Browse content similar to 24/02/2017. Check below for episodes and series from the same categories and more!
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Hello? Anybody out there? Nice one, Kingy. | :00:23. | :00:35. | |
Hello and welcome to The One Show, yes tonight it's | :00:36. | :00:37. | |
Our feet are well and truly under the table, we've made ourselves at | :00:38. | :00:48. | |
home, and we've even brought cake for the audience. | :00:49. | :00:52. | |
APPLAUSE It isn't that good! | :00:53. | :00:55. | |
And just in case we never get asked back, we've picked the two guests | :00:56. | :00:58. | |
Who's the first ingredient in our One Show hotpot? | :00:59. | :01:02. | |
# I'm only Human after all # I'm only Human after all | :01:03. | :01:13. | |
# Don't put the blame on me #. He's the man everyone's | :01:14. | :01:17. | |
talking about, fresh from his big win at the Brits, | :01:18. | :01:18. | |
Rag'n'Bone Man is going to be giving us an exclusive | :01:19. | :01:22. | |
performance of his new track. If we play our cards right I reckon | :01:23. | :01:29. | |
we could ask him to be the third Hairy Biker. | :01:30. | :01:32. | |
Steady on. He's just turned up. | :01:33. | :01:34. | |
He's an actor, writer, stand up comedian and sadly | :01:35. | :01:38. | |
Oh, yes. # Don't know how anyone could put | :01:39. | :01:52. | |
you down # Oh! Slough #. | :01:53. | :02:01. | |
APPLAUSE Ricky, after seeing that | :02:02. | :02:14. | |
understandably you have given music up for a while. Harsh. Your tour | :02:15. | :02:22. | |
Humanity opened up in Bristol on Tuesday. A little bird has told us | :02:23. | :02:28. | |
that you have been a bit poorly. This is embarrassing. Second night | :02:29. | :02:32. | |
of the tour, went out on stage, I felt a bit funny, I asked for an | :02:33. | :02:37. | |
aspirin. Basically, I'm fine, but I went out and I was doing it and I | :02:38. | :02:42. | |
felt faint, hot, my heart was going. I went Oh! Sorry, I need to sit | :02:43. | :02:48. | |
down. The audience went quiet. I started joking, is there a doctor in | :02:49. | :02:52. | |
the house? I'm definitely having a heart attack. And that is the bit | :02:53. | :02:57. | |
that got in the paper. It would. I just felt a bit poorly. It was a | :02:58. | :03:04. | |
bug. They were laughing when I said I was going to die. We will talk | :03:05. | :03:08. | |
about your tour later. But just so you know that we love you, we have | :03:09. | :03:14. | |
got to be present if you feel dodgy halfway through. Fantastic. I need | :03:15. | :03:24. | |
one for both ends. They are eating cake, can't say that. This makes me | :03:25. | :03:27. | |
look like giant! CHUCKLES | :03:28. | :03:29. | |
Scunthorpe, or Sunny Scunny as we like to call it, | :03:30. | :03:32. | |
is known for three things; its steel, its football | :03:33. | :03:34. | |
The One Show historian Ruth Goodman is on the hunt for goooold. | :03:35. | :03:43. | |
In the Lincolnshire town of Scunthorpe something rather | :03:44. | :03:49. | |
mysterious is taking place. In the next few hours a series of codes | :03:50. | :03:54. | |
will be unveiled which will reveal the location of five unique objects | :03:55. | :03:58. | |
hidden somewhere in and around this town. And each of those objects is | :03:59. | :04:06. | |
made of solid gold worth thousands of pounds. And here they are. Exact | :04:07. | :04:14. | |
replicas of five real objects representing different periods in | :04:15. | :04:19. | |
Scunthorpe's history. From a 250 million -year-old fossil found | :04:20. | :04:23. | |
locally to a modern trains used to transport material for the town's | :04:24. | :04:28. | |
steelworks. They've been hidden under cover of darkness by artist | :04:29. | :04:33. | |
Luke Jerram and Dominic Mason from the local arts Council which has | :04:34. | :04:37. | |
funded the project. There really is Gold hidden on the streets of | :04:38. | :04:41. | |
Scunthorpe. It is an artistic treasure hunt. Anyone can find this | :04:42. | :04:46. | |
gold. If they find it they can keep it. Why put that sort of money into | :04:47. | :04:50. | |
an art project in Scunthorpe? Projects like this bring money and | :04:51. | :04:55. | |
