Browse content similar to 26/11/2015. Check below for episodes and series from the same categories and more!
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Hello and welcome to The One Show with Alex Jones and Matt Baker. Our | :00:16. | :00:21. | |
guest tonight has been described as the greatest male dancer of his | :00:22. | :00:26. | |
generation, and his is a real ration to riches story. It began on the | :00:27. | :00:31. | |
streets of Havana, cube barks ballet school saved him from a life of | :00:32. | :00:36. | |
poverty and crime. By 16 he was winning international awards and was | :00:37. | :00:40. | |
soon dance ing with the finest companies, including the Bolshoi. | :00:41. | :00:44. | |
This month saw him leave the Royal Ballet after 17 years at the very | :00:45. | :00:47. | |
top of his game. APPLAUSE. Please welcome Carlos | :00:48. | :00:52. | |
Acosta! CHEERING AND APPLAUSE. Wow! Will | :00:53. | :01:08. | |
that do it, is that snuff? No, he gets 20-minute standing ovations, | :01:09. | :01:11. | |
that's the deal. APPLAUSE. Seriously, we haven't got | :01:12. | :01:18. | |
time for this! OK, fair enough. We've got a half-hour show to do. | :01:19. | :01:23. | |
We'll do it at the end. But it is true that that happened at the end | :01:24. | :01:26. | |
of your last performance at the Royal Ballet, you had a huge | :01:27. | :01:31. | |
standing ovation. Yes, it was great. It was very emotional, 17 years is | :01:32. | :01:36. | |
quite a long time for a ballet dancer. And 20 minutes is quite a | :01:37. | :01:41. | |
long time, to be fair, Carlos. Were you expecting that? No, I mean... | :01:42. | :01:47. | |
What did you do for 20 minutes? I would talk and then there were | :01:48. | :01:50. | |
pictures, and society prolonged the time. It wasn't just a straight 20 | :01:51. | :01:55. | |
minutes. Oh right. As you mentioned, there you did make a speech to | :01:56. | :01:59. | |
inpyre the younger generation of ballet dancers, so this evening we | :02:00. | :02:04. | |
have got some young ballet dancers from the London Studio Centre. They | :02:05. | :02:08. | |
are all very excited to be here and to ask you questions later on. | :02:09. | :02:12. | |
Wonderful. And you've come from the training hall. We'll be talking | :02:13. | :02:16. | |
about that shortly, Carlos. Before that, the decision not to show a | :02:17. | :02:22. | |
Church of England advert in the UK's largest cinema chains hag making | :02:23. | :02:26. | |
headlines all week. But would cinema goers really be offended by the | :02:27. | :02:30. | |
Lord's Prayer. ? The One Show put that to the test. Our father in | :02:31. | :02:36. | |
Heaven... Hallowed by your name... The news that this advert with was | :02:37. | :02:41. | |
going to be banned in most mainstream cinemas in the UK as it | :02:42. | :02:46. | |
may cause offence has sparked a debate about religious censorship. | :02:47. | :02:52. | |
We live in a pro dominantly Christian country, so is it a case | :02:53. | :02:57. | |
of being oversensitive about other people's faiths? DCM state they have | :02:58. | :03:05. | |
a long-standing policy of not allowing political or religious | :03:06. | :03:07. | |
advertising, but today we are going to let the people decide. I've come | :03:08. | :03:12. | |
to a small independent cinema in North London to show the Church of | :03:13. | :03:16. | |
England's banned advert for the very first time on the big screen. Give | :03:17. | :03:23. | |
us this day... But I'm also going to show another advert for women's | :03:24. | :03:30. | |
lingerie. This was not only approved for cinematic release by DCM but | :03:31. | :03:35. | |
they gave it an award as the best cinema advertisement ever. I want to | :03:36. | :03:39. | |
know which they find more offensive and why. Which of those adverts did | :03:40. | :03:44. | |
you find more offensive? I find neither offensive. I don't like | :03:45. | :03:49. | |
either of them personally. It is strange that Kylie can ride around | :03:50. | :03:54. | |
on a bucking Bronco in her underwear and that not be banned whereas | :03:55. | :03:57. | |
something as simple as the Lord's Prayer has been banned because it | :03:58. | :04:01. | |
