Browse content similar to 25/11/2015. Check below for episodes and series from the same categories and more!
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Well, hello, and welcome to the One Show with Alex Jones. And Matt | :00:18. | :00:24. | |
Baker. After the Chancellor updated the country today about the state of | :00:25. | :00:28. | |
the economy, we thought we would give you our own Autumn Statement | :00:29. | :00:33. | |
about what it is on the show. I am delighted to announce that our | :00:34. | :00:36. | |
Minister for Balancing Giant Stones has increased the number of stones | :00:37. | :00:42. | |
on top of other stones by one. In order, order! And our Minister for | :00:43. | :00:48. | |
health, Daley Thompson, he has been getting people in offices around the | :00:49. | :00:52. | |
country of their chairs and climbing stairs at an unprecedented rate. | :00:53. | :01:01. | |
Order in the house! Our very own Speaker of the house has increased | :01:02. | :01:05. | |
laughter in the UK by a staggering 72%. Please welcome Dara O Briain! | :01:06. | :01:15. | |
Always lovely to see you. Welcome, on this very special day. Yes! Do | :01:16. | :01:25. | |
you have an Autumn Statement? What does the they should have too much | :01:26. | :01:29. | |
of? Ask, between the and the One Show! A break would be lovely and | :01:30. | :01:34. | |
then they can breathe and miss us -- us. This is the hour show, on the | :01:35. | :01:42. | |
Wednesday, a good time to miss it. -- mention it. And it is not just | :01:43. | :01:45. | |
you, also joining us as Rachael Stirling, one of the stars of the | :01:46. | :01:50. | |
new BBC drama Capital, which is all about money, appropriate after | :01:51. | :01:54. | |
today's Spending Review by George Osborne. It was a dramatic afternoon | :01:55. | :01:58. | |
in the House of Commons, when he surprised many by abandoning his tax | :01:59. | :02:03. | |
credit cuts and collecting -- protecting the police project. But | :02:04. | :02:07. | |
he did confirm ?12 billion of welfare cuts and as always, the | :02:08. | :02:10. | |
devil is in the detail so we you happy with what the Chancellor had | :02:11. | :02:15. | |
to say? We will borrow ?1 billion less than we forecast, making faster | :02:16. | :02:19. | |
progress towards eliminating the deficit and paying down the debt. | :02:20. | :02:23. | |
Following on from the Chancellor's speech, I have come to Croydon to | :02:24. | :02:27. | |
speak to some local residents to get their views. First, I am doubling | :02:28. | :02:33. | |
the housing budget, doubling it to ?2 billion a year and we will | :02:34. | :02:37. | |
deliver, with government help, 400,000 affordable new homes by the | :02:38. | :02:41. | |
end of the decade. You are an estate agent, you have listened to those | :02:42. | :02:47. | |
proposals on housing, 400,000 extra affordable houses, how'd you about | :02:48. | :02:52. | |
that? It is great but the market and for those who can afford to buy | :02:53. | :02:55. | |
houses, it gets them into the property market at a much cheaper | :02:56. | :02:59. | |
entry point. You are in the construction industry, it is | :03:00. | :03:04. | |
obviously a bonanza. Yes, a great time at the moment after the | :03:05. | :03:08. | |
recession, it has been seven years waiting the announcement, | :03:09. | :03:11. | |
fantastic. Do you think the industry is capable of delivering that | :03:12. | :03:17. | |
properties? It is a tall order. My question is how much of this new | :03:18. | :03:20. | |
housing that is going to be built will actually be social housing? How | :03:21. | :03:25. | |
much of it will be run by private and possibly unscrupulous landlords? | :03:26. | :03:31. | |
Because I have been able to announce today an improvement in the public | :03:32. | :03:32. | |
finances, the simplest thing to do today an improvement in the public | :03:33. | :03:38. | |
is not to faze these changes in but to avoid them altogether. Tax | :03:39. | :03:43. | |
credits are being phased out anyway as we introduce Universal Credit. | :03:44. | :03:47. | |
This flagship policy from the budget was quietly dropped, what did you | :03:48. | :03:54. | |
think about that? These are words I thought I would never say, but I did | :03:55. | :03:57. | |
quite admire him for making that U-turn. I know that anything to do | :03:58. | :04:05. | |
with benefits and cuts in income just exacerbate those problems, so | :04:06. | :04:10. | |
great. The policy was voted down in the House of Lords, so I wasn't | :04:11. | :04:16. | |
surprised. I would have been disappointed if it went through | :04:17. | :04:18. | |
because I think people who are at work and are not being paid enough, | :04:19. | :04:23. | |
for whatever reason, deserve help and support. There are enough people | :04:24. | :04:26. | |
in the country sponging and these are not spongers. We are not happy | :04:27. | :04:31. | |
with the situation that so many people in this country have to turn | :04:32. | :04:35. | |
to it. Employers should pay a proper wage. The NSA -- NHS budget will | :04:36. | :04:45. | |
rise to ?120 billion by 2021. What did you make of that? Extra money is | :04:46. | :04:51. | |
a positive thing, but I suspect it won't be enough, many services have | :04:52. | :04:55. | |
been underfunded for many years, so it is playing catch-up. I suspect it | :04:56. | :04:59. | |
will be a bit of a sticking plaster rather than a full on operation. I | :05:00. | :05:04. | |
had a friend in a local hospital who went a car windscreen of a bicycle. | :05:05. | :05:09. | |
They could not scan him because the scanner was down and he died. So we | :05:10. | :05:13. | |
really do need to protect vulnerable people in hospital. We are putting | :05:14. | :05:22. | |
in ?10 million. But in real terms, what is that going to be? It is not | :05:23. | :05:27. | |
just about the amount of money being spent but making sure it is being | :05:28. | :05:31. | |
spent effectively, in the right places and getting the right | :05:32. | :05:34. | |
resources in. Thank you to everybody in Croydon for taking part. | :05:35. | :05:43. | |
Dara, you used to do of this series, School Of Hard Sums. How would you | :05:44. | :05:47. | |
like this one, balancing the nation's books? That is voodoo, it | :05:48. | :05:51. | |
is not a real science. You can't decide whether to put money into the | :05:52. | :05:55. | |
economy or take it out, same problems, different solution. With | :05:56. | :06:00. | |
respect, it is all 17th-century medicine. They attach the leeches, | :06:01. | :06:04. | |
they take the blood out, something might work and game will take the | :06:05. | :06:08. | |
credit for it. I am happy to be proved wrong, but there are so many | :06:09. | :06:16. | |
different variables. The budget is not something that occupies your | :06:17. | :06:20. | |
brain, because on the cover of your new DVD, Crowd Tickler, we have got | :06:21. | :06:26. | |
various sections. Not a surprise that there is an equation. Yes, you | :06:27. | :06:31. | |
have to fill in those things, when you do one of those phrenology | :06:32. | :06:35. | |
schools, you have do fill in the gaps and very few people will | :06:36. | :06:40. | |
recognise that, it is Stephen Hawkins' equation, we did the | :06:41. | :06:44. | |
