Browse content similar to 18/01/2017. Check below for episodes and series from the same categories and more!
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# Living for each other was why we were living | :00:28. | :00:29. | |
# When we were lovers, when we were lovers | :00:30. | :00:32. | |
# Giving it all was everything we were giving | :00:33. | :00:34. | |
# Living for each other was why we were living | :00:35. | :00:37. | |
# When we were lovers, when we were lovers | :00:38. | :00:39. | |
# It felt like love # APPLAUSE | :00:40. | :00:51. | |
Hello and welcome to The One Show with Matt Baker. | :00:52. | :00:53. | |
That was the incredible Jack Savoretti and he'll be | :00:54. | :01:02. | |
Very good guitar playing with cold fingers. Real skills! | :01:03. | :01:08. | |
And over the next hour, we've plenty more to brighten this | :01:09. | :01:10. | |
cold January evening - just look at the explosion of colour | :01:11. | :01:13. | |
Isn't it just beautiful. This lot have been touring the country. | :01:14. | :01:21. | |
Festival kicks off here in London - ahead of the Chinese New Year - | :01:22. | :01:26. | |
and we're delighted to have some of their beautiful lanterns | :01:27. | :01:28. | |
My favourite is the giant baby. Couldn't agree more. | :01:29. | :01:32. | |
And lighting up the inside of our studio is an all-female | :01:33. | :01:35. | |
line-up of guests - three stars who've never met before | :01:36. | :01:37. | |
but who all shine bright in their respective fields. | :01:38. | :01:40. | |
From the world of drama, comedy and reality TV | :01:41. | :01:42. | |
APPLAUSE Welcome. Welcome. Shut the door, it | :01:43. | :01:57. | |
is freezing, keep warm. Una and Katherine, it's | :01:58. | :01:58. | |
lovely to have you back on the show, but Scarlett - | :01:59. | :02:00. | |
this is your first time. We think we've included | :02:01. | :02:03. | |
an item for all of you. There is something for everyone. | :02:04. | :02:09. | |
Fingers crossed. We know you are a fan of the Carry On films, which is | :02:10. | :02:17. | |
your favourite? Carry On Screaming. I love your approach, as soon as you | :02:18. | :02:21. | |
walked in and you said, he is a lot smaller than I expected. It's weird, | :02:22. | :02:24. | |
I always watched it and thought that he was huge. As far as the content | :02:25. | :02:33. | |
of the night's show is concerned, embroidery has been a big thing in | :02:34. | :02:37. | |
your life. You have written four books on it! | :02:38. | :02:41. | |
LAUGHTER A long time ago. Tonight we have a | :02:42. | :02:45. | |
tailor swapping tips with a surgeon especially for you. No! And | :02:46. | :02:54. | |
Katherine, we have pig vaccinations or special snooker trick shots, what | :02:55. | :02:59. | |
takes your fancy? I'm famously pro-vaccination but antique pig so I | :03:00. | :03:03. | |
will go for the snooker. Good, we have a brilliant snooker trick shot | :03:04. | :03:10. | |
setup here in The One Show offices. It took hours to set this up. This | :03:11. | :03:14. | |
was upstairs on the seventh floor. The question is, will it work, will | :03:15. | :03:18. | |
the ball get all the way down here? All will be revealed later. It is | :03:19. | :03:19. | |
tense. Nobody likes spending | :03:20. | :03:24. | |
more than they have to - especially on everyday essentials | :03:25. | :03:26. | |
like energy - but according to the latest figures, | :03:27. | :03:28. | |
almost half of us have Experts say we should switch once | :03:29. | :03:30. | |
a year to get the biggest savings. But cheap tariffs don't guarantee | :03:31. | :03:34. | |
decent customer service, It's that time of year again when we | :03:35. | :03:45. | |
raise the temperature and watch our energy bills shoot up. But with a | :03:46. | :03:51. | |
choice of more than 40 energy suppliers on the market, could it be | :03:52. | :03:55. | |
time to ditch the big six and go for one of the smaller companies | :03:56. | :03:58. | |
instead? One of the newest companies on the market is this one, Extra | :03:59. | :04:04. | |
Energy, lodged in early 2014, they have already broken some records, | :04:05. | :04:10. | |
just not once you'd be proud of. Richard from Bristol decided to | :04:11. | :04:13. | |
switch from one of the big six to Extra Energy when he spotted a much | :04:14. | :04:18. | |
cheaper deal on a comparison website. So far so good. Now all | :04:19. | :04:23. | |
I've got to do is find a new supply and let them know you want a change | :04:24. | :04:27. | |
and it will all be done for you, no problem, hunky-dory, great, smooth, | :04:28. | :04:32. | |
works like clockwork. Except, no, it doesn't. Extra Energy didn't switch | :04:33. | :04:37. | |
his account properly done correctly, leaving Richard paying his former | :04:38. | :04:40. | |
supplier for his electricity and his new supply Extra Energy for his gas. | :04:41. | :04:47. | |
It was about six, seven, even eight months of a total shambles. There | :04:48. | :04:50. | |
was obviously a problem which they just wouldn't admit to and simply | :04:51. | :04:54. | |
could not sort out. Also the length of time you had to spend on the | :04:55. | :05:05. | |
phone. On one occasion it was about 10:05pm for 10:10pm, sitting on the | :05:06. | :05:09. | |
phone waiting listening for to music. Extra Energy has since | :05:10. | :05:13. | |
resolved Richard's complaint and given ?30 as a goodwill gesture but | :05:14. | :05:17. | |
Richard's case is far from being a one-off. | :05:18. | :05:19. | |
It may be less than three years old but already the company is top of | :05:20. | :05:22. | |
the leaderboard when it comes to complaints. | :05:23. | :05:27. | |
According to the Citizens Advice Bureau, Extra Energy was the worst | :05:28. | :05:32. | |
energy supplier for handling customer complaints last year. Their | :05:33. | :05:37. | |
figures show for every 100,000 customers there were more than 1500 | :05:38. | :05:44. | |
complaints. The CAV's director of energy, Victoria McGregor, says the | :05:45. | :05:48. | |
company needs to sharpen up its act. -- CAV. We are worried about Extra | :05:49. | :05:53. | |
Energy's performance, they have been at the bottom of the league table | :05:54. | :05:57. | |
for three quarters in a row which is unprecedented. In terms of examples, | :05:58. | :06:02. | |
what is wrong with the billing? It is late bills or inaccurate bills. | :06:03. | :06:06. | |
One lady came to us who had diligently provided meter readings | :06:07. | :06:09. | |
online but haven't received a built in over a year and then received a | :06:10. | :06:13. | |
bill that was ?2000 which she just couldn't afford to pay in one go. | :06:14. | :06:19. | |
Citizens Advice says it is continuing to see complaints about | :06:20. | :06:22. | |
Extra Energy on a regular basis. I've come to Extra Energy's | :06:23. | :06:25. | |
headquarters in Birmingham to get some answers. | :06:26. | :06:31. | |
Ben Jones is Extra Energy's managing Director of Operations and he's | :06:32. | :06:35. | |
agreed to give me an interview. According to the Citizens Advice | :06:36. | :06:38. | |
Bureau, you are the most complained about energy supplier of the year. | :06:39. | :06:42. | |
