Browse content similar to 20/01/2017. Check below for episodes and series from the same categories and more!
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Hello and welcome to The One Show with Angela Scanlon. | :00:18. | :00:19. | |
And tonight, folks, we've all gone... | :00:20. | :00:28. | |
Suddenly everything's going right for the veteran dance DJ who's come | :00:29. | :00:43. | |
over all orchestral and become the hottest ticket in town. | :00:44. | :00:47. | |
We'll be waving our glow sticks outside later, | :00:48. | :00:50. | |
Please welcome the running man himself, Robson Green! | :00:51. | :01:05. | |
Please, will you do it again? What and in true. Please! Smooth moves. | :01:06. | :01:27. | |
My agent will be... Do you pull out those moves to impress the ladies? | :01:28. | :01:32. | |
My dad was a champion ballroom dancer, but the genes were not | :01:33. | :01:36. | |
passed on. I dance with a confidence that wholly unwarranted. I do the | :01:37. | :01:45. | |
lip biter. We are delighted to have you back. The last time we saw you | :01:46. | :01:49. | |
on television in the brilliantly titled Robson Crusoe, you were in | :01:50. | :01:57. | |
bad old shape. I was really poorly. We were trying to recreate the story | :01:58. | :02:03. | |
of Robinson Crusoe, who lasted on the island for 28 years in Daniel | :02:04. | :02:08. | |
Defoe's writing. I lasted three hours. There was a headline in the | :02:09. | :02:12. | |
Daily Mail, Robson Green mocked on Twitter because he has his own | :02:13. | :02:16. | |
doctor. Twitter is for people who can't shut up even when they are on | :02:17. | :02:21. | |
their own. And had there not been a doctor, I would have died, | :02:22. | :02:24. | |
seriously. I wouldn't be here. We went back on and told the story. It | :02:25. | :02:31. | |
was a delightful story about consideration in life, all I had to | :02:32. | :02:35. | |
consider was water, food and shelter and it was a life affirming story. | :02:36. | :02:37. | |
We are delighted you survived. Now the latest on a story that | :02:38. | :02:40. | |
developed overnight, when a famous Hollywood | :02:41. | :02:42. | |
actor was on the run Woody Harrelson, the star of Cheers | :02:43. | :02:44. | |
and the Hunger Games movies, was eventually caught | :02:45. | :02:48. | |
after a drunken rampage It happened in the early hours | :02:49. | :02:50. | |
of this morning and was broadcast live to cinemas in what's | :02:51. | :02:55. | |
being claimed to be the world's It's based on a true story. Here we | :02:56. | :02:58. | |
go. Woody described it as one of the | :02:59. | :03:16. | |
worst nights of his life. He got drunk, vandalised a taxi, got chased | :03:17. | :03:20. | |
and caught by the police and spent a night in a prison cell. 15 years | :03:21. | :03:25. | |
later, he's decided to restage the event on the streets of London, and | :03:26. | :03:29. | |
he doesn't want our cameras anywhere near it. Where's Woody? I think it | :03:30. | :03:36. | |
starts with a restaurant scene around the corner, and then there is | :03:37. | :03:39. | |
supposed to be some kind of chase happening. We think it will end up | :03:40. | :03:43. | |
on Waterloo Bridge. But this is guesswork. We would normally be | :03:44. | :03:50. | |
welcomed on to film sets to meet and interview Woody. But not tonight. We | :03:51. | :03:55. | |
are having to make it up as we go along. It's not long before I think | :03:56. | :04:01. | |
we chanced upon one of Woody's sets. This spot, it's turning 2am and they | :04:02. | :04:08. | |
have shut off one end of the street. Woody going into the restaurant. | :04:09. | :04:14. | |
Something tells me our presence here isn't welcome. Can I ask you to move | :04:15. | :04:20. | |
completely. We made to move on by the police and it looks like Woody | :04:21. | :04:25. | |
is on the move well. They are filming in there, are they in a | :04:26. | :04:34. | |
camper? In that van was Woody. He was in the camper van. It looked | :04:35. | :04:38. | |
awesome. I think Owen Wilson was in there as well, very cool. We are | :04:39. | :04:44. | |
heading to a nightclub called Crave. When we get there, it looks like | :04:45. | :04:52. | |
