Browse content similar to 17/11/2011. Check below for episodes and series from the same categories and more!
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Hello and welcome to the One Show with Alex Jones. And Joe Crowley. | :00:21. | :00:25. | |
And helping us cheer Matt home is a woman who flew a space ship in The | :00:25. | :00:28. | |
Phantom Menace and, as Miss Babs in Acorn Antiques, made Crossroads | :00:28. | :00:38. | |
:00:38. | :00:43. | ||
look good. Welcome back Celia Thank you for having me. Have you | :00:43. | :00:49. | |
been following the progress of Matt? I have a little bit. I would | :00:49. | :00:53. | |
hate to get in a rickshaw. You see young boy is pedalling away with | :00:53. | :01:01. | |
thin legs and fat tourists on the back. It is true. I would feel | :01:01. | :01:09. | |
awful. A rickshaw is heavy enough. He is doing brilliant. And you've | :01:09. | :01:11. | |
been following him too, getting your cameras out as Matt passes. | :01:11. | :01:21. | |
:01:21. | :01:22. | ||
And thank you so much. This was sent in by Norman. Ruby made Matt a | :01:22. | :01:31. | |
welcome pack. This was Matt in County Durham. He was looking a bit | :01:31. | :01:39. | |
worse for wear. A little bit better on Monday. This was taken by David | :01:39. | :01:48. | |
Tucker. He was in Thirsk. This is Matt in Lincolnshire on Wednesday. | :01:48. | :01:53. | |
Today, I think this is. Matt passing through Cambridgeshire | :01:53. | :02:00. | |
today. This is from Serie Jarman. We know your support has been | :02:00. | :02:08. | |
making a huge difference. No late finish for Matt tonight. He arrived | :02:08. | :02:13. | |
in Cambridge this afternoon and is ready for his reception committee. | :02:13. | :02:23. | |
:02:23. | :02:26. | ||
How is Cambridge? Here are the lovely people of Cambridge. There | :02:26. | :02:34. | |
is music. There are choirs and there is at the finish. How | :02:34. | :02:39. | |
wonderful is that? How lovely to see you all. I did arrive hit | :02:39. | :02:46. | |
earlier this afternoon. I have had a super time. I have been over at | :02:46. | :02:50. | |
the pub just behind us. I have not been drinking but the landlord | :02:51. | :02:59. | |
offered me a hot bath. I am feeling delighted. I had 60 miles to go | :02:59. | :03:05. | |
tomorrow. I set off at 8 o'clock this morning. Yesterday was pretty | :03:05. | :03:09. | |
interesting. An interesting 24 hours in all. The plan was to | :03:10. | :03:13. | |
arrive in Peterborough to turn on the Christmas lights. Peterborough | :03:13. | :03:18. | |
is eight miles away from our chosen route. I had to do an extra 16 | :03:18. | :03:22. | |
miles to turn the lights on. It was worth it and I am sorry they got | :03:22. | :03:30. | |
their late. This is what happened. -- I got there. There are some | :03:30. | :03:38. | |
lights to turn on around here, aren't there? 3, 2, 1, here we go! | :03:38. | :03:44. | |
A very big thank you to a bright and sparkling Peterborough. After a | :03:44. | :03:50. | |
few hours' sleep, Matt left at 8 o'clock, with June on the back. | :03:50. | :03:56. | |
this is the crucial point of the morning. If you feel a need to whip | :03:56. | :04:03. | |
me or slap me to keep me going... will give you a pat on the back | :04:03. | :04:13. | |
:04:13. | :04:14. | ||
pulls up Cambridge is waiting. was struggling to get going. | :04:14. | :04:21. | |
body is tired. It just wants to stop. My mind is going, come on, | :04:21. | :04:29. | |
next corner. Thankfully, so far, what is going on above the waist is | :04:29. | :04:36. | |
winning. The flat landscape that was also causing problems. Into a | :04:36. | :04:43. | |
headwind. Are you all right, Pudsey? Is your eye watering? Less | :04:43. | :04:48. | |
than 100 miles. As Matt reached another milestone, the excitement | :04:48. | :04:55. | |