upsets a board of people. Did you find the lingerie advert offencive? | :04:02. | :04:05. | |
No. Would all the men in the audience stand up? It made you very | :04:06. | :04:10. | |
uncomfortable: Yeah, as a guy watching that it made me feel | :04:11. | :04:14. | |
uncomfortable. If it is forced upon you in a public place, it is like... | :04:15. | :04:19. | |
For thine the the kingdom, the power and the glory... The Church of | :04:20. | :04:23. | |
England advert was banned on the grounds that it may offend people of | :04:24. | :04:27. | |
other faiths. Is that the case? Difficult for me to put myself in | :04:28. | :04:31. | |
other faith's shoes, so I think what's offensive is that thing of | :04:32. | :04:35. | |
you must must believe in one thing, whether it is the Church of England | :04:36. | :04:38. | |
or whether it is another faith really. Maybe if you start | :04:39. | :04:42. | |
advertising the Church of England, would a whole lot of unappealing | :04:43. | :04:47. | |
churches feel they should have airtime too? I'm a Christian but I | :04:48. | :04:53. | |
wouldn't have a problem if it was pray from the perspective of Islam | :04:54. | :04:57. | |
or Judaism, or anything like that... Amen... Amen. Amen. Amen. Amen. The | :04:58. | :05:10. | |
irony is that they polled it that it wouldn't cause controversy and | :05:11. | :05:13. | |
that's what it is creating. Let's talk about the sin marks Carlos. If | :05:14. | :05:17. | |
it wasn't for the Cuban cinema and your dad visiting it the chances are | :05:18. | :05:21. | |
you wouldn't be here now talking about the career you had. I miss my | :05:22. | :05:26. | |
dad. He died a few years back. He went into a movie theatre, where he | :05:27. | :05:34. | |
is from, and he was, it was a movie for white people. He managed to | :05:35. | :05:39. | |
sneak in and see this wonderful movie, a dancing movie. That's where | :05:40. | :05:46. | |
the whole image stays with him. He decided eventually that the youngest | :05:47. | :05:50. | |
of his 11 kids would be a ballet dancer. He pushed me into that | :05:51. | :05:53. | |
direction against my will. Right at the beginning is it true that you | :05:54. | :05:57. | |
weren't that keen on the idea and didn't really find it that | :05:58. | :06:00. | |
pleasurable? I hated ballet. Did you? I really hated it, because I | :06:01. | :06:07. | |
wanted to be a footballer. Then I moved into wanting to become Michael | :06:08. | :06:13. | |
Jackson, but I felt so comfortable practising the moonwalk and all | :06:14. | :06:18. | |
these movements, but ballet, when you start studying ballet it is very | :06:19. | :06:23. | |
tire which and with this piano music. For a nine-year-old kid, that | :06:24. | :06:28. | |
was very boring. When did it turn around? What was the key to you | :06:29. | :06:33. | |
loving it? I saw the National Ballet of Cuba for the first time. I saw | :06:34. | :06:36. | |
the professionals leaping and the way they were built and the way they | :06:37. | :06:42. | |
held themselves. I saw the athletic part of ballet and I said wow, this | :06:43. | :06:47. | |
is amazing. From the first time there was no turning back. And then | :06:48. | :06:51. | |
you went on to have an incredible career, 26 years on the stage. Do | :06:52. | :06:54. | |
you still, because you've played on some of the most beautiful stages in | :06:55. | :06:58. | |
the world, but do you still fell a connection to Cuba? Cuba is wherever | :06:59. | :07:07. | |
I am. I have it in my heart. And in fact all I want to do with my | :07:08. | :07:11. | |
foundation is to give back to my country. It is an island, it is lice | :07:12. | :07:15. | |
lated. I'm trying to make this bridge between Cuba and the world | :07:16. | :07:21. | |
and trying to bring artists into the island. Cuba is very special to me. | :07:22. | :07:27. | |
And I guess with 10 brothers and sisters it is hard not to feel that | :07:28. | :07:30. | |
connection. My word! You've seen we've got a lot of young ballet | :07:31. | :07:34. | |
dancers here. A lot of those that you were addressing the information | :07:35. | :07:37. | |