Why are things so that? Firstly I would like to offer a | :06:43. | :06:47. | |
sincere and unreserved apology to any customer that has faced any | :06:48. | :06:52. | |
issues. And to be frank, we vastly underestimated the popularity of our | :06:53. | :06:57. | |
cheaper tariffs, and as a result grew very quickly. When the Citizens | :06:58. | :07:00. | |
Advice Bureau say to me they are still receiving lots of complaints | :07:01. | :07:05. | |
today, yesterday, this current quarter, coming through about you, | :07:06. | :07:08. | |
how can people trust you have turned a corner and that you are putting | :07:09. | :07:11. | |
things right? Admittedly, we have less and customers down. You are not | :07:12. | :07:16. | |
fixing it quickly at all. Historically we have not been but we | :07:17. | :07:19. | |
are now and that's the important point to note. The data I've seen | :07:20. | :07:24. | |
does not seem to reflect that. It still has you at the wrong end of | :07:25. | :07:28. | |
things. The data that you seek reflects a point in time that | :07:29. | :07:30. | |
happened three, six, nine months ago. This is about investing in the | :07:31. | :07:34. | |
future and fixing what is in front of us now and focusing on the | :07:35. | :07:38. | |
future. We feel we can look forward now rather than backwards. More | :07:39. | :07:42. | |
suppliers on the market like Extra Energy should mean more competition | :07:43. | :07:45. | |
and lower bills. But as we have seen it's not always | :07:46. | :07:49. | |
as simple as that and the reality of your tariff going down could be that | :07:50. | :07:51. | |
your temperature starts rising. STUDIO: Ben Jones, we saw in the | :07:52. | :08:02. | |
film, he fessed up to it and took responsibility for the problems at | :08:03. | :08:06. | |
Extra Energy, didn't he? But is it going to be an easy problem to fix? | :08:07. | :08:09. | |
Clearly it can't be that easy because they have been struggling | :08:10. | :08:13. | |
this for a while. Every three months the Citizens Advice Bureau bring out | :08:14. | :08:16. | |
their league table ranking energy supplies in terms of how well they | :08:17. | :08:20. | |
deal with really tricky customer complaints and by tricky I mean the | :08:21. | :08:24. | |
complaints that have to go to a third-party Web people seek help | :08:25. | :08:26. | |
from the Citizens Advice Bureau, say. -- where people. For a year | :08:27. | :08:32. | |
Extra Energy have been rooted to the bottom of the table. Yes, he was | :08:33. | :08:36. | |
honest and seemed to fessed up as you say, and he showed me around the | :08:37. | :08:39. | |
offices, lots of people dealing with complaints there now but what will | :08:40. | :08:43. | |
tell is if they are in the bottom of the league table next time it is | :08:44. | :08:47. | |
published. Extra Energy said they were not expecting the kind of | :08:48. | :08:53. | |
influx of customers that have got. How are other smaller companies | :08:54. | :08:55. | |
covering as far as the league table is concerned? I was looking for that | :08:56. | :09:00. | |
and it is a mixed bag. I don't think this is an excuse either way because | :09:01. | :09:03. | |
at the top of the leaderboard doing really well as a small company, and | :09:04. | :09:09. | |
at the bottom is Extra Energy. You think what about the big six? The | :09:10. | :09:12. | |
established provides should deal with complaints really well and | :09:13. | :09:17. | |
again it is mixed. SSE, PDF and British Gas are in the top five | :09:18. | :09:20. | |
doing well but at the same time ScottishPower unfortunately are in | :09:21. | :09:25. | |
the bottom five -- EDF. My advice is if you are thinking about switching | :09:26. | :09:29. | |
keep an eye on the league table. It's not all about price, it's about | :09:30. | :09:32. | |
how well it will turn out and whether you are letting yourself in | :09:33. | :09:35. | |
for a headache. Is is quite interesting for you because you've | :09:36. | :09:39. | |
just moved house and moved to London, are you good at the | :09:40. | :09:41. | |
practical details? I'm going to be really honest, | :09:42. | :09:47. | |
whoever the provider is I just leave it because you end up being on the | :09:48. | :09:50. | |
phone for ages and it's just really confusing. I almost feel as if I'm | :09:51. | :09:56. | |
not adult enough to make those decisions. | :09:57. | :09:58. | |
LAUGHTER I sort of just ring my mum come or | :09:59. | :10:02. | |
go, it's that provider, I will stick with that. If you change you will | :10:03. | :10:07. | |
save money on these days there are so many comparison sites online, if | :10:08. | :10:10. | |
you put in who your current provider is and if you of your details will | :10:11. | :10:14. | |
come up with the offers. I'm sure you would save ?200 for ?300 because | :10:15. | :10:19. | |
that's what people say normally if they haven't changed for a while. | :10:20. | :10:24. | |
That is why this studio is so small, Scarlett, it is so cheap to heat. We | :10:25. | :10:29. | |
have a very good provider with all of these lights, I will tell you. If | :10:30. | :10:33. | |
you have any consumer issues at home that you think The One Show should | :10:34. | :10:36. | |
investigate, please do let us know, Joe is happy to help. Yes! | :10:37. | :10:40. | |
Gyles Brandreth seems to have more energy than any supplier - | :10:41. | :10:43. | |
Over the last few months, we've seen him recreate all sorts | :10:44. | :10:48. | |
of iconic film stunts from James Bond to the Italian Job. | :10:49. | :10:51. | |
That is not him, by the way! Look at him go! | :10:52. | :10:57. | |
To be honest, we've pushed him so hard, | :10:58. | :10:59. | |
I wasn't sure he'd be able to carry on. | :11:00. | :11:01. | |
For almost 60 years British audiences have been entertained by a | :11:02. | :11:19. | |
Goliath of innuendo and double entendre in the Carry On series. | :11:20. | :11:27. | |
Infamy! Infamy! They've all got it in for me. With 30 titles to its | :11:28. | :11:30. | |
name the brand's irreverent and bawdy humour centre of everything | :11:31. | :11:34. | |
from the NHS to the British monarchy, with plenty of source and | :11:35. | :11:39. | |
slapstick. Hi. What a lovely looking pair. Took the words right out of my | :11:40. | :11:42. | |
mouth! CHUCKLES | :11:43. | :11:48. | |
In Carry On don't lose your head French Aristocats feared for their | :11:49. | :11:51. | |
lives as Madame guillotine steadily reduces their numbers. | :11:52. | :11:56. | |
Short back and sides, not too much off the top. | :11:57. | :11:59. | |
LAUGHTER Entered lewd, crude and downright | :12:00. | :12:03. | |
rude upper-class saviour in the shape of the inevitable Sid James. | :12:04. | :12:14. | |
You who! It's me. After him! In the finale stunt double standing | :12:15. | :12:17. | |
in for Charles Autry uses wires and some sped up film magic to seemingly | :12:18. | :12:21. | |
swing from a chandelier and crashed through a window. 50 years on, The | :12:22. | :12:28. | |
One Show is attempting to recreate this swashbuckling finale with | :12:29. | :12:33. | |