proved too much. I have just hit the 100 mile were -- mark. To | :04:55. | :05:01. | |
celebrate, I hit the wrong gear. Lovely to see you. Thank you for | :05:01. | :05:06. | |
coming out. Our old friend and Formula One presenter, J Humphrey, | :05:06. | :05:13. | |
a right to show his support. It is like a roller-coaster. After the | :05:13. | :05:19. | |
nice downhill section, at what speed were you getting? About 16 | :05:19. | :05:27. | |
miles an hour. It is relentless. Have you do it for 13 hours. Then | :05:27. | :05:37. | |
:05:37. | :05:37. | ||
you do it the next day it and the next day. Nice to see you. On his | :05:37. | :05:42. | |
way home, Jake had to stop because he could not believe the crowds | :05:42. | :05:47. | |
that were lining the street. Take a look down at. All the way down the | :05:48. | :05:54. | |
road, as far as you can see, there are people. We're not coming into | :05:54. | :05:59. | |
London, Birmingham or Manchester, this is for boys in Lincolnshire. | :05:59. | :06:09. | |
:06:09. | :06:15. | ||
Marvellous! People out in the streets are definitely helping Matt | :06:15. | :06:20. | |
along. Looking forward to hopefully seeing him on the show tomorrow. We | :06:20. | :06:30. | |
:06:30. | :06:30. | ||
have celebrated the amazing effort that Matt has put in. You have | :06:30. | :06:40. | |
:06:40. | :06:45. | ||
That is amazing. Surely now the challenge is to make 1 million | :06:45. | :06:52. | |
bytes mire. One Direction will be helping us to welcome Matt home. -- | :06:52. | :07:02. | |
:07:02. | :07:05. | ||
For full terms and conditions, visit the website. You can send in | :07:05. | :07:10. | |
cheques. Please make them payable to Children in Need to the address | :07:10. | :07:20. | |
on the screen. Lucy Siegle took a trip into the secretive world that | :07:20. | :07:26. | |
David Cameron called the next big scandal waiting to happen. Last | :07:27. | :07:32. | |
month, a light was shone into an otherwise shadowy world. | :07:32. | :07:37. | |
ministerial code has been found to have been breached and I am sorry. | :07:37. | :07:41. | |
Liam Fox resigned after his best man and former flatmate had | :07:42. | :07:46. | |
accompanied him on numerous trips, blurring the line between personal | :07:46. | :07:49. | |
and official business. He was not lobbying but the scandal raised | :07:50. | :07:57. | |
questions about how politics is influenced by the secret world of | :07:57. | :08:02. | |
the political lobbyist. Lobbying takes its name from the lobby of | :08:02. | :08:05. | |
the House of Commons where, historically, people would loiter | :08:05. | :08:10. | |
to try to drop a discreet word in the right ear. Today that idea is | :08:10. | :08:16. | |
far less transparent and much more sophisticated with clients hiring | :08:16. | :08:21. | |
specialists lobbying firms who work them out - is that a magic well out | :08:21. | :08:29. | |
of the site of prying eyes. It is not easy to discover who is paying | :08:29. | :08:34. | |
who and why. The Prime Minister had concerns before he took the job. | :08:34. | :08:40. | |
I'm talking about lobbying. The lunches, a hospitality, the quiet | :08:40. | :08:46. | |
word in the ear. Ex-ministers for hire. Is the Prime Minister right | :08:46. | :08:53. | |
to say you know how this works? What forces of persuasion are at | :08:53. | :08:58. | |
work that the ordinary voter has no idea about? What does a lobbyist | :08:58. | :09:08. | |
do? And the I track down one of these elusive creatures. -- I | :09:08. | :09:15. | |
tracked down. Explain to me what a lobbyist actually does? What we | :09:15. | :09:21. | |
tried to do is to inform and influence the public policy process. | :09:21. | :09:26. | |
There are a two sides to every single argument. We make sure all | :09:26. | :09:31. | |