and the advice for the future towards in that farewell speech. | :07:38. | :07:42. | |
They've got some questions for you. Shall we start with Sarah? At 42, | :07:43. | :07:47. | |
how hard is it for you to keep yourself in top condition? It is | :07:48. | :07:51. | |
harder than before, because when you are younger you are made of clay, | :07:52. | :07:57. | |
meaning that I didn't even know what ice was. I could jump and jump, but | :07:58. | :08:04. | |
now I do that and two days later I'm still suffering from it. You have to | :08:05. | :08:09. | |
push your body even more to deliver that kind of quality at this stage. | :08:10. | :08:20. | |
It is true every day we are losing facultities. You have to keep the | :08:21. | :08:23. | |
body in top condition. I think you've got a few more years yet, | :08:24. | :08:30. | |
Sarah. Let's go to. What do you think about when you are dancing? A | :08:31. | :08:34. | |
wonderful connection to my audience, to surprise them, to try to connect | :08:35. | :08:40. | |
in many layers. I feel joy and freedom. I think it is great. I also | :08:41. | :08:46. | |
like challenges. In fact there were a lot of roles that on paper I was | :08:47. | :08:56. | |
not suited. I could do the Hunter and Corsair, turn myself into a | :08:57. | :09:15. | |
Prince or to be Romeo. How is a Prince supposed to behave? I had no | :09:16. | :09:19. | |
clue, so it took me a long time and it was a long process to try to | :09:20. | :09:27. | |
bring my Prince forward. But I liked that challenge. Jo, your question. | :09:28. | :09:32. | |
This is before you go on stage isn't it? I wonder if you have any rituals | :09:33. | :09:37. | |
that you do in the wings before you go on? No rituals, just enjoy. Warm | :09:38. | :09:46. | |
up your body, be focused and just understand that we really, really, | :09:47. | :09:56. | |
how do you say? Feel the music. Anyway, what we do is just | :09:57. | :10:00. | |
wonderful. It is for everybody's pleasure. In itself it is just a | :10:01. | :10:05. | |
beautiful thing. OK. And you have officially retired but you have got | :10:06. | :10:09. | |
a farewell tour starting on 8th December. What can people expect | :10:10. | :10:14. | |
from that and will bit the final hurrah? No, it will be, actually | :10:15. | :10:21. | |
what I'm doing is transitioning. I've been so far a classical wallet | :10:22. | :10:27. | |
dancer. Slowly stopping. This performance that I do in a week's | :10:28. | :10:33. | |
time in the Coliseum, it gives the chance for the audience to see me | :10:34. | :10:38. | |
dance the classical roles again. But slowly I will transition into more | :10:39. | :10:42. | |
contemporary areas. And the moonwalk, you could go back to that. | :10:43. | :10:47. | |
Maybe. I think the farewell tour he's going to take two days off | :10:48. | :10:53. | |
after the performance. There's a whole episode dedicated to Carlos on | :10:54. | :11:00. | |
8th December on BBC One, called A Classic Farewell. For generations | :11:01. | :11:06. | |
men and women have argued which is harder, going out to work to put | :11:07. | :11:10. | |
bread on the table or staying at home to look after the children. We | :11:11. | :11:15. | |
sent Jo to join one dad on his very first day left holding a baby. It is | :11:16. | :11:23. | |
Monday morning in the James household and mine month old baby | :11:24. | :11:27. | |
Nylah is enjoying quality time with mum Katie. But it is a big day for | :11:28. | :11:33. | |
Katie. Today she's handing over had reins to her partner Tom as he | :11:34. | :11:38. | |
becomes a full-time daddy and she heads back to work. I've been off | :11:39. | :11:42. | |
for nine months. Tom's been off with me for two months. This is his first | :11:43. | :11:48. | |
day solo. Should be good. I'm looking forward to going back to | :11:49. | :11:52. | |
work. A good time. I'm ready to go back. Tom's taking advantage of new | :11:53. | :11:57. | |
rules which mean instead of feting just two weeks paid paternity lead | :11:58. | :12:02. | |
dads can split up to 50 weeks leave with their partner. Hello. Tom, how | :12:03. | :12:08. | |
is it going? Good, mate. Seven months on from the changes just 2% | :12:09. | :12:16. | |
