Browse content similar to 14/01/2013. Check below for episodes and series from the same categories and more!
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Hello and welcome to The One Show with Matt Baker... And Alex Jones. | :00:24. | :00:29. | |
What a great night for the Brits at the Golden Globes Awards? Didn't | :00:29. | :00:36. | |
they do well, Dame Maggie Smith, Adele. | :00:36. | :00:41. | |
Well tonight's guest is another great British film export. The only | :00:41. | :00:46. | |
way to introduce him is with one of those ploks with a really great | :00:46. | :00:56. | |
:00:56. | :00:58. | ||
voice... Tonight, coming to a sofa near you, Jason Bourne's nemesis, | :00:58. | :01:04. | |
it's... Brian Cox! There you go, Brian, you see. I don't know what | :01:04. | :01:14. | |
:01:14. | :01:16. | ||
is more scary, Jason's nemesis? Welcome to see you. | :01:16. | :01:21. | |
Is it a big night, the Golden Globes Awards? It is quite relaxed. | :01:22. | :01:26. | |
More relaxed than the Oscars, not that I've ever been to them, but I | :01:26. | :01:30. | |
gather it is. It is also, because there are so | :01:30. | :01:35. | |
many categories like the films are divided up. Whereas with the Oscars | :01:35. | :01:40. | |
everyone is chasing the same prize, you have Best Actor, benefit | :01:40. | :01:46. | |
musical, Best Drama, it is more evenly spread. It is quaint. | :01:46. | :01:52. | |
It is run by the Hollywood Foreign Press, the average age of which is | :01:52. | :01:57. | |
120. Do you think that the nominees were | :01:57. | :02:01. | |
fair? I think so. There is a personal choice that I would have | :02:01. | :02:09. | |
liked to have seen of one, but it is OK, but I was very pleased for | :02:09. | :02:15. | |
Hugh Jackman. He is doing such a great work. Some reviewers have | :02:16. | :02:20. | |
been many and unnecessarily so. I think what he does in that film is | :02:20. | :02:24. | |
extraordinary. It is very, very hard to do. | :02:24. | :02:28. | |
You are talking about Les Miserables. A brilliant film m | :02:28. | :02:33. | |
steel reel being it! Now, with snow covering large parts of the country | :02:34. | :02:38. | |
and temperatures plummeting, lots of you may be sitting there with an | :02:38. | :02:43. | |
extra jumper on. But imagine sleeping outside on a | :02:43. | :02:49. | |
make-shift protest camp? Alex Riley is planning to meet some people who | :02:49. | :02:54. | |
are planning a long winter under ground. | :02:54. | :03:00. | |
Sitting Bull, otherwise known en -- as Simon has dieded to put his life | :03:00. | :03:05. | |
in danger. This is the hardest way of removing | :03:05. | :03:11. | |
protesters from the sight, when at the tunnel. Down here is the water | :03:11. | :03:19. | |
container and my toilet... That's so I have comfort below me. This is | :03:20. | :03:25. | |
my snorkel, breathing system! It is very rudimentary, to say the least. | :03:25. | :03:31. | |
This is one of several tunnels. This is Sitting Bull tunnel, there | :03:31. | :03:37. | |
is Crazy Horse tunnel and they are in the process of doing ger own mow | :03:37. | :03:40. | |
tunnel. The project of this link has been | :03:40. | :03:44. | |
under discussion for 20 years. Last year, the protesters lost a court | :03:44. | :03:52. | |
battle for the road to be scrapped. Now this is one of three different | :03:52. | :03:57. | |
camps. People are building things, sitting on ropes, what have you. | :03:57. | :04:00. | |
How long have you been up there for? About an hour-and-a-half. | :04:00. | :04:09. | |
How long will you stay up there? Probably that much -- not that much | :04:09. | :04:13. | |
longer. I will have a cup of tea in a minute. | :04:13. | :04:18. | |
Today, it is good-natured and friendly but there have been some | :04:18. | :04:23. | |
