Browse content similar to 25/01/2017. Check below for episodes and series from the same categories and more!
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Hello and welcome to the One Show with Angela Scanlon. | :00:16. | :00:17. | |
On our sofa tonight, two stars who share a passion for music, | :00:18. | :00:23. | |
and in our warped imagination, this is how we think | :00:24. | :00:26. | |
Summer Loving had me at last. Summer Loving happened so fast. I met a | :00:27. | :00:43. | |
girl, crazy Flamini. I met a boy, tutors | :00:44. | :00:49. | |
They also share no fewer than six names. | :00:50. | :00:59. | |
Wait for it - Neil Patrick Harris and Olivia Newton-John! | :01:00. | :01:00. | |
CHEERING That was amazing! You have to do it | :01:01. | :01:12. | |
now. That wasn't actually real, if you couldn't work it out! | :01:13. | :01:16. | |
Is there anyone you would love to duet with? | :01:17. | :01:21. | |
This one! That would be amazing. And it would be fun, my kids listen to | :01:22. | :01:34. | |
Frozen all the time, so Idina Menzel would be good, and also Elton John. | :01:35. | :01:40. | |
I would love to sing with Rod Stewart. That could work! Raspy, | :01:41. | :01:51. | |
gorgeous voice. I'm ready! Neil, you are a little bit jealous of a role | :01:52. | :01:56. | |
that Olivia got to play, specifically the dancing? Yes, Gene | :01:57. | :02:02. | |
Kelly is amazing. What was that like? It was amazing, he was so | :02:03. | :02:09. | |
sweet. And he was older when you were doing this? Yes, he was | :02:10. | :02:14. | |
fantastic, he wanted us to do it in one take, and I had never tap danced | :02:15. | :02:19. | |
before, so I did three months rehearsal of basic tap, then we had | :02:20. | :02:23. | |
to learn the whole thing, because he directed that segment and they did | :02:24. | :02:28. | |
it in one sweeping move. There is something great about a guy that can | :02:29. | :02:31. | |
dance like that and make it look so effortless. Tap Israeli technical. | :02:32. | :02:38. | |
You did quite a lot of dancing yourself? I never took a dance | :02:39. | :02:43. | |
lesson in my life. You just freestyle? I just stand in the front | :02:44. | :02:51. | |
and get really talented dancers behind me that do incredible dancing | :02:52. | :02:54. | |
while I stand there and do the hands. Jazz hands get you through! | :02:55. | :03:01. | |
Sell it with conviction. Eyes and teeth! | :03:02. | :03:06. | |
Let's meet some more people we'll be spending a bit of time | :03:07. | :03:09. | |
Four people plucked from the ranks of One Show viewers who are going | :03:10. | :03:13. | |
to be getting to grips with the biggest issue of our times. | :03:14. | :03:15. | |
Meet Team Brexit, four One Show viewers who will be answering the | :03:16. | :03:22. | |
questions that you want answered. Nora from Bolton has already made a | :03:23. | :03:29. | |
few films for us in the past. This country of ours is called Great | :03:30. | :03:35. | |
Britain, and it has become great because we have accepted | :03:36. | :03:39. | |
multicultural people coming over who have integrated. Although fun Nora, | :03:40. | :03:44. | |
that is not quite the end of the matter. We should have control over | :03:45. | :03:50. | |
how many people do come into the land. We are sinking. This land is | :03:51. | :03:56. | |
sinking with the amount of people who are here. So how does she feel | :03:57. | :04:00. | |
about Theresa May 's speech last Monday? We are leaving the European | :04:01. | :04:05. | |
Union, but we are not leaving Europe. We will pursue a bold and | :04:06. | :04:11. | |
ambitious free-trade agreement. What I am proposing cannot mean | :04:12. | :04:23. | |
membership of the single market. This is a lady who came new into the | :04:24. | :04:26. | |
job. She had to scrape up an absolute mess that was plopped on | :04:27. | :04:28. | |