people into the area. Scunthorpe has a less than rosy reputation | :04:56. | :04:58. | |
sometimes. We wanted people to think about the town in a different way. | :04:59. | :05:03. | |
The project has been months in the planning. Clues to find the treasure | :05:04. | :05:07. | |
have been encrypted into five specially commissioned paintings | :05:08. | :05:10. | |
designed by a government code breaker. Moments before their public | :05:11. | :05:18. | |
unveiling I'm given me sneak peek -- I am given an exclusive sneak peek. | :05:19. | :05:23. | |
These are the clues. They range in difficulty. This is the easiest. | :05:24. | :05:28. | |
They get progressively harder gradually. With the final one, maybe | :05:29. | :05:32. | |
five people in the country should be able to crack that code. As | :05:33. | :05:37. | |
difficult as that. From a simple word search to a complex binary | :05:38. | :05:41. | |
code, Luke believes they will have the best brains in Scunthorpe and | :05:42. | :05:46. | |
beyond occupied for months. Is he right? We are about to find out. It | :05:47. | :05:50. | |
is nearly 10am. The gallery doors are about to open. Quite a crowd has | :05:51. | :05:55. | |
gathered, as you can see, so let the treasure hunt begin. Within minutes | :05:56. | :06:05. | |
the rude -- of the room fills with people who are already stunned. We | :06:06. | :06:11. | |
cannot work that one out. We will be here for six months. I have my eye | :06:12. | :06:14. | |
on a group of mathematicians who seem to have had an early | :06:15. | :06:18. | |
breakthrough. We have some movement here. They are trying to get other | :06:19. | :06:21. | |
members of their team. They want to disappear. Let's go. Really, | :06:22. | :06:28. | |
already? They are hiding in the library at the moment. You can see | :06:29. | :06:34. | |
this square pattern in the numbers. It appears that one of the paintings | :06:35. | :06:41. | |
is a code within a code. They have found out that the red one, which is | :06:42. | :06:45. | |
the hardest one, actually forms a pattern, which reminds them of those | :06:46. | :06:51. | |
square bar codes you scan with your phone. So they are busy turning them | :06:52. | :06:55. | |
into black and white squares. We have progress. We have a code. We've | :06:56. | :07:02. | |
tried scanning that on our phones but it isn't working. So | :07:03. | :07:08. | |
tantalisingly close. Just then the codebreakers received some | :07:09. | :07:13. | |
unsettling news. Our first bit of gold has been found. It was found in | :07:14. | :07:19. | |
Kingsway Gardens. It was found by chance, however. A mother walking | :07:20. | :07:24. | |
with her son stumbled across a Viking brooch, prompting panic | :07:25. | :07:34. | |
amongst the treasure hunters. It seems gold fever has struck the | :07:35. | :07:37. | |
small town and the treasure hunt has taken on a life of its own. Within a | :07:38. | :07:43. | |
few days, two more gold pieces are found including another discovered | :07:44. | :07:47. | |
by accident. That one was associated with the hardest code. Instead of | :07:48. | :07:53. | |
taking months to on fold, after just three days only two of the pieces | :07:54. | :07:59. | |
remain undiscovered. While it may not have gone entirely to plan, and | :08:00. | :08:02. | |
let's face it, most of the treasure has been snapped up, but there is | :08:03. | :08:07. | |
more gold out here. So, what are you waiting for? | :08:08. | :08:09. | |
Well to tell us more - our code-breaker Anita Rani is here. | :08:10. | :08:13. | |
Do you have an update on the treasure hunt? It is exactly where | :08:14. | :08:21. | |
we left it, excitingly. There are still two items to be found. Still | :08:22. | :08:26. | |
three paintings that need to be cracked. The codes are still there. | :08:27. | :08:30. | |
You are wondering how to do it, that. How do you solve the puzzles? | :08:31. | :08:38. | |
This is the first one. Any idea? I can reveal, probably some people at | :08:39. | :08:44. | |
home have figured it out, that is semaphore. Each wave of the flag | :08:45. | :08:58. | |
spells out a letter. If you live in Scunthorpe there is a park called | :08:59. | :09:03. | |
the Kingsway. There is a flag there. Seven metres from it you will find | :09:04. | :09:08. | |