arrests. This scheme, the new road is three miles long, why is it | :04:23. | :04:27. | |
worth getting arrested for? It is destroying the nature. It is a | :04:27. | :04:32. | |
terrible waste of public money. I want my daughter to grow up and | :04:32. | :04:36. | |
walk through this valley, not for it to be destroyed by a road that | :04:36. | :04:39. | |
is carrying 30,000 vehicle as day. It is obscene. | :04:39. | :04:44. | |
There is, however, lots of support for the project. 84% of the locals | :04:44. | :04:51. | |
responded to a vuarfaway and backed the idea of a new road -- survey. | :04:51. | :04:56. | |
It is essential to the development of the Hastings area and Bexhill. | :04:57. | :05:00. | |
It will increase the size of the local economy by over �1 billion. | :05:00. | :05:04. | |
It is ten times the cost of building the road. | :05:04. | :05:07. | |
Now there are obviously passionate people who oppose the project. Some | :05:07. | :05:11. | |
of them are prepared to dig tunnels, climb trees and get arrested. What | :05:11. | :05:16. | |
do you say to them? We have been through a long process of | :05:16. | :05:20. | |
consultation, planning permission, of public inquiry. There has been | :05:20. | :05:26. | |
lots of opportunity for everyone to put across their point of view. | :05:26. | :05:30. | |
Their antics in the courts last year, tunnelling this year it has | :05:30. | :05:35. | |
cost us about �5 million. With the construction under way, | :05:35. | :05:39. | |
history tells us it isen likely that either said will get what they | :05:39. | :05:44. | |
want. Even 7,000 demonstrators could not halt the Newbury by-pass | :05:44. | :05:49. | |
from being built and all of the added security cost the taxpayer a | :05:49. | :05:55. | |
whopping �24 million extra. If they do grab me. All I do need | :05:55. | :05:58. | |
here are 30 seconds. Then I am down the hole. | :05:58. | :06:04. | |
You are prepareded to stay here, locked in the dark? Yes. | :06:04. | :06:10. | |
I have loads of batteries! But it will be cold and difficult to live | :06:10. | :06:15. | |
in. How long can you survive in this? I reckon I could survive for | :06:15. | :06:18. | |
a month. Well, I know you mentioned it but | :06:18. | :06:22. | |
being out in conditions like this at the moment does not bare | :06:22. | :06:26. | |
thinking about. Lucy is here to talk about this a little more. We | :06:26. | :06:32. | |
have heard from Sitting Bull. It is a last resort, where are the | :06:32. | :06:36. | |
protesters today? Well, we are not allowed to say where the camp is, | :06:36. | :06:40. | |
but the road is being built in stages. They obviously have not got | :06:40. | :06:44. | |
tonne that part of the road yet. When they get near to that part of | :06:44. | :06:48. | |
the road, the police have said that they have trained people who will | :06:48. | :06:53. | |
deal with the removal or the evicting of the protesters like | :06:53. | :06:58. | |
Sitting Bull, and they will then apply for a high court order also | :06:58. | :07:04. | |
to do that. We know that it is a waiting game right now. | :07:04. | :07:10. | |
This is a big protest but we saw more protests of this scale in the | :07:10. | :07:16. | |
past? This is taking us back to the 90s. There was a stand-off with the | :07:16. | :07:21. | |
police today. That lasted four hours. Then the protesters in the | :07:21. | :07:26. | |
tree tops in that location they came down and they were evicted. | :07:26. | :07:31. | |
Then the three oak trees there were felled. We got used to seeing this | :07:31. | :07:38. | |
in the 90s, it was on a bigger scale. You may remember Hampshire, | :07:38. | :07:43. | |
Twyford Downs. It was extended for the M3. There was a huge protest. | :07:43. | :07:50. | |