the floor. She has gathered it altogether, and now she has laid out | :04:29. | :04:31. | |
a plan that is easy for everybody to follow. Next up, Manchester cabbie | :04:32. | :04:37. | |
John. He used to live in France, and now back in the UK, gives guided | :04:38. | :04:40. | |
tours of Manchester foreign visitors. As a Mancunian, I am well | :04:41. | :04:46. | |
used to meeting people from all over the world. What concerns me is I | :04:47. | :04:49. | |
rely mainly on tourism for my business, and Wilfried of travel | :04:50. | :04:57. | |
still be the same post Brexit? What's more, he thinks Britain is a | :04:58. | :05:00. | |
better place to live because of immigration. I like to live in a | :05:01. | :05:05. | |
multicultural society. We should be grateful that people want to come to | :05:06. | :05:08. | |
our country because it is so good. Our last two members may also be | :05:09. | :05:15. | |
familiar. Brothers Nigel and Ian gave their two opposing views on the | :05:16. | :05:19. | |
One Show before the referendum. They followed their dad into the freight | :05:20. | :05:22. | |
industry, and set up firms half a mile from each other in Nottingham. | :05:23. | :05:27. | |
Older brother Nigel is now managing director of a truck sales and repair | :05:28. | :05:32. | |
firm. I want to see a free-trade agreement with the European Union, | :05:33. | :05:36. | |
and some control of our borders and immigration, but also the Prime | :05:37. | :05:39. | |
Minister really cracking on to take us out of the European Union, | :05:40. | :05:44. | |
trigger Article 50 and get it moving. And Nigel is confident about | :05:45. | :05:49. | |
the future. We will lead the way with the future with free trade. But | :05:50. | :05:55. | |
brother Ian doesn't agree. He runs a separate freight company that | :05:56. | :05:58. | |
manages the movement of goods across Europe. What about all the costs of | :05:59. | :06:03. | |
coming out of the single market? What about the effect on jobs and on | :06:04. | :06:10. | |
people's income? At the moment, Ian's company enjoys free trade in | :06:11. | :06:13. | |
Europe with no tariffs, and he is worried that him it is about to get | :06:14. | :06:16. | |
a whole more complicated. There will be some cost is barriers, a risk | :06:17. | :06:21. | |
that lorries will be queueing at the Channel Tunnel, that is bad for my | :06:22. | :06:25. | |
business and bad for my customers. He also wants to know how long it is | :06:26. | :06:28. | |
going to take to get a deal. My biggest worry is that there won't be | :06:29. | :06:33. | |
an agreement within two years. We need that agreement. It is vital for | :06:34. | :06:38. | |
us, but it is not so important for the European Union to get that | :06:39. | :06:43. | |
agreement. So, that is Team Brexit, and here is their first mission. | :06:44. | :06:49. | |
Your first challenge is a big one. There is lots of talk about the | :06:50. | :06:54. | |
single market and trade deals, but what is it all mean? Will we notice | :06:55. | :06:58. | |
the difference, and if we do, what difference would it make? It is a | :06:59. | :07:02. | |
big topic, so are you up for it? Let's go! | :07:03. | :07:11. | |
Thank you to Alex and Team Brexit, they will be back tomorrow to | :07:12. | :07:14. | |
cross-examine a former trade envoy. Good luck to all! Someone I would | :07:15. | :07:24. | |
not like to cross-examine any time is Count Olaf, which is the | :07:25. | :07:30. | |
character you play in Lemony Snicket's A Series Of Unfortunate | :07:31. | :07:35. | |
Events. Yes, Netflix made this series, and I asked me to play him | :07:36. | :07:38. | |
with all the prosthetics and looking nothing like myself, it is nice | :07:39. | :07:42. | |
because since it is really to anyone, but for the eyes of ten or | :07:43. | :07:49. | |
12-year-olds, I get to be unabashedly awful with no remorse or | :07:50. | :07:52. | |