sides of the argument are properly explained. What do they actually | :09:31. | :09:36. | |
do? Lobbyists get the points of their clients across by meeting | :09:36. | :09:39. | |
with important people, commissioning research and | :09:39. | :09:44. | |
providing briefing material. Isn't it decays the more cash you can | :09:44. | :09:48. | |
spend on this sort of thing, the more chance you have of getting | :09:48. | :09:57. | |
your way? -- isn't it true that the more cash. If politicians were | :09:57. | :10:00. | |
subject to the blandishments of people like me, they would not be | :10:00. | :10:06. | |
up to the job. They are swayed by the force of argument. If they are | :10:06. | :10:11. | |
swayed by the force of argument and, as a result, we get better policy | :10:11. | :10:16. | |
and better legislation, then surely there is nothing to fear. But it is | :10:16. | :10:21. | |
argued the work of the lobbyist can often be extremely effective. When | :10:21. | :10:26. | |
health campaigners tried to argue for minimum unit pricing for | :10:26. | :10:30. | |
alcohol and discourage harmful drinking, they were opposed by a | :10:30. | :10:34. | |
well organised lobby campaign paid for by the drinks industry. Just | :10:34. | :10:40. | |
how much are these shadowy forces affecting our lives? In this | :10:40. | :10:46. | |
country it is a big, sophisticated industry. It touches every area of | :10:46. | :10:53. | |
our lives. It is about the food we eat, what we see on television, | :10:53. | :10:57. | |
public transport, everything. this just what happens when | :10:57. | :11:04. | |
politics evolves? I have a problem with lack of transparency. We have | :11:04. | :11:08. | |
a �2 billion growing lobbying industry. Most of that comes from | :11:08. | :11:13. | |
the business sector. They do it behind closed doors. We cannot see | :11:13. | :11:18. | |
what deals should be done. We have no knowledge of activities. That is | :11:18. | :11:23. | |
the problem. Changes have been promised by the Government. There | :11:23. | :11:28. | |
are suggestions the register should be kept. Legislation probably will | :11:28. | :11:33. | |
not happen until next year. If and when it does, who is talking to | :11:33. | :11:37. | |
what lobbyist will need to be declared by law. Perhaps only then | :11:37. | :11:42. | |
we will know the true extent of their influence over that lot in at | :11:42. | :11:50. | |
and on our lives. Charities and other organisations use lobbyists | :11:50. | :11:56. | |
as well. If you could lobby for actors, what would to lobby for? | :11:56. | :12:03. | |
have just done a play at the thin green theatre. We all did it for | :12:03. | :12:08. | |
nothing. As much as there is a magical thing that happens, you | :12:08. | :12:14. | |
work for absolutely nothing, you do it for the absolute love, I do not | :12:14. | :12:18. | |
think theatre companies should be expected to work for nothing. Can | :12:18. | :12:22. | |
you imagine saying to Parliament and MPs, it you can do this and | :12:22. | :12:27. | |
have this discussion but we're not going to pay you at the end of the | :12:27. | :12:34. | |
week. They would not stand for it. Actors should always have a little | :12:34. | :12:38. | |
something. As an actress, going home late at night might you do | :12:38. | :12:48. | |
:12:48. | :12:48. | ||
want to be safe. Parking charges will mess it up for audiences as | :12:48. | :12:54. | |
well. They want to get away. Talking of stage shows, you have | :12:54. | :13:02. | |
another one coming up. It is called noises off Macro. It is the most | :13:02. | :13:10. | |
brilliant farce. It pokes fun at Whitehall farces. I let those. They | :13:10. | :13:15. | |
do take their trousers down. I do not but they do. What is clever | :13:15. | :13:21. | |