That is when we saw the start of non-violent action. People became | :07:50. | :07:57. | |
good at doing this. Then Newbury, 1,000 people were arrested there. | :07:57. | :08:07. | |
:08:07. | :08:08. | ||
That is where Swampy emerged? You remember, Swampy, Brian? | :08:08. | :08:13. | |
remember him very well. He was a hero. I think it is shocking. It is | :08:13. | :08:16. | |
beautiful that part of the countryside. We are doing enough | :08:16. | :08:19. | |
damage to the countryside, we should leave it alone. | :08:19. | :08:24. | |
But there are others who say that this is progress, we need the roads. | :08:24. | :08:27. | |
Swampy was the reluctant hero, coming up from the tunnel, had a | :08:28. | :08:32. | |
taste of fame. He was on Have I Got News For You, he was in fashion | :08:32. | :08:41. | |
supplements, you were a fan of him, weren't you?! I was. Then he | :08:41. | :08:47. | |
disappeared again. Daniel, Hooper, where are you? I think that the | :08:47. | :08:51. | |
point you made about how unfashionable it is to were test. I | :08:51. | :08:57. | |
think is a shame. It is only by protesting that you get moving. | :08:57. | :09:02. | |
Have you protested yourself, Brian? All the time. Every day of my life. | :09:02. | :09:11. | |
It is one of those things for an actor. I am a pain in the... But we | :09:11. | :09:15. | |
can't talk about the roads tonight without talking about the snow. The | :09:15. | :09:19. | |
warnings that are in place, is there anything we must be aware of? | :09:19. | :09:23. | |
There are three amber warnings and igt yellow warnings for the whole | :09:23. | :09:29. | |
of the country. The news is that the temperatures are predicted to | :09:29. | :09:35. | |
keep going down and the worst affected area are the north of east | :09:35. | :09:40. | |
England, area and the East Midlands. The Met Office are saying to please | :09:40. | :09:45. | |
watch out for the ice. Now, in a minute, Brian, we are talking about | :09:45. | :09:49. | |
your comedkpwri, but first, let's have a look at one of your most | :09:49. | :09:54. | |
famous film roles. Is that why you killed Marie? | :09:54. | :09:57. | |
killed her. The minute you climbed into the car. The minute you | :09:58. | :10:02. | |
entered her life she was dead. I told you to leave us alone. I | :10:02. | :10:07. | |
fell off the grid. There is no place I won't catch up to you. It | :10:07. | :10:13. | |
is how every story ends it is what you are, Jason, a killer. | :10:13. | :10:18. | |
One of my favourites of the Bourne series. | :10:18. | :10:23. | |
There is a funny story about that I was doing a play. We wrapped the | :10:23. | :10:30. | |
film. We never shot that scene. The showdown between Jason Bo, rne and | :10:31. | :10:39. | |
the guy that I played! I can't remember his name! The CIA guy. | :10:39. | :10:46. | |
When they did, they rang me up. I was in Edinburgh doing a play. I | :10:46. | :10:52. | |
was looking like this. We had to do this scene. So they flew me in on a | :10:52. | :10:57. | |
private jet to do the scene. That is a wig I am wearing. It was all | :10:57. | :11:01. | |
done in a weekend. Finally, they finished the film. | :11:01. | :11:07. | |
So, you have done a huge block buster but you are back on our | :11:07. | :11:12. | |
small screens in a comedy. Tell us about this. This is Bob Servant | :11:12. | :11:17. | |
Independent? It is hilarious. pleased about this. It is something, | :11:17. | :11:21. | |
I have always wanted to do comedy. Because I have this face, which... | :11:22. | :11:28. | |
What do you mean?! Apparently I welcome mean, but I am not at all | :11:28. | :11:33. | |
but I do look it! So this script came to me. It was a brilliant | :11:33. | :11:41. | |
young writer, who wrote a series of books called Delete At Your Peril. | :11:41. | :11:46. | |
