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Hello, and welcome to The One Show with me, Angela Scanlon. | :00:15. | :00:16. | |
And, as always on a Friday, I've got myself a new co-host. | :00:17. | :00:19. | |
I wonder what Brenda from Bristol would say about that?! | :00:20. | :00:22. | |
Sorry, Brenda, but we're very pleased to have him here - | :00:23. | :00:32. | |
it's journalist and restaurant critic Amol Rajan! | :00:33. | :00:33. | |
Thank you, guys, thank you! You have had an intense week. | :00:34. | :00:48. | |
You started the week on that side of the sofa. | :00:49. | :00:50. | |
How does it feel to be on this side? | :00:51. | :00:52. | |
I feel like I've gotten a promotion! And we have two brilliant guests, so | :00:53. | :00:57. | |
I'm excited about that. Who else could we get for a man | :00:58. | :00:59. | |
who loves eating good food but someone who knows how | :01:00. | :01:02. | |
to make it! It's the master chef | :01:03. | :01:04. | |
from MasterChef - John Torode! Now, I Demps want this to get | :01:05. | :01:11. | |
awkward from the start, but... -- I do not want this to get awkward. | :01:12. | :01:17. | |
What is your opinion on food critics, John? Careful! I think | :01:18. | :01:23. | |
everybody should take note of what a food critic says, because they know | :01:24. | :01:27. | |
their job. Absolutely. What a diplomat! I listened to everything. | :01:28. | :01:32. | |
John's not the only master of his craft on the show tonight. | :01:33. | :01:35. | |
providing the music, it's this man... | :01:36. | :01:36. | |
# We bring the women and the cars and the cards out | :01:37. | :01:41. | |
# Let's have a toast, a celebration, get a glass out | :01:42. | :01:47. | |
Yes, Tinie Tempah there with his smash-hit single, Pass Out. | :01:48. | :01:49. | |
And he'll be performing his latest single with the brilliant | :01:50. | :01:52. | |
Jake Bugg later in the show. You're joking! | :01:53. | :01:54. | |
If none of that tickles your fancy - stay tuned, because later on you're | :01:55. | :01:59. | |
For many new mums, the prospect of returning to work after taking | :02:00. | :02:07. | |
As a new dad, I can vouch that is true of many new dads as well. | :02:08. | :02:16. | |
To see if all that worry is justified, Angellica's followed | :02:17. | :02:18. | |
two mums preparing to swap the morning playgroup | :02:19. | :02:20. | |
Approximately 500,000 new mums return to the workplace every year. | :02:21. | :02:30. | |
And, as I know all too well, it can be a daunting prospect. Whether it's | :02:31. | :02:33. | |
the thought of leaving your child, the fear of losing your position at | :02:34. | :02:37. | |
work, or trying to figure out that all-important work- like balance, | :02:38. | :02:40. | |
it's going to take some adjustment for all the family. She had a little | :02:41. | :02:46. | |
sleep... We have asked two new mums from Manchester to keep video | :02:47. | :02:50. | |
diaries as they prepare for the big day. Fashion by Gerry, whose | :02:51. | :02:56. | |
daughter Cecily is nine months old. -- fashion buyer. I feel now I'm | :02:57. | :03:00. | |
going to be OK on Monday, but it could get a Monday morning and I | :03:01. | :03:05. | |
could be crying and a mass. Marketing manager Vicky, whose | :03:06. | :03:09. | |
daughter Olivia is eight months old. I feel really sad, I feel really sad | :03:10. | :03:14. | |
that in some ways it's over. But I believe it's the right thing to be | :03:15. | :03:20. | |
doing. Along with almost three quarters of British families | :03:21. | :03:23. | |
nowadays, they have both decided to use professional childcare whilst | :03:24. | :03:29. | |
they are at work. Gerry's daughter Cecily is trying her first taster | :03:30. | :03:34. | |
session. She did cry as soon as I handed her over, I can hear her | :03:35. | :03:39. | |
through the window crying. So... We will see. But luckily, husband | :03:40. | :03:44. | |
Alistair has a plan in place. I'm going to be the bad cop in the | :03:45. | :03:48. | |
situation, really. I'm the one who drops are off, and Gerry will pick | :03:49. | :03:52. | |