stuntman Gordon Alexander and stunt coordinator Jamie. | :12:34. | :12:37. | |
But what is it about that... What? Don't be ridiculous, I've only | :12:38. | :12:42. | |
had the one. What is it about the Carry On series that so hooked the | :12:43. | :12:46. | |
nation? Robert Ross is the official Carry On | :12:47. | :12:48. | |
historian. Robert, why were the Carry Ons so | :12:49. | :12:54. | |
popular? The musicals were closing down and the comedies took over and | :12:55. | :12:58. | |
the Carry Ons played to packed houses. What is the place of | :12:59. | :13:04. | |
slapstick and stunts? He was very clever, he get other people, like | :13:05. | :13:07. | |
Peter Diamond, who did the Star Wars films and they would be paid more | :13:08. | :13:10. | |
money almost than the actors because they were technically brilliant. He | :13:11. | :13:14. | |
could replace an actor, he could not replace a stuntman. He would want | :13:15. | :13:20. | |
them to look as good as possible for the cheapest amount. Preparations | :13:21. | :13:23. | |
underway as our stunt team sets up for the big leap for sup safety wise | :13:24. | :13:27. | |
they were using bed mattresses because they never had crash mats. | :13:28. | :13:32. | |
They most probably were using boxes from a very early age. Boxes are | :13:33. | :13:37. | |
very beautiful on, that's one thing that has never changed and never | :13:38. | :13:42. | |
will. How was it? Soft? The evolution of distant business in the | :13:43. | :13:46. | |
early days, there were a lot of doormen looking after the stars and | :13:47. | :13:50. | |
everybody knew everyone, so the moment they needed somebody to fall | :13:51. | :13:53. | |
through a glass window will be in a punch-up, it fell back on these | :13:54. | :13:58. | |
security guards who were, like, we can do that. The stunt business now | :13:59. | :14:03. | |
is structured where it wasn't in those days. | :14:04. | :14:05. | |
Which is just as well because The One Show stuntman Gordon Alexander | :14:06. | :14:11. | |
will be smashing his way through an eight foot 4' window. Get it wrong | :14:12. | :14:15. | |
and it will be a right pain in the glass. | :14:16. | :14:22. | |
To be continued. We do need a resolution for the story and Gyles | :14:23. | :14:29. | |
Brandreth has promised one later in the show. Easy! Easy! Moving on. | :14:30. | :14:36. | |
Did the Carry On films make it as far as Canada Katherine? | :14:37. | :14:39. | |
No! I love Gyles Brandreth, so if he's selling the something, whether | :14:40. | :14:47. | |
it be energy for this falling around, I love it. I don't like to | :14:48. | :14:51. | |
see people fall over. It looks to have a real British five and a nice | :14:52. | :14:54. | |
flavour, I could get into Carry On films. You are a massive fan of the | :14:55. | :14:59. | |
Carry On films, what is it you love about them so much? Me and my nanny, | :15:00. | :15:04. | |
it was our favourite thing to do and we would watch Carry On movie after | :15:05. | :15:09. | |
Carry On movie and it's just really funny and slapstick. It is only as I | :15:10. | :15:13. | |
told that I understood some of the innuendo. I've watched them since I | :15:14. | :15:19. | |
was about five and obviously some of it went over my head but it is just | :15:20. | :15:22. | |
pure Britishness, it's amazing. I love carry on screening and Carry On | :15:23. | :15:30. | |
Camping. Carry on Camping, that seems. It's amazing, isn't it. There | :15:31. | :15:35. | |
is a connection between Sherlock and Carry On because Benedict's mum | :15:36. | :15:41. | |
wander was in several Carry On films and you were friends. And I worked | :15:42. | :15:53. | |
with her in several films. B films. She was so glamorous and still is | :15:54. | :15:56. | |
very glamorous and when they needed somebody glamorous in a film they | :15:57. | :16:03. | |
always got wander we have a picture of the Perov you. Do you remember | :16:04. | :16:11. | |
that photo? -- the pair of you. Are you on the far left? The far right. | :16:12. | :16:18. | |
You look lovely. Obviously we have got to talk to you about Sherlock | :16:19. | :16:24. | |
which has just finished, and your lovely portrayal of Mrs Hudson. What | :16:25. | :16:29. | |
an action hero she turned out to be. Who knew she had such a gritty past? | :16:30. | :16:35. | |
I think it was gradually creeping in. They let the audience know that | :16:36. | :16:39. | |
my husband was pretty rocky and Benedict had got rid of him, or | :16:40. | :16:42. | |
Sherlock had got rid of him. I had no idea the script was coming. A lot | :16:43. | :16:48. | |
of the crew had read it and said, wait until you see your episode. | :16:49. | :16:53. | |
That usually means you are going to fall down an elevator shaft. It must | :16:54. | :16:57. | |
have been really fun to do because you got totally stuck in. I know! | :16:58. | :17:02. | |
And I loved it. When they handed you the keys of the Aston Martin. You | :17:03. | :17:08. | |
went for it! Let's have a look at how tough you got. | :17:09. | :17:13. | |
Where is Mrs Hudson. He will have be up in a moment. Would you like a cup | :17:14. | :17:22. | |
of tea. Thank you. The kettle's over there. | :17:23. | :17:28. | |
# Bad to the bone. On you go. Examine him. I am the widow of a | :17:29. | :17:34. | |
drug dealer, to the last time I am not your housekeeper. | :17:35. | :17:38. | |
He has no idea what an idiot you are. | :17:39. | :17:50. | |
APPLAUSE That car chase was trending. It got | :17:51. | :17:55. | |
everybody talking, but when your grandchildren for example are | :17:56. | :17:57. | |
watching you on the telly, what do they think, they must think you are | :17:58. | :18:02. | |
Super Gran? They are quite young, some of them, and some of them are | :18:03. | :18:07. | |
grown up. I have a granddaughter in Madrid, and she texted me, she was | :18:08. | :18:11. | |
really thrilled and one of my trending. It got everybody talking, | :18:12. | :18:14. | |
but when your grandchildren for example are watching you on the | :18:15. | :18:16. | |
telly, what do they think, they must think you are Super Gran? They are | :18:17. | :18:19. | |
quite young, some of them, and some of them are grown up. I have a | :18:20. | :18:21. | |
granddaughter in Madrid, and she texted me, she was really thrilled | :18:22. | :18:24. | |
and one of my little ones said to me "Are you on television granny? " | :18:25. | :18:27. | |
That is all they know. Of course, will you be honest with us here, | :18:28. | :18:30. | |
when you get the scripts, from a viewer's perspective it can be | :18:31. | :18:32. | |
complicated to follow. When they give you the scripts and you read | :18:33. | :18:35. | |
through them to you think what is happening? Well, it is, the script | :18:36. | :18:37. | |
reading is nervewracking so you are concentrating on doing as good a | :18:38. | :18:41. | |
read as you can do, but I think with Sherlock, yes, it is quite | :18:42. | :18:45. | |
complicated in a way, but that is quite good, to work it out. I have | :18:46. | :18:49. | |
got it and all that sort of thing goes on. So yes is the answer to the | :18:50. | :18:52. | |
question. Yes. LAUGHTER | :18:53. | :18:58. | |