Bob was taking on e-mail spammers. I urge you to read it, it is really | :11:46. | :11:51. | |
funny. We did it on the radio. Then a clever producer here at the BBC | :11:51. | :11:57. | |
decided to do a television series based on Bob. So the scripts came | :11:57. | :12:00. | |
and they were amazing. The other thing that is important for me is | :12:00. | :12:06. | |
that it is set in my home town. That's right. He is a small | :12:06. | :12:10. | |
businessman, he turned into an MP. He is telling some of his policies | :12:10. | :12:16. | |
here to the locals. I have an unfair parking ticket... | :12:17. | :12:22. | |
Joan, marketing -- parking tickets is not the thing. Whoa, let's hear | :12:22. | :12:27. | |
it. I came out of the dry-cleaners. There was a traffic warden at the | :12:27. | :12:32. | |
car. I know the one. Was he looking pleased with himself? He was. | :12:32. | :12:39. | |
He has given me a ticket, but I was own three hours over. That is knit- | :12:39. | :12:45. | |
picking, Joan, I will not have it on my watch! Hang on the line. My | :12:45. | :12:49. | |
campaign manager will be with you directly, we can probably throw in | :12:49. | :12:54. | |
a disabled parking badge! He is a brilliant character. Very good, but | :12:54. | :12:59. | |
it must have been great to be back at home? It is the first time ever, | :12:59. | :13:06. | |
really, that Dundee has been, well, there was a thing years ago in | :13:06. | :13:12. | |
which nobody could do the accent, Dupe City, but I am proud that | :13:12. | :13:18. | |
there is a comedy coming from Dundee. It is not from Edinburgh, | :13:18. | :13:23. | |
or Glasgow but it is from Dundee. And speaking of which, you have a | :13:23. | :13:28. | |
gift for us. This is for the One Show kitchen. | :13:29. | :13:33. | |
This is the Dundee dialect. Nobody can understand it, but, for | :13:33. | :13:39. | |
instance, I will give you that one. That is I have finished my meal. | :13:40. | :13:49. | |
:13:50. | :13:54. | ||
It goes like this A- A- R. I ate it all! So, Brian, we worked | :13:55. | :14:00. | |
out you have done over 100 films. We were working out can you guess | :14:00. | :14:05. | |
what they are purely by the tag lines? Well, here are a few tag | :14:05. | :14:11. | |
lines. Let's have the first one. Still armed, still dangerous, still | :14:11. | :14:15. | |
got it. You can't remember the character | :14:15. | :14:21. | |
name in the Bourne films, so good luck with this. Is that from the | :14:21. | :14:27. | |
Bourne films? Is it me? It is a colour. It is not | :14:27. | :14:34. | |
blue it is not white it is? Red! You starred opposite Helen Mirren. | :14:34. | :14:39. | |
Yes. I have just done the sequel in which all I do is kiss Helen | :14:39. | :14:44. | |
Mirren! I come back just to kiss Helen Mirren it was the best-paid | :14:44. | :14:47. | |
job. We'll do one more. Then a huge clue. | :14:47. | :14:52. | |
This is based in Scotland. Here we go. | :14:52. | :15:00. | |
Ever man dies, not every man really lives. That is either Brave Heart | :15:00. | :15:05. | |
or Rob Roy. We will take the first one, it is | :15:05. | :15:09. | |
Brave Heart. Are you still up for a scrap with | :15:09. | :15:16. | |
the English over independence? Now we are going back 100 years to | :15:16. | :15:26. | |
:15:26. | :15:28. | ||
a moment that changed cinema You killed my partner, punk. I'm | :15:28. | :15:34. | |
taking you in! There is nothing like an action film to get the | :15:34. | :15:37. | |
adrenaline pumping, but if you think this kind of picture was born | :15:37. | :15:43. | |
in Hollywood, think again. Movie experts reckon that the first | :15:43. | :15:46. | |
action film was made here in Sheffield. | :15:46. | :15:51. | |
It was made over 100 years ago. More than a decade, before | :15:51. | :15:54. | |