her up. Gerry is also concerned about how she will cope in the | :03:53. | :03:56. | |
workplace. I am a bit worried about not being able to just stay until | :03:57. | :04:02. | |
the job is done, especially because there lots of other women at my | :04:03. | :04:09. | |
level that can stay. Fortunately for Gerry and Vicky, there are employers | :04:10. | :04:13. | |
are very understanding. But sadly, that's not always the case. -- their | :04:14. | :04:18. | |
employers. According to be equality and human rights commission, the | :04:19. | :04:21. | |
number of women facing discrimination after maternity leave | :04:22. | :04:25. | |
has doubled in the last ten years, and the National childbirth trust | :04:26. | :04:28. | |
says 50% of new mums return to work sooner than they would like because | :04:29. | :04:31. | |
they are worried about their job security. Rachel is one of the | :04:32. | :04:37. | |
executive coaches at women returners, which helps women of all | :04:38. | :04:41. | |
ages returned back to the workplace. So what advice would you give to | :04:42. | :04:45. | |
anybody going back after having a baby? Have a think about the story | :04:46. | :04:50. | |
that you are telling. So when you're introducing yourself, use language | :04:51. | :04:53. | |
that would honour both you as a working person as well as you having | :04:54. | :04:57. | |
a career break. Is there an answer to that eternal question of work- | :04:58. | :05:04. | |
like -- life balance, how can we do it and be good at it? Small changes | :05:05. | :05:08. | |
committed big difference, and remember it's not going to be | :05:09. | :05:13. | |
perfect. -- small changes can make a big difference. The big day finally | :05:14. | :05:17. | |
arrives, and it's an early start for Gerry. I'm a little bit sad, because | :05:18. | :05:22. | |
Cecily wasn't awake before I left the flat. So I went in and gave a | :05:23. | :05:26. | |
little kiss goodbye, I didn't actually get to see her this | :05:27. | :05:30. | |
morning, so it's going to be a long day. Without seeing her. And three | :05:31. | :05:36. | |
hours into the day, Vicky is still reflecting on her difficult morning. | :05:37. | :05:42. | |
Really tough. I didn't cry too much. I won't lie, I was a little bit sad. | :05:43. | :05:50. | |
It's like it's the end of an era, and that part of my life. And it's | :05:51. | :05:55. | |
not just the separation from Olivia that Vicky has had to adapt to, as | :05:56. | :06:00. | |
her boss explained. It's good to have Vicky back. There have been one | :06:01. | :06:03. | |
or two changes to the business while she has been a waste of yellow I | :06:04. | :06:06. | |
expected things to be exactly the same at work, but there have been a | :06:07. | :06:11. | |
lot of changes which I have had to come to terms with. The day flies by | :06:12. | :06:15. | |
for both mums, and before they know it is time to click the children | :06:16. | :06:20. | |
from nursery. So we have just picked Cecily up from her first day at | :06:21. | :06:23. | |
nursery, and she has had a brilliant day! She was smiling when we went | :06:24. | :06:28. | |
in, so it seems like she's had a really good day, as have I, really. | :06:29. | :06:32. | |
So far, so good, a great first day for everybody. It's been a couple of | :06:33. | :06:38. | |
weeks since our mums first went back to work. I'm on my way to find out | :06:39. | :06:42. | |
how they are feeling now about their decision to go back. Vicky! Hi, are | :06:43. | :06:47. | |
you all right? It's going really well. But ultimately there is so | :06:48. | :06:52. | |
much that happens in those months, and there is a potential but I'm | :06:53. | :06:55. | |
going to miss some of it. I have spoken to the nursery about how if | :06:56. | :06:59. | |
any of those moments happen they keep it from me, if I end up | :07:00. | :07:03. | |
witnessing it when I'm with her it still feels like it's the first | :07:04. | :07:07. | |
time. How was it going, week three? You are getting into a routine now? | :07:08. | :07:11. | |
Definitely, I get home earlier now to get a few hours with her before | :07:12. | :07:16. | |
