Browse content similar to 27/11/2015. Check below for episodes and series from the same categories and more!
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I told you, where there's a Will, there's a way. I've been telling you | :00:28. | :00:36. | |
that for years, Alex, years! Hello and Welcome to the One Show | :00:37. | :00:42. | |
with Alex Jones. And duetting with me this Friday, | :00:43. | :00:46. | |
it's Will Young. Very excited to have you here. Have | :00:47. | :01:04. | |
you started Christmas shopping yet? It's Black Friday. Aren't people | :01:05. | :01:08. | |
going out in bubble wrap? Jeremy Vine said they are wrapping bubble | :01:09. | :01:11. | |
wrap around them to avoid being squashed by other shoppers. How do | :01:12. | :01:16. | |
they pay? Just bump into it? You are in for a treat tonight. We have | :01:17. | :01:20. | |
exclusive deals on offer, everything in for a treat tonight. We have | :01:21. | :01:25. | |
from Lancashire hot pot to this man strapped up in a human slingshot, | :01:26. | :01:30. | |
look at that. It's amazing. Looks fantastic, doesn't it? We've got a | :01:31. | :01:33. | |
two for one deal on guests. after her explosive performance on | :01:34. | :01:39. | |
last year's X Factor, Fleur East's here to perform her debut single | :01:40. | :01:43. | |
'Sax'. And bringing the laughs please | :01:44. | :01:45. | |
welcome a comedian who's always good news - it's | :01:46. | :01:51. | |
Russell Howard! It's nice to see you. Russell, how | :01:52. | :02:04. | |
are you? Very well, how are you. At buying presents? I've already sorted | :02:05. | :02:09. | |
out my cousin 's presence, I'm taking my family to Australia, | :02:10. | :02:14. | |
sorted. Well done. Mainly because the joy I take from | :02:15. | :02:18. | |
mum on a plane is exceptional. She likes to get drunk. Last time we | :02:19. | :02:26. | |
went to Dubai, my mum was walking down the aisle, singing "I'm walking | :02:27. | :02:31. | |
in the air". It's always a treat. You may have seen Russell putting | :02:32. | :02:35. | |
his unique spin on the stories of the week for his show, Russell | :02:36. | :02:39. | |
Howard's Good News. Where did he get this talent? We went back to his | :02:40. | :02:43. | |
primary school to see if their current crop of pupils could follow | :02:44. | :02:44. | |
in his comedy footsteps. Shoppers go crazy for Black Friday. | :02:45. | :02:54. | |
On Black Friday there might be a storm, the clouds might turn black. | :02:55. | :02:59. | |
Black Friday is where lots of shops decide they are going to have sale. | :03:00. | :03:03. | |
Lots of things that have been expensive go really cheap. A study | :03:04. | :03:07. | |
finds people in their 40s are more likely to be miserable. Usually | :03:08. | :03:11. | |
people in their 40s are usually miserable. Because... You know, they | :03:12. | :03:20. | |
are really old. They get all board. Lazy. Sometimes my dad ignores us | :03:21. | :03:26. | |
for the whole day, playing games on his phone. People in their 40s are | :03:27. | :03:33. | |
more happy because they are usually living with someone else and they | :03:34. | :03:40. | |
are happy because they know that they can buy some more things. My | :03:41. | :03:45. | |
dad just sits there on the sofa, my mum does all the chores, I help out. | :03:46. | :03:51. | |
Making of The Lord's Prayer advert banned by some UK seller Mars. It | :03:52. | :03:55. | |
might annoy people because they might really want to see the movie. | :03:56. | :04:01. | |
Richie McCaw cinemas. Adverts are usually for things that are new and | :04:02. | :04:06. | |
have just come out. Maybe they will get annoyed because if they want to | :04:07. | :04:10. | |
see it quickly and they don't want to waste their time sitting | :04:11. | :04:14. | |
