Browse content similar to 19/04/2017. Check below for episodes and series from the same categories and more!
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# Oh, tell me the odds on you # Just so you could cut me lose | :00:26. | :00:37. | |
# Do everything I've lost on you # Is that lost on you... # | :00:38. | :00:45. | |
APPLAUSE Every so often a song comes along | :00:46. | :00:51. | |
that just gets into your head and this one has been climbing | :00:52. | :01:02. | |
the charts all over the world. It's called Lost on You and | :01:03. | :01:05. | |
the singer, LP, will give us If you want heroics - we've got | :01:06. | :01:08. | |
a show full of them tonight. EastEnders Adam Woodyatt - | :01:09. | :01:13. | |
aka Ian Beale - will be here with his son Sam to tell us | :01:14. | :01:15. | |
about the real-life drama which has led them both to take | :01:16. | :01:18. | |
on the challenge of their lives. We'll also catch up with the heroic | :01:19. | :01:21. | |
efforts of kayaking couple Steve Backshall and Helen Glover | :01:22. | :01:24. | |
on their 125 mile race. As for our first two guests, | :01:25. | :01:26. | |
one has played the all-American And the other, well, | :01:27. | :01:34. | |
he's a bit more British. # What a man, man, man | :01:35. | :01:53. | |
# What a mighty good man... # There's been a hanging. Hold on! | :01:54. | :02:01. | |
Over confident, aren't we? # What a man, what a mighty good | :02:02. | :02:06. | |
man... # Two peas in a pod. | :02:07. | :02:09. | |
Please welcome Dennis Quaid and James Norton. | :02:10. | :02:10. | |
That was action. So British, cricket, tea and bikes. I know, | :02:11. | :02:23. | |
opposite sides of the spectrum. You have taken on each other's accents | :02:24. | :02:27. | |
as well? At times, I guess. I'm sure you do a better American accent. I'm | :02:28. | :02:33. | |
not going to try. We have it on good authority you used to use a British | :02:34. | :02:40. | |
accent? When I was 15, door-to-door, I sold brushes, I was a brush | :02:41. | :02:44. | |
company salesman. I got tired of people shutting the door on me. What | :02:45. | :02:49. | |
I would do, I took on an English accent. It was really Van Dyke in | :02:50. | :03:01. | |
Mary Poppins - hello, would you like to buy a brush! We have some here. | :03:02. | :03:07. | |
Were you a grout cleaner as well? Yes. Tile and grout cleaner. I have | :03:08. | :03:16. | |
a full array of products. For the tile and grout and whatever you need | :03:17. | :03:25. | |
a brush for, Fuller has it! Right! The English accent, it was bad, it | :03:26. | :03:29. | |
would keep them at the door. Right. They would even call their entire | :03:30. | :03:34. | |
family in to hear it. That is how I started acting. There you go. Have | :03:35. | :03:43. | |
you used that accent since? No! We will leave it there for now. | :03:44. | :03:47. | |
No-one likes a bully and when that bullying hides | :03:48. | :03:52. | |
anonymously behind a computer, it can feel all the more menacing. | :03:53. | :03:55. | |
With increasing calls for social media sites to protect their users, | :03:56. | :03:58. | |
Lucy Siegle has been to meet both victims and the big three | :03:59. | :04:01. | |
Becoming the target of abuse and harassment online can have a | :04:02. | :04:11. | |
dramatic impact on someone's life. I felt so violated and under attack. | :04:12. | :04:16. | |
It was floods of racist, sexist abuse. Should three of the major | :04:17. | :04:21. | |
players in the industry, Google, Facebook and Twitter, be doing more | :04:22. | :04:28. | |
to protect their users? I'm here to meet a man whose 16-year-old | :04:29. | :04:31. | |
daughter suffered so badly at the hands of internet trolls she paid | :04:32. | :04:40. | |
the ultimate price. She was a vibrant, articulate, goofy, | :04:41. | :04:44. | |
beautiful young woman. When Adrian Derbyshire's daughter Julia told her | :04:45. | :04:48. | |
friends about her sexuality she started receiving a series of | :04:49. | :04:51. | |
abusive messages on social media from strangers. Saying, "you're | :04:52. | :04:56. | |
going to burn in hell because this is against the Bible. This is | :04:57. | :04:59. | |
against what God wants and God hates you." They used their social media | :05:00. | :05:06. | |
platform, which is the easiest form of bullying now, it's instant. The | :05:07. | :05:12. | |
abuse had such a devastating effect that in October 2015 she attempted | :05:13. | :05:17. | |
to take her on life. She died five days later in hospital. Adrian | :05:18. | :05:21. | |
believes social media companies need to take more responsibility and take | :05:22. | :05:26. | |
action the moment any abuse starts. Let us talk about this, a multi | :05:27. | :05:32. | |
pound industry here. They can create this phenomenal website that has | :05:33. | :05:36. | |
changed lives forever, it's positive and negative, but can't stop hate. | :05:37. | :05:43. | |
That's just ridiculous. Forlan East London councillor, Shayee it's not | :05:44. | :05:46. | |
about the companies being proactive they are not being reactive enough | :05:47. | :05:53. | |
either. She was sunted to vile abuse last year after a video of one of | :05:54. | :05:58. | |
her speeches was posted on the other hand Facebook and shared on Twitter. | :05:59. | :06:03. | |
There was floods of racist, sexist abuse calling me the N-word and the | :06:04. | :06:06. | |
B words. References to being linched and that's when I thought - OK, I | :06:07. | :06:11. | |
don't feel safe. I feel I need to report this. Without a phone number | :06:12. | :06:15. | |
to call it took Twitter and YouTube, owned by Google, more than three | :06:16. | :06:19. | |
days to remove the comments and that no-one was punished or prosecuted | :06:20. | :06:23. | |
for posting the remarks. After a while it was like - is there a point | :06:24. | :06:27. | |
of me doing this? I stopped. I didn't get acknowledgment. People | :06:28. | :06:32. | |
think this computer or tablet screen protects them from the consequences | :06:33. | :06:35. | |
they would face if they said that on the streets. Adrian agrees. He | :06:36. | :06:38. | |
believes there is far too much opportunity for people to hide | :06:39. | :06:43. | |
behind anonious accounts. They are allowing people to kret as many pro | :06:44. | :06:47. | |
files as possible and without any idea, without any information from | :06:48. | :06:51. | |
that person. I think you must have to prove your age, your ID, for you | :06:52. | :06:56. | |
to allowed to have access to an account. Also, as well, if you do | :06:57. | :07:00. | |
that, then you can be accountable for what you put on because they can | :07:01. | :07:07. | |
trace you. Former head teacher, Pepe Hart says getting downpours | :07:08. | :07:10. | |
companies like Facebook to identify users is far from easy. In 2015 a | :07:11. | :07:18. | |
private Facebook group was set up to damage her reputation. Some things | :07:19. | :07:23. | |