she goes to bed, isn't mummy cool? Thanks to Gerry and Vicky | :07:17. | :07:22. | |
for keeping those video diaries My son Winston started nursery last | :07:23. | :07:31. | |
month, lovely name, isn't it? You feel like the bad cop when you are | :07:32. | :07:35. | |
dropping him off at nursery, I know exactly what he means. It's tough, | :07:36. | :07:42. | |
but it does get better. Of course, fans of The One Show will be | :07:43. | :07:44. | |
wondering... And of course, we have one new mum | :07:45. | :07:45. | |
a little closer to home who's Yes, I'm coming back to The One Show | :07:46. | :07:54. | |
on Monday. Hopefully you will look after me because I will be feeling a | :07:55. | :07:58. | |
bit nervous. Excited to see everybody, the whole team, but it | :07:59. | :08:02. | |
will be hard leaving little Ted, as every parent I'm sure understands. | :08:03. | :08:06. | |
So Comey yeah, I will be back on Monday two days per week to begin | :08:07. | :08:11. | |
with, and then we'll see how we go. Teddy, not on camera! He has just | :08:12. | :08:16. | |
filled his nappy! See you then! APPLAUSE | :08:17. | :08:22. | |
I think little teddy is going to take after his mum, he has | :08:23. | :08:25. | |
impeccable timing, made for tele-! We're looking forward | :08:26. | :08:28. | |
to having you back, Alex. And speaking of comebacks, John, | :08:29. | :08:30. | |
Masterchef has been back on our screens for a few weeks now, | :08:31. | :08:32. | |
and it's just as popular - That's because you were on it! Is it | :08:33. | :08:42. | |
the quality of the guest critics that has really taken it... That is | :08:43. | :08:48. | |
one reason! I really enjoy it, you get to read fantastic food. | :08:49. | :08:51. | |
I find it hard when you get food that doesn't reach the really | :08:52. | :08:56. | |
top-class standard and you end up being horrible to people and | :08:57. | :08:59. | |
crushing their dreams. Have you ever gone over and felt that I was too | :09:00. | :09:03. | |
horrible to that person? No, or you can do is be honest, you can't be | :09:04. | :09:07. | |
honourable. If you are not honest in the first place, you build people up | :09:08. | :09:11. | |
and eventually they are going to be heartbroken. If you are honest and | :09:12. | :09:15. | |
say it's not good enough, it's done. It is a tough gig, you need to be | :09:16. | :09:21. | |
ready to date a bit of criticism. People know, they watch it enough, | :09:22. | :09:24. | |
you stand in front of somebody and look them in the eye and tell them | :09:25. | :09:27. | |
exactly what their food is like. That is somehow unnerving, but the | :09:28. | :09:31. | |
only thing you can do is be honest. They are fantastic, the contestants. | :09:32. | :09:35. | |
The standard has been extremely high. Do you ever go home and think, | :09:36. | :09:39. | |
I was a bit rude about that person's relate? I never rude! -- that | :09:40. | :09:46. | |
person's creme brulee. The fact is, whatever we do there is a reason for | :09:47. | :09:51. | |
it. We watch everybody involved, you can't go back and say, I wish I | :09:52. | :09:55. | |
hadn't done that, no way. You are encouraging, you like them to get | :09:56. | :09:59. | |
creative. But, vegetables in dessert is a bit of a step too far for you, | :10:00. | :10:04. | |
isn't it? We have had lots of vegetables in dessert. Sweet potato | :10:05. | :10:11. | |
in a chocolate mousse! The girl who cooked it was a vegan and wanted to | :10:12. | :10:16. | |
find a substitute. I really respect it, it's great. Innovation is an | :10:17. | :10:19. | |
amazing thing. The fact is, we are all searching for something, which | :10:20. | :10:23. | |
is good. It might be my poison but somebody else's... How was it?! I | :10:24. | :10:27. | |
think the less said the better! There has been some talk about | :10:28. | :10:36. | |
banning certain dishes, there are dishes which are quite familiar. | :10:37. | :10:39. | |
There is talk about whether pasta or panna cotta should be banned. | :10:40. | :10:41. | |
If you had to ban one dish from the show, what would it be? | :10:42. | :10:44. | |