empathy, and it is rare that you get paid to be able to do that! We have | :07:53. | :07:59. | |
a handy little scale of evil here, and we thought that perhaps you | :08:00. | :08:06. | |
might like to place him on it. Cruella de Vil, Ursula Darth Vader. | :08:07. | :08:18. | |
Who is the Richard Rotter? That is the child catcher from Chitty Chitty | :08:19. | :08:31. | |
Bang Bang. Well, you can't go pure evil, you can't even really go Star | :08:32. | :08:34. | |
Wars evil, because they possess actual powers, they could choke | :08:35. | :08:41. | |
people out. Count Olaf thinks he is much more successful than he | :08:42. | :08:45. | |
actually is. I would put him that way. He doesn't catch the child. | :08:46. | :08:55. | |
Right there. Here? There he is, there! Leicester travel look at a | :08:56. | :09:03. | |
little bit of proof, -- let's have a little look at your character. I am | :09:04. | :09:11. | |
Count Olaf, your new guardian. You're welcome. Thank you. You're | :09:12. | :09:19. | |
welcome. Please come in and mind you wipe your feet on the mat. And don't | :09:20. | :09:24. | |
forget your enormous fortune. APPLAUSE | :09:25. | :09:29. | |
Talking about seeing this through the eyes of children, but that | :09:30. | :09:35. | |
baby... It talks about the Baudelaire children, and the | :09:36. | :09:38. | |
youngest one is just supposed to have teeth that she chews through | :09:39. | :09:43. | |
things and speak in words you can't understand, and then the older | :09:44. | :09:46. | |
siblings do know what she means, but that is a hard thing to do with a | :09:47. | :09:50. | |
little actor baby, because there is no actor baby school. We had this | :09:51. | :09:56. | |
unbelievable girl named Presley who is super-talented. It was fun. She | :09:57. | :10:02. | |
doesn't chew through the keys? She doesn't. We had prosthetic teeth. | :10:03. | :10:08. | |
The wonderful thing is, you are playing a character that is playing | :10:09. | :10:12. | |
characters, as well. We have some great pictures of all the different | :10:13. | :10:17. | |
roles. Each book in the series, Count Olaf comes back in disguise as | :10:18. | :10:22. | |
someone else to try and get the children's fortune, and the kids can | :10:23. | :10:26. | |
see right through him, as I'm sure you can, but the adults can't, | :10:27. | :10:30. | |
because again, from the point of view of kids, adults are too mired | :10:31. | :10:35. | |
in their own obligated lives to be to take things seriously. So I play | :10:36. | :10:40. | |
a guy who was bald and talks like this, and then an old pirate man, | :10:41. | :10:48. | |
like a sort of drunk horny Sean Connery. They are magical | :10:49. | :10:59. | |
characters! And Shirley, the secretary for an optometrist, so | :11:00. | :11:06. | |
idea to Bette Davis with that. The show is on Netflix, which is nice | :11:07. | :11:10. | |
because it is streaming so you can download the ball and see them all | :11:11. | :11:14. | |
without commercials. We got it. Olivia, are there any characters | :11:15. | :11:19. | |
from your childhood that stick out that you remember? Not | :11:20. | :11:23. | |
necessarily... Not scary once. I used to read the Terrible Twin | :11:24. | :11:30. | |
books, I think that is what they were called. We didn't have TV until | :11:31. | :11:36. | |
later, so I used to go upstairs, books were my thing when I was a | :11:37. | :11:40. | |
young girl. Absolutely wonderful. And for you as well, those | :11:41. | :11:47. | |
characters? I read a lot of Roald Dahl, so I very much knew of Willy | :11:48. | :11:55. | |
Wonka, this crazy magical man who was great and dealt with candy but | :11:56. | :11:59. | |
also had a dark side, and you knew that if you crossed him you would be | :12:00. | :12:06. | |
flushed down the toilet! There is a little bit of humour. Not many | :12:07. | :12:12. | |