that were said was a vile, horrid cow. I was Hitler. Some people | :07:24. | :07:29. | |
wanted to punch me in the face. I wanted to find out more about the | :07:30. | :07:32. | |
account, who the members of the group were. Facebook refused to take | :07:33. | :07:38. | |
anything down. I felt very much as though the doors were being closed. | :07:39. | :07:42. | |
Facebook eventually told her they would provide the details of her | :07:43. | :07:47. | |
abuser if she got a court order. But she thinks the whole process should | :07:48. | :07:52. | |
be much simpler. They provide that service, when are Facebook going to | :07:53. | :07:55. | |
say - we do think we need to take more responsibility? All three | :07:56. | :07:59. | |
companies have said they are improving their platforms to make | :08:00. | :08:04. | |
them safer. Later in the programme I will meet with Facebook, Google and | :08:05. | :08:07. | |
Twitter to find out what they have to say about the criticism they're | :08:08. | :08:16. | |
receiving. Thank you to the people who shared their stories. | :08:17. | :08:22. | |
Stay tuned to see what happens when Lucy knocks on the doors of the big | :08:23. | :08:25. | |
We want to hear from you, where do you think responsibility | :08:26. | :08:29. | |
lies in ending online abuse and what can be done? | :08:30. | :08:31. | |
Maybe you have done bullying yourself and you may have ideas on | :08:32. | :08:38. | |
how it could be stopped. What are your experiences with this. You have | :08:39. | :08:41. | |
young children. I grew up old school back in the day when you meet | :08:42. | :08:47. | |
outside the bar after school. There was bullying, got shoved around. I | :08:48. | :08:51. | |
was concerned about my kids, especially these days. My son is 24. | :08:52. | :08:57. | |
It was just starting I think back in the 90s when everything went online. | :08:58. | :09:02. | |
My twins are 10 and younger and younger they come online and social | :09:03. | :09:08. | |
media is part of what they learn. It can be hazardous out there. For | :09:09. | :09:16. | |
sure. There is haters. The bullying comes out of insecurity from people | :09:17. | :09:21. | |
it can be anonymous or it can just be, you know, the social circle of | :09:22. | :09:25. | |
school where it's, they go to school and they have to face it there. Then | :09:26. | :09:29. | |
they have to face it. You can't escape. It feels ever present. Like | :09:30. | :09:35. | |
the whole world knows. It's an interesting debate and where the | :09:36. | :09:38. | |
responsibility lies. We will see where we get to later in the | :09:39. | :09:42. | |
programme about that. Grantchester, third series. Dennis anyway not be | :09:43. | :09:50. | |
aware of the series. Set it up. You are an fan, right? A fan. No. So | :09:51. | :10:00. | |
it's a show about a young vicar who finds himself in a beautiful village | :10:01. | :10:04. | |
called Grantchester, a real place. He finds his life a little bit slow | :10:05. | :10:12. | |
and, perhaps, in need of a bit of speed and excitement he solves | :10:13. | :10:16. | |
crimes and makes an unlikely friendship with a policeman called | :10:17. | :10:20. | |
Geordie played by the wonderful Robson Green. They embark on | :10:21. | :10:24. | |
adventures together accompanied by the wonderful Dickens. There is lots | :10:25. | :10:29. | |
of romantic entanglements. Now, you are going to watch it. There you go. | :10:30. | :10:34. | |
You sold it. A Catholic priest? No, no. OK. There is a chance! I have to | :10:35. | :10:45. | |
say... Robson Green, he wore your spacesuit from the Right Stuff in a | :10:46. | :10:51. | |
film he did, called Rocket Man. It's one of his favourite anecdotes. He | :10:52. | :10:55. | |
wanted me to tell you. He is in next week. I can track that thing down. | :10:56. | :11:01. | |
He is coming in next week. He didn't want to be on the same show as you! | :11:02. | :11:08. | |
We last saw your character Sidney in the Christmas special. As far as | :11:09. | :11:12. | |
this series is concerned, are we picking up off the back of the | :11:13. | :11:17. | |
Christmas special? Definitely is. A murder mystery a week. They are over | :11:18. | :11:24. | |
acig narratives insist. Four months on from the end of the Christmas | :11:25. | :11:28. | |
special. We find Sidney and Amanda is the first time in their lives | :11:29. | :11:31. | |
they are able to be in love and enjoy it. They are in denial a | :11:32. | :11:37. | |
little bit. The music has moved on from jazz into rock-and-roll. They | :11:38. | :11:41. | |
are partying a bit more. They are living in denial. They are having a | :11:42. | :11:46. | |
lot of fun, but they are aware that they are star crossed because they | :11:47. | :11:49. | |
can't be together, as we know. They have to make a choice. They do. | :11:50. | :11:52. | |
Dennis, would you like to see James in action? I'm definitely going to | :11:53. | :11:58. | |
see it now. Let's have a look. Here's James or Sidney having a | :11:59. | :12:01. | |
reality check. If I know what's going on with your and Mrs Hopkins | :12:02. | :12:07. | |
then others know. There is nothing going on. Don't think I've ever seen | :12:08. | :12:18. | |
you happier. Little miss here, I suppose we all are. But how long do | :12:19. | :12:25. | |
you think it can last? With your job and her down the road? You can't be | :12:26. | :12:30. | |
a vicar and be with her. You can't marry a divorced woman. That's the | :12:31. | :12:37. | |
truth of it. Sooner or later, you'll have to make a choice. | :12:38. | :12:42. | |
APPLAUSE Wow. Will he chose the woman he | :12:43. | :12:53. | |
loves or his faith? Love versuses duty. Who can say? In the 50s a | :12:54. | :13:00. | |
vicar wasn't allowed to marry a divorcee. If she is going to | :13:01. | :13:04. | |
separate from her previous marriage she becomes unavailable to him. The | :13:05. | :13:09. | |
writing is so good. We are blessed with great writers who write these | :13:10. | :13:14. | |
uneasy ethical dilemmas. No-one knows which he can choose. The Best | :13:15. | :13:20. | |
Dramas are impossible choices. The grey area in between. It's cool. He | :13:21. | :13:26. | |
has the choices or the romance with Amanda. James has a romance as well | :13:27. | :13:32. | |
acid any on set. Yourself and Robson are quite tight. He almost killed | :13:33. | :13:36. | |
you this time? He almost killed me. On set. We have a couple of stunts. | :13:37. | :13:44. | |
He pushed - he, was throwing water at me and I fell backwards into a | :13:45. | :13:51. | |
river and the whole crew saw me disappear under water. The | :13:52. | :13:54. | |
producers, yeah, there was a gasp of fear. Robson - thought you had been | :13:55. | :14:00. | |
swept away. Was that part of the plan? No. There was quite a lot | :14:01. | :14:05. | |
of... We do have quite a lot of fun. He has this... We basically, now in | :14:06. | :14:11. | |
the third series, we commit to our work and are very focused, sometimes | :14:12. | :14:17. | |