It was a bit long and boring. It's a chat show, that is what we are here | :18:59. | :19:03. | |
to do. What everyone will want to know, including myself, do you think | :19:04. | :19:07. | |
there is going to be a fifth series? We don't know. That is truly, we | :19:08. | :19:12. | |
really don't know. And sometimes you say, I wonder if we do any more and | :19:13. | :19:18. | |
Sue, our producer goes, we don't know. You never know. You are trying | :19:19. | :19:23. | |
to read the signs and facial expressions. We really don't know. I | :19:24. | :19:28. | |
would say... As far as preparation was concerned for this series, huge | :19:29. | :19:32. | |
ebbing presentation tasting and what have you as opposed to the early | :19:33. | :19:37. | |
series r I guess your preparation must have changed slightly. Because | :19:38. | :19:41. | |
you must have been getting worked up at what you would have to produce | :19:42. | :19:48. | |
for the fans. I am not on twitter. I have never been on twitter. I had no | :19:49. | :19:52. | |
idea there was quite a fuss made about that episode. Oh yes. . I had | :19:53. | :19:58. | |
no idea. Then Sue rang me and said they have gone bananas. So | :19:59. | :20:03. | |
thrilling, actually. Your fans really want a spin off series, they | :20:04. | :20:09. | |
would like to see you in your own special show. | :20:10. | :20:09. | |
APPLAUSE . Thank you. The people we have got | :20:10. | :20:15. | |
in here tonight. We have got a Sherlock and Dr Watson with a baby, | :20:16. | :20:20. | |
it is not a real baby. I have met them before. Have you? It is | :20:21. | :20:25. | |
surprising where the superfans get to? Series four, is out on DVD on | :20:26. | :20:30. | |
Monday, so we look forward to that, it is available as a digital | :20:31. | :20:34. | |
download on BBC store, so no excuse not to watch it. | :20:35. | :20:39. | |
Now, Una here's a film we think you'll enjoy - | :20:40. | :20:41. | |
This is master tailor Patrick Grant looking for inspiration | :20:42. | :20:45. | |
If this was a Sherlock episode it would be called | :20:46. | :20:49. | |
I am fashion designer and sewing is what my world is all about it is the | :20:50. | :21:07. | |
same for Roger here but he is a surgeon. Today we will see what we | :21:08. | :21:12. | |
can learn from each other in a special One Show job swap. | :21:13. | :21:17. | |
Roger is a Professor of surgical education at Imperial College | :21:18. | :21:21. | |
London. He is interested in parallels between surgery and | :21:22. | :21:24. | |
craftsmanship. He learns from professionals who work and | :21:25. | :21:29. | |
communicate under pressure, like Formula One teams, and even bomb | :21:30. | :21:32. | |
disposal experts. I have been looking at how you approach | :21:33. | :21:36. | |
something that is very high stakes for the people involved, because if | :21:37. | :21:40. | |
it goes wrong they get blown up, and there are interesting parallels | :21:41. | :21:43. | |
there, with surgery, where there are high stakes of a different kind, by | :21:44. | :21:48. | |
finding out what experts outside medicine do with their worlds, we | :21:49. | :21:53. | |
can improve what we do in ours, we can teach people to do what they | :21:54. | :21:56. | |
need to do but better. Roger thinks the best way to learn | :21:57. | :22:00. | |
from other experts is to get hands on, and first up it is my turn. I am | :22:01. | :22:07. | |
going to try surgical stitching. So Roger, what are we looking at | :22:08. | :22:12. | |
here? We are looking at a simulation of a surgical operation, which we | :22:13. | :22:17. | |
have designed for teaching medical student, we are looking at the | :22:18. | :22:21. | |
insides of somebody's stomach. This is not a real body? The idea is you | :22:22. | :22:26. | |
have different organ, they feel different. If you feel that and you | :22:27. | :22:30. | |
imagine what it would be like to sew it, and you feel the liver, or the | :22:31. | :22:35. | |
spleen, you imagine what it would be like to sew that. Roger demonstrates | :22:36. | :22:38. | |
the stitch to close the stomach. They use different materials for | :22:39. | :22:42. | |
joining different parts. Nylon for the skin, silk in the brain, and | :22:43. | :22:47. | |
steel for the ribs are. He holds the needle with instruments | :22:48. | :22:52. | |
and it is curved. We want to go in and then out again, if we used a | :22:53. | :22:55. | |
straight needle it would be going straight down. Into the important | :22:56. | :23:04. | |
bits. Yes. There we are. Now it is my go. In there. That is | :23:05. | :23:11. | |
right. Make sure that you don't put it through anything underneath. That | :23:12. | :23:18. | |
is it. Release it. I mean just managing the needle holders, is | :23:19. | :23:22. | |
extraordinarily difficult. You feel strangely disconnected from the | :23:23. | :23:26. | |
needle by the simple mechanics of this holder. It seems normal to me | :23:27. | :23:29. | |
because this is the only sewing I have ever done. It is tricky, but I | :23:30. | :23:35. | |
can see the instruments would give me extra precision once I had | :23:36. | :23:42. | |
mastered them. So how did I do? That is very good actually. Well done. | :23:43. | :23:47. | |
Thank you Roger. That was certainly a new experience | :23:48. | :23:52. | |
for me. Now it is final for Roger to be the student at our workshop on | :23:53. | :23:58. | |
Savile Row. Rachel Smith worked as a tailor for ten year, she | :23:59. | :24:00. | |
demonstrates a cross stitch joining a lapel to a collar. | :24:01. | :24:08. | |
You make it look very simple. I strongly suspect it isn't nearly as | :24:09. | :24:13. | |
simple as it looks. Stronger has a try under my supervision. The same | :24:14. | :24:17. | |
way you are putting the right amount of tension on your stitch, to get | :24:18. | :24:21. | |
the two edges of the skin edge to edge, we are doing the same thing. | :24:22. | :24:27. | |
Not too tight. Exactly. I don't know what I have done there. There. I | :24:28. | :24:31. | |
think am going from bad to worse, this is taking me back to an | :24:32. | :24:37. | |
uncomfortable position of being a complete novice. In the end, he | :24:38. | :24:43. | |
doesn't do a bad job. Pretty impressed. He is inspired by | :24:44. | :24:49. | |
our robust yet flexible collar stitch. The fact you have a | :24:50. | :24:55. | |
particular cross stitch for a particular purpose would be value | :24:56. | :25:00. | |
for surges to know about. We learn to do stitching from o surgeons and | :25:01. | :25:04. | |
there are other people who do stitching, there is this whole area | :25:05. | :25:10. | |
of expertise in joining and using threads and needles that I am | :25:11. | :25:14. | |
unaware of as ex pers in one field, we need to know what experts in | :25:15. | :25:19. | |
other fields do. I really admire Roger for stepping | :25:20. | :25:23. | |
outside his familiar environment and being open to learning from all | :25:24. | :25:25. | |
sorts of other professions. Out of interest if you were | :25:26. | :25:37. | |
stitching up a stomach what stitch would you go for? Overstitch. Every | :25:38. | :25:45. | |