documentary this year and that is his equation about the size of a | :06:45. | :06:50. | |
black hole that he derived himself. It is kind of a private joke with | :06:51. | :06:56. | |
Stephen Hawking. And Gloria Estefan. That is a very large section of your | :06:57. | :07:03. | |
brain. She has been in three different shows, I had her as walk | :07:04. | :07:07. | |
on music, the lyrics to one of her songs. So not actually her! No, it | :07:08. | :07:14. | |
is not like me and Gloria... I often go to Miami and hang out. I am the | :07:15. | :07:23. | |
Miami Sound Machine, and Gloria is singing over it. This DVD is a tool | :07:24. | :07:28. | |
as well, which is coming to an end. This weekend, Plymouth on Saturday | :07:29. | :07:33. | |
will be show 142, because when you write the show, you want to do it as | :07:34. | :07:37. | |
much as possible. The DVD is weird, it is like the album for a band, | :07:38. | :07:42. | |
Butcher recorded once, one night and the cameras are on and had better | :07:43. | :07:48. | |
work. We did it at the Apollo. It is of the tour but because it is one | :07:49. | :07:52. | |
snapshot on one night, it is kind of the weird thing to see it, because | :07:53. | :07:57. | |
the tour for us as night after night and all of the different stories and | :07:58. | :08:01. | |
this is one slice of that. You said some of it just didn't turn out you | :08:02. | :08:07. | |
imagined. U2 once every few years and you think when I go back to the | :08:08. | :08:11. | |
towns, will it have moved on -- you go on to once every few years. Can I | :08:12. | :08:19. | |
take the pulse of the nation? And one thing had changed across the UK | :08:20. | :08:25. | |
and Ireland. One thing. Go on. What has changed in the three years since | :08:26. | :08:30. | |
the last tour? One thing has changed across the UK and Ireland. Where did | :08:31. | :08:38. | |
all the pulled pork, from exactly? -- come from exactly | :08:39. | :08:42. | |
# And more importantly, how did we survive until now without it? Every | :08:43. | :08:48. | |
meal in a restaurant, I will have a bit of pulled pork with it, we will | :08:49. | :08:52. | |
slide a bit in Tibet. It is a cheesecake, it has no use for pulled | :08:53. | :08:56. | |
pork -- we will slide a bit into it. It is so true. We did a weekend of | :08:57. | :09:03. | |
Belfast, a great place to go to eat and drink but it was like, can you | :09:04. | :09:07. | |
put more pulled pork in this credit market is in cereal, sandwiches. | :09:08. | :09:12. | |
Everywhere has barbecues and pop-ups, where did it come from? It | :09:13. | :09:18. | |
wasn't around, it is like an alien invasion of some description. You | :09:19. | :09:21. | |
are talking about how your show has evolved over time, when you go to | :09:22. | :09:27. | |
visit these places all around the UK, you must start switching from | :09:28. | :09:29. | |
the second you leave the house because all of the material you | :09:30. | :09:32. | |
bring to the stage about your journey. Absolutely and when you go | :09:33. | :09:37. | |
to different places, you have this weird relationship from all of the | :09:38. | :09:42. | |
previous stories you had there and from random running jokes that only | :09:43. | :09:46. | |
exist in one town... I go to Warwick, the arts Centre and the | :09:47. | :09:50. | |
university and they leave crisps on the stage due to something that | :09:51. | :09:54. | |
happened ten years ago. When I go back to Redding, the running joke | :09:55. | :10:00. | |
will be there was a police officer in the front row and everyone was | :10:01. | :10:04. | |
exciting and she got up and left and I said, where are you going? And she | :10:05. | :10:09. | |
said, I got a call. And the whole room said, we want to know what that | :10:10. | :10:13. | |
is! And then she came back halfway through the second half and sat down | :10:14. | :10:16. | |
and watched the rest of the show. And we are all going, what happened? | :10:17. | :10:24. | |
As if she had been asked to stop a burglary and had caught somebody and | :10:25. | :10:28. | |
then gone, right, I can write you up now but I am going to see the end of | :10:29. | :10:33. | |
a show so I am going to tie you to the pole outside the theatre. We all | :10:34. | :10:38. | |
hoped when we walked out, there would be of: --: -- they will be a | :10:39. | :10:48. | |
fellow and tied to a lamp post. Crowd Tickler is out now on DVD. | :10:49. | :10:54. | |
Now, many of us are still searching for the perfect work/life balance, | :10:55. | :10:58. | |
but one man has found the answer by making balance his life work. Yes, | :10:59. | :11:01. | |
and when artist Adrian Gray approached the One Show with a plan | :11:02. | :11:05. | |
for his biggest balancing act ever, we had to go and take a look. | :11:06. | :11:13. | |
I became a stone balancer back in the year 2000. When you balance to | :11:14. | :11:19. | |
stones together, it is such a simple thing but it has a very high | :11:20. | :11:23. | |
impact. Because it looks so peculiar and when they are in their balanced | :11:24. | :11:27. | |
position, the sculpture can almost come alive. What I am going to try | :11:28. | :11:31. | |
and do here is balanced this stone on the end of the base stone. Some | :11:32. | :11:36. | |
people think they are not real. People think they are some kind of | :11:37. | :11:38. | |
illusion or gimmickry. There. When you get it to balance, | :11:39. | :11:50. | |
there is this fantastic feelings of not just success but the pride in | :11:51. | :11:55. | |
what you have done, it is extraordinary. A few years ago, I | :11:56. | :11:59. | |
decided that I needed to do a monumental stone balancing | :12:00. | :12:03. | |
sculpture. I spent over a year looking for a location which would | :12:04. | :12:10. | |
do justice to a big stone balancing sculpture and here on Bodmin Moor, I | :12:11. | :12:17. | |
looked up and saw the tors with the naturally balancing stones and I | :12:18. | :12:20. | |
thought if I can mirror that'll get anywhere close, this is the ideal | :12:21. | :12:25. | |
location. And of course, they will be a fantastic backdrop to the | :12:26. | :12:33. | |
work. The base stone is about 6.5 times. We have never done anything | :12:34. | :12:38. | |
this big before, nothing on this scale and nothing that will look | :12:39. | :12:42. | |
quite so impressive. This is the base stone and in the middle of | :12:43. | :12:47. | |
this, I have a big pin coming up here that sunk into the bedrock and | :12:48. | :12:53. | |
it is holding it nice and solid. This is the top stone and it is held | :12:54. | :12:58. | |
up by these. This is called the choke, the positioning of the choke | :12:59. | :13:02. | |
is crucial to getting the stone hanging in the right place. Because | :13:03. | :13:07. | |
of the size of everything here, I have got a whole team backing me up. | :13:08. | :13:12. | |
Normally, when I am doing stone balancing, I am feeling with my | :13:13. | :13:16. | |
fingers that the point of balance. This is a whole new ball game, | :13:17. | :13:20. | |
because I can't feel them at all. I can only do it visually. | :13:21. | :13:25. | |
Just take the weight off and let's see it fall to the right. That is | :13:26. | :13:30. | |
it. Towards us. If the strops are not in the right | :13:31. | :13:34. | |