our executive producer is here today. Be careful! There is a great | :14:18. | :14:25. | |
thing about the show - Here's your co-star. Forget about Robson. Here | :14:26. | :14:32. | |
is Dickens. Hello. Wonderful. We opened the door and he ran. | :14:33. | :14:40. | |
You have helped rear him because he was a little pup? He was tiny. In | :14:41. | :14:48. | |
the show he is called Dickens and a real life he is called Dickens. Very | :14:49. | :14:56. | |
chilled! Do you have to bribe him on set or is he quite well-behaved? He | :14:57. | :15:02. | |
is pretty good. Sometimes we have to put a little sausage in our pocket. | :15:03. | :15:08. | |
Aye a little false edge in the pocket once in awhile! Apparently | :15:09. | :15:16. | |
you have bacon in your film? Dickens will know there are quite a lot of | :15:17. | :15:21. | |
residents of Grantchester. Come over here, there's a good boy, come over | :15:22. | :15:27. | |
here. We have a very special new resident here in the shape of | :15:28. | :15:32. | |
Rachel. Rachel, give us an idea of what your new role will be if we | :15:33. | :15:36. | |
can't guess from what you are wearing? From July the six I will be | :15:37. | :15:42. | |
Vicar of Grantchester and also new known in Cambridge. I will be the | :15:43. | :15:45. | |
real Vicar of Grantchester as people keep telling me. At the moment there | :15:46. | :15:51. | |
is no Vicar so will you be moving into the vicarage? Yes, into the | :15:52. | :15:56. | |
church, it is a very nice vicarage to move into. We have some residents | :15:57. | :16:00. | |
of Grantchester here. What is it like compared with what we see on | :16:01. | :16:07. | |
the TV? We have fewer murders! Usually! We are hoping for a more | :16:08. | :16:13. | |
stable Vicar when she arrives. Grantchester is a sort of suburb of | :16:14. | :16:17. | |
Cambridge in lots of ways but it is a couple of miles away so it is | :16:18. | :16:21. | |
still quite rural and we have a very nice mixed economy there. We have | :16:22. | :16:27. | |
four pubs. And you have all these screenings and all sorts. We do. It | :16:28. | :16:37. | |
is huge fun. We are thrilled to be extras on the set as well and we get | :16:38. | :16:40. | |
to meet James and Robson and have cricket matches and rounders | :16:41. | :16:43. | |
matches, and the occasional pint and ice cream. What did you say about | :16:44. | :16:49. | |
James' attire? I said he wears the most wonderful cashmere jumpers that | :16:50. | :16:55. | |
I have ever come across! He is not wearing one today, unfortunately. | :16:56. | :17:04. | |
Big jump fans over here, James! -- jumper fans. | :17:05. | :17:07. | |
It's great to have Dickens here, he'll love this next film. | :17:08. | :17:10. | |
After all, his new film is called, A Dog's Purpose. | :17:11. | :17:13. | |
Marty has found one canine who seems to have found his true calling. | :17:14. | :17:21. | |
Three years ago, fire tore through the iconic Glasgow School of Art. In | :17:22. | :17:29. | |
just a few hours, this architectural gem was devastated. After the flames | :17:30. | :17:36. | |
were put out, a new problem began. All the water used to put out the | :17:37. | :17:42. | |
fire created the perfect moist conditions for a fungus to start | :17:43. | :17:48. | |
growing in the building. The fungus feeds on the ward and causes what we | :17:49. | :17:55. | |
call dry rot. What is an invisible menace in many old buildings, and if | :17:56. | :18:01. | |
it is left unchecked it will do this too would. So it is vital that it is | :18:02. | :18:06. | |
sniffed out before it has a chance to take old. Fortunately, the | :18:07. | :18:10. | |
restoration team have the perfect weapon on hand to stop the rot. This | :18:11. | :18:19. | |
is Sam, a 12-year-old Labrador, with a nose for the job. Known as a rot | :18:20. | :18:25. | |
hound, Sam has been trained to recognise the aroma of fungus in the | :18:26. | :18:31. | |
air, and locate where the rot is in a building. His owner is building | :18:32. | :18:36. | |
surveyor Peter Monaghan from Cumbria who has a passion for training dogs. | :18:37. | :18:43. | |
He found Sam in a rescue centre where he had been abandoned by his | :18:44. | :18:49. | |
former owners. I went to see him, very boisterous, very bouncy dog, | :18:50. | :18:54. | |
just the sort of dog I like. Not a particularly good pet. My wife still | :18:55. | :19:00. | |
cannot control him! But Peter thought Sam's natural energy could | :19:01. | :19:05. | |
be harnessed to tirelessly search historic buildings. And after almost | :19:06. | :19:09. | |
two men three years of training, Sam was ready for work. Labradors have | :19:10. | :19:15. | |
particularly unsuited noses. Sam is able to detect the smell of just a | :19:16. | :19:19. | |
few molecules of dry rot in the air and then hone in on their source. | :19:20. | :19:23. | |
Senior Project manager Liz Davidson knows the value of Sam's skills. | :19:24. | :19:28. | |
Three years ago he detected the start of dry rot in the school of | :19:29. | :19:34. | |
art on this is spot. How damaging is dry rot? Dry rot can do more damage | :19:35. | :19:39. | |
than fire. It can keep on travelling. It can go through walls | :19:40. | :19:43. | |
and pick up the wood on the other side. You are trying to track this | :19:44. | :19:47. | |
invisible enemy the whole time. Sam was probably one of the most | :19:48. | :19:51. | |
important because he came in very early and was able to find things in | :19:52. | :19:56. | |
the building we did not know where a problem. Sam has returned to the | :19:57. | :20:00. | |
room where he first detected rot. If he finds it again this time, it will | :20:01. | :20:07. | |
be a headache for this and her team. But fortunately, Sam does not sniff | :20:08. | :20:14. | |
out any rot Corona top thanks to his and Peter's efforts, the building is | :20:15. | :20:19. | |
given a clean bill of health. Whether they find dry rot or not, | :20:20. | :20:24. | |
Peter needs to keep Sam's skills sharp, so we have laid on a test. I | :20:25. | :20:29. | |
have got here some dry rot infested wood, and I have put it in this | :20:30. | :20:35. | |
little container, and then hide it in the corner and see if he can find | :20:36. | :20:48. | |
it. Come on, Sam, off we go. Sam gives us the ability to search a | :20:49. | :20:53. | |
large building. Sometimes you can't even see it, it is behind panelling | :20:54. | :20:58. | |
or it is behind other materials. When searching for dry rot, Peter | :20:59. | :21:04. | |
works Sam around the room, sniffing for a scent trail. It is a team | :21:05. | :21:09. | |
effort between the dog and the handler. The handler have to | :21:10. | :21:12. | |
interpret what the dog is showing the handler. The dogs are about 98% | :21:13. | :21:21. | |
accurate. It takes Sam just a few minutes to hunt down the rot. Wow, | :21:22. | :21:25. | |
that is pretty impressive. Well done, Sam, that is amazing! Sam is | :21:26. | :21:31. | |
trained to know he will receive a reward for all his efforts. For him, | :21:32. | :21:36. | |
