Browse content similar to 24/10/2012. Check below for episodes and series from the same categories and more!
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Hello and welcome to the One Show. With Jake Humphrey. And Alex Jones. | :00:27. | :00:29. | |
Tonight's guest is forever topping showbiz polls. She's the person | :00:29. | :00:33. | |
we'd most like to share a picnic with. The woman who makes us laugh | :00:33. | :00:38. | |
the hardest. And our secret celebrity crush. So time to crack | :00:38. | :00:42. | |
open the scotch eggs. And for me to personally pucker up. Dawn French | :00:42. | :00:47. | |
is here! CHEERING | :00:47. | :00:54. | |
So nice to see you. Thanks for being here. I must admit, person | :00:54. | :01:00. | |
you'd most like to share a picnic with? You don't want to share with | :01:00. | :01:04. | |
me because I'm extremely greedy. You know, what I really wo. | :01:04. | :01:10. | |
really would. Would you? Yeah. time you were here, we had a bit of | :01:10. | :01:15. | |
a problem, a bit of a problem, you see, she was so proud of her first | :01:15. | :01:21. | |
novel she chained it to her neck and we had to remove it with bolt | :01:21. | :01:25. | |
cutters. We're not saying we don't trust Dawn, however, we did take | :01:25. | :01:32. | |
some extra security measures tonight. I'm on The One Show. | :01:32. | :01:40. | |
Honestly, I have nothing on me. What's that in there? I always | :01:40. | :01:46. | |
carry one... Oh! There's no more. Not another one in there. That's | :01:46. | :01:54. | |
it! Thank you Dawn, you're free to go. How insulting. Honestly. | :01:54. | :02:00. | |
Remarkable. 74 books concealed in one coat. That was something. | :02:00. | :02:05. | |
takes me 18 months to write it. I'm very pleased with it. You want to | :02:05. | :02:09. | |
get the most out of it. Definitely. Do you want me to see what I have | :02:09. | :02:15. | |
hidden... No! Have a look at our lovely audience tonight. All these | :02:15. | :02:19. | |
ladies have one thing in common, can you guess what that is? They're | :02:19. | :02:26. | |
all gorgeous. Yes! They all agree with that. They're all facing the | :02:26. | :02:33. | |
front. No, I don't know. Good guesses. However, the thing that | :02:33. | :02:37. | |
binds these ladies is that they are some of the thousands of women | :02:37. | :02:40. | |
happily bearing almost all in village halls, community centres | :02:40. | :02:44. | |
and theatres across the country at the moment. Justin Rowlatt gets to | :02:44. | :02:49. | |
the bottom of the story. Nice. Snfplts In the year 2,000 a | :02:49. | :02:53. | |
Yorkshire WI group came up with a unique idea to raise money for | :02:53. | :02:57. | |
leukaemia and lymphoma research, a charity calendar, but with a | :02:57. | :03:04. | |
difference. Their story became a worldwide phenomenon and in the 12 | :03:04. | :03:08. | |
years since has seen a hit Hollywood film and millions of | :03:08. | :03:13. | |
pounds raised, but it is on the stage that this story has really | :03:13. | :03:18. | |
endured, becoming the most successful play ever to tour the UK. | :03:18. | :03:23. | |
Now, for 18 months only, amateur dramatic groups like this one in | :03:23. | :03:27. | |
Norfolk, can disrobe and perform this inoperational story for | :03:27. | :03:35. | |
themselves. A script will set you back less than a tenner, but your | :03:35. | :03:40. | |
amateur production must generate �100 per performance. Amanda plays | :03:40. | :03:44. | |
the central character Annie in this production. It's a fabulous | :03:44. | :03:49. | |
opportunity for us, because very rare thaw get so many good parts | :03:49. | :03:54. | |
for ladies and also, we're selling out. People can't get tickets. I | :03:54. | :03:57. | |
think that everyone in the cast has a story that is connected with | :03:57. | :04:02. | |
cancer or knows someone or has lost someone. I hope the original ladies | :04:02. | :04:05. | |
will think we've done them honour and told their story with truth and | :04:05. | :04:08. | |
that we will have conveyed the play is not about stripping, but about | :04:08. | :04:16. | |
loss and friendship. Go and get some chips! Angela Baker is an | :04:16. | :04:19. | |
original calendar girl. It was the sudden loss of her husband John | :04:19. | :04:24. | |
back in 1998 that inspired the whole project. Why do you think the | :04:24. | :04:28. | |
story has endured for so long? think it's because it was older | :04:28. | :04:33. | |
women. It was the WI. How much did you originally set out to raise? | :04:33. | :04:38. | |
were going to sell a thousand calendars at �5 each and raise | :04:38. | :04:42. | |
�5,000. How much money did you make in the end? Somewhere between �3 | :04:42. | :04:46. | |
million to �4 million. What were you expecting from the theatre | :04:46. | :04:49. | |
production having had the Hollywood treatment? We didn't know that it | :04:49. | :04:54. | |
would last so long and then when it was opened to the amateur dramatics, | :04:54. | :05:00. | |
I think 950 have applied to do it. It's the involvement, the community | :05:00. | :05:04. | |
involvement which is just brilliant. Your role, Annie, is hard to play. | :05:04. | :05:10. | |
What advice would you give an actor playing it? They just have to be | :05:10. | :05:15. | |
normal. They have to show the love between each other and the fun that | :05:15. | :05:19. | |
they had as well. I mean, it is tearful, of course, but there's | :05:19. | :05:24. | |
lots of laughter as well. When people go to watch the stage show, | :05:24. | :05:28. | |
hopefully, they'll go home inspired by what we've achieved and what | :05:28. | :05:34. | |
we've done. There's less than an hour until the curtain rises on | :05:34. | :05:40. | |
this, the opening night of the show. I was keen to introduce a bit of | :05:40. | :05:44. | |
surprise inspiration. How's everyone feeling, first of all? | :05:44. | :05:51. | |
Nervous! Angela, would you come on please? Angela is, of course, you | :05:51. | :05:56. | |
will know her as the original Annie. APPLAUSE | :05:56. | :06:00. | |
This is Annie. Angela particularly wanted to speak to Amanda, the | :06:00. | :06:04. | |
person with the toughest role before settling in with the rest of | :06:04. | :06:09. | |
the audience for a very special opening night. Lawrence, we're | :06:09. | :06:11. | |
going to need considerably bigger buns. | :06:11. | :06:21. | |
:06:21. | :06:30. | ||
It look goods fun. A wonderful play for a wonderful cause and suddenly, | :06:30. | :06:35. | |
I'm feeling a little bit overdressed. Please welcome from | :06:35. | :06:39. | |
Norfolk, Sudbury, Bristol and Beckinsfield, our very own Calendar | :06:39. | :06:44. | |
Girls! Lovely to have you all with us tonight. If you're worried for | :06:44. | :06:47. | |
them, don't be, they've done this on stage plenty of times. They're | :06:47. | :06:53. | |
well used to it. If anyone is cold, I'm wearing a jacket especially for | :06:53. | :06:57. | |
you. Let's meet some of you. Sue, first, take us back to the first | :06:57. | :07:01. | |
time that you went in for your dress rehearsal or as I believe you | :07:01. | :07:05. | |
called it your undress rehearsal. Everybody thinks they're the first | :07:05. | :07:10. | |
person to say that joke. they're not. Great. I just chose | :07:10. | :07:13. | |