of new dads have used them, possibly because statutory pay for parenting | :12:17. | :12:19. | |
stops after nine weeks, Tom's leave is unpaid. How are you feeling? | :12:20. | :12:25. | |
Pretty good. I suppose a few nerves around making sure she doesn't miss | :12:26. | :12:28. | |
mum too much, but I think we'll be OK. Quite a cost though. How are you | :12:29. | :12:33. | |
going to cope financially? It is not easy to go down to one or no income. | :12:34. | :12:39. | |
It is challenging. At the start of day one Tom's confident he can cope. | :12:40. | :12:44. | |
I fancy myself in the househusband stakes. I say that but it might be | :12:45. | :12:49. | |
that she comes home to a war zone, of dribble bibs and Eritreas strewn | :12:50. | :12:55. | |
everywhere. I think in some ways he'll be a bit surprised how tough | :12:56. | :13:01. | |
it can be. He's got his own mind and he's a really good dad. Good luck I | :13:02. | :13:07. | |
say. With Katie off to work, her daddy daycare starts in earnest. | :13:08. | :13:24. | |
Let's go. Are you the only person you know of who is doing this? I am, | :13:25. | :13:35. | |
yes. I've been surprised how few of the dads I've spoken to are aware it | :13:36. | :13:40. | |
is something they can do. It is a fairly recent law, but there still | :13:41. | :13:44. | |
seems to be a lot of ignorance about the rights that you have as a | :13:45. | :13:49. | |
father. And in this family the new law is just catching up with | :13:50. | :13:52. | |
something they've long seen as natural. What do you make of Tom and | :13:53. | :13:56. | |
Katie sharing this paternitial leave? I was delighted when I heard | :13:57. | :14:02. | |
what they were going to do. When Katie was three months old I put her | :14:03. | :14:07. | |
in a backpack and took her to Paris, where I was working as a painter and | :14:08. | :14:11. | |
decorator. She came with me. It was part of what we did, sharing the | :14:12. | :14:16. | |
care. Katie feels that the father of her child can do absolutely what she | :14:17. | :14:22. | |
does, so there's a strong sense of equality. Hello. Who is that? Mummy! | :14:23. | :14:30. | |
While she may not have noticed the change, after her first day back at | :14:31. | :14:34. | |
work, it is fair to say that mum's missed her. We asked Tom to keep a | :14:35. | :14:39. | |
video diary of the first two weeks of his time as a stay at home dad, | :14:40. | :14:47. | |
recording the highs and the lows. Nappy has been changed, she might be | :14:48. | :14:54. | |
tired. Maybe she's missing mum. We are getting into a morning routine | :14:55. | :14:59. | |
where we have a little bit of a lie-in once mummy's gone off to | :15:00. | :15:04. | |
work. Today we are off to our first playgroup together, which is a | :15:05. | :15:08. | |
chance for her to make some friends, and maybe for me to make friends. | :15:09. | :15:14. | |
She woke up at silly oh clock and went back to sleep alright, but I | :15:15. | :15:19. | |
didn't. I did pretty much everything I planned on doing, it went out of | :15:20. | :15:27. | |
the window. She was a bit grizzly and it rained on us. And yeah, she | :15:28. | :15:32. | |
properly knackered me out today. When she starts getting a bit more | :15:33. | :15:46. | |
mobile, I'll need eyes in the back of my head but, at the moment, it's | :15:47. | :15:56. | |
brilliant. It's wonderful with her. Thom and Katie join us now. But | :15:57. | :16:02. | |
having a night off. Normally when we get people on television, they bury | :16:03. | :16:05. | |
their heads in their hands, but you were just, putting your emotions for | :16:06. | :16:09. | |
your daughter on the screen, it was lovely. How have you been finding | :16:10. | :16:18. | |
it, Thom? It's been good. Getting my head round the routine has been a | :16:19. | :16:21. | |
challenge, but I'm getting there now. I don't have as much spare time | :16:22. | :16:30. | |
up my sleeve as I thought. Is that the biggest surprise? I knew it | :16:31. | :16:34. | |
would be full-time but there is no letup, even when she is asleep. You | :16:35. | :16:39. | |
are tidying up after herself -- yourself and her, getting the meals | :16:40. | :16:44. | |