that is time alone with his favourite toy, one of Peter's old | :21:37. | :21:45. | |
gloves. Dennis is still doing the accent! You cannot beat that kind of | :21:46. | :21:49. | |
job for me. That is the camaraderie and the wonderful relationship you | :21:50. | :21:58. | |
have. This leads us on to your new film, A Dog's Purpose. It is about a | :21:59. | :22:09. | |
dog's spirit. I say it is like Old Yellow but without the tragic | :22:10. | :22:13. | |
ending. Dogs, as it turns out in this film, are reincarnated. They | :22:14. | :22:18. | |
remember their past lives and in the beginning, me as a young boy, had | :22:19. | :22:24. | |
this relationship with this dog Bailey, and then he is reborn again | :22:25. | :22:29. | |
and again other dogs' bodies, different breeds and different | :22:30. | :22:33. | |
people. And we meet up again later on in life and... But it is a | :22:34. | :22:41. | |
beautiful movie. I hadn't read the book which is a beautiful book. My | :22:42. | :22:47. | |
agent started to tell me, he got about four sentences in and I | :22:48. | :22:52. | |
started to well up. I said, I will do it. Is that because it brought | :22:53. | :22:56. | |
back memories for you growing up with a dog? I had the classic boy, | :22:57. | :23:05. | |
dog relationship. Everybody has that. It is about unconditional | :23:06. | :23:11. | |
love. What they give us and what we give them. Let's have a look at even | :23:12. | :23:17. | |
after he has been reunited with his old dog Bailey but he does not know | :23:18. | :23:22. | |
it is him yet. I'm going to make a bet that you are hungry. You must | :23:23. | :23:27. | |
be! Nobody likes my cooking. Don't look at me like that. You | :23:28. | :23:49. | |
can't stay here. You have got to go home, you belong to somebody. Home, | :23:50. | :24:01. | |
yes, yes, I am home. Dumb dog. You just want that clip to be longer! As | :24:02. | :24:07. | |
you can see, dogs also have a voice over going on in their head all the | :24:08. | :24:11. | |
time! They understand English but they do not have vocal chords! You | :24:12. | :24:16. | |
cannot help it. You laugh the next second, it is really funny. We talk | :24:17. | :24:21. | |
about romantic comedies and it is a kind of romance of sorts. Of course | :24:22. | :24:27. | |
it is, it is unconditional love. We were laughing only about the sausage | :24:28. | :24:33. | |
on the bacon but it must be a reality, did you have meat and bacon | :24:34. | :24:38. | |
or the time? You walk in, I was working with that dogs there and it | :24:39. | :24:43. | |
is like, you don't just walk into a relationship, you have to get to | :24:44. | :24:47. | |
know each other and stuff. So you kind of speed it up with what they | :24:48. | :24:52. | |
like, you have a little bit of bacon in your bag and you rub it around | :24:53. | :24:59. | |
like that, like Cologne! Raw bacon or cooked? Doesn't matter! You have | :25:00. | :25:06. | |
got to keep trying. I am just imagining. When you're not on the | :25:07. | :25:11. | |
film set, are you in any way like Samuel L Jackson. He was sacked | :25:12. | :25:15. | |
where you are a month ago and he says he has a golf tour is written | :25:16. | :25:21. | |
into his contract. Without blowing smoke, you are a very good golfer. | :25:22. | :25:28. | |
Identified to put it in my contract but I seek it out. If you are on the | :25:29. | :25:34. | |
road, like a musician or an actor, you have to keep your head on | :25:35. | :25:38. | |
straight. Golf is everywhere, especially over here, it is great. | :25:39. | :25:45. | |
Do you play over here? Have you edged out some time? This time I | :25:46. | :25:54. | |
didn't but I only play once the day! And James, flat line is, you have | :25:55. | :26:00. | |
just finished filming, a big Hollywood blockbuster, does that | :26:01. | :26:08. | |
feel like a gear change -- Flatliners. I have played a lot of | :26:09. | :26:15. | |
golf. It was fun, my first big movie. A car pulled up on Michael | :26:16. | :26:20. | |
Douglas and two executives got out suited and with sunglasses. I | :26:21. | :26:27. | |
thought, my goodness, I am in a movie. You have got all the toys and | :26:28. | :26:32. | |
there is a certain amount of support behind you with the money and the | :26:33. | :26:36. | |
expertise, it is a different world. It was fun. Enjoying dipping in and | :26:37. | :26:44. | |
out? I hope I will dip in and out. We hope we won't lose you! Of course | :26:45. | :26:47. | |
not. We've been inspired by your film | :26:48. | :26:50. | |
Dennis and the idea of reincarnation and we're going to play a little | :26:51. | :26:53. | |
game called, Cast From The Past. We're going to show you a real | :26:54. | :26:59. | |
person from history and we want to know which well known celebrity | :27:00. | :27:02. | |
we think they look like. We are going to start off with | :27:03. | :27:18. | |
number one. This is Nicolae Grigorescu, the 19th century painter | :27:19. | :27:23. | |
from Romania. Who do you think that looks like? Without the moustache, | :27:24. | :27:29. | |
I'm just trying to map paddle boarding, think paddle boarding. He | :27:30. | :27:35. | |
is on the One Show next week. Orlando Bloom? It is a Orlando | :27:36. | :27:44. | |
Bloom! Next we have is or Neil Hurston. She is an American author. | :27:45. | :27:54. | |
I love this music! You go for this one. She is an American actor. It is | :27:55. | :28:02. | |
not going to happen, is it? It is Queen Latifah. There we go, look at | :28:03. | :28:06. | |
the likeness. Good luck with this one, everyone. Who is this? Is that | :28:07. | :28:18. | |
Bob Hope? It looks like Bob Hope for me. School of Rock. Jack Black. We | :28:19. | :28:33. | |
will only do a few more, don't worry. Millard Fillmore, the 30th | :28:34. | :28:39. | |
president of the United States. I want to say Donald Trump. He has | :28:40. | :28:47. | |
been playing a lot of Donald Trump recently, Alec Baldwin! I think we | :28:48. | :28:51. | |
should go straight on to number six here. We are going for Pope Gregory | :28:52. | :28:57. | |
the Knights, a 500-year-old painting by Rafael in the Vatican. Dennis | :28:58. | :29:15. | |
Quaid. Had you already said it?! Well done! | :29:16. | :29:21. | |
Now, James here didn't always want to be an actor. | :29:22. | :29:23. | |
His first choice of career, when he was a little boy, | :29:24. | :29:26. | |
So here's a film to appeal to the five-year-old James | :29:27. | :29:32. | |
and anyone who wants a smoother journey. | :29:33. | :29:34. | |
Helen has been to see the future of rail travel. | :29:35. | :29:40. | |
The great engineer Brunel once said, "the time is not far off when we | :29:41. | :29:49. | |
should be able to take our coffee and write while going noiselessly | :29:50. | :29:53. | |
and smoothly." We are still not quite there. We can get a coffee, | :29:54. | :29:58. | |
but we can't guarantee a quiet and smooth I ride, but we could be | :29:59. | :30:03. | |