place, it is already leading to far one way or the other and it won't | :13:35. | :13:39. | |
balance -- leaning too far. It is constantly falling that way, so we | :13:40. | :13:47. | |
have to move the choke to the left. We are now just making little | :13:48. | :13:52. | |
adjustments to which part of the top stone touches first. We are really | :13:53. | :13:55. | |
close now. I can't believe it fell over, to be | :13:56. | :14:08. | |
quite honest. I thought we had got it right. So we are going to get | :14:09. | :14:10. | |
back on it and try again. It is feeling like it is really | :14:11. | :14:23. | |
close. We get down to a very finite bit of movement and then we lose it | :14:24. | :14:27. | |
and we have to start again. It is a little bit frustrating. Back, about | :14:28. | :14:33. | |
that much. If we start losing the light, we will have to start calling | :14:34. | :14:39. | |
it a day. Right, we are changing the choke. It is toppling that way, we | :14:40. | :14:43. | |
needed to sit more upright. We can't work in the dark, so it | :14:44. | :14:46. | |
might not happen. Yes! We have been doing this all | :14:47. | :14:56. | |
day, I mean all day, the nervous tension has been ridiculous. I think | :14:57. | :15:00. | |
we have done it just in the nick of time, the light is going. I am | :15:01. | :15:04. | |
feeling fantastic, it is a world forced, but not only that, it has | :15:05. | :15:08. | |
created a fantastically good-looking stone balancing sculpture. That is | :15:09. | :15:10. | |
massive. I can imagine that when it is sunny | :15:11. | :15:34. | |
you will see different colours on it. I think it is going to be one of | :15:35. | :15:37. | |
those pieces of sculpture that changes with the seasons. How long | :15:38. | :15:42. | |
were they there for and where they save? The big one on Bodmin Moor was | :15:43. | :15:49. | |
for -- there for a week. The top stone weighed three and a half | :15:50. | :15:52. | |
tonnes. I knew it was a strong balance because we had a few | :15:53. | :15:57. | |
upsets. We eventually got it balanced in place. Yesterday we took | :15:58. | :16:00. | |
it down because we are going to fix it together so it is safe for going | :16:01. | :16:07. | |
into a public place. It is going to RHS gardens in rose more. It was on | :16:08. | :16:15. | |
a private farmer's land. He said they do not have many walkers. I am | :16:16. | :16:21. | |
sure it will be all right. None of these are affixed, are they? Just | :16:22. | :16:27. | |
perfectly balanced. Is there a danger that somebody is going to go | :16:28. | :16:35. | |
up and go, bang! Yes, I am obviously careful about health and safety but | :16:36. | :16:39. | |
I do sell them as garden sculptures. The great thing about that is that | :16:40. | :16:43. | |
people say that subconsciously they are reluctant to dodge them because | :16:44. | :16:48. | |
they feel they have that presence. I could almost blow that over. 60 | :16:49. | :16:53. | |
kilos and I could almost blow it over. Will you blow it over now? No, | :16:54. | :17:01. | |
because it will make a massive noise. I am not going to do it. It | :17:02. | :17:07. | |
might not blow over. Just show everybody that it is going to fall. | :17:08. | :17:18. | |
15 years of art down the drain! Seriously, they are in a triangular | :17:19. | :17:22. | |
position. Do you always know that is the balance point? The secret is it | :17:23. | :17:29. | |
is not an exercise in being great in balancing. You have to have the | :17:30. | :17:34. | |
vision to choose the stones so it will look in probable, and that way | :17:35. | :17:39. | |
it has a sense of wonder. Lots of people are good at balancing but the | :17:40. | :17:45. | |
key is the aesthetic. You do it incredibly well. | :17:46. | :17:47. | |
Now we want you at home to impress us with | :17:48. | :17:49. | |
your balancing skills by balancing one or two things on top of each | :17:50. | :17:52. | |
other - taking a photo and sending it to us at the usual address. | :17:53. | :17:55. | |
And please, stay safe whilst having a go! | :17:56. | :18:03. | |
A dream, you have got a book out. You are going to pass some of those | :18:04. | :18:14. | |
tips on to Dara. I am going to try to balance my shoe! This is my | :18:15. | :18:21. | |
teaching rock. There are a lot of good places to balance. This is a | :18:22. | :18:30. | |
good stone. Can I putted any side? Put it on that point because it will | :18:31. | :18:37. | |
look better. Let me get out of the way. That does not make me feel | :18:38. | :18:44. | |
confident! You think you could turn this into a balancing stone? I | :18:45. | :18:53. | |
cannot see any way of doing it. You need a lot of practice. You have two | :18:54. | :18:58. | |
is in on what you are doing, feel that point of contact through your | :18:59. | :19:03. | |
fingers. Look for any help you can get in the stone. We're going to | :19:04. | :19:10. | |
give you the length of the next film to keep playing with it and see what | :19:11. | :19:17. | |
you can come up with. A Buddhist exercise. When I finally do this the | :19:18. | :19:19. | |
universe will end. Whilst Dara lifts rocks, | :19:20. | :19:25. | |
one of Britain's most decorated athletes has a far more strenuous | :19:26. | :19:30. | |
exercise regime lined up for a group And he was even prepared to | :19:31. | :19:33. | |
break the office 'no shorts' For many of us, long hours in the | :19:34. | :19:48. | |
office make exercise after the working day seem impossible. I am | :19:49. | :19:53. | |
going to try to change that. This is Daley Thompson. | :19:54. | :20:00. | |
At his superb best. With two Olympic gold medals at three Commonwealth | :20:01. | :20:05. | |
titles and wins in the world and European Championships, I think I | :20:06. | :20:13. | |
have got the sporting credentials. Motivating Britain's workforce to | :20:14. | :20:18. | |
get fit in eight weeks should not be too difficult, right? There is | :20:19. | :20:23. | |
potential for a lunchtime work-out in every office block, if only | :20:24. | :20:27. | |
people would use the stairs and not the left. It is such a simple change | :20:28. | :20:30. | |
but for people in these buildings it is often not an option. The stairs | :20:31. | :20:35. | |
are off-limits on a day-to-day basis. That is not the case in the | :20:36. | :20:42. | |
11 whole building. Better known as the Cheesegrater. It stretches to | :20:43. | :20:50. | |
the 13th floor. Catherine Conway is head of communications. People tend | :20:51. | :20:54. | |
to eat lunch at their desk, everyone feels the pressure of work. We are | :20:55. | :20:58. | |
delighted you are here to help us because we want people to use the | :20:59. | :21:02. | |
stairs as much as possible. We want to encourage people to realise the | :21:03. | :21:05. | |
benefits of why that is important. I am sure we can get their competitive | :21:06. | :21:10. | |
spirit to, cried. I will be monitoring those left. To see who is | :21:11. | :21:18. | |
not taking the stairs. Helping me is Doctor Brenda Christopher, who | :21:19. | :21:21. | |
specialises in sport and exercise medicine. While she gets the | :21:22. | :21:25. | |
measurements, I am going to get to know them better. How much exercise | :21:26. | :21:30. | |
do you take? I played golf every week. What has that got to do with | :21:31. | :21:41. | |