it's all going Pete Tong. There we have it coming Woody Harrelson live | :04:53. | :04:56. | |
on the streets of London being broadcast to more than 500 cinemas | :04:57. | :05:06. | |
at this very moment in the states. Korea we are one hour into this | :05:07. | :05:12. | |
movie. About 40 minutes to go. This is where you would imagine the pace | :05:13. | :05:20. | |
will pick up. We've lost him. We were already quite a long way | :05:21. | :05:23. | |
behind. We know they are going to Waterloo Bridge. Three people the | :05:24. | :05:32. | |
other side of us. They are speaking on radios. Here it is. Yes, they are | :05:33. | :05:37. | |
filming in that police van. That's where Woody is. There's his kid, | :05:38. | :05:42. | |
Woody's actual kid, who I think as a part in the show. What an epic | :05:43. | :05:45. | |
backdrop for a final scene. Wanted the people watching the | :05:46. | :05:58. | |
action in a West End cinema think of it? It was amazing. Worth staying up | :05:59. | :06:07. | |
for? Definitely. Did it work? In a manner of speaking. It was | :06:08. | :06:11. | |
absolutely phenomenal. Every five minutes you go, this is still | :06:12. | :06:17. | |
1-shot! And it never got broken the whole time! Not once. It was | :06:18. | :06:24. | |
amazing. For Woody to do what he did, keep the energy from start to | :06:25. | :06:28. | |
finish. It was awesome. It got better and better. I forgot it was | :06:29. | :06:36. | |
live. The ultimate compliment. Looks like a good night out. | :06:37. | :06:40. | |
Woody said this morning that he would never do it again. You quite | :06:41. | :06:46. | |
like being pushed out of your comfort zone. I do, but trying to do | :06:47. | :06:51. | |
something like that, I would come out in a rash. He might have done | :06:52. | :06:56. | |
the whole making a feature film live, but can he get a grand Slam? | :06:57. | :07:02. | |
Tell us about that. I am a keen angler. In the world fishing there | :07:03. | :07:11. | |
is a of honour for fishermen. It's called a Grand Slam, it's a chance | :07:12. | :07:19. | |
to get into the world record books. The IGFA world record books. If you | :07:20. | :07:23. | |
get three fish from a set list in a 24-hour window, you get into this | :07:24. | :07:27. | |
record book. I achieved something in this adventure that only one other | :07:28. | :07:31. | |
fishermen in the world has ever achieved. Since records began there | :07:32. | :07:35. | |
has never been an actor in the record books. The record book comes | :07:36. | :07:39. | |
out soon and we will see an actor in it. Let's take a look at you | :07:40. | :07:41. | |
achieving this. He's taken it. We are in. That's one | :07:42. | :07:53. | |
of the slammer fishery wanted. -- slammer fish we wanted. | :07:54. | :08:04. | |
Good man. The mahi mahi. Polynesian, for very, very strong. You caught a | :08:05. | :08:22. | |
fish. It looked a bit like you were on holiday. I am living the dream. | :08:23. | :08:28. | |
It's an experience like no other. You know, Fay, acting, we suspend | :08:29. | :08:36. | |
disbelief and pretend to be other people as actors. One thing you have | :08:37. | :08:40. | |
to crack is fake sincerity. If you can fake sincerity commute cracked | :08:41. | :08:44. | |
it as an actor. Were you not really excited then? That's really Robson. | :08:45. | :08:49. | |
You are living in the moment, you are present, and life is good. You | :08:50. | :08:54. | |
are not defined by time. I started fishing as a seven-year-old. Fishing | :08:55. | :08:59. | |
today is just as joyous as it was then. That was the real deal, the | :09:00. | :09:06. | |
joy in your face. Absolutely. To catch a species on that list. The | :09:07. | :09:10. | |
Sailfish is their fastest in the world. A mahi mahi. And a tuna, a | :09:11. | :09:24. | |
wahu. It is to fishing what Usain Bolt and Mo Farah are to athletics, | :09:25. | :09:34. | |
the people lie -- people I was fishing with. | :09:35. | :09:37. | |
Now, Robson, you've got a lot of other TV projects on the way, | :09:38. | :09:40. | |
but you've got to earn the right to talk them up to our audience. | :09:41. | :09:45. | |
In the water are nine well known people with fishy surnames, | :09:46. | :09:50. | |