time. There are good tips in here, are you still into sewing? No it | :25:46. | :25:49. | |
takes me half an hour to thread a needle. It was a lovely thing to do. | :25:50. | :25:53. | |
Catherine we know you are handy with a sewing machine. Yes. These are | :25:54. | :26:02. | |
your Prom photos. I made that dress. It is more like an expensive leather | :26:03. | :26:09. | |
that skin! I wanted the front of it to look like a butterfly, like stuck | :26:10. | :26:13. | |
on. I mean tell that to my headmaster, because I was just a | :26:14. | :26:20. | |
baby. I am amazed you could show it. We didn't have eye pads or things or | :26:21. | :26:25. | |
other Android type tablet it is a are available. My daughter got a | :26:26. | :26:30. | |
sewing machine for Christmas. Good man, there you go. Is she using it. | :26:31. | :26:36. | |
Are you helping her? I have a nice glasses case. Fun. We are almost | :26:37. | :26:41. | |
half way through the programme. Well we're almost at | :26:42. | :26:47. | |
the halfway point in the show, so it's only right that - | :26:48. | :26:49. | |
in true Gogglebox style - we find out how things are going | :26:50. | :26:52. | |
from a viewer's point of view. Betty, Mark, Ava - what do | :26:53. | :26:55. | |
you think of the show so far? Hiya. Enjoying it? Yes, it is going | :26:56. | :27:07. | |
well, going well. Enjoying it. Good so far. They are hard to please. | :27:08. | :27:11. | |
Scarlett you had no idea this was going to happen? I have got really | :27:12. | :27:15. | |
red. It is my own family, I don't know. How do you think your daughter | :27:16. | :27:23. | |
is doing on The One Show? Can I say when I won the Jungle I said to my | :27:24. | :27:30. | |
dad I said how did he I do? He went yeah, all right. This isn't | :27:31. | :27:35. | |
surprising. Don't expect anything... We will go back for more analysis of | :27:36. | :27:41. | |
the show later on. Nice to see you. Back with you shortly. | :27:42. | :27:50. | |
There is a delay, County Durham must be 3,000 miles away. | :27:51. | :28:05. | |
These are self made millionaires so that was with inspiring because when | :28:06. | :28:11. | |
I found out I was going to do the show and it is introspective | :28:12. | :28:16. | |
journalism, documentary, but funny, I thought these people, they have | :28:17. | :28:19. | |
just inherited all their Monday, no, they came from nothing, all of them | :28:20. | :28:24. | |
and they made millions. What kind of jaw-dropping situations did you find | :28:25. | :28:30. | |
yourself in? I was in Monaco on yacht, private plane, which I didn't | :28:31. | :28:35. | |
love. I feel like the bigger the plane the safer you are. It can get | :28:36. | :28:42. | |
too bumpy. But they have champagne for that. I like that bit I was in | :28:43. | :28:49. | |
palace, genuine mansions that people own and operate and learning about | :28:50. | :28:53. | |
their story. I think Channel 4 does a good job, when I watch Gogglebox | :28:54. | :29:00. | |
and Secret Life, The Updatables they are good at showing the character | :29:01. | :29:05. | |
and developing the story. I am curious, I ask all the questions | :29:06. | :29:12. | |
that maybe are a bit goesh, I had to accost people on the street. Is that | :29:13. | :29:18. | |
doorsteping people? That is it. I was worried I would be thrown out if | :29:19. | :29:24. | |
I got too cheeky but I am apparently very charming. Were people open to | :29:25. | :29:28. | |
talk about their wealth? You sort of travelled round quite a bit for | :29:29. | :29:33. | |
this, did you find that different countries were more open and | :29:34. | :29:39. | |
unenthusiastic to talk? I hate to make generalisation but British | :29:40. | :29:43. | |
people get it under hair hat. They were more humble and less inclined | :29:44. | :29:47. | |
to say how much things cost, but they were sweet. I got it out of | :29:48. | :29:53. | |
them in the end. Let us have a look at you exploring Monaco with an | :29:54. | :29:55. | |
A-list party planner. Super fun. Much wealth will be on the yacht | :29:56. | :30:09. | |
tonight with Mac between 30 and 50 billion. That's 35-50,000,000,000. | :30:10. | :30:19. | |
You've got to understand is the kind of wealth that would make the Queen | :30:20. | :30:22. | |
looked like she is on a budget. This represents maybe 4 billion euros. | :30:23. | :30:33. | |
This represents your guest list. I guess the all-important question is, | :30:34. | :30:36. | |
would you say money can't buy you happiness? Yes. | :30:37. | :30:41. | |
LAUGHTER Certainly not. I think money can buy | :30:42. | :30:45. | |
you freedom in the world that we live in and you can like that or | :30:46. | :30:48. | |
not, but it is the case. I think freedom is the key to happiness. You | :30:49. | :30:53. | |
don't need that much money. I certainly don't need that much money | :30:54. | :30:57. | |
but I do value freedom, therefore I would never marry a millionaire. | :30:58. | :31:04. | |
Shell's mother said to her marry a rich man and she said to her, I am a | :31:05. | :31:12. | |
rich man. -- Cher'. You didn't come away from it thinking you wanted all | :31:13. | :31:19. | |
of those claims and yachts. You can deny climate change if you want but | :31:20. | :31:22. | |
I wouldn't have if private jet. I just want freedom, and I'm happy the | :31:23. | :31:26. | |
British public come to see me onto land they have made it possible as | :31:27. | :31:30. | |
an immigrant, a single mum, to have a lot of freedom with my daughter in | :31:31. | :31:35. | |
the UK. We have takeaway once in awhile. That's all I ever wanted. | :31:36. | :31:39. | |
And I have a Netflix special coming out on debris 14, which is super | :31:40. | :31:44. | |
exciting, and that's because of you. It's one of the only British | :31:45. | :31:48. | |
worldwide stand-up specials they have and it's because people come to | :31:49. | :31:52. | |
see me on to and watch things on this and the culture of live comedy | :31:53. | :31:58. | |
here, so I am super blessed. Talking about comedy, one of your comedy | :31:59. | :32:03. | |
heroes is Joan Rivers, isn't she? I love any powerful woman who broke | :32:04. | :32:08. | |
down barriers when they existed. There are still barriers for us to | :32:09. | :32:11. | |
break down today but if we look at how far we have come, I'm sure even | :32:12. | :32:20. | |
in your lifetime, not that long ago women couldn't have a mortgage or a | :32:21. | :32:24. | |
bank account, in our parents' lifetime, but I'm fortunate to live | :32:25. | :32:27. | |
in the year in the country I do. That's an interesting point from | :32:28. | :32:30. | |
your perspective, knowing the movie stars that you do and the life you | :32:31. | :32:33. | |
have had, what is your perspective on wealth now? I feel very much the | :32:34. | :32:42. | |
same as you do. I just think it could bring happiness, but on the | :32:43. | :32:46. | |
whole it could bring unhappiness. And I think there is a lot of | :32:47. | :32:48. | |
unhappiness about at the moment, I really do. One of the biggest | :32:49. | :32:54. | |
problems facing the world today which money cannot sort out is the | :32:55. | :32:57. | |