close. Although bumpy journeys and noisy trains may be annoying | :30:04. | :30:06. | |
passengers across the country, at this depot, just outside Bristol, | :30:07. | :30:11. | |
new trains, built by Hitachi Rail, here in the UK, are being prepared | :30:12. | :30:19. | |
for use on the Great Western and Require yen East Coast Main Line. | :30:20. | :30:25. | |
You are building lots more in the UK? We are. We are building 122 | :30:26. | :30:30. | |
trains. That has given employment as well to the region? 900 jobs. | :30:31. | :30:35. | |
Purpose-built plant for the provision of new trains into the UK. | :30:36. | :30:40. | |
When as a passenger am I likely to see trains like this pulling up on | :30:41. | :30:45. | |
to the platform? You will see the first inter-city units in service in | :30:46. | :30:53. | |
October. These trains are packed full of the latest technology to | :30:54. | :30:56. | |
make journeys smoother and more comfortable for passengers. Could | :30:57. | :31:00. | |
they finally make Brunel's prediction come true? Once the line | :31:01. | :31:06. | |
is fully electrified it will shave significant time off the journey. | :31:07. | :31:10. | |
There are three engines spread along the train as opposed to one large | :31:11. | :31:15. | |
engine. The acceleration is quicker. They can run on diesel and electric. | :31:16. | :31:19. | |
It means we can get our trains out into the public a lot quicker and | :31:20. | :31:24. | |
eventually it will run on electric so it will be greener and cleaner. | :31:25. | :31:28. | |
Who is picking up the tab for this? It's point of the o ?5.7 billion | :31:29. | :31:42. | |
Government-funded ed programme. This power system allows the trains to | :31:43. | :31:46. | |
run on track that isn't Lek arified. A first for UK passenger trains. | :31:47. | :31:51. | |
What are the company doing to enhance the interior experience? A | :31:52. | :31:55. | |
lot of people this is their office when they are on a train journey? | :31:56. | :32:02. | |
Yes, it is. More seats. That is the biggest problem on the trains. Each | :32:03. | :32:12. | |
seat as a plug socket and a reservation panel. Some will recline | :32:13. | :32:17. | |
back. A lot more luggage space. The new trains will provide a | :32:18. | :32:21. | |
comfortable experience on the inside, but what tricks are these | :32:22. | :32:25. | |
hi-tech trains going to use to ensure a smooth ride? These lasers | :32:26. | :32:30. | |
will measure the profile of the wheel. They will also measure the | :32:31. | :32:36. | |
break pads within a millimetre. Adding to the smoothness of the run | :32:37. | :32:41. | |
of the train. It will pick up defects on the trains. My could | :32:42. | :32:51. | |
coffee cup won't wobble. The company has high hopes you will see the | :32:52. | :32:55. | |
difference, but hopefully the only worry will be how we take our | :32:56. | :32:57. | |
coffee. The first trains will start | :32:58. | :33:01. | |
appearing in October of this year. That answers your questions. There | :33:02. | :33:05. | |
you are. Yeah. 50,000 runners will be taking | :33:06. | :33:09. | |
on the London Marathon this Sunday. Sorry if that sends shivers down | :33:10. | :33:13. | |
your spine if you are watching this. Adam Woodyatt and his son Sam, | :33:14. | :33:18. | |
who join us now. Are you nervous? A little bit. I'm | :33:19. | :33:30. | |
looking forward to. It I'm glad all the training is out of the way! The | :33:31. | :33:35. | |
marathon I think is going to be a really enjoyable experience. The | :33:36. | :33:38. | |
training has been a pain. When did you start? February. Did you? I had | :33:39. | :33:45. | |
to leave it late because of work. Sam, it's quite remarkable that you | :33:46. | :33:48. | |
are doing this. I don't know who knows out there. Seven months ago | :33:49. | :33:53. | |
you were involved in quite a serious road traffic incident. Give us an | :33:54. | :33:57. | |
idea of the injuries you sustained? So I was placed in an induced coma | :33:58. | :34:03. | |
for I think two or three days. Then I had a five hour operation to, kind | :34:04. | :34:08. | |
of, piece my pelvis together. There is a lot of metal in me now. I had | :34:09. | :34:13. | |
minor lacerations on my arm and neck. | :34:14. | :34:19. | |
You might be able to see the scars. Quite minor brain injury so my | :34:20. | :34:26. | |
intole is a bit foggy. Amnesia. We couldn't tell a difference! I don't | :34:27. | :34:30. | |
remember the night or anything. That's more or less it. That's the | :34:31. | :34:35. | |
worst nightmare for any parent. How did you feel when you got that knock | :34:36. | :34:40. | |
at the That knock-on the door. Door is horrendous. The worst thing you | :34:41. | :34:44. | |
ever want. Fortunately, he's all right. Thanks to the emergency | :34:45. | :34:52. | |
services. I have to say, the London air ambulance their rapid response | :34:53. | :34:55. | |
vehicle came out to Sam. They were there within three minutes. They are | :34:56. | :34:59. | |
brilliant. You just hope that you never need them, but when you do, | :35:00. | :35:04. | |
unbelievable. That's really the sense that you are, the memories, | :35:05. | :35:08. | |
what you will run with at the weekend? Yeah. It's, we started | :35:09. | :35:12. | |
planning to do it before his accident, but obviously since the | :35:13. | :35:16. | |
accident it's made it even stronger the reasons for wanting to do it for | :35:17. | :35:20. | |
the air ambulance because a lot of people don't realise. They are not | :35:21. | :35:24. | |
funded. All the donations have to come from the public. It doesn't | :35:25. | :35:26. | |
come from Government or anything like that. It's vital. Not just in | :35:27. | :35:31. | |
London, but all over the country. Across the country. Running for two | :35:32. | :35:37. | |
very good causes. Sam, from a training perspective, how have your | :35:38. | :35:42. | |
injuries affect that? I was going to say I started training really late. | :35:43. | :35:47. | |
I told them that. I didn't know he started training in February. I | :35:48. | :35:50. | |
started training in January when I could walk again. He's still | :35:51. | :35:58. | |
quicker! When I started training I had to go slower. I couldn't run. | :35:59. | :36:03. | |
Can you go a bit slower on Sunday? Will you run together? No, | :36:04. | :36:11. | |
problemibly not. He'll be gone. Bye Have you started on carbon loading? | :36:12. | :36:19. | |
No. I've been on a diet. He has been a no rb diet. I told him he needs to | :36:20. | :36:25. | |
do carb loading. Have pasta on the way home. You did a marathon. I ran | :36:26. | :36:35. | |
the LA marathon. 92. After mile 20, it's, the gas tank is low. What is | :36:36. | :36:40. | |
the longest run you have done so far? 18 miles. 15. I have to say 18. | :36:41. | :36:51. | |
You'll make it. I was quite happy. I was happy with how it had gone. The | :36:52. | :36:58. | |
pace was slow. The cameras will follow you all the way round. Don't. | :36:59. | :37:05. | |