and for each three you name correctly, we'll let you talk | :09:51. | :09:53. | |
Let's play I'm A Celebrity, Fish Me Out of Here! | :09:54. | :10:13. | |
Love it, there's Nicola Sturgeon. Each of the fish are surnames, just | :10:14. | :10:29. | |
in case you're struggling. There's a pike, is that actress out of Gone | :10:30. | :10:39. | |
Girl. Rosamund Pike. Well done. He's got two. I've worked with this guy | :10:40. | :10:47. | |
on Soldier Soldier. That is Colin Salmon. I got a Grand Slam! Where's | :10:48. | :10:57. | |
my award! It wasn't easy. Does it feel as good as the real deal? It | :10:58. | :11:02. | |
was good, quite exciting. I'm chuffed. You have earned the right | :11:03. | :11:07. | |
to talk about another project. I'm going to nudge you in the direction | :11:08. | :11:10. | |
of Tales From The Coast. But whatever you would like. I've always | :11:11. | :11:15. | |
lived in Northumberland. I debate series called Tales From | :11:16. | :11:22. | |
Northumberland which is really popular, and they've extended the | :11:23. | :11:25. | |
brand to Tales From The Coast. It's going around the length and breadth | :11:26. | :11:30. | |
of Britain celebrating these beautiful idyllic islands around the | :11:31. | :11:37. | |
country. People don't know, but the Hebrides are the most idyllic places | :11:38. | :11:44. | |
to visit. On a good day on the beach on one of those islands, it's like | :11:45. | :11:48. | |
being in the Seychelles, it's that beautiful. You got to hang out with | :11:49. | :11:53. | |
your old pal. We were talking about the Pembrokeshire coastline. I got a | :11:54. | :11:58. | |
text on my good friend Jerome Flynn. He said, where are you. I said I was | :11:59. | :12:02. | |
in Pembrokeshire. He said, I know, I round the corner! There must be an | :12:03. | :12:07. | |
album or a TV series in this. We teamed up. It was absolutely | :12:08. | :12:16. | |
delightful to spend a week with Jerome, who I hadn't seen in 14 | :12:17. | :12:21. | |
years. We keep in touch and face time but I hadn't seen the guy in 14 | :12:22. | :12:27. | |
years. Did you sing together on the canoe? No. The good thing about the | :12:28. | :12:30. | |
singing all those years ago, we stopped! That was the good thing. | :12:31. | :12:38. | |
You couldn't even tease us? There was that programme on television | :12:39. | :12:41. | |
called animal Hospital and a woman brought on two guinea pigs called | :12:42. | :12:46. | |
Robson and Jerome. She was asked what was wrong and she said, its | :12:47. | :12:48. | |
Robson, he's not right! Robson's Grand Slam Fishing | :12:49. | :12:51. | |
begins on Monday at 9pm Later on, Pete Tong | :12:52. | :12:53. | |
and the Heritage Orchestra are turning the BBC into an 1990s | :12:54. | :13:02. | |
Ibiza club. They're just warming up | :13:03. | :13:04. | |
the light show as we speak. But first we're heading back | :13:05. | :13:06. | |
another two decades, to the street where it all began | :13:07. | :13:08. | |
for a 1970s pop legend. My name is Gilbert O'Sullivan. This | :13:09. | :13:24. | |
is me at number one in the charts in 1972. | :13:25. | :13:31. | |
# The moment I met you.... # I've had 16 hit singles across three | :13:32. | :13:35. | |
decades in the UK and USA. But I think we can safely say I was a | :13:36. | :13:39. | |
little out of step with the rock stars of the early 70s. Born Raymond | :13:40. | :13:47. | |
Edward O Sullivan, lived in Waterford, moved my family to | :13:48. | :13:50. | |
Swindon when I was nine. -- my family moved. This is the house, 44 | :13:51. | :13:55. | |
Frobisher Drive. It looks very different now. I'm kind of looking | :13:56. | :13:59. | |
forward to going inside. Wow, so here we are. This is very different, | :14:00. | :14:04. | |
very different. The television would have been just over there. A magical | :14:05. | :14:10. | |
time for me as a youngster. This is a hold-up, gents. I became those | :14:11. | :14:15. | |
cowboys. I became those Western heroes, in my after-school or on a | :14:16. | :14:19. | |
weekend. The lasting memory of growing up is with my mother. We | :14:20. | :14:24. | |
have very few memories of my father. I know we saw him when he was in | :14:25. | :14:27. | |