redeeming characters stick to Count Olaf. I think a dark sense of humour | :12:13. | :12:18. | |
is great the kids. So often I find with our own kids, who are six, with | :12:19. | :12:22. | |
duplicate them, talk down to them and talking baby speak, they zone | :12:23. | :12:27. | |
out, and when things get to be a little acerbic and ironic, and they | :12:28. | :12:32. | |
start to figure out what irony means, they are engaged. Lemony | :12:33. | :12:40. | |
Snicket's A Series Of Unfortunate Events is an Netflix now. | :12:41. | :12:49. | |
This Friday, the world will mark Holocaust Memorial Day | :12:50. | :12:51. | |
and there will be a range of commemoration events | :12:52. | :12:53. | |
herself the challenge of honouring her grandmother and - | :12:54. | :12:58. | |
amazingly - restoring the family fortunes. | :12:59. | :12:59. | |
When I was a little girl, my grandmother would regale me with | :13:00. | :13:02. | |
stories of her wonderful life in prewar Berlin. In the 1920s, she | :13:03. | :13:09. | |
lived a life of luxury. She would say to me, when the ball Berlin Wall | :13:10. | :13:16. | |
comes down, we will be rich. Some of her family dismissed her stories | :13:17. | :13:21. | |
about an elegant old building and a life of luxury in Berlin as a fairy | :13:22. | :13:24. | |
tale, but her granddaughter never forgot. She was determined to find | :13:25. | :13:28. | |
out more about her grandmother's life and her own heritage. Nelly at | :13:29. | :13:36. | |
Herbert ran a successful company in the heart of Berlin, but when the | :13:37. | :13:43. | |
Nazis came to power in the 1930s, they were among tens of thousands of | :13:44. | :13:47. | |
JUDY MURRAY: Has people forced to flee for their | :13:48. | :13:57. | |
lives. Ten years later, Gina began her search. I managed to get hold of | :13:58. | :14:04. | |
a 1920s business directory, and in there, there was an advert. That was | :14:05. | :14:12. | |
the name of my grandfather. And I thought, that looks like it. Gina | :14:13. | :14:20. | |
believed this might be the location of the business. But the building | :14:21. | :14:29. | |
was in East Berlin, and she couldn't visit until the Berlin Wall came | :14:30. | :14:36. | |
down in 1989. We passed checkpoint Charlie, and two blocks later, we | :14:37. | :14:43. | |
stopped outside a huge building. It was bitterly cold, I was wearing my | :14:44. | :14:48. | |
red duffle coat. I marched in through the doors and a gentleman | :14:49. | :14:50. | |
came down and said, what do you want? I said I have come to claim my | :14:51. | :14:56. | |
family's building, and he laughed at me. And I pulled out of my pocket | :14:57. | :15:02. | |
the 1920s German business directory, and he said, oh, I think you had | :15:03. | :15:07. | |
better come in. The man had recognised Gina's grandfather's | :15:08. | :15:10. | |
surname. The building was still known locally as the Wolff building, | :15:11. | :15:19. | |
and authorities had been waiting to save anybody would claim it. The man | :15:20. | :15:24. | |
said, I have spoken to head office, and you are right. They told me they | :15:25. | :15:27. | |
had been waiting for this to happen, but they didn't know if anybody had | :15:28. | :15:30. | |
survived the war. Tell me your story. The Wolffs fled Germany in | :15:31. | :15:39. | |
1933. Only one family member, Gina's uncle, stayed on to protect the | :15:40. | :15:46. | |
family business. He said, I am German, I am staying. So what | :15:47. | :15:51. | |
happened? The increasingly anti-Semitic laws meant that Jewish | :15:52. | :15:56. | |
companies could not trade properly. In 1937, he was forced to sell it. | :15:57. | :16:08. | |
Fritz, the last remaining member of the Wolff family was now alone in | :16:09. | :16:23. | |
Berlin. He was eventually arrested and sent to Auschwitz. The legacy of | :16:24. | :16:29. | |