about it is, it is available to all audiences. You do not just have to | :13:21. | :13:25. | |
be working in theatre to get all the jokes. We do them about three | :13:25. | :13:31. | |
times over and by the end, everyone knows them. Have you had any | :13:31. | :13:35. | |
difficulties in real life with performances? There is something | :13:35. | :13:38. | |
marvellous when you have been doing a show for a long time and | :13:38. | :13:43. | |
something goes a little bit wrong. I went wrong in rehearsals today. | :13:43. | :13:48. | |
Because you are in front of an audience, it is easy to get the | :13:48. | :13:52. | |
giggles. When that happens, in retrospect when you look back, it | :13:52. | :13:57. | |
is marvellous. In this show, even rum I get the giggles and things go | :13:57. | :14:05. | |
wrong, the audience can join in and they can see. -- even when I get. | :14:05. | :14:11. | |
You have been busy on the stage but television and film as well. | :14:11. | :14:15. | |
Titanic is coming up, a big new television series next year. You're | :14:15. | :14:23. | |
in it. Are you one of the lucky ones? I do survive and I have a dog. | :14:23. | :14:30. | |
We are both obsessed with it. People are, aren't they? I went to | :14:30. | :14:36. | |
the O2 exhibition, did you? On the boarding pass is my name. There is | :14:36. | :14:42. | |
something I have to check out about. It is something to do with the | :14:42. | :14:49. | |
buying of the ship at the very beginning. I cannot wait to see | :14:49. | :14:54. | |
that. It will follow the exact foliage. 100 years ago, when the | :14:54. | :15:02. | |
ship set sail, that'll be the first episode. You have also failed Hacks. | :15:02. | :15:09. | |
To read any more scandal would you have enough? -- do we need? I was | :15:09. | :15:17. | |
only in it for a day. I was called Tabby. It is all about the hacking | :15:17. | :15:24. | |
scandal. Making jokes of it, it is not a joke. I think Hugh Grant was | :15:24. | :15:29. | |
marvellous. He came out and spoke really boldly. He was, he was | :15:29. | :15:34. | |
really good. Last night Victoria Wood was honoured. You have worked | :15:34. | :15:44. | |
:15:44. | :15:46. | ||
close with her on Acorn Antiques. Yes, I think we have it in. I will | :15:46. | :15:52. | |
just check. Yes, we do. Shall I pop it under the counter for you? Not | :15:52. | :16:02. | |
:16:02. | :16:02. | ||
at all, goodbye. No poison this time, I hope? Yes, | :16:02. | :16:07. | |
I'm sorry, attempting to murder you was a silly plot to draw attention | :16:07. | :16:13. | |
to myself. I shan't need to do it again now you have bought me this | :16:13. | :16:19. | |
lovely blouse! Always a winner. You can see Julie | :16:19. | :16:23. | |
L Walters waiting in the wings. Nothing in the set working. Did | :16:23. | :16:27. | |
everyone realise it was that bad? Not to begin with, really. I do | :16:27. | :16:33. | |
remember a young designer who, when they started moving the street, the | :16:33. | :16:42. | |
cloth, behind the shop, somebody started pushing it, so it was | :16:42. | :16:46. | |
wobbling behind us. They said to stop, but of course the street was | :16:46. | :16:51. | |
supposed to be wiggling around. Celia, I need your help. I have a | :16:51. | :16:55. | |
bad case of stage fright. Have a look at. This | :16:55. | :17:01. | |
We have finished training, we thought on the way to the Won Show, | :17:01. | :17:06. | |
we would have a look at Wembley. Just to have a sneaky look. | :17:06. | :17:13. | |
I might be nervous? Don't be silly.,000 people? Here we go! Oh, | :17:13. | :17:18. | |
no! James, it's massive! -- 6,000 people. | :17:18. | :17:23. | |
Even the thought of walking across that is making me feel uneasy, let | :17:23. | :17:29. | |