rise of antibiotic resistant infections. | :32:58. | :33:01. | |
And while the over-prescription of drugs is a big factor - | :33:02. | :33:03. | |
Andy's been to meet a farmer at the forefront | :33:04. | :33:07. | |
Grange Lodge farm, North Yorkshire. Home to 1000 sows and multitudinous | :33:08. | :33:27. | |
offspring and for today, meet too. I think they have this consumption and | :33:28. | :33:31. | |
edibility business the wrong way around. I'm not just here to indulge | :33:32. | :33:36. | |
my on-off relationship with farm animals, because these little swine | :33:37. | :33:38. | |
are a bit different from your average pig. You might not think so, | :33:39. | :33:43. | |
especially when they are trying to eat my wellies but these little | :33:44. | :33:50. | |
critters are at the forefront of veterinary science and what happens | :33:51. | :33:54. | |
to them may also keep us a little bit safer too. Now then, come on to | :33:55. | :34:02. | |
your uncle Andy. It's all to do with antibiotics. When we have an | :34:03. | :34:06. | |
infection, taking them has become second nature, but the Government | :34:07. | :34:11. | |
and senior medics say we have been overprescribing them for years. So | :34:12. | :34:15. | |
much so that some forms of the drug have now become ineffective because | :34:16. | :34:21. | |
diseases mutate to resist the antibiotic. Please can I have half a | :34:22. | :34:26. | |
dozen of the traditional pork. Of course you can. Farmers have also | :34:27. | :34:30. | |
been giving their animals way to many antibiotics and that's left | :34:31. | :34:34. | |
many experts worried that antibiotic resistant bacteria might be creeping | :34:35. | :34:41. | |
into our food chain. When antibiotics no longer work against | :34:42. | :34:46. | |
infections, we're all in trouble. GPs have already been cutting how | :34:47. | :34:51. | |
much they give out. Now, farmers are having to follow their lead with the | :34:52. | :34:55. | |
Government demanding they cut their use by 20% by next year. The | :34:56. | :35:02. | |
question for farmers is how? Well, pig farmer Richard Lister may have | :35:03. | :35:07. | |
just found the solution. Richard's pigs produce up to 600 piglets a | :35:08. | :35:13. | |
week. The problem was, many were falling sick. The particular problem | :35:14. | :35:17. | |
on the farm was a bacterial infection that tends to give a | :35:18. | :35:23. | |
respiratory problem so what we look to do is try and identify that | :35:24. | :35:28. | |
strain. There is lots of different strains of this and we developed a | :35:29. | :35:31. | |
vaccine that was bespoke to this farm. So, vaccines instead of | :35:32. | :35:39. | |
antibiotics. It is what that Duncan Barkes is busy giving out to | :35:40. | :35:43. | |
Richard's pigs today. But how does it work and is it any better? What | :35:44. | :35:47. | |
is the problem of treating livestock with antibiotics? If you use | :35:48. | :35:53. | |
antibiotics in any animal it disrupts the normal friendly gut | :35:54. | :35:57. | |
bacteria as well as the ones that we want. Useful bacteria? We have just | :35:58. | :36:01. | |
as many useful bacteria, in fact a lot more in the gut, which help us | :36:02. | :36:06. | |
with their digestion and be healthy. Antibiotics attack all of those. | :36:07. | :36:12. | |
Like carpet bombing? Yes, exactly, whereas if we have one that is | :36:13. | :36:15. | |
bespoke and particular to one infectious agent, it will leave the | :36:16. | :36:22. | |
useful bacteria alone. But there is a twist in the tail. So far they are | :36:23. | :36:26. | |
on their third vaccine to deal with different strains. Each can take 18 | :36:27. | :36:30. | |
months to develop in the lab and cost up to ?35,000 to deliver as a | :36:31. | :36:34. | |
treatment. Richard says that is, for his farm, about the same of Dominic | :36:35. | :36:40. | |
as regularly using antibiotics. So, is it a viable solution for farmers | :36:41. | :36:44. | |
nationwide? Alun Davies, advises farmers on disease control. | :36:45. | :36:50. | |
What do you think of the bespoke targeting vaccine idea as an | :36:51. | :36:52. | |
alternative to giving animals antibiotics? It is not a silver | :36:53. | :36:58. | |
bullet. The best thing to do is to identify where the bacteria that | :36:59. | :37:01. | |
causes an infection comes from in the first place. So rather than test | :37:02. | :37:08. | |
an animal to find the bacteria to develop a vaccine to treat all the | :37:09. | :37:14. | |
animals with, what we should do is test the animals' environment, deal | :37:15. | :37:18. | |
with the source as a means of prevention instead of treating. Back | :37:19. | :37:23. | |
on the farm and a few more of Richard's pigs are going under the | :37:24. | :37:28. | |
needle. To these girls you are literally a pain in the neck, | :37:29. | :37:32. | |
Duncan. Many people have said that before. And for Richard he's working | :37:33. | :37:37. | |
economically and in terms of the health of his heard and seen a 30% | :37:38. | :37:41. | |
drop in their mortality rates. It's been very successful, overall the | :37:42. | :37:44. | |
pigs are far healthier, less treatment, and it has been a win-win | :37:45. | :37:49. | |
all around. At the moment we seem to be saving money. You'll be passing | :37:50. | :37:53. | |
on the low costs to the consumer. We are always passing them on! | :37:54. | :37:54. | |
CHUCKLES From vaccinated pigs to fluffy dogs | :37:55. | :38:04. | |
and very cuddly penguins. I'd be happy to do the show in all of these | :38:05. | :38:08. | |
all of the time, it's very comfortable. The best job ever | :38:09. | :38:12. | |
chilling in your slippers and talking. My dad doesn't take off his | :38:13. | :38:15. | |
shoes, he wears a shirt and tries as to watch TV. Whereas my mum is | :38:16. | :38:21. | |
wearing a onesie chilling out. Smart attire? Yes, I don't know what's | :38:22. | :38:28. | |
going on. What are you guys' TV routines? As soon as I get in the | :38:29. | :38:33. | |
door, nightshirt. Love it. That's me as well, indoor clothes. One man | :38:34. | :38:43. | |
enjoyed that a lot. I can't do a onesie, it's too hot, and what if | :38:44. | :38:50. | |
you need to go to the loo. The loop situation is tricky, you've got to | :38:51. | :38:54. | |
think about these situations, you are right. But it is cute and the | :38:55. | :39:03. | |
slipper situation. Mac -- slippers are cute. You are going to be part | :39:04. | :39:07. | |
of the presenting team at the National Television Awards. How cool | :39:08. | :39:11. | |
is that? It is unbelievable because I've never been to an awards | :39:12. | :39:16. | |
ceremony. What are you expecting? I don't really know because I've never | :39:17. | :39:19. | |
been to one and when I was asked to do it I was so overwhelmed and I was | :39:20. | :39:23. | |
like this is amazing and I love watching the NTA is and I get to go | :39:24. | :39:28. | |
backstage and find out the gossip. I am taking over the Twitter. Everyone | :39:29. | :39:36. | |
else is experiencing the red carpet with me as well. It's my first time | :39:37. | :39:40. | |