what happened to the dues during the Second World War is all around us in | :16:30. | :16:33. | |
Berlin. Her great uncle Fritz was killed at Auschwitz. Although she | :16:34. | :16:41. | |
had tracked down the building, she now had an even bigger task ahead of | :16:42. | :16:48. | |
her. I had to get land registry documents to prove we had actually | :16:49. | :16:53. | |
owned the building. And not just leased it. I was fortunate enough. I | :16:54. | :16:59. | |
did manage to get hold of land Registry documents to prove case. | :17:00. | :17:06. | |
Dean managed to prove historical ownership of the building and the | :17:07. | :17:11. | |
German government awarded her family ?8 million in compensation. Nellie | :17:12. | :17:21. | |
would have said, do not forget the Holocaust was a genocide. We did not | :17:22. | :17:26. | |
suffer as much as other families. I did not forget and did what I could | :17:27. | :17:28. | |
to put things right. Bolivia, your mother's parents were | :17:29. | :17:40. | |
in a similar position. Did they share any of those experiences with | :17:41. | :17:47. | |
you? It was not talked about. My grandfather was a famous scientist | :17:48. | :17:52. | |
in Germany. He left Germany quite early and took the family to | :17:53. | :17:56. | |
Scotland initially. He helped to smuggle a lot of Jewish people out | :17:57. | :18:01. | |
of Germany. He is a wonderful humanitarian. I am proud to be his | :18:02. | :18:06. | |
granddaughter. I did not meet him. As a teenager I was too busy. He was | :18:07. | :18:13. | |
an amazing human being. You were born over here, won't you? You were | :18:14. | :18:19. | |
born in Cambridge when off over to Australia. An incredible music | :18:20. | :18:23. | |
career. 50 years. This year and you have teamed up for a personal and | :18:24. | :18:34. | |
special album. There is one common thing that has brought you together. | :18:35. | :18:40. | |
It was inspired by the loss of my sister three years ago to cancer. | :18:41. | :18:44. | |
She had a brain tumour. I have always found music to be healing. I | :18:45. | :18:53. | |
asked Amy if she would help me to finish the song we started talking | :18:54. | :18:57. | |
about the fact there was no music for people going through grief and | :18:58. | :19:02. | |
loss. We asked Beth Nelson Chapman to join us. She wrote a song to | :19:03. | :19:10. | |
explain the loss of her husband. We we recorded some of our songs we | :19:11. | :19:16. | |
were known for. It is really an album of moving forward with hope | :19:17. | :19:21. | |
and compassion. We have just done a couple of concerts, one in Dublin | :19:22. | :19:25. | |
and one in Glasgow. It was incredible, the feeling from the | :19:26. | :19:29. | |
audience. People all have those emotions. It is quite open, isn't | :19:30. | :19:35. | |
it? You're in the early days of the tour. You are welcoming discussion. | :19:36. | :19:40. | |
We thought we would try at the first show to ask the audience if they | :19:41. | :19:45. | |
wanted to share any of their experiences. Hands went up all over | :19:46. | :19:50. | |
the audience and it was incredible. That must be quite difficult as a | :19:51. | :19:57. | |
performer to go through that. This is brand-new. It is the first time | :19:58. | :20:03. | |
we have performed together. It is an acoustic show. Best plays guitar. | :20:04. | :20:10. | |
Amy plays piano. It is just us and the music. It's incredibly | :20:11. | :20:14. | |
emotional, incredibly inspiring and moving. Yes, people have been | :20:15. | :20:19. | |
sharing their experiences, which is very healthy. Talking about grief. | :20:20. | :20:26. | |
People repress it. If it was such a new thing for you, how did it come | :20:27. | :20:30. | |
about? Did it take you a while to fall into the right format or did it | :20:31. | :20:36. | |