national television for that moment. You did. You were acting in front | :07:13. | :07:19. | |
of the vicar, what was that like? He came into the back of the hall. | :07:19. | :07:23. | |
We were rehearsing a particularly fruity part of the script. We toned | :07:23. | :07:27. | |
it down. Afterwards, during it, he actually said to our director, have | :07:27. | :07:35. | |
they done the booby bit yet. The Vicar of Dibley have allowed | :07:35. | :07:38. | |
naked rehearsals in the hall? wouldn't be baps big enough I'm | :07:38. | :07:45. | |
afraid. Naughty. Very naughty. APPLAUSE | :07:45. | :07:51. | |
This is Margaret. You're 73 years old, I hope you don't mind me | :07:51. | :07:57. | |
saying that on TV. No. What did your grand kids think TV? My grand | :07:57. | :08:00. | |
daughters and my daughter love today and they're proud of me. | :08:00. | :08:03. | |
you first heard it was going to happen, was it immediately, yes, | :08:03. | :08:07. | |
that's the play for me or did you need a bit of encouraging? No, it | :08:07. | :08:12. | |
didn't take any encouraging really. Straight in there. Absolutely. | :08:12. | :08:15. | |
what was your motivation to get involved? It was very personal for | :08:15. | :08:20. | |
me. My family lost our dad to cancer. My mother worked in the | :08:21. | :08:24. | |
hospice movement and only last year I was diagnosed with early breast | :08:25. | :08:27. | |
cancer. Thankfully I've been successfully treated to take part | :08:28. | :08:31. | |
in the show and raise the profile of cancer care for those who are | :08:31. | :08:34. | |
not so fortunate was really important and very close to my | :08:34. | :08:38. | |
heart. Brilliant. You had great fun and raised lots of money for a good | :08:38. | :08:42. | |
cause. Lots of money. Well done. Round of applause. A great story. | :08:42. | :08:50. | |
Well done. A little bit of Dutch courage indulged in the first time? | :08:50. | :08:54. | |
I imagine standing in the wings before the first performance... | :08:54. | :08:58. | |
know what, the first person to take their clothes off for sha shot got | :08:58. | :09:02. | |
such a tremendous round of applause it cheered us all on. Was it you? | :09:02. | :09:08. | |
No, it was Sarah behind the piano. Well done, Sarah. But it encouraged | :09:08. | :09:13. | |
everyone. She doesn't mind, does she? She's on The One Show as well! | :09:13. | :09:17. | |
Have you got any advice. Some of these ladies haven't yet performed | :09:17. | :09:22. | |
for dealing with the nerves, particularly when naked. Well, I | :09:22. | :09:27. | |
always wear extra big extra strong pants, but they mielgt not be able | :09:27. | :09:35. | |
to do that in this play. Very good. Louise, your mum was one of the | :09:35. | :09:39. | |
original Calendar Girls? She was, Miss January. She was the | :09:39. | :09:42. | |
inspiration for Jessie one of the characters. It was natural for me | :09:42. | :09:47. | |
and having had 12 years of her naked in my kitchen, I thought I | :09:47. | :09:52. | |
could reciprocate so she can have me with some strategically placed | :09:52. | :09:55. | |
buns in her kitchen. Alongside you is Jean. The question that | :09:55. | :09:59. | |
everybody wants me to ask, when you're on stage, playing that piano, | :09:59. | :10:04. | |
are you genuinely, 100% naked? Absolutely, 100% naked, but I can't | :10:04. | :10:09. | |
play the piano. How do you deal with that part TV? It's the magic | :10:09. | :10:13. | |
of theatre. There you go. You're not playing the piano, but you're | :10:14. | :10:17. | |
naked. That's what matters to the people come ago long. Give | :10:17. | :10:23. | |
yourselves a round of applause once more for raising so much money for | :10:23. | :10:26. | |
such a good cause. Good luck to the amateur groups staging Calendar | :10:26. | :10:30. | |
Girls plays here and abroad, just like this group here from South | :10:30. | :10:34. | |
Africa. Isn't that a wonderful photo. I'm not sure whether they've | :10:34. | :10:37. | |
looked behind themselves yet. Good luck to everybody involved. | :10:37. | :10:42. | |
They looked absolutely freedsing. Just to clarify, the lovely ladies | :10:42. | :10:46. | |
behind the piano aren't actually naked, although, Jake would | :10:46. | :10:50. | |
probably like to believe that they are. If you've starred in a | :10:50. | :10:56. | |
calendar girl or as a calendar boy -style calendar, send your pictures | :10:56. | :11:00. | |
to The One Show and we'll show the most decent later. If you're | :11:00. | :11:04. | |
thinking about it, don't think about it, you know what I mean. The | :11:04. | :11:08. | |
question is, would you bear all in a drafty village hall? At a drop of | :11:08. | :11:14. | |
a hat. Would you? Yes. CHEERING | :11:14. | :11:19. | |
Do you have a calendar on your wall? Yes, I do have a calendar. I | :11:19. | :11:24. | |
have a Michael Buble calendar. choice. Love the Buble. It is | :11:24. | :11:28. | |
covered in lots of kiss marks so you can hardly see the Buble | :11:28. | :11:32. | |
through them. The thing is you only have a few months left of Buble | :11:32. | :11:42. | |
:11:42. | :11:45. | ||
2012. That's true. We thought we She's very happy. It's already a | :11:45. | :11:50. | |
little bit mucky. Very happy. Now, over the past few weeks One Show | :11:50. | :11:53. | |
viewers have been salute stars responding to a rallying calls for | :11:54. | :11:58. | |
volunteers to help with great local causes. Tonight, we've got a | :11:58. | :12:03. | |
particularly big ask, a commitment that could last a lifetime. Lucy is | :12:03. | :12:13. | |
in Gilberdyke just outside Hull. I'm in Hull where I've been told | :12:13. | :12:20. | |
there's a problem that's very close to my heart. So Gerry greens dog | :12:20. | :12:27. | |
rescue, what is my mission? We have 34 kennels. We need those dogs | :12:27. | :12:31. | |
rescuing so we can take more dogs. The kennels are full. We have an | :12:31. | :12:36. | |
open day. The more oomph you can give us the better. Let's get some | :12:36. | :12:41. | |
of these dogs rehomed. We can do this. We have to get these guys out | :12:41. | :12:44. | |
of kennels and into families. The key is getting people to meet them. | :12:44. | :12:51. | |
So me and the team hit the streets to spread the word. I even got my | :12:51. | :12:55. | |
own little companion. Hello? Do you have a dog? We're having an open | :12:55. | :13:01. | |
day. Please come if you can. She's very sweet. She needs a home. Do | :13:01. | :13:07. | |
you have a dog? No. Not yet. yet?! See you there. | :13:07. | :13:12. | |
Normally it's really easy to do the leafleting, but it's been quite | :13:12. | :13:18. | |
hard work with lety. But there is more than one way to rehome a dog. | :13:18. | :13:21. | |
Now apparently this is Hull's most popular tourist attraction. I'm | :13:21. | :13:27. | |
going to turn some fish lovers into dog lovers. I'm determined to make | :13:27. | :13:36. | |
a splash, so I've called in a favour. Back on the surface, not a | :13:36. | :13:40. | |
minute was wasted in getting the message out there. Good afternoon | :13:40. | :13:44. | |
everybody, it's Lucy Siegle here from The One Show and I need your | :13:44. | :13:49. | |
help. Can you give a dog a home? That was brilliant. Hardly any | :13:49. | :13:54. | |
flyers left. East park is a popular dog walking route, but things were | :13:54. | :13:58. | |