alone doing a tango across it. Apparently, there are snipers | :17:29. | :17:34. | |
around here. If any of the Strictly Come Dancing contestants are on the | :17:34. | :17:38. | |
floor before rehearsals they are shot be sight. So let's have a | :17:38. | :17:45. | |
practise here. Strictly this weekend is going to | :17:45. | :17:51. | |
be amazing. Any tips, Celia? You do have to own that big space? | :17:51. | :17:55. | |
will. You have confidence. I have seen you walking in here and on | :17:55. | :18:01. | |
there, but I felt exactly the same when I went out on to the Old Vic | :18:01. | :18:06. | |
stage. The stomach flips over. You will love it. You are very loved | :18:06. | :18:11. | |
and you are very beautiful. Just go for it, you will be marvellous. | :18:11. | :18:17. | |
Thank you! Last year in the four weeks leading up to Christmas we | :18:17. | :18:22. | |
spent �260 million in books. Well, they say that everyone has a nofpl | :18:22. | :18:29. | |
in them, how -- novel in them. How easy is to getting your hands on | :18:29. | :18:35. | |
the cash? Arthur Smith has been tracking down people who have been | :18:35. | :18:40. | |
looking at what makes their fiction pulp fiction. | :18:40. | :18:45. | |
I am an author, I have written a memoir, published three plays, a | :18:45. | :18:53. | |
couple of short stories, but I am secretly envious of those who write | :18:53. | :18:59. | |
best sellers. Lee Childs has written many books | :18:59. | :19:04. | |
that have been best sellers. When you started writing the books you | :19:04. | :19:07. | |
were Jim Grant from Birmingham. How much did you prepare the book | :19:07. | :19:11. | |
before you started writing? Did you know what was going to happen at | :19:11. | :19:16. | |
the end as you wrote the first sentence? No, I never do. Maybe the | :19:16. | :19:22. | |
way to do it is to have a starting line, paragraph, then see what | :19:22. | :19:27. | |
happens. That is spontaneous, therefore I'm in suspense, | :19:27. | :19:31. | |
therefore so does the reader. Any book must have suspense, any book | :19:31. | :19:36. | |
at all. There is no incentive to read it without the measure of | :19:36. | :19:41. | |
sense. Is Jack a tough man? Yes. | :19:41. | :19:46. | |
A fair man, but set the impossible task? The ingredients have been | :19:46. | :19:52. | |
there for 1,000 years. We see him in every period and century, every | :19:52. | :19:57. | |
culture has the same myth, so I knew this would work. Setting this | :19:57. | :20:02. | |
in America is a step towards global recognition, because everybody | :20:02. | :20:07. | |
knows America it would be harder if you were to write a best-selling | :20:07. | :20:12. | |
series about a guy in Chiswick. That is a slightly harder sell in | :20:12. | :20:18. | |
the rest of the world. Why Lee Child? It is a pen name. | :20:18. | :20:23. | |
The earlier you are in the alphabet, the better. I noticed when I was | :20:23. | :20:28. | |
starting to write, that a lot of bestsellers were written by authors | :20:28. | :20:35. | |
that began with the letter C. The name Child has warm memory | :20:35. | :20:39. | |
associations. So, a good central crashing, | :20:39. | :20:42. | |
international appeal, change my name to something beginning with C. | :20:42. | :20:49. | |
What else? Well, I have been wandering about the money? James | :20:49. | :20:57. | |
Paterson earned a whopping $87 million, but a lass there are those | :20:57. | :21:04. | |
who are impoverished. The last survey I saw, 75% are | :21:04. | :21:08. | |
making much less. So, you can be a professional | :21:08. | :21:14. | |
author, but on the breadline? can. Some books are instant best | :21:14. | :21:18. | |
sellers, but rarely. For the most part it takes time to develop a | :21:18. | :21:22. | |
character or a writer over a number of years. | :21:22. | :21:27. | |