the Viking brooch. There it is. It was found. And there is the flag. | :09:09. | :09:15. | |
That was the first one. Is that real, a Viking brooch? There is a | :09:16. | :09:18. | |
real one in a museum in Scunthorpe. They created it in gold for this | :09:19. | :09:21. | |
treasure hunt. And they get to keep it? They do, not bad, hey? This one | :09:22. | :09:30. | |
is a word search. I gave you a couple of words. I found one and I | :09:31. | :09:35. | |
couldn't find the other one. I like that you didn't know you can go | :09:36. | :09:42. | |
backwards. I was looking for that. Once I realised I found it | :09:43. | :09:46. | |
straightaway. And diagonal, as well. You can go backwards. I was not | :09:47. | :09:52. | |
given all of the information. You did well with half of the | :09:53. | :09:53. | |
information. In a place not far from Scunthorpe | :09:54. | :10:06. | |
there is an octagonal band stand. Near it is a golden statue of a | :10:07. | :10:09. | |
woman playing a trumpet which looks like a plunger stop Oh! -- looks | :10:10. | :10:19. | |
like a plunger. That is where you would find the golden ram. Are you | :10:20. | :10:27. | |
with me? Yes. This is the most exciting one. The gold has been | :10:28. | :10:31. | |
found for this one, which was a tutor Fischer woman. Luke reckons | :10:32. | :10:35. | |
only one of about five people in the country will be able to crack this | :10:36. | :10:39. | |
code, and it has not been solved yet. -- fisherwoman. The gold has | :10:40. | :10:47. | |
been found. Luke says whoever can crack it, he will donate some of his | :10:48. | :10:51. | |
own money to a charity. Someone just found the gold they did not know why | :10:52. | :10:57. | |
it was there. That is ridiculous. Good old Scunthorpe. We want people | :10:58. | :11:03. | |
to get to Scunthorpe to go and see this. Since this exhibition opened | :11:04. | :11:06. | |
it is the top five most visited exhibition they have ever had since | :11:07. | :11:14. | |
2001 at the gallery. Is this binary? There you go, he is cracking it | :11:15. | :11:18. | |
already. I could crack it but it would take me the whole show. It is | :11:19. | :11:25. | |
fascinating, isn't it? Yes, thank you. | :11:26. | :11:27. | |
This past week there have been rumblings of grumblings | :11:28. | :11:29. | |
Viewers have complained that they can't hear dialogue | :11:30. | :11:35. | |
in some popular dramas, and Lucy has been to find out why. | :11:36. | :11:47. | |
We've got company. A perennial bugbear of drama is how to keep | :11:48. | :11:54. | |
things authentic but maintain clarity. These days so the critics | :11:55. | :12:00. | |
frequently take to social media to bemoan mumbling of lead characters. | :12:01. | :12:08. | |
But whose fault is it that in order to understand you have to turn on | :12:09. | :12:16. | |
the subtitles? In some cases it is artistic direction. They are opting | :12:17. | :12:22. | |
for something more authentic and true to the location, or the | :12:23. | :12:27. | |
geography, in which the production is set. Consonants may not be | :12:28. | :12:31. | |
pronounced as clearly. The engines are flooded, we have to set her | :12:32. | :12:35. | |
down. It could also be the balance between | :12:36. | :12:39. | |
the dialogue, the sound effects and the music isn't quite right. If that | :12:40. | :12:44. | |
is the case it is difficult for us as the interviewers to work out what | :12:45. | :12:48. | |
is being said. Does it depend what device you use to watch something | :12:49. | :12:52. | |
on? Rather than our televisions at home we are watching things on | :12:53. | :12:58. | |
tablets, smartphones and laptops. The problem with these devices is | :12:59. | :13:01. | |
they are becoming increasingly more compact. The problem with that is | :13:02. | :13:05. | |
there is far less room inside these things to have good quality speakers | :13:06. | :13:10. | |
that can deliver audio accurately. The solution is to invest in good | :13:11. | :13:14. | |
quality loudspeakers and a very good pair of headphones for your devices. | :13:15. | :13:19. | |
He really is a good-looking horse. One way to combat inaudible steeped | :13:20. | :13:24. | |