pretty quiet, so I will do anything to get this message out there and | :13:58. | :14:04. | |
so will my canine friend. Woof. We'd love to talk to you about | :14:04. | :14:08. | |
rehoming dogs. Come along. It's going to be a lot of fun. We will | :14:08. | :14:15. | |
be at Gilberdyke Gerry green dog rescue between noon and 5pm. This | :14:15. | :14:19. | |
is the last push, where else would you go in Hull on a Saturday night | :14:19. | :14:29. | |
:14:29. | :14:34. | ||
A short announcement from The One Show. We need your help, everybody. | :14:34. | :14:42. | |
Can you give a dog a home? OK, it is obviously a different audience. | :14:42. | :14:47. | |
They are young and cool but I think we connected for a few seconds. I | :14:47. | :14:52. | |
was not going to give up there so I got my its skates on and hit the | :14:52. | :14:59. | |
ice. I think we can all agree that I | :14:59. | :15:05. | |
have pushed myself to the limits, well, my limits anyway. Now I just | :15:05. | :15:09. | |
need people to come to the open day. Fingers crossed. | :15:09. | :15:13. | |
The people of Hull did not disappoint. The open day is packed. | :15:13. | :15:18. | |
David, you must be pleased with this? We have so many people and so | :15:18. | :15:23. | |
much interest, the proof of the pudding is how many people will see | :15:23. | :15:28. | |
the dogs they want to take and go through the refining process. | :15:28. | :15:31. | |
you have some potential families for these dogs? Are we have a | :15:31. | :15:37. | |
greyhound which has had some interest shown in him. Comeback in | :15:37. | :15:40. | |
a couple of weeks' time and we will have a live here and we will have | :15:40. | :15:47. | |
the dogs and families going home together. | :15:47. | :15:52. | |
Well, Lucy has been missing little Lexi but it is OK because she has | :15:52. | :15:56. | |
been reunited with Pat and she is back in Gilberdyke right now. But | :15:56. | :16:01. | |
the reunion may be short-lived because she has some news for us. | :16:01. | :16:08. | |
Yes, good evening. I am going to be reunited with the beautiful Lexi | :16:08. | :16:12. | |
but briefly, because she has got a new home and we will see that later. | :16:12. | :16:16. | |
It will be noisy this evening because the dogs are almost as | :16:16. | :16:23. | |
excited as I am. I want to catch a quick word with David Faulds who | :16:23. | :16:27. | |
runs the centre. Did you make it -- did we make a difference? A huge | :16:27. | :16:32. | |
difference. We have re-homed 12 dogs which is the twice the number | :16:32. | :16:37. | |
that we would normally. That is really good. It is not just a | :16:37. | :16:42. | |
question of people saying I won that dog, is it? Not at all. We go | :16:42. | :16:47. | |
through a strict process to make sure we have the right person. | :16:47. | :16:53. | |
want great homes. We do. Just like the home you have for Charlie. | :16:53. | :16:57. | |
Lovely Charlie. This is Brian and Jean. How are are you getting on | :16:57. | :17:05. | |
with him? He is made for us. really was. I know your dog died | :17:05. | :17:10. | |
not very long ago and you said no to getting another dog and then you | :17:10. | :17:14. | |
saw him. What made the difference? We fell in love with him | :17:14. | :17:18. | |
straightaway. Absolutely marvellous. You look so good together. I think | :17:18. | :17:24. | |
you will be very happy together. Join me later on when we will be re | :17:24. | :17:29. | |
honing the lovely Lexi and the divine either. See you then. | :17:29. | :17:35. | |
I am certain Lexi will leave with about 50 new jobs. To isn't it | :17:35. | :17:40. | |
lovely. You see dogs which have not got a home and then you see Charlie | :17:40. | :17:45. | |
with some loving parents. Iron-clad you did not have any docks in the | :17:45. | :17:50. | |
studio because I would take them home. I have got a little West the | :17:50. | :17:56. | |
called Dolly. She caught a rat in my kitchen the other day. It is not | :17:56. | :18:01. | |
like I have got a dirty kitchen, ladies! Because I live near the sea | :18:01. | :18:08. | |
there are water rapids. Iraq was nearly as big as the dog. And how | :18:08. | :18:14. | |
did you deal with that? Somebody else, somebody Manley dealt with it. | :18:14. | :18:22. | |
Shall we talk about the new book? Moving on! It is called Oh Dear | :18:22. | :18:28. | |
Silvia, it is monologues to a lady called Silvia who is in a coma. I'm | :18:28. | :18:32. | |
halfway through. Can you say how the plot revolves? I will not tell | :18:32. | :18:38. | |
you too much because there is a big secret at the Central bit which | :18:38. | :18:42. | |
unravels as the book goes on. Because Silvia has come of this | :18:42. | :18:47. | |
balcony and we are not sure why, I wanted to write a character who did | :18:47. | :18:51. | |
not speak as my central character. I went to Ealing hospital and I | :18:51. | :18:55. | |
talked to the doctors there in the intensive care unit and they told | :18:55. | :19:00. | |
me about comas and how they worked. They said they encourage the | :19:00. | :19:04. | |
families and friends to talk to the person, just in case they can here | :19:04. | :19:11. | |
and because it helps the visitors. So this gave me the idea, to have | :19:11. | :19:14. | |
people speaking very privately, very personally to somebody who | :19:14. | :19:19. | |
does not speak back. We get to put together the composite character of | :19:19. | :19:24. | |
Silvia, through the other characters who are talking to her. | :19:24. | :19:28. | |
I am loving reading the book but when you tried to bring Silvia out | :19:28. | :19:31. | |
of the coma, you do not just talk to her, you come up with | :19:31. | :19:37. | |
interesting ways of breaking became a. Way to come up with these ideas? | :19:37. | :19:44. | |
I decided to give Silvia a sister called Jo. She brings a stripper in. | :19:44. | :19:50. | |
She summons angels to help her. She does all sorts of therapy like | :19:50. | :19:55. | |
Animal therapy where she smuggles animals in and places them around | :19:55. | :20:01. | |
the room and lots of hilarity ensues. It is very funny. | :20:01. | :20:04. | |
characterisation is amazing because each chapter is like a monologue | :20:04. | :20:09. | |
and you have gone to town to make the characters are so different. | :20:09. | :20:14. | |
Was that difficult? Was. I wanted to have lots of voices in there. | :20:14. | :20:19. | |
There is a Jamaican character and an Irish character and an | :20:19. | :20:22. | |
Indonesian character and a little four-year-old. There is a theme | :20:22. | :20:27. | |
running through this book about love, really, and the loss of it | :20:28. | :20:34. | |
and forgiveness. We find out things but Silvia and we cannot understand | :20:34. | :20:37. | |
why she is being so brittle and her life and gradually we find out why | :20:37. | :20:44. | |
she has. But, I suppose, I read an autobiography a while back which | :20:44. | :20:49. | |
was in the form of letters and the last novel I wrote was diary | :20:49. | :20:54. | |
entries. I realised this is how I write. I get inside the character | :20:54. | :21:00. | |
and become the character. I like to write inside it and write back | :21:00. | :21:05. | |
character out loud. I speak it out loud before I write it down. I did | :21:05. | :21:10. | |