and hopefully by encouraging people to tweet we will be asked loads of | :39:41. | :39:45. | |
fun questions. Twitter have kindly given us one of those emoticons, so | :39:46. | :39:50. | |
if you hashtag NTA the little symbol comes up. I get to award the first | :39:51. | :39:59. | |
NTA with Dermot. This is amazing. Are you taking anyone with you to | :40:00. | :40:02. | |
enjoy the experience? My whole family are going. But I asked my dad | :40:03. | :40:10. | |
to be my date on the red carpet. So I'm really excited about that. So, | :40:11. | :40:16. | |
it's Wednesday at 7:30pm. It's very soon, isn't it! ? The strange thing | :40:17. | :40:21. | |
for you is obviously you've been talking about these people on | :40:22. | :40:24. | |
television for a long time and now you are going to be chatting to | :40:25. | :40:28. | |
them. I am a bit nervous because I've done Gogglebox for two and a | :40:29. | :40:31. | |
half years and I can't remember what I've said about everyone. That's | :40:32. | :40:37. | |
interesting! It is and we have some quotes about things you have said | :40:38. | :40:40. | |
about people. Don't judge me, I was a lot younger and I started | :40:41. | :40:45. | |
Gogglebox. Could you read that out, and Katherine? We will go with this | :40:46. | :40:56. | |
first and the idea is you've got to guess who you were talking about. | :40:57. | :41:00. | |
People with glasses tend to be rubbish dancers. | :41:01. | :41:02. | |
Just physics. The law of physics. | :41:03. | :41:07. | |
That was, I'm so sorry, it's not the law of physics, that was somebody on | :41:08. | :41:16. | |
strict Li, was it Greg? Yes, it was. It was Gregg Wallace -- strictly. If | :41:17. | :41:23. | |
you see any other girls on the red carpet with their dads, it's | :41:24. | :41:25. | |
probably not their dad. LAUGHTER | :41:26. | :41:32. | |
Don't make any assumptions. OK, next one. At university we used to drink | :41:33. | :41:41. | |
our own wee all the time. It's nothing! I feel I have to explain | :41:42. | :41:46. | |
that a little bit because it makes me sound bad. That is about Bear | :41:47. | :41:49. | |
Grylls because on one of them to survive they had to do drink you're | :41:50. | :42:02. | |
-- wee and I got a tip-off that we would have to drink our own wee so I | :42:03. | :42:09. | |
drank a lot of water so to be fair mine was like warm water. I'm really | :42:10. | :42:16. | |
sorry! All we needed was a name! Bear Grylls, Bear Grylls it was | :42:17. | :42:18. | |
about! LAUGHTER | :42:19. | :42:19. | |
And finally. He's my twin, everyone | :42:20. | :42:23. | |
says I look like him. It's me. Alan Carr! | :42:24. | :42:25. | |
LAUGHTER APPLAUSE | :42:26. | :42:38. | |
Very good, it was Alan Carr. We could swap heads. Are you going to | :42:39. | :42:44. | |
do a TV show with him? Yes, we are just trying to develop ideas of what | :42:45. | :42:47. | |
we are going to do which is exciting, I love Alan so much, I'm | :42:48. | :42:54. | |
so excited. Shall we check in with your dad and have a word with your | :42:55. | :42:59. | |
date for the NTAs. We were just talking earlier on about the fact | :43:00. | :43:03. | |
Scarlett has moved away from home, so it must be a very different place | :43:04. | :43:06. | |
around there without her. Are you missing her? We always miss her but | :43:07. | :43:13. | |
we've upgraded and got a new model now taking her place. That's a | :43:14. | :43:18. | |
better model, to be fair. It's a lot cleaner as well! Have you taken over | :43:19. | :43:26. | |
my bedroom yet? She has, yes. I think that's a no. Have I turned | :43:27. | :43:32. | |
that Southern that they can't understand what I'm saying? What | :43:33. | :43:37. | |
will you miss the most, Scarlett? You've moved down to London as you | :43:38. | :43:41. | |
said before, and you are obviously close to your family which is lovely | :43:42. | :43:45. | |
to see. What will you miss most? I am missing watching the TV with | :43:46. | :43:49. | |
them. Like, honestly, some of my best memories in life, I don't know | :43:50. | :43:54. | |
if this means I'm a bit deprived, I just sat watching TV, even watching | :43:55. | :44:04. | |
The One Show. I just miss that. I love watching TV with my boyfriend, | :44:05. | :44:11. | |
Luke. Sorry! But I do miss watching television with them. One of my best | :44:12. | :44:16. | |
memories in life is watching you watch telly! | :44:17. | :44:18. | |
LAUGHTER Let's have a word because you will | :44:19. | :44:24. | |
not be doing Gogglebox anymore without Scarlett as a family. Are | :44:25. | :44:28. | |
you going to miss it as a family doing it and what has the whole | :44:29. | :44:32. | |
experience been like for you all? Well, we always felt like we were | :44:33. | :44:38. | |
just sofa fillers because she couldn't talk to herself on | :44:39. | :44:43. | |
Gogglebox. No! And I was chief tea maker! My dad was in charge of the | :44:44. | :44:50. | |
tea when watching Gogglebox. Come on, dad, it is your time to shine, | :44:51. | :44:55. | |
put the kettle on. You hear people saying, I'm moving on and will try | :44:56. | :44:58. | |
other things but this is where you made it big on Gogglebox. Is it hard | :44:59. | :45:03. | |
to leave it behind? I still love Gogglebox. I'm not even saying | :45:04. | :45:09. | |
never. I would honestly still do Gogglebox. I think I just love | :45:10. | :45:16. | |
family shows. Because I'm all about family, I just love what Gogglebox | :45:17. | :45:20. | |
represents. I think it's nice that we get different regional accidents | :45:21. | :45:24. | |
on the TV and it's not the typical people that you would see on TV. I | :45:25. | :45:31. | |
would just sing Gogglebox's praises. Do you watch the other families on | :45:32. | :45:35. | |
Gogglebox and comment on them? I fast forward myself. Do you? Have | :45:36. | :45:42. | |
you ever heard yourself back? It sounds awful. Do I really looked | :45:43. | :45:46. | |
like that? Do I sound like that? But I do love Gogglebox and watching it. | :45:47. | :45:54. | |
I just laugh at it all day long. Thank you everyone. | :45:55. | :45:55. | |
APPLAUSE Now, any snooker fans out | :45:56. | :46:01. | |
there will know that the Masters are underway here in London, but - | :46:02. | :46:03. | |
as thrilling as the matches are - they don't come close to this | :46:04. | :46:07. | |
trick shot that's been It's the brain child of Bristol bar | :46:08. | :46:09. | |
manager Shane O'Hara - who spent 11 hours and 100 test runs | :46:10. | :46:15. | |
perfecting the 500ft putt. Well, Shane's with us | :46:16. | :46:21. | |
tonight and we asked him Everyone from The One Show has gone | :46:22. | :46:42. | |
home. I have the entire night to work out a trick shot. Starting on | :46:43. | :46:45. | |
the seventh floor and ending on the ground floor. Fingers crossed I can | :46:46. | :46:50. | |
pull it off. It is all about materials, the more you have to work | :46:51. | :46:58. | |
with the better. Requires patience, really open mind. | :46:59. | :47:07. | |
A hell of a lot of coffee. Fingers crossed. | :47:08. | :48:11. | |
APPLAUSE It's here. In the studio. He's the | :48:12. | :48:49. | |
