the helicopters, every aspect of the oil industry | :26:01. | :26:11. | |
:26:11. | :26:12. | ||
has its risks. On December 27th 195, disaster struck the oil platform, | :26:13. | :26:17. | |
Sea Gem. The steel legs gave way and the structure sank into the | :26:18. | :26:22. | |
waters. Nearly half of those on board lost their lives. Kevin was | :26:22. | :26:28. | |
won of the few who survived. I had been on board about half an | :26:28. | :26:32. | |
hour. There were two huge explosions or cracks. | :26:32. | :26:35. | |
I knew straight away that something was radically wrong. | :26:35. | :26:39. | |
So I decided then that the best thing to do was to get off it. | :26:39. | :26:47. | |
Which, -- which I did. It was freezing. We had a jumper on and | :26:47. | :26:53. | |
slacks and I had slippers on. I had no time to get anything else. | :26:53. | :26:58. | |
A public inquiry concluded that the probably cause of the disaster was | :26:58. | :27:05. | |
metal fatigue, the cold waters had taken their toll on the structure. | :27:05. | :27:10. | |
Hard lessons were learned. Today with the new rigs, insurers insist | :27:11. | :27:16. | |
that a meteorologist is on board, but before they get to the sea, the | :27:16. | :27:21. | |
engineers put themselves to work building platforms that are as | :27:21. | :27:26. | |
weather-proof as possible. Here in Newcastle they are building a new | :27:26. | :27:31. | |
rig, 5,5,000 tons of metal, the legs have been given a layer of | :27:31. | :27:36. | |
specialist paint to protect them against the salty air, improving | :27:36. | :27:40. | |
its defences against the temperatures of minus 50 to plus 50 | :27:40. | :27:45. | |
Celsius. You have to design these things to | :27:45. | :27:50. | |
withstand massive wave and wind blowing. Some models anticipate the | :27:50. | :27:54. | |
type of wave that may come along only once in every 10,000 years. | :27:54. | :27:58. | |
That must be in place to have a safe structure that is going to | :27:58. | :28:03. | |
stay there and make it is safe workplace for people. | :28:03. | :28:07. | |
Today there are 283 platforms in production in UK waters. Their | :28:07. | :28:11. | |
safety relies on the expertise of engineers, cruise and | :28:11. | :28:14. | |
meteorologists. They will never completely weather-proof the | :28:14. | :28:18. | |
industry, but they have learned from the mistakes of the past and | :28:18. | :28:22. | |
work to ensure that they can deal with everything that nature throws | :28:22. | :28:27. | |
at them. This work is essential to the safety of the 22,000 men and | :28:27. | :28:32. | |
women working off our shores. Thank you very much, Marc McCarroll. | :28:32. | :28:40. | |
Alright, improv time. Oil rig, ten seconds, go! What do you mean? Oil | :28:40. | :28:46. | |
rig, well, I can do it in a minute. Oil rigs invented by Professor Oil | :28:46. | :28:52. |