exercise? ! I do a lot of dancing. I have a gym membership but I have | :21:42. | :21:46. | |
countless -- given up and cancelled it recently. Of the reason you have | :21:47. | :21:52. | |
not been doing a lot? Got married. Married life has been treating me | :21:53. | :21:58. | |
well. Too much food and alcohol. Time to checking to see I'm working | :21:59. | :22:02. | |
with. These are our volunteers. Any thoughts? We have got quite a wide | :22:03. | :22:08. | |
range of participants in terms of their levels of physical activity. | :22:09. | :22:16. | |
The measurements I have taken... I hope to see that go down as they get | :22:17. | :22:21. | |
fitter. The other thing that I am hoping we will see a difference on | :22:22. | :22:27. | |
is their muscle strength. We have taken strength measurements. We will | :22:28. | :22:34. | |
see if we see any improvement. We have gathered volunteers | :22:35. | :22:37. | |
together. I'm going to lead by example with a quick warm up. | :22:38. | :22:43. | |
Everybody OK? There we go. A bit more range. My man, the star jumper. | :22:44. | :22:58. | |
Climbers, do you know what they are? People who climb mountains. We are | :22:59. | :23:04. | |
going to see if we can make any kind of physical change in you with a | :23:05. | :23:09. | |
little regular exercise over the next eight weeks. It could not be | :23:10. | :23:13. | |
simpler. Avoid the left. Walk for your lunch. Get off a stop earlier. | :23:14. | :23:22. | |
The small changes over a long period of time, you will cash in on the | :23:23. | :23:29. | |
benefits. The most important thing to you will be bombs of steel. I am | :23:30. | :23:37. | |
not entirely convinced by this bunch, so I think I had better make | :23:38. | :23:40. | |
sure they have some extra eyes on them. | :23:41. | :23:55. | |
I have made sure my presence will be felt while I am gone and I will be | :23:56. | :24:03. | |
back in a while to check up on them. APPLAUSE. | :24:04. | :24:11. | |
Is that why is? A cardboard cutout of Daley Thompson in my dressing | :24:12. | :24:12. | |
room. And we'll see our Cheesegrater | :24:13. | :24:13. | |
volunteers take the Stair Challenge Have a look at what happened moments | :24:14. | :24:24. | |
ago in the studio. We have given Dara the challenge of balancing this | :24:25. | :24:29. | |
stone and incredibly, about two minutes after you started, this | :24:30. | :24:34. | |
happened. It is all in the torch. APPLAUSE. | :24:35. | :24:47. | |
It has since gone, I believe. Me walking away. That is how | :24:48. | :24:51. | |
It has since gone, I believe. Me it was. It was quite satisfying. You | :24:52. | :24:57. | |
and I will never forget that moment. I know. We shared a thing there. | :24:58. | :25:04. | |
She is starring in a big new BBC drama called Capital. | :25:05. | :25:07. | |
It's about the residents of a gentrified street in London, | :25:08. | :25:09. | |
whose lives are changed after a threat to the entire neighbourhood. | :25:10. | :25:16. | |
Let's remind ourselves of the dramatic ending to last night's | :25:17. | :25:18. | |
episode. It looks absolutely intriguing. I | :25:19. | :25:50. | |
know we're supposed to look at things before we have guests on, but | :25:51. | :25:58. | |
that looks brilliant. In a nutshell, without spoiling the plot for me, | :25:59. | :26:03. | |
give us a little flavour? It is about the lives of the residents of | :26:04. | :26:06. | |
the streets of London over the course of a year, compounded by the | :26:07. | :26:13. | |
rising property prices. They are all simultaneously given anonymous | :26:14. | :26:16. | |
postcards that say, "We Want What You Have". Invariably the only time | :26:17. | :26:21. | |
communities come together is when they are under threat. The community | :26:22. | :26:24. | |
get to know each other to work out what is happening. It was written by | :26:25. | :26:33. | |
the brilliant John Lanchester. It is mostly about the financial crisis | :26:34. | :26:38. | |
and its impact on everyday life. You play the character, Arabella. What | :26:39. | :26:44. | |
does she represent? She represents the materialistic, money grabbing, | :26:45. | :26:49. | |
ruthless side. Toby Jones is my husband. He is a banker. I am a | :26:50. | :26:58. | |
money grabbing horrible creature. Are you both baddies? I get a hard | :26:59. | :27:05. | |
rap but Toby's character is equally at fault. They are both pretty bad. | :27:06. | :27:13. | |
As bad as each other. When it says, "We Want What You Have", what do | :27:14. | :27:21. | |
they want? That almost makes it sound like a murder mystery thing | :27:22. | :27:25. | |
which it is not. The idea is that everybody wants more than their | :27:26. | :27:29. | |
house and when you get it it is never enough. It is about the | :27:30. | :27:33. | |
consumerist in all of us. Socially it is a document of London. You have | :27:34. | :27:39. | |
got an old lady. Who probably bought the house when it was very | :27:40. | :27:45. | |
little... It is in the programme if you watch it! She has been living | :27:46. | :27:51. | |
there for 60 years. We taped it. | :27:52. | :27:57. | |
We are going to look ahead to next week's episode, which nobody has | :27:58. | :27:59. | |
seen. You get some bad news. | :28:00. | :28:07. | |
Now, where to begin? I think we are looking at a period of fiscal | :28:08. | :28:12. | |
rectitude. Fiscal rectitude! It sounds like an internal examination. | :28:13. | :28:17. | |
You and I both know your bonus is about to come through. Do you know | :28:18. | :28:23. | |
how much my bonus is? It is not 2 million, not 1 million, it is | :28:24. | :28:28. | |
?30,000. You expect me to believe that, Roger? Just go up. India | :28:29. | :28:34. | |
darling, Merry Christmas, how lovely to hear from you. | :28:35. | :28:41. | |
As you said, you're working the brilliant Toby Jones. You have also | :28:42. | :28:46. | |
been working with your mother, Dame Diana Rigg. It took a while because | :28:47. | :28:53. | |
you are not keen, were you, to do a project together? We did Doctor Who. | :28:54. | :29:01. | |
Mark Gay kiss wrote. -- Mark Geddis. She was plain this horrible woman | :29:02. | :29:04. | |
who blundered daughter as an experiment. I started to act tackler | :29:05. | :29:12. | |
with my stick. -- to attack. We were giggling, very badly behaved or | :29:13. | :29:16. | |
around. She is in Detectorists play my mother. We have always wanted to | :29:17. | :29:23. | |
work together. It is a cliche and I'm embarrassed by the cliche nest | :29:24. | :29:26. | |
of it, the full entitlement of children of actors. I have earned my | :29:27. | :29:36. | |
crust and I love it. I wanted to be able to hold my own. | :29:37. | :29:42. | |
We were looking around for trips to play and we found this brilliant one | :29:43. | :29:45. | |
of your mother being interviewed by Parkinson. | :29:46. | :29:50. | |
I was pushing her through a London store, a high-class London store, | :29:51. | :29:54. | |
and she was terribly quiet. I knew exactly that one finger was lost one | :29:55. | :30:01. | |
nostril. But I decided not to say, do not pick your nose! There was a | :30:02. | :30:05. | |
long pause and suddenly a triumphant voice said, bogey! | :30:06. | :30:12. | |