Hollywood became the capital of world film production. At the turn | :15:54. | :15:58. | |
of the 20th century, these streets were the home of a firm of | :15:59. | :16:03. | |
photographers called the Sheffield Photo Company. They were at the | :16:03. | :16:07. | |
forefront of an exciting industry, but they were also on the brink of | :16:07. | :16:12. | |
becoming part of film-making history. | :16:12. | :16:18. | |
It was 1903 when the company released the first moving picture | :16:18. | :16:28. | |
:16:28. | :16:32. | ||
production. It was called A daring Daylight Burglary. | :16:32. | :16:40. | |
We see a burgler forcing open the windows of the house. Above us is | :16:40. | :16:44. | |
the roof. A young boy fetches the police. A fight starts, a policeman | :16:45. | :16:49. | |
is thrown to his serious injure, possibly death. I think at the time | :16:49. | :16:52. | |
that would have felt realistic to people and quite shocking. | :16:53. | :16:58. | |
Was it a hit? Yes, it was a big hit. The company sold the rights of the | :16:58. | :17:04. | |
film to a gentleman called Charles Urban. He dies Buted it around the | :17:04. | :17:07. | |
world. So, shot in Sheffield but it | :17:07. | :17:11. | |
conquered the world? Indeed. The people behind the international | :17:11. | :17:20. | |
hit were the Mottershaw family. It was his son, though, Frank, who was | :17:20. | :17:28. | |
the creative force behind the fiction films. In its day, a Daring | :17:28. | :17:31. | |
Day light Burglary was ground- breaking. | :17:31. | :17:36. | |
It is all action. A cop is killed and the other cops go, as it were, | :17:36. | :17:40. | |
not only to catch the villain but almost to avenge them. A theme | :17:40. | :17:45. | |
that's been running for over 100 years? Yes. You can see the story, | :17:45. | :17:50. | |
the line of it, how it has been expanded on in countless of films. | :17:50. | :17:54. | |
It is sister-in-law one of the earliest-known films to have told a | :17:54. | :17:58. | |
story in this way. It was not just the actions that | :17:58. | :18:03. | |
was ground breaking. The editing much the film took the audience on | :18:03. | :18:07. | |
a journey across the city in less than five minutes. | :18:07. | :18:10. | |
Films before this would have been made up of one or two shots. This | :18:10. | :18:15. | |
film goes to a number of different locations. The audience must create | :18:15. | :18:20. | |
the links between the different locations. It is like a very crude | :18:20. | :18:26. | |
form of cinema very cab leary being created. | :18:26. | :18:31. | |
Do you think it would work with a modern audience? Yes it is in the | :18:31. | :18:36. | |
that far removed from what they see each week on the big screen. | :18:36. | :18:42. | |
Good. Let's go to the box office. Enjoy the film. It is action-packed. | :18:42. | :18:52. | |
:18:52. | :18:58. | ||
I don't really know what I was expecting, but it had more action | :18:58. | :19:03. | |
in it than I thought it would. think with the old cinema, you are | :19:03. | :19:08. | |
not sure what to make of it. Sometimes maybe not that fast-paced, | :19:08. | :19:13. | |
but I was impressed by it. We are very lucky today as we have | :19:13. | :19:20. | |
a member of the Mottershaw dynasty with us, Frank's grandson. | :19:20. | :19:25. | |
The move from frame-to-frame is so good. It really stands out and | :19:25. | :19:28. | |
establishes a method that has been used ever since. | :19:28. | :19:37. | |
The film near escaped the attention of most modern film fans but just | :19:37. | :19:42. | |
as the location is enjoyed here in Sheffield, so its impact continues | :19:42. | :19:47. | |
to influence on the silver screen. Now, if you will excuse me, I have | :19:47. | :19:56. | |
to carry on spreading the word... Brilliant stuff, as a tribute to A | :19:56. | :20:06. | |