do a silly thing with his book in that I have given several | :21:10. | :21:15. | |
characters in this book jobs which I knew nothing about. So there is a | :21:15. | :21:19. | |
woodsmen and a nurse and lots of things I have had to do research. I | :21:19. | :21:23. | |
could not start writing it for months because I had to do the | :21:23. | :21:27. | |
research. Lesson learnt! I know you spent a lot of time in hospital | :21:27. | :21:32. | |
writing the book because your mum was not very well, how important is | :21:32. | :21:38. | |
that to take personal experiences? Was that motivation? Yes, I knew | :21:38. | :21:43. | |
the story of this book before my mum became ill but my mum being in | :21:43. | :21:47. | |
hospital and dying subsequently sadly in March really formed a lot | :21:47. | :21:50. | |
of what was in this book. I abandoned the writing when my mum | :21:50. | :21:56. | |
was sick but there was one day when my mum was very ill and she woke up | :21:56. | :22:01. | |
and she turned to me and said, why aren't you writing? She said, you | :22:01. | :22:06. | |
were writing this stuff. And I thought, I would not wish for my | :22:06. | :22:11. | |
mum to die to write this book but on the other hand, I thought, OK, I | :22:11. | :22:14. | |
will write it with complete truth and honesty. Some of it was very | :22:14. | :22:20. | |
difficult for me. At the beginning of the book is a lovely dedication | :22:20. | :22:30. | |
:22:30. | :22:30. | ||
which we can see. Are we allowed to ask who this is? You do not have to | :22:30. | :22:38. | |
answer! Is it a manly man who deals with the dock? Yes, he is my true | :22:38. | :22:45. | |
love. I never thought I would see the day when Dawn French was a shy! | :22:45. | :22:50. | |
I know you write in longhand and Jackie Collins has been on The One | :22:50. | :22:54. | |
Show and she said she writes in longhand. She has been doing it for | :22:54. | :23:01. | |
longer than a. But we worked at you two have a lot more in common. | :23:01. | :23:06. | |
we look good in leopard skin? What is it?! | :23:06. | :23:10. | |
My name is Jackie Collins and you had better watch out because it is | :23:10. | :23:17. | |
hot, steamy and it is coming to your screen soon. Yes, it is my new | :23:17. | :23:27. | |
Blockbuster Lucky Bitches. APPLAUSE. Oh, happy days! Were when | :23:27. | :23:33. | |
you slip into that Wiggett, did you embrace the spirit of Jackie -- | :23:33. | :23:43. | |
that wig? Joan of the Saunders does a good impression on tour. We heard | :23:43. | :23:48. | |
a rumour that you may be getting back together? We want to do | :23:48. | :23:52. | |
something together but we do not know what it is. We might write a | :23:52. | :24:01. | |
film together but not sure. Dawn's new book Oh Dear Silvia is out my. | :24:01. | :24:05. | |
Every year since 1921, the puppy has been worn as a symbol of | :24:05. | :24:08. | |
remembrance. The Royal British Legion has launched there Poppy | :24:08. | :24:15. | |
Appeal. The there are other symbols of remembrance in like the | :24:15. | :24:20. | |
repatriation Bell from Brize Norton. But deep below the icy seas is | :24:20. | :24:25. | |
another bell. Joe follows the remarkable story. | :24:25. | :24:29. | |
It is over 70 years since the sinking of HMS Hood not far from | :24:29. | :24:34. | |
here off the coast of Iceland. It was the single most devastating | :24:34. | :24:40. | |
loss of life ever suffered by a British warship. Now the crew of a | :24:40. | :24:43. | |
very different vessel is waiting in the same waters to begin a mission | :24:43. | :24:48. | |
which will write a new chapter in the ship's history. A very poignant | :24:48. | :24:56. | |
part of the ship's wreckage is to be salvaged from the ocean's depths. | :24:56. | :24:59. | |
During the Second World War, the German navy attempted to cut | :24:59. | :25:02. | |
Britain off by patrolling the seas around Europe and targeting Allied | :25:02. | :25:12. | |
:25:12. | :25:13. | ||
convoys. HMS Hood was sent to confront the German battleship | :25:13. | :25:18. | |
Bismarck in the North Atlantic. On 24th May 1941, a brief but fierce | :25:18. | :25:23. | |
confrontation took place. It became known as the Battle of Denmark | :25:23. | :25:33. | |
:25:33. | :25:44. | ||
Only three of the 1418 crew survived the attack that day. Why | :25:44. | :25:49. | |
is the memory of HMS had some important? I think it is important | :25:49. | :25:54. | |
to remember how catastrophic it was for the country. Hood was the | :25:54. | :25:58. | |
iconic symbol of the Royal Navy in the Inter war years. She was the | :25:58. | :26:03. | |
largest ship built for the Royal Navy. To use -- to lose a ship that | :26:03. | :26:11. | |
size, was catastrophic not just to the Royal Navy, but to the country. | :26:11. | :26:19. | |
Now with the help of this 414 for it mega yacht of the Octopus, a | :26:19. | :26:29. | |
:26:29. | :26:32. | ||
major operation is under way to retrieve the ship's Bell. The yacht | :26:32. | :26:36. | |
has an underwater remotely operated vehicle which will explore the sea | :26:36. | :26:43. | |
bed to locate and salvage the bail. How tricky is this operation? | :26:43. | :26:48. | |
perfect conditions, it would be relatively straightforward but | :26:48. | :26:53. | |
time-consuming. Combined with the water depth and recovering at | :26:53. | :26:58. | |
fairly heavy object to the surface and getting kissed with the bell on | :26:58. | :27:04. | |
board, the seas are not like the Mediterranean in the summer, put it | :27:04. | :27:12. | |
away. The wreck lives 2,800 metres down in icy waters. The recovery of | :27:12. | :27:18. | |
HMS Hood's Bell is much more than a salvage operation. It is a mission | :27:18. | :27:24. | |
of remembrance. James Warren was just 4.5 when his father, John, and | :27:24. | :27:31. | |
navigator on HMS Hood was lost in action. So many people lost their | :27:31. | :27:34. | |
fathers in war and in unmarked graves around the world, the fact | :27:34. | :27:40. | |
that you can come to the site is very important. What does this | :27:40. | :27:48. | |
salvage operation mean to you? Absolutely fundamental because my | :27:48. | :27:54. | |
children and grandchildren and their children, it is a fundamental | :27:54. | :28:02. | |
link. A place they can go and remember? | :28:02. | :28:12. | |
The operators locate the bail. It looks tantalisingly get the ball. | :28:12. | :28:18. | |
But the Bell refuses to come free. Infuriatingly, after 10 days of | :28:18. | :28:22. | |
worsening weather and treacherous currents, the mission has to be | :28:22. | :28:32. | |
aborted. We meet here to commemorate... As a mark of respect, | :28:32. | :28:36. | |
1418 rose petals were scattered over the war grave in memory of the | :28:36. | :28:40. | |
men who died in the sinking and each of the survivors who have | :28:40. | :28:50. | |
:28:50. | :28:57. | ||
since it all passed away. So close. It isn't over yet. They will have | :28:57. | :29:03. | |
another go next year. It has been done before. Ten years ago, 2002, | :29:03. | :29:07. | |
the bell from a ship called HMS Prince of Wales was brought up. HMS | :29:07. | :29:12. | |
Prince of Wales had served alongside HMS Hood on the Denmark | :29:12. | :29:16. | |
strait at the time when Hood was sunk. Prince of Wales survived, | :29:16. | :29:20. | |