How quickly can you spot potential? What editors say to me is that they | :21:27. | :21:32. | |
know pretty much after the first 20 or so pages whether they are | :21:32. | :21:36. | |
reading something that is truly exceptional. Some say when at the | :21:36. | :21:39. | |
are reading the book that they can imagine the entire publication, | :21:40. | :21:43. | |
that they can see the cover, imagine the publicity campaign. | :21:43. | :21:46. | |
That they know what they would have to suggest to the author in order | :21:46. | :21:56. | |
to make it that little bit better. I'm at the lavish launch party for | :21:56. | :22:00. | |
a first book by an author who shot straight in the British top ten. | :22:01. | :22:07. | |
What is her secret? The best advice I heard was simple, it was to keep | :22:07. | :22:11. | |
writing and finish things. The finishing is more difficult than it | :22:11. | :22:14. | |
seems, but it is the key to everything. | :22:14. | :22:21. | |
The book nearly did not happen, did it? It was discouraging, I re-wrote | :22:21. | :22:25. | |
the whole thing, several times. I was lucky to catch interest from | :22:25. | :22:29. | |
the agents who saw the potential but no plot. The plot is a very | :22:29. | :22:37. | |
important thing to have! It was very atmospheric, but not the | :22:37. | :22:41. | |
central story. So I had to give it a stronger story to carry it. | :22:41. | :22:45. | |
So the agents helped you with the story? Yes. | :22:45. | :22:48. | |
So, you have the tips, there is nothing to stop you from sitting | :22:48. | :22:54. | |
down and cracking on with the novel, but, 95% of manuscripts that are | :22:54. | :22:57. | |
written never get published, but that's another story. | :22:57. | :23:03. | |
We are joined by the One Show's Russell Brand. | :23:03. | :23:11. | |
Because I read -- Giles Brandreth. I think that the Warboys was set in | :23:11. | :23:13. | |
Cambridgeshire. That's the advantage of reading | :23:13. | :23:17. | |
books. People are reading books u but not in the same way. One in | :23:17. | :23:22. | |
seven books is bought in a book shop. Most of the books that people | :23:22. | :23:28. | |
write never are published. 1,000 man skrifts are on the desks of | :23:28. | :23:32. | |
agents every week that never see the light of day. So really it is | :23:32. | :23:37. | |
hardly worth writing it, but keep trying. 30% of books ever make | :23:37. | :23:41. | |
money. The majority of books fail and some much them literally end up | :23:41. | :23:50. | |
on the motorway. The M6 toll road is largely made up of books by | :23:50. | :23:56. | |
Mills and Boon. You are joking? Yes, I'm sorry. 2.5 | :23:56. | :24:03. | |
million books are there from the M6 toll road. It is a great sound | :24:03. | :24:06. | |
absorber! You have written the romance, the bodis ripper, the | :24:06. | :24:11. | |
story that brings tears to the eyes and blokes are driving over it! | :24:11. | :24:16. | |
feel sorry for the authors, all of that hard work? It is heartbreaking. | :24:16. | :24:21. | |
The best sellers work. The supermarkets work. If you are | :24:21. | :24:27. | |
famous, like Celia, then your book works, I am reading Happy Hoofer. | :24:27. | :24:32. | |
It is lovely, funny, humane, but one of the reasonss that it is | :24:32. | :24:38. | |
published, you got to the first place, are well-known. Celia, have | :24:38. | :24:45. | |
you other plans to write books? am thrilled that this is going to | :24:45. | :24:49. | |
paperback, but they have also asked me to write a diary of when I was | :24:49. | :24:52. | |
in India this time last year, so that is thrilling. | :24:53. | :24:57. | |
That is exciting. It's little snippets. | :24:57. | :25:02. | |
People should pursue it, but it will not make a fortune. Most books | :25:02. | :25:06. | |