:20:06. | :20:07. | ||
Daring Daylight Robbery, it is now Stkpwhrrb 1903, of course. Joining | :20:07. | :20:12. | |
us on the sofa it is film critic, Antonia Quirke. If you did not | :20:12. | :20:16. | |
fancy watching an action film in 1903, what else was on offer? | :20:16. | :20:22. | |
was an exciting time in cinema, full stop. Not just in Sheffield | :20:22. | :20:27. | |
for that family but in Brighton, the Hollywood of the UK, you had | :20:27. | :20:31. | |
scientists, chemists, film-makers, entrepreneurs, money-men, | :20:31. | :20:36. | |
photographers, all working together and competing against each other to | :20:36. | :20:40. | |
bring all sorts of extraordinary stuff to the screen. One memorable | :20:40. | :20:45. | |
film from 1903 was a film about a stilton sandwich! All about the | :20:45. | :20:50. | |
little mites eating away at the cheese it was filmed through a | :20:50. | :20:54. | |
telescope. The audiences were crazy for it, but one of the most | :20:54. | :20:59. | |
beautiful, and interesting is the adaptation of Alice in Wonderland. | :20:59. | :21:07. | |
That really is xegsal. As you can see, it -- exceptional. Down here | :21:07. | :21:12. | |
in the rabbit hole it is the stuff of nightmares. This is only 37 | :21:12. | :21:22. | |
:21:22. | :21:23. | ||
years after the book was written. Today is the 115th anniversary of | :21:23. | :21:28. | |
LewisCarrol's death. There is family history. The actors are | :21:28. | :21:35. | |
played by the writer, and the director, Cecil and his wife is in | :21:35. | :21:41. | |
it. Their grandchildren. You can see they are having a terrific time. | :21:41. | :21:45. | |
It is a great film. If blokes fancy something with a | :21:45. | :21:50. | |
bit of violence, as they do, sometimes, back in 1903, what was | :21:50. | :21:56. | |
on offer then? There was a one- minute film about a chest chess | :21:56. | :21:58. | |
dispute. There is a film that I believe we | :21:58. | :22:08. | |
:22:08. | :22:27. | ||
APPLAUSE What do you make of that, Brian?! And the way it is happening | :22:27. | :22:33. | |
out of shot. It is arty. I love the way that the men look as though | :22:33. | :22:40. | |
they are modelled on the great silent actor, Buster Keaton. He was | :22:40. | :22:44. | |
only eight years old then. The imagination is brilliant. It is a | :22:44. | :22:53. | |
very good pont you made about the film being made below the screen. | :22:53. | :23:00. | |
It is a lot of -- there are a lot of films that are overproduced. | :23:00. | :23:05. | |
And of course colour. A year before this, a man called | :23:05. | :23:09. | |
Edward Raymond Turner was making the first ever colour moving | :23:09. | :23:13. | |
picture in his back garden in Hounslow. We have a shot here. That | :23:13. | :23:18. | |
is his little girl. That is in a back guard no-one Hounslow. That is | :23:18. | :23:22. | |
shot in Brighton. Turner was a chemist. He made the 38 millimetre | :23:22. | :23:27. | |
film with his own hands. Those combined with the camera and | :23:27. | :23:31. | |
the projector to make the perfect colour. | :23:31. | :23:35. | |
Antonia, thank you very much. Brian, in the show of yous, you are | :23:35. | :23:39. | |
playing a man attempting to become an MP. Well, let's hear from a man | :23:39. | :23:46. | |
who has heard everything that politics has to offer. | :23:46. | :23:51. | |
I am Paddy Ashdown. I am going back to the first street that I remember, | :23:51. | :24:01. | |
:24:01. | :24:05. | ||
it is off Coast guardLane. It is off Orloch. | :24:05. | :24:10. | |
Here I am living alongside Belfast lock. That is it going right the | :24:10. | :24:19. | |
way down to the city. Can you imagine the magic of that? And | :24:19. | :24:23. | |
these... They were just abandoned, the Second World War, army huts. I | :24:23. | :24:28. | |