ready. But I'm loving it. How do you feel, now you are back at work, | :16:45. | :16:48. | |
Katie? Do you feel you have made the right decision or are you got it to | :16:49. | :16:54. | |
leave in the morning? I think I was ready to go back to work and it is | :16:55. | :16:57. | |
lovely coming home to see they have had a great day, laughing and | :16:58. | :17:02. | |
giggling. This is their time. I had my time. It's awesome. And you've | :17:03. | :17:09. | |
got a cook and a cleaner. I know! The food you must have two bridges | :17:10. | :17:20. | |
just for the cat! -- the food you must have two bridges. Can you | :17:21. | :17:24. | |
imagine this happening in Cuba? Would your dad have stayed at home? | :17:25. | :17:31. | |
My dad stay at home... Well... Anyway, 11 kids... Very hard. Oh, | :17:32. | :17:42. | |
it's a tricky one. We are not pushing Nyla in any direction | :17:43. | :17:46. | |
whatsoever, but Carlos has brought a present. There you are. Thank you. | :17:47. | :18:01. | |
All signed. Thank you! As a stay at home dad, doing the domestic staff, | :18:02. | :18:05. | |
we know you will be well into your washing machines and ironing boards, | :18:06. | :18:11. | |
so we are crossing over to Watchdog now. Let's have a look at what they | :18:12. | :18:14. | |
are up to. They are just preparing for the programme. Chris, Michelle | :18:15. | :18:21. | |
and Matt, tell us what you have got on. Tonight, we look at the illegal | :18:22. | :18:27. | |
trade in puppies. It is reckoned that tens of thousands of dogs are | :18:28. | :18:31. | |
being prepared ready to be imported into the UK in time for Christmas | :18:32. | :18:35. | |
and we ask the government what they are doing to try and stop that cruel | :18:36. | :18:40. | |
and barbaric trade. Last week, we were talking about remote-controlled | :18:41. | :18:44. | |
drones falling out of the sky. This week, a family got in touch to tell | :18:45. | :18:49. | |
us that their 18-month-old child has suffered life changing injuries | :18:50. | :18:52. | |
because a drone hit him in their garden. Plus everybody is talking | :18:53. | :18:59. | |
about Black Friday, racing to the shops. But are you really getting a | :19:00. | :19:07. | |
bargain? Or is it just a blag? Is it blag Friday? 7:30pm, BBC One. Soon, | :19:08. | :19:17. | |
we will be meeting the British writer whose script for Steven | :19:18. | :19:21. | |
Spielberg's latest film deals with espionage and injustice in 1950s | :19:22. | :19:26. | |
America but, before that, here is down with a historic tale of | :19:27. | :19:27. | |
injustice from much closer to home. At 6am one morning in the autumn of | :19:28. | :19:47. | |
1916, during the horror of the Battle of the Somme, a tragedy of a | :19:48. | :19:50. | |
different kind was unfolding behind British lines. Private Harry Farr | :19:51. | :19:59. | |
was gunned down in a hail of bullets leaving behind a young wife and a 1 | :20:00. | :20:05. | |
-year-old daughter. Unlike hundreds of thousands of other British | :20:06. | :20:08. | |
soldiers on the Western front, those bullets didn't come from German | :20:09. | :20:16. | |
rifles but British ones. Harry Farr was a steelworker from north | :20:17. | :20:21. | |
Kensington. He enlisted in the Army reservists in 1908, aged just 17. By | :20:22. | :20:27. | |
1916, he had fought bravely and was known to be a soldier of good | :20:28. | :20:31. | |
character, so how did he end up in front of a British firing squad? | :20:32. | :20:36. | |
Julian Bukowski, a military historian, was one of the first to | :20:37. | :20:40. | |
study what happened to Harry. There was an attack coming up and he was | :20:41. | :20:45. | |
ordered to go forward with the rest of the party. His nerves failed him | :20:46. | :20:50. | |
and he said he couldn't go. The Sergeant said, you've got to go. He | :20:51. | :20:55. | |
said, I can't face it. A witness said he was trembling and not in a | :20:56. | :21:00. | |
good state. Like thousands of other soldiers, Harry was displaying | :21:01. | :21:03. | |
classic signs of shellshock and not for the first time. You read about | :21:04. | :21:08. | |