there... They might not believe in God and it might annoy them. I think | :04:15. | :04:20. | |
it should be there because it'll make more people pray. All the other | :04:21. | :04:28. | |
adverts make people be greedy and get stuff. Women failed driving | :04:29. | :04:31. | |
tests more than men but are still safer drivers. I think daddy is the | :04:32. | :04:36. | |
best driver because he can drive with one hand and he's very fast. | :04:37. | :04:42. | |
When we're on twisty roads, he thinks he's in a race and he swings | :04:43. | :04:46. | |
the car around all the corners. My baby sister is the best driver, she | :04:47. | :04:51. | |
has a toy car and we get all her toys out and we pretend thereof | :04:52. | :04:55. | |
people crossing the road and she tries to run over them. Lynch there | :04:56. | :05:02. | |
are people. In other news: I haven't had any good news this week. The | :05:03. | :05:06. | |
other news is that... I'm going to be on TV. A special thank you to my | :05:07. | :05:12. | |
fellow reporters, back to you, Alex and Will. | :05:13. | :05:16. | |
It could be the cutest thing be seen on the show. Thanks to George | :05:17. | :05:19. | |
Alagiah. Thanks very much to George to the | :05:20. | :05:20. | |
pupils and staff of Ropley Primary Russell - they let us have a look at | :05:21. | :05:23. | |
the leavers' book here from the year you left the school - let's have a | :05:24. | :05:27. | |
look inside. If we just dig in here to this page, | :05:28. | :05:38. | |
there's a picture of you. My mate Paul, amazing. Are you still | :05:39. | :05:44. | |
friends? He got married last year. I didn't expect this was going to | :05:45. | :05:49. | |
happen, look at that. Isn't that nice? You've written a blurb about | :05:50. | :05:52. | |
your best memories of being at school. This is what we have. | :05:53. | :05:56. | |
They'll have written about having met. My special memory was when I | :05:57. | :06:02. | |
was picked to play for the area football team, I scored a header | :06:03. | :06:06. | |
after Anthony had hit the bar. I came on in the second half to win it | :06:07. | :06:14. | |
because I scored two goals. APPLAUSE It's great. It's not. That's really | :06:15. | :06:20. | |
sweet. It's lovely, you can flick through that later. We had a little | :06:21. | :06:23. | |
song. # We welcome you to please go, we | :06:24. | :06:29. | |
hope you will enjoy your stay #. I'm taking that. It is to freak | :06:30. | :06:40. | |
people out when they arrived. Good News is back on BBC Two, let's see | :06:41. | :06:43. | |
what's taken your interest. Feeding ducks bread does them more harm than | :06:44. | :06:48. | |
good. It's the equivalent of their junk food. Bread is their junk food? | :06:49. | :06:56. | |
As if they care! They are ducks, they are not body conscious. I've | :06:57. | :07:00. | |
never seen a dog get out of the water like this, no, no, no, look | :07:01. | :07:06. | |
away! Move your eyes away, Barry. Stop looking at me! I'm not pond | :07:07. | :07:12. | |
body ready, come on! There hasn't been massively good | :07:13. | :07:22. | |
news, any stories that have taken your fancy? There was a belter this | :07:23. | :07:27. | |
week, David Attenborough's new show, I think it's called The HUnt. A | :07:28. | :07:41. | |
polar bear broke in to where the crew were living and stall the | :07:42. | :07:43. | |
wine. Drug polar bears? There should be more drunk animals on TV. | :07:44. | :07:51. | |
Hammered dressage would be great. Marmite apparently as well, they | :07:52. | :07:55. | |
nicked. And the Al Gore? That's a funny combination isn't it? -- and | :07:56. | :08:03. | |
the alcohol. You've had Hugh Fearnley-Whittingstall and you | :08:04. | :08:06. | |
bonded on your show over something we'll be eating a lot of. I didn't | :08:07. | :08:10. | |