It does go on about your bottom as well. We thought we would leave it | :30:13. | :30:19. | |
at that. Were you aware when you were younger at Adelaide how famous | :30:20. | :30:28. | |
your mum was? Only because pervy dads kept looking at her. | :30:29. | :30:36. | |
I don't know why you looked at me at that moment! Exhibit a of a pervy | :30:37. | :30:42. | |
dad. I would be holding her hand and people would the gunpoint and stuff, | :30:43. | :30:45. | |
but she was very good at keeping work separate, so I was not a kind | :30:46. | :30:51. | |
of stage door child particularly. I used to scale up people and thing, | :30:52. | :30:56. | |
go away, she is my mother, leave us alone -- scowl at people. I felt | :30:57. | :31:01. | |
protective. Capital continues on Tuesday at 9pm on BBC One. But you | :31:02. | :31:06. | |
can always watch it online player if you want. Now, whilst Capital is set | :31:07. | :31:12. | |
in an area of gentrification and rising house prices, at the other | :31:13. | :31:16. | |
end of the school is Jaywick, officially the most deprived area of | :31:17. | :31:20. | |
England. Yes, the Essex seaside town has become so run down, even the | :31:21. | :31:25. | |
council admits they are embarrassed. So can the latest rescue plan | :31:26. | :31:28. | |
finally turn things around? Here is Fiona Foster. | :31:29. | :31:33. | |
This is Jaywick, once thriving seaside resort on the Essex coast, | :31:34. | :31:37. | |
but like many of our coastal towns, it has fallen into a sad and sorry | :31:38. | :31:42. | |
decline. And as if to hammer the point home, with above-average | :31:43. | :31:46. | |
unemployment and a large, older population, Jaywick was recently | :31:47. | :31:48. | |
declared the most deprived neighbourhood in England. I must | :31:49. | :31:54. | |
admit, on a cold November day, there are pockets of it that are a bit | :31:55. | :32:00. | |
depressing. Boarded-up shops, a lot of potholes. Altogether, the place | :32:01. | :32:04. | |
reminds me a bit of a faded 1950s beauty queen who has not aged very | :32:05. | :32:09. | |
well. But the seascapes here are lovely and back in the 1930s, | :32:10. | :32:14. | |
Londoners in need of fresh air flocked to this purpose-built | :32:15. | :32:19. | |
resort. Today, many of the former holiday chalets are no permanent | :32:20. | :32:23. | |
homes. Coralie net moved here six years ago. What it is like being | :32:24. | :32:29. | |
somewhere that was never intended to be a proper, permanent home? For a | :32:30. | :32:35. | |
1-person plays, it is ideal. Whole family, that is another matter -- | :32:36. | :32:41. | |
1-person plays. Then you get inventive. She rents are home from a | :32:42. | :32:44. | |
landlord who keeps it in tiptop shape, but says others are not so | :32:45. | :32:49. | |
lucky, adding to the air of overall neglect. We do have some rogue | :32:50. | :32:53. | |
landlords. They have no interest in keeping properties up to | :32:54. | :33:00. | |
specification. And the tenant is not going to have any interest in | :33:01. | :33:03. | |
looking after dump if they are living in one. The you, it must be a | :33:04. | :33:08. | |
bit of a downer to go outside and see so Faubert and a bit of old | :33:09. | :33:20. | |
rubbish. -- see a settee. It is. We get people looking from the outside | :33:21. | :33:24. | |
Jaywick is a dumb and it isn't, we need better. And the people of | :33:25. | :33:28. | |
Jaywick are uniting to stop the rot. They have spent ?8,000 of National | :33:29. | :33:32. | |
Lottery funding on this man, community planner Jim. The community | :33:33. | :33:40. | |
has spent their money on you. They could have spent it on something | :33:41. | :33:44. | |
concrete. How much responsibility do you feel to get it right? It is a | :33:45. | :33:49. | |
huge responsibility. Although we were asked to do this by the | :33:50. | :33:54. | |
residents, they were supported by Tendring district Council, Essex | :33:55. | :33:57. | |
County Council, the Environment Agency. They have said they want to | :33:58. | :34:00. | |
hear what the residents are raster and we will work to that plan. So | :34:01. | :34:07. | |
today, Jim will hear first-hand from locals what they want for a better, | :34:08. | :34:11. | |
brighter Jaywick. What would you like to see done? | :34:12. | :34:14. | |
We need more shops, street lights put on, things like that. We need a | :34:15. | :34:20. | |
lot of money put into the development, housing, things on the | :34:21. | :34:24. | |
beach for children to do. We could do with a few more shops. Because | :34:25. | :34:30. | |
everything has gone. Everything is outside of the area. We need to | :34:31. | :34:34. | |
bring the facilities, the schools, everything, right into the centre of | :34:35. | :34:37. | |
Jaywick and build the community around it. Paul Price is leading the | :34:38. | :34:42. | |
redevelopment of the local council. He admits Jaywick has been ignored | :34:43. | :34:46. | |
for far too long. Looking at some of the roads, some | :34:47. | :34:50. | |
of the properties, you have to say, what on earth have successive | :34:51. | :34:55. | |
councils been doing to have ended up in that shameful state? I think it | :34:56. | :35:01. | |
has become an embarrassment to all the councils and to central | :35:02. | :35:06. | |
government. We have now decided to take a different approach. | :35:07. | :35:08. | |
Basically, you have been embarrassed into it, haven't you? | :35:09. | :35:14. | |
Absolutely, it is a shameful position to be in, but we are | :35:15. | :35:19. | |
determined to do something but we want good roads, good | :35:20. | :35:21. | |
infrastructure, bringing in things like schools, shops, medical | :35:22. | :35:25. | |
facilities that people desperately need here. The council plans to | :35:26. | :35:30. | |
invest ?7 million in Jaywick, starting with road repairs. Jim says | :35:31. | :35:35. | |
he has successfully turned around the fortunes of other seaside towns | :35:36. | :35:39. | |
including Hastings and Eastbourne. So how does he rate his chances of | :35:40. | :35:43. | |
succeeding in Jaywick? There has been a lot of discussion, | :35:44. | :35:48. | |
how confident are you that you can translate that talk into something | :35:49. | :35:52. | |
practical? You can never be sure sure, but this process works, it has | :35:53. | :35:56. | |
worked in other communities and there is no reason why with the | :35:57. | :35:59. | |
right people around the table, it can't work here as well. And the | :36:00. | :36:05. | |
renewed interest has Coralie more buoyant about its future. There are | :36:06. | :36:10. | |
certainly people who love this area. There is an excellent community | :36:11. | :36:14. | |
spirit here and they don't want to see it fade. Undoing decades of | :36:15. | :36:19. | |
decline might take years of achieved but you -- to achieve, that you do | :36:20. | :36:22. | |
get a sense the winds have changed or at least have started blowing | :36:23. | :36:27. | |
some needed optimism Jaywick's way. Thank you, Fiona, and you have | :36:28. | :36:33. | |
inspired the nation, Dara, we have loads of balancing photos. Of rocks | :36:34. | :36:40. | |
or just things? All will be revealed. But children! We are going | :36:41. | :36:49. | |
to talk about Tomorrow's Food, as it suggests, about the food of | :36:50. | :36:53. | |