officers getting sent back to nice hospitals in the UK. Why didn't that | :21:09. | :21:15. | |
happen about him? He is a working-class labourer in a society | :21:16. | :21:17. | |
where class counts for everything. He was just a man, a number. Was he | :21:18. | :21:24. | |
arrested? He faced a court martial. He didn't have a defending officer | :21:25. | :21:29. | |
so he was defending himself and they didn't consider his medical | :21:30. | :21:34. | |
evidence. He stood no chance. That is not a legal system. No, but court | :21:35. | :21:39. | |
martial is odd about justice but about discipline. -- court-martial | :21:40. | :21:49. | |
is not. On the 18th of October in north-east France by the light of | :21:50. | :21:52. | |
dawn, a priest read out a final prayer. What happened next | :21:53. | :21:58. | |
demonstrated that Harry Farr was no coward. Like many other brave | :21:59. | :22:02. | |
soldiers shot for apparent cowardice, he refused to wear a | :22:03. | :22:07. | |
blindfold. According to the chaplain standing next to him, Farr wanted to | :22:08. | :22:13. | |
look into the eyes of the firing squad, stared down the barrels of | :22:14. | :22:14. | |
the rifles that would kill him. That order to execute Harry Farr | :22:15. | :22:28. | |
would echo down through the years of his family. Janet who is Harry's | :22:29. | :22:36. | |
granddaughter. How did your grandmother react? She didn't tell | :22:37. | :22:41. | |
anyone. It was such a stigma and a shame for somebody a member of the | :22:42. | :22:48. | |
family, to be executed. Wives of those executed were not entitled to | :22:49. | :22:54. | |
a widow's pension at the time. Janet's grandmother and her mother | :22:55. | :22:59. | |
were left poverty stricken. I was visiting my grandmother and doing | :23:00. | :23:02. | |
the family tree. I thought I would look up his grave. She said, well he | :23:03. | :23:08. | |
hasn't got one because he was executed. When you found out, did | :23:09. | :23:15. | |
you feel ashamed or angry? I wasn't ashamed, I was angry because I felt | :23:16. | :23:21. | |
and injustice had been done. After discovering the secret, Janet | :23:22. | :23:24. | |
campaigned for 15 years to have her grandfather pardoned. Private Harry | :23:25. | :23:31. | |
Farr is to be granted a posthumous pardon... The British government | :23:32. | :23:36. | |
granted a pardon to him and the other 305 men executed during the | :23:37. | :23:40. | |
conflict. People say you can't rewrite history, but we did, didn't | :23:41. | :23:45. | |
we, in the end. I was very proud that I was able, for my grandmother, | :23:46. | :23:54. | |
to get his name cleared. What a sobering story. We are joined | :23:55. | :23:58. | |
by somebody else who has rewritten history although, in this case, he | :23:59. | :24:03. | |
turned it into a movie. Please welcome mat Charlie. Great to see | :24:04. | :24:11. | |
you. You have penned the new Spielberg Cold War thriller. Yes, I | :24:12. | :24:17. | |
am slightly pinching myself. It is called Bridge of Spies and it is | :24:18. | :24:20. | |
based on a true story, never told before. How did you uncover writ? I | :24:21. | :24:27. | |
found it as a footnote in a history book, a biography of JFK. A section | :24:28. | :24:34. | |
of it talked about the Bay of pigs and, after that catastrophe, JFK | :24:35. | :24:38. | |
wanted to get back the 1500 servicemen who had been caught and | :24:39. | :24:42. | |
captured. He negotiated with Fidel Castro using a lawyer. In this book, | :24:43. | :24:48. | |
there was a footnote saying, James Donovan came to prominence for the | :24:49. | :24:52. | |
part he played in a spy swap previously between a Russian and an | :24:53. | :24:56. | |
American. I was reading and thinking, who is this guy? Never | :24:57. | :25:00. | |
heard of him and yet he played a part in two massive moments in | :25:01. | :25:04. | |
history. I started to try and find out who he was. I put lots of pieces | :25:05. | :25:08. | |
of the jigsaw together but what was amazing for me and emotional was | :25:09. | :25:12. | |
meeting his son in New York. He talks about his father and the fact | :25:13. | :25:16. | |