know this but apparently, basically, supermarkets throughout | :08:11. | :08:14. | |
millions of pounds of vegetables every year because they are wonky. | :08:15. | :08:19. | |
Because they are not attractive veg. Genuinely, some people select | :08:20. | :08:28. | |
whether vegetables are pretty enough to be sold. He pointed out I've got | :08:29. | :08:32. | |
a lazy eye and said, you wouldn't be allowed to. If I were a carrot, I'd | :08:33. | :08:38. | |
be dead. You've got quite a few surprising fans around the world. | :08:39. | :08:43. | |
You've gone global. Your episodes are online now, aren't they? Yes, I | :08:44. | :08:47. | |
think it's shown on YouTube. Apparently North Korea we've got | :08:48. | :08:55. | |
five fans. Good. A big five. We've got three in the Vatican City. Which | :08:56. | :08:59. | |
is a lovely image, the idea the Pope is saying, in a moment, in a | :09:00. | :09:04. | |
minute, I need to know about ducks. And polar bears who drank loads of | :09:05. | :09:08. | |
wine. You are onto. Have you started writing? That's why I'm going on | :09:09. | :09:13. | |
holiday with my family, so they can write it for me. If I spend time | :09:14. | :09:18. | |
with my mum, it's sorted. It's gold. Sale totally. Do you find that with | :09:19. | :09:22. | |
your parents now you are celebrities, do they wind you up? | :09:23. | :09:25. | |
They are hysterical, they keep me down to earth. I get a sense you get | :09:26. | :09:32. | |
a lot of material from... I can't help it, we were in a car recently, | :09:33. | :09:36. | |
it was stuck, the guy got out of his car, took a photo, he said excuse | :09:37. | :09:40. | |
me, can I have a photo? It fairly weird. My mum started screaming, | :09:41. | :09:47. | |
going help! He's kidnapped me! Is it, why did you do that? She said, | :09:48. | :09:54. | |
because I'm 57 and I don't care. When you are blessed with a mum like | :09:55. | :09:57. | |
that, it's a treat. She's a lot funnier than me. I should put her on | :09:58. | :10:02. | |
stage. You've got a new drama which we'll talk about later. It all makes | :10:03. | :10:03. | |
sense! To all our viewers | :10:04. | :10:10. | |
in Lancashire we want to wish you Yes - this is the day the good | :10:11. | :10:13. | |
folk of Lancashire celebrate all One of the best things to come | :10:14. | :10:17. | |
out of Lancashire is the hot pot. But can a One Show viewer make one | :10:18. | :10:21. | |
so good that it 'Beats the Pro'. Today one show viewer is coming to | :10:22. | :10:37. | |
my restaurant in my hometown to take me on in a cookery clash. Whatever | :10:38. | :10:41. | |
they choose to make I have to make my version of the same dish. Top | :10:42. | :10:47. | |
food critic will taste both and declare one of us the winner. And he | :10:48. | :10:53. | |
is today's challenger, charity campaigner James Cope from London. | :10:54. | :10:56. | |
His signature dish is Lancashire hotpot. Will it be good enough to | :10:57. | :11:03. | |
beat the pro? I've heard you're not a novice. I've had practice in the | :11:04. | :11:11. | |
past. I'm not a bad cook, I used to have a website called the disabled | :11:12. | :11:15. | |
chef, cooking is a great therapeutic way of proving you don't have to | :11:16. | :11:18. | |
give in. Something can hinder you but it doesn't have to stop you. Are | :11:19. | :11:22. | |
you confident about today's challenge was to mark I'm confident, | :11:23. | :11:26. | |
I've been practising this for many moons. What could plan is going into | :11:27. | :11:33. | |
his hotpot? D Nick Phillips, really good cut, there's lots of marbling. | :11:34. | :11:39. | |
You've got to put it through. -- Nick Phillips. | :11:40. | :11:44. | |
I love my beer. Today I'm using light ale. It's quite lemony, it | :11:45. | :11:52. | |
works nicely with lamb. I only use half so I get to drink the rest at | :11:53. | :11:56. | |