thought they were great. We used to play in them all of the time. | :24:28. | :24:34. | |
Pretending we were men in machine guns, shoting over the top of them. | :24:34. | :24:39. | |
What an adventure! That must be the house but you know how I recognise | :24:39. | :24:46. | |
it, it is the tree first. There were telehouses. We lived at | :24:46. | :24:55. | |
that end... LAUGHTER That is the old coastguard Tower. It was pretty | :24:55. | :25:01. | |
well derelict. These are the steps that led us up, to what was, for me, | :25:01. | :25:06. | |
the steps to fairyland and imagination. | :25:06. | :25:12. | |
And here it is. It is looking straight out on to | :25:12. | :25:17. | |
the Mull of Kintyre. Surrounded by the sea on all three | :25:17. | :25:27. | |
sides. I also remember here a strange | :25:27. | :25:31. | |
loneliness, a strange separation. My father was a Colonel in the | :25:31. | :25:36. | |
Indian army. He had come home in 1946 but my father stayed on | :25:36. | :25:41. | |
foreanother two years. It seemed an age to me. I was so attached to him. | :25:41. | :25:46. | |
I remember having I rirb -- irrational fears, that as my dad | :25:46. | :25:52. | |
was not there, the sea would come up and devour us. So, it was mum | :25:52. | :25:55. | |
and me. She was so happy to be back in Northern Ireland. | :25:55. | :26:02. | |
This was her home. This was her family. This is where she came from. | :26:02. | :26:08. | |
It was hard. She was not very rich.we never had money. She was | :26:08. | :26:12. | |
living off an Indian army officer's pension. It was hard. They were | :26:12. | :26:17. | |
tough times. Then my dad came home. That was magic. My God, I remember | :26:17. | :26:25. | |
how life changed when he was here. Yes! Now this, as I recall, it was | :26:25. | :26:31. | |
our sitting room. This was very, very tumble down. I remember the | :26:31. | :26:37. | |
ceilings, bowing, if not down, showing signs of dampness. Dampness, | :26:37. | :26:42. | |
that is what I remember here. I remember mum desperately trying to | :26:42. | :26:47. | |
keep us all warm. This is the bit that I remember so | :26:47. | :26:52. | |
well as a boy. There were little paths in amongst the bushes. We | :26:52. | :26:56. | |
would pretend we had landed by a rubber boat on to the rocky | :26:56. | :27:03. | |
shoreland. They were all adventures but all military adventures. When | :27:04. | :27:08. | |
my dad came home, he would encourage us to adventure and | :27:08. | :27:16. | |
danger. Mum was always saying not to let him do that we had lost one | :27:16. | :27:20. | |
son, she was terrified at losing another. | :27:20. | :27:25. | |
But for the rest of my life I have always had a fear of loss in the | :27:25. | :27:35. | |
:27:35. | :27:36. | ||
family. If I were a Northern Irishman, and | :27:36. | :27:42. | |
I am, and proud of it, then this is where I first dicovered what that | :27:42. | :27:47. | |
means. If they managed to beat the accent out of me at school, they | :27:47. | :27:51. | |
never managed to beat the Paddy out of me. That identity is a huge part | :27:51. | :28:01. | |
:28:01. | :28:14. | ||
of what I have become, of what I am. In credible what you get back when | :28:14. | :28:21. | |
you take them back to their own home? You were saying, Brian, that | :28:21. | :28:25. | |
you great, great grandparents street has a claim to fame? Well, | :28:25. | :28:33. | |
Billy Connolly rang my one day and he said that Bobby Carlisle, Billy | :28:33. | :28:37. | |
Connolly and my grandparents all lived in the same street together. | :28:37. | :28:42. | |
Did they? I wonder what it was? were all Irish immigrants, but your | :28:42. | :28:47. | |
roots are very important. That is what is so nice about that. | :28:47. | :28:50. |