in drama is to re-record it. This is known as automated dialogue | :13:25. | :13:30. | |
replacement. Adam Davidson has worked on everything from Luther to | :13:31. | :13:35. | |
broad church. A big Budget action film, they are recording a lot of | :13:36. | :13:38. | |
green screen in warehouses, 90% of that will get ADR. -- to | :13:39. | :13:49. | |
Broadchurch. For period dramas you will generally have to do more | :13:50. | :13:53. | |
because they are out on locations and there is traffic and aeroplanes. | :13:54. | :14:01. | |
It is very, very tricky. Is there any single thing producers of dramas | :14:02. | :14:05. | |
and films could do that would help people understand every word? I | :14:06. | :14:08. | |
don't think there is any way of eradicating it. We have technical | :14:09. | :14:13. | |
guidelines. We have specific levels that we have to hit in terms of how | :14:14. | :14:17. | |
about the programme is and where dialogue sets. We do as much as we | :14:18. | :14:22. | |
can at that stage to make sure it is totally understandable for everybody | :14:23. | :14:30. | |
when it goes out. Bad location sound can be replaced but that is still a | :14:31. | :14:33. | |
tricky process. Graham has offered to show me how it is done. I've | :14:34. | :14:38. | |
identified a couple of passages of dialogue which may need replacing. | :14:39. | :14:42. | |
INAUDIBLE Something Bob a job? Are you ready | :14:43. | :14:51. | |
to go? This is the original. INAUDIBLE | :14:52. | :14:59. | |
This is the re-record. You give Bob a job? I can understand it now. I | :15:00. | :15:03. | |
imagine that is the purpose. Yes, I am relieved. | :15:04. | :15:08. | |
Why have you heard any mumblings or grumblings? I assume it is my | :15:09. | :15:16. | |
hearing going. So did we! Geordie accents, they don't mean a lot! I | :15:17. | :15:24. | |
have got a woofers under my sofa. Geordie is my favourite accent, I | :15:25. | :15:29. | |
was joking! Everyone who comes to see you will hear you clearly, but | :15:30. | :15:34. | |
the tour is sold out, so why are you here?! Well, there would be an empty | :15:35. | :15:42. | |
sofa! The tour is sold out, UK, Europe, America is gone. Two hours, | :15:43. | :15:48. | |
they reckon. Chicago went in five minutes. It is beautiful, I am | :15:49. | :15:53. | |
overwhelmed, but some of the tickets, of course, are got by | :15:54. | :15:59. | |
touts, don't buy those. We held some back that are called premium | :16:00. | :16:05. | |
Platinum tickets, and we are trying to undercut those touts and make | :16:06. | :16:10. | |
more tickets available. The profits are going to charity. It won't stop | :16:11. | :16:15. | |
it, but at least the charities are making a few hundred grand, and it | :16:16. | :16:20. | |
is just a gesture. But I am overwhelmed, you know, hardened | :16:21. | :16:26. | |
cash, people come out, it is such a privilege, I am enjoying it more | :16:27. | :16:30. | |
than I ever did. There is always a theme | :16:31. | :16:33. | |
to your tours, you've had "animals", This is slightly different, it is | :16:34. | :16:45. | |
less persona than my first four, all comedians have a bit of persona, | :16:46. | :16:49. | |
even if it is just a more brash version of themselves, but mine is | :16:50. | :16:53. | |
less and less now. I have reached that age where I have got old | :16:54. | :16:58. | |
people's writing, I just say what is on my mind. You know what I mean? | :16:59. | :17:04. | |
Yes! It is much more anecdotal, more honest, about my past the bidding. | :17:05. | :17:14. | |
Go So it is more personal. People will still be offended, don't get me | :17:15. | :17:19. | |
wrong! So if a young Ricky Gervais would think you have mellowed with | :17:20. | :17:25. | |
age? The good thing is it is a bit of both, because I have been going | :17:26. | :17:29. | |
for so long, people know what I am doing now, they get it, they know | :17:30. | :17:33. | |
that I am playing with their perception of myself, playing with | :17:34. | :17:37. | |
my own persona. I think people know when I am being naughty and getting | :17:38. | :17:42. | |
it wrong, and when it is heartfelt, and they certainly seem to. I have | :17:43. | :17:45. | |
done three dates in Bristol, which was amazing, and even the critics | :17:46. | :17:52. | |