I would never ban passed, because the way I say it, everybody gets | :10:45. | :10:51. | |
upset! It is like people here's a garage and Bath... I'm with you, | :10:52. | :10:56. | |
John, don't worry -- it is like people here say Darren Anbar. | :10:57. | :11:04. | |
Somethings seem very difficult like a chocolate fondant, it's not that | :11:05. | :11:11. | |
difficult, you just put it in the oven! Perfect chocolate fondant is | :11:12. | :11:16. | |
quite hard to get right, isn't it? Maybe! You haven't convinced him! | :11:17. | :11:22. | |
Who wants to see a collapsing cheesecake? Yes, you do! This is | :11:23. | :11:27. | |
from tonight's episode. This is not working... | :11:28. | :11:33. | |
What are you going to do? I'm not sure, I'm going to try and clean it | :11:34. | :11:41. | |
up. You've got to find a way to present at least some of it. One | :11:42. | :11:46. | |
thing is evident, the majesty of honey. It is running through every | :11:47. | :11:50. | |
single part of this dish. I'm so upset it didn't turn out. We have | :11:51. | :11:55. | |
got probably the most divine flavoured puddle I've ever | :11:56. | :11:59. | |
experienced! APPLAUSE | :12:00. | :12:05. | |
I mean, the heartache is witnessed... Written all over his | :12:06. | :12:14. | |
poor little face. He is one of those guys to look out for. The last | :12:15. | :12:17. | |
quarterfinal is tonight at 8:30pm on BBC One. And then straight into the | :12:18. | :12:24. | |
knockout. Next week is knockout week, that is when the big tasks | :12:25. | :12:28. | |
start to happen, we grab our lot. They make it to the semifinal and we | :12:29. | :12:35. | |
knock them out. You are hard-core! What happens now? Don't they have to | :12:36. | :12:38. | |
cook at really upper class restaurants and all that Brazil | :12:39. | :12:42. | |
doing lots of different tasks in restaurants, they get a bit of the | :12:43. | :12:47. | |
nest, they do a huge dinner for the cost of Holby city, 120 people with | :12:48. | :12:53. | |
a marquee. It is all about just learning what they are able to do. | :12:54. | :12:56. | |
And what's incredible about MasterChef is you start with | :12:57. | :12:59. | |
something and you suddenly start to believe in yourself and realise you | :13:00. | :13:02. | |
can achieve a lot more. And that's what makes them better and that's | :13:03. | :13:06. | |
why it's fantastic. John, we will have more for you in just one | :13:07. | :13:07. | |
moment. In just a minute, we'll be chatting | :13:08. | :13:10. | |
to the man responsible for more number ones this decade | :13:11. | :13:13. | |
than any other artist. But Tinie Tempah's new album's got | :13:14. | :13:15. | |
competition from this Yes, sales of Now That's What I Call | :13:16. | :13:17. | |
Music 48 surged last week - Tommy looks at the power music has | :13:18. | :13:21. | |
to instantly transport # Wherever you go | :13:22. | :13:38. | |
# I'm going to be their # Wherever you go I'm going to be | :13:39. | :13:40. | |
that # Pure and simple | :13:41. | :13:45. | |
# Going to be that # Whatever it takes | :13:46. | :13:48. | |
# And go into by their # Everyone's got a track that takes | :13:49. | :13:53. | |
them back to a memory of a first kiss, a first dance, or even a time | :13:54. | :13:57. | |
that they'd rather forget. And, compilation CDs, thanks to Peter | :13:58. | :14:01. | |
Kay's car share have got a whole load of us reminiscing. Just tell me | :14:02. | :14:12. | |
where this takes you back to? Oh, Tiffany's nightclub! In the Cage in | :14:13. | :14:22. | |
Grimsby. It was probably about 68 or 69. Dancing in a circle, handbags in | :14:23. | :14:26. | |
the middle, guys stood around drinking, looking at the girls. OK, | :14:27. | :14:34. | |
it takes me back to school this goes in year four when they had... -- | :14:35. | :14:45. | |
school discos. Do you know this song? On the school bus are used to | :14:46. | :14:51. | |
sit next to Matt Hills. Matt Hills, are you listening? We are thinking | :14:52. | :14:58. | |
of you right now because of Comment People. It brings back memories of | :14:59. | :15:04. | |