all just happen? It felt like a gift that came to us. One of the first | :20:37. | :20:40. | |
mornings we were sitting together in a kitchen and Amy received a text | :20:41. | :20:44. | |
from someone, the kind of text you do not want to get that a friend of | :20:45. | :20:48. | |
hers had lost their child. She was saying, what do we say? I do not | :20:49. | :20:52. | |
know what to safest B went to the piano and wrote the song in about | :20:53. | :20:57. | |
five minutes. That is really how it was. It was an amazing experience. | :20:58. | :21:07. | |
It has helped to heal us. I find myself getting really emotional when | :21:08. | :21:10. | |
I sing them. That is part of it. It does not go away. There is a really | :21:11. | :21:13. | |
positive message coming out of that. Has always been your mindset to find | :21:14. | :21:17. | |
something really positive in a situation? We make our choices with | :21:18. | :21:24. | |
our minds. We can choose to be this or that. I had breast cancer in | :21:25. | :21:30. | |
1992. Was I going to be positive about it and get through it? I am | :21:31. | :21:35. | |
very grateful that I did. Many people have been positive and not | :21:36. | :21:41. | |
been as lucky as I am. Being grateful for every day and living | :21:42. | :21:46. | |
long. That is what we have called the album. -- living on. There will | :21:47. | :21:54. | |
be tracks on there that will mean a lock to you. Though I not many | :21:55. | :21:58. | |
families who have not been affected in some way by cancer. I now | :21:59. | :22:04. | |
understand why you have us both on foot I just talked about the awful | :22:05. | :22:13. | |
things and canned Olav as a terrible person and this is like a ying and | :22:14. | :22:18. | |
yang situation. In a kind of world we are living in today it is nice to | :22:19. | :22:22. | |
have positive things which move us forward and get as thinking back to | :22:23. | :22:28. | |
a direction of good. As humans, we all share these emotions and | :22:29. | :22:33. | |
feelings. We all lose people at some time. It is really important to | :22:34. | :22:37. | |
share and talk to someone about it because it gets you out of your | :22:38. | :22:45. | |
pain. If our you hope people will get from this? I think just to show | :22:46. | :22:53. | |
we have been through this and we are still here. People were crying but | :22:54. | :22:58. | |
felt really good afterwards. It is a way of releasing it. A good cry is | :22:59. | :23:04. | |
very cathartic. Are you going to take this as far as you can around | :23:05. | :23:09. | |
the world? We have just started. We are doing a short tour in California | :23:10. | :23:15. | |
in Washington State in February and we will see how it goes. It has been | :23:16. | :23:21. | |
very well received. I have lost one sister and gained two. They are | :23:22. | :23:28. | |
wonderfully talented people and beautiful singers. It has been a | :23:29. | :23:34. | |
great experience. It is wonderful that all three of you will be | :23:35. | :23:41. | |
performing for us live. Berry excited about that. Have your kids | :23:42. | :23:49. | |
being to London with you? A couple of months ago we were on our way to | :23:50. | :23:54. | |
France. We stopped over so the jet lag could recover. We were on a | :23:55. | :23:58. | |
double-decker tour. I love it here. The people are nice and the food is | :23:59. | :24:04. | |
great. The pound- dollar rate is good. | :24:05. | :24:07. | |
Before Olivia sings for us with Amy and Beth here's an update on a story | :24:08. | :24:11. | |
Yes, it's either going to be a victory for common-sense | :24:12. | :24:16. | |
or a reason to throw something at your TV. | :24:17. | :24:18. | |
Last October, I met a man whose story touched a lot of heart. Philip | :24:19. | :24:35. | |
had been keeping geese on this plot of land in Ilkley in West Yorkshire | :24:36. | :24:45. | |