Bring snacks. You brought bacon snacks all around the marathon. | :37:06. | :37:10. | |
Drink and eat. I'm going past a pub, I will try not to stop. The bacon | :37:11. | :37:17. | |
snacks, where would I get them? Mill pet store! We wish you all the very | :37:18. | :37:23. | |
best. Of course, to each and every one of the 50,000 runners that will | :37:24. | :37:27. | |
take part this weekend. Good luck. All the best and safe and happy | :37:28. | :37:29. | |
rung. We saw earlier the traumatic effect | :37:30. | :37:31. | |
that online bullies and trolls can So how seriously do the social | :37:32. | :37:34. | |
networks take the issue and what can Facebook, Google, who owns YouTube | :37:35. | :37:49. | |
and Twitter, have been criticised for not reacting quickly enough to | :37:50. | :37:52. | |
internet trolls. Why aren't they doing better? None of the companies | :37:53. | :37:58. | |
gives users the opportunity to call and speak to someone directly to | :37:59. | :38:03. | |
report abuse. Katie O'Donovan is in charge of policy at Google's UK | :38:04. | :38:06. | |
office here in London. People have told us what they want is to be able | :38:07. | :38:11. | |
to pick up the phone and say, it's an emergency situation, they want an | :38:12. | :38:14. | |
emergency response. Why is that not an option? We get hundreds of | :38:15. | :38:19. | |
thousands of flags a day using an online system is the most effective | :38:20. | :38:24. | |
way of doing that. 98% of our flags are done within 24-hours. Many wins | :38:25. | :38:29. | |
minutes and hours. If somebody close to you was experiencing these | :38:30. | :38:33. | |
threats would you have a different response I absolutely understand how | :38:34. | :38:36. | |
hurtful this can be. It's a horrible situation and we work very, very | :38:37. | :38:40. | |
hard to prevent that happening. At Twitter's European headquarters in | :38:41. | :38:44. | |
Dublin the person in charge of policy is Sinead McSweeney. | :38:45. | :38:50. | |
She tells me Twitter is experimenting with a direct | :38:51. | :38:53. | |
messaging service. It's taken a while for Twitter to tackle this | :38:54. | :38:57. | |
problem? It's a big priority within the company. We are now dealing with | :38:58. | :39:03. | |
updates on abuse in days and hours rather than every few months. By far | :39:04. | :39:08. | |
the biggest social media platform in the world is Facebook. Currently, it | :39:09. | :39:13. | |
takes up to 48-hours to react to reports of abuse. Head of safety, | :39:14. | :39:19. | |
Julie, wants to improve on that. Where we have maybe some work to do | :39:20. | :39:24. | |
still is on things that might be more hidden. Maybe repeated abuse in | :39:25. | :39:28. | |
different ways. If it's bullying, it's bullying. Whether it's mildly | :39:29. | :39:32. | |
bullying or incredibly bullying. It's upsetting for people. We | :39:33. | :39:35. | |
understand how important it is for for us to look at it and remove it | :39:36. | :39:39. | |
so that it doesn't get seen by more people. Responding to reports of | :39:40. | :39:43. | |
abuse is one thing, but shouldn't they all be doing more to monitor | :39:44. | :39:48. | |
their platforms and identify the abuse the moment it starts? What | :39:49. | :39:53. | |
people have difficulty understanding is how such clever organisations | :39:54. | :39:56. | |
can't do that more effectively? What we do is we make sure we know who is | :39:57. | :40:00. | |
making the comments or uploading hateful content. If it violates our | :40:01. | :40:03. | |
terms and conditions we will ban that person. We will monitor them to | :40:04. | :40:09. | |
make sure that they do not try to reupload or make hateful comments in | :40:10. | :40:14. | |
the future. Google also say it is's trialling new technology to spot | :40:15. | :40:18. | |
abuse as soon as it's posted. For Facebook and Twitter while they will | :40:19. | :40:21. | |
look at the development of technology it's not quite so simple. | :40:22. | :40:24. | |
Context changes everything. You could have ten people sharing | :40:25. | :40:28. | |
the same photo, but the caption is completely different, the comments | :40:29. | :40:31. | |
are very different, the intent is different. . No machine could make a | :40:32. | :40:35. | |
decision on what they think is bullying or not. When you put up an | :40:36. | :40:39. | |
obstacle in one place people will figure out another way to hurt | :40:40. | :40:42. | |
people. I think that's why it's important that we address this from | :40:43. | :40:48. | |
a wider perspective. That we give people the skills to deal with what | :40:49. | :40:57. | |
they encounter online. From the beginning social media has been an | :40:58. | :41:00. | |
open and free platform all. What about the abusers who hide behind | :41:01. | :41:04. | |
anonymous accounts. Isn't anonymity one of the central issues? I don't | :41:05. | :41:09. | |
believe it is. Anonymity in and of itself isn't the sole driver here. | :41:10. | :41:13. | |
There are plenty of cases where actually anonymity is important to | :41:14. | :41:17. | |
the power of the platform. Why are you so reluctant to address that | :41:18. | :41:20. | |
issue? What we have done is address it is from the other side. If you | :41:21. | :41:26. | |
are on Twitter you can chose to never see content from someone who | :41:27. | :41:30. | |
has chosen not to verify their account with their email address or | :41:31. | :41:37. | |
phone number. It's difficult to prove identity online and improve | :41:38. | :41:40. | |
active dialogue. Dialogue.. Want YouTube o to be an open community | :41:41. | :41:45. | |
but strict guidelines in force snoochl we are mindful of balls | :41:46. | :41:49. | |
balancing safety measures and maintaining privacy of people's data | :41:50. | :41:52. | |
and not asking too much information. Why not make it a requirement of | :41:53. | :41:55. | |
opening a Facebook account, what is the problem? It's not what we have | :41:56. | :41:59. | |
in place at the moment. I'm not ruling it out in the future. It's | :42:00. | :42:03. | |
invasive to provide an ID to Facebook is not a routine process. | :42:04. | :42:08. | |
All three companies insist it's in their best interest to stamp out the | :42:09. | :42:12. | |
abuse. We will never be static about it and will review it to make sure | :42:13. | :42:16. | |
we are meeting the NEETs needs of our community and how it can remain | :42:17. | :42:22. | |
an open open platform with no room for Haysful content. We have a | :42:23. | :42:25. | |
responsibility to ensure we are doing everything we can to make sure | :42:26. | :42:28. | |
people are safe and people feel safe. We need to have a conversation | :42:29. | :42:32. | |
around responsible sharing. So that people understand how do they | :42:33. | :42:35. | |
control the content that they are seeing and the content that they are | :42:36. | :42:41. | |
sharing. Lucy joins us now. We will get to what our viewers have been | :42:42. | :42:52. | |