the end of the day. Mine is simpler, onions, carrots and my secret | :11:57. | :12:02. | |
controversial weapon, kidney. I use them for flavour, but I don't leave | :12:03. | :12:06. | |
them in the end dish. People like the flavour of kidney but it's more | :12:07. | :12:09. | |
the texture they don't like, it gives it the thing is. I save them, | :12:10. | :12:13. | |
fry them for my breakfast the next day. James Beasley knows luggage | :12:14. | :12:18. | |
hotpot well, he's read up on its history. I found it amazing you get | :12:19. | :12:24. | |
lots of ladies who put everything in the pot, take it to the Bakers, who | :12:25. | :12:29. | |
would be making bread, then they do a day in the cotton mill, then they | :12:30. | :12:32. | |
would pick up their pot, take it home and feed the family. James | :12:33. | :12:37. | |
Brown is his Lahm in butter, then create his ale and onion source. | :12:38. | :12:38. | |
Reach Browns after stealing my meat, I threw in | :12:39. | :12:50. | |
kidneys. My secret ingredient. After a while on the hop, time for a | :12:51. | :12:54. | |
sneaky peek. I've got to restrain myself from using beer. I can see | :12:55. | :12:59. | |
why you put it in, it's lovely. What does James think of mine? It's very | :13:00. | :13:05. | |
good, Ricky, very nice, I can taste the kidneys, doesn't taste too bad, | :13:06. | :13:11. | |
may the best man win, Ricky. Both dishes are plated up and ready for | :13:12. | :13:17. | |
judging. Enter the mystery diner. One of Britain's's top Western art | :13:18. | :13:23. | |
critics, he decide to make it into the prestigious good food guide. | :13:24. | :13:26. | |
Like any mystery diner, maintaining anonymity is essential. Soon he will | :13:27. | :13:32. | |
crown one of our dishes a dream dinner and the other a dining | :13:33. | :13:39. | |
disaster. My hotpot is first to be judged. As we are not allowed to | :13:40. | :13:44. | |
turn around, we're both nervous. Next up is James's lamb and ale | :13:45. | :13:48. | |
hotpot. I've loved cooking alongside James, but now I want to win. | :13:49. | :13:53. | |
Decision made and the loser's dish is sent back to the kitchen. The | :13:54. | :14:00. | |
winner is left for us to uncover, so what is the verdict? Dish one is | :14:01. | :14:07. | |
mine, tender, melt in the mouth lamb, crisp potato, dish two, which | :14:08. | :14:12. | |
is yours. Crisp on top, tender meat, velvety source. A note at the | :14:13. | :14:17. | |
bottom, very little between both dishes. So who has won? Get in | :14:18. | :14:26. | |
there! Get in there! Well done. That's good. I feel honoured to have | :14:27. | :14:35. | |
beaten such a great chef, thank you very much. Fair play to James, he | :14:36. | :14:39. | |
took a worthy dish from a worthy competitor to beat the pro. An to | :14:40. | :14:47. | |
you? Not unnaturally, I don't think. -- an close to you? If you want to | :14:48. | :14:51. | |
make an award-winning Lancashire hotpot, go to the one show website | :14:52. | :14:53. | |
where you will find James's recipe. Let's talk about your debut comedy | :14:54. | :15:04. | |
which is on over Christmas called gert lush. It is about a regular boy | :15:05. | :15:09. | |
who takes his girlfriend back to the West Country at Christmas to meet | :15:10. | :15:14. | |
his family. Hello, lovely to meet you. Can I have an Eskimo kiss? Oh | :15:15. | :15:23. | |
my God, you so cute. What's your star sign? What's your star sign? | :15:24. | :15:36. | |
Taurus. Oh my God, Dan's an Aries and you're a Taurus. His ex-was a | :15:37. | :15:43. | |
Pisces, and that is never going to work, was it mum? When did did you | :15:44. | :15:49. | |
see a ram with a fish? APPLAUSE. That's your real-life | :15:50. | :16:01. | |
sister isn't it? My sister Kerry, yes, the BAFTA-nominated Kerry | :16:02. | :16:05. | |