feeling quite emotional. Isn't it strange how a song can bring out all | :15:05. | :15:08. | |
of these emotions and feelings? Yes, that's what music can do, though. | :15:09. | :15:16. | |
My God! Go on, what are you feeling right now? I remember it so well. | :15:17. | :15:31. | |
Leiua a fan of Rick? He was not bad. When you reminisce what do you think | :15:32. | :15:37. | |
of? The time going out with my mates trying to get into a club, you | :15:38. | :15:41. | |
couldn't get into a club with a group of guys, you had to go in with | :15:42. | :15:45. | |
a group of girls to get in. You don't have to speak to me after | :15:46. | :15:49. | |
that. Just to get in, that was the one. No memories? No memories of | :15:50. | :15:59. | |
that at all. I probably have but can't remember it. Probably because | :16:00. | :16:03. | |
you were to outside your head? Quite possibly. What is going through your | :16:04. | :16:10. | |
mind? It is bringing back memories of the dance. I could bust a move. | :16:11. | :16:16. | |
Could you still do the move now? I will just leave it there for | :16:17. | :16:25. | |
safety's sake! LAUGHTER | :16:26. | :16:29. | |
Guess who is on the sofa. It's only Tinie Tempah! | :16:30. | :16:37. | |
CHEERING That's nice, thanks, guys. How is it | :16:38. | :16:42. | |
going? Earlier we asked you which song to you back to your childhood | :16:43. | :16:48. | |
and this is what you chose. Where does that take you back to? At that | :16:49. | :16:53. | |
point I had one of those Nokia phones when you can make ring tones | :16:54. | :16:57. | |
and I was dreaming to be a rapper and that was pretty much it, I was | :16:58. | :17:02. | |
about 12 years old. We are both South London boys so we were | :17:03. | :17:07. | |
probably doing the same thing at the same time but I feel your career has | :17:08. | :17:14. | |
gone down a better path. I'm going to start a new crew soon so you | :17:15. | :17:21. | |
should join. Is that on offer? Yes. You want to be like salt-and-pepper, | :17:22. | :17:25. | |
you want to be in everything. John, this was yours. | :17:26. | :17:29. | |
# Gold! # Always believe in your soul | :17:30. | :17:34. | |
# Always believe in # Beautiful memories, the wind blowing | :17:35. | :17:45. | |
in your hair? No, just roll the windows down and turn the air | :17:46. | :17:50. | |
conditioning up. Your album was out last Friday. Collaborate, you are | :17:51. | :17:57. | |
the collaborator. I love collaboration, yes. You have a knack | :17:58. | :18:00. | |
of finding the next big thing, plucking them out of nowhere and | :18:01. | :18:04. | |
turning them into stars. Cheers, I guess I have a bit of Simon Cowell | :18:05. | :18:08. | |
in me. LAUGHTER | :18:09. | :18:11. | |
I've been excited to work with a producer on this album who produced | :18:12. | :18:17. | |
six of the tracks out of 17 who works closely with us and has just | :18:18. | :18:21. | |
produced passion fruit for Derek, so he is literally for north London and | :18:22. | :18:29. | |
his life has completely changed -- Drake. Is not a front man or a | :18:30. | :18:33. | |
singer but he's done well. You have a thing about finding emerging | :18:34. | :18:37. | |
talent and collaborating with them and helping them make the big leap | :18:38. | :18:41. | |
you have. Clearly with this album you have a thing about celebrating | :18:42. | :18:46. | |
London. Of course. You say of course but in many ways it is a love letter | :18:47. | :18:50. | |
to London. Your studio is near where you grew up. South London, yes. Why | :18:51. | :18:58. | |
are you so passionate about your hometown? I wanted to have more | :18:59. | :19:04. | |
context and meaning and be more socially responsible at 28 and say | :19:05. | :19:07. | |
something that matters. London with all of this diversity and how | :19:08. | :19:11. | |
liberal it is as a city, it has definitely been a place for me to be | :19:12. | :19:15. | |
nurtured as an artist and a talent and to fulfil my dreams. I can't | :19:16. | :19:18. | |
think of that many places outside of this incredible city that we have | :19:19. | :19:23. | |
that has as many opportunities and even has a level of hope there as | :19:24. | :19:27. | |