hospital during the last weeks of his life. Luckily, my older sister | :14:28. | :14:34. | |
Mary remembers more than me. We moved here in 1959, nay, because dad | :14:35. | :14:39. | |
had stomach cancer. Of course, he didn't realise he was terminal. He | :14:40. | :14:45. | |
never knew that? He never did but mother became protector, mother and | :14:46. | :14:49. | |
father to both of us. Six children. When I wanted a drum kit, I got one. | :14:50. | :14:54. | |
I remember when she got it. She knew you were determined with your music. | :14:55. | :15:01. | |
I was a bit of an oddball. Mon just wanted you to dress ordinarily, she | :15:02. | :15:05. | |
would call it. The last thing I wanted to do was to look like | :15:06. | :15:10. | |
everybody else. Nothing has changed! Take care. My mum brought a piano | :15:11. | :15:14. | |
into the house which ended up in the garden shed and it was the start of | :15:15. | :15:17. | |
my songwriting career. This is where the garden shed was, at the top of | :15:18. | :15:21. | |
the garden. Inside, the piano would be up against the back of the shared | :15:22. | :15:25. | |
common here, with the window here. You can imagine every evening I | :15:26. | :15:28. | |
would come out here for a couple of hours, singing and playing. | :15:29. | :15:37. | |
# Look where it disappears. # Frankly, if I did not have access to | :15:38. | :15:41. | |
the piano out here in the shed, I'm not sure what I would have done. At | :15:42. | :15:45. | |
school, the one subject I got good marks in was so at 16, I came to | :15:46. | :15:49. | |
Swindon College, where I studied painting in graphic design. | :15:50. | :15:56. | |
So this is an example of one of the paintings I did in my last year at | :15:57. | :16:02. | |
art school. That is a face upside down, actually Paul McCartney upside | :16:03. | :16:07. | |
down. I'm quite proud of these. But I hadn't forgotten about music. It | :16:08. | :16:14. | |
was through college I met Rick Davis and went on to form Supertramp. We | :16:15. | :16:24. | |
were in a band called Rick's Blues. With the Bandai formed with Rick, we | :16:25. | :16:28. | |
went to London to make a demo, to make a record. We did two of my | :16:29. | :16:35. | |
songs. I was really happy with it. We felt that we had somehow made | :16:36. | :16:40. | |
some impact in the world of music. I knew that music was what I wanted to | :16:41. | :16:44. | |
spend my life doing but that meant leaving Swindon. At the tender age | :16:45. | :16:48. | |
of 19, I went to London and just five years later, I had my first | :16:49. | :16:50. | |
number one. But it all began with that piano in | :16:51. | :17:00. | |
a garden shed in Frobisher Drive, Swindon. | :17:01. | :17:05. | |
And you can see Gilbert on his 50th anniversary tour later this year. | :17:06. | :17:08. | |
Now, we've moved outside to meet a man who we're guessing in his 25 | :17:09. | :17:12. | |
years on Radio 1 has never played a Gilbert O'Sullivan song. | :17:13. | :17:17. | |
APPLAUSE You're wrong, actually, I have. I | :17:18. | :17:33. | |
think it was at a school disco, like Get Down, his 91 before he soppy. It | :17:34. | :17:38. | |
is such an honour to meet the catchphrase. Thank you. A household | :17:39. | :17:44. | |
name. It is right where I work upstairs, it's not far, you should | :17:45. | :17:49. | |
have asked earlier. Does it ever get annoying, Pete Tong? It's only ever | :17:50. | :17:52. | |
been good. It was meant to be someone taking out of the Mickey -- | :17:53. | :17:57. | |
taking the Mickey out of me, and it upset my mum at the beginning but | :17:58. | :18:01. | |
Havana film, rhyming slang, dictionary, loved by every cab | :18:02. | :18:05. | |
driver. Now we do parties under that name. Happy days! This is quite a | :18:06. | :18:10. | |
gear change, people who would have known you in a certain arena, dance, | :18:11. | :18:16. | |
now at the BBC Proms, joining forces with an orchestra. Talk us through | :18:17. | :18:19. | |
how this happened. Doing it properly! I was invited to do one of | :18:20. | :18:23. | |
the BBC Proms in 2015 and we wanted to celebrate the kind of heritage of | :18:24. | :18:28. | |