got it. That was nice. People know you so well and understand the | :17:53. | :17:57. | |
difference now. I always thought that they did, but you know, you | :17:58. | :18:02. | |
can't legislate against stupidity. You have got to do your thing, and | :18:03. | :18:07. | |
like-minded people come and see you. But it is usually things taken out | :18:08. | :18:11. | |
of context. In the arena, everyone is laughing. But if they put it on | :18:12. | :18:17. | |
Twitter, he said that?! I talk about that in the show as well, this | :18:18. | :18:21. | |
crazy, you know, scandal. Your partner, Jane, she plays a key role | :18:22. | :18:29. | |
in your material, she is a sounding board. I often say to her, what you | :18:30. | :18:34. | |
think of this? She says, please don't say it in public! And I know | :18:35. | :18:40. | |
it is good. She does worry about the backlash and the press reaction, so | :18:41. | :18:44. | |
often, particularly if I am hosting the Golden Globes, I throw in fake | :18:45. | :18:49. | |
punch lines just to worry her. And it is things that I would never say, | :18:50. | :18:55. | |
off the charts, and she goes, please don't do that! It is the Oscars on | :18:56. | :19:00. | |
Sunday, and we would love to see you present that. It would be brilliant! | :19:01. | :19:06. | |
You to edgy for the Oscars? It is a nice, lovely, stuffy occasion, and | :19:07. | :19:12. | |
even I don't want to see me ruin it! Do you know what? I would do it if | :19:13. | :19:17. | |
they said, the same as the Golden Globes, you can say what you want - | :19:18. | :19:21. | |
but they never would. But if they said that, I would do it. But you | :19:22. | :19:27. | |
mustn't be curbed, otherwise get someone else to do it. Brilliant. | :19:28. | :19:32. | |
Tickets for the tour are available now, and more diggers will be | :19:33. | :19:38. | |
announced soon. Yes, I will be putting in more dates, and there are | :19:39. | :19:42. | |
platinum tickets, you can still go to the website, you might be lucky. | :19:43. | :19:44. | |
Ricky Andalcio has been back on his journey around the UK looking | :19:45. | :19:50. | |
I wonder where he got that idea from. | :19:51. | :19:57. | |
We have got our eye on you, I tell you! | :19:58. | :20:02. | |
We are on an alphabetical journey across the UK to discover some of | :20:03. | :20:07. | |
the best grub in the country, and I am using your suggestions to guide | :20:08. | :20:13. | |
me. As we map the A do Z of British food. You send me loads of | :20:14. | :20:20. | |
suggestions for H. Wendy Jackson suggested I should go to Hastings, | :20:21. | :20:24. | |
while Kimberly suggested Huddersfield. But loads of you | :20:25. | :20:30. | |
suggested Hull. So why am driving over the famous Humber Bridge to | :20:31. | :20:35. | |
visit this year's UK capital of culture. During 2017, Hull was | :20:36. | :20:40. | |
throwing a massive party from illuminating the town hall to | :20:41. | :20:43. | |
thousands of locals stripping naked and painting themselves green and | :20:44. | :20:48. | |
blue, all in the name of art. Just so we are clear, I am definitely not | :20:49. | :20:53. | |
doing that! But I do want to find out more about the food and culture | :20:54. | :20:59. | |
here. It is home to the biggest Yorkshire pudding factory in the | :21:00. | :21:03. | |
world, churning out an amazing 20 million every week. I bet that keeps | :21:04. | :21:13. | |
a certain Aunt busy! Cheers! This former terraced house has played | :21:14. | :21:18. | |
host to some of the country's biggest acts, including Radiohead, | :21:19. | :21:24. | |
Oasis and Pulp. So lots to see, but all this walking around has got me | :21:25. | :21:29. | |
feeling peckish. Maybe the locals at Trinity Market can point me in the | :21:30. | :21:34. | |
right direction for some tasty grub. The chocolate looks amazing, is it | :21:35. | :21:39. | |
all made locally? We make it at our shop. I would love a bar of the | :21:40. | :21:46. | |
berry and white chocolate. What would I have for something savoury | :21:47. | :21:50. | |
in Hull? I would recommend pattie and chips, that is the traditional | :21:51. | :21:56. | |