went over to take part in the war against Japan, but alas was sunk by | :29:20. | :29:24. | |
the Japanese off Singapore in October of the same year. But its | :29:24. | :29:30. | |
bell was retrieved and the hope is that two years' from now both bells | :29:30. | :29:34. | |
will be side by side in the new wing at the National Museum of the | :29:34. | :29:40. | |
Royal Navy in Portsmouth. Let's hope so. People like to have the | :29:40. | :29:44. | |
bell as a symbol. On a ship the bell is significant. It's there on | :29:44. | :29:48. | |
the quarter deck. It's a central point, when they have church | :29:48. | :29:51. | |
services on the ship, that's where they muster around the bell. It's | :29:51. | :29:56. | |
the bell that tolls the time. It's central to the life of a ship. The | :29:56. | :30:01. | |
ship's name is on the bell. That bell symbolises the ship. So | :30:01. | :30:04. | |
bringing it up from the ocean's depths will be a very wonderful | :30:04. | :30:12. | |
thing, if it can happen. A long time ago they even used the bell to | :30:12. | :30:17. | |
christen children. It's a lovely idea. The captain of a ship could | :30:17. | :30:20. | |
decide yes, you could be baptised, it could be a font, some bells were | :30:21. | :30:27. | |
used as fonts, filled with water and then the chaplain would conduct | :30:27. | :30:33. | |
the ceremony dunking the baby in a bell. I love to dunk a baby in a | :30:33. | :30:42. | |
bell now and again. You've done more Christianings -- cystenings. | :30:42. | :30:48. | |
was asked to do score sixes, real cystenings and to marry people. | :30:48. | :30:52. | |
asked to you marry me, but that was a different matter. Is that people | :30:52. | :30:56. | |
who watched the Vicar of Dibley and got confused. Yes exactly that. I | :30:56. | :31:00. | |
hope that's what it is! I have no other qualifications. Thank you for | :31:00. | :31:06. | |
coming in. Statistically speaking, many people find statistics hard to | :31:06. | :31:10. | |
decipher. Even the experts say that many facts and figures are | :31:10. | :31:20. | |
mindbogglingly misleading. figure was unusually high at 5.2%... | :31:20. | :31:24. | |
Every day we're bombarded with a deluge of data. Government sources | :31:24. | :31:29. | |
believe that �14 billion... expect to see around 500,000 | :31:29. | :31:33. | |
fewer... As an economist I'm fascinated by numbers and by what | :31:33. | :31:38. | |
we can learn from them. But I'm worried about how easy it is to get | :31:38. | :31:43. | |
or be given the wrong end of the statistical stick. So I'm going to | :31:43. | :31:48. | |
carry out a simple statistical experiment for The One Show. I'm | :31:48. | :31:52. | |
thinking of standing for election. I've got a policy you're going to | :31:53. | :31:58. | |
love, a �500 million tax cash back over the course of the next | :31:58. | :32:02. | |
Parliament for every income taxpayer in the country. Impressed? | :32:02. | :32:09. | |
It's all about big numbers. And how we use them. Would you vote for | :32:09. | :32:14. | |
this? Sure wo. It would be crazy if I didn't. It's a lot of money | :32:14. | :32:18. | |
very impressive. Where does it come from? I'll find it somewhere. | :32:18. | :32:21. | |
George Osborne has left it tucked behind the back of the sofya. | :32:21. | :32:25. | |
that's good. I'll vote for you. no brainer. Cool idea. Wonderful. | :32:25. | :32:30. | |
Two votes in the bag. What we should really be asking is whether | :32:30. | :32:40. | |
this big number is really a big deal and who better to tell us than | :32:40. | :32:44. | |
Andrew Dilnot who oversees the Office for National Statistics. | :32:44. | :32:52. | |
It's worth looking at the numbers. �500 million. How long is a | :32:52. | :32:56. | |
Parliament? Typically five years. We can do that sum, that means �100 | :32:56. | :33:01. | |
million a year. Is that a lot or a little? Well there are 60 million | :33:01. | :33:06. | |
people in the country and I happen to know about half of them pay | :33:06. | :33:09. | |
income tax. So about 30 million people are going to be getting this | :33:09. | :33:12. | |
money. We have to take �100 million and split it between 30 million | :33:12. | :33:19. | |
people. That's about �3.30 per person per year or put it another | :33:19. | :33:26. | |
way, that's a little bit less than one penny a day per person. Soy | :33:26. | :33:30. | |
think you're going to need to find some reasons other than giving a | :33:30. | :33:36. | |
bit less than a penny a day to vote for you. Is this a vote winner? | :33:36. | :33:39. | |
No. Not a chance. Not very interested? No, good luck for you. | :33:39. | :33:47. | |
Thank you. Oh, well. According to official statistics, fewer than one | :33:47. | :33:55. | |
in five of us just 17% believe politicians don't interfere with | :33:55. | :33:58. | |
official statistics. It's part of BBC home editor Mark Easton's job | :33:58. | :34:06. | |
to keep an eye out for dodgy data. If you go back a little while the | :34:06. | :34:10. | |
politicians and stastigss worked together. At the Home Office they | :34:10. | :34:13. | |
would publish crime statistics and the Home Secretary would say it's | :34:13. | :34:17. | |
wonderful news. We didn't trust the statistics or the politicians | :34:17. | :34:21. | |
either. Now what's happened is that we've separated the two out. We | :34:21. | :34:27. | |
have the departments, but we have the ONS, which is independent of | :34:27. | :34:31. | |
Government. That doesn't mean that they're always perfect, but it mean | :34:31. | :34:34. | |
that's their interest is in trying to get the statistics right, not | :34:34. | :34:39. | |
interested in trying to sell a political message. Last year, the | :34:39. | :34:43. | |
Office for National Statistics crunched the numbers from an | :34:43. | :34:47. | |
astonishing 26 million questionnaires and surveys. We've | :34:47. | :34:51. | |
got to have statistics, otherwise you don't know what you're dealing | :34:51. | :34:53. | |
with. You can't describe the size of the country without using a | :34:53. | :34:57. | |
number. You need to know how many people are unemployed. You need to | :34:57. | :35:01. | |
know what's happening with migration. At a more personal level, | :35:01. | :35:04. | |
we need to decide where we're going to live, whether the house we're | :35:04. | :35:07. | |
thinking of buying is worth what it's on the market for, where we | :35:07. | :35:11. | |
might want to send our children to school, which hospitals we want to | :35:11. | :35:15. | |
use - in all these areas we're relying on statistics, data, on | :35:16. | :35:20. | |
knowing what the world looks like. I think the trick is to ask where | :35:20. | :35:23. | |
the numbers come from and whether they've been manipulated to spin a | :35:23. | :35:28. | |
line. This is one of my personal favourites - three out of five One | :35:28. | :35:35. | |
Show viewers vote Tim, the UK's top TV presenter. Of course, it's self- | :35:35. | :35:38. | |
selected nonsense, I only asked five people. One was my wife and | :35:38. | :35:44. | |
two were my daughters. Statistics can help us make sense of the world. | :35:44. | :35:48. | |
But only if we learn how to read them. | :35:48. | :35:52. | |
Thank you very much Tim. And a man who has to plough his way through a | :35:52. | :35:57. | |
few statistics in his time is the BBC's political editor, Nick | :35:57. | :36:01. | |