Ibiza and what the music meant to people and interpret those songs in | :18:29. | :18:31. | |
a different way so that is what we did. People went crazy for it. It | :18:32. | :18:36. | |
was a huge event. Look at the reaction, off the back of it, was | :18:37. | :18:39. | |
incredible. We were halfway through the first song, and everyone in the | :18:40. | :18:43. | |
Albert Hall got up and started clapping and going mad and never sat | :18:44. | :18:46. | |
down the whole thing. The director came up to us at the end and said | :18:47. | :18:50. | |
he'd never seen anything like it. How does it work on stage. Jules, | :18:51. | :18:54. | |
you are used to commanding an orchestra and doing your own thing, | :18:55. | :18:59. | |
and reading the crowd. I DJ him, send him looping. But it works! We | :19:00. | :19:08. | |
both know who the real boss is! He tells me what to do, though. I do | :19:09. | :19:13. | |
have to fit in with these guys. Is this the kind of music that you | :19:14. | :19:19. | |
like? What is your era? I'll be honest with you, I listened to | :19:20. | :19:23. | |
Pete's stuff but since Elvis passed away, there's been nothing, really, | :19:24. | :19:28. | |
has there? Really? My degree I tried my best in the early 90s. What are | :19:29. | :19:32. | |
you laughing about? Prince might have something to say about that. | :19:33. | :19:39. | |
Either David Bowie and prints in the audience staring at me and Jerome, | :19:40. | :19:44. | |
saying, "Who are those two nuggets?" But everyone else's reaction has | :19:45. | :19:48. | |
been incredible, the album is going crazy, sold-out arena tour. Yes, we | :19:49. | :19:52. | |
did three arenas that Christmas with was a highlight of my career, 18,000 | :19:53. | :19:57. | |
people at the O2. It captured people's imagination. It's an | :19:58. | :20:01. | |
audience participation thing. The orchestra are amazing but everyone | :20:02. | :20:05. | |
gets involved and it is just a mass party, really, like celebrating the | :20:06. | :20:10. | |
great music of the past but very much relevant for people today as | :20:11. | :20:14. | |
well. These guys, are you up for it? Yes! There's a huge tour coming up | :20:15. | :20:22. | |
at the end of the and tickets are on sale. -- end of the year. | :20:23. | :20:27. | |
Right, we'll let these lot warm up and get ready. | :20:28. | :20:30. | |
Yes, and whilst they're doing that, here's top chef Tony Singh | :20:31. | :20:32. | |
on a One Show mission to find an unsung kitchen hero. | :20:33. | :20:35. | |
Be it at school, in hospital, or the regular work canteen, millions of us | :20:36. | :20:41. | |
dig into food cooked by others every day. And some of those cooks go to | :20:42. | :20:49. | |
exceptional lengths without any recognition. I think it's about time | :20:50. | :20:55. | |
we did something about that. We want your nominations, those people that | :20:56. | :20:59. | |
go the extra mile, cooks who work in care homes, hospitals, schools | :21:00. | :21:06. | |
and... Community centres! Meet last year's winner of the food and | :21:07. | :21:13. | |
farming awards version-macro, Dee Woods. She cooks up to 200 people at | :21:14. | :21:17. | |
the Granville community centre in Kilburn, north London. It is fair to | :21:18. | :21:21. | |
say she's pretty popular. She is a champion. She will be Romanet for | :21:22. | :21:26. | |
her food, it's so good. She doesn't use recipes, she does it off the top | :21:27. | :21:30. | |
of her head which is just incredible. An absolute star. So | :21:31. | :21:36. | |
tell me what time -- con people come to this amazing food hub? | :21:37. | :21:40. | |
Particularly from this area, a lot of people can't afford food or don't | :21:41. | :21:44. | |
have access to it for various reasons. This hub is a key part of | :21:45. | :21:51. | |
the community, then? It is. People describe it as a home from home. | :21:52. | :21:56. | |
This area as almost 400 languages that are spoken and we have people | :21:57. | :22:05. | |
from Tonga, to the Caribbean, from Ireland to Africa, East Africa, West | :22:06. | :22:11. | |
Africa, North Africa. What sets Dee part is that she cooks dishes from | :22:12. | :22:14. | |