man! Well done. It happens. So, come on then, the whole night you were in | :48:50. | :48:53. | |
the office, what was the trickiest bit and why? Well I couldn't get | :48:54. | :48:58. | |
into the studio without Dave. Dave is very handy. He deserves a share | :48:59. | :49:04. | |
of the credit. I can hear the calls from Vegas. There was one sticking | :49:05. | :49:10. | |
point, we have got a clip here, this is Martin our studio manager's desk. | :49:11. | :49:15. | |
This was the tricky part. I just wouldn't happen. I would love to | :49:16. | :49:19. | |
blame everybody else. That is all on me, it is just a big domino, if it | :49:20. | :49:26. | |
doesn't work, can't blame anybody. If it was working up all night. My | :49:27. | :49:33. | |
energy started waning. One more time. | :49:34. | :49:33. | |
APPLAUSE You are training in ballroom | :49:34. | :50:00. | |
dancing, I don't know if I am allowed to say. It isn't Dr Dancing | :50:01. | :50:05. | |
Dermot is doing. It is singing. Maybe I will get in trouble for | :50:06. | :50:09. | |
that. He is singing. I have heard, maybe. | :50:10. | :50:15. | |
As far as your ballroom, Strictly, surely? I feel like, though, maybe | :50:16. | :50:22. | |
because I have already danced before, maybe... Doesn't matter. Do | :50:23. | :50:27. | |
you not think so? People would be like it's not fair because she has | :50:28. | :50:35. | |
danced. They get good dancers. We have some dancing of you, with Cliff | :50:36. | :50:41. | |
Richard. Back in the day. Shaking your tush. That is wonderful. Is | :50:42. | :50:50. | |
this the dance troupe Cool For Exacts What is that?! I don't think | :50:51. | :50:57. | |
it is. -- apparently it is, we are hearing it is definitely you. Any | :50:58. | :51:03. | |
way. Maybe not. Whoever you are... LAUGHTER | :51:04. | :51:10. | |
It is very good. It is very good. Congratulations to everyone doing | :51:11. | :51:16. | |
that. Catherine, you are into dancing? Yes, some of the best | :51:17. | :51:22. | |
dancers in the world. Let's dance for Comic Relief. Let's move on. Let | :51:23. | :51:29. | |
us see if the stunt team have managed to recreate one of the Carry | :51:30. | :51:37. | |
On famous slapstick scenes. Here we go. | :51:38. | :51:49. | |
In 1966 Carry On released one of their best-loved titles. Can I cut | :51:50. | :51:56. | |
in? The revolutionary French farce Carry On Don't Lose Your Head. Will | :51:57. | :51:59. | |
the stunt team manage to recreate its finale, 50 years on? Or will | :52:00. | :52:06. | |
they fall flat on their Khyber Pass? In the original stunt wires were | :52:07. | :52:12. | |
worn to make it look as if the Duke swings from a chandelier and crashes | :52:13. | :52:17. | |
out of the window. But for us, we are going commando, we will be | :52:18. | :52:20. | |
wearing nothing. We are at the headquarters of the | :52:21. | :52:24. | |
theatre school in Bristol, because we will be using their trapeze ring, | :52:25. | :52:30. | |
the stunt will be pieced together from three separate manoeuvre, stunt | :52:31. | :52:34. | |
co-ordinator Jamie has planned for Gordon to dive from a balcony and | :52:35. | :52:39. | |
drop on to box below. Next Gordon will jump from the platform, holding | :52:40. | :52:46. | |
on a specially made chandelier rigged to thing Your position if you | :52:47. | :52:50. | |
go through the glass, you would go through knees. Main concern is to | :52:51. | :52:55. | |
make sure I fly straight and let go at the right moment, because when | :52:56. | :52:59. | |
this is at height, if I let go early I am going to go potentially | :53:00. | :53:04. | |
underneath the pane of glass or I could go over the top. We only have | :53:05. | :53:09. | |
one pane so we have to get it right. After practising the swing, with | :53:10. | :53:12. | |
team are confident they have the correct position for the frame. | :53:13. | :53:16. | |
Which is just as well, as it would be a very unpleasant collision, into | :53:17. | :53:20. | |
a steel frame the Gordon misjudges the jump. And here is where things | :53:21. | :53:29. | |
get French fancy! Ooh! For a window this size, only real glass will do. | :53:30. | :53:34. | |
It is toughened so it will shatter into small pieces but it is still | :53:35. | :53:37. | |
too dangerous for the stuntman to break it on impact. In the film | :53:38. | :53:41. | |
industry, there is a way to do this. Use explosives. | :53:42. | :53:46. | |
So we have put two nail breakers at the bottom of glass, we will fire a | :53:47. | :53:50. | |
charge that will fire the nail into the glass, breaking it, just before | :53:51. | :53:54. | |
he goes through. Then he will come off to this area here, where our | :53:55. | :53:59. | |
paramedic will be, and he will quickly give him the once over. | :54:00. | :54:03. | |
Rehearsal time is over. The rig is up, and the pressure is truly on as | :54:04. | :54:10. | |
we can only get it up once. You know, I don't think these people | :54:11. | :54:15. | |
could do justice to the proud tradition of Carry On. It is time | :54:16. | :54:23. | |
for me Giles to enter the boudoir of chance. Manufacture | :54:24. | :54:40. | |
Liberty, equality, fromais frais. J' arrive. | :54:41. | :55:27. | |
Voila. As the Duke always says, non! What a carry on! That is almost it. | :55:28. | :55:49. | |
A big thank you to our guests. And thanks too to the Magic Lantern | :55:50. | :55:53. | |
Festival for brightening up the place. Sherlock is out on DVD on | :55:54. | :55:58. | |
Monday, you can see Catherine harassing the rich and famous and | :55:59. | :56:03. | |
the NTAs are next Wednesday night. Tomorrow we will be joined by Dame | :56:04. | :56:10. | |
Joan bake wall and Frank Skinner. Now it is Jack Savoretti. | :56:11. | :56:15. | |
# Travelled far to get ourselves here | :56:16. | :56:17. | |
# And you learned to say what's on your mind | :56:18. | :56:32. | |
# And now we build our love and memories, living heart to heart | :56:33. | :56:37. | |
# Glowing like an open fire, we came out from the dark | :56:38. | :56:40. | |
# Only you know where to go to get to me | :56:41. | :56:56. | |
# And stop me living behind the lines enemies | :56:57. | :57:08. | |
# We travelled rough to get ourselves here | :57:09. | :57:20. | |
# Now laughter dries the tears we cry | :57:21. | :57:31. | |
# I placed the love you gave me closer to my heart, | :57:32. | :57:34. | |
# You took the songs I sang to you alone in the dark | :57:35. | :57:41. | |
# Only you know where to go to get to me | :57:42. | :57:52. | |
# And stop me living behind the lines enemies | :57:53. | :58:15. | |
# When I'm with you baby it's a beautiful life, | :58:16. | :58:17. | |
# Together this world feels like home | :58:18. | :58:24. | |
# Walk me beside now until the end of time, | :58:25. | :58:26. | |
# Only you know where to go to get to me | :58:27. | :58:49. | |
# And stop me living, and stop me living, | :58:50. | :59:04. | |
# And stop me living behind the lines of enemies # | :59:05. | :59:20. | |
Hello, I'm Sophie Long with your 90 second update. | :59:21. | :59:22. | |
Boris Johnson has warned EU leaders not to give the UK "punishment | :59:23. | :59:26. |