saying later on. They have broadly saided that they are pleased that | :42:53. | :42:56. | |
the social media companies are taking online abuse really | :42:57. | :42:59. | |
seriously. However there are some caveats. They were disappointed that | :43:00. | :43:04. | |
there wasn't provision to stop anonymous accounts. I think Dennis | :43:05. | :43:07. | |
referenced that before. That they aren't doing more to deal with | :43:08. | :43:12. | |
reports more quickly and Adrian made the point as well that the companies | :43:13. | :43:16. | |
say they want to give people the skills to deal with this and educate | :43:17. | :43:20. | |
us users, but how exactly is that going to work? How practically is | :43:21. | :43:23. | |
that going to work? He didn't feel they answered that at all. In terms | :43:24. | :43:29. | |
of, you know, legislation, what are campaigners and politicians and | :43:30. | :43:31. | |
police calling for? Well, I think one of the things that they are | :43:32. | :43:36. | |
calling for. There is an acceptance that social media platforms are very | :43:37. | :43:40. | |
important to lots of people there are millions of positive | :43:41. | :43:43. | |
interactions. However, you keep hearing from the companies this | :43:44. | :43:48. | |
phrase "shared responsibility." We have to bear in mind that the legal | :43:49. | :43:51. | |
framework is rather behind the curve. In the UK alone we have 30 | :43:52. | :43:56. | |
different bits of legislation which you could use to prosecute some of | :43:57. | :43:59. | |
this if you can work out whether or not it's a crime. It's very | :44:00. | :44:03. | |
complicated. In the ether with we have a few things that may happen | :44:04. | :44:06. | |
which would consolidate. One of the things we have got is a malicious | :44:07. | :44:10. | |
communication or social media bill due for its second reading in the | :44:11. | :44:14. | |
House of Commons early next month. That would put the responsibility | :44:15. | :44:17. | |
squarely on the shoulders of the social media companies. For example, | :44:18. | :44:22. | |
they could be fined up to ?2 million if they failed to police abuse | :44:23. | :44:28. | |
adequately. We have the Culture Secretary, Karren Bradley, leading | :44:29. | :44:30. | |
the new internet safety strategy. That aims to make the UK the safest | :44:31. | :44:35. | |
place in the world for online for young people and children. | :44:36. | :44:40. | |
I think it's clear that something has to be done. What have our | :44:41. | :44:47. | |
viewers being day in? They would agree with you. David says these | :44:48. | :44:53. | |
organisations aiding and abetting abuse should be prosecuted. Abigail | :44:54. | :44:58. | |
says you can report posts as spam or having nudity, why can't you report | :44:59. | :45:02. | |
something as bullying? Peter says he refuses to be part of it while they | :45:03. | :45:08. | |
allow abuse to continue. And another person says shouldn't we be treating | :45:09. | :45:11. | |
our years of the way we would like to be treated? The companies say it | :45:12. | :45:17. | |
is about shared responsibility. So what is happening at home and | :45:18. | :45:24. | |
online? Indeed. We think of social media of connecting people but there | :45:25. | :45:28. | |
is also a massive sense of isolation and if someone is suffering from | :45:29. | :45:33. | |
bullying or online abuse, what can they do? The first thing is to | :45:34. | :45:37. | |
document the evidence and take screen grabs. It is difficult that | :45:38. | :45:41. | |
you have to ignore it, you have to detach from it to some degree. Think | :45:42. | :45:45. | |
carefully about what you post but also what you share. Check your | :45:46. | :45:50. | |
privacy settings and also use the platform systems to report abuse and | :45:51. | :45:55. | |
above all, don't suffer in silence. There are organisations that are | :45:56. | :45:58. | |
trained to deal with this and what you're going through so please get | :45:59. | :46:00. | |
in contact. More information on how to deal | :46:01. | :46:02. | |
with online abuse Now Dennis, you're about to start | :46:03. | :46:05. | |
filming series three of the hit We've got a little clip that | :46:06. | :46:11. | |
sums up your character, You want milk? What? With your | :46:12. | :46:25. | |
Americano? You don't put milk in an Americano. It's the only one you | :46:26. | :46:32. | |
don't put milk in, that is why they call it an Americano. Not a lot | :46:33. | :46:37. | |
they, for example, or a cappuccino. You are the guy that killed the | :46:38. | :46:45. | |
bear. So? Coffee expert as well. You're welcome. An Americano with | :46:46. | :46:51. | |
milk. APPLAUSE | :46:52. | :46:58. | |
So, Dennis, you are a fisherman in a sci-fi? I am an expat American. I | :46:59. | :47:05. | |
tried my digs and I accent! They said we will make you an expat. But | :47:06. | :47:11. | |
I love the show, and of the story and the weight is unfolding. Nobody | :47:12. | :47:16. | |
knows where it is going. With the series who do take off like that, | :47:17. | :47:19. | |
you don't know how long it will run for. They say, get the writers in, | :47:20. | :47:25. | |
we need another series! It is written basically by one guy. It is | :47:26. | :47:31. | |
in his head. He doesn't even know! Everything is based on what could | :47:32. | :47:36. | |
happen. Everything is based on science or stop he just makes it up | :47:37. | :47:41. | |
off the top of his head. Meanwhile, you are off filming the BBC thriller | :47:42. | :47:49. | |
McMafia. Have you been unleashing your in a Godfather? Yes. I am a | :47:50. | :47:55. | |
Russian hedge fund manager. The character is immersed in the modern | :47:56. | :47:59. | |
day Mafia, which is quite exciting. There you go. Do you speak any | :48:00. | :48:07. | |
Russian? I am speaking a Russian who has been brought up in the UK so I | :48:08. | :48:11. | |
speak with an English accent but I also speak some Russian. Matt was | :48:12. | :48:23. | |
speaking Russian earlier on! HE SPEAKS RUSSIAN. It means hurry up, | :48:24. | :48:31. | |
get on with it! Music is a big part of your life. Is it right you will | :48:32. | :48:39. | |
go on tour with ZZ Top? Yes, we will do a Texas tour with ZZ Top in | :48:40. | :48:44. | |
little towns around Texas. What is the vibe of the band? What do you | :48:45. | :48:52. | |
play? Dirty rock and roll. Dirty rock and roll! We are a junkyard of | :48:53. | :48:57. | |
American music. Stuff we grew up loving and one of them was ZZ Top | :48:58. | :49:01. | |
for sure and it is great to be with them. James, you have managed to | :49:02. | :49:06. | |
squeeze your parents in as extras in most of the things you have done. | :49:07. | :49:10. | |
Did you bring them to Russia? So less cool. There is your dad! My mum | :49:11. | :49:19. | |
and dad are back. My mum made me promise not to mention that she's in | :49:20. | :49:25. | |