Robinson. I had hair before I had to go through those statistics. It | :36:01. | :36:09. | |
just fell out in boredom. What's the most creative politician has | :36:09. | :36:11. | |
been with statistics? Have you noticed that when politicians say | :36:11. | :36:16. | |
what we want to do is put taxes on the people who can really pay for | :36:16. | :36:21. | |
it and afford it. What they say to the public is, let's have a | :36:21. | :36:25. | |
millionaires tax on a tycoon tax or a tax on mansions. They never say, | :36:25. | :36:30. | |
shall we have a tax on the likes of you and me here. How many | :36:30. | :36:33. | |
millionaires are there and tycoons? How many mansions are there? | :36:33. | :36:37. | |
They're not -- there are not nearly enough to raise the sort of money | :36:37. | :36:42. | |
you would have to to make a difference. They may be a good idea | :36:42. | :36:46. | |
in themselves. Some people will think so, others won't. But it's | :36:46. | :36:50. | |
deceptive to say to people, look if only we sorted out the millionaires | :36:50. | :36:55. | |
it will be fine. I'm glad you are there to decipher it for us every | :36:55. | :36:58. | |
evening. I love the book Life of Birds. One thing that I thought was | :36:58. | :37:03. | |
interesting was -- life on Downing Street. One thing I thought was | :37:03. | :37:09. | |
interesting was the job, the political reporter which once would | :37:09. | :37:16. | |
have got you in the tower of London. I get asked why do you appear in | :37:16. | :37:20. | |
Downing Street. Quite often the Prime Minister isn't there and I | :37:20. | :37:23. | |
have an umbrella and it's cold. One reason is we're here where all the | :37:23. | :37:26. | |
BBC studios are, it's with an hour from Westminster where I work day | :37:26. | :37:31. | |
to day. Nonch reason is I'm there is precisely because of what you've | :37:31. | :37:34. | |
said, I'm there because I can be. When you look at the history you | :37:34. | :37:37. | |
discover there were people imprisoned because they reported | :37:37. | :37:41. | |
what was said in Parliament. It was against the law. One man who | :37:41. | :37:45. | |
printed a speech discovered that the speech of an MP that was | :37:45. | :37:48. | |
printed was actually burnt by the common hangman because it was | :37:48. | :37:52. | |
inappropriate. There was a riot outside Parliament in 1770 when the | :37:52. | :37:56. | |
printers of an MP's speech were thrown into the tower because it | :37:56. | :37:59. | |
was the wrong thing to do. Even when radio and telly were invented, | :37:59. | :38:04. | |
there were all sorts of rules, I will tell you one, a 14-day rule, | :38:04. | :38:08. | |
anything discussed by MPs couldn't be discussed on a sofa, on a telly | :38:08. | :38:13. | |
programme or radio for 14 days, because MPs... Thank goodness | :38:13. | :38:20. | |
things have changed. Your book launched last week. You have your | :38:20. | :38:23. | |
friends because Ed Balls and George Osborne bought you a special gift. | :38:23. | :38:28. | |
They didn't buy it, but they were at the party. Wrong information. | :38:28. | :38:30. | |
George Osborne, it was last night the launch party. George Osborne | :38:30. | :38:34. | |
and Ed Balls were amongst politicians, people from the BBC, | :38:34. | :38:37. | |
who kindly came there, a lot of people going r, they in the room | :38:37. | :38:43. | |
together, will they not fight? love to see that. I was made a | :38:43. | :38:47. | |
rather nice cake. That's lovely. We've got it here. That's | :38:47. | :38:54. | |
impressive. APPLAUSE | :38:54. | :39:00. | |
Is my nose really that big? No. We promise you. You have a dinky nose. | :39:00. | :39:04. | |
What was the nature this afternoon cake on the inside? It was a big | :39:04. | :39:11. | |
chocolate cake. Was it? And you've not brought any with you tonight? | :39:11. | :39:16. | |
You've eaten it all yourself in a selfish way. My children are | :39:16. | :39:20. | |
watching tonight with large, not slices, but slabs. Let them eat | :39:20. | :39:23. | |
cake. I'm interested that the politicians turned up because | :39:23. | :39:26. | |
journalists and politicians go back a very long way, as we can now | :39:26. | :39:31. | |
enjoy. Mr Crawford, it's your election | :39:31. | :39:38. | |
call to Mrs Thatcher. I can't see him, can I only hear him. That's | :39:38. | :39:45. | |
right. He's on the telephone. sources say this is not a normal | :39:45. | :39:49. | |
campaigning trip, but three days out from an election, how can it be | :39:49. | :39:54. | |
seen as anything different? Is that not something which is your | :39:54. | :39:58. | |
responsibility? No. Is there anything... It's not my | :39:58. | :40:01. | |
responsibility. Is there anything that's the responsibility... Hold | :40:01. | :40:08. | |
on, just calm down. No, no, you said... Listen to the answer. | :40:08. | :40:18. | |
:40:18. | :40:21. | ||
LAUGHTER Clearly arranging to meet somebody | :40:21. | :40:27. | |
late thaer evening. You naughty boy. You never know when the cameras are | :40:28. | :40:32. | |
rolling. That was the headline shot around the world, on BBC World News, | :40:32. | :40:38. | |
"Going live now, the BBC..." Me going. It wasn't beer, I was asking | :40:38. | :40:43. | |
people whether they wanted a cup of coffee. Of course you were, yeah. | :40:43. | :40:47. | |
In the book you talk about you having a run-in with a banner. We | :40:47. | :40:52. | |
have the clip first. What the Chancellor did was try to write a | :40:52. | :40:56. | |
story today, that he is seeking to deal with the deficit, protecting | :40:56. | :41:00. | |
health and education, overseas aid for example and he's doing it by | :41:00. | :41:05. | |
cutting welfare and cutting waste. He will not write the next chapters | :41:05. | :41:08. | |
in this story. That's the moment that the bannary peered on the news. | :41:08. | :41:12. | |
What we haven't shown is what happened after you finished | :41:12. | :41:14. | |
broadcasting. Would you like to share that story? I'm not entirely | :41:14. | :41:18. | |
proud of this story. After I came off air, you have to understand | :41:18. | :41:22. | |
that banner is closer, even than it looks, it's like here, behind | :41:22. | :41:26. | |
youred head. I think it's fair to say I was less than entirely | :41:26. | :41:30. | |
pleased with the person and he had gone to a lot of trouble to get it. | :41:30. | :41:35. | |
It was on a 12-foot pole. I was on a stage. I did look at it. I looked | :41:35. | :41:42. | |
briefly, I thought, can I? Shall I? I grabbed it and I did break it in | :41:42. | :41:46. | |
half. We think you've inspired our Dave, who is over there... | :41:46. | :41:56. | |
:41:56. | :41:59. | ||
Be off with you, Dave. We should just ignore him. He's lucky he's | :41:59. | :42:03. | |
not here, I'd have it. You must have met some amazing characters | :42:03. | :42:10. | |
over the years, particularly your relationship with George W. | :42:10. | :42:15. | |
you're in my job, you think he was great. He was an incredible | :42:15. | :42:19. | |
character. He used to say amazing things. Once I was doing a news | :42:19. | :42:22. | |
conference outside in the hot sunshine. I'd been waiting for | :42:22. | :42:26. | |
about two hours. I don't have a lot of hair. Nobody had told me we were | :42:26. | :42:30. | |