that his dad did this remarkable thing but had never really had his | :25:17. | :25:21. | |
moment. I said to him, I will do my best to tell the story. That is | :25:22. | :25:27. | |
where it started. You pitch it to Spielberg and he picked it up and | :25:28. | :25:31. | |
Tom Hanks is in it, mark Rylands. We are going to look at the clip and | :25:32. | :25:37. | |
then we will talk more. I don't work for the government. I am here to | :25:38. | :25:41. | |
offer my services as your legal counsel. If you accept them as such, | :25:42. | :25:54. | |
I am with you. If I accept you? Are you good at what you do? Yeah, yeah, | :25:55. | :26:04. | |
pretty good. Have you represented many accused spies? No, not yet. Tom | :26:05. | :26:14. | |
Hanks playing James Donovan, representing a Soviet spy. Tell us | :26:15. | :26:18. | |
how the story develops, because it is more than just giving a fair | :26:19. | :26:23. | |
trial. I don't want to give too much away, and it is strange to see | :26:24. | :26:27. | |
that, watching those guys doing this, but it is a story about a man | :26:28. | :26:32. | |
who takes an unpopular caisson, defending a Russian spy, and he will | :26:33. | :26:37. | |
not even though he totally disagrees in everything he stands for and | :26:38. | :26:41. | |
believes, he won't stop defending him. He just pushes it from New York | :26:42. | :26:46. | |
to the Supreme Court and eventually to the Berlin Wall. He gets tasked | :26:47. | :26:53. | |
by the CIA to negotiate a spy swap for the Russian he defended for Gary | :26:54. | :26:58. | |
Powers, who was shot down. He was a man who you could live next door to, | :26:59. | :27:03. | |
which is why Tom Hanks is so great. He takes our hand and takes us | :27:04. | :27:08. | |
through the story. You said it gives you goose bumps hearing those | :27:09. | :27:11. | |
brilliant actors speaking your script. Listen to this, the first | :27:12. | :27:16. | |
time Stephen Spielberg rang you, is it right that you were in pants? On | :27:17. | :27:24. | |
purpose? I was. Waiting for the call! I got very hot and bothered | :27:25. | :27:30. | |
because I had posters of his wall since I was a kid. I knew he was | :27:31. | :27:34. | |
going to call because I was told he was going to ring. Suddenly, I got | :27:35. | :27:39. | |
really hot and bothered so I took off my shirt then I thought, I'm | :27:40. | :27:43. | |
still hot, so you end up in your boxers and your T-shirt. Why not! My | :27:44. | :27:49. | |
wife stuck her head in and said, I'll leave you to it! How did that | :27:50. | :27:54. | |
conversation go? It was amazing but it was strange it was these | :27:55. | :27:59. | |
conference calls with the state and with Hollywood, I was talking to | :28:00. | :28:02. | |
Stephen Spielberg and there were four or five other people on the | :28:03. | :28:06. | |
line and, halfway through, there was silence and I thought, maybe he's | :28:07. | :28:10. | |
hung up, maybe he's bored. I said, can I check you are still there, | :28:11. | :28:15. | |
Stephen? He said, I'm rapt, I love it. I got to the end, and he said, | :28:16. | :28:21. | |
when can I write this? Who is your hero? I have many heroes, Mandela. | :28:22. | :28:30. | |
In the movie business or in general? Have you ever had a moment where you | :28:31. | :28:35. | |
think, the moment I have admired for all these years is actually in front | :28:36. | :28:39. | |
of me? Know but, as a matter of fact, one of my heroes was Michael | :28:40. | :28:44. | |
Jackson, and I had tickets to go and see him at the O2 arena before he | :28:45. | :28:50. | |
passed away. That was a moment I was looking forward to, but he died. | :28:51. | :28:58. | |
Carlos is basically people's Stephen Spielberg anyway. He is Matt's | :28:59. | :29:05. | |
Stephen Spielberg! Congratulations and I'm sure everybody who goes to | :29:06. | :29:09. | |
see it will love it. That's all we got time for. Thank you to Carlos | :29:10. | :29:15. | |
Acosta, whose farewell tour begins next month. And farewell to Matt, | :29:16. | :29:22. | |
Bridge of Spies is in cinemas a week today. I will be back tomorrow with | :29:23. | :29:24. | |
Russell Howard. See you then. | :29:25. | :29:27. |