Hull thing. Pattie, chips, mushy peas. A big part of Hull culture | :21:57. | :22:06. | |
now? Increasingly, people are starting to approve of coffee more. | :22:07. | :22:13. | |
A bit of Italy in Hull. If I am out in Hull for the night, and I want a | :22:14. | :22:19. | |
bite to eat after a few beers, what will I have? Pattie and chips. Which | :22:20. | :22:27. | |
is the best? Bob's that is the best. That is the place to be. Are you the | :22:28. | :22:37. | |
famous Bob Carver? Yes, I am. I don't make them now, my daughter | :22:38. | :22:43. | |
does them now. You make the patties? Could I have a go? If you come | :22:44. | :22:48. | |
around the back, I will show you how. We represent the fourth | :22:49. | :22:53. | |
generation of this family business, and she makes the pattie mix by | :22:54. | :22:57. | |
boiling potatoes, mixing them with a secret recipe of herbs and spices | :22:58. | :23:01. | |
before moulding them into shape. I have heard there is a name that they | :23:02. | :23:05. | |
used to call the women who make them, the name was pattie slap is, a | :23:06. | :23:12. | |
word which would describe the rough and ready girls who made them. Time | :23:13. | :23:19. | |
to get them into shape, and Zoe is using the modern mould, but I am | :23:20. | :23:23. | |
going in for some traditional pattie slapping. Now we fry them. Deep | :23:24. | :23:29. | |
frying in a bit of batter and served in a fresh white cob, a proper | :23:30. | :23:38. | |
pattie butty. Perfect! It is not gourmet, it is good honest food, I | :23:39. | :23:45. | |
love it. That is H for Hull on the map, where will we be heading next? | :23:46. | :23:49. | |
Send your suggestions for the next few letters, we want to sample the | :23:50. | :23:53. | |
best food from your town or village, and we will continue our A to Z of | :23:54. | :24:01. | |
UK food. We are over here any performance | :24:02. | :24:05. | |
area, and Rag'n'Bone Man is here! CHEERING AND APPLAUSE | :24:06. | :24:11. | |
We cannot call you Mr Bone, can we call you Rory? You have got a little | :24:12. | :24:27. | |
Pattie at home, haven't you? Certainly have, she is a little bit | :24:28. | :24:33. | |
wrinkly. Ricky, are you going to have a nibble of this pattie? It is | :24:34. | :24:42. | |
a Hull delicacy. Is this the sort of thing you would be eating on tour? | :24:43. | :24:50. | |
Um... Basically potatoes and bread? A big | :24:51. | :24:56. | |
blob of starch? It wouldn't go well in LA, would it? My body is a | :24:57. | :25:07. | |
temple. Bang goes the Atkins. You were looking quite buff! Forget it, | :25:08. | :25:14. | |
don't even bother. I feel positively clean-shaven amongst you lot as | :25:15. | :25:19. | |
well. It has been a huge week for you, two Brit Awards, the critics' | :25:20. | :25:24. | |
choice award, British breakthrough, no artist has ever achieved that, | :25:25. | :25:29. | |
how did your father help you? Well, he gave me a couple of pints and | :25:30. | :25:35. | |
told me to go on stage. Rag'n'Bone Man will be singing for us soon, I | :25:36. | :25:40. | |
can't wait! They get some great guests on this show, and you should | :25:41. | :25:45. | |
see who they have got next week... And celebrating 20 years of show | :25:46. | :26:12. | |
business, these guys! Say hello! That is almost we have got time for, | :26:13. | :26:16. | |
we have had a fantastic time, a big thank you to Ricky Gervais! And | :26:17. | :26:23. | |
thanks to Rag'n'Bone Man, who is number one album, Human, is also | :26:24. | :26:28. | |
available right now. Don't forget the final title is let it shine | :26:29. | :26:35. | |
tomorrow, but now, with an exclusive performance of his new track, Skin, | :26:36. | :26:37. | |
it is Rag'n'Bone Man! # It was almost love, | :26:38. | :26:39. | |
it was almost love # I'll be thinking | :26:40. | :27:15. | |
about you, about you # When I reached out | :27:16. | :27:55. | |
for your hand # I'll be thinking | :27:56. | :28:01. | |
about you, about you # It was almost love, | :28:02. | :29:00. | |
it was almost love. # What?! | :29:01. | :29:13. | |
We are bringing down your spending. to help people change | :29:14. | :29:25. | |
their spending habits. What?! | :29:26. | :29:28. | |
We are bringing down your spending. | :29:29. | :29:32. |