for 79 years. Who is this? Then it looked like red tape would bring | :24:46. | :24:50. | |
this lifelong passion to an end for the one person complained. No one | :24:51. | :24:55. | |
knew who it was but it resulted in the council issuing fillip with a | :24:56. | :25:00. | |
noise abatement order. They went to court to fight it. Lose and the | :25:01. | :25:04. | |
geese would have to go. He is frightened of losing his pets. If | :25:05. | :25:07. | |
you did not have that he would not have the excuse to do the daily | :25:08. | :25:11. | |
exercise. That would be really detrimental to his health. Three | :25:12. | :25:15. | |
months on and the court has made up its mind. I have come back to meet | :25:16. | :25:18. | |
Philip to find out what the verdict was. Hi, Philip. What was the | :25:19. | :25:28. | |
outcome? It was very good. The abatement has been dropped. I am | :25:29. | :25:32. | |
very pleased with the result. That is brilliant news. You happy? The | :25:33. | :25:38. | |
geese have been here for so long, nearly 80 years. They did not | :25:39. | :25:43. | |
believe the noise had increased significantly over this period of | :25:44. | :25:54. | |
time. What has that like for you? I am glad it is over. Neighbours | :25:55. | :26:00. | |
rallied round Philip at the time was that she is also happy. Absolutely | :26:01. | :26:06. | |
delighted. We all are. A lovely perk. Made me feel very happy about | :26:07. | :26:12. | |
it. Isn't it nice having nice neighbours? Yes, it is fantastic. In | :26:13. | :26:21. | |
a way, it has brought us all closer together. Common sense prevails. | :26:22. | :26:22. | |
Thank goodness. Thanks to Neil and | :26:23. | :26:25. | |
Olivia for joining us. Lemony Snicket's A Series | :26:26. | :26:27. | |
of Unfortunate Events And Olivia's album | :26:28. | :26:28. | |
Liv On is out now. But we leave you now | :26:29. | :26:36. | |
with Olivia Newton-John, Beth Neilson Chapman and Amy Sky, | :26:37. | :26:38. | |
singing Stone in My Pocket. # There's a stone in my pocket | :26:39. | :26:40. | |
that bears your name # There are tears that will not | :26:41. | :26:44. | |
stop once they start # In the stone | :26:45. | :26:51. | |
in the pocket of my heart # In a world here | :26:52. | :26:57. | |
without you every day # I'm telling everybody that | :26:58. | :27:00. | |
I'm OK # With the weight | :27:01. | :27:05. | |
of an anchor in the dark # Like | :27:06. | :27:10. | |
a stone in the pocket of my heart # Looks like this | :27:11. | :27:16. | |
pain is here to stay # I can't lose it, | :27:17. | :27:25. | |
I didn't choose it # Well meaning people | :27:26. | :27:28. | |
they try to help me # There's a stone in my pocket | :27:29. | :27:43. | |
that bears your name # There are tears that will not | :27:44. | :27:46. | |
stop once they start # In the stone | :27:47. | :27:50. | |
in the pocket of my heart # There's a tear in my | :27:51. | :27:58. | |
jacket, a nail in my shoe # Got a hole in my soul | :27:59. | :28:01. | |
you could drive a truck through # It's a new kind of normal | :28:02. | :28:04. | |
in an old shade of blue # I'm a mess but I guess | :28:05. | :28:08. | |
it's the best I can do # With a stone in my pocket | :28:09. | :28:11. | |
that bears your name # I walk around dragging | :28:12. | :28:15. | |
this ball and chain # There are tears that will not | :28:16. | :28:19. | |
stop once they start # In the stone in | :28:20. | :28:23. | |
the pocket of my heart # There's a stone in my pocket | :28:24. | :28:33. | |
that bears your name # I walk around dragging | :28:34. | :28:45. | |
this ball and chain # There are tears that will not | :28:46. | :28:47. | |
stop once they start # In the stone in | :28:48. | :28:50. | |
the pocket of my heart # Baby, like it or not, | :28:51. | :28:52. | |
gotta roll with the rock # It's a stone in the | :28:53. | :28:55. | |
pocket of my heart.# | :28:56. | :28:57. |