well. You want to move to a big country pile any time soon? You know | :19:28. | :19:32. | |
what, I might do. Not too far away from London. It is important to say | :19:33. | :19:36. | |
I called this album Youth and released it in April because looking | :19:37. | :19:40. | |
back at my family history, my grandmother had 19 children. Some of | :19:41. | :19:46. | |
whom were born in April and today is the Queen's birthday. A long time | :19:47. | :19:51. | |
ago, maybe 40 years ago, the Queen honoured my grandma on her birthday | :19:52. | :19:54. | |
which is today because my grandma had some triplets Peter, Paul and | :19:55. | :19:59. | |
Patrick and my name is Patrick. Obviously my grandma didn't have me! | :20:00. | :20:04. | |
LAUGHTER Let's talk about that because | :20:05. | :20:08. | |
Patrick is a good solid name. Why not just be called Patrick? You | :20:09. | :20:12. | |
could be called Paddy, couldn't you? I know. Paddy Tempah has a ring to | :20:13. | :20:22. | |
it. It didn't seem cool when I was at school. I heard that when this | :20:23. | :20:27. | |
album was launched at you had a party at your house and a load of | :20:28. | :20:30. | |
fans came over. That party was three weeks ago, I tried to invite you. No | :20:31. | :20:36. | |
you didn't, because we met a few times before and I try to give you | :20:37. | :20:40. | |
my number. My battery was dead all of those times. The next time you | :20:41. | :20:44. | |
have a party at your house I'm definitely free, my mates and my | :20:45. | :20:48. | |
wife are free. 1,000,000%, the invite is already in the post. Do | :20:49. | :20:54. | |
you cook? I'm not the best, I feel embarrassed in front of John. Are | :20:55. | :21:00. | |
not the best cook but I can make a great... Tinie Tempah Rick? Wild | :21:01. | :21:04. | |
salmon with organic sweet potatoes and maybe a little salad -- tiny | :21:05. | :21:14. | |
tempi are. We can exchange, we can swap talents. Does that mean I get | :21:15. | :21:19. | |
to go to Ibiza as well? Yeah! I'm doing a party for 16 weeks this | :21:20. | :21:25. | |
summer. He's in! You will be performing with Jake Bugg very soon. | :21:26. | :21:27. | |
It sounds ideal. Now, it's the moment | :21:28. | :21:30. | |
we promised you earlier - one of the most surprising wildlife | :21:31. | :21:32. | |
films we've shown this year. Allow us to introduce | :21:33. | :21:34. | |
you to - the bee team. For many the first sign of spring is | :21:35. | :21:49. | |
spotting a bumblebee. On sunny days you can see them out and about | :21:50. | :21:54. | |
taking advantage of the early spring flowers. But bees are not just | :21:55. | :21:58. | |
pretty pollinators. Recent research has shown that they can use tools | :21:59. | :22:03. | |
and even learn from each other to solve problems, just like humans. At | :22:04. | :22:09. | |
London's Queen Mary University, a team of scientists have designed a | :22:10. | :22:17. | |
remarkable experiment. He has been putting bumblebees through their | :22:18. | :22:21. | |
paces. What is this experiment supposed to show? So we already know | :22:22. | :22:27. | |
that bees are really smart and can navigate in complex environments so | :22:28. | :22:30. | |
in this experiment we wanted to know whether bumblebees can learn to | :22:31. | :22:34. | |
manipulate artificial objects. These blue discs posing as flowers have an | :22:35. | :22:39. | |
irresistible sugary solution in their centre. The problem for the | :22:40. | :22:43. | |
bees is that they are covered by a sheet of glass. The bees must find a | :22:44. | :22:52. | |
way to reach the treat. Look at that. It's actually pulling the | :22:53. | :22:55. | |
string in order to get that flower out from under the glass and thus a | :22:56. | :23:01. | |
reward. First-time. How long did it take the bees to learn this trick? | :23:02. | :23:06. | |
Not all of the bees learned this without any demonstration, only two | :23:07. | :23:12. | |
bees out of 110 sold the task. Genius bees. Very few bees worked | :23:13. | :23:19. | |
out the problem for themselves but once one bee learned it for | :23:20. | :23:23. | |