going to be outside. It's hot, sunny, my head is going red. The | :42:30. | :42:33. | |
President says at end of the conference, with Gordon Brown, he | :42:33. | :42:38. | |
looks at me and says "Next time, you should cover your bald head." I | :42:38. | :42:42. | |
thought, this is unbelievable, this is live on national television. So | :42:42. | :42:46. | |
as he walked off and doing a photo opportunity, I'm like the clever | :42:46. | :42:51. | |
kid in class, I said, "I didn't know you cared." Thinking he | :42:51. | :42:55. | |
wouldn't hear. He's walking for his photo opportunity, there's Marine | :42:55. | :43:01. | |
One, the presidential helicopter, looking over his shoulder and he | :43:01. | :43:05. | |
said, "I don't." Loads of other stories as well in the book, Live | :43:05. | :43:12. | |
From Downing Street is out tomorrow. The same day as Dawn's, let book | :43:12. | :43:15. | |
wars commence. Kim Woodburn is best known for cleaning up other | :43:15. | :43:18. | |
people's mess in How Clean Is Your House?. However her own childhood | :43:18. | :43:27. | |
home was a far from happy one. My name is Kim Woodburn. I lived in | :43:27. | :43:32. | |
Suffolk Road until I was 11-and-a- half. I didn't have the happiest of | :43:32. | :43:36. | |
childhoods to say the least. Why I feel tense I don't know, but we'll | :43:36. | :43:46. | |
:43:46. | :43:58. | ||
Oh, my word. How strange it is -- to be here. The front room, we | :43:58. | :44:02. | |
never used it. It was for best. I have to tell you, this house is not | :44:02. | :44:06. | |
a house of good memories for me. People can move in, which they've | :44:06. | :44:11. | |
obviously just done and make it happy, by golly it needs it. | :44:11. | :44:21. | |
:44:21. | :44:25. | ||
This is the house which taught me how to clean. I really do like | :44:25. | :44:30. | |
cleaning. If I could get a mark off the wall as a child, I thought I | :44:30. | :44:37. | |
had done good. We used to roll bits of paper tight, throw them on the | :44:37. | :44:42. | |
fire and then we would like it with a bit of cold and we would have a | :44:42. | :44:50. | |
newspaper up. My father was 21. He was a Royal Marine and my mother | :44:50. | :44:56. | |
was 16. Romance blossomed. It did in the war. She had my sister in | :44:56. | :45:03. | |
1940 and me in 1942. It was a very dysfunctional household. I know | :45:03. | :45:07. | |
mother and father did not get on. They rowed and fought and screamed. | :45:07. | :45:13. | |
My father divorced her. She became brutal and horrible. She drank a | :45:13. | :45:18. | |
lot. She argued and fought. The police were constantly at the door. | :45:18. | :45:23. | |
She hated me. She used to be the hell out of me with coat-hangers | :45:23. | :45:28. | |
and carpet Brasher's. She said, I never wanted you. When you were | :45:28. | :45:38. | |
:45:38. | :45:54. | ||
born, I should have sent you back. She could not bear to look at me. | :45:54. | :45:59. | |
She said, you was so like your father. | :45:59. | :46:05. | |
They say you do not miss what you have never had, but you do. You see | :46:05. | :46:10. | |
it all around you. You see other parents with -- other children with | :46:10. | :46:17. | |
parents fussing over them. I still long for the mother up I never had | :46:17. | :46:25. | |
and the father. My mother died in 2000. She was being buried. The | :46:25. | :46:31. | |
Priest started talking and said, we are here today... And her children. | :46:31. | :46:37. | |
He said, Gloria, Robert, Neil. He read everybody's name out and not | :46:38. | :46:47. | |
:46:48. | :46:51. | ||
mine. I was really... It hurt me terribly. My mother was a very | :46:51. | :46:58. | |
temperamental woman, given to these a shocking outrages. But I got | :46:58. | :47:08. | |
through it, didn't I? Any person who has been in the deepest valley | :47:08. | :47:13. | |
can know what it is like to stand on the tallest mountain and I feel | :47:13. | :47:18. | |
like that is me. I have been in a very deep valley. It has shaped me | :47:18. | :47:23. | |
as a person but I'm like being on the tallest mountain. I am not | :47:23. | :47:33. | |
:47:33. | :47:50. | ||
going back down there. I like it up Thanks to Kim for sharing her story. | :47:50. | :47:55. | |
That was therapeutic in some ways going back there. And I would like | :47:55. | :47:59. | |
to see how that house looks when it is finished. You must have been | :47:59. | :48:06. | |
cleaning like mad when you were a little girl because you had an | :48:07. | :48:11. | |
important visitor, didn't you? yes, the Queen Mother came to our | :48:11. | :48:18. | |
house. My dad was in the RAF. Normally, any royalty that came | :48:18. | :48:23. | |
when to visit... I am terrified that that point! I will tell you | :48:23. | :48:28. | |
why. Oddly, I cannot quite believe this but the Queen Mother had black | :48:28. | :48:33. | |
teeth. I do not think she had them for long after that. Was at a | :48:33. | :48:42. | |
fashion? Not a fashion. I was thinking, where is the Crown? I was | :48:42. | :48:48. | |
only four. But she smiled and she had black teeth and it terrified me. | :48:48. | :48:55. | |
Had she been eating liverish? could not bring myself to ask her? | :48:55. | :49:00. | |
I was dumbstruck. I have not been since then. How would you form that | :49:00. | :49:05. | |
question? I ask questions for a living but I cannot see that one. | :49:05. | :49:10. | |
And not even you could pull that off. Earlier, we asked you a | :49:10. | :49:13. | |
question to send in your own pictures of Calendar Girls. Some | :49:13. | :49:18. | |
impressive melons here. Mrs March from Tunbridge Wells. What a good | :49:18. | :49:23. | |
photo, good luck with your production. This is a bit weird. | :49:23. | :49:28. | |
This was part of a family calendar, that we made for my mother and | :49:28. | :49:34. | |
father. This is from Paul and Samantha in Cheshire. Interesting | :49:34. | :49:40. | |
family. This is Jessie Smith but she's in Cirencester. I am hoping | :49:40. | :49:47. | |
that is a ham. And this is Cambridgeshire's crafty cupcakes | :49:47. | :49:52. | |
coffee-shop raising money for Parkinson's. There are a couple of | :49:52. | :49:58. | |
ladies here. This has been a popular call-out. They are all on | :49:58. | :50:03. | |
the plasma there. They have inspired the nation at this evening. | :50:03. | :50:13. | |
:50:13. | :50:15. | ||
What kind of things do you have in your compost heap? Rotten eggs, tea | :50:15. | :50:20. | |
bags? I do not have one. I have only got a balcony. You have to | :50:21. | :50:24. | |
have won because when you least expect it, the funniest things | :50:24. | :50:31. | |
appear. In our one show garden I have come | :50:31. | :50:36. | |
to number 55, hot on the trials of a cold-blooded animal with Steve | :50:36. | :50:41. | |
and his daughter Amy. You have got unusual visitors I understand? | :50:41. | :50:47. | |
have got grass snakes in our compost heap. How often do you see | :50:47. | :50:53. | |
them? Five or six times this summer. Why do you like -- why do they like | :50:53. | :50:59. | |
your compost heap? Probably because it is warm. How warm it is it? | :50:59. | :51:05. | |
Probably 16 degrees? 20 group -- 20 degrees I would say. If you have a | :51:05. | :51:10. | |
look at that monitor we have got a thermal imaging camera and there | :51:10. | :51:16. | |