Howard. And there's your mum. That was a treat that day. When the paps | :16:06. | :16:12. | |
take photos of you. Mum looked straight ahead. It was like a | :16:13. | :16:15. | |
Yorkshire pudding moving carrots. She had such a laugh. How closely is | :16:16. | :16:21. | |
it based on your real family? I wrote it with my friend Stevie. | :16:22. | :16:26. | |
There he is. We wrote it together. It is a combination of his and my | :16:27. | :16:30. | |
family. But the mum is very much my mum and the dad is quite close to my | :16:31. | :16:36. | |
dad. My dad's obsessed with fitness. That's why Neil Morrissey is doing | :16:37. | :16:41. | |
that. My dad was annoyed because he wanted Neil to buff up. He wanted | :16:42. | :16:48. | |
Bruce Willis. You didn't want Bruce Willis. No, my dad did. What was it | :16:49. | :16:55. | |
like working with your assister? Absolutely incredible. It is that | :16:56. | :17:00. | |
odd thing when you work with... I didn't realise how brilliant she | :17:01. | :17:04. | |
was. She is properly incredible and far more talented than I am. I was | :17:05. | :17:09. | |
going to her, am I doing this alright? She was going, yeah, you're | :17:10. | :17:13. | |
fine. It was excellent having my little sister holding my hand | :17:14. | :17:16. | |
through it. And the dynamic is nice as well. She's really funny. You can | :17:17. | :17:23. | |
see gert lush on BBC Two over the Christmas period. | :17:24. | :17:28. | |
We are delighted to have Fleur East with us tonight. | :17:29. | :17:44. | |
CHEERING. Too hot, hot damn. Call the police and the Fire Department. | :17:45. | :17:54. | |
I'm too hot, hot damn, girls hate you hallelujah... Because uptown | :17:55. | :18:00. | |
funk don't give it to you, Saturday night we in the spot, don't believe | :18:01. | :18:05. | |
me just watch. APPLAUSE. And Fleur is here! | :18:06. | :18:14. | |
Welcome. Thank you. That performance was a standout for me that year. | :18:15. | :18:21. | |
Amazing, and the reaction was brilliant. But Will was saying you | :18:22. | :18:26. | |
were nearly about to give up before the X factor came along, is that | :18:27. | :18:32. | |
right? Yes, it was nearly my last shot, that cliche line. Everybody | :18:33. | :18:38. | |
assumes that anyone who auditions, they just come along that morning, | :18:39. | :18:42. | |
but I had been trying in the industry for ten years before I | :18:43. | :18:46. | |
decided to audition. I thought, this isn't happening, what am I going to | :18:47. | :18:48. | |
do? I'm going to have isn't happening, what am I going to | :18:49. | :18:52. | |
do? I'm going to have to decide to Venture into a different career. My | :18:53. | :18:57. | |
friends and family said Fleur, go on the X Factor, what have you got to | :18:58. | :19:01. | |
lose? I thought I would take the risk, so I went along and thankfully | :19:02. | :19:08. | |
the risk paid off. Since that, how has your year been? It has been a | :19:09. | :19:14. | |
whirlwind, so crazy. I used to have days where I would sit in my pyjamas | :19:15. | :19:19. | |
and watch TV all day, dreaming of being a singer and being on the | :19:20. | :19:23. | |
stage. And now it is like I don't even know when my next day off is | :19:24. | :19:27. | |
going to come. Everything is popping up in the diary all the time. But it | :19:28. | :19:31. | |
is so much fun and I'm enjoying every second of it. Your debut album | :19:32. | :19:37. | |
is out. We are going to hear a track from it, sax, later on. Brilliant. | :19:38. | :19:44. | |
Before Fleur dances up a storm for us, how about checking out one | :19:45. | :19:47. | |
of the most powerful movers in the natural world? | :19:48. | :19:49. | |
Patrick Ayree has flung him self through the air to discover | :19:50. | :19:52. | |