themselves it wasn't long before the whole colony learned it too. The | :23:24. | :23:28. | |
bees we're learning from each other. That is not something she would | :23:29. | :23:32. | |
experience naturally in the wild. You don't find strings hanging | :23:33. | :23:38. | |
flowers. Exactly but they need to interact with flower parts in nature | :23:39. | :23:41. | |
and is not totally unnatural. Talking about pulling, a manoeuvre | :23:42. | :23:47. | |
that a bee might use when foraging but Olly and his team wanted to see | :23:48. | :23:50. | |
if they could teach them to do something they would never do in the | :23:51. | :23:54. | |
wild. The task is to roll a small ball into the circle in the centre. | :23:55. | :24:01. | |
Once the ball is in the goal Olly releases a sugary solution into the | :24:02. | :24:04. | |
hole as a reward. This unnatural behaviour wasn't something the bees | :24:05. | :24:10. | |
could work out on their own so that the teams sent in a coach, a dummy | :24:11. | :24:15. | |
be to train them up to show them what they had to do to get the treat | :24:16. | :24:19. | |
-- dummy bee. It's a new thing that bumblebees | :24:20. | :24:26. | |
would never have experienced. Exactly, bumblebees do not do this | :24:27. | :24:31. | |
in nature. Release a bee and let's see what they can do. | :24:32. | :24:36. | |
She is on the ball all right. Little bit of a struggle. She's getting | :24:37. | :24:42. | |
there. Getting warmer. Going the wrong way. Come on. She's trying. | :24:43. | :24:54. | |
Come on. There is no reward, you've got to get the ball. This time. Yes! | :24:55. | :25:08. | |
Fantastic. Goal. That is unbelievable. Back of the | :25:09. | :25:13. | |
net. And with practice the bees mastered the fanciful work. -- fancy | :25:14. | :25:22. | |
footwork. This might look like a game but it is in fact the very | :25:23. | :25:28. | |
first evidence of insects learning to use artificial objects to solve a | :25:29. | :25:34. | |
problem. These brilliant insects are rewriting science and providing | :25:35. | :25:36. | |
insights into the evolution of social learning. | :25:37. | :25:41. | |
We know that you like honey, have you ever seen bees do that? Kick a | :25:42. | :25:52. | |
goal. Could they be taught to play Aussie Rules football? No, not butch | :25:53. | :26:02. | |
enough. Thank you to John. Alex will be back with Matt on Monday. Don't | :26:03. | :26:04. | |
miss that. But now playing us out | :26:05. | :26:09. | |
with the new single Find Me from his album Youth - | :26:10. | :26:13. | |
it's Tinie Tempah and Jake Bugg. # Got the heart of Bear | :26:14. | :26:17. | |
Grylls, mind of a boss # Need a brand new | :26:18. | :26:36. | |
Supremes diva like # Blew my first check | :26:37. | :26:38. | |
on Stone Island and Mosch # Word to the hardware that | :26:39. | :26:41. | |
brought me my success # I know the time we living | :26:42. | :26:50. | |
in is crazy and hot # Every time we flourish, | :26:51. | :26:59. | |
they don't wanna see us sprout # Crabs in a barrel, | :27:00. | :27:07. | |
they don't wanna see us out # You know what I'm | :27:08. | :27:10. | |
about, yeah, yeah # We was on our paths, | :27:11. | :27:20. | |
yo, way before we met # So all the darkest nights | :27:21. | :27:50. | |
are the days we won't regret # Disturbing | :27:51. | :27:53. | |
London screaming Imhotep # Forgive my need to | :27:54. | :27:55. | |
succeed and progress # They were all my | :27:56. | :28:00. | |
favourite rappers, # I know the time we | :28:01. | :28:01. | |
living in is crazy, huh? # I know that we're | :28:02. | :28:07. | |
in modern day slavery # They tell me more commercial | :28:08. | :28:09. | |
and more mainstream # Sick of the chicanery, | :28:10. | :28:11. | |
skullduggery # That's why | :28:12. | :28:16. | |
I had to holla Jake, # The same mindset since | :28:17. | :28:18. | |
I made Disc-Overy # Now people all around the world | :28:19. | :28:21. | |
wanna come and see, yeah Let me see you make some noise for | :28:22. | :28:24. | |
Jake Bugg. # The One Show | :28:25. | :29:00. | |
# Jake | :29:01. | :29:04. |