tomorrow. And about the sheer scale of how you feed a country of 60 | :36:54. | :36:58. | |
million, and the sheer scale of how it takes place. And it speculatively | :36:59. | :37:02. | |
looks at how we have to change, if climate change occurs and how it | :37:03. | :37:07. | |
will affect crops and what we have to do to sidestep that. Some of the | :37:08. | :37:11. | |
solutions are remarkable. Incredibly eye opening and lots of surprises on | :37:12. | :37:16. | |
the way. Absolutely. Peter vending machine. -- at pizza. It is three | :37:17. | :37:29. | |
minutes and out comes a hot pizza. There is something that mature swine | :37:30. | :37:33. | |
are using sonic waves, we had one of those, and we had Angela Hartnett, | :37:34. | :37:38. | |
who said I don't want to say this is good, but it is good -- matures | :37:39. | :37:45. | |
wine. I remember being in a plane over Texas doing cloud seeding, | :37:46. | :37:50. | |
which is where they apply under a rain cloud that is about to pop and | :37:51. | :37:54. | |
they fly underneath and the thermal drafts draw aero and you pop little | :37:55. | :38:00. | |
particles of silver iodide and the water clusters around them and more | :38:01. | :38:05. | |
rain falls, so they manage to get more rain out of clouds. They get 2% | :38:06. | :38:14. | |
more and I said that is all right, and he said, over this part of | :38:15. | :38:18. | |
Texas, that is the same amount of water that San Francisco uses in a | :38:19. | :38:23. | |
year. So it is like irrigation in the sky, that kind of stuff. Next | :38:24. | :38:28. | |
week, we see you go behind the scenes at an online supermarket and | :38:29. | :38:32. | |
basically, Rachael, he should stick to the day job. Terrible. The screen | :38:33. | :38:38. | |
in front of me tells me what you want and I just want to put the | :38:39. | :38:42. | |
right thing in the right bag. The stuff just keeps coming. Stop | :38:43. | :38:49. | |
beeping twice. Have you done that one before and put a number in? Yes. | :38:50. | :38:56. | |
I have put an error into the system. We have done 12 of these and I have | :38:57. | :39:00. | |
made errors on three of them, at least one of which has caused a | :39:01. | :39:07. | |
general stock problem. That small red light flashing, this | :39:08. | :39:11. | |
is an online supermarket, this ludicrously huge warehouse which has | :39:12. | :39:17. | |
24 kilometres of conveyor belt, so they found the most efficient way, | :39:18. | :39:21. | |
that stuff people deliver in the morning, it isn't somebody going to | :39:22. | :39:24. | |
the shelves and filling the bags, you stand there and it comes to | :39:25. | :39:28. | |
you, the bags from one direction, the stuff from the other and, it is | :39:29. | :39:34. | |
gone, next bag. And I said, is this a better way? This is a better way. | :39:35. | :39:38. | |
Half of it is refrigerated, another part is freezing cold, there are | :39:39. | :39:43. | |
rules about how long they can spend there, but it is scales. If you want | :39:44. | :39:47. | |
to bring three meals a day to 60 million people, you have to think on | :39:48. | :39:51. | |
a massive level. Sometimes those meals are not what we think, because | :39:52. | :39:57. | |
you cover food fraud. 10% of the food industry is fake, watered | :39:58. | :40:03. | |
down, changed. As high as 10%. A good example would be their | :40:04. | :40:07. | |
factories all over Europe run by criminal gangs and there is a back | :40:08. | :40:10. | |
door, they driving a large truck filled with sunflower oil, they put | :40:11. | :40:14. | |
food colouring in it and at the front comes extra virgin olive oil. | :40:15. | :40:22. | |
Get lost. No, it is a big thing. Honey that has been sweetened, it is | :40:23. | :40:28. | |
not real honey. It is ludicrous. If you order caught in a fish and chip | :40:29. | :40:33. | |
place, it is often not, it will be freshwater fish from Thailand or | :40:34. | :40:41. | |
fish from Cambodia. If you stick it in batter and with chips, people | :40:42. | :40:45. | |
don't always notice the difference. There is one guy in Belfast with | :40:46. | :40:50. | |
incredible technology trying to source this out and solve the | :40:51. | :40:55. | |
problems. And Tomorrow's Food continues tomorrow at 9pm on BBC | :40:56. | :40:59. | |
One. Now, what lengths would you go to be a local wildlife? Veranda | :41:00. | :41:05. | |
visited one community on the West Coast of Scotland who all pull | :41:06. | :41:10. | |
together when birds start falling from the skies -- Miranda visited. | :41:11. | :41:15. | |
This is the town of Mallaig on the West Coast of Scotland. Throughout | :41:16. | :41:19. | |
spring and summer, it is a busy tourist destination. But by | :41:20. | :41:24. | |
September, the hotels and guesthouses are beginning to quieten | :41:25. | :41:28. | |
down. Apart from one B and B. For them, it is the busiest time of the | :41:29. | :41:31. | |
year, with some unusual from across the water. The Isle of Rum, which | :41:32. | :41:39. | |
lies just off the coast, is home to a third of the world's Manx | :41:40. | :41:43. | |
shearwaters. They come in the summer to breed. By September, the chicks | :41:44. | :41:47. | |
are ready to pledge, heading off into the night to avoid predators, | :41:48. | :41:51. | |
the fledgling is should be starting at 6,000 mile migration to their | :41:52. | :41:55. | |
wintering grounds of South America. But here in Mallaig, something | :41:56. | :42:00. | |
strange is happening. Instead of heading out to sea, the fledgling is | :42:01. | :42:05. | |
a crash landing all around town. For the guesthouse owner Martin, it is | :42:06. | :42:10. | |
not business as usual. Each year, he gathers the community together and | :42:11. | :42:12. | |
Leeds and Manx shearwater rescue mission. If there is a westerly wind | :42:13. | :42:19. | |
blowing, they tend to get blown towards Mallaig and as they approach | :42:20. | :42:23. | |
Mallaig, they get disorientated by the lights and will circle around | :42:24. | :42:26. | |
and eventually crashed to the ground. And they are very | :42:27. | :42:32. | |
vulnerable. Yes, two cats, dogs, otters, Pine Marten is. A lot of | :42:33. | :42:36. | |
them get run over. Why can't they just take off? The legs are situated | :42:37. | :42:43. | |
towards the back of the body and the wings hit the ground, being | :42:44. | :42:47. | |
relatively long wings, and they need a long run and by the time they get | :42:48. | :42:51. | |
airborne, they have hit a car, Wall, a house or something else. As the | :42:52. | :42:56. | |
sun sets and with a westerly wind blowing, Martin prepares for a busy | :42:57. | :43:00. | |
night. He leads a night patrol in town, a team of local volunteers who | :43:01. | :43:04. | |
walk the streets looking out for grounded birds. The birds could be | :43:05. | :43:09. | |
anywhere, so we are shining our torches in every nook and cranny and | :43:10. | :43:12. | |
it is not long before Martin gets a call from three teenagers who have | :43:13. | :43:17. | |
spotted a bird. The first one. That is great for the | :43:18. | :43:21. | |
first half of the evening, only just started and we have got a phone | :43:22. | :43:25. | |
call. That is a good example of the community helping out in this sort | :43:26. | :43:29. | |