sell between 1,000 and 3,000 copies if you are lucky. So the film there | :25:06. | :25:10. | |
is about the exceptions that hit the jackpot. | :25:10. | :25:15. | |
Quickly, before you gorbgs Giles, they have asked us to ask you if | :25:15. | :25:20. | |
you represent the One Show in the Children In Need challenge next | :25:20. | :25:26. | |
year? Of course, what do I have to do? You will be glad to hear it is | :25:27. | :25:36. | |
:25:37. | :25:37. | ||
not a fiscal challenge... Great. Worse than that, it is a sponsored | :25:37. | :25:42. | |
silence! You would easily make 1 million. | :25:42. | :25:46. | |
Let's try it. A sponsored silence. Let's raise �1 million. I will tell | :25:46. | :25:51. | |
you more about it, but my lips are sealed. | :25:51. | :25:54. | |
Speaking of Children In Need, we are back to Cambridge. What a crowd | :25:54. | :25:58. | |
for Matt. Apparently he has something he would like to show us | :25:58. | :26:02. | |
all. I will show you in a little while | :26:02. | :26:09. | |
after I have spoken to John Powley, the chairman of the County Council. | :26:09. | :26:13. | |
What should I do while I am here? Well, Cambridgeshire is a great | :26:13. | :26:17. | |
place to be, and the City of Cambridge is a better place even. | :26:17. | :26:22. | |
We have all of the colleges, the universities -- the universities, | :26:22. | :26:27. | |
we have all sorts. That is a very good advert for Cambridge. Well | :26:27. | :26:35. | |
done, sir. Cass has been following me for ages, | :26:35. | :26:39. | |
what happened today? I got a puncture. I had to abandon the bike. | :26:39. | :26:47. | |
I got a taxi. The taxi fare was �28. | :26:47. | :26:52. | |
I shall give you the money back. Put it in the fund for Children In | :26:52. | :26:56. | |
Need. We this Matt Mobile. | :26:56. | :26:58. | |
Shall show you inside it is brilliant. | :26:58. | :27:03. | |
Let's have a look in here. Of course, Pudsey is waving. | :27:03. | :27:08. | |
This is the key to success as far as rickshaw driving is concerned, | :27:08. | :27:14. | |
we have eggs, beans, mackerel. All of my clothes. Some of the stuff | :27:14. | :27:18. | |
that is coming in is absolutely beautiful. All of these pictures, | :27:18. | :27:23. | |
this is literally from the last few miles. Have a look at some of these. | :27:23. | :27:30. | |
There we are... Matt, I would like a quiet word if that is OK? | :27:31. | :27:33. | |
Everyone is desperate to know, because you are pushing yourself to | :27:33. | :27:38. | |
the limit, you are pushing yourself to the extreme, how are you coping? | :27:38. | :27:43. | |
You know what, it is hard work. It really is. It really is. It is | :27:43. | :27:47. | |
tough, you have to get your head down, keep going. Think about the | :27:47. | :27:53. | |
cause. I think for me obviously being a parent you can't help but | :27:53. | :27:57. | |
make the comparisons when you look at some of the projects and see | :27:57. | :28:01. | |
some of the families, the situations that the children are in. | :28:01. | :28:06. | |
You can't help but want to support it. It is the children keying me | :28:06. | :28:10. | |
going. The public. Even the hat it is from a school | :28:10. | :28:13. | |
child. What is the plan for tomorrow? I | :28:13. | :28:18. | |
can't wait to see you, will you make it for 7.00pm? The idea is to | :28:18. | :28:23. | |
get up with the larks in the morning to set off at 4.30am. I | :28:23. | :28:28. | |
don't know about the London track, but we are starting off in | :28:28. | :28:37. | |
Cambridge, then through to Finsbury Park. Regent's Park and hopefully | :28:37. | :28:42. | |
BBC TV Centre. Well, I will be here waiting for | :28:42. | :28:45. | |
you. Thank you very much, Matt. | :28:45. | :28:53. |