all of those countries, helping people to reconnect to their roots | :22:15. | :22:19. | |
through food. While some give a small donation, others can't afford | :22:20. | :22:24. | |
to. Perhaps most impressively, Dee does all this as a volunteer. Why is | :22:25. | :22:29. | |
it so important to you to do this kind of work? I think it is because | :22:30. | :22:33. | |
I have a passion for food but I have a deep passion for people. It makes | :22:34. | :22:41. | |
me angry and upset because a lot of the policymakers just don't get it. | :22:42. | :22:45. | |
They don't see what I see every day, you know, and people tell you, | :22:46. | :22:53. | |
well," I can't eat". We can all agree that Dee is a wonderful person | :22:54. | :22:57. | |
but what makes her an amazing cook is she never knows what ingredients | :22:58. | :23:01. | |
she is getting to work with. Why? Because with so little funding, | :23:02. | :23:05. | |
virtually all of the ingredients come from surplus food donations. | :23:06. | :23:08. | |
Today, her colleague Leslie is collecting from a supermarket and a | :23:09. | :23:13. | |
local charity are dropping off surplus food they have picked up | :23:14. | :23:19. | |
from nearby shops and restaurants. Dee, I have some cooking apples. Do | :23:20. | :23:24. | |
you want them? Yes. She does not know what she's working with until | :23:25. | :23:28. | |
it turns up on her doorstep and that requires a lot of creative cookery. | :23:29. | :23:34. | |
White, Dee, this is what you've got. What are we making? We are going to | :23:35. | :23:41. | |
make a beam tagine. What would you like me to do? Peel some potatoes. I | :23:42. | :23:48. | |
can do that. Let's go. As I take on the role of sous chef, Dee and help | :23:49. | :23:52. | |
and Lillian take the lead on this North Africa dish and prepare their | :23:53. | :23:59. | |
own freshly baked bread. They serve three meals a week here, and the | :24:00. | :24:02. | |
service makes the centre are very special place to be. It really is a | :24:03. | :24:07. | |
community and it brings everybody together and we all enjoy each | :24:08. | :24:14. | |
other's company socially. It is very welcoming and warm and I feel like | :24:15. | :24:20. | |
I'm sitting with my family. Dee puts the final touches to the tagine and | :24:21. | :24:27. | |
I'm on serving duties. It has been creative cooking and extraordinary | :24:28. | :24:30. | |
effort but does the food gets the thumbs up for flavour? I love the | :24:31. | :24:35. | |
food, personally. It's really nice. The food was lovely, really Devine, | :24:36. | :24:39. | |
the right amount of spices and I loved the bread and the salad. | :24:40. | :24:44. | |
Everything was just perfect. I can see what these guys mean. The food | :24:45. | :24:50. | |
is wonderful, aromatic, tasty, healthy and with Dee's added TLC, | :24:51. | :24:55. | |
perfect. So now it is over to you. If there's someone doing something | :24:56. | :24:59. | |
incredible with food in your school, care home or community, this is your | :25:00. | :25:02. | |
chance to nominate them for version-macro. | :25:03. | :25:08. | |
Please, please if you know a cook who deserves this award, | :25:09. | :25:14. | |
go to our website and tell us why, but be quick, because nominations | :25:15. | :25:18. | |
for The One Show Cook of the Year need to be in by midnight | :25:19. | :25:21. | |
It's cold and Robson and Fay are handing out some of Dee's food. What | :25:22. | :25:29. | |
is it? A winter warming soup or stew. Leave a little bit for me. It | :25:30. | :25:34. | |
was just a natural progression of my career, actor, fishermen, catering. | :25:35. | :25:41. | |
Do you cook? I love cooking, did a nice beef Wellington at Christmas. | :25:42. | :25:45. | |
And a bit of fish. When I was ill, it was the fish! What a killer! | :25:46. | :25:51. | |
Grand Slam Fishing begins on Monday at 9pm on the Travel Channel. | :25:52. | :25:55. | |
Now from their album Classic House, performing Right Here Right Now | :25:56. | :25:58. | |
and Insomnia, it's Pete Tong and the Heritage Orchestra. | :25:59. | :26:03. | |
Big fish, little fish, cardboard box, big fish, | :26:04. | :26:07. | |
# Right here, right now, right here, right now | :26:08. | :26:53. |