of situation. Back at base, Martin's wife Jenny takes calls | :43:30. | :43:32. | |
throughout the night from locals who have found birds that need rescuing. | :43:33. | :43:36. | |
The birds are taking somewhere cool and dark the night, keeping them | :43:37. | :43:41. | |
safe until release the next day. And soon, Martin gets more news, this | :43:42. | :43:46. | |
time from a fisherman in the harbour. This area, with its bright | :43:47. | :43:49. | |
lights, is a real hotspot for the grounded birds. Thanks to Martin's | :43:50. | :43:54. | |
efforts, everyone is on the lookout for fledgling is. Very much | :43:55. | :43:59. | |
appreciate that, brilliant. We quite often get them on their boats, | :44:00. | :44:03. | |
especially when they are fishing around Rum, but to bring one in like | :44:04. | :44:08. | |
that is a first. Every September, Martin and his team give up their | :44:09. | :44:13. | |
evenings rescuing around 250 birds, with a record of 154 in one night. | :44:14. | :44:19. | |
So it is getting on for about two o'clock in the morning and Martin | :44:20. | :44:22. | |
and his team do this night after night, all the way through the month | :44:23. | :44:29. | |
of September, which is just incredible, because I am absolutely | :44:30. | :44:32. | |
shattered. Definitely time for bed. But there is a little time for rest, | :44:33. | :44:38. | |
as early the next morning, Martin's work continues. To release the | :44:39. | :44:41. | |
birds, we aren't taking them to a cliff edge, we are heading to a | :44:42. | :44:46. | |
ferry. Why do you release them on a ferry? I have done releases in the | :44:47. | :44:50. | |
past but it is normally from land. In the past, we had quite a good | :44:51. | :44:55. | |
position. However, the local seagulls got wind of this and they | :44:56. | :44:59. | |
were chased out to sea and it became obvious that we needed to release | :45:00. | :45:04. | |
them elsewhere. The local ferry offers the perfect solution. It is | :45:05. | :45:08. | |
always moving, so the Seagulls can't predict where the birds will be | :45:09. | :45:09. | |
released. This is the very first one to be | :45:10. | :45:19. | |
released. In a couple of weeks this bird could be all the way in south | :45:20. | :45:31. | |
America. Off you go. Good! Great! I don't know why I get emotional about | :45:32. | :45:35. | |
a bird but it is just lovely to see them going. It really is. | :45:36. | :45:45. | |
They were lovely. Rachel, when the film started, you and I know that | :45:46. | :45:51. | |
place. Migrate aren't used to live there. We used to spend our summer | :45:52. | :45:55. | |
holidays there. -- migrate anti-. Did you ever see any stranded birds? | :45:56. | :46:12. | |
No. We used to look for shells on the beach. We used to go swimming a | :46:13. | :46:17. | |
lot. It is a fishing village. It is a really tight community. It does | :46:18. | :46:21. | |
not surprise me they come together like that. Have we got numbers? | :46:22. | :46:30. | |
Martin rescued 136 birds this year. His total for nine years as 1890. | :46:31. | :46:36. | |
When you consider the tiny team, that is an astonishing amount of | :46:37. | :46:41. | |
birds. This is not a problem unique to Malik, is it? Everywhere humans | :46:42. | :46:48. | |
live we have created light pollution. In Bardsey Island in | :46:49. | :46:52. | |
north-west Wales they have got a lighthouse. The bemused tricks -- | :46:53. | :46:59. | |
used to extend 22 miles into the sea, obviously disorientating to | :47:00. | :47:05. | |
birds. Last year they changed that beam for a red flashing LED beam. So | :47:06. | :47:12. | |
far no birds have been confused. Just a simple change. The birds do | :47:13. | :47:21. | |
not get confused by red light. This is a global problem? It is. In the | :47:22. | :47:26. | |
US and Canada they have got an initiative which a number of | :47:27. | :47:31. | |
different states have signed up to. Basically they are sort of pledging | :47:32. | :47:42. | |
to turn off any XS lights at night. New York has got a massive problem. | :47:43. | :47:46. | |
They estimate that every year 90,000 birds died by colliding with | :47:47. | :47:50. | |
buildings. A lot of that is to do with confusion with light pollution. | :47:51. | :47:56. | |
Hopefully that will reduce those numbers. It is not just birds, is | :47:57. | :48:05. | |
it? Turtles also. Anywhere sea turtles are nesting. They lay their | :48:06. | :48:10. | |
eggs on a beach. When they emerge, they have got to find their way to | :48:11. | :48:15. | |
the water. They do that by visual cues. They are looking for | :48:16. | :48:19. | |
reflections of the moon and stars on the water. If there is a lot of | :48:20. | :48:24. | |
light pollution around, they get disorientated and go the wrong way. | :48:25. | :48:32. | |
They end up getting squashed on the road by cars. It is terrible. There | :48:33. | :48:39. | |
is no substitute for darkness. But if we can have initiatives where | :48:40. | :48:42. | |
they have low-level lighting, lighting that is angled down, that | :48:43. | :48:49. | |
goes a long way to help. Also, puffins are in trouble, aren't they? | :48:50. | :48:55. | |
Puffins are on the endangered list this year. My favourite sea bird. | :48:56. | :49:01. | |
Puffling is our baby puffins. When they hatch, they get disorientated | :49:02. | :49:09. | |
and confused by the lights on the mainland. We have got a problem in | :49:10. | :49:13. | |
the Firth of Forth on the east coast of Scotland. The puffins are landing | :49:14. | :49:21. | |
on the mainland. The local community are being encouraged to look in | :49:22. | :49:24. | |
their gardens and under their cars to see if they have got stranded | :49:25. | :49:30. | |
birds. We are moving forward with this problem. Thank you for coming | :49:31. | :49:32. | |
in. Time to go back to Daley Thompson's | :49:33. | :49:36. | |
Take the Stair Challenge. His task - to get desk-bound workers | :49:37. | :49:39. | |
off their chairs and on their feet. Have the Cheesegrater | :49:40. | :49:42. | |
crew made Daley proud? Two months ago The One Show said a | :49:43. | :49:55. | |
group of office workers in the Cheesegrater of the challenge of | :49:56. | :49:59. | |
getting fitter by taking the stairs. To give our volunteers a sporting | :50:00. | :50:03. | |
shove in the right direction they have sent me in to get them to go | :50:04. | :50:09. | |
for gold. Today I'm here to find out if a workplace work-out really | :50:10. | :50:14. | |
works. The plan was simple. Avoid the lift. Walk free lunch and get | :50:15. | :50:22. | |
off one-stop earlier. A piece of cake. You would not think so from | :50:23. | :50:27. | |
these rubbish excuses. I did get trapped once on the stairs. It took | :50:28. | :50:32. | |
me a week to find the stairs. I have been on holiday. Thanks to my | :50:33. | :50:39. | |
constant nagging, three weeks gone now, maybe try another couple of | :50:40. | :50:44. | |
floors, over the next few months I got into the swing of things. You | :50:45. | :50:51. | |
feel much better for it in the morning. To give them that extra | :50:52. | :50:59. | |
boost, I sent in my boys to see if my volunteers have been reaping the | :51:00. | :51:04. | |
rewards of my talents. Nice and dynamic. Bring yourself down a bit | :51:05. | :51:12. | |