are areas which are blowing. That temperature is well over 40 degrees | :51:16. | :51:20. | |
centigrade. That is warmer than the average human body but snake's | :51:20. | :51:25. | |
muscles need to be 38 degrees centigrade to work at their fastest. | :51:26. | :51:30. | |
Being cold-blooded, they get warmth from the world around them so no | :51:30. | :51:36. | |
wonder they are here. Wake you watch them? I am normally back in | :51:36. | :51:41. | |
the House. They are not my favourite animal. I am looking from | :51:42. | :51:47. | |
upstairs windows with a pair of binoculars. Hopefully, by setting | :51:47. | :51:51. | |
our cameras and getting some beautiful shops, we can persuade | :51:51. | :51:57. | |
Steve to come closer. Next door, I am with Grandpa Allen | :51:57. | :52:02. | |
who is in his favourite chair with a question for us to solve it. | :52:02. | :52:07. | |
You have a room with the most wonderful view. Him really is | :52:07. | :52:12. | |
remarkable. I love watching the birds having Abbe. But it does make | :52:12. | :52:21. | |
you wonder how they managed to get clean in such a short space of time. | :52:21. | :52:26. | |
Our cameras caught a blackbird having a typically click -- | :52:26. | :52:32. | |
typically quick path. Slowed down it is easy to see what the | :52:32. | :52:40. | |
splashing is about. He sticks his head under water, his tail and his | :52:40. | :52:45. | |
backside up and he is going for it. The reason he is doing that is | :52:45. | :52:49. | |
because feathers are designed to repel water so he is making the | :52:49. | :52:53. | |
feathers stand up because he wants to get the water close to his body | :52:53. | :52:58. | |
to get rid of any skin cells and parasite. They are really hygienic | :52:58. | :53:05. | |
birds. But when I see it it is their one second and gone the next. | :53:05. | :53:09. | |
He uses his wings to throw the water writer over his back. I think | :53:09. | :53:16. | |
that I would never see. I have not got slow-motion eyes! Neither have | :53:16. | :53:23. | |
I put our camera does! Back at Steve and Amy's compost | :53:23. | :53:28. | |
heap, our cameras have been out all day with great results. There is | :53:28. | :53:37. | |
the hint of a body there. Just a glimpse. There is the head. See the | :53:37. | :53:42. | |
tongue coming out, it is tasting the air. That is how they sense the | :53:42. | :53:47. | |
Environment, by flicking the tongue getting chemicals from the air. | :53:47. | :53:53. | |
That is fantastic. I don't know if you know but snakes shed the whole | :53:53. | :53:58. | |
of their skin and there is a scale over their eyes so that cloudiness | :53:58. | :54:03. | |
is an indication that the snake is about to shed its skin. Steve and | :54:03. | :54:09. | |
Amy's snake is an adult. It can bite but it is not venomous so they | :54:09. | :54:13. | |
have got nothing to worry about. Now you have seen them close-up, | :54:13. | :54:17. | |
has it changed your opinion at all? Yes, I think I would approach it | :54:17. | :54:22. | |
because now I know what I am looking for. Those were some | :54:22. | :54:26. | |
fantastic shots and you saw the features clearly. Now I feel more | :54:26. | :54:32. | |
able to approach them if I see them in the garden. More so than I would | :54:32. | :54:38. | |
have done otherwise. That is good. That was some snake. Who I am glad | :54:38. | :54:43. | |
I have not got a compost heap now! We are going to fulfil our public | :54:43. | :54:49. | |
service remit now because Dawn has some important advice. I remembered | :54:49. | :54:54. | |
that I once through meet on a compost heap and do not do that. | :54:54. | :55:02. | |
Because you make a rat cafe. That is my theme tonight, the racks. | :55:02. | :55:10. | |
keep having run-ins with attracts. Earlier we revealed how rescue dogs | :55:10. | :55:14. | |
Lexi and Eva were waiting patiently for their new owners to collect | :55:14. | :55:18. | |
them in Gilberdyke. The wait is over because they are about to | :55:18. | :55:23. | |
leave for a new life in brand new homes. Lucy has the latest. | :55:23. | :55:28. | |
Yes, welcome back to Jerry Green's Dog Centre. It is time for the re | :55:28. | :55:33. | |
homing. We are going to start with the beautiful border collie Eve | :55:33. | :55:38. | |
there. See you and Mike are the proud new owners. Shall we hand her | :55:38. | :55:43. | |
over. Take hold of your new dog. She has not done well in kennels at | :55:43. | :55:48. | |
all, it is not right for border collies, is it? No, they do not do | :55:48. | :55:53. | |
well. She has cut her feet so she needs to go to a home with a soft | :55:53. | :56:00. | |
carpet. Have you got carpet? Yes, lots. I know you cannot wait. | :56:00. | :56:04. | |
absolutely, we are thoroughly looking forward to it. She will get | :56:04. | :56:11. | |
on with your Albert Dock a poodle. Look at that, the lovely Eva. -- | :56:11. | :56:17. | |
she will get on with your other dog, a poodle. This is the lovely Lexi. | :56:17. | :56:24. | |
I fell in love with her, so did you. Are you excited? We cannot wait. | :56:24. | :56:31. | |
She will have lots of walks. You will be fabulous new owners. I am | :56:31. | :56:36. | |
handing her over to you. Thank you so much. If you on the look out for | :56:36. | :56:45. | |
a dog, please consider the Hemming first. If you go to the website, | :56:45. | :56:48. | |
the Association of dog and cat homes, you will find information. | :56:48. | :56:53. | |
Back to you. Thank you. I think Lexi loves you | :56:53. | :56:57. | |
as much as you love Lexi. I think she does, I think you are right, | :56:57. | :57:02. | |
there is a bond. Keep in touch, write to her! | :57:02. | :57:06. | |
What a nice item. We know politicians often fight like cats | :57:06. | :57:11. | |
and dogs and we have been glued to reports of a scrap between the PM | :57:11. | :57:17. | |
and the Chancellor's caps in Downing Street. For the latest | :57:17. | :57:20. | |
developments we can join our political editor Nick Robinson. | :57:20. | :57:26. | |
Over to you. There is now a serious battle on Downing Street with | :57:26. | :57:31. | |
extraordinary consequences for the country. I have been speaking to a | :57:31. | :57:35. | |
Downing Street spokesman and I can confirm there is nothing personal | :57:35. | :57:43. | |
in this at all. I am told by Number Ten that the trouble has now paused. | :57:43. | :57:53. | |
:57:53. | :57:57. | ||
There will be a new claws in their contract S --! You two make a | :57:57. | :58:02. | |
fantastic double act. You should invite him on your new sitcom. It | :58:02. | :58:09. | |
is called Heading Out, isn't it with Sue Perkins? It is not my | :58:09. | :58:17. | |
sitcom, it is Sue Perkins'. I do a cameo piece. When can we see that? | :58:17. | :58:22. | |
I am not sure when the transmission is. I think it is soon. Nick, are | :58:22. | :58:28. | |
expecting to see one been using a couple of hours? Happily, I do not | :58:28. | :58:32. | |
have to do it tonight and I do not have to stand in the dark. A couple | :58:32. | :58:38. | |
more Calendar Girls. This is from Leeds. Jamie Wilkinson sent this in. | :58:38. | :58:45. | |
They look fantastic. And these people made their own calendar for | :58:45. | :58:50. | |
prostate cancer. Thank you to our Calendar Girls and Nick and Dawn. | :58:50. | :58:55. |