the new series of Grantchester. So dad got War And Peace? Dad is in | :49:26. | :49:30. | |
everything. He has got his own agent now. They are both in the episode. | :49:31. | :49:36. | |
We are sorry you did not bring them tonight. Next time! | :49:37. | :49:40. | |
This time last week we were joined by golden couple | :49:41. | :49:42. | |
Steve Backshall and Helen Glover who were celebrating their first | :49:43. | :49:45. | |
Easter as a married couple rowing 125 miles in a kayak. | :49:46. | :49:54. | |
They were going from Devizes to Westminster. They were hoping to do | :49:55. | :50:02. | |
it in 24 hours. From the start it looked like they may be up the creek | :50:03. | :50:10. | |
without a paddle. After six weeks of intensive training, race day has | :50:11. | :50:14. | |
arrived and the nerves are kicking in. I did not sleep for a while last | :50:15. | :50:20. | |
night which is not a good thing. No turning back now. The enormity of | :50:21. | :50:26. | |
what we are doing is hitting home. Sir Steve Redgrave, the greatest | :50:27. | :50:30. | |
Olympian we have ever had, has tried and not succeeded. That makes you | :50:31. | :50:35. | |
think. The 125 mile nonstop Devizes to | :50:36. | :50:38. | |
Westminster race is considered to be the canoeists Everest with 126 pairs | :50:39. | :50:46. | |
aiming to finish in 24 hours. Each team chooses their own start time. | :50:47. | :50:51. | |
It is 10:15am and we are off! Thank you all very much! What have we let | :50:52. | :50:59. | |
ourselves in for? Anyone know which way London is? The first 52 miles | :51:00. | :51:05. | |
along the Kennet and Avon Canal. Then we hit the River Thames at | :51:06. | :51:11. | |
Reading in Berkshire. It is a very, very long wait, isn't it? One and a | :51:12. | :51:22. | |
half miles in! Only 123 and a half to go! There are plenty of obstacles | :51:23. | :51:27. | |
to navigate. But some are friendlier than others. Take it easy there, | :51:28. | :51:35. | |
Fowler. Did he just peck the back of our boat?! We will paddle over | :51:36. | :51:43. | |
135,000 strokes during the race and it is my job to set the pace. At the | :51:44. | :51:49. | |
moment we are feeling strong and slightly ahead of schedule so I | :51:50. | :51:54. | |
don't want to stop for anything. Annoyingly, I need a PE already. If | :51:55. | :52:01. | |
you want to go, go in the boat. I do not want to go in the boat! It is | :52:02. | :52:07. | |
not just kayaking we have to contend with. There are 77 locks where we | :52:08. | :52:12. | |
have to grab the boat and run. It feels good to be out of the boat. | :52:13. | :52:18. | |
Imagine, you run a marathon with a boat on your shoulders. | :52:19. | :52:22. | |
This is also when our heroic support team | :52:23. | :52:33. | |
feed us and give us water. Every hour we burn around 100 calories so | :52:34. | :52:38. | |
we need to eat on the go. Am I facing the right way? But after only | :52:39. | :52:41. | |
30 locks and four hours in, we have a problem. Are you OK? Somehow I | :52:42. | :52:46. | |
have splintered the back of the boat and the cockpit is coming off in my | :52:47. | :52:51. | |
hand. The constant running has smashed our boat. We will have to | :52:52. | :52:56. | |
paddle while it is stuck together with heavy duty tape. We still have | :52:57. | :53:03. | |
20 hours to go with a broken boat. It has completely split across from | :53:04. | :53:07. | |
one side to the other and then all the way back to the stern and my | :53:08. | :53:13. | |
cockpit is merely. As the day ends after 51 miles of relentless | :53:14. | :53:17. | |
paddling, we take our only proper stop of the race. The stopwatch is | :53:18. | :53:24. | |
as we take up our inking boat. Steve's parents have been waiting | :53:25. | :53:29. | |
for us to arrive. His dad kicks up -- cooks up a storm and his mum | :53:30. | :53:34. | |
feeds us at top speed. I never thought my mother-in-law would be | :53:35. | :53:39. | |
force-feeding me sausage rolls! As the sun sets, we take off our wet | :53:40. | :53:43. | |
kit and prepare for the long night ahead. | :53:44. | :53:48. | |
Once it gets dark, it will be really, really cold. But we are not | :53:49. | :53:54. | |
even halfway and as the dreaded night paddle looms ahead of us, deep | :53:55. | :53:59. | |
fatigue suddenly overwhelms me. I don't know why I am getting | :54:00. | :54:03. | |
emotional. I think now we have stopped I realise how tired I am. I | :54:04. | :54:09. | |
think maybe I just need to keep going. Thanks, guys, that was | :54:10. | :54:15. | |
amazing. Well done, everyone. Night time is when most crews give up due | :54:16. | :54:20. | |
to exhaustion. The next hours will test us to the limit. Mentally and | :54:21. | :54:25. | |
physically tough. Injuries kick in. It will hurt in my back on my | :54:26. | :54:31. | |
forearm. A quarter of the crews will not make it through the long night. | :54:32. | :54:37. | |
Whether we do is anyone's gas. Steve Van Hammer and will be joining | :54:38. | :54:44. | |
us tomorrow when we were -- Steve and Helena will be joining us | :54:45. | :54:48. | |
tomorrow when we will see the final part of their epic journey. | :54:49. | :54:54. | |
LP is with us. You have written songs for Rihanna, the Backstreet | :54:55. | :55:04. | |
Boys, Christina Aguilera and Cher. It is definitely a dream country. It | :55:05. | :55:09. | |
is nice to connect with people on a song. It meant a lot to me. While | :55:10. | :55:14. | |
you were writing this, did you know it was a corker and radio to some of | :55:15. | :55:21. | |
the week? No, I was discussing a thick skin and it is part of how you | :55:22. | :55:25. | |
get through stuff. You cannot go, this is the one! I used to go, this | :55:26. | :55:30. | |
is the one! This is the one, this is the one. The | :55:31. | :55:46. | |
next one is always the one. So a European tour with a UK date? | :55:47. | :55:51. | |
Yes, we are playing cocoa on the 24th. Brilliant, we will let you get | :55:52. | :55:54. | |
ready. I big thank you to our guests come Quaid! And also James Norton. | :55:55. | :56:01. | |
Tomorrow, we are joined by the Star Wars actor John Boyega. Now with the | :56:02. | :56:06. | |
title single of her album Lost On You, it is LP! Get toe-tapping. | :56:07. | :56:08. | |
APPLAUSE # Burning like embers, | :56:09. | :56:13. | |
falling, tender # Longing for the days | :56:14. | :56:28. | |
of no surrender # Wishin' I could see | :56:29. | :56:30. | |
the machinations # Understand the toil | :56:31. | :57:25. | |
of expectations # Hold me like you never | :57:26. | :57:27. | |
lost your patience # Tell me that you love | :57:28. | :57:33. | |
me more than hate me # Just that | :57:34. | :57:36. | |
you could cut me loose Hello, I'm Sarah Campbell | :57:37. | :58:50. | |
with your 90 second update. MPs have overwhelmingly backed | :58:51. | :59:17. | |
the Prime Minister's call for a general election | :59:18. | :59:20. | |
on June the 8th. More than 520 voted in favour | :59:21. | :59:25. | |
with only 13 against. | :59:26. | :59:28. |