lower. Good job. Try to get rhythm. Fantastic. With four weeks left they | :51:13. | :51:19. | |
would be mad to think they are getting a reward. These are the | :51:20. | :51:24. | |
healthiest speeds as you will ever have. Yes, the boxes are empty. It | :51:25. | :51:33. | |
is the day of judgment. I bet they cannot wait to see me. I wonder what | :51:34. | :51:39. | |
they made of my challenge? We have gathered our volunteers on the 13th | :51:40. | :51:45. | |
floor to be measured. The stairwell challenge has been great for getting | :51:46. | :51:49. | |
people together. They have been talking more, they have been more | :51:50. | :51:54. | |
energised, feeling a good sense of team camaraderie, encouraging each | :51:55. | :51:58. | |
other to walk the stairs. People who have not actually been involved on | :51:59. | :52:02. | |
this programme from the start have been joining in and thinking it is | :52:03. | :52:06. | |
great. Definitely it has been good for everyone. What do the figures | :52:07. | :52:11. | |
say? I have got one last challenge while the results are being tallied. | :52:12. | :52:16. | |
I want them to take the stairs all the way to the top. 52 floors and | :52:17. | :52:34. | |
1469 steps. Come on, guys! Just do it. Good job | :52:35. | :52:42. | |
everybody. Well done. Awesome. We all made it to the top but has the | :52:43. | :52:46. | |
challenge made a difference? On average across the group muscle | :52:47. | :52:54. | |
strength almost double. Heart rate decreased and we had some real | :52:55. | :52:58. | |
success stories. Volunteers lost to 2% body fat. | :52:59. | :53:07. | |
If you are not inspired by this lot, I don't know what to say. Excellent. | :53:08. | :53:11. | |
The changes have been psychological as well. | :53:12. | :53:17. | |
I have noticed the change in all aspects of my life. It has been a | :53:18. | :53:22. | |
massive help. I definitely want to get fitter. It has started the ball | :53:23. | :53:26. | |
rolling. It is a simple adjustment to getting into work and getting | :53:27. | :53:31. | |
fit. I have thoroughly enjoyed it. There we have it. The statistics | :53:32. | :53:36. | |
speak for themselves. You can get fitter by taking the stairs. Anybody | :53:37. | :53:38. | |
want to come down with me? Now Daley can't be with us, | :53:39. | :53:42. | |
as he's training for a triathlon Sounds like hell. He has chosen a | :53:43. | :53:44. | |
Hotel with no lift. But he sent Dr Brinda Christopher to | :53:45. | :53:53. | |
The One Show with some of the Daley Thanks for coming in. Your work is | :53:54. | :54:07. | |
not over yet. Remind us how bad desk jobs can be for our health? There | :54:08. | :54:14. | |
are two main issues with sitting. The first is sitting for prolonged | :54:15. | :54:18. | |
periods of time. And the second is how we chose to break up those | :54:19. | :54:22. | |
periods of sitting. It has been noticed that people who sit for long | :54:23. | :54:25. | |
periods of time through the day are at an increased rate of developing | :54:26. | :54:35. | |
type two diabetes, cardiovascular disease and mortality from all | :54:36. | :54:38. | |
causes. Originally it was thought that the increased risk was down to | :54:39. | :54:43. | |
the fact that these people were more likely to be obese. But new studies | :54:44. | :54:47. | |
have shown that you can be of normal weight, have sedentary behaviour and | :54:48. | :54:55. | |
still have those risks. Are their muscles sensitive to insulin? | :54:56. | :55:02. | |
Skeletal muscle is the largest muscle sensitive to insulin. If you | :55:03. | :55:06. | |
keep those active, it is an organ ready to mop up glucose sitting in | :55:07. | :55:10. | |
the blood. That is important to prevent diabetes. Have you kept this | :55:11. | :55:17. | |
up? Be honest. Put your hand in the air. Not bad. You have tested them | :55:18. | :55:28. | |
again. Whether any standouts? There were two. One brilliant example. I | :55:29. | :55:31. | |
will start with the not so good example. Dav Bachra did not put up | :55:32. | :55:39. | |
his hand. That is down to the fact he has not been keeping up with the | :55:40. | :55:43. | |
programme. I recorded that on Monday when I went this week. He had some | :55:44. | :55:47. | |
brilliant muscle strength gains but he lost about 30% of fat. During six | :55:48. | :55:54. | |
weeks of him not being active he has lost 30% of his muscle strength. | :55:55. | :55:58. | |
That is a good example of how we'd de train quite quickly. You can see | :55:59. | :56:01. | |
some changes happen within two weeks. There is a flip side to the | :56:02. | :56:09. | |
story with Nick? Correct. He was a real success story. In terms of his | :56:10. | :56:14. | |
mood, his attention span, his alertness, how lively and young he | :56:15. | :56:21. | |
feels when he gets out of bed, those soft markers mean a lot to the | :56:22. | :56:29. | |
individual. Nick, a random applause. -- a round of applause. We have got | :56:30. | :56:34. | |
you a prize but unfortunately we left it in the office on the seventh | :56:35. | :56:39. | |
floor. And the lift is out of order. Head to the door, you will see the | :56:40. | :56:47. | |
stairs in front of you. Thank you. We will see if he makes it. | :56:48. | :56:48. | |
If you want Daley to inspire your office, his poster is available | :56:49. | :56:51. | |
Print it out, stick it up and rope your office | :56:52. | :56:55. | |
Look at all these offices that have already been having a go. | :56:56. | :57:05. | |
The RSPB in Bedfordshire. Very good work. Big life management. And | :57:06. | :57:16. | |
Macmillan headquarters in Edinburgh. We have to have a go ourselves. Here | :57:17. | :57:22. | |
is the entire team taking us to the seventh floor yesterday. We do it | :57:23. | :57:28. | |
everyday obviously. Certainly. | :57:29. | :57:29. | |
Please keep sending video clips and photos, we'll keep track of | :57:30. | :57:32. | |
your efforts on the show and maybe Daley will pop by to help out. | :57:33. | :57:35. | |
Now earlier we asked to see your balancing skills - | :57:36. | :57:38. | |
Darrah, you kick us off. Dav Bachra did not do well but he has got the | :57:39. | :57:56. | |
nicest kits. Really good gym wear. All the condiments in beautiful | :57:57. | :58:04. | |
condition. This is Graham's balanced diet, a plate on his feet. I have | :58:05. | :58:14. | |
got the best one. Daniela and Mike balancing a popper Dom and onion | :58:15. | :58:17. | |
chutney on their dog, Archie. That is also my dad's name. There is my | :58:18. | :58:26. | |
dad! Anita balances pens. They are stopping her from drinking wine. | :58:27. | :58:38. | |
This is Gordon with bus balancing. That is all for tonight. Thank you | :58:39. | :58:41. | |
to Dara forgot onion. Crowds ticker is out now. A big thank you to | :58:42. | :58:47. | |
Rachel. Capital continues next Tuesday. Tomorrow we have Carlos | :58:48. | :58:59. | |
Acosta on the show. Shall we see if Nick has made it? All seven flights | :59:00. | :59:02. | |
to collect his prize. He is nearly there! Come on, Nick, you can do it! | :59:03. | :59:14. | |
Controversial plans to cut tax credits have been scrapped. Labour | :59:15. | :59:35. | |
called it a fiasco am a warning many families will still | :59:36. | :59:36. |