Thank goodness he didn't croak. I'm so sorry. Frogs are well known for | :19:53. | :20:05. | |
their leaping prowess, using quick, powerful jumps to escape from | :20:06. | :20:11. | |
predators. But when we take a closer look, these athletic amphibians | :20:12. | :20:14. | |
appear to be defying the laws of physics. Some frogs can leap over 20 | :20:15. | :20:19. | |
times their own body length. To put that into perspective that's the | :20:20. | :20:23. | |
equivalent of me jumping three bus lengths without a running | :20:24. | :20:24. | |
equivalent of me jumping three bus lengths without a running start. But | :20:25. | :20:28. | |
a typical frog leap requires much more energy than their leg muscles | :20:29. | :20:34. | |
alone can supply, making their jump seem impossible. Frogs have found a | :20:35. | :20:39. | |
clever way of storing lots of energy in their legs and releasing it in | :20:40. | :20:44. | |
the one go really quickly, a bit like a living catapult. And to | :20:45. | :20:49. | |
experience the power of a frog jump, I've come to Scotland to the largest | :20:50. | :20:52. | |
human sling shot in the world. The force of that was just so | :20:53. | :21:32. | |
explosive. It was incredible. And all that energy, all that tension | :21:33. | :21:37. | |
was stored up in these elastic bungee cords. The more the cord | :21:38. | :21:44. | |
stretches, the more energy they store. Enough to propel me up and | :21:45. | :21:54. | |
away,reaching a speed of 60 miles an hour in seconds. But how do the | :21:55. | :22:00. | |
frogs do this without any help? Dr Chris Richards from the royal | :22:01. | :22:05. | |
veterinary college in London is deconstructing their jump using | :22:06. | :22:08. | |
high-speed cameras. Frogs are famed for jumping. That's the one thing | :22:09. | :22:14. | |
they know do really well, but what gives them this ability? It is | :22:15. | :22:17. | |
thought the secret to their jumping ability is in their tend ones. | :22:18. | :22:22. | |
Unlike people when they jump, who just use their muscles, frogs use a | :22:23. | :22:29. | |
combination of muscles and tendons. By slowing the action down by 20 | :22:30. | :22:34. | |
times, Dr Richds and his team are able to analyse what's going on. You | :22:35. | :22:39. | |
can think of it as a two-stage process, where the first stage is | :22:40. | :22:44. | |
when the frog is crouched, the muscles work to stretch the tendons. | :22:45. | :22:49. | |
And the second phase of the jump, as the force builds up and the joints | :22:50. | :22:53. | |
moves, the tendon releases explosively. But something needs to | :22:54. | :22:58. | |
trigger that release. For the human sling shot the trigger was breaking | :22:59. | :23:02. | |
the connection of the elastic cord with a car. So what is it that | :23:03. | :23:07. | |
triggers the tendon to release all that energy? It is thought that it | :23:08. | :23:12. | |
is the posture of the animal that's holding that elastic energy in | :23:13. | :23:15. | |
place. What triggers it to be released is the straightening of the | :23:16. | :23:21. | |
limbs. So in a way the frog itself is elastic band and the trigger all | :23:22. | :23:26. | |
in one? That is a very good way of putting it actually. Understanding | :23:27. | :23:30. | |
the mechanics behind the frog jump can also inspire other areas of | :23:31. | :23:35. | |
science. There are probably some general engineering principles that | :23:36. | :23:38. | |
are at work in the frog limb that can be applied to other things, like | :23:39. | :23:47. | |
prosthetic limbs for example. So studying how the muscles and tendons | :23:48. | :23:52. | |
work together could reveal applications for ourselves? Exactly. | :23:53. | :23:57. | |
Unravelling the acrobatic abilities of the frog can inspire a giant leap | :23:58. | :24:01. | |
for mankind in future. But for now the only way to experience the frog | :24:02. | :24:07. | |
force is with the ultimate Highland Fling. I think we should book | :24:08. | :24:13. | |
ourselves in for a Highland Fling. We want to do it. | :24:14. | :24:20. | |
The countdown to Christmas has well and truly begun | :24:21. | :24:23. | |
and next week we'll be opening the first doors on our very special | :24:24. | :24:26. | |
We want you to tell us why Christmas 2015 is going to be a particularly | :24:27. | :24:31. | |
Let us know and you could be behind one of the doors of our calendar. | :24:32. | :24:36. | |
Send your stories and pictures to the One Show at the usual address. | :24:37. | :24:39. | |
And don't forget we also want to you to be part of our Virtual Choir. | :24:40. | :24:43. | |
This year we're going vintage pop and we want you to film yours | :24:44. | :24:46. | |
elves singing The Ronettes song 'Sleigh Ride'. | :24:47. | :24:48. | |
Here's Ed Pruen - he's a Reverend Canon don't you know? | :24:49. | :24:59. | |
All the instructions of how to upload your videos of you singing | :25:00. | :25:02. | |
You only have until midnight on Sunday 29th November. | :25:03. | :25:08. | |
Before we hear from Fleur East, our thanks to Russell. | :25:09. | :25:11. | |
Watch out for Gert Lush on BBC Two over Christmas and | :25:12. | :25:15. | |
Russell Howard's Good News on Thursdays, BBC Two at 10.00pm. | :25:16. | :25:25. | |
And thank you for being the guest. Did I do alright? A little bit | :25:26. | :25:30. | |
aggressive. OK, I will pull it back. Matt and I will be back on Monday | :25:31. | :25:33. | |
with Clare Balding and we'll be exclusively revealing | :25:34. | :25:36. | |
the shortlist for this year's But now with her new single 'Sax' | :25:37. | :25:38. | |
from her debut album 'Love, Sax and Flashbacks', which is out | :25:39. | :25:42. | |
on 4th December, it's Fleur East. # I met a boy last week | :25:43. | :25:48. | |
trying to run that game # Made it sound so sweet | :25:49. | :25:58. | |
when he say my name # You can talk that talk | :25:59. | :26:01. | |
but can you play that sax? # Baby baby, I've been waitin' | :26:02. | :26:09. | |
for the one to blow my mind # Baby, maybe you can get it | :26:10. | :26:12. | |
if you got that thang I like # I need to stick around | :26:13. | :26:19. | |
the way you chase round south # The type of red hot love that got | :26:20. | :26:23. | |
me freezin' cause # Say you can go all night | :26:24. | :26:28. | |
the way you lay that track # But if you wanna hear me sing, | :26:29. | :26:31. | |
you better play that sax # Yeah he be lovin' him | :26:32. | :26:35. | |
self more than Kim and Ye # God damn, you fine, | :26:36. | :26:52. | |
but can you play that sax? # Think you got Fleur | :26:53. | :26:57. | |
down to a formula # Pretty big IQ | :26:58. | :27:01. | |
but can you play that sax? # Baby baby, I've been waitin' for | :27:02. | :27:06. | |
the one to blow my mind, all right # Baby maybe you can get it | :27:07. | :27:09. | |
if you got that thang I like # I need to stick around | :27:10. | :27:16. | |
the way you chase round south # The type of red hot love | :27:17. | :27:19. | |
that got me freezin' cause # Say you can go all night | :27:20. | :27:24. | |
the way you lay that track # But if you wanna hear me sing, | :27:25. | :27:28. | |
you better play that sax # I need to stick around | :27:29. | :27:32. | |
the way you chase round south # The type of red hot love | :27:33. | :28:11. | |
that got me freezin' cause # Say you can go all night | :28:12. | :28:14. | |
the way you lay that track # If you wanna hear me sing, | :28:15. | :28:17. | |
you better play that sax! # Hold tight, lean back, | :28:18. | :28:25. | |
play what I want # Hold tight, lean back, | :28:26. | :28:42. | |
play what I want | :28:43. | :28:50. |